Someone Cuff Me Quotes

We've searched our database for all the quotes and captions related to Someone Cuff Me. Here they are! All 30 of them:

Zane heard Ty whuff from within the bathroom, and by the time he looked back, Ty had shoved Julian’s face against the shower wall and was holding him there by the back of his head. “Watch the elbows.” “Watch your fingers,” Julian snapped. “Welcome to TSA training, bitch.” “Want the other set of cuffs?” Zane asked, hoping to appease his cranky partner. “You could spread his arms out.” “Will someone please tell me the safe word?” Julian asked.
Abigail Roux (Armed & Dangerous (Cut & Run, #5))
Rose stood in the last faint beams of sunset. “Whoa!” “Is he wearing a leather cat suit?” “Holy Mother!" “Dude!” The guys all quickly averted their eyes and raised their hands to further block any chance of catching a view. Anything to not see Rose in his painted-on leather one-piece that left absolutely nothing to the imagination. “Stunning, right?” Rose spread his palms as far as the cuffs would allow. “Oh, I’m stunned.” Ayden looked ill. Rose looked down at himself with admiration. “Not many males can pull off this look.” “No male can pull off that look.” "Actually, his finely sculptured physique would be considered the perfect complement for this type of anatomically revealing attire which accentuates his—” “Bloody hell, Jayden, shut it!” “Dude, this is so not right.” “I feel like it’s looking at me.” “Feel like what’s looking at—? Oh. Oh! Ugh, now I feel like it’s looking at me too.” “How can it be looking at both of us?” “Are you serious?” “I’m gonna be sick.” “Someone please gouge out my eyes.
A. Kirk (Drop Dead Demons (Divinicus Nex Chronicles, #2))
was pulled out of the water and wrapped in a blanket. Someone removed the cuffs. Ranger held me tight against him, his cheek against mine. “You’re okay,” he said. “You’re safe.
Janet Evanovich (Takedown Twenty (Stephanie Plum, #20))
Now when I go out, the wind pulls me into the grave. I go out to part the hair of a child I left behind, and he pushes his face into my cuffs, to smell the wind. If I carry my father with me, it is the way a horse carries autumn in its mane. If I remember my brother, it is as if a buck had knelt down in a room I was in. I kneel, and the wind kneels down in me. What is it to have a history, a flock buried in the blindness of winter? Try crawling with two violins into the hallway of your father’s hearse. It is filled with sparrows. Sometimes I go to the field and the field is bare. There is the wind, which entrusts me; there is a woman walking with a pail of milk, a man who tilts his bread in the sun; there is the black heart of a mare in the milk—or is it the wind, the way it goes? I don’t know about the wind, about the way it goes. All I know is that sometimes someone will pick up the black violin of his childhood and start playing—that it sits there on his shoulder like a thin gray falcon asleep in its blinders, and that we carry each other this way because it is the way we would like to be carried: sometimes with mercy, sometimes without.
Joseph Fasano (Fugue for Other Hands)
Someone had given my daughter a doctor's kit. Carefully, she takes her own temperature, places the pressure cuff around her arm. Then she takes the cuff off and examines it. "Would you like to be a doctor when you grow up?" I ask her. She looks at me oddly. "I'm already a doctor," she says.
Jenny Offill (Dept. of Speculation)
Maybe we never understand each other because none of us ever takes the time to listen?
K.C. Wells (Someone to Keep Me (Collars and Cuffs, #3))
Who is he?” Eleanor lowered her voice, the name rolling off her tongue like a dark secret. “Dante Berlin.” I laughed. “Dante? Like the Dante who wrote the Inferno? Did he pick that name just to cultivate his ‘dark and mysterious’ persona?” Eleanor shook her head in disapproval. “Just wait till you see him. You won’t be laughing then.” I rolled my eyes. “I bet his real name is something boring like Eugene or Dwayne.” I expected Eleanor to laugh or say something in return, but instead she gave me a concerned look. I ignored it. “He sounds like a snob to me. I bet he’s one of those guys who know they’re good-looking. He probably hasn’t even read the Inferno. It’s easy to pretend you’re smart when you don’t to anyone.” Eleanor still didn’t respond. “Shh . . .” she muttered under her breath. But before I could say “What?” I heard a cough behind me. Oh God, I thought to myself, and slowly turned around. “Hi,” he said with a half grin that seemed to be mocking me. And that’s how I met Dante Berlin. So how do you describe someone who leaves you speechless? He was beautiful. Not Monet beautiful or white sandy beach beautiful or even Grand Canyon beautiful. It was both more overwhelming and more delicate. Like gazing into the night sky and feeling incredibly small in comparison. Like holding a shell in your hand and wondering how nature was able to make something so complex yet to perfect: his eyes, dark and pensive; his messy brown hair tucked behind one ear; his arms, strong and lean beneath the cuffs of his collared shirt. I wanted to say something witty or charming, but all I could muster up was a timid “Hi.” He studied me with what looked like a mix of disgust and curiosity. “You must be Eugene,” I said. “I am.” He smiled, then leaned in and added, “I hope I can trust you to keep my true identity a secret. A name like Eugene could do real damage to my mysterious persona.” I blushed at the sound of my words coming from his lips. He didn’t seem anything like the person Eleanor had described. “And you are—” “Renee,” I interjected. “I was going to say, ‘in my seat,’ but Renee will do.” My face went red. “Oh, right. Sorry.” “Renee like the philosopher Rene Descartes? How esoteric of you. No wonder you think you know everything. You probably picked that name just to cultivate your overly analytical persona.” I glared at him. I knew he was just dishing back my own insults, but it still stung. “Well, it was nice meeting you,” I said curtly, and pushed past him before he could respond, waving a quick good-bye to Eleanor, who looked too stunned to move. I turned and walked to the last row, using all of my self-control to resist looking back.
