Something Upstairs Quotes

Writing is something that you don't know how to do. You sit down and it's something that happens, or it may not happen. So, how can you teach anybody how to write? It's beyond me, because you yourself don't even know if you're going to be able to. I'm always worried, well, you know, every time I go upstairs with my wine bottle. Sometimes I'll sit at that typewriter for fifteen minutes, you know. I don't go up there to write. The typewriter's up there. If it doesn't start moving, I say, well this could be the night that I hit the dust.

Reminds me of something my grandfather would say. He'd say, "I'm goin' upstairs to fuck your grandmother." He was an honest man, and he wasn't going to bullshit a four-year-old.

The cradle rocks above an abyss, and common sense tells us that our existence is but a brief crack of light between two eternities of darkness. Although the two are identical twins, man, as a rule, views the prenatal abyss with more calm than the one he is heading for (at some forty-five hundred heartbeats an hour). I know, however, of a young chronophobiac who experienced something like panic when looking for the first time at homemade movies that had been taken a few weeks before his birth. He saw a world that was practically unchanged-the same house, the same people- and then realized that he did not exist there at all and that nobody mourned his absence. He caught a glimpse of his mother waving from an upstairs window, and that unfamiliar gesture disturbed him, as if it were some mysterious farewell. But what particularly frightened him was the sight of a brand-new baby carriage standing there on the porch, with the smug, encroaching air of a coffin; even that was empty, as if, in the reverse course of events, his very bones had disintegrated.

anyone know where Kell is?" "Sleeping," Vin said. "He came in late last night, and hasn't gotten up yet." Ham grunted, taking a bite of baywrap. "Dox?" "In his room on the third floor," Vin said. "He got up early, came down to get something to eat, and went back upstairs." ... Ham raised an eyebrow. "You always keep track of where everyone is like that?" "Yes.

Yeah. Go ahead and pick something to watch,” he answers. “I’m just popping upstairs to jerk it and then I’ll join you.” “Okay, I think I’m in the mood for—wait, what?

Anthony raised his red plastic cup to me and shouted something, but it was too hard to hear over the music. “What?” I called back. “You look great!” A goofy smile was plastered on his face. “Oh boy,” Vee said. “Not just a pimp, but a smashed pimp.” “So maybe he’s a little drunk.” “Drunk and hoping to corner you alone in a bedroom upstairs.” Ugh.

I finally tracked down Derek. He was alone in the library, thumbing through a book. "Found you." I said on a sigh of relief. He turned. His lips curved in a quarter smile, gaze softening in a way that did something to my insides, made me pull up short, momentarily forgetting why I was there. "I-Is Simon around?" He blinked, then turned back to the shelf. "He's upstairs. He's really pissed about Andrew so that's probably that safest place for him until we're ready to go, or he'll say something to him we don't want said. You need him?" "Actually, m-maybe I should show you first." He glanced over his shoulder, frowning. "We found something." " Oh." He paused, like he was mentally shifting gears, then nodded and followed me out.

He gave Evan a glance. “Unless you want to do something else.” “That's a line? Seriously?” “I have to use lines now? We share a mortgage, dude. Get upstairs, take a shower, and come to bed naked. Jesus.

Camp out in the living room. Spread your blankets and pillows on the floor. Get your Pepsi and popcorn. Pretend the TV is broken and talk like you used to when you were dating. Talk till the sun comes up or something else happens. If the floor gets too hard, go back upstairs and go to bed. You won’t forget this evening!

Sirius looked slightly disconcerted for a moment, then said, "I'll look for him later, I expect I'll find him upstairs crying his eyes out over my mother's old bloomers or something... Of course, he might have crawled into the airing cupboard and died... But I mustn't get my hopes up...

Something rippled round the table: a loosening, a settling, a long sigh too low to hear. Un ange passe, my French grandfather would have said: an angel is passing. Somewhere upstairs I heard the faint, dreamy note of a clock striking.

It is the earliest dream that I can remember, earlier than the witch at the corner of the nursery passage, this dream of something outside that has got to come in. The witch, like the masked dancers, has form, but this is simply power, a force exerted on a door, an influence that drifted after me upstairs and pressed against windows.

She has never been a pretty crier. She sobbed the way she did everything else - with passion and excess. That she had managed to keep it inside her this long was astounding to James. He thought of pushing open the half-closed door and kneeling before his wife, wrapping his arms around her shoulders and helping her upstairs. He raised his hand, stroking the wood of the door, planning to say something to calm her. But what wisdom could he offer Gus, when he could not even heed it himself? James walked upstairs again, got into bed, covered his head with a pillow. And hours later, when Gus crept beneath the sheets, he tried to pretend that he did not feel the weight of her grief, lying between them like a fitful child, so solid that he could not reach past it to touch her.

He knows that something somewhere has to break/He sees the family home now looming in the headlights/The pain upstairs that makes his eyeballs ache/ Many miles away there's a shadow on the door of a cottage/on the shore of a dark Scottish lake

Just because something is invisible doesn't mean it isn't there. At any given time, there are a host of invisibles floating among us. There are clairvoyants to see ghosts; but who sees the invisible emotions, the unrecorded events? Who is that sees love, more evanescent than any ghost, let alone can catch it? Who are you tell me that I don't know what love is?

Go on," Kell told him without taking his eyes from Lila. " Get some rest." Hastra shifted. "I can't, sir," he said. "I'm to escort Miss Bard--" "I'll take that charge," cut in Kell. Hastra bit his lip and retreated several steps. Lila let her forehead come to rest against his, her face so close the features blurred. And yet, that fractured eye shone with frightening clarity. "You never told me," he whispered. "You never noticed," she answered. And then, "Alucard did." The blow landed, and Kell started to pull away when Lila's eyelids fluttered and she swayed dangerously. He braced her. "Come on," he said gently. "I have a room upstairs. Why don't we--" A sleepy flicker of amusement. "Trying to get me into bed?" Kell mustered a smile. "It's only fair. I've spent enough time in yours." "If I remember correctly," she said, her voice dreamy with fatigue, "you were on top of the bed the entire time." "And tied to it," observed Kell. Her words were soft at the edges. "Those were the days..." she said, right before she fell forward. It happened so fast Kell could do nothing but throw his arms around her. "Lila?" he asked, first gently, and then more urgently. "Lila?" She murmured against his front, something about sharp knives and soft corners, but didn't rouse, and Kell shot a glance at Hastra, who was still standing there, looking thoroughly embarrassed. "What have you done?" demanded Kell. "It was just a tonic, sir," he fumbled, "something for sleep." "You drugged her?" "It was Tieren's order," said Hastra, chastised. "He said she was mad and stubborn and no use to us dead." Hastra lowered his voice when he said this, mimicking Tieren's tone with startling accuracy. "And what do you plan to do when she wakes back up?" Hastra shrank back. "Apologize?" Kell made an exasperated sound as Lila nuzzled-- actually nuzzled-- his shoulder. "I suggest," he snapped at the young man, "you think of something better. Like an escape route." Hastra paled, and Kell swept Lila up into his arms, amazed at her lightness... Kell swept through the halls until he reached his room and lowered Lila onto the couch. Hastra handed him a blanket. "Shouldn't you take off her knives?" "There's not enough tonic in the world to risk it," said Kell.

I’ve gone so long trying not to be seen that there’s something intoxicating about letting him really see me.

My father had left a small collection of books in a little room upstairs, to which I had access (for it adjoined my own) and which nobody else in our house ever troubled. From that blessed little room, Roderick Random, Peregrine Pickle, Humphrey Clinker, Tom Jones, the Vicar of Wakefield, Don Quixote, Gil Blas, and Robinson Crusoe, came out, a glorious host, to keep me company. They kept alive my fancy, and my hope of something beyond that place and time . . .

When a butler or doorman or usher would enter the room, the Trumans would introduce him to whoever happened to be sitting in the room, even if it were a King or a Prime Minister. They introduced all the staff to their visitors—something I’d never seen the Roosevelts do.

Why is Anthony Amowitz using his pimp smile on you? Vee asked. I rolled my eyes. "You´re only calling him a pimp because he´s here.At Marcie´s." "Yeah,so?" " He´s being nice" I elbowed her. "Smile back" "Being nice? He´s being horny" Anthony raised his red plastic cup to me and shouted something, but it was too hard to hear over the music. "What?" I called back. " You look great!" A goofy smile was plastered on his face. "Oh boy," Vee said " Not just a pimp, but a smashed pimp." " So maybe he´s a little drunk." " Drunk and hoping to corner you alone in a bedroom upstairs." Ugh. Nora&Vee (p.220)

David!" Xander yelled, because he had to yell something. His eyes snapped back to the figure in the upstairs doorway, but it was gone. "What do you want?" David asked. "I...were you just upstairs?" "I haven't looked up there yet." "But I just saw you up there.

David?” Dave had been home five minutes when he heard his mom come in the front door and call his name. He was upstairs. In the bathroom. She called again. “David, answer me!” To be more specific, Dave was sitting on the toilet. “DAVID! ANSWER ME!” Dave knew that tone of voice. He had to do something right away. So he reached over and banged on the inside of the bathroom door. It was the wrong move. His mom was up those front stairs and

There's something, though, about the sounds that other people make. Not talking, necessarily. Just the sounds of living - creaking upstairs, humming a tune, watching TV, clanging the dishes - that blot away your loneliness. You miss them when they're gone. Their absence - the total silence - becomes palpable.

But I'll tell you something, Father; you give me Regan's identical twin: same face, same voice, same smell, same everything down to the way she dots her i's, and still I'd know in a second that it wasn't really her! I'd know it! I'd know it in my gut and I'm telling you I know that thing upstairs is not my daughter! I know it! I know!

All that hurry can blur the truth that life is a zero-sum equation. Every minute I save will get used on something else, possibly no more sublime than staring at the newel post trying to remember what I just ran upstairs for.

Her cheeks are flushed, but her eyes are steady on me. She doesn’t look drunk. Why did I let Trey bait me like that? Ryen wouldn’t do something as reckless as get wasted and follow someone upstairs. I was just looking for a reason to hit him. And then I look at the guy standing behind her and notice that it’s Ten. It takes a moment, but I finally make the connection. Blond hair, blue shirt… He’s the guy from the video. Dammit. So I charged over here to beat up a guy who’s probably more attracted to me than Ryen. Great.

Upstairs, in the cupboard, he had a box of things he had saved as a boy and a young man. He hadn't looked into it in twenty years or more. Nothing fancy or valuable, but things that had meant something to him at one time. He found it, and found the key, and carried it downstairs without opening it.

One day about a month ago, I really hit bottom. You know, I just felt that in a Godless universe, I didn't want to go on living. Now I happen to own this rifle, which I loaded, believe it or not, and pressed it to my forehead. And I remember thinking, at the time, I'm gonna kill myself. Then I thought, what if I'm wrong? What if there is a God? I mean, after all, nobody really knows that. But then I thought, no, you know, maybe is not good enough. I want certainty or nothing. And I remember very clearly, the clock was ticking, and I was sitting there frozen with the gun to my head, debating whether to shoot. [The gun fires accidentally, shattering a mirror] All of a sudden, the gun went off. I had been so tense my finger had squeezed the trigger inadvertently. But I was perspiring so much the gun had slid off my forehead and missed me. And suddenly neighbors were, were pounding on the door, and, and I don't know, the whole scene was just pandemonium. And, uh, you know, I-I-I ran to the door, I-I didn't know what to say. You know, I was-I was embarrassed and confused and my-my-my mind was r-r-racing a mile a minute. And I-I just knew one thing. I-I-I had to get out of that house, I had to just get out in the fresh air and-and clear my head. And I remember very clearly, I walked the streets. I walked and I walked. I-I didn't know what was going through my mind. It all seemed so violent and un-unreal to me. And I wandered for a long time on the Upper West Side, you know, and-and it must have been hours. You know, my-my feet hurt, my head was-was pounding, and-and I had to sit down. I went into a movie house. I-I didn't know what was playing or anything. I just, I just needed a moment to gather my thoughts and, and be logical and put the world back into rational perspective. And I went upstairs to the balcony, and I sat down, and, you know, the movie was a-a-a film that I'd seen many times in my life since I was a kid, and-and I always, uh, loved it. And, you know, I'm-I'm watching these people up on the screen and I started getting hooked on the film, you know. And I started to feel, how can you even think of killing yourself. I mean isn't it so stupid? I mean, l-look at all the people up there on the screen. You know, they're real funny, and-and what if the worst is true. What if there's no God, and you only go around once and that's it. Well, you know, don't you want to be part of the experience? You know, what the hell, it's-it's not all a drag. And I'm thinkin' to myself, geez, I should stop ruining my life - searching for answers I'm never gonna get, and just enjoy it while it lasts. And, you know, after, who knows? I mean, you know, maybe there is something. Nobody really knows. I know, I know maybe is a very slim reed to hang your whole life on, but that's the best we have. And then, I started to sit back, and I actually began to enjoy myself.

And yet death was not something you could ignore. It had its weight. It was a dead man lying upstairs, not a man who was sick. It seemed to her she had better not form the practice of ignoring death. If she tried it, death would find a way to answer back—it would take another of her loved ones, to remind her to respect it.

I was looking for something new. I was. Because I was running from something old.

I had to keep my hands clenched at my sides to avoid wiping my sweaty palms on the skirts of my gown as I reached the dining room, and immediately contemplated bolting upstairs and changing into a tunic and pants. But I knew they’d already heard me, or smelled me, or used whatever heightened senses they had to detect my presence, and since fleeing would only make it worse, I found it in myself to push open the double doors. Whatever discussion Tamlin and Lucien had been having stopped, and I tried not to look at their wide eyes as I strode to my usual place at the end of the table. “Well, I’m late for something incredibly important,” Lucien said, and before I could call him on his outright lie or beg him to stay, the fox-masked faerie vanished.

