Sometimes Distance Is Better Quotes

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I thought, this is the most incredible thing I have ever seen, and I had better keep it a safe distance away from me. I thought, if someone like that ever loved me, it would set me on fire. And then I was a careless fool, and I fell in love with you anyway. When you rang me at truly shocking hours of the night, I loved you. When you kissed me in disgusting public toilets and pouted in hotel bars and made me happy in ways in which it had never even occurred to me that a mangled-up, locked-up person like me could be happy, I loved you. And then, inexplicably, you had the absolute audacity to love me back. Can you believe it? Sometimes, even now, I still can't.
Casey McQuiston (Red, White & Royal Blue)
Yet this distance, all those abysses unbridged and then unbridgeable by radio, television, cheap travel and the rest, was not wholly bad. People knew less of each other, perhaps, but they felt more free of each other, and so were more individual. The entire world was not for them only a push or a switch away. Strangers were strange, and sometimes with an exciting, beautiful strangeness. It may be better for humanity that we should communicate more and more. But I am a heretic, I think our ancestors' isolation was like the greater space they enjoyed: it can only be envied. The world is only too literally too much with us now.
John Fowles (The French Lieutenant’s Woman)
He said, “I know somebody you could kiss.” “Who?” She realized his eyes were amused. “Oh, wait.” He shrugged. He was maybe the only person Blue knew who could preserve the integrity of a shrug while lying down. “It’s not like you’re going to kill me. I mean, if you were curious.” She hadn’t thought she was curious. It hadn’t been an option, after all. Not being able to kiss someone was a lot like being poor. She tried not to dwell on the things she couldn’t have. But now— “Okay,” she said. “What?” “I said okay.” He blushed. Or rather, because he was dead, he became normal colored. “Uh.” He propped himself on an elbow. “Well.” She unburied her face from the pillow. “Just, like—” He leaned toward her. Blue felt a thrill for a half a second. No, more like a quarter second. Because after that she felt the too-firm pucker of his tense lips. His mouth mashed her lips until it met teeth. The entire thing was at once slimy and ticklish and hilarious. They both gasped an embarrassed laugh. Noah said, “Bah!” Blue considered wiping her mouth, but felt that would be rude. It was all fairly underwhelming. She said, “Well.” “Wait,” Noah replied, “waitwaitwait.” He pulled one of Blue’s hairs out of his mouth. “I wasn’t ready.” He shook out his hands as if Blue’s lips were a sporting event and cramping was a very real possibility. “Go,” Blue said. This time they only got within a breath of each other’s lips when they both began to laugh. She closed the distance and was rewarded with another kiss that felt a lot like kissing a dishwasher. “I’m doing something wrong?” she suggested. “Sometimes it’s better with tongue,” he replied dubiously. They regarded each other. Blue squinted, “Are you sure you’ve done this before?” “Hey!” he protested. “It’s weird for me, ‘cause it’s you.” “Well, it’s weird for me because it’s you.” “We can stop.” “Maybe we should.” Noah pushed himself up farther on his elbow and gazed at the ceiling vaguely. Finally, he dropped his eyes back to her. “You’ve seen, like, movies. Of kisses, right? Your lips need to be, like, wanting to be kissed.” Blue touched her mouth. “What are they doing now?” “Like, bracing themselves.” She pursed and unpursed her lips. She saw his point. “So imagine one of those,” Noah suggested. She sighed and sifted through her memories until she found one that would do. It wasn’t a movie kiss, however. It was the kiss the dreaming tree had showed her in Cabeswater. Her first and only kiss with Gansey, right before he died. She thought about his nice mouth when he smiled. About his pleasant eyes when he laughed. She closed her eyes. Placing an elbow on the other side of her head, Noah leaned close and kissed her once more. This time, it was more of a thought than a feeling, a soft heat that began at her mouth and unfurled through the rest of her. One of his cold hands slid behind her neck and he kissed her again, lips parted. It was not just a touch, an action. It was a simplification of both of them: They were no longer Noah Czerny and Blue Sargent. They were now just him and her. Not even that. They were only the time that they held between them.
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
But you didn't need me, did you? You'd already got yourself to safety." "Sometimes, I sleep better knowing you . . . and Niall . . ." She faltered. "Love you from a safe distance," he finished. "Yes.
Melissa Marr (Stopping Time (Wicked Lovely, #2.5))
Everything looks better at a distance. If you made it up, you have to live it down. Everything is compost. There is no they—only us. It’s a mistake to believe everything you think. You can get used to anything. Sometimes things are just as bad as they seem. It helps if you always have somebody to kiss goodnight.
Robert Fulghum (All I Really Need to Know I Learned in Kindergarten)
Sometimes loving from a distance is much better than trying to love up close. Love doesn't disappear when you leave a toxic or unhealthy relationship, you only begin to love yourself more....and self love enhances love for others..
Karlicia Lewis (Stop Saying Yes to Mr. No Good: Get Rid of Toxic Men Once and For All)
We’ve all encountered those people who out of the corner of our eye, from across the street, at magic hour appear astoundingly attractive, even god or goddess like: the way they move, the way the light hits them, invokes reverence and all, the impression. And then we got a closer look. Damn it. Let down. Good from afar, but far from good. Some people will never be more attractive than in that first impression, from a distance, in that light, at that time, in that way we saw them, when our hopes became highest and our wish fulfillment was fully let it. They will never look better than in that initial fuzzy edge clingups, impressions. The white shot. Some relationships are better in a white shot. More impressive in the impressions. Like in-laws, best to only see an hour a day, like neighbors, its while we have walls and fences, like that long distance romance that fell apart when you moved in together, like that summer fling that only lasted through August, that friend that became a lover that you now miss as a friend, like ourselves when we are a fraud. They are better from a distance, with less frequency, with less intimacy. Sometimes we need more space, it’s romance, it’s imagination. Distance is the flirt in a wing, it is frivolous, its mysterious, a fantasy, a constant honeymoon because we can’t quite see it, we aren’t quite sure about it, we don’t quite know it. It’s a fuck, it’s detachment, it’s separate, it’s public, it’s carefree, it’s painless, it’s for rent. And we like it that way, because sometimes it is better with the lights dimmed.
Matthew McConaughey (Greenlights)
We have time for everything: to sleep, to run from one place to another, to regret having mistaken and to mistake again, to judge the others and to forgive ourselves we have time for reading and writing, for making corrections to our texts, to regret ever having written we have time to make plans and time not to respect them, we have time for ambitions and sicknesses, time to blame the destiny and the details, we have time to watch the clouds, advertisements or some ordinary accident, we have time to chase our wonders away and to postpone the answers, we have time to break a dream to pieces and then to reinvent it, we have time to make friends, to lose friends, we have time to receive lessons and forget them afterwards, we have time to receive gifts and not to understand them. We have time for them all. There is no time for just a bit of tenderness. When we are aware about to do this we die. I’ve learned that you cannot make someone love you; All you can do is to be a loved person. the rest … depends on the others. I’ve learned that as much as I care others might not care. I’ve learned that it takes years to earn trust and just a few seconds to lose it. I’ve learned that it does not matter WHAT you have in your life but WHO you have. I’ve learned that your charm is useful for about 15 minutes Afterwards, you should better know something. I’ve learned that no matter how you cut it, everything has two sides! I’ve learned that you should separate from your loved ones with warm words It might be the last time you see them! I’ve learned that you can still continue for a long time after saying you cannot continue anymore I’ve learned that heroes are those who do what they have to do, when they have to do it, regardless the consequences I’ve learned that there are people who love But do not know how to show it ! I’ve learned that when I am upset I have the RIGHT to be upset But not the right to be bad! I’ve learned that real friendship continues to exist despite the distance And this is true also for REAL LOVE !!! I’ve learned that if someone does not love you like you want them to It does not mean that they do not love you with all their heart. I’ve learned that no matter how good of a friend someone is for you that person will hurt you every now and then and that you have to forgive him. I’ve learned that it is not enough to be forgiven by others Sometimes you have to learn to forgive yourself. I’ve learned that no matter how much you suffer, The world will not stop for your pain. I’ve learned that the past and the circumstances might have an influence on your personality But that YOU are responsible for what you become !!! I’ve learned that if two people have an argument it does not mean that they do not love each other I’ve learned that sometimes you have to put on the first place the person, not the facts I’ve learned that two people can look at the same thing and can see something totally different I’ve learned that regardless the consequences those WHO ARE HONEST with themselves go further in life. I’ve learned that life can be changed in a few hours by people who do not even know you. I’ve learned that even when you think there is nothing more you can give when a friend calls you, you will find the strength to help him. I’ve learned that writing just like talking can ease the pains of the soul ! I’ve learned that those whom you love the most are taken away from you too soon … I’ve learned that it is too difficult to realise where to draw the line between being friendly, not hurting people and supporting your oppinions. I’ve learned to love to be loved.
Octavian Paler
The more different someone seems from us, the more unreal they may feel to us. We can too easily ignore or dismiss people when they are of a different race or religion, when they come from a different socioeconomic “class.” Assessing them as either superior or inferior, better or worse, important or unimportant, we distance ourselves. Fixating on appearances—their looks, behavior, ways of speaking—we peg them as certain types. They are HIV positive or an alcoholic, a leftist or fundamentalist, a criminal or power monger, a feminist or do-gooder. Sometimes our typecasting has more to do with temperament—the person is boring or narcissistic, needy or pushy, anxious or depressed. Whether extreme or subtle, typing others makes the real human invisible to our eyes and closes our heart.