Yvonne Woon (Dead Beautiful (Dead Beautiful, #1))
Experience teaches,” said Gletkin, “that the masses must be given for all difficult and complicated processes a simple, easily grasped explanation. According to what I know of history, I see that mankind could never do without scapegoats. I believe it was at all times an indispensable institution; your friend Ivanov taught me that it was of religious origin. As far as I remember, he explained that the word itself came from a custom of the Hebrews, who once a year sacrificed to their god a goat, laden with all their sins.” Gletkin paused and shoved his cuffs into place. “Besides, there are also examples in history of voluntary scapegoats. At the age when you were given a watch, I was being taught by the village priest that Jesus Christ called himself a lamb, which had taken on itself all sin. I have never understood in what way it could help mankind if someone declares he is being sacrificed for its sake. But for two thousand years people have apparently found it quite natural.
Arthur Koestler (Darkness at Noon)
What kind of a man is he,” McKenna interrupted, “that he makes no objection when he sees you being escorted through the village by someone like me?” “A trusting one. Lord Sandridge and I have a certain understanding—we allow each other as much freedom as is needed. It’s a very enlightened arrangement.” “Enlightened,” he repeated with ill-concealed contempt. “Sandridge is a fool. And if I were in his place, you wouldn’t even be here.” “Where would I be, then?” she asked pertly. “At home, I suppose, mending your shirt cuffs?” “No, in my bed. Under me.
Lisa Kleypas (Again the Magic (Wallflowers, #0))
You’ve been shot,” she tells Rachel. “You shot me, you crazy bit—“ “We don’t have time for the ER protocol crap, Mom,” I cut in. “She knows she’s been shot. She’s alert. Help. Her.” Mom nods. She looks at Rachel’s clenched fist where it’s balled against her lower stomach. “I’m sorry I shot you. I need to look at that. Please.” Rachel gives her The Stank Eye. Rachel is very good at The Stank Eye. “I’m a nurse, remember?” Mom says, her voice dripping with impatience. “I can help you.” Rachel inhales and eases her hand away from her stomach, but I can’t bring myself to look at it so I just watch Mom’s face to maybe gauge how bad the wound is. I imagine dark blood and entrails and… “What the…?” Mom gasps. As an ER nurse, Mom’s seen a lot of things. But by her expression, she’s never seen this. I’m thinking it must be way serious. Also, I’m thinking I might throw up. Until Rachel slaps a handcuff around Mom’s wrist. “I’m sorry, Nalia. I hope you understand.” Then she clinks the other end of the cuff around her own wrist. I steal a glance at Rachel’s very clean, very intact, very non-bloody-entrails T-shirt. Rachel is a smart woman. Mom lunges for her, hands aiming for her throat. Rachel pulls some karate-chop-move thing and slams Mom against the door behind her. “Knock it off, hon. I don’t want to really hurt you.” “You…you told Galen you’d been shot,” I stammer. “I heard you tell him that. Why would you lie to him?” Rachel shrugs. “I was shot.” She glances down at her feet. There’s a good-sized hole near the big toe of her boot, and bit of red staining the edges of it. “And I’d better be able to wear high heels after this, or one of you is going to swim with the fishes.” Then she laughs at her own stupid Mob joke. Mom plops down beside Rachel and leans against the car, too, in obvious surrender. She looks up at me. It’s a look brimming with “I told you so.” And I already know what she’s going to say next. We won’t make it very far before someone notices two women handcuffed together. Bathroom breaks will be impossible. Any public place will be impossible. I’m guessing Mom didn’t anticipate needing a hacksaw on this vacation of ours. But I know what she expects from me now. And that’s just too freaking bad.