The back of my neck breaks out in a sweat, and I’m getting nervous. Why is he just standing there, staring at me? “What do you want?” I press, my tone curt. He opens his mouth but then closes it swallowing. “Pike, Jesus—” “The day you left,” he blurts out, and I stop. I wait, listening as a look of fear crosses his eyes. “The house was so empty,” he continues. “Like a quiet that was never there before. I couldn’t hear your footsteps upstairs or your hairdryer or anticipate you walking into a room. You were gone. Everything was…” he drops his eyes, “gone.” A ball lodges in my throat, and I feel tears threaten, but I tense my jaw, refusing to let it out. “But I could still feel you,” he whispers. “You were still everywhere. The container of cookies in the fridge, the backsplash you picked out, the way you put all my pictures back in the wrong spot after you dusted my bookshelves.” He smiles to himself. “But I couldn’t rearrange them, because you were the last to touch them, and I wanted everything the way you had it.” My chin trembles, and I fold my arms over my chest, hiding my balled fists under my arms. He pauses and then goes on. “Nothing would ever go back to the way it was before you came into my house. I didn’t want it to.” He shakes his head. “I went to work, and I came home, and I stayed there every night and all weekend, every weekend, because that’s where we were together. That’s where I could still feel you.” He steps closer, dropping his voice. “That’s where I could wrap myself up in you and hang on to every last thread in that house that proved you were mine for just a little while.” His tone grows thick, and I see his eyes water. “I really thought I was doing what was best,” he says, knitting his brow. “I thought I was taking advantage of you, because you’re young and beautiful and so happy and hopeful despite everything you’d been through. You made me feel like the world was a big place again.” My breathing shakes, and I don’t know what to do. I hate that he’s here. I hate that I love that he’s here. I hate him. “I couldn’t steal your life from you and keep you to myself, you know?” he explains. “But then I realized that you’re not happy or hopeful or making me feel good because you’re young. You are those things and you’re capable of those things, because you’re a good person. It’s who you are.” A tear spills over, gliding down my cheek. “Baby,” he whispers, his hands shaking. “I hope you love me, because I love you like crazy, and I’m going to want you the rest of my life. I tried to stay away, because I thought it was the right thing, but I fucking can’t. I need you, and I love you. This doesn’t happen twice, and I’m not going to be stupid again. I promise.” My chin trembles, and something lodges in my throat, and I try to hold it in, but I can’t. My face cracks, and I break down, turning away from him. The tears come like a goddamn waterfall, and I hate him. I fucking hate him. His arms are around me in a second, and he hugs me from behind, burying his face in my neck. “I’m sorry I took so long,” he whispers in my ear.

It had to be that Americans were taught, from elementary school, to always "say something" in class, no matter what. [...] They never said "I don't know". They said, instead, "I'm not sure," which did not give any information but still suggested the possibility of knowledge. And they ambled, these Americans, they walked without rhythm. They avoided giving direct instructions: they did not say "Ask somebody upstairs"; they said "You might want to ask somebody upstairs". When you tripped and fell, when you choked, when misfortune befell you, they did not say "Sorry". They said "Are you OK?" when it was obvious that you were not. And when you said "Sorry" to them when they choked or tripped or encountered misfortune, they replied, eyes wide with surprise, "Oh, it's not your fault". And they overused the world "excited", a professor excited about a new book, a student excited about a class, a politician on TV excited about a law; it was altogether too much excitement.

You're the whole focus of my world," he murmured. "After you left, I went crazy.I flew down to New Orleans, and-" "You did?" Stunned,she drew back to look at him. "You went after me?" "With various purposes in mind," he muttered. "First,I was going to strangle you,then I was going to crawl, then I was going to just drag you back and lock you upstairs." Smiling,she rested her head on his chest. "And now?" "Now." He kissed her hair. "We compromise. I'll let you live." "Good start." With a sigh,she closed her eyes. "I want to watch the sea in winter." He tilted her face to his. "We will." "There is something else..." "Before or after I make love to you?" Laughing,she pulled away from him. "It better be before.Since you haven't mentioned marriage yet,it falls to me." "Gennie-" "No,this is one time we'll do it all my way." She draw out the coin Serena had given her before she'd lef the Comanche. "And,in a way,it's a kind of compromise.Heads,we get married. Tails we don't." Grant grabbed her wrist before she could toss. "You're not going to play games with something like that, Genvieve, unless that's a two-headed coin." She smiled. "It certainly is." Surprise came first,then his grin. "Toss it.I like the odds.

The best example of this is our own helpers, who have managed to pull us through so far and will hopefully bring us safely to shore, because otherwise they’ll find themselves sharing the fate of those they’re trying to protect. Never have they uttered a single word about the burden we must be, never have they complained that we’re too much trouble. They come upstairs every day and talk to the men about business and politics, to the women about food and wartime difficulties and to the children about books and newspapers. They put on their most cheerful expressions, bring flowers and gifts for birthdays and holidays and are always ready to do what they can. That’s something we should never forget; while others display their heroism in battle or against the Germans, our helpers prove theirs every day by their good spirits and affection.

The father continued solemnly with his head lowered. “When you talk to the man upstairs,” he said, “I want you to tell Him something for me. Tell Him it ain’t right for people to die when they’re young. I mean it. Tell Him if they got to die at all, they got to die when they’re old. I want you to tell Him that. I don’t think He knows it ain’t right, because He’s supposed to be good and it’s been going on for a long, long time. Okay?” “And don’t let anybody up there push you around,” the brother advised. “You’ll be just as good as anybody else in heaven, even though you are Italian.” “Dress warm,” said the mother, who seemed to know.

Mostly, however, we've got it smooth and efficient now. We don't have to think. She says, 'What are you doing?', I peer at her with irritation and expel air, we go on about our business. This morning, though, she came upstairs to the attic here while I was sitting in front of the computer doing some work on the net. 'What are you doing?' she asks. Trying to concentrate on something, distracted and harassed, I reply with some degree of acerbic aggravation. 'What does it look like I'm doing?' There's a beat, during which we hold each others eyes, unblinking. It's immediately after this beat has passed that I realize I'm wearing no trousers.

My mortgage isn’t getting any cheaper and I can’t run that Ferrari on faith alone," Reverend Jones said. "Don’t get me wrong, the Big Man upstairs does what he can but I’ve never once seen him filling up the tank of my car.

When Augustus Townsend died in Georgia near the Florida line, he rose up above the barn where he had died, up above the trees and the crumbling smokehouse and the little family house nearby, and he walked away quick-like, toward Virginia. He discovered that when people were above it all they walked faster, as much as a hundred times faster than when they were confined to the earth. And so he reached Virginia in little or no time. He came to the house he had built for his family, for Mildred his wife and Henry his son, and he opened and went through the door. He thought she might be at the kitchen table, unable to sleep and drinking something to ease her mind. But he did not find his wife there. Augustus went upstairs and found Mildred sleeping in their bed. He looked at her for a long time, certainly as long as it would have taken him, walking up above it all, to walk to Canada and beyond. Then he went to the bed, leaned over and kissed her left breast. The kiss went through the breast, through skin and bone, and came to the cage that protected the heart. Now the kiss, like so many kisses, had all manner ofkeys, but it, like so many kisses, was forgetful, and it could not find the right key to the cage. So in the end, frustrated, desperate, the kiss squeezed through the bars and kissed Mildred’s heart. She woke immediately and she knew her husband was gone forever. All breath went and she was seized with such a pain that she had to come to her feet. But the room and the house were not big enough to contain her pain and she stumbled out ofthe room, out and down the stairs, out through the door that Augustus, as usual, had left open. The dog watched her from the hearth. Only in the yard could she begin to breathe again. And breath brought tears. She fell to her knees, out in the open yard, in her nightclothes, something Augustus would not have approved of. Augustus died on Wednesday.

Caddy came home on Friday evening. Perfectly Harmless Patrick brought her in his battered old car... "Crikey, Caddy!" said Indigo, and he disappeared upstairs to tell Rose. Eve murmured, "Sweet," rather doubtfully. Sarah said, not doubtfully at all, "Horrendous! The worst yet. Rock bottom." "He had a very difficult childhood," said Caddy.... "Who didn't?" asked Saffron unsympathetically. "Gosh, he's ancient, Caddy! Look, he's going bald! All that long trailing stuff is just a disguise!" "If I was going bald," said Sarah, "I would face the fact and have it all shaved off." "Well, I thought Mummy would like him," said Caddy defensively. "...Anyway, I can always take him back." "I think you're going to have to, Caddy darling," said Eve... "Hello, Rose darling! Come in and see what Caddy has brought home to show us!" She escaped, and Rose, who had already heard the news from Indigo, glanced at Patrick and began laughing. "See?" said Sarah. "Rose knows! Absolutely rock bottom! You cannot be serious, Caddy!" "Oh, stop looking at him!" said Caddy, uncomfortably. "I'll find something to cover him up with in a minute!" "How long are you leaving him there for?" asked Rose. "Just until Sunday," said Caddy, trying to sound casual. "Till Sunday!" repeated Saffron. "So is Micheal dumped?" "Of course he isn't!" said Caddy indignantly. "I've never dumped anyone!" "Start!" said Saffron. "Otherwise they just pile up, taking up the sofas...

When Your Small Form Tumbled into Me" I lay sprawled like a big-game rug across the bed: Belly down, legs wishbone-wide. It was winter. Workaday. Your father swung his feet to the floor. The kids upstairs dragged something back and forth On shrieking wheels. I was empty, blown-through By whatever swells, swirling, and then breaks Night after night upon that room. You must have watched For what felt like forever, wanting to be What we passed back and forth between us like fire. Wanting weight, desiring desire, dying To descend into flesh, fault, the brief ecstasy of being. From what dream of world did you wriggle free? What soared — and what grieved — when you aimed your will At the yes of my body alive like that on the sheets?

You're returning to your room barefoot?" Tom asked. "I have no choice." "Is there something I can do to help?" Cassandra shook her head. "I can sneak upstairs myself." She let out a quick little laugh. "Like Cinderella sans pumpkin." He tilted his head in that inquiring way he had. "Did she have a pumpkin?" "Yes, haven't you ever read the story?" "My childhood was short on fairy tales." "The pumpkin becomes her carriage," Cassandra explained. "I'd have recommended a vehicle with a longer date of expiration." She knew better than to try explaining fairy-tale magic to such a pragmatic man.

The house in the story is based on my friend Tori's house in Kinsale, Ireland, which is obviously not actually haunted, and the sound of people upstairs moving wardrobes around when you are downstairs there and alone is probably just something that old houses do when they think they are unobserved.

Jenny remembers what it was like, all those years ago. It was never dolls for her, nothing so tangible as that. It was more of a feeling. As if, for the first several years of her life, everything held over her a sort of knowledge and insistence. Fence posts, wallpaper, the lawn at certain hours of the day. These things glowered at her, or smiled. Even something as ordinary as the blue rolling chair in her father's office had some hold on her, some whisper of a new dimension in its puffs of dust sent upward by her fists against its cushions. There was an intensity inherent in everything until, one day, there wasn't. The blue chair rolled on its wheels to the window when she pushed it. The rising dust was rising dust. And when it was gone, there was only a knot of longing somewhere deep inside of her, a vacant ache: adolescence. Boredom. It's why we fall in love, Jenny will tell June. We fall in love to get back to that dimension, that wonder. She goes to the laundry room, where, from a pile of clean clothes, she picks out a few articles of June's, folds them, then goes upstairs to knock on her daughter's door and tell her that this, this lost doll world, is the reason there is love.

Seldom have I been more completely miserable than I was about 6.30 last night, reading over the last part of The Years. Such feeble twaddle—such twilight gossip it seemed; such a show up of my own decrepitude, and at such huge length. I could only plump it down on the table and rush upstairs with burning cheeks to L. He said: ‘This always happens.’ But I felt, No, it has never been so bad as this. I make this note should I be in the same state after another book. Now this morning, dipping in, it seems to me, on the contrary, a full, bustling live book. I looked at the early pages. I think there’s something to it.

Death was more like what we went through in the park: two people walking side by side in the mist, rubbing against trees and bushes, and not a word between them. It was something emptier than the name itself and yet right and peaceful, dignified, if you like. It was not a continuation of life, but a leap in the dark and no possibility of ever coming back, not even as a grain of dust. And that was right and beautiful, I said to myself, because why would one want to come back. To taste it once is to taste it forever - life or death. Whichever way the coin flips is right, so long as you hold no stakes. Sure, it's tough to choke on your own spittle - it's disagreeable more than anything else. And besides, one doesn't always die choking to death. Sometimes one goes off in his sleep, peaceful and quiet as a lamb. The Lord comes and gathers you up into the fold, as they say. Anyway, you stop breathing. And why the hell should one want to go on breathing forever? Anything that would have to be done interminably would be torture. The poor human bastards that we are, we ought to be glad that somebody devised a way out. We don't quibble about going to sleep. A third of our lives we snore away like drunken rats. What about that? Is that tragic? Well then, say three-thirds of drunken rat-like sleep. Jesus, if we had any sense we'd be dancing with glee at the thought of it! We could all die in bed tomorrow, without pain, without suffering - if we had the sense to take advantage of our remedies. We don't want to die, that's the trouble with us. That's why God and the whole shooting match upstairs in our crazy dustbins.

