Somehow I Met You Quotes

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Before we met, I was as lost as a person could be and yet you saw something in me that somehow gave me direction again.
Nicholas Sparks (Nights in Rodanthe)
Hey Clark', he said.'Tell me something good'. I stared out of the window at the bright-blue Swiss sky and I told him a story of two people. Two people who shouldn't have met, and who didn't like each other much when they did, but who found they were the only two people in the world who could possibly have understood each other. And I told him of the adventures they had, the places they had gone, and the things I had seen that I had never expected to. I conjured for him electric skies and iridescent seas and evenings full of laughter and silly jokes. I drew a world for him, a world far from a Swiss industrial estate, a world in which he was still somehow the person he had wanted to be. I drew the world he had created for me, full of wonder and possibility.
Jojo Moyes (Me Before You (Me Before You, #1))
ʺYour hair was beautiful too. All of you. You were amazing when we first met, and somehow, inexplicably, youʹve come even farther. Youʹve always been pure, raw energy, and now you control it. Youʹre the most amazing woman Iʹve ever met, and Iʹm glad to have had that love for you in my life. I regret losing it.ʺ He grew pensive. ʺI would give anything—anything—in the world to go back and change history. To run into your arms after Lissa brought me back. To have a life with you. Itʹs too late, of course, but Iʹve accepted it.ʺ
Richelle Mead (Last Sacrifice (Vampire Academy, #6))
The character I’m playing in the film is this driven, workaholic lawyer who has never lost a case. When I’m playing him . . .” He paused, his voice softening. Somehow they were now standing just inches apart. “I think of you.” When their eyes met, Jason grinned and added, “With a penis.
Julie James (Just the Sexiest Man Alive)
I'll think about you every day. Part of me is scared that there will come a time when you don't feel the same way,that you'll somehow forget what we shared, so this is what I want to do. Wherever you are and no matter what's going on in your life, when it's the first night of the full moon-like it was the first time we met-I want you to find it in the nighttime sky. I want you to think about me and the week we shared, because wherever I am and no matter what's going on in my life, that's exactly what I'll be doing. If we can't be together, at least we can share that, and maybe between the two of us, we can make it last forever.
Nicholas Sparks
I’m not crying.” “You are the worst liar I have ever met.” He moved to rub my shoulder. “Why are you upset?” Every time he asked, I somehow managed to cry harder, my body shaking more; there were actual noises coming out of me. “It’s stupid.” “More than likely, but tell me anyway,” he said in a gentle voice.
Mariana Zapata (Kulti)
I had a choice. I was Louisa Clark from New York or Louisa Clark from Stortfold. Or there might be a whole other Louisa I hadn’t yet met. The key was making sure that anyone you allowed to walk beside you didn’t get to decide which you were, and pin you down like a butterfly in a case. The key was to know that you could always somehow find a way to reinvent yourself again.
Jojo Moyes (Still Me (Me Before You, #3))
This is what we are like. Collectively as a species, this is our emotional landscape. I met an old lady once, almost 100 years old, and she told me, "There are only two questions that human beings have ever fought over, all through history. How much do you love me? And Who's in charge? Everything else is somehow manageable. But these two questions of love and control undo us all, trip us up and cause war, grief, and suffering.
Elizabeth Gilbert (Eat, Pray, Love)
If we had not met, that day, I think I would have imagined you somehow.
Penelope Lively (Consequences)
We went to the door and I let Asha in. I expected an uberawkward moment when he and Vayl met. But Asha took care of that problem right away. "So you belong to Jasmine," he said in his melancholy voice. It somehow delivered Vayl his deepest condolences without bearing a trace of malice toward me.
Jennifer Rardin (Biting the Bullet (Jaz Parks, #3))
It was a mug. And it had a joke printed on it. It said, Engineers don’t cry. They build bridges and get over it.” Someone laughed then. Isabel or perhaps Gonzalo—I wasn’t sure. With all that crazy banging, my heart had somehow moved up my throat and to my temples, so it was hard to focus on anything besides its beating and Aaron’s voice. “And you know what I did?” he continued, bitterness filling his tone. “Instead of laughing like I wanted to, instead of looking up at her and saying something funny that would hopefully make her give me one of those bright smiles I had somehow already seen her give so freely in the short day I had been around her, I pushed it all down and set the mug on my desk. Then, I thanked her and asked her if there was anything else she needed.” I knew I shouldn’t feel embarrassed, but I was. Just as much as I had been back then, if not more. It had been such a silly thing to do, and I had felt so tiny and dumb after he brushed it away so easily. Closing my eyes, I heard him continue, “I pretty much kicked her out of my office after she went out of her way and got me a gift.” Aaron’s voice got low and harsh. “A fucking welcome gift.” I opened my eyes just in time to watch him turn his head in my direction. Our gazes met. “Just like the big jerk I had advertised myself to be, I ran her out. And to this day, I regret it every time it crosses my mind. Every time I look at her.
Elena Armas (The Spanish Love Deception (Spanish Love Deception, #1))
So,” he said, flicking her nose, “how long have you wanted—” “I don’t see how that’s any of your business, Captain Westfall. And I won’t tell you until you tell me.” He flicked her nose again, and she batted away his fingers. He caught her hand in his, holding it up so he could look at her amethyst ring—the ring she never took off, not even to bathe. “The Yulemas ball. Maybe earlier. Maybe even Samhuinn, when I brought you this ring. But Yulemas was the first time I realized I didn’t like the idea of you with—with someone else.” He kissed the tips of her fingers. “Your turn.” “I’m not telling you,” she said. Because she had no idea; she was still figuring out when it had happened, exactly. It somehow felt as if it had always been Chaol, even from the very beginning, even before they’d ever met. He began to protest, but she pulled him back down on top of her. “And that’s enough talking. I might be tired, but there are still plenty of things to do instead of going for a run.
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))
Every so often in life, you randomly cross paths with someone that touches you in a way that you really can't explain, but somehow you know that you will never be the same again. A person that is unknowingly, so incredibly beautiful, both inside and out, that they take your breath away. Recently, I met someone exactly like that. As a matter of fact, I'm still not convinced that she isn't an angel here to protect me from myself and the rest of you crazies... these next few songs are for my angel. I hope the rest of you find your angel someday. Just remember, don't let go when you do, even if they try to fly away.
Erin Noelle (Metamorphosis (Book Boyfriend, #1))
Ciro took Enza's face in his hands. "I have loved you all of my life. I was a boy who knew nothing, but when I met you, somehow I understood everything
Adriana Trigiani (The Shoemaker's Wife)
Hey. Just to make sure I beat everyone to it, I wanted to write in this first. I hope that’s some more proof of how much I’m in love with you. I still can’t believe it. How did three years go by so fast? It feels like yesterday I was sitting on the bus behind you trying to build the courage to say something. It’s crazy to think there was a time before we knew each other. A time before “Sam and Julie.” Or “Julie and Sam”? I’ll let you decide that one. I know you can’t wait to leave this place, but I’m gonna miss it. I get it, though. Your ideas were always too big for a small town, and everyone here knows it. But I’m happy your path somehow made you stop in Ellensburg along the way. So you and I could meet each other. Maybe it was supposed to happen, you know? I feel like my life didn’t start until I met you, Julie. You’re the best thing to happen to this small town. To me. I realize it doesn’t matter where we’re going next, as long as we’re together. I’ll be honest. I used to be scared of leaving home. Now I can’t wait to move on and make new memories with you. Just don’t forget the ones we made here. Especially when you make it big. And whatever happens, promise you won’t forget me, okay? Anyway, I love you, Julie, and always will. Yours forever, Sam
Dustin Thao (You've Reached Sam)
The day we met, frozen I held my breath. Right from the start, I knew that I found the home for my heart beats fast. Colors and promises. How to be brave? How can I love, when i'm afraid to fall. But watching you stand alone,all of my doubts, suddenly goes away somehow. One step closer. I have died every day waiting for you, darlin' don't be afraid, I have loved you for a thousand years, i'll love you for a thousand more ♛♥
Christina Perri
So El Dorado is no’ a man.” In a soft tone, Lucia said, “She’s La Dorada, the Gilded Woman. History had it wrong. Really wrong.” “Makes sense.” “What do you mean?” “Say you were a conquistador, hunting for the Gilded One’s gold, yet the native was clever enough to keep a tomb full of it hidden. A native—a woman native— somehow outwits you?” He shook his head. “Back in the day, I met a few gold-hungry conquistadors, and let’s put it this way—the fragility of conquistador ego canna be overstated.
Kresley Cole (Pleasure of a Dark Prince (Immortals After Dark, #8))
I must be drunk on moonlight to tell you this…but after I left you at Sparrow Inn, I…I couldn’t stop thinking about you. I didn’t know anything about you, and yet I had never met anyone so determined—or brazen. Not even Megari.” He laughed, then his expression turned serious once more. “Somehow, I knew I would see you again. It was as if I could feel our strands crossing. Yet when you came to Iro, you seemed different. Sadder, more withdrawn. I’d look for you in the kitchen as Pao and I walked around the castle. I wanted to make you smile.
Elizabeth Lim (Six Crimson Cranes (Six Crimson Cranes, #1))
You know how much you can hurt a girl’s ego by turning her down when she’s stripped in front of you?” I put my hand to my chest. “I’ll probably be in counseling for months to repair the damage.” “Somehow I think you can handle it.” “Games,” I mutter. “Emotionally speaking, I’m going to be the man in this relationship, aren’t I?” “You certainly aren’t like any woman I’ve ever met before.