Anna Banks (Of Triton (The Syrena Legacy, #2))
Blood pressure check!” The doorknob rattled, as if the nurse were intending just to walk in, but the lock held, thank God. The nurse knocked again. “Oh, shit,” Gina breathed, laughing as she scrambled off of him. She reached to remove the condom they’d just used, encountered . . . him, and met his eyes. But then she scooped her clothes off the floor and ran into the bathroom. “Mr. Bhagat?” The nurse knocked on the door again. Even louder this time. “Are you all right?” Oh, shit, indeed. “Come in,” Max called as he pulled up the blanket and leaned on the button that put his bed back up into a sitting position. The same control device had a “call nurse” button as well as the clearly marked one that would unlock the door. “It’s locked,” the nurse called back, as well he knew. “Oh, I’m sorry,” he said, as he wiped off his face with the edge of the sheet. Sweat much in bed, all alone, Mr. Bhagat? “I must’ve . . . Here, let me figure out how to . . .” He took an extra second to smooth his hair, his pajama top, and then, praying that the nurse had a cold and couldn’t smell the scent of sex that lingered in the air, he hit the release. “Please don’t lock your door during the day,” the woman scolded him as she came into the room, around to the side of his bed. It was Debra Forsythe, a woman around his age, whom Max had met briefly at his check-in. She had been on her way home to deal with some crisis with her kids, and hadn’t been happy then, either. “And not at night either,” she added, “until you’ve been here a few days.” “Sorry.” He gave her an apologetic smile, hanging on to it as the woman gazed at him through narrowed eyes. She didn’t say anything, she just wrapped the blood pressure cuff around his arm, and pumped it a little too full of air—ow—as Gina opened the bathroom door. “Did I hear someone at the door?” she asked brightly. “Oh, hi. Debbie, right?” “Debra.” She glanced at Gina, and then back, her disgust for Max apparent in the tightness of her lips. But then she focused on the gauge, stethoscope to his arm. Gina came out into the room, crossing around behind the nurse, making a face at him that meant . . .? Max sent her a questioning look, and she flashed him. She just lifted her skirt and gave him a quick but total eyeful. Which meant . . . Ah, Christ. The nurse turned to glare at Gina, who quickly straightened up from searching the floor. What was it with him and missing underwear? Gina smiled sweetly. “His blood pressure should be nice and low. He’s very relaxed—he just had a massage.” “You know, I didn’t peg you for a troublemaker when you checked in yesterday,” Debra said to Max, as she wrote his numbers on the chart. Gina was back to scanning the floor, but again, she straightened up innocently when the nurse turned toward her. “I think you’re probably looking for this.” Debra leaned over and . . . Gina’s panties dangled off the edge of her pen. They’d been on the floor, right at the woman’s sensibly clad feet. “Oops,” Gina said. Max could tell that she was mortified, but only because he knew her so well. She forced an even sunnier smile, and attempted to explain. “It was just . . . he was in the hospital for so long and . . .” “And men have needs,” Debra droned, clearly unmoved. “Believe me, I’ve heard it all before.” “No, actually,” Gina said, still trying to turn this into something they could all laugh about, “I have needs.” But it was obvious that this nurse hadn’t laughed since 1985. “Then maybe you should find someone your own age to play with. A professional hockey player just arrived. He’s in the east wing. Second floor.” She lowered her voice conspiratorially. “Lots of money. Just your type, I’m sure.” “Excuse me?” Gina wasn’t going to let one go past. She may not have been wearing any panties, but her Long Island attitude now waved around her like a superhero’s cape. She even assumed the battle position, hands on her hips.