Scrambling to his feet, he saw Amber in her vampire gown rushing toward him. He felt her long nails rip down his cheek as he sidestepped and swung the bat with all his might. Her pale face exploded as the side of her head caved in from the blow. He saw the fury in her remaining eye as she struggled to her feet with her bloody claws groping. A vicious downward swipe took out the other eye, and she crumpled in a bloody heap at his feet. With his adrenalin flowing like a river through his sinews, he caught the first wolf in midair with a bone crushing upward thrust as the beast’s gnashing grisly teeth opened to grip his throat in a death lock. When he looked down at the wolf’s battered head, he saw the open eyes of his son Kyle staring up at him. The horror of the son’s face startled him awake. The forest and the monsters had disappeared. He found himself in the upstairs hall of his home on Loving Forest Court amid the twisted, battered remains of his wife and children still swinging the bloody, baseball bat.

It was gentler here, softer, its seethe the quietest of whispers, as if, in deference to a drawing room, it had quite deliberately put on its 'manners'; it kept itself out of sight, obliterated itself, but distinctly with an air of saying, 'Ah, but just wait! Wait till we are alone together! Then I will begin to tell you something new! Something white! something cold! something sleepy! something of cease, and peace, and the long bright curve of space! Tell them to go away. Banish them. Refuse to speak. Leave them, go upstairs to your room, turn out the light and get into bed - I will go with you, I will be waiting for you, I will tell you a better story than Little Kay of the Skates, or The Snow Ghost - I will surround your bed, I will close the windows, pile a deep drift against the door, so that none will ever again be able to enter. Speak to them!...' It seemed as if the little hissing voice came from a slow white spiral of falling flakes in the corner by the front window - but he could not be sure. ("Silent Snow, Secret Snow")

Even with the questions and worries that flooded her, Lillian was overcome with sudden exhaustion. The waking nightmare had come to a precipitate end, and it seemed that for now there was nothing more she could do. She waited docilely, her cheek resting against the steady support of Marcus’s shoulder, only half hearing the conversation that ensued. “… have to find St. Vincent…” Marcus was saying. “No,” Simon Hunt said emphatically, “I’ll find St. Vincent. You take care of Miss Bowman.” “We need privacy.” “I believe there is a small room nearby— more of a vestibule, actually…” But Hunt’s voice trailed away, and Lillian became aware of a new, ferocious tension in Marcus’s body. With a lethal shift of his muscles, he turned to glance in the direction of the staircase. St. Vincent was descending, having entered the rented room from the other side of the inn and found it empty. Stopping midway down the stairs, St. Vincent took in the curious tableau before him… the clusters of bewildered onlookers, the affronted innkeeper… and the Earl of Westcliff, who stared at him with avid bloodlust. The entire inn fell silent during that chilling moment, so that Westcliff’s quiet snarl was clearly audible. “By God, I’m going to butcher you.” Dazedly Lillian murmured, “Marcus, wait—” She was shoved unceremoniously at Simon Hunt, who caught her reflexively as Marcus ran full-bore toward the stairs. Instead of skirting around the banister, Marcus vaulted the railings and landed on the steps like a cat. There was a blur of movement as St. Vincent attempted a strategic retreat, but Marcus flung himself upward, catching his legs and dragging him down. They grappled, cursed, and exchanged punishing blows, until St. Vincent aimed a kick at Marcus’s head. Rolling to avoid the blow of his heavy boot, Marcus was forced to release him temporarily. The viscount lurched up the stairs, and Marcus sprang after him. Soon they were both out of sight. A crowd of enthusiastic men followed, shouting advice, exchanging odds, and exclaiming in excitement over the spectacle of a pair of noblemen fighting like spurred roosters. White-faced, Lillian glanced at Simon Hunt, who wore a faint smile. “Aren’t you going to help him?” she demanded. “Oh no. Westcliff would never forgive me for interrupting. It’s his first tavern brawl.” Hunt’s gaze flickered over Lillian in friendly assessment. She swayed a little, and he placed a large hand on the center of her back and guided her to the nearby grouping of chairs. A cacophony of noise drifted from upstairs. There were heavy thudding sounds that caused the entire building to shake, followed by the noises of furniture breaking and glass shattering. “Now,” Hunt said, ignoring the tumult, “if I may have a look at that remaining handcuff, I may be able to do something about it.

I can’t say to him what I’m really thinking, which is that this house gives me the creeps. Maybe Victoria loved it here, but I don’t. And for that matter, his wife gives me the creeps too. There’s something about her and that blank expression that terrifies me. It’s an awful thing to say about a woman who has been through something horrible, but I can’t help it.

Other people's houses are right on top of this one," he said. "I think they could take one step and be in our living room." "You haven't seen the courtyard yet, Gregori. The house opens up to a courtyard in the back, and it's immense and in quite good shape." Savannah began heading up the stairs, ignoring his grousing. "I hate to think what you would call bad shape," he muttered as he followed her upstairs. "I wonder why everything is so dusty," Savannah said. "I had the real estate people come in and clean and get things ready for our arrival." "Do not touch anything," Gregori hissed softly, and very gently caught her shoulders to put her behind him. "What is it?" Instinctively she lowered her voice and looked around, trying to see if there was some danger she had been unable to sense. "If people came and made up the bed and prepared the house for your arrival, then they would have removed the dust too." "Maybe they're incredibly incompetent," she suggested hopefully. Gregori glanced at her and found the hard edge of his mouth softening. She was making him want to smile all the time, even in the most serious of situations. "I am certain any company would work overtime trying to make you happy, ma petite. I know I do." She blushed at the memory of how he did so. "So why all the dust?" she asked, deliberately distracting him. "I think Julian left us a message. You have remained with humans so long, you see only with your eyes." Savannah rolled her eyes at the reprimand. "And you've lived in the hills so long,you've forgotten how to have fun." The pale eyes slid over her, wrapping her in heat. "I have my own ideas of fun, cherie. I would be willing to show you if you like," he offered wickedly. Her chin lifted, blue eyes challenging. "If you think you're scaring me with your big-bad-wolf routine,you're not," she said. He could hear her heart beat. Smell her scent calling to him. "Perhaps I will think of something to change that," he cautioned her.

Use difficulty as a guide not just in selecting the overall aim of your company, but also at decision points along the way. At Via web one of our rules of thumb was run upstairs. Suppose you are a little, nimble guy being chased by a big, fat, bully. You open a door and find yourself in a staircase. Do you go up or down? I say up. The bully can probably run downstairs as fast as you can. Going upstairs his bulk will be more of a disadvantage. Running upstairs is hard for you but even harder for him. What this meant in practice was that we deliberately sought hard problems. If there were two features we could add to our software, both equally valuable in proportion to their difficulty, we’d always take the harder one. Not just because it was more valuable, but because it was harder. We delighted in forcing bigger, slower competitors to follow us over difficult ground. Like guerillas, startups prefer the difficult terrain of the mountains, where the troops of the central government can’t follow. I can remember times when we were just exhausted after wrestling all day with some horrible technical problem. And I’d be delighted, because something that was hard for us would be impossible for our competitors.

The hours I spent in this anachronistic, bibliophile, Anglophile retreat were in surreal contrast to the shrieking horror show that was being enacted in the rest of the city. I never felt this more acutely than when, having maneuvered the old boy down the spiral staircase for a rare out-of-doors lunch the next day—terrified of letting him slip and tumble—I got him back upstairs again. He invited me back for even more readings the following morning but I had to decline. I pleaded truthfully that I was booked on a plane for Chile. 'I am so sorry,' said this courteous old genius. 'But may I then offer you a gift in return for your company?' I naturally protested with all the energy of an English middle-class upbringing: couldn't hear of such a thing; pleasure and privilege all mine; no question of accepting any present. He stilled my burblings with an upraised finger. 'You will remember,' he said, 'the lines I will now speak. You will always remember them.' And he then recited the following: What man has bent o'er his son's sleep, to brood How that face shall watch his when cold it lies? Or thought, as his own mother kissed his eyes, Of what her kiss was when his father wooed? The title (Sonnet XXIX of Dante Gabriel Rossetti)—'Inclusiveness'—may sound a trifle sickly but the enfolded thought recurred to me more than once after I became a father and Borges was quite right: I have never had to remind myself of the words. I was mumbling my thanks when he said, again with utter composure: 'While you are in Chile do you plan a call on General Pinochet?' I replied with what I hoped was equivalent aplomb that I had no such intention. 'A pity,' came the response. 'He is a true gentleman. He was recently kind enough to award me a literary prize.' It wasn't the ideal note on which to bid Borges farewell, but it was an excellent illustration of something else I was becoming used to noticing—that in contrast or corollary to what Colin MacCabe had said to me in Lisbon, sometimes it was also the right people who took the wrong line.

I need fiction, I am an addict. This is not a figure of speech. I don’t quite read a novel a day, but I certainly read some of a novel every day, and usually some of several. There is always a heap of opened paperbacks face down near the bed, always something current on the kitchen table to reach for over coffee when I wake up. Colonies of prose have formed in the bathroom and in the dimness of the upstairs landing, so that I don’t go without text even in the leftover spaces of the house where I spend least time….I can be happy with an essay or a history if it interlaces like a narrative, if its author uses fact or impression to make a story-like sense, but fiction is kind, fiction is the true stuff….I don’t give it up. It is entwined too deeply within my history, it has been forming the way I see for too long.

Shall we, my lady?" "You go on," she said coolly. "I need to speak to Mr. Pinter alone." Glancing from her to Jackson, the duke nodded. "I'll expect a dance from you later, my dear," he said with a smile that rubbed Jackson raw. "Of course." Her gaze locked with Jackson's. "I'd be delighted." The minute the duke was gone, however, any "delight" she was feeling apparently vanished. "How dare you interfere! You should be upstairs searching my suitors' rooms or speaking to their servants or something useful instead of-" "Do you realize what could have happened if I hadn't come along?" he snapped. "This room is private and secluded, with a nice hot stove keeping it cozy. All he would have had to do was lay you down on one of those damned benches that are everywhere and-" He caught himself. But not quickly enough. "And what?" she prodded. "I would have let him ravish me like the wanton I am?" Confound it all. "I wasn't saying that." "That's what it sounded like. Apparently you have some notion that I have no restraint, no ability to resist the attentions of a man I've known since childhood." "You have no idea what a man can do to a woman!" Jackson shouted. She paled. "It was just a kiss." He strode up to her, driven by a madness he couldn't control. "That's how it begins. A man like him coaxes you into a kiss, then a caress, then..." "I would never let it go beyond a kiss," she said in outrage. "What sort of woman do you think I am?" He backed her toward the wall. "The sort who is too trusting to realize what some men are really after. You can't control every situation, my lady. Some men take what they want, and there isn't a damned thing you can do about it." "I know more about the true nature of men than you think." She stopped short as she came up against the wall. "I can take care of myself." "Can you?" He thrust his hands against the wall on either side of her, trapping her. He thought of his mother and the heartbreak she'd endured because some nobleman had taken a fancy to her. A roiling sickness swamped him at the idea of Lady Celia ever suffering such a thing because she was too reckless and naïve to recognize that she was not invincible. Bending in close, he lowered his voice. "You really believe you can stop any man who wants to hurt you, no matter how strong and determined he is?" Challenge shone in her eyes. "Absolutely." It was time someone made her realize he vulnerability. "Prove it," he growled. Then he brought his mouth down on hers.

When Elizabeth finally descended the stairs on her way to the dining room she was two hours late. Deliberately. “Good heavens, you’re tardy, my dear!” Sir Francis said, shoving back his chair and rushing to the doorway where Elizabeth had been standing, trying to gather her courage to do what needed to be done. “Come and meet my guests,” he said, drawing her forward after a swift, disappointed look at her drab attire and severe coiffure. “We did as you suggested in your note and went ahead with supper. What kept you abovestairs so long?” “I was at prayer,” Elizabeth said, managing to look him straight in the eye. Sir Francis recovered from his surprise in time to introduce her to the three other people at the table-two men who resembled him in age and features and two women of perhaps five and thirty who were both attired in the most shockingly revealing gowns Elizabeth had ever seen. Elizabeth accepted a helping of cold meat to silence her protesting stomach while both women studied her with unhidden scorn. “That is a most unusual ensemble you’re wearing, I must say,” remarked the woman named Eloise. “Is it the custom where you come from to dress so…simply?” Elizabeth took a dainty bite of meat. “Not really. I disapprove of too much personal adornment.” She turned to Sir Francis with an innocent stare. “Gowns are expensive. I consider them a great waste of money.” Sir Francis was suddenly inclined to agree, particularly since he intended to keep her naked as much as possible. “Quite right!” he beamed, eyeing the other ladies with pointed disapproval. “No sense in spending all that money on gowns. No point in spending money at all.” “My sentiments exactly,” Elizabeth said, nodding. “I prefer to give every shilling I can find to charity instead.” “Give it away?” he said in a muted roar, half rising out of his chair. Then he forced himself to sit back down and reconsider the wisdom of wedding her. She was lovely-her face more mature then he remembered it, but not even the black veil and scraped-back hair could detract from the beauty of her emerald-green eyes with their long, sooty lashes. Her eyes had dark circles beneath them-shadows he didn’t recall seeing there earlier in the day. He put the shadows down to her far-too-serious nature. Her dowry was creditable, and her body beneath that shapeless black gown…he wished he could see her shape. Perhaps it, too, had changed, and not for the better, in the past few years. “I had hoped, my dear,” Sir Francis said, covering her hand with his and squeezing it affectionately, “that you might wear something else down to supper, as I suggested you should.” Elizabeth gave him an innocent stare. “This is all I brought.” “All you brought?” he uttered. “B-But I definitely saw my footmen carrying several trunks upstairs.” “They belong to my aunt-only one of them is mine,” she fabricated hastily, already anticipating his next question and thinking madly for some satisfactory answer. “Really?” He continued to eye her gown with great dissatisfaction, and then he asked exactly the question she’d expected: “What, may I ask, does your one truck contain if not gowns?” Inspiration struck, and Elizabeth smiled radiantly. “Something of great value. Priceless value,” she confided. All faces at the table watched her with alert fascination-particularly the greedy Sir Francis. “Well, don’t keep us in suspense, love. What’s in it?” “The mortal remains of Saint Jacob.