Lexi Ryan (Unbreak Me (Splintered Hearts, #1))
Do you know, when I am with you I am not afraid at all. It is a magic altogether curious that happens inside the heart. I wish I could take it with me when I leave. It is sad, my Grey. We are constrained by the rules of this Game we play. There is not one little place under those rules for me to be with you happily. Or apart happily, which is what makes it so unfair. I have discovered a curious fact about myself. An hour ago I was sure you were dead, and it hurt very much. Now you are alive, and it is only that I must leave you, and I find that even more painful. That is not at all logical. Do you know the Symposium, Grey? The Symposium of Plato. [He] says that lovers are like two parts of an egg that fit together perfectly. Each half is made for the other, the single match to it. We are incomplete alone. Together, we are whole. All men are seeking that other half of themselves. Do you remember? I think you are the other half of me. It was a great mix-up in heaven. A scandal. For you there was meant to be a pretty English schoolgirl in the city of Bath and for me some fine Italian pastry cook in Palermo. But the cradles were switched somehow, and it all ended up like this…of an impossibility beyond words. I wish I had never met you. And in all my life I will not forget lying beside you, body to body, and wanting you.
Joanna Bourne (The Spymaster's Lady (Spymasters, #1))
We would never have met," he explained, voice dropping to a husky note. "I would have gone about my life and not thought I was missing anything. You would have – you would have painted obsessively, all those transformative images, and I would be someone unimagined and unknown, and I cannot decide whether it would be trite to call that a tragedy or if I should resent you for making this – all this death – somehow bearable, tolerable for the tenuous joy I have gained. You steal my anger and leave me dazed." He stopped, took a shaking breath, then laughed. "I sound like Pan's understudy, failing to channel Shakespeare. There's no way to do more than guess what would have happened if Fisher Charteris and Madeleine Cost met one day in a world which had never feared dust, any more than we can be certain of surviving two years, or two days. I can't speak to what-ifs, but I know I will always be glad to have been here in this moment with you.
Andrea K. Höst (And All the Stars)
But then I met you, Lily. And even though I was nothing, when you looked at me, you somehow saw something. Something I couldn't see. You were the first person in my life to show an interest in who I was as a human. No one had ever asked me questions about myself the way you did. After those few months I spent getting to know you, I stopped feeling like I was nothing. You made me feel interesting and unique. Your friendship gave me worth. Thank you for that. Even if this date leads nowhere and we never speak again, I will always be grateful to you for somehow seeing something in me that my own mother was blind to. You're my favorite person, Lily. And now you know why.
Colleen Hoover (It Starts with Us (It Ends with Us #2))
When I met you — somehow you healed me. From the inside out, the outside in. We conquered fears together, we learned, we laughed, and we loved. I swear, you caused my heart to soar more in the past few months than it has in my entire existence. My heart is whole because you chose to share yours with me, and it’s for that reason that I get down on not one, but both knees…” I knelt in front of her and gripped her hand. “And say thank you. Thank you for saving my life, thank you for loving me enough to treasure your own, and thank you for being my strength when I had none. I’d like to think our hearts are joined — forever entwined — but considering that’s not technically a legal joining, I have a question for you Marry me? Make me the happiest man alive.” I opened the box revealing my mom’s ring.
Rachel Van Dyken
I don’t know if I ever liked you,” I say, and bathroom acoustics being what they are, the declaration is magnified and that much more unkind, which makes me feel bad until I see that he is missing a shoe, and I feel it anew, this terrible disappointment in myself that I am happy to take out on him. He is the most obvious thing that has ever happened to me, and all around the city it is happening to other silly, half-formed women excited by men who’ve simply met the prerequisite of living a little more life, a terribly unspecial thing that is just what happens when you keep on getting up and brushing your teeth and going to work and ignoring the whisper that comes to you at night and tells you it would be easier to be dead. So, sure, an older man is a wonder because he has paid thirty-eight years of Con Ed bills and suffered food poisoning and seen the climate reports and still not killed himself, but somehow, after being a woman for twenty-three years, after the ovarian torsion and student loans and newfangled Nazis in button-downs, I too am still alive, and actually this is the more remarkable feat. Instead I let myself be awed by his middling command of the wine list.
Raven Leilani
To most people, Hans Hubermann was barely visible. An un-special person. Certainly, his painting skills were excellent. His musical ability was better than average. Somehow, though, and I’m sure you’ve met people like this, he was able to appear as merely part of the background, even if he was standing at the front of a line. He was always just there. Not noticeable.
Markus Zusak (The Book Thief)
Once upon a time there was a small-town girl who lived in a small world. She was perfectly happy, or at least she told herself she was. Like many girls, she loved to try different looks, to be someone she wasn't. But, like too many girls, life had chipped away at her until, instead of finding what truly suited her, she camouflaged herself, hid the bits that made her different. For a while she let the world bruise her until she decided it was safer not to be herself at all. There are so many versions of ourselves we can choose to be. Once, my life was destined to be measured out in the most ordinary of steps. I learnt differently from a man who refused to accept the version of himself he'd been left with, and an old lady who saw, conversely, that she could transform herself, right up to a point when many people would have said there was nothing left to be done. I had a choice. I was Louisa Clark from New York, or Stortfold. Or there might be a whole other Louisa I hadn't met yet. The key was making sure that anyone you allowed to walk beside you didn't get to decide which you were, and pin you down like a butterfly in a case. The key was to know that you could always somehow find a way to reinvent yourself again.
Jojo Moyes (Still Me (Me Before You, #3))
What is a Gallagher Girl?” Liz asked. She looked nervously down at the papers in her hand even though I knew for a fact she had memorized every word. “When I was eleven I thought I knew the answer to that question. That was when the recruiters came to see me. They showed me brochures and told me they were impressed by my test scores and asked if I was ready to be challenged. And I said yes. Because that was what a Gallagher Girl was to me then, a student at the toughest school in the world.” She took a deep breath and talked on. “What is a Gallagher Girl?” Liz asked again. “When I was thirteen I thought I knew the answer to that question. That was when Dr. Fibs allowed me to start doing my own experiments in the lab. I could go anywhere—make anything. Do anything my mind could dream up. Because I was a Gallagher Girl. And, to me, that meant I was the future.” Liz took another deep breath. “What is a Gallagher Girl?” This time, when Liz asked it, her voice cracked. “When I was seventeen I stood on a dark street in Washington, D.C., and watched one Gallagher Girl literally jump in front of a bullet to save the life of another. I saw a group of women gather around a girl whom they had never met, telling the world that if any harm was to come to their sister, it had to go through them first.” Liz straightened. She no longer had to look down at her paper as she said, “What is a Gallagher Girl? I’m eighteen now, and if I’ve learned anything, it’s that I don’t really know the answer to that question. Maybe she is destined to be our first international graduate and take her rightful place among Her Majesty’s Secret Service with MI6.” I glanced to my right and, call me crazy, but I could have sworn Rebecca Baxter was crying. “Maybe she is someone who chooses to give back, to serve her life protecting others just as someone once protected her.” Macey smirked but didn’t cry. I got the feeling that Macey McHenry might never cry again. “Who knows?” Liz asked. “Maybe she’s an undercover journalist.” I glanced at Tina Walters. “An FBI agent.” Eva Alvarez beamed. “A code breaker.” Kim Lee smiled. “A queen.” I thought of little Amirah and knew somehow that she’d be okay. “Maybe she’s even a college student.” Liz looked right at me. “Or maybe she’s so much more.” Then Liz went quiet for a moment. She too looked up at the place where the mansion used to stand. “You know, there was a time when I thought that the Gallagher Academy was made of stone and wood, Grand Halls and high-tech labs. When I thought it was bulletproof, hack-proof, and…yes…fireproof. And I stand before you today happy for the reminder that none of those things are true. Yes, I really am. Because I know now that a Gallagher Girl is not someone who draws her power from that building. I know now with scientific certainty that it is the other way around.” A hushed awe descended over the already quiet crowd as she said this. Maybe it was the gravity of her words and what they meant, but for me personally, I like to think it was Gilly looking down, smiling at us all. “What is a Gallagher Girl?” Liz asked one final time. “She’s a genius, a scientist, a heroine, a spy. And now we are at the end of our time at school, and the one thing I know for certain is this: A Gallagher Girl is whatever she wants to be.” Thunderous, raucous applause filled the student section. Liz smiled and wiped her eyes. She leaned close to the microphone. “And, most of all, she is my sister.
Ally Carter (United We Spy (Gallagher Girls, #6))
and I feel it anew, this terrible disappointment in myself that I am happy to take out on him. He is the most obvious thing that has ever happened to me, and all around the city it is happening to other silly, half-formed women excited by men who’ve simply met the prerequisite of living a little more life, a terribly unspecial thing that is just what happens when you keep on getting up and brushing your teeth and going to work and ignoring the whisper that comes to you at night and tells you it would be easier to be dead. So, sure, an older man is a wonder because he has paid thirty-eight years of Con Ed bills and suffered food poisoning and seen the climate reports and still not killed himself, but somehow, after being a woman for twenty-three years, after the ovarian torsion and student loans and newfangled Nazis in button-downs, I too am still alive, and actually this is the more remarkable feat. Instead I let myself be awed by his middling command of the wine list.