Suzanne Brockmann (Breaking Point (Troubleshooters, #9))
While I was deep in my fantasy, in yet another episode of perfect timing, Marlboro Man called from the road. “Hey,” he said, the mid-1990s spotty cell phone service only emphasizing the raspy charm of his voice. “Oh! Just the person I want to talk to,” I said, grabbing paper and a pen. “I have a question for you--” “I bought your wedding present today,” Marlboro Man interrupted. “Huh?” I said, caught off guard. “Wedding present?” For someone steeped in the proper way of doing things, I was ashamed that a wedding gift for Marlboro Man had never crossed my mind. “Yep,” he said. “And you need to hurry up and marry me so I can give it to you.” I giggled. “So…what is it?” I asked. I couldn’t even imagine. I hoped it wasn’t a tennis bracelet. “You have to marry me to find out,” he answered. Yikes. What was it? Wasn’t the wedding ring itself supposed to be the present? That’s what I’d been banking on. What would I ever get him? Cuff links? An Italian leather briefcase? A Montblanc pen? What do you give a man who rides a horse to work every day? “So, woman,” Marlboro Man said, changing the subject, “what did you want to ask me?” “Oh!” I said, focusing my thoughts back to the reception. “Okay, I need you to name your absolute favorite foods in the entire world.” He paused. “Why?” “I’m just taking a survey,” I answered. “Hmmm…” He thought for a minute. “Probably steak.” Duh. “Well, besides steak,” I said. “Steak,” he repeated. “And what else?” I asked. “Well…steak is pretty good,” he answered. “Okay,” I responded. “I understand that you like steak. But I need a little more to work with here.” “But why?” he asked. “Because I’m taking a survey,” I repeated. Marlboro Man chuckled. “Okay, but I’m really hungry right now, and I’m three hours from home.” “I’ll factor that in,” I said. “Biscuits and gravy…tenderloin…chocolate cake…barbecue ribs…scrambled eggs,” he said, rattling off his favorite comfort foods. Bingo, I thought, smiling. “Now, hurry up and marry me,” he commanded. “I’m tired of waiting on you.” I loved it when he was bossy.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
He loves you,’ I said, and smoothed the tumbled hair off her flushed face. ‘He won’t stop.’ I got up, brushing yellow leaves from my skirt. ‘We’ll have a bit of time, then, but none to waste. Jamie can send word downriver, to keep an eye out for Roger. Speaking of Roger …’ I hesitated, picking a bit of dried fern from my sleeve. ‘I don’t suppose he knows about this, does he?’ Brianna took a deep breath, and her fist closed tight on the leaf in her hand, crushing it. ‘Well, see, there’s a problem about that,’ she said. She looked up at me, and suddenly she was my little girl again. ‘It isn’t Roger’s.’ ‘What?’ I said stupidly. ‘It. Isn’t. Roger’s. Baby,’ she said, between clenched teeth. I sank down beside her once more. Her worry over Roger suddenly took on new dimensions. ‘Who?’ I said. ‘Here, or there?’ Even as I spoke, I was calculating – it had to be someone here, in the past. If it had been a man in her own time, she’d be farther along than two months. Not only in the past, then, but here, in the Colonies. I wasn’t planning to have sex, she’d said. No, of course not. She hadn’t told Roger, for fear he would follow her – he was her anchor, her key to the future. But in that case – ‘Here,’ she said, confirming my calculations. She dug in the pocket of her skirt, and came out with something. She reached toward me, and I held out my hand automatically. ‘Jesus H. Roosevelt Christ.’ The worn gold wedding band sparked in the sun, and my hand closed reflexively over it. It was warm from being carried next to her skin, but I felt a deep coldness seep into my fingers. ‘Bonnet?’ I said. ‘Stephen Bonnet?’ Her throat moved convulsively, and she swallowed, head jerking in a brief nod. ‘I wasn’t going to tell you – I couldn’t; not after Ian told me about what happened on the river. At first I didn’t know what Da would do; I was afraid he’d blame me. And then when I knew him a little better – I knew he’d try to find Bonnet – that’s what Daddy would have done. I couldn’t let him do that. You met that man, you know what he’s like.’ She was sitting in the sun, but a shudder passed over her, and she rubbed her arms as though she was cold. ‘I do,’ I said. My lips were stiff. Her words were ringing in my ears. I wasn’t planning to have sex. I couldn’t tell … I was afraid he’d blame me. ‘What did he do to you?’ I asked, and was surprised that my voice sounded calm. ‘Did he hurt you, baby?’ She grimaced, and pulled her knees up to her chest, hugging them against herself. ‘Don’t call me that, okay? Not right now.’ I reached to touch her, but she huddled closer into herself, and I dropped my hand. ‘Do you want to tell me?’ I didn’t want to know; I wanted to pretend it hadn’t happened, too. She looked up at me, lips tightened to a straight white line. ‘No,’ she said. ‘No, I don’t want to. But I think I’d better.’ She had stepped aboard the Gloriana in broad daylight, cautious, but feeling safe by reason of the number of people around; loaders, seamen, merchants, servants – the docks bustled with life. She had told a seaman on the deck what she wanted; he had vanished into the recesses of the ship, and a moment later, Stephen Bonnet had appeared. He had on the same clothes as the night before; in the daylight, she could see that they were of fine quality, but stained and badly crumpled. Greasy candle wax had dripped on the silk cuff of his coat, and his jabot had crumbs in it. Bonnet himself showed fewer marks of wear than did his clothes; he was fresh-shaven, and his green eyes were pale and alert. They passed over her quickly, lighting with interest. ‘I did think ye comely last night by candlelight,’ he said, taking her hand and raising it to his lips. ‘But a-many seem so when the drink is flowin’. It’s a good deal more rare to find a woman fairer in the sun than she is by the moon.