Tara Brach (Radical Acceptance: Embracing Your Life with the Heart of a Buddha)
When he wrote back, he pretended to be his old self, he lied his way into sanity. For fear of his psychiatrist who was also their censor, they could never be sensual, or even emotional. His was considered a modern, enlightened prison, despite its Victorian chill. He had been diagnosed, with clinical precision, as morbidly oversexed, and in need of help as well as correction. He was not to be stimulated. Some letters—both his and hers—were confiscated for some timid expression of affection. So they wrote about literature, and used characters as codes. All those books, those happy or tragic couples they had never met to discuss! Tristan and Isolde the Duke Orsino and Olivia (and Malvolio too), Troilus and Criseyde, Once, in despair, he referred to Prometheus, chained to a rock, his liver devoured daily by a vulture. Sometimes she was patient Griselde. Mention of “a quiet corner in a library” was a code for sexual ecstasy. They charted the daily round too, in boring, loving detail. He described the prison routine in every aspect, but he never told her of its stupidity. That was plain enough. He never told her that he feared he might go under. That too was clear. She never wrote that she loved him, though she would have if she thought it would get through. But he knew it. She told him she had cut herself off from her family. She would never speak to her parents, brother or sister again. He followed closely all her steps along the way toward her nurse’s qualification. When she wrote, “I went to the library today to get the anatomy book I told you about. I found a quiet corner and pretended to read,” he knew she was feeding on the same memories that consumed him “They sat down, looked at each other, smiled and looked away. Robbie and Cecilia had been making love for years—by post. In their coded exchanges they had drawn close, but how artificial that closeness seemed now as they embarked on their small talk, their helpless catechism of polite query and response. As the distance opened up between them, they understood how far they had run ahead of themselves in their letters. This moment had been imagined and desired for too long, and could not measure up. He had been out of the world, and lacked the confidence to step back and reach for the larger thought. I love you, and you saved my life. He asked about her lodgings. She told him. “And do you get along all right with your landlady?” He could think of nothing better, and feared the silence that might come down, and the awkwardness that would be a prelude to her telling him that it had been nice to meet up again. Now she must be getting back to work. Everything they had, rested on a few minutes in a library years ago. Was it too frail? She could easily slip back into being a kind of sister. Was she disappointed? He had lost weight. He had shrunk in every sense. Prison made him despise himself, while she looked as adorable as he remembered her, especially in a nurse’s uniform. But she was miserably nervous too, incapable of stepping around the inanities. Instead, she was trying to be lighthearted about her landlady’s temper. After a few more such exchanges, she really was looking at the little watch that hung above her left breast, and telling him that her lunch break would soon be over.
Ian McEwan (Atonement)
She dances, She dances around the burning flames with passion, Under the same dull stars, Under the same hell with crimson embers crashing, Under the same silver chains that wires, All her beauty and who she is inside, She's left with the loneliness of human existence, She's left questioning how she's survived, She's left with this awakening of brutal resilience, Her true beauty that she denies, As much she's like to deny it, As much as it continues to shine, That she doesn't even have to admit, Because we all know it's true, Her glory and success, After all she's been through, Her triumph and madness, AND YET, SHE STANDS. Broken legs- but she's still standing, Still dancing in this void, You must wonder how she's still dancing, You must wonder how she's not destroyed, She doesn't even begin to drown within the flames, But little do you realize, Within these chains, She weeps and she cries, But she still goes on, And just you thought you could stop her? You thought you'd be the one? Well, let me tell you, because you thought wrong. Nothing will ever silence her, Because I KNOW, I know that she is admiringly strong, Her undeniable beauty, The triumph of her song, She's shining bright like a ruby, Reflecting in the golden sand, She's shining brighter like no other, She's far more than human or man, AND YET, SHE STANDS. She continues to dance with free-spirit, Even though she's locked in these chains, Though she never desired to change it, Even throughout the agonizing pain, Throughout all the distress, Anxiety, depression, tears and sorrow, She still dances so beautify in her dress, She looks forward to tomorrow, Not because of a fresh start but a new page, A new day full of opportunities, Despite being trapped in her cage, She still smiles after being beaten so brutally, A smile that could brighten anyone's day, She's so much more than anyone could ask for, She's so much more than I could ever say, She's a girl absolutely everyone should adore, She never gets in the way, Even after her hearts been broken, Even after the way she has been treated, After all these severe emotions, After all all the blood she's bled, AND YET, SHE STANDS. Even if sometimes she wonders why she's still here, She wonders why she's not dead, But there's this one thing that had been here throughout every tear, Throughout the blazing fire leaving her cheeks cherry red, Everyday this thing has given her a place to exist, This thing, person, these people, Like warm sunlight it had so softly kissed, The apples of her cheeks, Even when she's feeling feeble, Always there at her worst and at her best Because of you and all the other people, She has this thing deep inside her chest, That she will cherish forever, Even once you're gone, Because today she smiles like no other, Even when the sun sets at dawn, Because today is the day, She just wants you to remember, In dark and stormy weather, It gets better. And after what she's been through she knows, Throughout the highs and the lows, Because of you and all others, After crossing the seas, She has come to understand, You have formed this key, This key to free her from this land, This endless gorge that swallowed her, Her and other men, She had never knew, nor had she planned, That because of you, She's free. AND YET, THIS VERY DAY, SHE DANCES. EVEN IN THE RAIN.
Gabrielle Renee
We began before words, and we will end beyond them. It sometimes seems to me that our days are poisoned with too many words. Words said and not meant. Words said ‘and’ meant. Words divorced from feeling. Wounding words. Words that conceal. Words that reduce. Dead words. If only words were a kind of fluid that collects in the ears, if only they turned into the visible chemical equivalent of their true value, an acid, or something curative – then we might be more careful. Words do collect in us anyway. They collect in the blood, in the soul, and either transform or poison people’s lives. Bitter or thoughtless words poured into the ears of the young have blighted many lives in advance. We all know people whose unhappy lives twist on a set of words uttered to them on a certain unforgotten day at school, in childhood, or at university. We seem to think that words aren’t things. A bump on the head may pass away, but a cutting remark grows with the mind. But then it is possible that we know all too well the awesome power of words – which is why we use them with such deadly and accurate cruelty. We are all wounded inside one way or other. We all carry unhappiness within us for some reason or other. Which is why we need a little gentleness and healing from one another. Healing in words, and healing beyond words. Like gestures. Warm gestures. Like friendship, which will always be a mystery. Like a smile, which someone described as the shortest distance between two people. Yes, the highest things are beyond words. That is probably why all art aspires to the condition of wordlessness. When literature works on you, it does so in silence, in your dreams, in your wordless moments. Good words enter you and become moods, become the quiet fabric of your being. Like music, like painting, literature too wants to transcend its primary condition and become something higher. Art wants to move into silence, into the emotional and spiritual conditions of the world. Statues become melodies, melodies become yearnings, yearnings become actions. When things fall into words they usually descend. Words have an earthly gravity. But the best things in us are those that escape the gravity of our deaths. Art wants to pass into life, to lift it; art wants to enchant, to transform, to make life more meaningful or bearable in its own small and mysterious way. The greatest art was probably born from a profound and terrible silence – a silence out of which the greatest enigmas of our life cry: Why are we here? What is the point of it all? How can we know peace and live in joy? Why be born in order to die? Why this difficult one-way journey between the two mysteries? Out of the wonder and agony of being come these cries and questions and the endless stream of words with which to order human life and quieten the human heart in the midst of our living and our distress. The ages have been inundated with vast oceans of words. We have been virtually drowned in them. Words pour at us from every angle and corner. They have not brought understanding, or peace, or healing, or a sense of self-mastery, nor has the ocean of words given us the feeling that, at least in terms of tranquility, the human spirit is getting better. At best our cry for meaning, for serenity, is answered by a greater silence, the silence that makes us seek higher reconciliation. I think we need more of the wordless in our lives. We need more stillness, more of a sense of wonder, a feeling for the mystery of life. We need more love, more silence, more deep listening, more deep giving.
Ben Okri (Birds of Heaven)
The Heiligenstadt Testament" Oh! ye who think or declare me to be hostile, morose, and misanthropical, how unjust you are, and how little you know the secret cause of what appears thus to you! My heart and mind were ever from childhood prone to the most tender feelings of affection, and I was always disposed to accomplish something great. But you must remember that six years ago I was attacked by an incurable malady, aggravated by unskillful physicians, deluded from year to year, too, by the hope of relief, and at length forced to the conviction of a lasting affliction (the cure of which may go on for years, and perhaps after all prove impracticable). Born with a passionate and excitable temperament, keenly susceptible to the pleasures of society, I was yet obliged early in life to isolate myself, and to pass my existence in solitude. If I at any time resolved to surmount all this, oh! how cruelly was I again repelled by the experience, sadder than ever, of my defective hearing! — and yet I found it impossible to say to others: Speak louder; shout! for I am deaf! Alas! how could I proclaim the deficiency of a sense which ought to have been more perfect with me than with other men, — a sense which I once possessed in the highest perfection, to an extent, indeed, that few of my profession ever enjoyed! Alas, I cannot do this! Forgive me therefore when you see me withdraw from you with whom I would so gladly mingle. My misfortune is doubly severe from causing me to be misunderstood. No longer can I enjoy recreation in social intercourse, refined conversation, or mutual outpourings of thought. Completely isolated, I only enter society when compelled to do so. I must live like art exile. In company I am assailed by the most painful apprehensions, from the dread of being exposed to the risk of my condition being observed. It was the same during the last six months I spent in the country. My intelligent physician recommended me to spare my hearing as much as possible, which was quite in accordance with my present disposition, though sometimes, tempted by my natural inclination for society, I allowed myself to be beguiled into it. But what humiliation when any one beside me heard a flute in the far distance, while I heard nothing, or when others heard a shepherd singing, and I still heard nothing! Such things brought me to the verge of desperation, and well-nigh caused me to put an end to my life. Art! art alone deterred me. Ah! how could I possibly quit the world before bringing forth all that I felt it was my vocation to produce? And thus I spared this miserable life — so utterly miserable that any sudden change may reduce me at any moment from my best condition into the worst. It is decreed that I must now choose Patience for my guide! This I have done. I hope the resolve will not fail me, steadfastly to persevere till it may please the inexorable Fates to cut the thread of my life. Perhaps I may get better, perhaps not. I am prepared for either. Constrained to become a philosopher in my twenty-eighth year! This is no slight trial, and more severe on an artist than on any one else. God looks into my heart, He searches it, and knows that love for man and feelings of benevolence have their abode there! Oh! ye who may one day read this, think that you have done me injustice, and let any one similarly afflicted be consoled, by finding one like himself, who, in defiance of all the obstacles of Nature, has done all in his power to be included in the ranks of estimable artists and men. My brothers Carl and [Johann], as soon as I am no more, if Professor Schmidt be still alive, beg him in my name to describe my malady, and to add these pages to the analysis of my disease, that at least, so far as possible, the world may be reconciled to me after my death. I also hereby declare you both heirs of my small fortune (if so it may be called). Share it fairly, agree together and assist each other. You know that any
Ludwig van Beethoven
Can you drive it?" "No. I can't drive a stick at all. It's why I took Andy's car and not one of yours." "Oh people, for goodness' sake...move over." Choo Co La Tah pushed past Jess to take the driver's seat. Curious about that, she slid over to make room for the ancient. Jess hesitated. "Do you know what you're doing?" Choo Co La Tah gave him a withering glare. "Not at all. But I figured smoeone needed to learn and no on else was volunteering. Step in and get situated. Time is of the essence." Abigail's heart pounded. "I hope he's joking about that." If not, it would be a very short trip. Ren changed into his crow form before he took flight. Jess and Sasha climbed in, then moved to the compartment behind the seat. A pall hung over all of them while Choo Co La Tah adjusted the seat and mirrors. By all means, please take your time. Not like they were all about to die or anything... She couldn't speak as she watched their enemies rapidly closing the distance between them. This was by far the scariest thing she'd seen. Unlike the wasps and scorpions, this horde could think and adapt. They even had opposable thumbs. Whole different ball game. Choo Co La Tah shifted into gear. Or at least he tried. The truck made a fierce grinding sound that caused jess to screw his face up as it lurched violently and shook like a dog coming in from the rain. "You sure you odn't want me to try?" Jess offered. Choo Co La Tah waved him away. "I'm a little rusty. Just give me a second to get used to it again." Abigail swallowed hard. "How long has it been?" Choo Co La Tah eashed off the clutch and they shuddred forward at the most impressive speed of two whole miles an hour. About the same speed as a limping turtle. "Hmm, probably sometime around nineteen hundred and..." They all waited with bated breath while he ground his way through more gears. With every shift, the engine audibly protested his skills. Silently, so did she. The truck was really moving along now. They reached a staggering fifteen miles an hour. At this rate, they might be able to overtake a loaded school bus... by tomorrow. Or at the very least, the day after that. "...must have been the summer of...hmm...let me think a moment. Fifty-three. Yes, that was it. 1953. The year they came out with color teles. It was a good year as I recall. Same year Bill Gates was born." The look on Jess's and Sasha's faces would have made her laugh if she wasn't every bit as horrified. Oh my God, who put him behind the wheel? Sasha visibly cringed as he saw how close their pursuers were to their bumper. "Should I get out and push?" Jess cursed under his breath as he saw them, too. "I'd get out and run at this point. I think you'd go faster." Choo Co La Tah took their comments in stride. "Now, now, gentlemen. All is well. See, I'm getting better." He finally made a gear without the truck spazzing or the gears grinding.