Raven Leilani (Luster)
Probably.” He smiled, shaking his head. “I never thought I’d need a stuffed animal to sleep. But . . . I never knew I needed a lot of things before I met you.” Somehow he’d moved closer, and Sophie’s throat went dry as he reached up and touched her braid again. Their eyes locked, and when his lips parted they seemed to curve with a different word than the one he eventually said. “Anyway. We don’t have a lot of time before the rest of the Foster Fan Club gets here, so I’m going to ask this fast—and I want a real answer, not that distract-and-avoid thing you’re becoming a master at. You’re planning to reach out to my mom, aren’t you? To ask her to take us to Nightfall?
Shannon Messenger (Nightfall (Keeper of the Lost Cities, #6))
Sam said, "How do any of us know that anything is real?" "We don't," Dodge said. "Everything I know is a memory," Sam continued. "Every person I ever met, everything I have ever done. It could all be false. Implanted." It was a staggering thought. What if nothing that had gone before had ever really happened? Was the person he remembered as his mother even real? Had Fargas existed only in his mind? "I think you'd know," Vienna said. "I don't know why, but somehow, I think you'd know.
Brian Falkner (Brainjack)
Somehow, though, and I’m sure you’ve met people like this, he was able to appear as merely part of the background, even if he was standing at the front of a line. He was always just there. Not noticeable. Not important or particularly valuable.
Markus Zusak (The Book Thief)
True? Yes, I suppose-unfit somehow-anyway.... So I came here. There was nowhere else I could go. I was played out. You know what played out is? My youth was suddenly gone up the water-sprout, and-I met you. You said you needed somebody. Well, I needed some-body, too. I thanked God for you, because you seemed to be gentle-a cleft in the rock of the world that I could hide in! But I guess I was asking, hoping-too much! Kiefaber, Stanley and Shaw have tied an old tin can to the tail of the kite.
Tennessee Williams
Back in 'my day' – though I didn't claim ownership of it at the time, this is what used to happen: you met a girl, you were attracted to her, you tried to ingratiate yourself, you would invite her to a couple of social events – for instance the pub – and then ask her out on her own, then again, and after a goodnight kiss of variable heat, you were somehow, officially, 'going out' with her. Only when you were semi-publicly committed did you discover what her sexual policy might be. And sometimes this meant her body would be as tightly guarded as a fisheries exclusion zone.
Julian Barnes (The Sense of an Ending)
I stared out of the window at the bright-blue Swiss sky and I told him a story of two people. Two people who shouldn’t have met, and who didn’t like each other much when they did, but who found they were the only two people in the world who could possibly have understood each other. And I told him of the adventures they had, the places they had gone, and the things I had seen that I had never expected to. I conjured for him electric skies and iridescent seas and evenings full of laughter and silly jokes. I drew a world for him, a world far from a Swiss industrial estate, a world in which he was still somehow the person he had wanted to be. I drew the world he had created for me, full of wonder and possibility. I let him know a hurt had been mended in a way that he couldn’t have known, and for that alone there would always be a piece of me indebted to him. And as I spoke I knew these would be the most important words I would ever say and that it was important that they were the right words, that they were not propaganda, an attempt to change his mind, but respectful of what Will had said. I told him something good...
Jojo Moyes
You know when I first met you, you scared the shit out of me.” She pulls a “whoops” face and glances at the minister, who sighs because he knows us well enough to know this is just how we talk. Then she returns her focus to me and clears her throat. “You were so intense and determined to get to know me and I couldn’t understand why you would want to, for a lot of reasons, reasons that you know about because you know me better than anyone.” Her voice wobbles a little and she lets go of the paper and wipes her sweaty palm on her jacket. “But eventually you sort of wore on me.” Her lips quirk and it makes me grin. “You became my light in my dark life and you made me feel so loved that I’d forget how to breathe. You were the only one who could make me laugh, smile, have fun, not give up. You were always there for me and somehow, through the crazy, intense years, you fought your way into my soul and ended up becoming my everything. You became my lifeline, the one person I could rely on no matter what, whether I was upset or pushing you away—you were always there for me. And I love you for it and for the amazing person that you are, for writing me songs and tattooing them on your skin, for wearing a ridiculous O ring on your finger,” she says, trying to smile but I can tell she’s getting overwhelmed by her emotions. “And for loving me enough not to let me give up, not matter how hard I fought.
Jessica Sorensen (The Ever After of Ella and Micha (The Secret, #4))
He is the most obvious thing that has ever happened to me, and all around the city it is happening to other silly, half-formed women excited by men who’ve simply met the prerequisite of living a little more life, a terribly unspecial thing that is just what happens when you keep getting up and brushing your teeth and going to work and ignoring the whisper that comes to you at night and tells you it would be easier to be dead. So sure, an older man is a wonder because he has paid thirty-eight years of Con Ed bills and suffered food poisoning and seen the climate reports and still not killed himself, but somehow, after being a woman for twenty-three years, after the ovarian torsion and student loans and newfangled Nazis in button-downs, I too am still alive, and actually this is the more remarkable feat. Instead I let myself be awed by his middling command of the wine list.
Raven Leilani (Luster)
My Darling, It is late at night and though the words are coming hard to me, I can’t escape the feeling that it’s time that I finally answer your question. Of course I forgive you. I forgive you now, and I forgave you the moment I read your letter. In my heart, I had no other choice. Leaving you once was hard enough; to have done it a second time would have been impossible. I loved you too much to have let you go again. Though I’m still grieving over what might have been, I find myself thankful that you came into my life for even a short period of time. In the beginning, I’d assumed that we were somehow brought together to help you through your time of grief. Yet now, one year later, I’ve come to believe that it was the other way around. Ironically, I am in the same position you were, the first time we met. As I write, I am struggling with the ghost of someone I loved and lost. I now understand more fully the difficulties you were going through, and I realize how painful it must have been for you to move on. Sometimes my grief is overwhelming, and even though I understand that we will never see each other again, there is a part of me that wants to hold on to you forever. It would be easy for me to do that because loving someone else might diminish my memories of you. Yet, this is the paradox: Even though I miss you greatly, it’s because of you that I don’t dread the future. Because you were able to fall in love with me, you have given me hope, my darling. You taught me that it’s possible to move forward in life, no matter how terrible your grief. And in your own way, you’ve made me believe that true love cannot be denied. Right now, I don’t think I’m ready, but this is my choice. Do not blame yourself. Because of you, I am hopeful that there will come a day when my sadness is replaced by something beautiful. Because of you, I have the strength to go on. I don’t know if spirits do indeed roam the world, but even if they do, I will sense your presence everywhere. When I listen to the ocean, it will be your whispers; when I see a dazzling sunset, it will be your image in the sky. You are not gone forever, no matter who comes into my life. you are standing with God, alongside my soul, helping to guide me toward a future that I cannot predict. This is not a good-bye, my darling, this is a thank-you. Thank you for coming into my life and giving me joy, thank you for loving me and receiving my love in return. Thank you for the memories I will cherish forever. But most of all, thank you for showing me that there will come a time when I can eventually let you go. I love you
Nicholas Sparks (Message in a Bottle)
My point is, I had been turning into a beast long before I ever met that enchantress. I'll be forever grateful that you could somehow see something of worth beneath all that mess." -Justin
Deborah Grace White (Kingdom of Beauty (The Kingdom Tales, #1))
It was a mug. And it had a joke printed on it. It said, Engineers don’t cry. They build bridges and get over it.” Someone laughed then. Isabel or perhaps Gonzalo—I wasn’t sure. With all that crazy banging, my heart had somehow moved up my throat and to my temples, so it was hard to focus on anything besides its beating and Aaron’s voice. “And you know what I did?” he continued, bitterness filling his tone. “Instead of laughing like I wanted to, instead of looking up at her and saying something funny that would hopefully make her give me one of those bright smiles I had somehow already seen her give so freely in the short day I had been around her, I pushed it all down and set the mug on my desk. Then, I thanked her and asked her if there was anything else she needed.” I knew I shouldn’t feel embarrassed, but I was. Just as much as I had been back then, if not more. It had been such a silly thing to do, and I had felt so tiny and dumb after he brushed it away so easily. Closing my eyes, I heard him continue, “I pretty much kicked her out of my office after she went out of her way and got me a gift.” Aaron’s voice got low and harsh. “A fucking welcome gift.” I opened my eyes just in time to watch him turn his head in my direction. Our gazes met. “Just like the big jerk I had advertised myself to be, I ran her out. And to this day, I regret it every time it crosses my mind. Every time I look at her.” He didn’t even blink as he talked, looking straight into my eyes. And I didn’t think I did either. I didn’t think I was even breathing. “All the time I wasted so foolishly. All the time I could have had with her.
Elena Armas (The Spanish Love Deception (Spanish Love Deception, #1))
Lately, because computer technology has made self-publishing an easier and less expensive venture, I'm getting a lot of review copies of amateur books by writers who would be better advised to hone their craft before committing it to print. The best thing you can do as a beginning writer is to write, write, write - and read, read, read. Concentrating on publication prematurely is a mistake. You don't pick up a violin and expect to play Carnegie Hall within the year - yet somehow people forget that writing also requires technical skills that need to be learned, practiced, honed. If I had a dollar for every person I've met who thought, with no prior experience, they could sit down and write a novel and instantly win awards and make their living as a writer, I'd be a rich woman today. It's unrealistic, and it's also mildly insulting to professional writers who have worked hard to perfect their craft. Of course, then you hear stories about people like J.K. Rowling, who did sit down with no prior experience and write a worldwide best-seller...but such people are as rare as hen's teeth. Every day I work with talented, accomplished writers who have many novels in print and awards to their name and who are ‘still’ struggling to make a living. The thing I often find myself wanting to say to new writers is: Write because you love writing, learn your craft, be patient, and be realistic. Anais Nin said about writing, "It should be a necessity, as the sea needs to heave, and I call it breathing."