Diana Gabaldon (Drums of Autumn (Outlander, #4))
I am at your mercy.” Matthias cracked one of his whips. “Get up and get in the house.” “As you wish.” Rose wrinkled his nose, picked a banana peel off his lap, and stood in the last faint beams of sunset. “Whoa!” “Is he wearing a leather cat suit?” “Holy Mother!" “Dude!” The guys all quickly averted their eyes and raised their hands to further block any chance of catching a view. Anything to not see Rose in his painted-on leather one-piece that left absolutely nothing to the imagination. Their reactions were pure entertainment. “Stunning, right?” Rose spread his palms as far as the cuffs would allow. “Oh, I’m stunned.” Ayden looked ill. Rose looked down at himself with admiration. “Not many males can pull off this look.” “No male can pull off that look.” “Actually, his finely sculptured physique would be considered the perfect complement for this type of anatomically revealing attire which accentuates his—” “Bloody hell, Jayden, shut it!” “Dude, this is so not right.” “I feel like it’s looking at me.” “Feel like what’s looking at—? Oh. Oh! Ugh, now I feel like it’s looking at me too.” “How can it be looking at both of us?” “Are you serious?” “I’m gonna be sick.” “Someone please gouge out my eyes.” “He might as well be naked.” “Already did that,” Rose said dryly and gave me a suggestive wink. “Ask Aurora.” “What!” Now the crowd had eyes on me. I frantically shook my head. “No, no, no. It’s not what you think. He was in the water with most,” my hands circled over my abdomen, “stuff covered.” “Most?” Ayden almost shrieked. The orange-red flames on his arms flashed blue-white.
A. Kirk (Drop Dead Demons (Divinicus Nex Chronicles, #2))
There is about our house a need. The running, pulsating restlessness of the four boys as they struggle to learn and grow; the world embraces them….All this wonder needs a counterpart. We need some starched crisp frocks to go with all our torn-kneed blue jeans and helmets. We need some soft blond hair to off-set those crew cuts. We need a doll house to stand firm against our forts and rackets and thousand baseball cards. We need a cut-out star to play alone while the others battle to see who’s ‘family champ.’ We even need someone…who could sing the descant to “Alouette,” while outside they scramble to catch the elusive ball aimed ever roofward, but usually thudding against the screens. We need a legitimate Christmas angel—one who doesn’t have cuffs beneath the dress. We need someone who’s afraid of frogs. We need someone to cry when I get mad—not argue. We need a little one who can kiss without leaving egg or jam or gum. We need a girl. We had one once—she’d fight and cry and play and make her way just like the rest. But there was about her a certain softness. She was patient—her hugs were just a little less wiggly. Like them, she’d climb in to sleep with me, but somehow she’d fit. She didn’t boot and flip and wake me up with pug nose and mischievous eyes a challenging quarter-inch from my sleeping face. No—she’d stand beside our bed till I felt her there. Silently and comfortable, she’d put those precious, fragrant locks against my chest and fall asleep. Her peace made me feel strong, and so very important. “My Daddy” had a caress, a certain ownership which touched a slightly different spot than the “Hi Dad” I love so much. But she is still with us. We need her and yet we have her. We can’t touch her, and yet we can feel her. We hope she’ll stay in our house for a long, long time. Love Pop
Jon Meacham (Destiny and Power: The American Odyssey of George Herbert Walker Bush)
You may think you want me, but it’s Denny you need. You deserve to be happy, Cecily. Adored, doted upon, surrounded by a half-dozen blue-eyed children. I want you to have that life.” “Then give me that life.” “I can’t. Don’t you see? Everything’s different now. I’m different now. I’m not that dashing, immortal youth who kissed you in the garden all those years ago.” She stroked his cheek. “I’m not the giddy, moonstruck girl you kissed. I’m a woman now, with my own fears and desires. And a heart that’s grown stronger than you’d credit. Strong enough to contain four years’ worth of love.” He cleared his throat and studied the wood paneling. The whorls of grain twisted and churned as he blinked. “You should have saved it for someone else.” “I’ve never wanted anyone else.” She tugged on his chin until he met her gaze. “Luke. Fight for me.” He shook his head. “I’m done with fighting.” “And I’m done with waiting,” she said. “If you walk away from me again . . .” “We’re finished. I know.” Tenderly, he hooked a wisp of her hair with his fingertip and slowly tucked it behind her ear. “Marry Denny.” She stared at him, lips parted in disbelief. “What a liar you are. You keep insisting you’ve changed, but you haven’t changed one bit. Toying with my affections one moment, callously discarding them the next. I can’t decide whether you’re deceiving me or just lying to yourself.” “Don’t overthink it, Cecy.” Turning aside, he tugged casually on each of his cuffs. “You said it best last night. I’m an arrogant, insufferable cad.” He