Sherrilyn Kenyon (Retribution (Dark-Hunter, #19))
Philosophy has an image problem. Philosophers are thought to be mystics, religious figures, bullshit artists—anything divorced from reality... Why is philosophy held in such contempt by many physicists? ... one part of the answer probably lies in the split between the two major branches of modern Western philosophy, Analytic and Continental philosophy. Continental philosophers tend to be much more suspicious of scientific claims about knowledge and truth than are their analytic colleagues. Yet the distinction between the two kinds of philosophy is not apparent from a distance—most scientists have never heard of the analytic-Continental divide. So, given that most of the highly visible philosophers in the public sphere today are Continental, and given the attitude that some (not all) Continental philosophers have toward science, it’s not terribly surprising that scientists often have disdain for all philosophers, and sometimes even think that they can do philosophy better than the philosophers can.
Adam Becker (What Is Real?: The Unfinished Quest for the Meaning of Quantum Physics)
The violence of men, though, is modulated by a slider: they can allocate their energy along a continuum from competing with other men for access to women to wooing the women themselves and investing in their children, a continuum that biologists sometimes call “cads versus dads.”103 In a social ecosystem populated mainly by men, the optimal allocation for an individual man is at the “cad” end, because attaining alpha status is necessary to beat away the competition and a prerequisite to getting within wooing distance of the scarce women.
Steven Pinker (The Better Angels of Our Nature: Why Violence Has Declined)
What I miss is the feeling that nothing has started yet, that the future towers over the past, that the present is merely a planning phase for the gleaming architecture that will make up the skyline of the rest of my life. But what I forget is the loneliness of all that. If everything is ahead then nothing is behind. You have no ballast. You have no tailwinds either. You hardly ever know what to do, because you’ve hardly done anything. I guess this is why wisdom is supposed to be the consolation prize of aging. It’s supposed to give us better things to do than stand around and watch in disbelief as the past casts long shadows over the future. The problem, I now know, is that no one ever really feels wise, least of all those who actually have it in themselves to be so. The Older Self of our imagination never quite folds itself into the older self we actually become. Instead, it hovers in the perpetual distance like a highway mirage. It’s the destination that never gets any closer even as our life histories pile up behind us in the rearview mirror. It is the reason that I got to forty-something without ever feeling thirty-something. It is why I hope that if I make it to eighty-something I have the good sense not to pull out those old CDs. My heart, by then, surely would not be able to keep from imploding. My heart, back then, stayed in one piece only because, as bursting with anticipation as it was, it had not yet been strained by nostalgia. It had not yet figured out that life is mostly an exercise in being something other than what we used to be while remaining fundamentally—and sometimes maddeningly—who we are.
Meghan Daum (The Unspeakable: And Other Subjects of Discussion)
At this point is born the fatal envy which so many men feel of the lives of others. Seen from a distance, these existences seem to possess a coherence and a unity which they cannot have in reality, but which seem evident to the spectator. He sees only the salient points of these lives without taking into account the details of corrosion. Thus we make these lives into works of art. In an elementary fashion we turn them into novels. In this sense, everyone tries to make his life a work of art. We want love to last and we know that it does not last; even if, by some miracle, it were to last a whole lifetime, it would still be incomplete. Perhaps, in this insatiable need for perpetuation, we should better understand human suffering if we knew that it was eternal. It appears that great minds are sometimes less horrified by suffering than by the fact that it does not endure. In default of inexhaustible happiness, eternal suffering would at least give us a destiny. But we do not even have that consolation, and our worst agonies come to an end one day. One morning, after many dark nights of despair, an irrepressible longing to live will announce to us the fact that all is finished and that suffering has no more meaning than happiness.
Albert Camus (The Rebel)
how you get used to a life with someone, and you just assume they’ll be there when you wake up or go to sleep. Sometimes you have a picnic together and sometimes you bring your bear, and sometimes you’re both too busy doin’ other things to spend much time together, but you’re both a shout away, so you’re still together. Sometimes things are great and sometimes they ain’t, but you know even durin’ the bad times you can walk a few steps and make things better, or they can walk a few steps and do the same. Or you can both be pig-headed about some silly somethin’ and keep your distance, but you’re even doin’ that together.
John Locke (Don't Poke the Bear! (Emmett Love, #2))
I shall describe one example of this kind of world, the greatest planet of a mighty sun. Situated, if I remember rightly, near the congested heart of the galaxy, this star was born late in galactic history, and it gave birth to planets when already many of the older stars were encrusted with smouldering lava. Owing to the violence of solar radiation its nearer planets had (or will have) stormy climates. On one of them a mollusc-like creature, living in the coastal shallows, acquired a propensity to drift in its boatlike shell on the sea’s surface, thus keeping in touch with its drifting vegetable food. As the ages passed, its shell became better adapted to navigation. Mere drifting was supplemented by means of a crude sail, a membrane extending from the creature’s back. In time this nautiloid type proliferated into a host of species. Some of these remained minute, but some found size advantageous, and developed into living ships. One of these became the intelligent master of this great world. The hull was a rigid, stream-lined vessel, shaped much as the nineteenth-century clipper in her prime, and larger than our largest whale. At the rear a tentacle or fin developed into a rudder, which was sometimes used also as a propeller, like a fish’s tail. But though all these species could navigate under their own power to some extent, their normal means of long-distance locomotion was their great spread of sail. The simple membranes of the ancestral type had become a system of parchment-like sails and bony masts and spars, under voluntary muscular control. Similarity to a ship was increased by the downward-looking eyes, one on each side of the prow. The mainmast-head also bore eyes, for searching the horizon. An organ of magnetic sensitivity in the brain afforded a reliable means of orientation. At the fore end of the vessel were two long manipulatory tentacles, which during locomotion were folded snugly to the flanks. In use they formed a very serviceable pair of arms.