Terri Windling
XXIV. And more than that - a furlong on - why, there! What bad use was that engine for, that wheel, Or brake, not wheel - that harrow fit to reel Men's bodies out like silk? With all the air Of Tophet's tool, on earth left unaware Or brought to sharpen its rusty teeth of steel. XXV. Then came a bit of stubbed ground, once a wood, Next a marsh it would seem, and now mere earth Desperate and done with; (so a fool finds mirth, Makes a thing and then mars it, till his mood Changes and off he goes!) within a rood - Bog, clay and rubble, sand, and stark black dearth. XXVI. Now blotches rankling, coloured gay and grim, Now patches where some leanness of the soil's Broke into moss, or substances like boils; Then came some palsied oak, a cleft in him Like a distorted mouth that splits its rim Gaping at death, and dies while it recoils. XXVII. And just as far as ever from the end! Naught in the distance but the evening, naught To point my footstep further! At the thought, A great black bird, Apollyon's bosom friend, Sailed past, not best his wide wing dragon-penned That brushed my cap - perchance the guide I sought. XXVIII. For, looking up, aware I somehow grew, Spite of the dusk, the plain had given place All round to mountains - with such name to grace Mere ugly heights and heaps now stolen in view. How thus they had surprised me - solve it, you! How to get from them was no clearer case. XXIX. Yet half I seemed to recognise some trick Of mischief happened to me, God knows when - In a bad dream perhaps. Here ended, then Progress this way. When, in the very nick Of giving up, one time more, came a click As when a trap shuts - you're inside the den. XXX. Burningly it came on me all at once, This was the place! those two hills on the right, Crouched like two bulls locked horn in horn in fight; While to the left a tall scalped mountain ... Dunce, Dotard, a-dozing at the very nonce, After a life spent training for the sight! XXXI. What in the midst lay but the Tower itself? The round squat turret, blind as the fool's heart, Built of brown stone, without a counterpart In the whole world. The tempest's mocking elf Points to the shipman thus the unseen shelf He strikes on, only when the timbers start. XXXII. Not see? because of night perhaps? - why day Came back again for that! before it left The dying sunset kindled through a cleft: The hills, like giants at a hunting, lay, Chin upon hand, to see the game at bay, - Now stab and end the creature - to the heft!' XXXIII. Not hear? When noise was everywhere! it tolled Increasing like a bell. Names in my ears Of all the lost adventurers, my peers - How such a one was strong, and such was bold, And such was fortunate, yet each of old Lost, lost! one moment knelled the woe of years. XXXIV. There they stood, ranged along the hillsides, met To view the last of me, a living frame For one more picture! In a sheet of flame I saw them and I knew them all. And yet Dauntless the slug-horn to my lips I set, And blew. 'Childe Roland to the Dark Tower came.
Robert Browning
Ren, that was very beautiful.” His eyes turned to my face. He smiled and reached a hand up to touch my cheek. My pulse quickened, and my face felt hot where he touched it. I became suddenly away that my fingers were still twined in his hair, and my hand was resting on his chest. I quickly removed them and twisted them in my lap. He sat up slightly, leaning on one hand, which brought his beautiful face very close to mine. His fingers moved down to my chin and, with the lightest touch, he tilted my face so that my eyes met his intense blue ones. “Kelsey?” “Yes?” I whispered. “I would like permission…to kiss you.” Whoa. Red alert! The comfortable feeling I was enjoying with my tiger just a few minutes before had disappeared. I became acutely nervous and prickly. My perspective swung 180 degrees. I was, of course, aware that a man’s heart beat inside the tiger’s body, but, somehow, I’d shifted that knowledge to the back of my mind. Awareness of the prince burst into my conscious mind. I stared at him, astonished. He was, well, to be blunt, he was out of my league. I’d never even considered the possibility of a relationship with him, other than friendship. His question forced me to acknowledge that my comfortable pet tiger was actually a virile, robust example of masculinity. My heart started hammering against my ribcage. Several thoughts went through my head all at once, but the dominant thought was that I would very much like to be kissed by Ren. Other thoughts were creeping around at the edge of my consciousness too, trying to wiggle into the forefront. Thoughts like-it’s too soon-we barely know each other-and maybe he’s just lonely-spun through my mind. But, I clipped the threads of those thoughts and let them blow away. Stomping down on caution, I decided that I did want him to kiss me.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
I’m not sure how the ponies happened, though I have an inkling: “Can I get you anything?” I’ll say, getting up from a dinner table, “Coffee, tea, a pony?” People rarely laugh at this, especially if they’ve heard it before. “This party’s ‘sposed to be fun,” a friend will say. “Really? Will there be pony rides?” It’s a nervous tic and a cheap joke, cheapened further by the frequency with which I use it. For that same reason, it’s hard to weed it out of my speech – most of the time I don’t even realize I’m saying it. There are little elements in a person’s life, minor fibers that become unintentionally tangled with your personality. Sometimes it’s a patent phrase, sometimes it’s a perfume, sometimes it’s a wristwatch. For me, it is the constant referencing of ponies. I don’t even like ponies. If I made one of my throwaway equine requests and someone produced an actual pony, Juan-Valdez-style, I would run very fast in the other direction. During a few summers at camp, I rode a chronically dehydrated pony named Brandy who would jolt down without notice to lick the grass outside the corral and I would careen forward, my helmet tipping to cover my eyes. I do, however, like ponies on the abstract. Who doesn’t? It’s like those movies with the animated insects. Sure, the baby cockroach seems cute with CGI eyelashes, but how would you feel about fifty of her real-life counterparts living in your oven? And that’s precisely the manner in which the ponies clomped their way into my regular speech: abstractly. “I have something for you,” a guy will say on our first date. “Is it a pony?” No. It’s usually a movie ticket or his cell phone number. But on our second date, if I ask again, I’m pretty sure I’m getting a pony. And thus the Pony drawer came to be. It’s uncomfortable to admit, but almost every guy I have ever dated has unwittingly made a contribution to the stable. The retro pony from the ‘50s was from the most thoughtful guy I have ever known. The one with the glitter horseshoes was from a boy who would later turn out to be straight somehow, not gay. The one with the rainbow haunches was from a librarian, whom I broke up with because I felt the chemistry just wasn’t right, and the one with the price tag stuck on the back was given to me by a narcissist who was so impressed with his gift he forgot to remover the sticker. Each one of them marks the beginning of a new relationship. I don’t mean to hint. It’s not a hint, actually, it’s a flat out demand: I. Want. A. Pony. I think what happens is that young relationships are eager to build up a romantic repertoire of private jokes, especially in the city where there’s not always a great “how we met” story behind every great love affair. People meet at bars, through mutual friends, on dating sites, or because they work in the same industry. Just once a coworker of mine, asked me out between two stops on the N train. We were holding the same pole and he said, “I know this sounds completely insane, bean sprout, but would you like to go to a very public place with me and have a drink or something...?” I looked into his seemingly non-psycho-killing, rent-paying, Sunday Times-subscribing eyes and said, “Sure, why the hell not?” He never bought me a pony. But he didn’t have to, if you know what I mean.
Sloane Crosley (I Was Told There'd Be Cake: Essays)
He could never know how beautiful he was in these moments, and Devin couldn't bring himself to say anything. What would he say? “I've always noticed you, but never thought I deserved someone like you?” That wasn't right. It was cheesy and over-the-top, and still somehow inadequate to describe the maelstrom of emotions he felt when he was around Sam. Mike made it seem simple, but it wasn't. This wasn't like hooking up with a hot guy he'd met on the dance floor, it was Sam. The sweet, cerebral, quiet man who'd been his friend for nearly two years and somehow managed to sneak out of the friend box into this no man's land where every word, every gesture was a promise Devin wasn't sure he could keep.
Sara Winters (See Right Through (Savannah, #1))
To most people, Hans Hubermann was barely visible. An un-special person. Certainly, his painting skills were excellent. His musical ability was better than average. Somehow, though, and I’m sure you’ve met people like this, he was able to appear as merely part of the background, even if he was standing at the front of a line. He was always just there. Not noticeable. Not important or particularly valuable. The frustration of that appearance, as you can imagine, was its complete misleadence, let’s say. There most definitely was value in him, and it did not go unnoticed by Liesel Meminger. (The human child—so much cannier at times than the stupefyingly ponderous adult.) She saw it immediately. His manner. The quiet air around him. When he turned the light on in the small, callous washroom that night, Liesel observed the strangeness of her foster father’s eyes. They were made of kindness, and silver. Like soft silver, melting. Liesel, upon seeing those eyes, understood that Hans Hubermann was worth a lot.
Markus Zusak (The Book Thief)
Yet she lays out this family plan the way you’d say, “After yoga, I’ll go to Lia’s for the mani-special and then wax on about hairstyles and hemlines until dinner.” If I were gifted at making long-term plans, which by now we all know I’m not, and if I was at all hopeful, which we all know that I can never be, although it crosses my mind that it’s entirely possible these are all just huge, f*&king, temporary setbacks and nothing more, even though it’s been going on for over three years now, since Holly died, and I met Lincoln Presley. Events that could be construed as somehow inevitably related. Yes, perhaps there’s an expiration date on the said pursuit of unhappiness. Perhaps, things will eventually go my way after I actually discover what that way is supposed to be.