Tessa Dare (How to Catch a Wild Viscount)
I weave through LA's famous Farmers Market, which is really more of an outdoor food court, and now I'm a few minutes late. And the place is packed and there's still the uncertainty about where to meet when I look down and realize I'm wearing yellow pants. Yellow pants. Really? Sometimes I don't know what I'm thinking. They're rolled at the cuff and paired with a navy polo and it looks like maybe I just yacht my yacht, and I'm certain to come off as an asshole. I thin about canceling, or at least delaying so I can go home and change, but the effort that would require is unappealing, and this date is mostly for distraction. And when I round the last stall--someone selling enormous eggplants, more round than oblong, I see him, casually leaning against a wall, and something inside my body says there you are. 'There you are.' I don't understand them, these words, because they seem too deep and too soulful to attach to the Farmers Market, this Starbucks or that, a frozen yogurt place, or confusion over where to meet a stranger. They're straining to define a feeling of stunning comfort that drips over me, as if a water balloon burst over my head on the hottest of summer days. My knees don't buckle, my heart doesn't skip, but I'm awash in the warmth of a valium-like hug. Except I haven't taken a Valium. Not since the night of Lily's death. Yet here is this warm hug that makes me feel safe with this person, this Byron the maybe-poet, and I want it to stop. This--whatever this feeling is--can't be a real feeling, this can't be a tangible connection. This is just a man leaning against a stall that sells giant eggplants. But I no longer have time to worry about what this feeling is, whether I should or shouldn't be her, or should or should't be wearing yellow pants, because there are only maybe three perfect seconds where I see him and he has yet to spot me. Three perfect seconds to enjoy the calm that has so long eluded me. 'There you are.' And then he casually lifts his head and turns my way and uses one foot to push himself off the wall he is leaning agains. We lock eyes and he smiles with recognition and there's a disarming kindness to his face and suddenly I'm standing in front of him. 'There you are.' It comes out of my mouth before I can stop it and it's all I can do to steer the words in a more playfully casual direction so he isn't saddled with the importance I've placed on them. I think it comes off okay, but, as I know from my time at sea, sometimes big ships turn slowly. Byron chuckles and gives a little pump of his fist. 'YES! IT'S! ALL! HAPPENING! FOR! US!' I want to stop in my tracks, but I'm already leaning in for a hug, and he comes the rest of the way, and the warm embrace of seeing him standing there is now an actual embrace, and it is no less sincere. He must feel me gripping him tightly, because he asks, 'Is everything okay?' No. 'Yes, everything is great, it's just...' I play it back in my head what he said, the way in which he said it, and the enthusiasm which only a month had gone silent. 'You reminded me of someone is all.' 'Hopefully in a good way.' I smile but it takes just a minute to speak. 'In the best possible way.' I don't break the hug first, but maybe at the same time, this is a step. jenny will be proud. I look in his eyes, which I expect to be brown like Lily's but instead are deep blue like the waters lapping calmly against the outboard sides of 'Fishful Thinking.' 'Is frozen yogurt okay?' 'Frozen yogurt is perfect.
Steven Rowley (Lily and the Octopus)
Did the two of you talk about it?” “There was nothing to talk about. Nothing happened.” “And ‘nothing’ makes you jump every time I get near you.” He tipped his bowl, mopping up with a biscuit. “You know he can’t find you here. I’ll keep you safe.” “It’s not a problem.” “Well then, what is? I’ve promised never to hurt you. I’ve promised not to go in debt. I’ll build you a decent house soon as I can pay cash. I’ll get a haircut the minute there’s a barber within a hundred miles.” His thumb slid under the cuff of her sleeve. “Say, you’re not pining away for some poor soldier who didn’t make it back from the War, are you? My older brother’s sweetheart moped around for two years. They weren’t even engaged. Or maybe there’s someone else you’d rather marry, maybe someone who didn’t ask in time.” “There’s no one.” “So what is the problem? Are you homesick? Miss your folks? Just tell me what’s got you so fidgety, and I’ll fix it.” “It’s nothing.