Olaf Stapledon (Star Maker (S.F. MASTERWORKS))
Rita shook her head. “You see,” she went on as if she hadn’t heard a word I said, “this is exactly why it’s better to keep my distance.” I told Rita what I tell everyone who’s afraid of getting hurt in relationships—which is to say, everyone with a heartbeat. I explained to her that even in the best possible relationship, you’re going to get hurt sometimes, and no matter how much you love somebody, you will at times hurt that person, not because you want to, but because you’re human. You will inevitably hurt your partner, your parents, your children, your closest friend—and they will hurt you—because if you sign up for intimacy, getting hurt is part of the deal. But, I went on, what was so great about a loving intimacy was that there was room for repair. Therapists call this process rupture and repair, and if you had parents who acknowledged their mistakes and took responsibility for them and taught you as a child to acknowledge your mistakes and learn from them too, then ruptures won’t feel so cataclysmic in your adult relationships. If, however, your childhood ruptures didn’t come with loving repairs, it will take some practice for you to tolerate the ruptures, to stop believing that every rupture signals the end, and to trust that even if a relationship doesn’t work out, you will survive that rupture too. You will heal and self-repair and sign up for another relationship full of its own ruptures and repairs. It’s not ideal, opening yourself up like this, putting your shield down, but if you want the rewards of an intimate relationship, there’s no way around it. Still, Rita called me every day to let me know that Myron hadn’t responded. “Radio silence,” she’d say into my voicemail, then add sarcastically,
Lori Gottlieb (Maybe You Should Talk to Someone: A Therapist, Her Therapist, and Our Lives Revealed)
I prop my guitar up against the nightstand. Then I turn toward the bed and fall into it face first. The mattress is soft but firm, like a sheet of steel wrapped in a cloud. I roll around, moaning loud and long. “Oh, that’s good. Really, really good. What a grand bed!” Sarah clears her throat. “Well. We should probably get to sleep, then. Big day tomorrow.” The pillow smells sweet, like candy. I can only imagine it’s from her. I wonder if I pressed my nose to the crook of her neck, would her skin smell as delicious? I brush away the thought as I watch her stiffly gather a pillow and blanket from the other side of the bed, dragging them to . . . the nook. “What are you doing?” She looks up, her doe eyes widening. “Getting ready for bed.” “You’re going to sleep there?” “Of course. The sofa’s very uncomfortable.” “Why can’t we share the bed?” She chokes . . . stutters. “I . . . I can’t sleep with you. I don’t even know you.” I throw my arms out wide. “What do you want to know? Ask me anything—I’m an open book.” “That’s not what I mean.” “You’re being ridiculous! It’s a huge bed. You could let one rip and I wouldn’t hear it.” And the blush is back. With a vengeance. “I’m not . . . I don’t . . .” “You don’t fart?” I scoff. “Really? Are you not human?” She curses under her breath, but I’d love to hear it out loud. I bet uninhibited Sarah Von Titebottum would be a stunning sight. And very entertaining. She shakes her head, pinning me with her eyes. “There’s something wrong with you.” “No.” I explain calmly, “I’m just free. Honest with myself and others. You should try it sometime.” She folds her arms, all tight, trembling indignation. It’s adorable. “I’m sleeping in the nook, Your Highness. And that’s that.” I sit up, pinning her gaze right back at her. “Henry.” “What?” “My name is not Highness, it’s fucking Henry, and I’d prefer you use it.” And she snaps. “Fine! Fucking Henry—happy?” I smile. “Yes. Yes, I am.” I flop back on the magnificent bed. “Sleep tight, Titebottum.” I think she growls at me, but it’s muffled by the sound of rustling bed linens and pillows. And then . . . there’s silence. Beautiful, blessed silence. I wiggle around, getting comfy. I turn on my side and fluff the pillow. I squeeze my eyes tight . . . but it’s hopeless. “Fucking hell!” I sit up. And Sarah springs to her feet. “What? What’s wrong?” It’s the guilt. I’ve barged into this poor girl’s room, confiscated her bed, and have forced her to sleep in a cranny in the wall. I may not be the man my father was or the gentleman my brother is, but I’m not that much of a prick. I stand up, rip my shirt over my head. and march toward the window seat. I feel Sarah’s eyes graze my bare chest, arms. and stomach, but she circles around me, keeping her distance. “You take the bloody bed,” I tell her. “I’ll sleep in the bloody nook.” “You don’t have to do that.” I push my hand through my hair. “Yes, I do.” Then I stand up straight and proper, an impersonation of Hugh Grant in one of his classic royal roles. “Please, Lady Sarah.” She blinks, her little mouth pursed. “Okay.” Then she climbs onto the bed, under the covers. And I squeeze onto the window bench, knees bent, my elbow jammed against the icy windowpane, and my neck bent at an odd angle that I’m going to be feeling tomorrow. The light is turned down to a very low dim, and for several moments all I hear is Sarah’s soft breaths. But then, in the near darkness, her delicate voice floats out on a sigh. “All right, we can sleep in the bed together.” Music to my ears. I don’t make her tell me twice—I’ve fulfilled my noble quota for the evening. I stumble from the nook and crash onto the bed. That’s better.
Emma Chase (Royally Matched (Royally, #2))
First, remember how Control Dramas get started in the first place. When people feel insecure, they do things to feel better in various ways. We don’t just have to defend against our own hurts and anxieties; we also have to defend against others who we think are trying to put us down or otherwise manipulate us to steal our energy. When someone puts us down, we sense that we are under attack and pay attention to them. Because “where attention goes, energy flows,” they get a hit of energy from us and we feel diminished. So we tend to fight back by putting them down or manipulating them in return to get the energy back. As you read in Celestine, this is the game played by too many, keeping too much conflict and corruption in the world. But this is all Ego stuff, of course, developed initially in insecure families. You already know the cure is to always be Spiritually Connected so we have our own centered inner security, which gives us an endless supply of energy, regardless of who is trying to steal it. We don’t have to play these games any longer. Here is what to do: simply stay connected with the person, giving them energy, and then “name their game.” For instance, if you are facing a “poor me” drama, in which the person wants to make you feel guilty about something you didn’t intend to do, simply say, “I am feeling that I’m being forced to feel guilty.” And stick to that. Don’t defend yourself. Just keep explaining your experience of the situation. Keep sending love. They might need to retreat, but you aren’t affected. You are a giver, secure in yourself. You cleared an inauthentic game by expressing authentic honesty. You offered your experience of the situation. Whether the other person wanted to or not, in response to your authenticity, they will find themselves becoming more authentic as well. And since you aren’t disconnecting, it opens the door to talk about true feelings in a relationship. Sometimes it’s the “aloof” Control Drama you’re facing, and the person is using distancing or mystification to get you to keep asking questions in order to win your energy. Collapse their game by giving them energy anyway and authentically saying, “I feel like I really can’t get to know you because you don’t share details about yourself.” Similarly, if you are facing an “Interrogator” who bids for energy by constantly finding something to criticize about you, simply say that you feel criticized and put down when you are with them. They will feel your energy and authentic sincerity and, again, will grow more authentic themselves, right in front of your eyes. The same name-the-game approach also works for the most aggressive Control Drama, the “Intimidator,” trying to get energy from you by telling you they are going to blow up and do something crazy, literally trying to scare you into giving them energy. Gently name the game, but be careful—sometimes it is more prudent to remove yourself from the situation.
James Redfield (The Celestine Prophecy (Celestine Prophecy, #1))
It was on this day, during this terrible and wonderful run, that a thought occurred to me, a thought which has never left me" I've always considered the question to be. "Why am I alive? Why am I here? What’s the point of me?? And to that I say WHO CARES! FORGET THE WHY. YOU ARE IN A RAGING FOREST FULL OF BEAUTY AND AGONY AND MAGICAL GRAPEY BEVERAGES AND LIGHTNING STORMS AND DEMON BEES. THIS IS BETTER THAN THE WHY. I run because I seek that clarity. Maybe it’s superficial. Maybe its’s just adrenaline and endorphins and serotine flooding my brain. But I don’t care. I run very fast because I desperately want to stand very still. I run to seek a void. The world around me is so very, very loud. It begs me to slow down, to sit down, to lie down. And the buzzing of the world is nothing compared to the noise inside my head. I’m an introspective person, and sometimes I think too much, about my job and about my life. I feed an army of pointless, bantering demons. But when I run, the world grows quiet. Demons are forgotten, Krakens are slain, and Blerches are silenced. THE END.
Matthew Inman (The Terrible and Wonderful Reasons Why I Run Long Distances (Volume 5) (The Oatmeal))
How is true possession to be distinguished from fraud or the symptoms of disease? The Church prescribes four tests - the language test, the test of preternatural physical strength, the test of levitation and the test of clairvoyance and prevision. If a person can on occasion understand, or better still, speak a language, of which, in his normal state, he is completely ignorant; if he can manifest the physical miracle of levitation or perform unaccountable feats of strength, and if he can correctly predict the future or describe events taking place at a distance - then that person may be presumed to be possessed by devils. (Alternatively, he may be presumed to be the recipient of extraordinary graces; for in many instances divine and infernal miracles are, most unhappily, identical. The levitation of saintly ecstatic is distinguishable from the levitation of ecstatics demoniacs only in virtue of the moral antecedents and consequences of the event. These moral antecedents and consequences are often hard to assess, and it has sometimes happened that even the holiest persons have been suspected of producing their ESP phenomena and their PK effects by diabolic means.)
Aldous Huxley (The Devils of Loudun)
My bones are leather and cardboard, my parchment smells of glue and mildew, and I strut at my ease across a hundredweight of paper. I am reborn, I have at last become a complete man, thinking, speaking, singing, thundering, and asserting himself with the peremptory inertia of matter. I am taken up, opened out, spread on the table, smoothed with the flat of the hand and sometimes made to crack. I let it happen and then suddenly I flash, dazzle, impose myself from a distance; my powers traverse space and time, strike down the wicked and protect the good. No one can forget me or pass me over in silence: I am a large, manageable, and terrible fetish. My consciousness is in fragments: all the better. Other consciousnesses have taken charge of me. They read me and I leap to their eyes; they talk about me and I am on everyone’s lips, a universal and singular language; I have made myself a prospective interest for millions of glances. For anyone who knows how to like me, I am his most intimate disquiet: but if he wants to touch me, I draw aside and vanish: I exist nowhere but I am, at last! I am everywhere: a parasite on humanity, by my good deeds I prey on it and force it endlessly to revive my absence.
Jean-Paul Sartre (The Words: The Autobiography of Jean-Paul Sartre)
It was a wise policy in that false prophet, Alexander, who though now forgotten, was once so famous, to lay the first scene of his impostures in Paphlagonia, where, as Lucian tells us, the people were extremely ignorant and stupid, and ready to swallow even the grossest delusion. People at a distance, who are weak enough to think the matter at all worth enquiry, have no opportunity of receiving better information. The stories come magnified to them by a hundred circumstances. Fools are industrious in propagating the imposture; while the wise and learned are contented, in general, to deride its absurdity, without informing themselves of the particular facts, by which it may be distinctly refuted. And thus the impostor above mentioned was enabled to proceed, from his ignorant Paphlagonians, to the enlisting of votaries, even among the Grecian philosophers, and men of the most eminent rank and distinction in Rome; nay, could engage the attention of that sage emperor Marcus Aurelius; so far as to make him trust the success of a military expedition to his delusive prophecies. 23 The advantages are so great, of starting an imposture among an ignorant people, that, even though the delusion should be too gross to impose on the generality of them (which, though seldom, is sometimes the case) it has a much better chance for succeeding in remote countries, than if the first scene had been laid in a city renowned for arts and knowledge. The most ignorant and barbarous of these barbarians carry the report abroad. None of their countrymen have a large correspondence, or sufficient credit and authority to contradict and beat down the delusion. Men’s inclination to the marvellous has full opportunity to display itself. And thus a story, which is universally exploded in the place where it was first started, shall pass for certain at a thousand miles distance. But had Alexander fixed his residence at Athens, the philosophers of that renowned mart of learning had immediately spread, throughout the whole Roman empire, their sense of the matter; which, being supported by so great authority, and displayed by all the force of reason and eloquence, had entirely opened the eyes of mankind. It is true; Lucian, passing by chance through Paphlagonia, had an opportunity of performing this good office. But, though much to be wished, it does not always happen, that every Alexander meets with a Lucian, ready to expose and detect his impostures.