Katherine Owen (This Much is True (Truth in Lies, #1))
Everyone wishes their life were happier.” Lily shook her head. “No. Not like beautiful people. They walk this earth, their chin up to the rest of us, and think that great happiness, great love, great joy is their right and their prerogative. Passion as the entitlement of the beautiful, the way power is the entitlement of the rich.” Lily paused. “Especially when it comes to love. Beauty and love become somehow synonymous. How can plain people have great love? They can’t, that’s how. They can have average love, mediocre love, but their hearts can’t soar. Only beautiful hearts can soar.” “I think you’ve hit on the nail right there,” said Spencer. “Beautiful people don’t necessarily have beautiful hearts.” “But it doesn’t matter, don’t you see? You don’t fall in love with a heart. You fall in love with a woman’s face, with her body, with her hair, with her smell. That’s first, everything else is secondary. My mother’s beauty when she was young was so extreme that she didn’t understand how every man who met her didn’t love her in extremis.
Paullina Simons (The Girl In Times Square)
Hamish Alexander-Harrington knew his wife as only two humans who had both been adopted by a pair of mated treecats ever could. He'd seen her deal with joy and with sorrow, with happiness and with fury, with fear, and even with despair. Yet in all the years since their very first meeting at Yeltsin's Star, he suddenly realized, he had never actually met the woman the newsies called "the Salamander." It wasn't his fault, a corner of his brain told him, because he'd never been in the right place to meet her. Never at the right time. He'd never had the chance to stand by her side as she took a wounded heavy cruiser on an unflinching deathride into the broadside of the battlecruiser waiting to kill it, sailing to her own death, and her crew's, to protect a planet full of strangers while the rich beauty of Hammerwell's "Salute to Spring" spilled from her ship's com system. He hadn't stood beside her on the dew-soaked grass of the Landing City duelling grounds, with a pistol in her hand and vengeance in her heart as she faced the man who'd bought the murder of her first great love. Just as he hadn't stood on the floor of Steadholders' Hall when she faced a man with thirty times her fencing experience across the razor-edged steel of their swords, with the ghosts of Reverend Julius Hanks, the butchered children of Mueller Steading, and her own murdered steaders at her back. But now, as he looked into the unyielding flint of his wife's beloved, almond eyes, he knew he'd met the Salamander at last. And he recognized her as only another warrior could. Yet he also knew in that moment that for all his own imposing record of victory in battle, he was not and never had been her equal. As a tactician and a strategist, yes. Even as a fleet commander. But not as the very embodiment of devastation. Not as the Salamander. Because for all the compassion and gentleness which were so much a part of her, there was something else inside Honor Alexander-Harrington, as well. Something he himself had never had. She'd told him, once, that her own temper frightened her. That she sometimes thought she could have been a monster under the wrong set of circumstances. And now, as he realized he'd finally met the monster, his heart twisted with sympathy and love, for at last he understood what she'd been trying to tell him. Understood why she'd bound it with the chains of duty, and love, of compassion and honor, of pity, because, in a way, she'd been right. Under the wrong circumstances, she could have been the most terrifying person he had ever met. In fact, at this moment, she was . It was a merciless something, her "monster"—something that went far beyond military talent, or skills, or even courage. Those things, he knew without conceit, he, too, possessed in plenty. But not that deeply personal something at the core of her, as unstoppable as Juggernaut, merciless and colder than space itself, that no sane human being would ever willingly rouse. In that instant her husband knew, with an icy shiver which somehow, perversely, only made him love her even more deeply, that as he gazed into those agate-hard eyes, he looked into the gates of Hell itself. And whatever anyone else might think, he knew now that there was no fire in Hell. There was only the handmaiden of death, and ice, and purpose, and a determination which would not— couldnot—relent or rest. "I'll miss them," she told him again, still with that dreadful softness, "but I won't forget. I'll never forget, and one day— oneday, Hamish—we're going to find the people who did this, you and I. And when we do, the only thing I'll ask of God is that He let them live long enough to know who's killing them.
David Weber (Mission of Honor (Honor Harrington, #12))
When I first met you, I knew, somehow, that you were going to change my life. I just didn’t know in what way. I didn’t know that you’d make me love you. And most importantly, I didn’t know that you’d make me love me. Baby, you make me see the good in myself and the good in everything on this damn earth. You chase my ghosts away, and…” He cleared his throat, and to my surprise, I saw his eyes were watering. Oh fuck. Please don’t cry, Dex, cuz I will fucking lose it. He swallowed hard, blinking tears back. “And you bring me peace. I can’t thank you enough for being in my life. And I want you there for the whole journey. Through everything—the good and the bad, the batshit crazy and the sane, the scary and the sexy. Especially the sexy. Just you and me, baby, until death do us part.” Somehow I found my voice. “Even though we’ve only known each other for eight months?” I asked quietly, afraid of his answer. But he just smiled up at me. “Time has no bearing on the truth. And what we have, that’s true as fucking anything.” He gave my hand a squeeze and reached into his pocket. I sucked in my breath, feeling all my emotions flood me at once, and watched as he took out a beautiful, sparkling ring, and held it poised at my finger. He gazed at me, and it was like I saw every moment we had with each other captured in his eyes. “Perry Palomino, kiddo, baby—will you be my wife?” I didn’t even have to think about it. “Yes!” I blurted out in a sob as the tears started
Karina Halle (Ashes to Ashes (Experiment in Terror, #8))
Laden with all these new possessions, I go and sit at a table. And don't ask me what the table was like because this was some time ago and I can't remember. It was probably round." [...] "So let me give you the layout. Me sitting at the table, on my left, the newspaper, on my right, the cup of coffee, in the middle of the table, the packet of biscuits." "I see it perfectly." "What you don't see," said Arthur, "because I haven't mentioned him yet, is the guy sitting at the table already. He is sitting there opposite me." "What's he like?" "Perfectly ordinary. Briefcase. Business suit. He didn't look," said Arthur, "as if he was about to do anything weird." "Ah. I know the type. What did he do?" "He did this. He leaned across the table, picked up the packet of biscuits, tore it open, took one out, and . . ." "What?" "Ate it." "What?" "He ate it." Fenchurch looked at him in astonishment. "What on earth did you do?" "Well, in the circumstances I did what any red-blooded Englishman would do. I was compelled," said Arthur, "to ignore it." "What? Why?" "Well, it's not the sort of thing you're trained for, is it? I searched my soul, and discovered that there was nothing anywhere in my upbringing, experience, or even primal instincts to tell me how to react to someone who has quite simply, calmly, sitting right there in front of me, stolen one of my biscuits." "Well, you could. . ." Fenchurch thought about it. "I must say I'm not sure what I would have done either. So what happened?" "I stared furiously at the crossword," said Arthur, "couldn't do a single clue, took a sip of coffee, it was too hot to drink, so there was nothing for it. I braced myself. I took a biscuit, trying very hard not to notice," he added, "that the packet was already mysteriously open. . ." "But you're fighting back, taking a tough line." "After my fashion, yes. I ate the biscuit. I ate it very deliberately and visibly, so that he would have no doubt as to what it was I was doing. When I eat a biscuit," said Arthur, "it stays eaten." "So what did he do?" "Took another one. Honestly," insisted Arthur, "this is exactly what happened. He took another biscuit, he ate it. Clear as daylight. Certain as we are sitting on the ground." Fenchurch stirred uncomfortably. "And the problem was," said Arthur, "that having not said anything the first time, it was somehow even more difficult to broach the subject the second time around. What do you say? 'Excuse me... I couldn't help noticing, er . . .' Doesn't work. No, I ignored it with, if anything, even more vigor than previously." "My man..." "Stared at the crossword again, still couldn't budge a bit of it, so showing some of the spirit that Henry V did on St. Crispin's Day . ." "What?" "I went into the breach again. I took," said Arthur, "another biscuit. And for an instant our eyes met." "Like this?" "Yes, well, no, not quite like that. But they met. Just for an instant. And we both looked away. But I am here to tell you," said Arthur, "that there was a little electricity in the air. There was a little tension building up over the table. At about this time." "I can imagine."” "We went through the whole packet like this. Him, me, him, me . . ." "The whole packet?" "Well, it was only eight biscuits, but it seemed like a lifetime of biscuits we were getting through at this point. Gladiators could hardly have had a tougher time." "Gladiators," said Fenchurch, "would have had to do it in the sun. More physically gruelling." "There is that. So. When the empty packet was lying dead between us the man at last got up, having done his worst, and left. I heaved a sigh of relief, of course. "As it happened, my train was announced a moment or two later, so I finished my coffee, stood up, picked up the newspaper, and underneath the newspaper . . ." "Yes?" "Were my biscuits." "What?" said Fenchurch. "What?" "True." "No!
Douglas Adams (So Long, and Thanks for All the Fish (Hitchhiker's Guide to the Galaxy, #4))
Hagrid, he’d have found out somehow, this is Voldemort we’re talking about, he’d have found out even if you hadn’t told him.” “Yeh could’ve died!” sobbed Hagrid. “An’ don’ say the name!” “VOLDEMORT!” Harry bellowed, and Hagrid was so shocked, he stopped crying. “I’ve met him and I’m calling him by his name.