Catherine Richmond (Spring for Susannah)
Web? Did Swift come aboard with you? The boy we spoke of before?” He halted and turned to my question. “Yes. Why do you ask?” “You recall that he is the boy that I asked you to talk with, the one who is Witted?” “Of course. That was why I was so pleased when he came to me and offered to be my ‘page’ if I would take him on and teach him. As if I knew what a page is supposed to do!” He laughed at such nonsense, and then sobered at my serious face. “What is it?” “I had sent him home. I discovered that he did not have his parents’ permission to be at Buckkeep at all. They think that he has run away, and are greatly grieved by his disappearance.” Web stood still and silent, digesting this news, his face showing no expression. Then he shook his head regretfully. “It must be a terrible thing for someone you love to vanish, and leave you always wondering what became of him.” An image of Patience sprang into my mind; I wondered if he had intended that his words prick me. Perhaps not, but the possible criticism made me irritable all the same. “I told Swift to go home. He owes his parents his labor until he either reaches his majority or is released by them.” “So some say,” Web said, in a tone that indicated he might disagree. “But there are ways parents can betray a child, and then I think the youngster owes them nothing. I think that children who are mistreated are wise to leave as swiftly as they can.” “Mistreated? I knew Swift’s father for many years. Yes, he will give a lad a cuff or a sharp word, if the boy has earned it. But if Swift claims he was beaten or neglected at home, then I fear that he lies. That is not Burrich’s way.” My heart sank that the boy could have spoken so of his father. Web shook his head slowly. He glanced at Thick to assure himself that the man was still sleeping and spoke softly. “There are other types of neglect and deprivation. To deny what unfolds inside someone, to forbid the magic that comes unbidden, to impose ignorance in a way that invites danger, to say to a child, ‘You must not be what you are.’ That is wrong.” His voice was gentle but the condemnation was without compassion. “He raises his son as he was raised,” I replied stiffly. It felt odd to defend him, for I had so often railed against Burrich for what he had done to me. “And he learned nothing. Not from having to deal with his own ignorance, not from what it did to the first lad he treated so. I try to pity him, but when I consider all that could have been, had you been properly educated from the time you were small—” “He did well by me!” I snapped. “He took me to his side when no one else would have me, and I’ll not hear ill spoken of him.
Robin Hobb (Fool's Fate (Tawny Man, #3))
Briony dips out from beneath Saint’s stance, grabbing another blade from inside her high-heeled boot, sending it directly into the skull of one of Cal’s bodyguards approaching her from behind. He shuffles on his feet before falling back onto the concrete beneath him like a collapsing wall as she quickly and effortlessly props one knee up and grabs another knife from under her skirt. With the precision of a skilled assassin, she sends the knife into the chest of the other bodyguard. Her training shines through her fluid movements. He cries out, gripping the blade that’s stuck directly in the center of his chest. Pulling it out, he tosses it to the floor with an echoed clang, stalking forward on heavy feet, his deadly gaze set on her as he pulls a gun from his side. She stands straight before him, her chin lifted, staring at him defiantly. He raises the gun at her, and she closes her eyes. I pull violently against my cuffs, needing to be freed before he can hurt her, no matter if that means ripping my arms off at the shoulders. But before I get ahead of myself, the guard takes two more steps, stumbling slightly before a shot from across the room earns him a bullet to the back of his head. The man’s blood splatters across Briony’s face and neck as she flinches. Callum looks entirely stunned while Nox’s barrel remains set on him, both of them with arms outstretched, guns ready to fire. Bishop Caldwell gasps in horror when Baret steps out from behind the stage area, his own smoking weapon aimed directly at him and his attempt to escape. His decrepit old hands shake before him as he surrenders on his knees like the fucking coward he is. Alastor grabs a gun from within his suit jacket and rushes towards me, placing it against my temple. “Now, now, now...” he says calmly, looking around the room. “Let’s just all take a nice deep breath before someone important gets hurt, huh?
Jescie Hall (That Sik Luv)
goes to sit up, but her wrists pull against the cuffs on the bed. She moves her leg, feeling the rope I’ve tied there. Immediately, her chest heaves, and she pulls on all the restraints at the same time, thrashing her naked little body for my viewing pleasure. “Help!” she cries out. “Someone—” I slap my palm over her mouth. “No one is going to help you, Briony. No one but me,” I say, pushing down on her mouth. I pinch her nose closed, watching as those gorgeous panicked eyes focus in on mine beneath my ski mask. She tries to move her face away from my grasp, but I hold tight, taking her air. “Why don’t you understand that?
Jescie Hall (That Sik Luv)
Alex tells me he hates themed parties. Leather cuff bracelets and pointy shoes with squared-off toes. When you show up somewhere and some friend or uncle makes the joke “They’ll let anyone in here!” When servers call him bud or boss or chief. Men who walk like they just got off a horse. Vests, on anyone, in any scenario. The moment when a group of people are taking pictures and someone says, “Should we do a silly one?
Emily Henry
a watched pot never boils
K.C. Wells (Someone to Keep Me (Collars and Cuffs, #3))
So you don’t have a lot of money. Does that really matter? It’s not about what you’re going to buy for him. It’s more what you’re going to do for each other. That’s what this relationship is about.
K.C. Wells (Someone to Keep Me (Collars and Cuffs, #3))
You’re good the way you are. Never be ashamed of that, and never let anyone make you feel like a doormat. No one, submissive or not, should let anyone walk over them.
K.C. Wells (Someone to Keep Me (Collars and Cuffs, #3))
An American in England making french toast.
K.C. Wells (Someone to Keep Me (Collars and Cuffs, #3))
It doesn’t take a weak man to be a submissive, but a very strong one. To allow another person to control you is an act of strength.