Christopher Hitchens (The Portable Atheist: Essential Readings for the Nonbeliever)
The doors led to Prince Rhy’s private chambers, and Gen and Parrish, as part of Prince Rhy’s private guard, had been stationed outside of them. Parrish was fond of the prince. He was spoiled, of course, but so was every royal—or so Parrish assumed, having served only the one—but he was also good-natured and exceedingly lenient when it came to his guard (hell, he’d given Parrish the deck of cards himself, beautiful, gilded-edge things) and sometimes, after a night of drinking, would shed his Royal and its pretentions and converse with them in the common tongue (his Arnesian was flawless). If anything, Rhy seemed to feel guilty for the persistent presence of the guards, as if surely they had something better to do with their time than stand outside his door and be vigilant (and in truth, most nights it was more a matter of discretion than vigilance). The best nights were the ones when Prince Rhy and Master Kell set out into the city, and he and Gen were allowed to follow at a distance or relieved of their duties entirely and allowed to stay for company rather than protection (everyone knew that Kell could keep the prince safer than any of his guard). But Kell was still away—a fact that had put the ever-restless Rhy in a mood—and so the prince had withdrawn early to his chambers, and Parrish and Gen had taken up their watch, and Gen had robbed Parrish of most of his pocket money
Victoria Schwab (A Darker Shade of Magic (Shades of Magic, #1))
A Favorite start to a book [sorry it's long!]: "In yesterday’s Sunday Times, a report from Francistown in Botswana. Sometime last week, in the middle of the night, a car, a white American model, drove up to a house in a residential area. Men wearing balaclavas jumped out, kicked down the front door, and began shooting. When they had done with shooting they set fire to the house and drove off. From the embers the neighbors dragged seven charred bodies: two men, three women, two children. Th killers appeared to be black, but one of the neighbors heard them speaking Afrikaans among themselves. And was convinced they were whites in blackface. The dead were South Africans, refugees who had moved into the house mere weeks ago. Approached for comment, the SA Minister of Foreign Affairs, through a spokesman, calls the report ‘unverified’. Inquiries will be undertaken, he says, to determine whether the deceased were indeed SA citizens. As for the military, an unnamed source denies that the SA Defence Force had anything to do with the matter. The killings are probably an internal ANC matter, he suggests, reflecting ‘ongoing tensions between factions. So they come out, week after week, these tales from the borderlands, murders followed by bland denials. He reads the reports and feels soiled. So this is what he has come back to! Yet where in the world can one hide where one will not feel soiled? Would he feel any cleaner in the snows of Sweden, reading at a distance about his people and their latest pranks? How to escape the filth: not a new question. An old rat-question that will not let go, that leaves its nasty, suppurating wound. Agenbite of inwit. ‘I see the Defense Force is up to its old tricks again,’ he remarks to his father. ‘In Botswana this time.’ But his father is too wary to rise to the bait. When his father picks up the newspaper, he cares to skip straight to the sports pages, missing out the politics—the politics and the killings. His father has nothing but disdain for the continent to the north of them. Buffoons is the word he uses to dismiss the leaders of African states: petty tyrants who can barely spell their own names, chauffeured from one banquet to another in their Rolls-Royces, wearing Ruritanian uniforms festooned with medals they have awarded themselves. Africa: a place of starving masses with homicidal buffoons lording over them. ‘They broke into a house in Francistown and killed everyone,’ he presses on nonetheless. ‘Executed them .Including the children. Look. Read the report. It’s on the front page.’ His father shrugs. His father can find no form of words spacious enough to cover his distaste for, on one hand, thugs who slaughter defenceless women and children and, on the other, terrorists who wage war from havens across the border. He resolves the problem by immersing himself in the cricket scores. As a response to moral dilemma it is feeble; yet is his own response—fits of anger and despair—any better?" Summertime, Coetzee
J.M. Coetzee
She submitted to walk slowly on, with downcast eyes. He put her hand to his lips, and she quietly drew it away. ‘Will you walk beside me, Mr Wrayburn, and not touch me?’ For, his arm was already stealing round her waist. She stopped again, and gave him an earnest supplicating look. ‘Well, Lizzie, well!’ said he, in an easy way though ill at ease with himself ‘don’t be unhappy, don’t be reproachful.’ ‘I cannot help being unhappy, but I do not mean to be reproachful. Mr Wrayburn, I implore you to go away from this neighbourhood, to-morrow morning.’ ‘Lizzie, Lizzie, Lizzie!’ he remonstrated. ‘As well be reproachful as wholly unreasonable. I can’t go away.’ ‘Why not?’ ‘Faith!’ said Eugene in his airily candid manner. ‘Because you won’t let me. Mind! I don’t mean to be reproachful either. I don’t complain that you design to keep me here. But you do it, you do it.’ ‘Will you walk beside me, and not touch me;’ for, his arm was coming about her again; ‘while I speak to you very seriously, Mr Wrayburn?’ ‘I will do anything within the limits of possibility, for you, Lizzie,’ he answered with pleasant gaiety as he folded his arms. ‘See here! Napoleon Buonaparte at St Helena.’ ‘When you spoke to me as I came from the Mill the night before last,’ said Lizzie, fixing her eyes upon him with the look of supplication which troubled his better nature, ‘you told me that you were much surprised to see me, and that you were on a solitary fishing excursion. Was it true?’ ‘It was not,’ replied Eugene composedly, ‘in the least true. I came here, because I had information that I should find you here.’ ‘Can you imagine why I left London, Mr Wrayburn?’ ‘I am afraid, Lizzie,’ he openly answered, ‘that you left London to get rid of me. It is not flattering to my self-love, but I am afraid you did.’ ‘I did.’ ‘How could you be so cruel?’ ‘O Mr Wrayburn,’ she answered, suddenly breaking into tears, ‘is the cruelty on my side! O Mr Wrayburn, Mr Wrayburn, is there no cruelty in your being here to-night!’ ‘In the name of all that’s good—and that is not conjuring you in my own name, for Heaven knows I am not good’—said Eugene, ‘don’t be distressed!’ ‘What else can I be, when I know the distance and the difference between us? What else can I be, when to tell me why you came here, is to put me to shame!’ said Lizzie, covering her face. He looked at her with a real sentiment of remorseful tenderness and pity. It was not strong enough to impell him to sacrifice himself and spare her, but it was a strong emotion. ‘Lizzie! I never thought before, that there was a woman in the world who could affect me so much by saying so little. But don’t be hard in your construction of me. You don’t know what my state of mind towards you is. You don’t know how you haunt me and bewilder me. You don’t know how the cursed carelessness that is over-officious in helping me at every other turning of my life, won’t help me here. You have struck it dead, I think, and I sometimes almost wish you had struck me dead along with it.
Charles Dickens (Our Mutual Friend)
I have run in the sun and felt the power of it. I have run for the tape, run against the clock, I have run with thousands and run with only myself for company. I have run around and around the track over and over again and run with no idea where I was going. I have run for no particular reason to any particular place. I have run to help my heart’s efficiency; I have run because my heart ached. I have run fast and felt more alive than ever and I have run to bury or fight something deep within. I have run when I knew I needed to and I have run when I knew I shouldn’t have. I have loathed running and I have praised running. I have run for a personal record and made it and I have run giving everything I had and come up just a bit short. I have run and let laughter and storytelling roll the miles away. I have felt the pounding of every single step in silent solitude. I have run enough to know that we sometimes feel like an old pair of shoes and sometimes we feel like new ones. I have run enough to know the difference between a hard, cold head wind and a brisk steady wind at our back. I have run enough to know that once you get out a certain distance you had better be able to get back. I have had runner friends who have poured out their guts to me about my place in their life, some who just said thanks or said nothing at all. I am simply a runner who has failed and succeeded, faded and surged, hoped, dreamed! Running has given me my greatest ideas, thoughts and moments of joy. To feel the “flow”, that feeling of peace, joy, timelessness, focus and clarity is an integral part of the human experience.
Anonymous
Tell me—or anyone else—something thatis personal to you, Coach had said. Seiji couldn’t talk to just anyone, but Nicholas had said they were friends. “I was… Jesse’s mirror,” said Seiji slowly. “I reflected his—glow, his glories and his victories. I used to think it was an honor. We were similar, I told myself, in all the ways that really mattered.” Jesse was left-handed like Nicholas, so facing him sometimes felt like looking into a mirror. Like seeing yourself through the glass, a better, golden self in a different world. A self who fenced just as well but didn’t have to work as hard for it. A Seiji who did everything in life with the same skill as he fenced. “You’re not a mirror,” said Nicholas. “You’re real.” “It’s a metaphor, Nicholas.” Nicholas shrugged. “You’re still not a mirror. Mirrors break. You never do.” Seiji thought of his moment of defeat against Jesse. The moment that Aiden had seen, and taunted Seiji with, making Seiji lose again. Seiji had trained his whole life to be strong, but somehow, he was still weak. Jesse had taken his sword, and Seiji hadn’t been able to stop him. The bitterness of that defeat sent Seiji to Kings Row. Always keep moving toward your target, his dad’s voice said, but somehow Seiji had ended up getting his target wrong. He’d moved toward loss and pain he still didn’t entirely understand. “I lost,” confessed Seiji. “Badly.” “Doesn’t make you a loser,” said Nicholas, having another lapse where he didn’t understand what words—let alone metaphors—meant. “You didn’t burst into tears and give up fencing. And you didn’t follow Jesse to Exton like a little lamb, the way he was expecting. You came to Kings Row, and you came to fence. You came to fight.” This view of the matter was so shocking that Seiji said something he’d thought he would never say to Nicholas Cox. “I suppose…,” said Seiji, “… you’re right.” Nicholas’s gaze remained fixed on the floor. “Being rivals shouldn’t be about being someone’s mirror. Both of you get to be real. Neither of you has to break.” “Sometimes you’re insightful, Nicholas,” said Seiji. Nicholas looked pleased before Seiji added: “I think it’s mainly by accident.” At that point, Nicholas rolled his eyes and stepped into his side of the room, yanking the curtain closed between them.