I am watching a girl dressed in a light green sweater, blue shorts, long black stockings; there is a necklace of some sort but her breasts are small, poor thing, and she watches her nails as her dirty white dog sniffs the grass in erratic circles; a pigeon is there too, circling, half dead with a tick of a brain and I am upstairs in my underwear, 3 day beard, pouring a beer and waiting for something literary or symphonic to happen;

Because I have lived ninety-two years, Raymond, and if there’s one thing I can tell you, it’s that we are never so unique as we think we are. We are all people. Sure, some things will be different from one person to the next. Some people have more of those feelings than others. Some have too much, and it causes all manner of havoc. Some have none at all. But I can tell you this as a human being who’s had a lot of experience being one: If you’re feeling something, other people in other places are feeling it, too. It’s never just us. But don’t take my word for it. Explore the world for yourself. Look it up. Research it. In my day we went to the library and had to get up the nerve to tell the librarian what we were looking for. You, you have it easy. You have a computer, yes? So why sit here talking to an old woman when you have all of the recorded knowledge the world has gathered sitting upstairs on your desk?

I had to keep my hands clenched at my sides to avoid wiping my sweaty palms on the skirts of my gown as I reached the dining room, and immediately contemplated bolting upstairs and changing into a tunic and pants. But I knew they’d already heard me, or smelled me, or used whatever heightened senses they had to detect my presence, and since fleeing would only make it worse, I found it in myself to push open the double doors. Whatever discussion Tamlin and Lucien had been having stopped, and I tried not to look at their wide eyes as I strode to my usual place at the end of the table. “Well, I’m late for something incredibly important,” Lucien said, and before I could call him on his outright lie or beg him to stay, the fox-masked faerie vanished. I could feel the full weight of Tamlin’s undivided attention on me—on every breath and movement I took. I studied the candelabras atop the mantel beside the table. I had nothing to say that didn’t sound absurd—yet for some reason, my mouth decided to start moving. “You’re so far away.” I gestured to the expanse of table between us. “It’s like you’re in another room.” The quarters of the table vanished, leaving Tamlin not two feet away, sitting at an infinitely more intimate table. I yelped and almost tipped over in my chair. He laughed as I gaped at the small table that now stood between us. “Better?” he asked. I ignored the metallic tang of magic as I said, “How … how did you do that? Where did it go?” He cocked his head. “Between. Think of it as … a broom closet tucked between pockets of the world.” He flexed his hands and rolled his neck, as if shaking off some pain. “Does it tax you?” Sweat seemed to gleam on the strong column of his neck. He stopped flexing his hands and set them flat on the table. “Once, it was as easy as breathing. But now … it requires concentration.” Because of the blight on Prythian and the toll it had taken on him. “You could have just taken a closer seat,” I said. Tamlin gave me a lazy grin. “And miss a chance to show off to a beautiful woman? Never.

I was so happy it was like a food, like I'd been stuffed with it, a foie gras goose of happiness; happy enough to know, fully, that I was happy, and foolishly, for one second, to dare the thought: "Imagine—imagine if each Saturday morning could be like this," and in the middle of the singing, I blushed, not even looking at her, because even just having it I knew there was something wrong about the thought. Another boundary crossing—an acknowledgment to myself, so fleeting but so dangerous, of how hungry I was.

What does it mean, you see, that the first ting every American child knows about Germany is Hitler? What if the first thing you knew was something else? And maybe some people would say that now it's important, after the Second World War, it's ethical and vital that Hitler is the first thing a child knows. But someone else can argue the opposite. And what would it do, how would it change things, if nobody were allowed to know anything about Hitler, about the war, about any of it, until first they learned about Brahms, Beethoven, and Bach, about Hegel and Lessing and Fichte, about Schopenhauer, about Rilke - but all this, you had to know first. Or one thing only, the Brahms Piano Quintet in F Minor, or the Goldberg Variations, or Laocoon - one of those things you had to know and appreciate before you leaned about the Nazis." "But the world doesn't work like that." "No, it doesn't." He smiled in that vague way, as if amused by a joke only he had heard. "But what does it mean that it doesn't? And what would it mean if it did?

I was singing! I had my earbuds in! What are you doing home? What’s in the bag?” “I forgot something. It’s, um, dog food. We’re having a food drive at school.” “Do you really think it looks good to give dog food?” “Mo-ther. It’s not for the people. It’s for their dogs.” “You mean to tell me they can’t afford to feed themselves, but they have dogs? What’s this country coming to?” “Are you getting laundry? I’ll help you fold,” Clarity said. “Let’s take it upstairs.” They went up the stairs, leaving me alone again. I was really, really hungry.

It felt most strange to stand here in the silence and know that he was about to leave the house for the last time. Long ago, when he had been left alone while the Dursleys went out to enjoy themselves, the hours of solitude had been a rare treat: pausing only to sneak something tasty from the fridge he had rushed upstairs to play on Dudley’s computer, or put on the television and flicked through the channels to his heart’s content. It gave him an odd, empty feeling to remember those times; it was like remembering a younger brother whom he had lost.

In the olden days, if you liked a programme on the telly, it was an event. You watched it, then you waited until it was back on the following week, and you watched it again. Maybe you taped it on the video recorder, if you could figure it out. Whatever. There was an element of patience involved. A degree of bloody restraint.” Ben shook his head. His mouth was pulled up like he’d tasted something unpleasant. “Now, it’s all there on demand. It’s all now, now, now. People binge. I mean, what was wrong with just watching something? Why do folk have to binge

He went upstairs and opened the telegram; it was addressed to a department in the British Consulate, and the figures which followed had an ugly look like the lottery tickets that remained unsold on the last day of a draw. There was 2674 and then a string of five-figure numerals: 42811 79145 72312 59200 80947 62533 10605 and so on. It was his first telegram and he noticed that it was addressed from London. He was not even certain (so long ago his lesson seemed) that he could decode it, but he recognised a single group, 59200, which had an abrupt and monitory appearance as though Hawthorne that moment had come accusingly up the stairs. Gloomily he took down Lamb's 'Tales from Shakespeare' - how he had always detested Elia and the essay on Roast Pork. The first group of figures, he remembered, indicated the page, the line and the word with which the coding began. 'Dionysia, the wicked wife of Cleon,' he read, 'met with an end proportionable to her deserts'. He began to decode from 'deserts'. To his surprise something really did emerge. It was rather as though some strange inherited parrot had begun to speak.

It’s about to rain forks and knives,” Winterborne reported, water drops glittering on his hair and the shoulders of his coat. He reached for a glass of champagne from a silver tray on the table, and raised it in Tom’s direction. “Good luck it is, for the wedding day.” “Why is that, exactly?” Tom asked, disgruntled. “A wet knot is harder to untie,” Winterborne said. “The marriage bond will be tight and long lasting.” Ethan Ransom volunteered, “Mam always said rain on a wedding day washed away the sadness of the past.” “Not only are superstitions irrational,” Tom said, “they’re inconvenient. If you believe in one, you have to believe them all, which necessitates a thousand pointless rituals.” Not being allowed to see the bride before the ceremony, for example. He hadn’t had so much as a glimpse of Cassandra that morning, and he was chafing to find out how she was feeling, if she’d slept well, if there was something she needed. West came into the room with his arms full of folded umbrellas. Justin, dressed in a little velveteen suit, was at his heels. “Aren’t you supposed to be upstairs in the nursery with your little brother?” St. Vincent asked his five-year-old nephew. “Dad needed my help,” Justin said self-importantly, bringing an umbrella to him. “We’re about to have a soaker,” West said briskly. “We’ll have to take everyone out to the chapel as soon as possible, before the ground turns to mud. Don’t open one of these indoors: It’s bad luck.” “I didn’t think you were superstitious,” Tom protested. “You believe in science.” West grinned at him. “I’m a farmer, Severin. When it comes to superstitions, farmers lead the pack. Incidentally, the locals say rain on the wedding day means fertility.” Devon commented dryly, “To a Hampshireman, nearly everything is a sign of fertility. It’s a preoccupation around here.” “What’s fertility?” Justin asked. In the sudden silence, all gazes went to West, who asked defensively, “Why is everyone looking at me?” “As Justin’s new father,” St. Vincent replied, making no effort to hide his enjoyment, “that question is in your province.” West looked down into Justin’s expectant face. “Let’s ask your mother later,” he suggested. The child looked mildly concerned. “Don’t you know, Dad?

A falcon. I can see that. I thought you said nothing lived here?” Sand’s face went blank. “There was nothing alive, except for me, until Merlin. And then you.” Perrotte bit back her exasperation, and said simply, “Go on.” He twined his blunt-tipped fingers together, staring down at them. “I, erm. I found the falcon in the mews.” “So, it’s not true that there was nothing alive in the castle?” “The truth is . . . Well, the truth is the truth, and thus worth telling, but sometimes truths are so complicated that it’s exhausting to get them out in the right order.” He glanced up at her. That sounded like an evasion if ever she’d heard one. She raised an eyebrow. “The falcon was dead!” Sand blurted out. “Stuffed and mounted, and then also damaged in the sundering. I mended him, and put him on the mantel, so I’d have something to talk to. But a couple days before you—you came upstairs—” He gestured helplessly at the bird, who stopped stripping water from its feathers just long enough to glare at the humans. Perrotte stared. “The bird came to life,” she whispered. “After you put it to rights, this falcon came to life. Just like me.” “Well . . .

What’s the idea of arguing with that man? The man is a painter; he’s been a painter all his life, and he says he gets yellow. So why argue with him?” I felt embarrassed. I didn’t know what to say. Finally I said, “All my life, I’ve been studying light. And I think that with red and white you can’t get yellow—you can only get pink.” So I went to the five-and-ten and got the paint, and brought it back to the restaurant. The painter came down from upstairs, and the restaurant owner was there too. I put the cans of paint on an old chair, and the painter began to mix the paint. He put a little more red, he put a little more white—it still looked pink to me—and he mixed some more. Then he mumbled something like, “I used to have a little tube of yellow here, to sharpen it up a bit—then this’ll be yellow.” “Oh!” I said. “Of course! You add yellow, and you can get yellow, but you couldn’t do it without the yellow.” The painter went back upstairs to paint. The restaurant owner said, “That guy has his nerve, arguing with a guy who’s studied light all his life!” But that shows you how much I trusted these “real guys.” The painter had told me so much stuff that was

Looking into each other's eyes and speaking together in low tones, it becomes apparent that she hopes you will walk her through her troubles and show her that male-female relations can be lovely even in loveless union. She is looking for lust fulfilled but she searches also for respect, and in this she is out of luck because you do not know her or like her very much and you do not respect yourself and so the most you can offer this girl is time out of her life and an unsatisfactory meeting of bodies and, if the fates are generous, a couple of laughs and good feelings. At any rate there will unquestionably be a divot in your hearts before dawn and Peg seems to pick up on this after thirty minutes of groping and pawing (the car interior is damp with dew) she breaks away and with great exasperation says, "What do you think you're doing?" You are smiling, because it is an utterly stupid and boring question, and you say to her, "I am sitting in an American car, trying to make out in America," a piece of poetry that arouses something in her, and you both climb into the back seat for a meeting even less satisfactory than you feared it might be. Now she is crying and you are shivering and it is time to go home and if you had a watch you would snap your wrist to look meaningfully at it but she dabs at her face and says she wants you to come upstairs and share a special-occasion bottle of very old and expensive wine and as there is no way not to do this you follow her through the dusty lobby and into the lurching, diamond-gated elevator and into her cluttered apartment to scrutinize her furnishings and unread or improperly read paperbacks, and you wonder if there is anything more depressing than the habitats of young people, young and rudderless women in particular.

Upstairs—it was a kind of boarding house that summer—lived a guy called Tom who was hopelessly in love with Babe. He came from Vermont, from a rich family, they said, and had a career waiting for him there and everything, but he preferred being where Babe was. In the evenings he sat in the living room with his face burning behind a newspaper and every time one of us said anything he heard but made no sign. He particularly burned when Babe said something. When we forced him to put down the paper he looked at us with incalculable boredom and suffering. “Eh? Oh yes, I suppose so.” He usually said just that.

He cleared his throat. “So tell me,” he asked, “what do they call you when they want to call you something other than Tania or Tatiana?” Her heart jumped. “Who’s they?” Alexander said nothing for what seemed like minutes. Tatiana backed away from him, and when she was five meters away, she looked at his face. All she wanted to do was look into his wonderful face. “Sometimes,” she said, “they call me Tatia.” He smiled. The silences tormented her. What to do during them? “You are very beautiful, Tatia,” said Alexander. “Stop,” she said—inaudibly—as sensation left her legs. He called after her, “If you wanted to, you could call me Shura.” Shura! That’s a marvelous endearment. I would love to call you Shura, she wanted to tell him. “Who calls you Shura?” “Nobody,” Alexander replied with a salute. Tatiana didn’t just walk home. She flew. She grew brilliant red wings, and on them she sailed through the azure Leningrad sky. Closer to home, her heavy-with-guilt heart brought her down and the wings disappeared. She tied up her hair and made sure his books were at the very bottom of her bag. But she couldn’t go upstairs for a number of minutes as she stood against the wall of the building, clenching both fists to her chest.