J.K. Rowling (Harry Potter and the Sorcerer's Stone (Harry Potter, #1))
I was amazed, shocked, and sickened by what I heard throughout the day, over and over, by many victims' stories. I can think of no one with whom I didn't recognize a common thread. These monsters, these evil priests, used the same words and methods on all of us. With each session, I would find something that sent a cold chill down my spine. It amazed and frightened me that the actual words used on me, to rape me, to rape me, were the same as the words used on so many others from all over the United States. You would think that all these priests either were educated in how to concur and rape us, or they met privately with each other to compare notes and develop their plan of attack on us. The pattern was so much the same, with the same words, that you would swear it was scripted and disbursed to these priests. Do they secretly have closed-door meetings on how to abuse us? A chilling thought. Neary's routine of saying the “Our Father” during the rape and making me say it with him, repeating the “thy will be done” over and over, the absolution given me after he “finished,” the threats of having God take my parents away, the lectures about offering my suffering up to God, etc., etc., etc. My experience was identical, word-for-word, to that of many others. The exact words during the abuse were not just close, but exactly the same, as if it were some kind of abuse ritual. Ritual abuse is not limited to the religious definition and can include compulsive, abusive behavior performed in an exact series of steps with little variation. How could these similarities occur without the priests taking the same “abuse seminar” together some place, somehow? Was it taught in the seminary? In some dark corner? It goes beyond coincidence—the similarities in deeds and verbiage that these predators use on us. It truly chilled me to the very marrow of my bones.
Charles L. Bailey Jr. (In the Shadow of the Cross: The True Account of My Childhood Sexual and Ritual Abuse at the Hands of a Roman Catholic Priest)
Her hands were splayed against the wet tile, her body pulsing. Water rained over them, hot and needle sharp, as he felt the orgasm tear through her. A kind of purging, he thought. She was still gasping when he spun her around and closed his mouth greedily over her breast. She was helpless against what he brought to her. Each time, every time, helpless, staggered. And grateful. She dived her fingers into his hair, twisting, tangling them in that thick wet silk while those good, strong tugs of desire in her belly followed the restless hunger of his mouth on her. His hands, slick, skilled, strong, raced over her, took her to the edge and over. Where he wanted her, where he needed her — shuddering, moaning his name, swamped in her own pleasure. The nails biting viciously into his back thrilled him, the frenzied race of her heart against his incited him. More. All. Now, was all he could think as they savaged each other’s mouths. “I want you.” His breath was heaving as he gripped her hips. “Always. Ever. Mine.” His eyes were a wild and burning blue. She could see nothing else. It should have been too much, this desperate, endless need for him. Yet somehow it was never, never enough. “Mine.” She dragged his mouth back to hers, and when he drove into her, met him beat for urgent beat.
J.D. Robb (Loyalty in Death (In Death, #9))
To most people, Hans Hubermann was barely visible. An un-special person. Certainly, his painting skills were excellent. His musical ability was better than average. Somehow, though, and I’m sure you’ve met people like this, he was able to appear as merely part of the background, even if he was standing at the front of a line.
Markus Zusak (The Book Thief)
That night at the Brooklyn party, I was playing the girl who was in style, the girl a man like Nick wants: the Cool Girl. Men always say that as the defining compliment, don’t they? She’s a cool girl. Being the Cool Girl means I am a hot, brilliant, funny woman who adores football, poker, dirty jokes, and burping, who plays video games, drinks cheap beer, loves threesomes and anal sex, and jams hot dogs and hamburgers into her mouth like she’s hosting the world’s biggest culinary gang bang while somehow maintaining a size 2, because Cool Girls are above all hot. Hot and understanding. Cool Girls never get angry; they only smile in a chagrined, loving manner and let their men do whatever they want. Go ahead, shit on me, I don’t mind, I’m the Cool Girl. Men actually think this girl exists. Maybe they’re fooled because so many women are willing to pretend to be this girl. For a long time Cool Girl offended me. I used to see men—friends, coworkers, strangers—giddy over these awful pretender women, and I’d want to sit these men down and calmly say: You are not dating a woman, you are dating a woman who has watched too many movies written by socially awkward men who’d like to believe that this kind of woman exists and might kiss them. I’d want to grab the poor guy by his lapels or messenger bag and say: The bitch doesn’t really love chili dogs that much—no one loves chili dogs that much! And the Cool Girls are even more pathetic: They’re not even pretending to be the woman they want to be, they’re pretending to be the woman a man wants them to be. Oh, and if you’re not a Cool Girl, I beg you not to believe that your man doesn’t want the Cool Girl. It may be a slightly different version—maybe he’s a vegetarian, so Cool Girl loves seitan and is great with dogs; or maybe he’s a hipster artist, so Cool Girl is a tattooed, bespectacled nerd who loves comics. There are variations to the window dressing, but believe me, he wants Cool Girl, who is basically the girl who likes every fucking thing he likes and doesn’t ever complain. (How do you know you’re not Cool Girl? Because he says things like: “I like strong women.” If he says that to you, he will at some point fuck someone else. Because “I like strong women” is code for “I hate strong women.”) I waited patiently—years—for the pendulum to swing the other way, for men to start reading Jane Austen, learn how to knit, pretend to love cosmos, organize scrapbook parties, and make out with each other while we leer. And then we’d say, Yeah, he’s a Cool Guy. But it never happened. Instead, women across the nation colluded in our degradation! Pretty soon Cool Girl became the standard girl. Men believed she existed—she wasn’t just a dreamgirl one in a million. Every girl was supposed to be this girl, and if you weren’t, then there was something wrong with you. But it’s tempting to be Cool Girl. For someone like me, who likes to win, it’s tempting to want to be the girl every guy wants. When I met Nick, I knew immediately that was what he wanted, and for him, I guess I was willing to try. I will accept my portion of blame. The thing is, I was crazy about him at first. I found him perversely exotic, a good ole Missouri boy. He was so damn nice to be around. He teased things out in me that I didn’t know existed: a lightness, a humor, an ease. It was as if he hollowed me out and filled me with feathers. He helped me be Cool
Gillian Flynn (Gone Girl)
Do I get to choose what she commands you to do? Come on, let me, it’ll be fun.” Jai laughed humorlessly. “I said I don’t want her commanding me to do something asinine, kid.” Charlie’s grin disappeared as quickly as it had surfaced. “I told you not to call me, kid, Jinn boy. I’m what… two years younger than you, douchebag?” “Try five. And that’s only in physical years.” “What, you trying to say I’m not mature?” “Oh those socks you’re wearing definitely are. Have you heard of detergent? A shower? Hygiene?” “I shower, you militant, glorified fucking babysitter.” “Watch it, kid.” “Kid? I am this close to taking a swing at you, you overblown piece of-” “Oh for the love of God!” Ari cried, throwing her hands up, her head pounding. So much for their strained peace treaty. “Shut up. Shut up. Shut up!”Despite their matching glowers, both of them slammed their lips closed and glared at one another. Ari heaved a sigh of relief as she pulled a chilled can of soda out of the refrigerator. At least the soda still felt nice sliding down her throat. Not the same as an ice cold Coke on a blazing summer day but still nice. She took a refreshing swig and turned towards her male companions once again. Blasts of frost shot out from Jai’s eyes only to be met by the simmering black heat of Charlie’s angry gaze. Rolling her eyes and biting back the guilt that she was somehow responsible for the animosity between the only two people she could count on right now, Ari spilled into the chair between them and Jai slowly sunk back down into his. “So what will I command you?” she asked quietly, ignoring the way her fingers trembled as she played with the tab on her soda can. When she got no answer, she glanced up to see Jai’s face going red, the veins in his head throbbing. “Dude, what’s wrong?” Charlie asked quietly, looking at Ari in alarm. “Is he choking?” Ari’s heart flipped in her chest at the thought and she reached across the table to grab his arm. “Jai?” His eyes widened and he waved a large hand at his throat and mouth and then pointed at her. What the hell?! “Jesus Christ, he can’t talk?” Charlie asked incredulously. “Is this a joke?
Samantha Young (Smokeless Fire (Fire Spirits, #1))
She kept herself busy for a moment, pouring hot water into a mug and giving Jay a chance to absorb what she’d just asked of him, letting him consider her request. Before the dance and before they were a couple, there would have been nothing to think about; he would never have told on her. They’d kept each other’s secrets. No matter what. But now everything—everything—had changed, and Violet was sometimes surprised by how far he would go to keep her out of harm’s way. She knew that, for him anyway, it meant that he would even betray her secrets if it meant she’d be safer in the end. She carried her steaming mug, with the tea bag steeping inside, and set it on the table as she sat down. Jay reluctantly sat too. He leaned forward and rested his elbows on his knees, watching her warily. Finally he sighed, “I won’t tell . . . if you make me one promise.” She met his eyes, hesitating at the look she saw on his face. The unusual mixture of tenderness and fear were at odds, but it made Violet feel warm and soft inside. He reached out his hand to her, and she took it, letting him pull her toward him. She settled onto his lap as he wrapped his arms around her. He nuzzled her neck, inhaling deeply as if the scent of her was somehow reassuring. “Next time . . .” he insisted in a voice quieter than before, “you call me.” She nodded, satisfied that he would keep her safe . . . secrets and all. It was completely astonishing to her—even after all these months—being in love with her best friend.