Sarah Rees Brennan (Striking Distance (Fence, #1))
Since then I have not changed. For a long time I have been ashamed, mortally ashamed, of having been – even at a distance, even with the best will in the world – a murderer in my turn. With time I have simply noticed that even those who are better than the rest cannot avoid killing or letting others be killed because it is in the logic of how they live and we cannot make a gesture in this world without taking the risk of bringing death. Yes, I have continued to feel ashamed, and I learned that we are all in the plague, and I have lost my peace of mind. I am still looking for it today, trying to understand all of them and not to be the mortal enemy of anybody. All I know is that one must do one’s best not to be a plague victim and this is the only thing that can give us hope of peace or, failing that, a good death. This is what may give relief to men and, even if it does not save them, does them the least possible harm and even sometimes a little good. And this is why I have decided to reject everything that, directly or indirectly, makes people die or justifies others in making them die.
Albert Camus (The Plague)
18. Consistency, consistency, consistency! Running well takes months and years of diligent work. Unfortunately, there’s no short-term fix or “get fast quick” plan out there. Distance running is a long-term sport and it takes the top athletes years - sometimes decades - to reach their genetic potential. Remember that what you run today impacts what you’re able to do next week, which impacts what you can do next month, etc. Consistency is king and you’ll often get better results by adding a little bit of running for a few months than trying to jump up your mileage over just a few weeks. Small changes, made over a long period of time, will ultimately help you be a better runner. 19. Don’t blindly follow the 10% Rule. The 10% Rule states that you should only increase your mileage by 10% or less per week. But this “rule” is too simplistic for most runners and you should modify it for your own situation. Listen to your body because sometimes 10% will be aggressive, while other times you’ll be ready for more. Figure out your “mileage baseline” - the number of weekly miles you’re comfortable at. You can aggressively increase your mileage to this baseline but then you should be more conservative once you’re at or above your baseline. It’s also a good idea to hold your mileage at the same level for 2-3 weeks before increasing it to ensure your body is fully adapted to the higher workload. 20. Don’t burn the candle from both ends. This is a rule I learned the hard way in college. If you’re partying too much, eating like crap, or not sleeping enough then you can’t train at your normal level. You’ll need to cut back on your training to allow your body to recover from your non-running extracurricular activities. When you’re sacrificing a healthy lifestyle at the same time as running and working out a lot, it’s a surefire recipe for injury.
Jason Fitzgerald (101 Simple Ways to be a Better Runner)
Sometimes the voice sounds like normal speech, and sometimes it’s a torrent of idea fragments and half-formed thoughts. In his book Chatter, the University of Michigan psychologist Ethan Kross reports on one study suggesting that we talk to ourselves at a rate equivalent to speaking four thousand words a minute out loud. About a quarter of all people hear the sounds of other people’s voices in their heads. About half of all people address themselves in the second person as “you” often or all the time. Some people use their own name when talking to themselves. By the way, the people who address themselves in the second or even the third person have less anxiety, give better speeches, complete tasks more efficiently, and communicate more effectively. If you’re able to self-distance in this way, you should.
David Brooks (How to Know a Person: The Art of Seeing Others Deeply and Being Deeply Seen)
Anyway, to me he’s just Sunny. Come on up, Jacks, don’t be shy.” His eyes are wide, and he’s mouthing, “What the fuck?” At me while his friends shove him. “Sunny.” “What’s going on, Starlight?” His words are too quiet for the mic to pick up clearly. “You know I love you. I wouldn’t be here in this amazing city with this fantastic group of ladies if you hadn’t come crashing into my life. Literally.” His laugh has a nervous edge to it. “We might not seem like a perfect match from the outside, but somehow, we work. You make every single day a little lighter, a little more fun, and you drive me freaking insane sometimes.” He smirks. “But I love how you challenge me to be a better person. You make me whole. And so....” I scrabble in the waist pouch Jo passed to me after the bout. “Will you drive me crazy for the rest of our lives? Will you marry me, Jackson?” He leans into the mic. “Are you kidding me, Starlight? Way to steal my thunder.” “What?” I pull back. He reaches into the pocket of his jeans. “I was going to propose to you. I’ve been carrying this around for weeks. It was all planned out.” He pulls out a small grey velvet box. My chest shudders with laughter. “You always were too slow to keep up with me. Better get your skate coach to work on your speed.” “You like it when I take my time.” “Wait. So, is that a yes?” I shove at him to get a little distance. It’s entirely possible I could self combust if he doesn’t give me a bit of space. “No.” I gasp as he drops to one knee. “Starlight. You’re my world. That day I knocked you over at that shitty roller rink was the best day of my life. I say was, because every day I’ve gotten to have you in my life has been a little better, and the day I get to slide my ring on your finger to make it permanent. I can’t wait for that. So, Tasha Scar, will you marry me?” My smile spreads all the way up my face, his eyes falling to the dimple I’ve grown to appreciate. “Fine. But just remember. I asked first.
Nikki Jewell (The Red Line (Lakeview Lightning #2))
Let’s get back to loving each other. Not from a distance. I mean up close. Let’s go see each other. Check on each other. Sometimes I think that’s all we need. Let’s tap into the spirits of our grandmas and great-grandmas, our granddaddies, aunts, and uncles. It feels good when you have family, and it feels even better when you’re together. There’s somebody out there who doesn’t have family. Who has to create one, not because they are far away like me, but because they literally don’t have anyone left. They are wishing they had someone they could call. So think about that, alright? Even if they cut up and act a fool sometimes, they are still your family, and you are a part of them. Go fix that thing.
Tabitha Brown (Feeding the Soul (Because It's My Business): Finding Our Way to Joy, Love and Freedom—A Vegan Cookbook and Inspirational Guide by Tabitha Brown (A Feeding the Soul Book))
Although many people identify as middle-of-the-road, middle-class, average Americans, there are differences between a working-class and a middle-class existence, and these differences can be far from subtle. If you grow up as I did and happen to be very fortunate, as I was, your family might sacrifice much so that you can go to college. You'll feel grateful for every subsequent opportunity you get, for the degrees and open doors and better-paying jobs (if you can find them), even as an unexpected, sometimes painful distance yawns between you and the place you came from--and many will expect you to express gratitude, using your story or your accomplishments to attack those who weren't so lucky. But in this country, unless you attain extraordinary wealth, you will likely be unable to help your loved ones in all the ways you'd hoped. You will learn to live with the specific, hollow guilt of those who leave hardship behind, yet are unable to bring anyone with them.
Nicole Chung (A Map Is Only One Story: Twenty Writers on Immigration, Family, and the Meaning of Home)
Her father looked to the distance, out across the pond. “Sometimes I just get tired of bowin’ down and givin’ up, you know?” It was Dr. Hawkins who nodded in agreement. He placed a hand on Papa’s broad shoulder, but then he added, “You know, Jonah, sometimes it’s best to wait till times get better.
Sharon M. Draper (Stella by Starlight)
Shade Branch, except for a deep hole or two, dries up in the summer. But as the light weakens and the days shorten, the winter rains start it running again. One of the happiest moments of my walks is when I get to where I can hear the branch. The water comes down in a hurry, tossing itself this way and that as it tumbles among the broken pieces of old sea bottom. The stream seems to be talking, saying any number of things as it goes along. Sometimes, at a certain distance, it can sound like several people talking and laughing. But you listen and you realize it is talking absolutely to itself. If our place has a voice, this is it. And it is not talking to you. You can't understand a thing it is saying. You walk up and stand beside it, loving it, and you know it doesn't care whether you love it or not. The stream and the woods don't care if you love them. The place doesn't care if you love it. But for your own sake you had better love it. For the sake of all else you love, you had better love it.
Wendell Berry (Hannah Coulter)
I don’t like Remy,” I blurt. He looks back quickly. “I mean, I like him. But not like that. Just in case … you thought that. I mean, Aubrey thought that. I don’t know who else was under that … misconception…” He nods. “I’m not with Alice,” he says. “I can see that. Unless she’s gone invisible.” That brings a small smile to his lips. “You know what I mean.” A pause. “We weren’t ever … We just hung out, really. She liked having someone to go with her to the Jade Coast parties and stuff. And I liked…” He looks away. “I didn’t know her before my mom passed away. So. I guess I kind of liked hanging out with someone who wouldn’t … look at me the way everyone else does sometimes.” I nod. And I can’t help it, but it just slips out—“Is that why you hang out with me?” “No,” he says, fast enough to dispel any doubts. “God. No.” “So…” So what is it? If it’s not because of Remy, or Alice, if there’s no barrier, no obstacle, no mistaken anything, why is there still distance between us? But maybe that was never the reason. Maybe he just doesn’t … When he looks at me again, it’s with uncertainty. “I thought maybe you just didn’t … you know.” “Lust after you with the heat of a thousand suns?” “Maybe not a thousand,” he says, eyes shining. “Maybe just one. One really big sun. And maybe not just lust, specifically, but like lust and all the other stuff.” “With, like, the brightness of a star and the speeding intensity of a meteorite and the … diffuse energy … of a gas giant?” “Yes.” It’s not a thunderclap. Or a lightning bolt straight to the chest. It’s not a magnetic pull toward my heart’s true north. It’s just … natural, to step off the porch and step up to him, the painting still between us. It’s a little bit like breathing, like what Remy was saying—something you just do without conscious thought. Something that is because it is; it exists because there’s no other way than it existing. The realization is all at once stunning and at the same time, somehow, not a surprise at all. I must’ve loved him all along. I just didn’t realize it. “I gas-giant the shit out of you, Gabe,” I say, and I kiss him. I kiss him very briefly but with great feeling, and then I pull back a little and look at him, his eyes wide, lips parted, and when he gives me the most radiant smile, I can’t help it—I go back twice as hard, pulling him closer and kissing him like I mean it, because God, do I mean it. And as he threads one hand through my hair and kisses back with just as much feeling, I send a silent thanks up to Frank for not letting me kiss him that night on the porch, because he was right—this is so much better. That kiss would’ve been fun, no doubt. But this is one to cherish. “Really?” Gabe says, when we break apart for a moment. I can’t help but snort. “No, you’re right, I changed my mind.” “Wait, really?” he says, and I take his face between my hands. “I like you,” I say. “I lustful-sun like you, I meteorite like you, you are the fucking pink Starburst to me.” He grins. And kisses me again but then eases up, shifts the painting to one side, wraps an arm around me, and just hugs me, and I think I like that just as much. It’s at the very least an incredibly close second.