Ella?” Cinder asked when things got quiet. “Are you there?” He sounded hesitant. “Welcome to my life,” I said with a sigh of defeat. “Sorry about that.” “It’s okay.” It was definitely not okay. I was so humiliated. It was a miracle I wasn’t crying. I think that was only because I was still in so much shock. “Look, thanks for giving me your phone number, but maybe this is a bad time.” My dad scrambled to his feet, waving his hands at me. “No! You don’t have to end your call. We’ll give you some privacy.” He glanced at both Jennifer and Juliette. “Won’t we, ladies?” His blatant desperation for me to talk to someone—even a stranger from the Internet—was as embarrassing as Anastasia’s outburst. Even worse, Jennifer was just as bad. “Of course! You go ahead and talk to your boyfriend, Ella,” she squealed. “We can keep an eye on you from the kitchen. I have to get dinner started anyway.” While I was busy dying from her use of the word boyfriend, she hopped off the elliptical. She hurried to catch up to my dad, seeming more than happy to finish her workout early. As they started up the steps, they both turned back to Juliette, who had sprawled out on the couch instead of getting up. “I was here first,” Juliette said in response to their expectant looks. “There’s no way I’m going anywhere near the upstairs with Ana in the mood she’s in, and I really don’t care about Ella’s love life. Besides, she’s not supposed to be alone, anyway. What if she tries to throw herself off the balcony or something?” Was there anyone in the world that didn’t feel the need to humiliate me? I glared at Juliette, and she just waved a pair of earbuds at me and shoved them in her ears. “I’ll turn the volume up.” My dad and Jennifer both gave me such hopeful looks that I couldn’t argue anymore. I rolled my eyes and made my way over to the armchair my father had been lounging in. Once Dad and Jennifer were gone, I glanced over at the couch. Juliette was already doing what she did best—ignoring me. She was bobbing her head along with her music as she read out of a textbook. I doubted she could hear me, but I spoke softly anyway, just in case. “Cinder? Are you still there?” “I didn’t realize upping our relationship to phone buddies would come with a boyfriend title. Does that mean if we ever meet in person, we’ll have to get married?” Surprised, I burst into laughter. Juliette glanced at me with one raised eyebrow, but went back to her textbook without saying anything.

In some ways it seemed wrong that he lived here now, in this solitary place. At least part of the time he ought to be walking into ballrooms and strolling into gardens in his superbly tailored black evening clothes, making feminine heartbeats triple. With a wan inner smile at her attempted impartiality, Elizabeth told herself men like Ian Thornton probably performed a great service to society-he gave them something to stare at and admire and even fear. Without men like him, ladies would have nothing to dream about. And much less to regret, she reminded herself. Ian had not so much as turned to glance her way, and so it was little wonder that she jumped in surprise when he said without looking at her, “It’s a lovely evening, Elizabeth. If you can spare the time from your letter, would you like to go for a walk?” “Walk?” she repeated, stunned by the discovery that he was evidently as aware of what she was doing as she had been aware of him, sitting at the table. “It’s dark out,” she said mindlessly, searching his impassive features as he arose and walked over to her chair. He stood there, towering over her, and there was nothing about the expression on his handsome face to indicate he had any real desire to go anywhere with her. She cast a hesitant glance at the vicar, who seconded Ian’s suggestion. “A walk is just the thing,” Duncan said, standing up. “It aids the digestion, you know.” Elizabeth capitulated, smiling at the gray-haired man. “I’ll just get a wrap from upstairs. Shall I bring something for you, sir?” “Not for me,” he said, wrinkling his nose. “I don’t like tramping about at night.” Belatedly realizing he was openly abdicating his duties as chaperon, Duncan added quickly, “Besides, my eyesight is not as good as it once was.” Then he spoiled that excuse by picking up the book he’d been reading earlier, and-without any apparent need for spectacles-he sat down in a chair and began reading by the light of the candles.

Good night, Grandma!” I called as I was skipping out of the kitchen with Adria on my heels. Grandma, who was at the sink rinsing dishes to stack in the dishwasher, stopped and looked at us. She had a funny expression on her face, which made Adria and me pause in the doorway and look back at her, waiting. Grandma wiped her hands on a dishtowel and said, “Simone, Adria, come here.” There was something different in her tone. I didn’t know what to expect “You know, girls,” she said as we stood in front of her, “we adopted you both today. So I’m your mother now, and he”—she pointed at my grandpa, who was wiping the table mats—“he’s your father.” Grandpa paused what he was doing, stood up straight, and smiled. I just glanced from one to the other, my eyes big and round. What had happened in court that day suddenly became clear. “Does that mean I can call you Mom and Dad?” I asked. “It’s up to you,” my grandma said, one hand cupping my cheek, the other one smoothing Adria’s hair. “Call us whatever you want to. Now go to bed.” The two of us scampered upstairs without another word. But when Adria went into the bathroom to brush her teeth, I stood in the middle of our bedroom, my hands pressed against my temples. I was hopping from one foot to the other and jumping up and down, so much excitement was flowing through me. Mom. Dad. Mom. Dad. I kept whispering the words, getting used to the sound of them. Finally, feeling as if I would burst, I ran back downstairs to the kitchen. “Mom?” I said, standing in the doorway. She looked across at me, her lips twitching like she was trying not to smile. “Yes, Simone?” I turned to where Grandpa was putting away the table mats. “Dad?” “What is it, Simone?” “Nothing!” I said, squealing and bouncing up and down gleefully. I had done it—I’d called them Mom and Dad! I turned without another word and raced back up the stairs. In my room, I flopped backward onto my bed and let out a happy sigh. Adria and I were finally and forever home.

Since I’ve been home I’ve been trying hard to mend my relationship with my mother. Asking her to do things for me instead of brushing aside any offer of help, as I did for years out of anger. Letting her handle all the money I won. Returning her hugs instead of tolerating them. My time in the arena made me realize how I needed to stop punishing her for something she couldn’t help, specifically the crushing depression she fell into after my father’s death. Because sometimes things happen to people and they’re not equipped to deal with them. Like me, for instance. Right now. Besides, there’s one wonderful thing she did when I arrived back in the district. After our families and friends had greeted Peeta and me at the train station, there were a few questions allowed from reporters. Someone asked my mother what she thought of my new boyfriend, and she replied that, while Peeta was the very model of what a young man should be, I wasn’t old enough to have any boyfriend at all. She followed this with a pointed look at Peeta. There was a lot of laughter and comments like “Somebody’s in trouble” from the press, and Peeta dropped my hand and sidestepped away from me. That didn’t last long — there was too much pressure to act otherwise — but it gave us an excuse to be a little more reserved than we’d been in the Capitol. And maybe it can help account for how little I’ve been seen in Peeta’s company since the cameras left. I go upstairs to the bathroom, where a steaming tub awaits. My mother has added a small bag of dried flowers that perfumes

I grab one of the lanterns we’ve left in the mudroom and head toward my parents’ room, expecting Ryder to follow. But he pauses at the bottom of the stairs. “I guess I should…you know. The guestroom. Should be safe upstairs now.” I just stare at him, trying to decide if he’s serious. But then he reaches for the banister, and I realize he is. “You don’t have to,” I say, my cheeks flushing hotly. “I mean…I’m fine with you down here. With me.” I can’t believe I just said that. But, jeez, everything’s so awkward now. “You sure?” he asks, taking a step toward me. I shift my weight from one foot to the other. “Yeah, I’m…you know, getting used to having you around. Anyway,” I say breezily, “we might get some more severe stuff tonight. Probably shouldn’t take any chances.” Oh my God, I’m practically begging him to stay with me. What is wrong with me? “You’re probably right,” Ryder says, relenting. I try to think of something clever to say, but come up blank. So I turn and stalk off to my parents’ room instead. Ryder finds me in the bathroom, brushing my teeth with bottled water. He stands in the doorway, leaning against the wooden frame, watching me. Our gazes meet in the mirror--which, of course, makes gooseflesh rise on my skin. I spit in the sink and take a swig of water to rinse. “Jem?” I turn, the marble countertop digging into my back. He moves toward me, closing the distance between us. I sway slightly on my feet as he reaches for me, his dark eyes filled with heat. His gaze sweeps across my face, warming my skin, making my breath catch in my throat. Oh man.

I am ninety. Or ninety-three. One or the other. When you are five, you know your age down to the month. Even in your twenties, you know how old you are. I'm twenty-three you say, or maybe twenty-seven. But then in your thirties, something strange starts to happen. It is a mere hiccup at first, an instant of hesitation. How old are you? Oh, I'm--you start confidently, but then you stop. You were going to say thirty-three, but you are not. You're thirty-five. And then you're bothered, because you wonder if this is the beginning of the end. It is, of course, but it's decades before you admit it. You start to forget words: they're on the tip of your tongue, but instead of eventually dislodging, they stay there. You go upstairs to fetch something, and by the time you get there you can't remember what it was you were after. You call your child by the names of all your other children and finally the dog before you get to his. Sometimes you forget what day it is. And finally you forget the year. Actually, it's not so much that I've forgotten. It's more like I've stopped keeping track. We're past the millennium, that much I know - such a fuss and bother over nothing, all those young folks clucking with worry and buying canned food because somebody was too lazy to leave space for four digits instead of two - but that could have been last month or three years ago. And besides, what does it really matter? What's the difference between three weeks or three years or even three decades of mushy peas, tapioca, and Depends undergarments? I am ninety. Or ninety-three. One or the other.

On Monday morning, she called me into her bedroom. Her dark hair was tousled, her light robe very feminine against the soft blue of her bed. Her eyes were full of mischief. “Oh, Mr. West,” she whispered in her beguiling child’s voice. “I’ve gotten myself into something. Can you help me get out of it?” “What can I do?” I asked, wondering who was next in line to be fired. “I’ve invited someone to stay here,” she said, “but now we’ve changed our minds.” She cast a glance in the direction of the President’s bedroom. “Could you help us cook up something so we can get out of having her as a houseguest?” Without waiting for a reply, she rushed on, her request becoming a command in mid-breath. “Would you fix up the Queen’s Room and the Lincoln Room so that it looks like we’re still decorating them, and I’ll show her that our guest rooms are not available.” Her eyes twinkled, imagining the elaborate deception. “The guest rooms will be redecorated immediately,” I said, and almost clicked my heels. I called Bonner Arrington in the carpenter’s shop. “Bring drop-cloths up to the Queen’s Room and Lincoln Bedroom. Roll up the rugs and cover the draperies and chandeliers, and all the furniture,” I instructed. “Oh yes, and bring a stepladder.” I called the paint shop. “I need six paint buckets each for the Queen’s Room and the Lincoln Room. Two of the buckets in each room should be empty—off-white—and I need four or five dirty brushes.” I met the crews on the second floor. “Now proceed to make these two rooms look as if they’re being redecorated,” I directed. “You mean you don’t want us to paint?” said the painters. “No,” I said. “Just make it look as if you are.” The crew had a good time, even though they didn’t know what it was all about. As I brought in the finishing touches, ashtrays filled with cigarette butts, Bonner shook his head. “Mr. West, all I can say is that this place has finally got to you,” he said. That evening the President and Mrs. Kennedy entertained a Princess for dinner upstairs in the President’s Dining Room. Before dinner, though, President Kennedy strolled down to the East Hall with his wife’s guest. He pointed out the bedraped Queen’s Room. “… And you see, this is where you would have spent the night if Jackie hadn’t been redecorating again,” he told the unsuspecting lady. The next morning, Mrs. Kennedy phoned me. “Mr. West, you outdid yourself,” she exclaimed. “The President almost broke up when he saw those ashtrays.

For one second there was something familiar about him, and I noticed for the first time how old he looked. I thought about what Louisa had said, about how old people can’t get enough heat. Maybe I felt sorry for him. Maybe he reminded me of Mr Nunzi from upstairs. Or maybe I wanted to do something good, to make up for being kind of a jerk to Annemarie, even if she didn’t really know it. Anyway, I spoke to him. ‘Hey,’ I said, opening my bag. ‘You want a sandwich?’ I still had the cheese sandwich I hadn’t eaten at lunch. I held it out. ‘It’s cheese and tomato.’ ‘Is it on a hard roll?’ He sounded tired. ‘I can’t eat hard bread. Bad teeth.’ ‘It isn’t hard,’ I said. It was one of my best V-cuts ever, probably a little soggy now with the juice from the tomato soaking into the bread all afternoon. He reached up with one hand, and I put the sandwich in it.

Suenos. Dulces Suenos. He must be painting upstairs. I can feel it. I remember when his father was just a baby and I called her Mama for the first time and she became Mama for all of us; Mama de la casa and his father would wake up in the middle of the night and scream in his crib and nothing would make him stop, nada, and Mama would get so exhausted she would turn her back to me and cry in her pillow. I would smooth her hair-it was black, Basilio, as black as an olive-and I would turn on the radio (electricity, Basilio, in the middle of the night), to maybe calm the baby and listen to something besides the screaming. Mama liked the radio, Basilio, and we listened while your father cried-cantante negra, cantante de almas azules-and it made us feel a little better, helped us make it through. I had to get up early to catch the streetcar to the shipyard, but when the crying finally stopped sometimes the sun would be ready to pop and Mama's breathing would slow down and her shoulders would move like gentle waves, sleeping but still listening, like I can hear her now on this good bed, and Basilio-Mira, hombre, I will not tell you this again-if I moved very close and kissed her shoulders, she would turn to face me and we would have to be quiet Basilio, under the music, very, very quiet.... So this I want to know, Basilio. This, if you want to live on Macon Street for another minute. Can you paint an apple baked soft in the oven, an apple filled with cinnamon and raisins? Can you paint such a woman? Are you good enough yet with those brushes so that she will step out of your pictures to turn on the radio in the middle of the night? Will she visit an old man on his death bed? If you cannot do that, Basilio, there is no need for you to live here anymore.