K.C. Wells (Someone to Keep Me (Collars and Cuffs, #3))
But on January 6th for the first time, I was more afraid to work at the Capitol than my entire deployment to Iraq,” Aquilino told the committee. “In Iraq, we expected armed violence because we were in a war zone, but nothing in my experience in the Army or as a law enforcement officer prepared me for what we confronted on January 6th.” During the riot, Aquilino said, he was kicked, pushed, shoved, spit on, and sprayed with chemical irritants. Someone targeted his eyes with a laser. He was attacked with hammers, rebars, batons, police shields, rods, and a metal pole flying an American flag. Aquilino said the rioters tried to pull him into the crowd, and one of them beat him with his own baton. “I, too, was being crushed by the rioters,” Aquilino said. “I could feel myself losing oxygen and thinking to myself, ‘This is how I’m going to die, defending this entrance.’ ” Aquilino suffered injuries to both hands, his left shoulder, right calf, and right foot. His foot and shoulder wounds—a labrum tear and rotator cuff damage—required painful surgery.
Michael Fanone (Hold the Line: The Insurrection and One Cop's Battle for America's Soul)
Getting comfortable again, I grab one of the magazines that I keep stuffed under my thin mattress. Flipping to the article the guard Paul told me about, I’m just getting to the part about how chandeliers are a necessity in creating an awesome she-shed, when two prison guards come running in. They take one look at my open cell door, the magic smoke still polluting the air, the unconscious male on the ground, and turn gaping looks at me. I give them a bright smile and point down at Scarface. “Hey, Paul. Could you clean that up for me? I think he wet himself.” Paul lowers his gun and pulls off his SWAT-style helmet. “Another one?” he asks, jerking his chin toward my uninvited cell guest. I shrug my shoulders and give him an apologetic smile. He shakes his head and nudges the unconscious jail-breaker with his boot. “Damn. We need to up our security. We aren’t used to so many supernaturals trying to break someone out of here,” he says, scratching the back of his neck as he frowns in thought. “Yeah, it’s very disruptive,” I tell him. He grunts in agreement. “Good thing your ride is here,” Paul mentions casually as my unwelcome cell guest groans loudly from the floor. I squeal and start clapping excitedly, which startles both guards. “Yes, finally!” I shoot up from my cot and thrust both arms out, ready for the required shackles whenever a prisoner is being transported. Paul releases an amused chuckle, and Terrence—the other guard in my cell right now—gives me some judgement-laced side-eye as I giggle and wait like a kid on Christmas morning for the cuffs to click into place. I’m finally going to be sentenced and booked into Nightmare Penitentiary. I can’t fucking wait.
Ivy Asher (Conveniently Convicted (Paranormal Prison))
He sat and smoked deliberately, as if he were finished with his recital. I directed him to tonight’s activities. “Tell me about tonight, Jeff. What happened?” He sat up again and appeared eager to tell me. “Well, Pat, it’s weird. I was out of Halcion, but I still wanted to be with someone warm and alive. I went to the mall downtown and started drinking at a pub on the third floor. I met the guy there; we had a few beers together and talked. I figured that he was a willing prospect, so I offered him fifty bucks to come back to my apartment and let me take some pictures of him in the nude. He agreed. I figured I’d ply him with booze until he passed out and then I would kill him, but this guy could really drink. I was getting drunk and knew that if I wanted him, I would have to try something else. I asked him to let me take some bondage pictures of him, thinking that if I could handcuff him behind his back, he would be mine. Then I could knock him out by hitting him over the head or something, I don’t know. I was drunk and not thinking straight. Anyway, I got one cuff on him but he wouldn’t let me cuff his other hand. I got mad and tried to force his other arm behind his back and into the handcuffs. We began to struggle, nothing big, just some wrestling around on the floor. Even though he was a little guy, I couldn’t get the best of him, so I grabbed the knife to stab him, but he got loose and ran out the door. “I was too drunk to chase him. What else could I do? I don’t really remember what happened next. I think I passed out for a while until I heard a knock at the door. It was two big policemen and they were asking for the handcuff key. I could see the little Black guy behind them. He had the one cuff on and said that he didn’t want to prosecute—he just wanted the cuffs off. I fumbled around but couldn’t find the damn key. The cops were getting impatient waiting at the door, so they entered and began to look around. I think one of them found my Polaroids and said something to his partner. The fat cop walked over to the refrigerator and started to open it, and I knew this was it, so I tried to stop him. I’m not sure what happened next; I just know that I got the shit beat out of me. I tried to fight back but it didn’t seem to faze them, and now here I am with you, Pat.
Patrick Kennedy (GRILLING DAHMER: The Interrogation Of "The Milwaukee Cannibal")