Emma Mills (This Adventure Ends)
Hey, there,” Jack said. “How you doing?” Paul got right up close to Jack. “Listen, Jack, you have no idea what she wants me to do,” he said under his breath. “Yeah, I do. She told everyone. Mel will be right out to get you as soon as Vanni’s settled.” “You’d be better at this than me,” he said. “Yeah, I probably would.” Jack grinned. “But I wasn’t asked.” “I can’t do this,” he whispered. Jack clamped a hand on his back. “Sure you can. You’ll be fine. Count your lucky stars—at least you have a midwife in there with you.” Jack smiled. “It’ll be a good experience for you.” “I’m sure you’re wrong about that.” “Paul!” Mel called. “We’re ready for you.” “Aw, Jesus.” Jack leaned toward him. “Man-up, pal. Or they’ll never let you hear the end of it.” Reluctantly Paul went down the hall. Mel, grinning very happily, met him outside Vanni’s bedroom door. “How we doing?” she asked. “Not so good, Mel. I’m pretty sure I’m not up to this. I’m very inexperienced.” “All right, Paul, don’t worry. It’s going to be a while before the baby comes, and right now all Vanni really needs is someone to rub her back, help her remember to breathe through the contractions, maybe give her a damp cloth for her forehead, or the back of the neck really helps sometimes. That’s all.” “I can do that part.” “That’s good. If you can’t go the distance, that’s okay. Just get us that far, okay?” “I’ll do what I can,” he said. When he got into the room he was very relieved to see Vanni, clothed in a gown that didn’t reveal anything, sitting up in the bed, cross-legged, smiling. So he smiled back. “How are you feeling?” “Fine at the moment, thanks.” “Vanni, you should have told me this was what you wanted a long time ago. I’m totally unprepared to do this.” “Don’t worry, Paul. You’ll be fine.” “Probably
Robyn Carr (Whispering Rock (Virgin River, #3))
Don’t be discouraged or disheartened because transformation gets messy. You are going to have to adjust things on the fly and there is going to be a lot of ambiguity. And sometimes it is going to be two steps forward and three steps back because the next day you will take four and one. You better have a lot of energy and persistence because this is a long-distance race and not a sprint.
Aaron Anderson (Engaging Resistance: How Ordinary People Successfully Champion Change)
...And looking back, at least we got to state our love...before our world in Orleans ended in a symphony of broken glass. Earlier that evening, I had sat on the porch with Matthieu-Michele, as Cross and Christy watched over their Grandpa Timothy's comatose body in the back bedroom. I looked down into Timothy's face and wept. Timmy already looked dead. He was deathly pale, and his hair was heavily streaked with grey. "Don't cry, Uncle Obadiah," Matthieu-Michele said tenderly. "Just have faith, and love Him. Believe in Him, and keep preaching His Word." "And here I thought that you were a man of science, like your Daddy Matt." "I cannot be both?" he smiled gently, as he took my hand and led me out on the back porch. He lowered me into a chair, and seated himself beside me. "Look at the stars," he said softly. "However could I believe in the vastness and the great wonder of the universe itself, and not in He who created it? Science and Theology go hand-in-hand; they are not polar opposites. We must remember, the Holy Bible is only a guide. God isn't just a quick-fix solution for all of our problems. He isn't a pill that we pop to make everything go away. Instead, He is a shepherd, looking out for us...loving us from a great distance and calling out to us constantly...and sometimes, things get lost in the translation. We, for example, as men, will try to weave our own selfish desires and prejudices in with His. That is the greatest sin of all, the great sin of mankind. It frightens people away from His Word and His Grace. They believe that He hates them, that it’s the voice of God condemning them, rather than the blackened hearts of the misguided men who twist His words to suit their doctrine of anger and misunderstanding. Their words are straight from the evil core of mankind, who, in their foolishness, try to take on the guise of God." I leaned upon him heavily, the tears wet upon my cheeks. "And to think that there were times when I wondered if I did any good at all," I sighed, "But His Word lives in your heart." Matthieu-Michele embraced me in his wings. "Uncle, you are a wonder!" he smiled. "Never doubt it. My father couldn't ask for a better vessel for His Word." "I love you, Boy," I whispered. "You and Croccifixio and Christophe...we will always be family, and nothing will ever part us--" ~*~*~*~ ...And it was over, just like that. It happened so quickly. The window in the front room exploded in a rain of glass, and two soldiers seized Arik. Two came for me as well, and I surrendered. Arik struggled, and was silenced with a blow to the back of the head. Matthieu-Michele--who had been behind me--was mysteriously absent, and Cross, Christy, Morgan and Simone were nowhere in sight. Matthieu-Michele must have thrown up a psychic bubble around them, and around Timothy's body, as Arik and I were manacled and taken out into the street. A barred wagon awaited us there, and we were roughly forced into it...
Lioness DeWinter (Corinthians)
To take the requisite care of a large fleet of merchant vessels, there should be in the convoy a number of frigates, which are to be distributed ahead, astern and on the wings of the fleet, which is always to be kept in the order of three, four, five or six columns, according to the number it may be composed of. Some other frigates are also to be sent on the look-out, in order that the commanding officer may be informed of what passes at a certain distance, and warned in good time of the approach of the enemy. If the frigates which are sent to look-out should discover an enemy of superior force, they will make it known by signal, and perhaps it may be thought advisable that they should steer a different course from that of the fleet, in order to deceive the hostile ships in sight. The line of battleships are to hold themselves a little ahead and to windward of the weather column of the fleet; because, in that position, they will be able with promptitude to attend wherever their presence may be necessary. The commanding officer must not neglect to have all suspicious and neutral ships chased and even stopped by the frigates about him, and which are always to be supported by one or two lines of battleships, according to the exigency of the circumstances. The degree of progress which the whole fleet will make will be regulated by that of the worst-going ships, which, however, are to be abandoned when found to cause too great a loss of time; for sometimes it is better to risk a small loss than to expose the whole by delay. There will be placed between the columns, sloops of war and other swift-sailing vessels to maintain order and keep the ships in their stations. Their particular business will be to get the tardy ships to make more sail, and to oblige those which may be out of their post to resume it. In the evening they will give an account, to the frigates having charge of going the round, of those which have not well manoeuvred and these will be reported to the Commodore. During the night the same order will be maintained, except with respect to the look-out frigates which are to be called in within a certain distance of the fleet, and which are to be allowed lights as well as the rest of the men-of-war. They are to be particularly careful to oblige all straggling ships to return to the convoy, and to fire, without hesitating, on all strange vessels coming from the main sea, in order to give the alarm. Every night they are to be supported on the wings by some line of battleships.
Peter Gretton (Convoy Escort Commander: A Memoir of the Battle of the Atlantic (Submarine Warfare in World War Two))
I’ve always yearned to be a black man, to have a black man’s soul, a black man's laughter. You know why? Because I thought you were diflFerent from us. Yes, I thought you were something special, something difiFerent on this sad earth of ours. I wanted to escape with you from the white man’s hollow materialism, from his lack of faith, his humble and frustrated sexuality, from his lack of joy, of laughter, of magic, of faith in the richness of after-life. encouragement and signs of gratitude or recognition have been very few, if any, along my road. If humanity can be compared to a tribe, then you may say I’m completely de-tribalized. You love Negroes out of sheer misanthropy, because you think they aren’t really men. in the end all human faces look alike with nothing bright or hopeful around me, except those distant stars— and even there, let’s be frank: it’s only their distance that gives them that purity and beauty ideals don't die— obliged to live on shit sometimes, but don’t die! the company a great cause always keeps: men of good will and those who exploit them your skin, you know, is worth no more than the elephants’ hide. In Gennany, at Belsen, during the war, it seems we used to make lampshades out of human skin— for your information. And don’t forget, Monsieur Saint- Denis, that we Germans have always been forerunners in everything ‘Women,’ I concluded rather bitterly, ‘have at their command certain means of persuasion which the best- organized police forces do not possess.’ The number of animals who lived in cruel suffering, sometimes for years, with bullets in their bodies, wounds growing deeper and deeper, gangrenous and swarming with ticks and flies, could not be estimated to change species, to come over to the elephants and live in the wilds among honest animals Always cheerful, with the cheerfulness of a man who has gone deep down into things and come back reassured. No one knew the desert better than Scholscher, who had spent so many nights alone there on the starlit dunes, and no one understood better than he did that need for protection which sometimes grips men’s hearts and drives them to give a dog the affection they dream so desperately of receiving themselves. by ‘defending the splendors of nature . . .’ He meant liberty.” Islam calls that ’the roots of heaven.’ and to the Mexican Indians it is of life’— the thing that makes both of them fall on their knees and raise their eyes and beat their tormented breasts. A need for protection and company, from which obstinate people like Morel try to escape by means of petitions, fighting committees, by trying to take the protection of species in their own hands. Our needs- for justice, for freedom and dignity— are roots of heaven that are deeply imbedded in our hearts, but of heaven itself men know nothing but the gripping roots ...” . . . And that girl sitting there in front of him with her legs crossed, with her nylon stockings and cigarette and that silent gaze, in which could be read that stubborn need, not so different from what Morel had seen in the eyes of the stray dogs at the pound. but not even all that was comic and childish about him could deprive him of the dignity conferred upon him by his love for his Maker. that human mass whose physical strength was nothing compared to the faith and spirit that dwelt in him. Three quarters of the Oul6 traditions and magic rites had to do with war or hunting while it's easy to suppress a magic tradition it's difficult to fill up the strange voids which it leaves in what you call the primitive psychology and what I call the human soul The roots of heaven are forever planted in their hearts, yet of heaven itself they seem to know nothing but the gripping roots It must be very consoling to take refuge in cynicism and to try and drown your own remorse in a consoling vision of universal swinishness, and you can always
Romain Gary
What is absolutely clear true and undeniable is that certain people, behave in a certain way with you, people are as they are, because that’s how they are, even though you might believe in that person totally, through all appeasement all through all your patience with them, waiting for the change, the change will not come towards you, because they do not see you as you see them, they are not interested in you or your feelings or what you stand for in life, we see these signs and we ignore them, but when you face yourself with the truth, and you realize those certain people sap your energy, like Dracula sapping blood for his victims, no matter how kind you are towards them, no matter how patient you are with them, you cannot change them, not only that, they have no intention to change themselves, to grow spiritually towards healing themselves in the process, it is better to distance yourself from such people, for your own emotional and mental wellbeing, it is better to delete these people from your life, for they bring nothing but uncertainty, they bring nothing but constant negative, it is not that you are not good enough for them or the world even though you have proven this many times over, there is just something in them that they cannot bridge that empathy with you, do not feed into their hunger to see you miserable just because they are miserable, we all operate on certain vibration in life, do not compromise your vibration to appease them, for it is you who will pay the price in the end emotionally and mentally, do not look for validation and approval from them, value your own vibration by deleting them from your life, it is better to be alone, in good company with yourself, then in bad company with the negative they bring to your life, most people confuse kindness with weakness, your source of kindness comes from strength not weakness, I know sometimes it’s hard to walk away, and sometimes it takes longer with some people then other people to walk away, and we prolong the leaving process in the hope of changes to come but changes do not come, the change must come from you, and the only change you need to make is walk away from them and live your own life, with your own high vibration, giving to the world, giving to people who appreciate you, for who you are, and what you stand for in life, do right and fear none in life, love is free, and nothing should be attached to that free love in life, the reason that love is free is because it’s the only thing in the world that has the power to uplift yourself with self love and uplift others with love, and uplift your spirits with love for animals and nature, by deleting some people who are negative to you from your life, is being kind to yourself, but sometimes this is impossible because we are in daily contact with these people through work, through other friends even though family sometimes, and if this is the case then give them wide birth, if you want to keep your tranquility and your peace, and for your vibration to operate on a certain level you are accustomed to living with goodness and love in your heart
Kenan Hudaverdi
In his book How to Get Out of this World Alive, Alain Forget offers us a four-step process by which we can anchor ourselves. Distancing lets us witness our self; discernment reveals what lies beneath our dysfunction; disidentification comes from letting go; and discrimination takes us to places where our ego might not wish to wander. The more the A can be their own anchor or, to use Forget’s word, seeker, the better.