Jackson. Wait.” He didn’t turn to face me when I finally reached him. Staring at his back, I scrambled for something to say. Why hadn’t I thought this through? In the end, watching him not even turn to face me, anger won out. “What the fuck, Jackson?” “Go back to your fiancée.” With a growl, I gripped his shoulder, forcing him to turn and then shoving him back into the wall. His eyes looked like they were holding back their own storm, daring me to push one more time. I was about to push a whole lot harder if it meant getting something out of him. “Talk to me.” I wanted it to be a command, but it came out as more of a plea. He took a deep breath, closing his eyes. When he opened them, I almost stepped back from how angry they were. “What do you want me to say? You’re not gay,” he sneered, beginning to back me up with each word. “You would never. Which I found pretty damn shocking since you loved being deep inside me, spilling your cum. Fucking me—a man—like a desperate fucking freight train.” He threw my words I’d stupidly sputtered to his brother back in my face. “I’m sorry,” I whispered. “Fuck you,” Jackson growled before bumping my shoulder to walk past me. Digging my hands in my hair, frustration rose inside me, pulling me under, drowning me. I was losing control and I couldn’t breathe because of it. “I’M SORRY, OKAY?” I shouted. “I fucked up. I panicked. This is all new to me—liking a guy. Fooling around with you when I’m engaged. I can’t just talk about it. I fucking panicked and I’m sorry. So fucking sorry.” He let my apology linger, and I held my breath waiting. “Okay.” Okay? Okay? Was he fucking kidding me? I spilled my guts and it was okay? “No. It’s not fucking okay. This isn’t okay.” A fiery burn built behind my eyes, stinging my nose, but I wasn’t going to stop because he finally turned back to me. “I miss you. You won’t touch me, or kiss me, or sit with me, or hold me. Nothing. And I fucking miss you.” I choked on the last few words praying he wouldn’t turn away. It was the most honest I’d been with him—with myself—about my feelings for him. My heart thundered, and hands trembled from how nervous I was. Nervous that the words felt so right coming from my lips. Nervous about what it really meant, that I left Carina behind, so I could chase Jackson down and plead with him to not leave me. “Can we please go back? Can you please forgive me?” It wasn’t just about sex and exploring. Right there in the stairwell, getting lost in him, begging him to stay and care, it hit me. I was falling in love with him. With a man. I was falling in love with Jackson. While my fiancée sat upstairs, I realized I was falling in love with my best friend.

I don't know yet. I want to get hold of a good plot. I believe this is very necessary from an editor's point of view. The only thing I've settled on is the heroine's name. It is to be AVERIL LESTER. Rather pretty, don't you think? Don't mention this to any one, Diana. I haven't told anybody but you and Mr. Harrison. HE wasn't very encouraging—he said there was far too much trash written nowadays as it was, and he'd expected something better of me, after a year at college." "What does Mr. Harrison know about it?" demanded Diana scornfully. They found the Gillis home gay with lights and callers. Leonard Kimball, of Spencervale, and Morgan Bell, of Carmody, were glaring at each other across the parlor. Several merry girls had dropped in. Ruby was dressed in white and her eyes and cheeks were very brilliant. She laughed and chattered incessantly, and after the other girls had gone she took Anne upstairs to display her new summer dresses. "I've

One day I went to the basement to do the laundry and found one of his socks was stuffed with bloody handkerchiefs. Seven of them. I laid them out one by one and used the tricks he taught me. I waited by the washer for its full cycle, hoping it would work. All seven came out clean, but my throat stayed tight, my stomach ached. I folded them, one by one, in little squares. I carried them upstairs on the top of the pile. Gramps was in the dining room when I got there, pouring himself a glass of whiskey. He eyed the folded laundry. “How’ve you been feeling, Gramps?” He cleared his throat. “So-so,” he said. “Have you been to the doctor?” He snorted—my suggestion was ridiculous—and I remembered a time in junior high when I came home from health class and talked to him about the dangers of smoking. “This conversation is very American,” he’d said. “We live in America.” “That we do, Sailor. That we do. But wherever in the world we live, something’s gonna get us in the end. Something gets us every time.” I hadn’t known then how to argue his point. I should have tried harder.

Every Tuesday, Miss Graham sent Beth down after Arithmetic to do the erasers. It was considered a privilege, and Beth was the best student in the class, even though she was the youngest. She did not like the basement. It smelled musty, and she was afraid of Mr. Shaibel. But she wanted to know more about the game he played on that board by himself. One day she went over and stood near him, waiting for him to move a piece. The one he was touching was the one with a horse’s head on a little pedestal. After a second he looked up at her with a frown of irritation. “What do you want, child?” he said. Normally she fled from any human encounter, especially with grownups, but this time she did not back away. “What’s that game called?” she asked. He stared at her. “You should be upstairs with the others.” She looked at him levelly; something about this man and the steadiness with which he played his mysterious game helped her to hold tightly to what she wanted. “I don’t want to be with the others,” she said. “I want to know what game you’re playing.” He looked at her more closely. Then he shrugged. “It’s called chess.

Lend stood staring blankly at the shelves of food. Arianna had sneaked upstairs to eat—or rather, drink—in private. “I have no idea what to make. I’m too exhausted to think.” “You have no right to be tired. And I never want to see you asleep ever again. I had enough of that for a lifetime these past few days.” “Allow me to take over,” Jack said, striding into the kitchen. He nudged Lend out of the way and started pulling out a huge pile of ingredients. “Can you even cook?” “If Lend had let me make him an omelet earlier, that question would already be answered.” Lend sat next to me, leaning over and putting his arm under my head as a pillow against the counter. “Remind me again why we trust him now?” “Because we need all the help we can get. And I think he really is sorry. And a lot of people are going to depend on him of all the faeries leave.” Jack furiously chopped vegetables. “Captain Dependable! Wait, we vetoed that one. The Divine Door Maker? Too much? Hmm . . . Handsome Hero, but maybe I should move away from alliteration. Something sleek. Our Lord and Master Jack.” Lend rolled his eyes and gave me a seriously-can-I-just-beat-him-to-a-pulp look.

Now having travelled from the pride of man in the High Renaissance and the Enlightenment down to the present despair, we can understand where modern people are. They have no place for a personal God. But equally they have no place for man as man, or for love, or for freedom, or for significance. This brings a crucial problem. Beginning only from man himself, people affirm that man is only a machine. But those who hold this position cannot live like machines! If they could, there would be no tensions in their intellectual position or in their lives. But even people who believe they are machines cannot live like machines, and thus they must “leap upstairs” against their reason and try to find something which gives meaning to life, even though to do so they have to deny their reason. This was a solution Leonardo da Vinci and the men of the Renaissance never would have accepted, even if, like Leonardo they ended their thinking in despondency. They would not have done so, for they would have considered it intellectual suicide to separate meaning and values from reason this way. And they would have been right. Such a solution is intellectual suicide, and one may question the intellectual integrity of those who accept such a position when their starting point was pride in the sufficiency of human reason.

Hello, darling,” Alessandro smiled at her. Oh, that smile. Bree wanted to close her eyes, press her hands against her eyes and keep them shut forever so she wouldn’t see that smile. She must have had the question on her face, the knowledge on her face because as she looked at him now, something flickered in his eyes. Guilt. Oh God. “Mommy, look. I make good bouncies. See?” Will said, dribbling the ball. “I gonna be a basset ball player when I gwoed up.” The little boy’s voice sounded far away as Bree narrowed in on Alessandro and the look in his eyes. “Brian. I want you and Vanessa to take Will and Gianni out for a little while.” “Oh but we’re having a good time out here, aren’t we Gianni?” Alessandro asked, tickling Gianni who squealed and curled inward. “Now,” Bree said, her voice tight. Will stopped bouncing the ball and held it against his chest looking at both of them, picking up on the angry tension that suddenly covered them all. “Uh oh. I tink mommy’s mad.” “I’m not leaving you alone in your condition, Bree. Alessandro, we just came from the hospital. Colin’s awake,” Brian informed him, his voice tight with anger. “You spoke to Colin?” Alessandro asked, meeting Bree’s eyes. “I did. And Carrie.” He looks like a cornered animal. And what do Dardanos do when they’re cornered? They lie. They cheat. Oh God. “Fine, then can you just take the boys upstairs?” Bree said, speaking to Brian, but not moving her gaze from her husband. “Come on, guys. Let’s go play upstairs for a while,” Vanessa said walking past Bree and taking Gianni from Alessandro’s lap.

think you should let me go on my knees and eat you out until tomorrow morning.” God. God. I shake my head, dizzy, warm, dazzled. “Let’s just have sex. You—you can’t be enjoying this,” I tell him around a moan. I clearly am. Enjoying it. “You sure?” He angles me a little, and there is no mistaking the hot bulge of his cock against my hip. “Oh.” “Yeah.” “I’m not—I’m not even doing anything. If we went to bed, I could—” “You make soft little sounds. You shift your hips when I do—ah, yes. This. And these tiny spasms around my finger, which make me think of you clenching around my cock. Given how tight you are, it isn’t happening anytime soon, but—” He closes his eyes and takes a deep, undone breath. “Sorry.” His rhythm on my clit is picking up, and I’m fading fast, all shallow breathing and spotty vision. “Sorry?” “Just trying to get a grip.” “You don’t have to get a grip. You can take me upstairs and—” My channel contracts around him and we both groan. “You sure you don’t want two fingers, Elsie?” I let my shoulders fall back against the window. It’s wet with my sweat, not cold anymore. “We should try.” He watches himself this time. He stares at his index finger disappearing inside me alongside the middle, his other hand drawing calming patterns on my waist. I clench and gasp and twist on him, but he doesn’t let up, keeps pushing in slowly, and after some resistance, I’m taking him, arching involuntarily to make room, letting out a final little noise of gratitude and disbelief. “Jesus,” Jack says. “Fuck.” I’m getting used to it. This sense of being crammed with something hot and beautiful. I move experimentally

Speaking of debutantes,” Jake continued cautiously when Ian remained silent, “what about the one upstairs? Do you dislike her especially, or just on general principle?” Ian walked over to the table and poured some Scotch into a glass. He took a swallow, shrugged, and said, “Miss Cameron was more inventive than some of her vapid little friends. She accosted me in a garden at a party.” “I can see how bothersome that musta been,” Jake joked, “having someone like her, with a face that men dream about, tryin’ to seduce you, usin’ feminine wiles on you. Did they work?” Slamming the glass down on the table, Ian said curtly, “They worked.” Coldly dismissing Elizabeth from his mind, he opened the deerskin case on the table, removed some papers he needed to review, and sat down in front of the fire. Trying to suppress his avid curiosity, Jake waited a few minutes before asking, “Then what happened?” Already engrossed in reading the documents in his hand, Ian said absently and without looking up, “I asked her to marry me; she sent me a note inviting me to meet her in the greenhouse; I went there; her brother barged in on us and informed me she was a countess, and that she was already betrothed.” The topic thrust from his mind, Ian reached for the quill lying on the small table beside his chair and made a note in the margin of the contract. “And?” Jake demanded avidly. “And what?” “And then what happened-after the brother barged in?” “He took exception to my having contemplated marrying so far above myself and challenged me to a duel,” Ian replied in a preoccupied voice as he made another note on the contract. “So what’s the girl doin’ here now?” Jake asked, scratching his head in bafflement over the doings of the Quality. “Who the hell knows,” Ian murmured irritably. “Based on her behavior with me, my guess is she finally got caught in some sleezy affair or another, and her reputation’s beyond repair.” “What’s that got to do with you?” Ian expelled his breath in a long, irritated sigh and glanced at Jake with an expression that made it clear he was finished answering questions. “I assume,” he bit out, “that her family, recalling my absurd obsession with her two years ago, hoped I’d come up to scratch again and take her off their hands.” “You think it’s got somethin’ to do with the old duke talking about you bein’ his natural grandson and wantin’ to make you his heir?” He waited expectantly, hoping for more information, but Ian ignored him, reading his documents. Left with no other choice and no prospect for further confidences, Jake picked up a candle, gathered up some blankets, and started for the barn. He paused at the door, struck by a sudden thought. “She said she didn’t send you any note about meetin’ her in the greenhouse.” “She’s a liar and an excellent little actress,” Ian said icily, without taking his gaze from the papers. “Tomorrow I’ll think of some way to get her out of here and off my hands.” Something in Ian’s face made him ask, “Why the hurry? You afraid of fallin’ fer her wiles again?” “Hardly.” “Then you must be made of stone,” he teased. “That woman’s so beautiful she’d tempt any man who was alone with her for an hour-includin’ me, and you know I ain’t in the petticoat line at all.” “Don’t let her catch you alone,” Ian replied mildly. “I don’t think I’d mind.” Jake laughed as he left.