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
I didn’t care. Not as Nesta was sprawled upon the stones. I knew that she was different. From however Elain had been Made … Nesta was different. Even before she took her first breath, I felt it. As if the Cauldron in making her … had been forced to give more than it wanted. As if Nesta had fought even after she went under, and had decided that if she was to be dragged into hell, she was taking that Cauldron with her. As if that finger she’d pointed was now a death-promise to the King of Hybern. Nesta took a breath. And when I beheld my sister, with her somehow magnified beauty, her ears … When Nesta looked to me … Rage. Power. Cunning. Then it was gone, horror and shock crumpling her face, but she didn’t pause, didn’t halt. She was free—she was loose. She was on her feet, tripping over her slightly longer, leaner limbs, ripping the gag from her mouth— Nesta slammed into Lucien, grabbing Elain from his arms, and screamed at him as he fell back, “Get off her!” Elain’s feet slipped against the floor, but Nesta gripped her upright, running her hands over Elain’s face, her shoulders, her hair— “Elain, Elain, Elain,” she sobbed. Cassian again stirred—trying to rise, to answer Nesta’s voice as she held my sister and cried her name again and again. But Elain was staring over Nesta’s shoulder. At Lucien—whose face she had finally taken in. Dark brown eyes met one eye of russet and one of metal. Nesta was still weeping, still raging, still inspecting Elain— Lucien’s hands slackened at his sides. His voice broke as he whispered to Elain, “You’re my mate.
Sarah J. Maas
Tell me the story," said Fenchurch firmly. "You arrived at the station." "I was about twenty minutes early. I'd got the time of the train wrong." "Get on with it." Fenchurch laughed. "So I bought a newspaper, to do the crossword, and went to the buffet to get a cup of coffee." "You do the crossword?" "Yes." "Which one?" "The Guardian usually." "I think it tries to be too cute. I prefer The Times. Did you solve it?" "What?" "The crossword in the Guardian." "I haven't had a chance to look at it yet," said Arthur, "I'm still trying to buy the coffee." "All right then. Buy the coffee." "I'm buying it. I am also," said Arthur, "buying some biscuits." "What sort?" "Rich Tea." "Good Choice." "I like them. Laden with all these new possessions, I go and sit at a table. And don't ask me what the table was like because this was some time ago and I can't remember. It was probably round." "All right." "So let me give you the layout. Me sitting at the table. On my left, the newspaper. On my right, the cup of coffee. In the middle of the table, the packet of biscuits." "I see it perfectly." "What you don't see," said Arthur, "because I haven't mentioned him yet, is the guy sitting at the table already. He is sitting there opposite me." "What's he look like?" "Perfectly ordinary. Briefcase. Business suit. He didn't look," said Arthur, "as if he was about to do anything weird." "Ah. I know the type. What did he do?" "He did this. He leaned across the table, picked up the packet of biscuits, tore it open, took one out, and..." "What?" "Ate it." "What?" "He ate it." Fenchurch looked at him in astonishment. "What on earth did you do?" "Well, in the circumstances I did what any red-blooded Englishman would do. I was compelled," said Arthur, "to ignore it." "What? Why?" "Well, it's not the sort of thing you're trained for is it? I searched my soul, and discovered that there was nothing anywhere in my upbringing, experience or even primal instincts to tell me how to react to someone who has quite simply, calmly, sitting right there in front of me, stolen one of my biscuits." "Well, you could..." Fenchurch thought about it. "I must say I'm not sure what I would have done either. So what happened?" "I stared furiously at the crossword," said Arthur. "Couldn't do a single clue, took a sip of coffee, it was too hot to drink, so there was nothing for it. I braced myself. I took a biscuit, trying very hard not to notice," he added, "that the packet was already mysteriously open..." "But you're fighting back, taking a tough line." "After my fashion, yes. I ate a biscuit. I ate it very deliberately and visibly, so that he would have no doubt as to what it was I was doing. When I eat a biscuit," Arthur said, "it stays eaten." "So what did he do?" "Took another one. Honestly," insisted Arthur, "this is exactly what happened. He took another biscuit, he ate it. Clear as daylight. Certain as we are sitting on the ground." Fenchurch stirred uncomfortably. "And the problem was," said Arthur, "that having not said anything the first time, it was somehow even more difficult to broach the subject a second time around. What do you say? "Excuse me...I couldn't help noticing, er..." Doesn't work. No, I ignored it with, if anything, even more vigor than previously." "My man..." "Stared at the crossword, again, still couldn't budge a bit of it, so showing some of the spirit that Henry V did on St. Crispin's Day..." "What?" "I went into the breach again. I took," said Arthur, "another biscuit. And for an instant our eyes met." "Like this?" "Yes, well, no, not quite like that. But they met. Just for an instant. And we both looked away. But I am here to tell you," said Arthur, "that there was a little electricity in the air. There was a little tension building up over the table. At about this time." "I can imagine.
Douglas Adams
When you change houses you always lose something. Every move betrays you, it always cheats you somehow. I’m still looking for certain things. That brooch that belonged to my mother, nothing valuable, but it meant something to me. Then there’s my old address book. Even though I don’t need it anymore, I liked thumbing through it now and then. I’d saved ticket stubs, certain receipts, a small photograph of your father when he was young, before we’d met, what a handsome fellow he was. I look and look but I can’t find it. There are days I comb through the whole house hoping to find those things in some drawer I’ve already opened countless times, or maybe at the bottom of a box in my closet. They’re somewhere, of course. Just like the jewels that were stolen from me. Remember that ring, the gold one, a little flashy, that I liked to wear in winter? It had green stones. I’d left it lying in plain sight when I was younger, when there was always so much to do in the course of any given day. Back then it tormented me, I couldn’t stand the fact of having lost that ring. But now I think, oh well. Someone else is probably wearing it, or maybe it’s for sale somewhere, in some far-off place, maybe the place you’re going to. It’s not mine anymore, but it’s still somewhere, that’s what I’m trying to say.
Jhumpa Lahiri (Whereabouts)
This is what we are like. Collectively, as a species, this is our emotional landscape. I met an old lady once, almost one hundred years old, and she told me, "There are only two questions that human beings have ever fought over, all through history. How much do you love me? And Who's in charge?" Everything else is somehow manageable. But these two questions of love and control undo us all, trip us up and cause war, grief and suffering.
Elizabeth Gilbert (Eat, Pray, Love)
I could kill you, you know,” Az murmured as he teased the knife’s blade up to the spot where Madi’s shoulder met his neck. “Slit your throat. Puncture your kidney. Stab you through the heart.” “If you want me dead, then do it and get it over with,” Madi growled. Az pressed his erection to the dark furrow of Madi’s ass, letting him feel how hard he was. “If I could kill you, I would, but, somehow, you would manage to take a piece of me with you.
Onley James (Play Dirty (Wages of Sin, #2))
The first, he says, is a feeling of recognition—the thing that makes you say to your newfound love (the quotes are his), “I know we’ve just met, but somehow I feel as though I already know you.” The second is a feeling of timelessness: “Even though we’ve only been seeing each other for a short time, I can’t remember when I didn’t know you.” The third is a feeling of reunification: “When I’m with you, I no longer feel alone; I feel whole, complete.
Kathryn Schulz (Being Wrong: Adventures in the Margin of Error)
It made no sense to me. Scents were like rain, or birds. They left and came back. They told you their own stories, letting you know when the tide was low or the oatmeal was done cooking or the apple trees were getting ready to bloom. But they never stayed. Even as a young child, however, I understood that those scent-papers were different, magical somehow. They held entire worlds. I could recognize bits of them- the smell of a fruit, but one more full and sweet than anything I had ever tasted. Or an animal, lazier than any I had ever met. Many of the scents were utterly foreign, however- sharp and fast, smooth and unsettling. I wanted to dive into those worlds; I wanted to understand what made their smells. Even more than that, I wanted to be Jack the Scent Hunter, the hero of my father's stories, flying through the canopies of dripping jungles and climbing to the tops of mountains, all to catch the fragrance of one tiny flower.
Erica Bauermeister (The Scent Keeper)
Her endless complaining was finally too much for Sara to take. "Oh, good Lord, that's enough," she exclaimed impatiently. "I'm going to die," Joyce moaned. "Unfortunately that's not the case. The bullet passed cleanly through your shoulder, the bleeding's stopped, and whatever discomfort you feel isn't nearly enough to make up for all you've done," Sara continued with growing exasperation. "The first time I met Derek was on the night you had his face slashed, and ever since then you've harassed and tormented us both. You brought this on yourself!" "You're enjoying my suffering," Joyce whined. "Somehow I can't dredge up much sympathy for a woman who's just tried to kill me! And when I think of the cruel, callous way you destroyed Derek's club..." "He'll always hate me for that," Joyce whispered in satisfaction. "I'll always have that part of him, at least." "No," Sara said firmly. "I'm going to fill his life with such happiness that he'll have no room to hate anyone. He won't spare you a thought. You'll be nothing to him.
Lisa Kleypas (Dreaming of You (The Gamblers of Craven's, #2))
From out of a wilderness of wind-stirred leaf shadows, as blue as the two jewels in the sockets of a jungle-wrapped stone goddess, Martie’s eyes met his. No illusions in her gaze. No superstitious surety that all would be well in this best of all possible worlds. Just a stark appreciation of her dilemma. Somehow she overcame the dread of her lethal potential. She extended her left hand to him. He held it gratefully. “Poor Dusty,” she said. “A druggie brother and a crazy wife.” “You’re not crazy.” “I’m working at it.
Dean Koontz (False Memory)
The answer is different for everyone. But you need to somehow begin again. The old you, the old life--it's over. Gone forever. And it's very sad, because you lose the person who your wife--your husband--loved. It's another loss. After I met Madame, I found out how I was now. Who is this new person, this person who has lost so much, been so scarred?" The other women at the table nodded knowingly.....I could see each had some understanding of what Kat and I knew: a loss so dark it changed who you were, changed the planet you lived on, changed what words meant.