Richard Hytner (Consiglieri - Leading from the Shadows: Why Coming Top Is Sometimes Second Best)
Cs, in my experience, make better silent witnesses than As. They prefer to observe than to grab the microphone, they enjoy the distance, they are able to suspend judgement, and they often have the courage to see in themselves what they might prefer not to.
Richard Hytner (Consiglieri - Leading from the Shadows: Why Coming Top Is Sometimes Second Best)
And what if I was a mythical vampire, little one, holding you captive in my lair?” She smiled up at his serious face, absorbing the pain in his brooding eyes. “I would trust you with my life, Mikhail, vampire or not. And I would trust you with the life of my children. You’re arrogant and sometimes overbearing, but you could never be evil. If you are a vampire, then a vampire is not the creature of the legends.” He moved away from her, not wanting her to see how much her total, unconditional acceptance meant to him. It didn’t matter to him that she didn’t know what she was saying. He felt the truth of her words. “Most people have a dark side, Raven, I more than others. I am capable of extreme violence, cruelty even, but I am not a vampire. I am a predator, first and foremost, but I am not a vampire.” His voice was husky, strangled. Raven moved to close the distance between them, to touch the edge of his mouth, smooth a deep line. “I never thought such a thing. You sound like you believe such a terrible being exists. Mikhail, if such a thing was true, I would know you could not be one of them. You always judge yourself so harshly. I can feel the good in you.” “Can you?” he asked grimly. “Drink this.” “It better not put me to sleep. I’m going back to the inn to my own bed sometime this night,” she told him firmly as she took the glass from him. Her voice teased him, but her eyes were anxious. “I do feel the good in you, Mikhail. I see it in everything you do. You put everyone else first in your life.” He closed his eyes in pain. “Is that what you think, Raven?” She studied the contents of the glass, wondering why her words were hurting him. “I know it. I have chased killers, yet I did not have to follow through and bring those killers to justice. That must eat away at you all the time.” “You give me far too much credit, little one, but I thank you for your faith in me.
Christine Feehan (Dark Prince (Dark, #1))
and I may say I feel stronger and better—but my ears! they are ringing and singing night and day. I do think I spend a wretched life; for the last two years shunning all society, because I cannot bring myself to walk up to people and say, "I am deaf." In any other profession this might pass; but in the one I have chosen, it is a wretched plight to be in; besides, my enemies, who are not few in number, what would they say? To give you a notion of this extraordinary deafness, I must tell you that I am forced in a theatre to lean up close to the orchestra in order that I may understand the actor. I do not hear the high notes of instruments or singers at a certain distance, and it is astonishing that there are individuals who never noticed it while conversing with me; from my having been subject to frequent reveries, they attribute my silence to these. I sometimes hear those who speak in a low voice—that is to say, the sounds, but not the words, and yet if any one begins to bawl out, it annoys me excessively. Heaven knows what it may end in! Vering says I shall certainly be much better, although I may not entirely recover. I have often cursed my existence; Plutarch has won me back to resignation. I will, if possible, defy my fate, although there will be moments when I shall be the most miserable of God's creatures.
Anton Schindler (Life of Beethoven)
Shortly after Ryan and I broke up, I returned to the solitude I normally enjoyed, appreciating the simplicity of my life because I no longer had to walk on eggshells around a man. But now that time had passed, the loneliness had started reappearing like a growing tidal wave in the distance. I could feel it building and when it finally reached me, I would spend the rest of the day or night restless and fighting tears. It would eventually pass, but the episodes were becoming more frequent. I tried to fill my days with more social interaction, but that only left me feeling overwhelmed and exhausted. A personal connection with someone was what I craved the most. Someone who understood my needs and was willing to speak my language. Someone like Jonathan. I avert my eyes as I answer him. "I don't mind spending time alone, but sometimes I do get very lonely." Jonathan leans over and puts his arm around my shoulders, pulling me close as I fight back tears. "Not everyone can look past their own hang-ups to see what I see. It's their loss." When Jonathan said things like that, it propped me up and took away a little of the sting from the people who'd tried to tear me down or make me feel like a second-class citizen because I viewed things differently than they did. Ten years ago, I might not have been clear on what Jonathan was saying, but that had changed. Tina had taught me that it was important to surround myself with people who understood me. People who were secure about their own place in the world. It wasn't always easy to identify who those people were, but I was much better at it now than I had been in the past.
Tracey Garvis Graves (The Girl He Used to Know)
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The past is not something we can simply place down on a coffee table or leave behind at an airport. The past is a part of us; sometimes for better, mostly for worse, but a part of us nonetheless. To think we can simply “let go” of the past is just as silly as thinking we need to offer up who we are today as sacrificial lambs in order to become who we will be tomorrow. It’s all so tethered and rooted that it feels fluid. We cannot fully “let go,” not really. We can’t forget, not completely. But we can accept some things will always look more picturesque—seem more serene—from a safe distance, from a faint recollection, and we can move forward. It is imperative that we always move forward.
Alicia Cook (Sorry I Haven't Texted You Back)
Colleagues:"Of all the peculiarities of diplomatic life, what most strikes the general public is the amicable and often cordial relations which exist between the diplomatists of the different countries and which produce between them, if policy and patriotism do not oppose it, a sort of corporate spirit and sometimes comradeship. Those who are surprised at this do not know what it is to remain for long years abroad, isolated and far from home. The young men who enter into the profession could not live the whole of their life leaving each other and finding each other again in various capitals of the world, experiencing sometimes the same adventures, and gaining, by the same steps, the grades of their career, without feeling pleasure at meeting each other again." — Jules Cambon Colleagues, utility of: In every diplomatic corps there are envoys who are fat with information and there are those who, starved for intelligence because they are unable to obtain their own insights into the dynamics of decision making in the host country, prey on those better informed than themselves. A diplomat with his own ample resources of information is well advised to keep his distance from those of his colleagues who seek a parasitical relationship with him; these colleagues will, after all, be available to him whenever he need them. Instead, he should cultivate those as well or better informed than him and share as much information as he is able to share with them. By establishing a reputation for being worth consulting among those of his colleagues who are themselves well informed about local events, a diplomat can ensure that they rely on him to check information of which they are unsure. In that way, he will gain access to much of what they know shortly after they learn it and will be able to give his own government the benefit of this knwoledge in a timely way. Colleagues, utility of: "An Ambassador may very probably find that his colleagues of the diplomatic corps in the capital where he resides may be of value to him. Since the whole diplomatic body labors to the same end, namely to discover what is happening, there arises a certain freemasonry of diplomacy, by which one colleague informs another of coming events which a lucky chance has enabled him to discern." — François de Callières, 1716 Command presence: A talent for command is essential to ambassadors and heads of delegations, both of whom must bend a heterogeneous group to a common purpose and make its members function as a team.
Chas W. Freeman Jr. (The Diplomat's Dictionary)
Be careful what you wish for most in life. We often grow up idolizing people — artists, actors, thinkers — building perfect images of them in our hearts. They become symbols of hope, greatness, even salvation. But sometimes, when fate finally lets us meet them or work beside them, the illusion fades. You see their flaws, their egos, their indifference. You witness the human behind the legend — and it can feel like losing a part of your own dream. It’s not that they’re bad people… they’re just real. And reality rarely matches imagination. That’s the danger of putting people on pedestals. The higher you place them, the harder they fall when you finally see them up close. Sometimes, you’re better off keeping certain people at a distance — as light in your sky, not someone standing beside you. Because once that illusion breaks, you don’t just lose your idol… you lose a part of the hope you once carried inside.”** — Sami Abouzid
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