Love and religion! thought Clarissa, going back into the drawing-room, tingling all over. How detestable, how detestable they are! For now that the body of Miss Kilman was not before her, it overwhelmed her — the idea. The cruelest things in the world, she thought, seeing them clumsy, hot, domineering, hypocritical, eavesdropping, jealous, infinitely cruel and unscrupulous, dressed in a mackintosh coat, on the landing; love and religion. Had she ever tried to convert any one herself? Did she not wish everybody merely to be themselves? And she watched out of the window the old lady opposite climbing upstairs. Let her climb upstairs if she wanted to; let her stop; then let her, as Clarissa had often seen her, gain her bedroom, part her curtains, and disappear again into the background. Somehow one respected that — that old woman looking out of the window, quite unconscious that she was being watched. There was something solemn in it — but love and religion would destroy that, whatever it was, the privacy of the soul. The odious Kilman would destroy it. Yet it was a sight that made her want to cry. Love destroyed too. Everything that was fine, everything that was true went. Take Peter Walsh now. There was a man, charming, clever, with ideas about everything. If you wanted to know about Pope, say, or Addison, or just to talk nonsense, what people were like, what things meant, Peter knew better than any one. It was Peter who had helped her; Peter who had lent her books. But look at the women he loved — vulgar, trivial, commonplace. Think of Peter in love — he came to see her after all these years, and what did he talk about? Himself. Horrible passion! she thought. Degrading passion! she thought, thinking of Kilman and her Elizabeth walking to the Army and Navy Stores.

Around Christmas 2003, we visited Chris’s parents in Texas. I found myself exceptionally hungry, though I couldn’t figure out why. When we came back to California, I just felt something was off. Could I be…pregnant? Nah. I bought a pregnancy test just in case. Chris and I had always planned to have children, but we weren’t in a rush about it. In fact, we had only recently decided to be “a little less careful.” It was a compromise between our spontaneous impulses and our careful planning instincts, which we both shared. We figured, if it happens somewhere in the next year… I was upstairs in the house working when I decided to take a break and check things out. Wow. WOW!!! Chris happened to be home fiddling with something in the garage. I ran downstairs, holding the stick in my hand. When I got there, I held it up, waving. “Hey, babe,” he said, looking at me as if I were waving a sword. “Come here,” I said. “I have to show you something.” He came over. I showed him the stick. “Okay?” “Look!” “What is it?” “Look at this!” Obviously, he wasn’t familiar with home pregnancy tests. Maybe that’s a guy thing-given that the tests reveal either your worst nightmare or one of the most exciting events of your life. I’d wager every woman in America knows what they are and how they work. Slowly it dawned on him. “Oh my God,” he said, stunned. “Are you…?” “Yes!” We confirmed it at the doctor’s soon after. I know you’re supposed to wait something like twelve weeks before telling anyone-there’s so much that can go wrong-but we couldn’t keep that kind of secret to ourselves for more than a few days. We ended up sending packages with an ultrasound and baby booties-one pink, one blue-to our parents, telling them we had a late Christmas surprise and to call us so we could be on the phone when they opened them.

Their mother came in now, and Maggie rushed away, that her burst of tears, which she felt must come, might not happen till she was safe upstairs. They were very bitter tears; everybody in the world seemed so hard and unkind to Maggie; there was no indulgence, no fondness, such as she imagined when she fashioned the world afresh in her own thoughts. In books there were people who were always agreeable or tender, and delighted to do things that made one happy, and who did not show their kindness by finding fault. The world outside the books was not a happy one, Maggie felt; it seemed to be a world where people behaved the best to those they did not pretend to love, and that did not belong to them. And if life had no love in it, what else was there for Maggie? Nothing but poverty and the companionship of her mother’s narrow griefs, perhaps of her father’s heart-cutting childish dependence. There is no hopelessness so sad as that of early youth, when the soul is made up of wants, and has no long memories, no superadded life in the life of others; though we who looked on think lightly of such premature despair, as if our vision of the future lightened the blind sufferer’s present. Maggie, in her brown frock, with her eyes reddened and her heavy hair pushed back, looking from the bed where her father lay to the dull walls of this sad chamber which was the centre of her world, was a creature full of eager, passionate longings for all that was beautiful and glad; thirsty for all knowledge; with an ear straining after dreamy music that died away and would not come near to her; with a blind, unconscious yearning for something that would link together the wonderful impressions of this mysterious life, and give her soul a sense of home in it. No wonder, when there is this contrast between the outward and the inward, that painful collisions come of it.

THE OBEDIENCE GAME DUGGAR KIDS GROW UP playing the Obedience Game. It’s sort of like Mother May I? except it has a few extra twists—and there’s no need to double-check with “Mother” because she (or Dad) is the one giving the orders. It’s one way Mom and Dad help the little kids in the family burn off extra energy some nights before we all put on our pajamas and gather for Bible time (more about that in chapter 8). To play the Obedience Game, the little kids all gather in the living room. After listening carefully to Mom’s or Dad’s instructions, they respond with “Yes, ma’am, I’d be happy to!” then run and quickly accomplish the tasks. For example, Mom might say, “Jennifer, go upstairs to the girls’ room, touch the foot of your bed, then come back downstairs and give Mom a high-five.” Jennifer answers with an energetic “Yes, ma’am, I’d be happy to!” and off she goes. Dad might say, “Johannah, run around the kitchen table three times, then touch the front doorknob and come back.” As Johannah stands up she says, “Yes, sir, I’d be happy to!” “Jackson, go touch the front door, then touch the back door, then touch the side door, and then come back.” Jackson, who loves to play army, stands at attention, then salutes and replies, “Yes, sir, I’d be happy to!” as he goes to complete his assignment at lightning speed. Sometimes spotters are sent along with the game player to make sure the directions are followed exactly. And of course, the faster the orders can be followed, the more applause the contestant gets when he or she slides back into the living room, out of breath and pleased with himself or herself for having complied flawlessly. All the younger Duggar kids love to play this game; it’s a way to make practicing obedience fun! THE FOUR POINTS OF OBEDIENCE THE GAME’S RULES (MADE up by our family) stem from our study of the four points of obedience, which Mom taught us when we were young. As a matter of fact, as we are writing this book she is currently teaching these points to our youngest siblings. Obedience must be: 1. Instant. We answer with an immediate, prompt “Yes ma’am!” or “Yes sir!” as we set out to obey. (This response is important to let the authority know you heard what he or she asked you to do and that you are going to get it done as soon as possible.) Delayed obedience is really disobedience. 2. Cheerful. No grumbling or complaining. Instead, we respond with a cheerful “I’d be happy to!” 3. Thorough. We do our best, complete the task as explained, and leave nothing out. No lazy shortcuts! 4. Unconditional. No excuses. No, “That’s not my job!” or “Can’t someone else do it? or “But . . .” THE HIDDEN GOAL WITH this fun, fast-paced game is that kids won’t need to be told more than once to do something. Mom would explain the deeper reason behind why she and Daddy desired for us to learn obedience. “Mom and Daddy won’t always be with you, but God will,” she says. “As we teach you to hear and obey our voice now, our prayer is that ultimately you will learn to hear and obey what God’s tells you to do through His Word.” In many families it seems that many of the goals of child training have been lost. Parents often expect their children to know what they should say and do, and then they’re shocked and react harshly when their sweet little two-year-old throws a tantrum in the middle of the grocery store. This parental attitude probably stems from the belief that we are all born basically good deep down inside, but the truth is, we are all born with a sin nature. Think about it: You don’t have to teach a child to hit, scream, whine, disobey, or be selfish. It comes naturally. The Bible says that parents are to “train up a child in the way he should go: and when he is old, he will not depart from it” (Proverbs 22:6).

Sam’s the man who’s come to chop us up to bits. No wonder I kicked him out. No wonder I changed the locks. If he cannot stop death, what good is he? ‘Open the door. Please. I’m so tired,’ he says. I look at the night that absorbed my life. How am I supposed to know what’s love, what’s fear? ‘If you’re Sam who am I?’ ‘I know who you are.’ ‘You do?’ ‘Yeah.’ ‘Who?’ Don’t say wife, I think. Don’t say mother. I put my face to the glass, but it’s dark. I don’t reflect. Sam and I watch each other through the window of the kitchen door. He coughs some more. ‘I want to come home,’ he says. ‘I want us to be okay. That’s it. Simple. I want to come home and be a family.’ ‘But I am not simple.’ My body’s coursing with secret genes and hormones and proteins. My body made eyeballs and I have no idea how. There’s nothing simple about eyeballs. My body made food to feed those eyeballs. How? And how can I not know or understand the things that happen inside my body? That seems very dangerous. There’s nothing simple here. I’m ruled by elixirs and compounds. I am a chemistry project conducted by a wild child. I am potentially explosive. Maybe I love Sam because hormones say I need a man to kill the coyotes at night, to bring my babies meat. But I don’t want caveman love. I want love that lives outside the body. I want love that lives. ‘In what ways are you not simple?’ I think of the women I collected upstairs. They’re inside me. And they are only a small fraction of the catalog. I think of molds, of the sea, the biodiversity of plankton. I think of my dad when he was a boy, when he was a tree bud. ‘It’s complicated,’ I say, and then the things I don’t say yet. Words aren’t going to be the best way here. How to explain something that’s coming into existence? ‘I get that now.’ His shoulders tremble some. They jerk. He coughs. I have infected him. ‘Sam.’ We see each other through the glass. We witness each other. That’s something, to be seen by another human, to be seen over all the years. That’s something, too. Love plus time. Love that’s movable, invisible as a liquid or gas, love that finds a way in. Love that leaks. ‘Unlock the door,’ he says. ‘I don’t want to love you because I’m scared.’ ‘So you imagine bad things about me. You imagine me doing things I’ve never done to get rid of me. Kick me out so you won’t have to worry about me leaving?’ ‘Yeah,’ I say. ‘Right.’ And I’m glad he gets that. Sam cocks his head the same way a coyote might, a coyote who’s been temporarily confused by a question of biology versus mortality. What’s the difference between living and imagining? What’s the difference between love and security? Coyotes are not moral. ‘Unlock the door?’ he asks. This family is an experiment, the biggest I’ve ever been part of, an experiment called: How do you let someone in? ‘Unlock the door,’ he says again. ‘Please.’ I release the lock. I open the door. That’s the best definition of love. Sam comes inside. He turns to shut the door, then stops himself. He stares out into the darkness where he came from. What does he think is out there? What does he know? Or is he scared I’ll kick him out again? That is scary. ‘What if we just left the door open?’ he asks. ‘Open.’ And more, more things I don’ts say about the bodies of women. ‘Yeah.’ ‘What about skunks?’ I mean burglars, gangs, evil. We both peer out into the dark, looking for thees scary things. We watch a long while. The night does nothing. ‘We could let them in if they want in,’ he says, but seems uncertain still. ‘Really?’ He draws the door open wider and we leave it that way, looking out at what we can’t see. Unguarded, unafraid, love and loved. We keep the door open as if there are no doors, no walls, no skin, no houses, no difference between us and all the things we think of as the night.

I’ll tell you what’s true,’ said Weston presently. ‘What?’ ‘A little child that creeps upstairs when nobody’s looking and very slowly turns the handle to take one peep into the room where its grandmother’s dead body is laid out–and then runs away and has bad dreams. An enormous grandmother, you understand.’ ‘What do you mean by saying that’s truer?’ ‘I mean that child knows something about the universe which all science and all religion is trying to hide.’ Ransom said nothing. ‘Lots of things,’ said Weston presently. ‘Children are afraid to go through a churchyard at night, and the grown-ups tell them not to be silly: but the children know better than the grown-ups. People in Central Africa doing beastly things with masks on in the middle of the night–and missionaries and civil servants say it’s all superstition. Well, the blacks know more about the universe than the white people. Dirty priests in back streets in Dublin frightening half-witted children to death with stories about it. You’d say they are unenlightened. They’re not: except that they think there is a way of escape. There isn’t. That is the real universe, always has been, always will be. That’s what it all means.’ ‘I’m not quite clear–’ began Ransom, when Weston interrupted him. ‘That’s why it’s so important to live as long as you can. All the good things are now–a thin little rind of what we call life, put on for show, and then–the real universe for ever and ever. To thicken the rind by one centimetre–to live one week, one day, one half hour longer–that’s the only thing that matters. Of course you don’t know it: but every man who is waiting to be hanged knows it. You say “What difference does a short reprieve make?” What difference!!’ ‘But nobody need go there,’ said Ransom. ‘I know that’s what you believe,’ said Weston. ‘But you’re wrong. It’s only a small parcel of civilised people who think that. Humanity as a whole knows better. It knows–Homer knew–that all the dead have sunk down into the inner darkness: under the rind. All witless, all twittering, gibbering, decaying. Bogeymen. Every savage knows that all ghosts hate the living who are still enjoying the rind: just as old women hate girls who still have their good looks. It’s quite right to be afraid of the ghosts. You’re going to be one all the same.’ ‘You don’t believe in God,’ said Ransom. ‘Well, now, that’s another point,’ said Weston. ‘I’ve been to church as well as you when I was a boy. There’s more sense in parts of the Bible than you religious people know. Doesn’t it say He’s the God of the living, not of the dead? That’s just it. Perhaps your God does exist–but it makes no difference whether He does or not. No, of course you wouldn’t see it; but one day you will. I don’t think you’ve got the idea of the rind–the thin outer skin which we call life–really clear. Picture the universe as an infinite glove with this very thin crust on the outside. But remember its thickness is a thickness of time. It’s about seventy years thick in the best places. We are born on the surface of it and all our lives we are sinking through it. When we’ve got all the way through then we are what’s called Dead: we’ve got into the dark part inside, the real globe. If your God exists, He’s not in the globe–He’s outside, like a moon. As we pass into the interior we pass out of His ken. He doesn’t follow us in. You would express it by saying He’s not in time–which you think comforting! In other words He stays put: out in the light and air, outside. But we are in time. We “move with the times”. That is, from His point of view, we move away, into what He regards as nonentity, where He never follows. That is all there is to us, all there ever was. He may be there in what you call “Life”, or He may not. What difference does it make? We’re not going to be there for long!

Geraldine nodded and headed for Mrs. Armstrong's lawn. I felt sorry for her in her carrot pajamas, having no idea what was really going on. I followed the other girls and stood behind the shrubs. Mrs. Armstrong's house was ginormous. Her house was even bigger than Aunt Jeanie's. There was one light on upstairs. I figured that was the bedroom. The rest of the house was dark. Geraldine went to the far end of the yard and removed a can of spray paint from the bag. She shook it and began to spray. "She's such an idiot," Ava said, taking out her phone to record Geraldine's act of vandalism. "You guys are going to get her into so much trouble," I said. "So what?" Hannah replied. "She got us in trouble at the soup kitchen, it's not like she's ever going to become a Silver Rose anyway. She's totally wasting her time." Geraldine slowly made her way up and down the huge yard carefully spraying the grass. It would take her forever to complete it and there wasn't nearly enough spray paint. "Hey, guys!" Geraldine yelled from across the lawn. "How about I spray a rose in the grass? That would be cool, right?" I cringed. The light on upstairs meant the Armstrongs were still awake. Geraldine was about to get us all caught. "O-M-G," Hannah moaned. "Shhhh," Summer hissed, but Geraldine kept screaming at the top of her lungs. "Well, what do you guys think?" My heart dropped into my stomach as a light from downstairs clicked on. We ducked behind the hedges and froze. "Who's out there?" called a man's voice. I couldn't see him and I couldn't see Geraldine. I heard the door close and I peeked over the hedges. "He went back inside," I whispered, ducking back down. At that moment something went shk-shk-shk and Geraldine screamed. We all stood to see what was happening. Someone had turned the sprinklers on and Geraldine was getting soaked. The door flew open and I heard Mrs. Armstrong's voice followed by a dog's vicious barking. "Get 'em, Killer!" "Killer!" Ava screamed and we all took off running down the street with a soggy Geraldine trailing behind us. I was faster than all the other girls. I had no intentions of being gobbled up by a dog named Killer. We stopped running when we got to Ava's street and Killer was nowhere in sight. We walked back to the house at a normal pace. "So, did I prove myself to the sisterhood?" Geraldine asked. Hannah turned to her. "Are you kidding me? Your yelling woke them up, you moron. We got chased down the street by a dog because of you." Geraldine frowned and looked down at the ground. Hopefully what I had told her before about the girls not being her friends was starting to settle in. Inside all the other girls wanted to know what had happened. Ava was giving them the gory details when a knock on the door interrupted her. It was Mrs. Armstrong. She had on a black bathrobe and her hair was in curlers. I chuckled to myself because I was used to seeing her look absolutely perfect. We all sat on our sleeping bags looking as innocent as possible except for Geraldine who still stood awkwardly by the door, dripping wet. Mrs. Armstrong cleared her throat. "Someone has just vandalized my lawn with spray paint. Silver spray paint. Since I know it's a tradition for the Silver Roses to pull a prank on me on the night of the retreat, I'm going to assume it was one of you. More specifically, the one who's soaking wet right now." All eyes went to Geraldine. She looked at the ground and said nothing. What could she possibly say to defend herself? She even had silver spray paint on her fingers. Mrs. Armstrong looked her up and down. "Young lady, this is your second strike and that's two strikes too many. Your bid to become a Junior Silver Rose is for the second time hereby revoked." Geraldine's shoulders drooped, but most of the girls were smirking. This had been their plan all along and they had accomplished it.

Come here.” Without regard for modesty, she pulled off her T-shirt and wadded it up to stanch his wounds. He splayed his fingers on her bare stomach and grinned. “Honey, I’m afraid I can’t help you with that right now. Maybe later?” How could he joke and flirt when she was so afraid? “Max. You’re bleeding. Maybe dying. I don’t want to lose you.” “Come. Here.” He grabbed her and pulled her down into the grass beside him. He pressed a kiss to her temple and rubbed his grizzled cheek against hers. The sirens were getting closer. “Are you okay? Are you hurt?” “I’m fine. You’re the one who got shot. Twice.” “I’m gonna live through both. I’m a tough guy, remember?” “Damn it, Max—” “Rosemary March. Did you just swear? You know I don’t like hearing that from you,” he teased. He pulled her in for a kiss that lasted until a groan of pain forced him to come up for air. “You get under my skin, Rosie.” “Like an itchy rash?” she teased. “Like an alarm clock finally waking me up to the life I’m supposed to have. With you.” So when did the tough guy learn to speak such beautiful things? Tears stung her eyes again as she found a spot where she could hug him without causing any pain. “I know I’m not the guy you expected to want you like this, and I know you weren’t the woman I was looking for. Hell, I wasn’t even looking.” “Neither was I.” “But we found each other.” “We’re good for each other.” “I’m not an easy man to live with. I come with a lot of emotional baggage.” “And I don’t?” “You can do better than me.” Rosie shook her head, smiling. “I can’t do better than a good man who loves me. A man who encourages me to be myself and to be strong and who makes me feel safer and more loved than I have ever felt in my life.” “I do love you, Rosie.” “I love you, Max.” “What are we going to do about these feelings?” Max asked. “What do you want to do?” " Let’s give the Dinkles something to talk about.” “You’re moving in upstairs?” “And opening all the windows.” Rosie smiled. “Oh, I hope we give them plenty to talk about.

In the year after Chris died, a friend organized a trip for the kids and me to use the time-share at Disney World in Florida. I felt exceptionally lonely the night we arrived in our rental car, exhausted from our flight. Getting our suitcases out, I mentioned something along the lines of “I wish we had Dad here.” “Me, too,” said both of the kids. “But he’s still with us,” I told them, forcing myself to sound as optimistic as possible. “He’s always here.” It’s one thing to say that and another to feel it, and as we walked toward the building I didn’t feel that way at all. We went upstairs--our apartment was on the second floor--and went to the door. A tiny frog was sitting on the door handle. A frog, really? Talk about strange. Anyone who knows the history of the SEALs will realize they trace their history to World War II combat divers: “frogmen” specially trained to infiltrate and scout enemy beaches before invasions (among other duties). They’re very proud of that heritage, and they still occasionally refer to themselves as frogmen or frogs. SEALs often feature frogs in various tattoos and other art related to the brotherhood. As a matter of fact, Chris had a frog skeleton tattoo as a tribute to fallen SEALs. (The term frogman is thought to derive from the gear the combat divers wore, as well as their ability to work both on land and at sea.) But for some reason, I didn’t make the connection. I was just consumed by the weirdness--who finds a frog, even a tiny one, on a door handle? The kids gathered round. Call me squeamish, but I didn’t want to touch it. “Get it off, Bubba!” I said. “No way.” We hunted around and found a little tree branch on the grounds. I held it up to the doorknob, hoping it would hop on. It was reluctant at first, but finally it toddled over to the outside of the door jam. I left it to do whatever frogs do in the middle of the night. Inside the apartment, we got settled. I took out my cell phone and called my mom to say we’d arrived safely. “There was one strange thing,” I told her. “There was a frog on the door handle when we arrived.” “A…frog?” “Yes, it’s like a jungle down here, so hot and humid.” “A frog?” “Yeah.” “And you don’t think there’s anything interesting about that?” “Oh my God,” I said, suddenly realizing the connection. I know, I know: just a bizarre coincidence. Probably. I did sleep really well that night. The next morning I woke up before the kids and went into the living room. I could have sworn Chris was sitting on the couch waiting for me when I came out. I can’t keep seeing you everywhere. Maybe I’m crazy. I’m sorry. It’s too painful. I went and made myself a cup of coffee. I didn’t see him anymore that week.

Christopher Cerf has been composing songs for Sesame Street for twenty-five years. His large Manhattan townhouse is full of Sesame Street memorabilia – photographs of Christopher with his arm around Big Bird, etc. ‘Well, it’s certainly not what I expected when I wrote them,’ Christopher said. ‘I have to admit, my first reaction was, “Oh my gosh, is my music really that terrible?” ’ I laughed. ‘I once wrote a song for Bert and Ernie called “Put Down The Ducky”,’ he said, ‘which might be useful for interrogating members of the Ba’ath Party.’ ‘That’s very good,’ I said. ‘This interview,’ Christopher said, ‘has been brought to you by the letters W, M and D.’ ‘That’s very good,’ I said. We both laughed. I paused. ‘And do you think that the Iraqi prisoners, as well as giving away vital information, are learning new letters and numbers?’ I said. ‘Well, wouldn’t that be an incredible double win?’ said Christopher. Christopher took me upstairs to his studio to play me one of his Sesame Street compositions, called ‘Ya! Ya! Das Is a Mountain!’ ‘The way we do Sesame Street,’ he explained, ‘is that we have educational researchers who test whether these songs are working, whether the kids are learning. And one year they asked me to write a song to explain what a mountain is, and I wrote a silly yodelling song about what a mountain was.’ Christopher sang me a little of the song: Oompah-pah! Oompah-pah! Ya! Ya! Das is a mountain! Part of zee ground zat sticks way up high! ‘Anyway,’ he said, ‘forty per cent of the kids had known what a mountain was before they heard the song, and after they heard the song, only about twenty-six per cent knew what a mountain was. That’s all they needed. You don’t know what a mountain is now, right? It’s gone! So I figure if I have the power to suck information out of people’s brains by writing these songs, maybe that’s something that could be useful to the CIA for brainwashing techniques.’ Just then, Christopher’s phone rang. It was a lawyer from his music publishers, BMI. I listened into Christopher’s side of the conversation: ‘Oh really?’ he said. ‘I see . . . Well, theoretically they have to log that and I should be getting a few cents for every prisoner, right? Okay. Bye, bye . . .’ ‘What was that about?’ I asked Christopher. ‘Whether I’m due some money for the performance royalties,’ he explained. ‘Why not? It’s an American thing to do. If I have the knack of writing songs that can drive people crazy sooner and more effectively than others, why shouldn’t I profit from that?’ This is why, later that day, Christopher asked Danny Epstein – who has been the music supervisor of Sesame Street since the very first programme was broadcast in July 1969 – to come to his house. It would be Danny’s responsibility to collect the royalties from the military if they proved negligent in filing a music-cue sheet.

Amazing.” Anders glanced around with a start. He found Lucian leaning against the door frame, eyeing him with amusement. “What?” he asked, sitting up straight. “How everything can change so swiftly,” Lucian said dryly, moving into the kitchen. Anders watched him get a glass out of the cupboard before asking mildly, “And what is it you think is changing?” “Three days ago when you first realized you couldn’t read her and that she might possibly be your life mate, you weren’t happy,” Lucian said. He filled the glass with water, took a drink, and then continued, “You didn’t like the idea of anyone stealing so much of your attention, of having something to lose, of becoming a mother hen like me, or of being led around by your dick. Now you want to follow that presently very evident dick upstairs and claim Valerie by any means necessary.” Anders glanced down to note that not only did he still have an erection, but it was very evident in his boxers. Grabbing one of the couch pillows, he dragged it over his lap and muttered, “You caught all that from reading my thoughts, did you?” “Clear as glass,” Lucian said. “Right.” Anders said and grimaced at the knowledge that Lucian had read his less than complimentary thoughts about his worry for Leigh and being led around by his dick. Raising an eyebrow, he asked, “Do I owe you an apology?” “Nope. I can hardly complain when I was eavesdropping on your thoughts.” He took another drink of his water. As Lucian lowered the glass, he swallowed, and added, “But I’d go softly with Valerie. I wouldn’t want you to rush things and blow it.” “Thanks for the advice,” Anders said dryly. “I’m serious,” Lucian said softly. Anders stilled. As a rule, Lucian could be counted on to growl, grunt, or bark. His voice only got that soft, solemn sound on very rare occasions. When it did, you were smart to listen. Anders nodded. “I’m listening.” “She just experienced a nightmarish two weeks at the hands of what she thinks is a vampire. One of our kind,” he pointed out. “Ten days and nights in the flesh and three in fever-driven nightmares.” “But we aren’t vampires,” Anders pointed out. “We’re immortals.” “Semantics,” Lucian said with a shrug. “It won’t make any difference to her whether we are the mythological cursed and soulless beast Stoker wrote about, or scientifically evolved mortals turned nearly immortal by bio-engineered nanos that were introduced into our blood before the fall of Atlantis.” “Scientifically evolved mortals who need more blood than the human body can produce to power those nanos,” Anders added wearily. Lucian nodded. “We have fangs, we don’t age, we are hard to kill and we need blood to survive. To her and many others, we are vampires.” “We drink bagged blood to survive now,” Anders argued. “The immortal who kidnapped and held Valerie and the other women is a rogue.” “True,” Lucian agreed. “Unfortunately, Valerie’s first encounter with our kind was via that rogue. She, understandably, is not going to be very receptive to the possibility that there are good guys among our kind. She needs to get to know and trust us, you especially, before you reveal too much.” Anders nodded, seeing the wisdom in what he said. Then he cleared his throat and asked, “By don’t reveal too much, you aren’t including—” “No,” Lucian said, rare amusement curving his lips. “Bed her all you want, just keep your mouth shut while you do. At least until you think she can handle it. Otherwise,” he warned, “you could lose the chance of a lifetime.