Sara Gran (The Book of the Most Precious Substance)
September 10, 1965 Dear Francesca, Enclosed are two photographs. One is the shot I took of you in the pasture at sunrise. I hope you like it as much as I do. The other is of Roseman Bridge before I removed your note tacked to it. I sit here trolling the gray areas of my mind for every detail, every moment, of our time together. I ask myself over and over, “What happened to me in Madison County, Iowa?” And I struggle to bring it together. That’s why I wrote the little piece, “Falling from Dimension Z,” I have enclosed, as a way of trying to sift through my confusion. I look down the barrel of a lens, and you’re at the end of it. I begin work on an article, and I’m writing about you. I’m not even sure how I got back here from Iowa. Somehow the old truck brought me home, yet I barely remember the miles going by. A few weeks ago, I felt self-contained, reasonably content. Maybe not profoundly happy, maybe a little lonely, but at least content. All of that has changed. It’s clear to me now that I have been moving toward you and you toward me for a long time. Though neither of us was aware of the other before we met, there was a kind of mindless certainty humming blithely along beneath our ignorance that ensured we would come together. Like two solitary birds flying the great prairies by celestial reckoning, all of these years and lifetimes we have been moving toward one another. The road is a strange place. Shuffling along, I looked up and you were there walking across the grass toward my truck on an August day. In retrospect, it seems inevitable—it could not have been any other way—a case of what I call the high probability of the improbable. So here I am walking around with another person inside of me. Though I think I put it better the day we parted when I said there is a third person we have created from the two of us. And I am stalked now by that other entity. Somehow, we must see each other again. Any place, anytime. Call me if you ever need anything or simply want to see me. I’ll be there, pronto. Let me know if you can come out here sometime—anytime. I can arrange plane fare, if that’s a problem. I’m off to southeast India next week, but I’ll be back in late October. I Love You, Robert P. S., The photo project in Madison County turned out fine. Look for it in NG next year. Or tell me if you want me to send a copy of the issue when it’s published. Francesca Johnson set her brandy glass on the wide oak windowsill and stared at an eight-by-ten black-and-white photograph of herself.
Robert James Waller (The Bridges Of Madison County)
I’ve lived near here at several different stretches across time, but once, when I lived here a few hundred years ago, I had a camel I named Oded. He was just about the laziest creature ever to talk the Earth. He would pass out when I was in the middle of feeding him, and making it to the closest Bedouin camp for tea was a minor miracle. But when I first met you in that lifetime-“ “Oded broke into a run,” Luce said without thinking. “I screamed because I thought he was going to trample me. You said you’d never seen him move like that.” “Yeah, well,” Daniel said. “He liked you.” They paused and looked at each other, and Daniel started laughing when Luce’s jaw dropped. “I did it!” she cried out. “It was just there, in my memory, a part of me. Like it happened yesterday. I came to me without thinking!” It was miraculous. All those memories from all those lives that had been lost each time Lucinda died in Daniel’s arms were somehow finding their way back to her, the way Luce always found her way back to Daniel. No. She was finding her way to them. It was like a gate had been left open after Luce’s quest through the Announcers. Those memories stayed with her, from Moscow to Helston to Egypt. Now more were becoming available. She had a sudden, keen sense of who she was-and she wasn’t just Luce Price from Thunderbolt, Georgia. She was every girl she’d ever been, an amalgamation of experience, mistakes, achievements, and, above all, love. She was Lucinda. “Quick,” she said to Daniel. “Can we do another?” “Okay, how about another desert life? You were living in the Sahara when I found you. Tall and gangly and the fastest runner in your village. I was passing through one day, on my way to visit Roland, and I stopped for the night at the closest spring. All the other men were very distrustful of me, but-“ “But my father paid you three zebra skins for the knife you had in your satchel!” Daniel grinned. “He drove a hard bargain.” “This is amazing,” she said, nearly breathless. How much more did she have in her that she didn’t know about? How far back could she go? She pivoted to face him, drawing her knees against her chest and leaning in so that their foreheads were almost touching. “Can you remember everything about our pasts?” Daniel’s eyes softened at the corners. “Sometimes the order of things gets mixed up in my head. I’ll admit, I don’t remember long stretches of time I’ve spent alone, but I can remember every first glimpse of your face, every kiss of your lips, every memory I’ve ever made with you.
Lauren Kate (Rapture (Fallen, #4))
I stare at his relaxed face, pale in the dim light. Nearly asleep, he looks vulnerable. Like I could tell him anything I wanted and he wouldn’t remember it in the morning. When I first met him, I thought he was attractive but not in an omg-he’s-the-most-gorgeous-thing-I’ve-ever-seen way. But somehow, now that I know him, how his light brown eyes can sear right through me, how the corner of his mouth turns up when he laughs, how he blushes when he’s caught wearing a headband, I can see that he really is beautiful. His hand twitches and his breathing slows, deep and heavy. In an instant he’s fallen asleep, and I’ve fallen even harder for him.
Kristin Rae (Wish You Were Italian (If Only . . . #2))
Hey...you okay?" I recognized the voice-how had my dreams known his voice?-but when he crouched down next to me, I skittered away. "Don't touch me!" I snapped. He held up his hands to show he was harmless. "Okay, okay," he said with a smirk. "You were the one chasing me." I glared at him. It was an impressive show of restraint on my part, when the truth was that having him physically in front of me was wreaking havoc on my body and my brain. My heart was pounding fast, and my mind played a loop of every moment we'd shared in my dreams. I forced myself to remember he was a stranger. Quite possibly a dangerous stranger. I needed answers from him, but I also needed to stay strong. "I'm sorry," he said. "I thought you were hurt." "I am hurt. I twisted my ankle." "Maybe you shouldn't be chasing strange men through the woods, then." "Maybe you shouldn't pretend you don't know who I am." His eyes widened in shock for a moment. "You reme-" Then he twitched his head briefly to the side, as if flicking away an unwanted thought, and his face relaxed. Only the clenched muscle in his jaw gave away any tension. "You must be mistaken. I don't think we've ever met." "Really? You look at most girls like you were caught with your hand in their purse?" "I don't know what you're talking-" "And then you ran away. Full speed, even though you knew I was trying to catch up with you. That's not normal. That's not how you act with a stranger." The man pursed his lips and pressed his right fist to his temple, a gesture I'd seen him make so many times I almost lost my grip. Somehow I managed to stay steely eyed. He lowered his fist and smiled, though the smile didn't reach his eyes. "I reacted poorly," he said stiffly. "I don't have a good answer for why, other than I like to keep to myself. I only came back because you were hurt, and it seemed irresponsible to leave a girl all alone in the middle of nowhere. But if you'd rather I left..." "No. "Fine. Let's take a look at your ankle.
Hilary Duff (Elixir (Elixir, #1))
You.” Hard thrust. “Go.” Another thrust directly to my spot, my pussy walls clenching and holding his fingers but he doesn’t let me. “When. I. Say. So.” He fucks me with his fingers so hard and I come just as hard, so loud with a scream that pierces my ears. I literally hear a buzz and see color behind my eyes. Maybe it’s the bitter taste of the truth on my tongue, or the answering silent, yet volcanic anger from Ace. Maybe it’s the grief that slices the room into uneven dimensions of breathless agony—but for whatever reason, my orgasm is hard and intense. It’s the type of climax that I knew Ace could easily give me, but we both knew it was heightened by misery and grief. A kind of grief that we both refused to face. Grief heightened by orgasm. Orgasm heightened by grief. . . My entire body shakes, Ace flips me over to my side and somehow in the darkness of my room, our gazes connect and I can see the blues like I do in my nightmares and my dreams. I see them as much as they see me. I know these eyes belong to the devil, the spawn of my hate. But they still see me. It’s all I’ve ever wanted. To be seen and he has, since the very first day we met. “You will fucking die when I say so.” He growls, like a solemn vow. “You will fade away like the kind of nothing that you think you are, when I say so. But for now, you fucking stay here and you fight that shit for me. I fucking need you to fight it.
Thandiwe Mpofu (Reckless Hate (Westbrook Blues, #1))
One night, when Violet’s parents had gone out, he teased her about it, whispering against her throat, “I should probably be dating girls my own age now that you’ll be over-the-hill.” Jay was stretched out on Violet’s bed as she curled against him. Violet laughed, rising to the bait. “Fine,” she challenged, pulling away and leaning up on her elbow. “I’m sure there are plenty of men my own age who would be willing to finish what you’ve started.” Jay stiffened, and Violet realized that she’d struck a nerve. “What is it?” He shook his head, and Violet thought he might say, “Nothing,” so when he answered, his words caught her off guard. “Is there someone else, Vi?” Violet frowned, baffled by the unfamiliar jealousy she saw on his face. She wondered what in the world he meant as she reached down and smoothed a strand of hair from his forehead. “What are you talking about, Jay?” His eyes met hers. “I saw you with that guy at the movies, Vi. Who was he?” Violet closed her eyes. She wasn’t ready yet. She didn’t want to tell him about the FBI, about Sara and Rafe or what she’d learned about Mike’s mother. She wondered briefly if he knew about Mike’s mom-if his friend had ever confided in him. But somehow she doubted it. Jay wasn’t like her; he didn’t keep secrets. “It’s not like that,” she explained, hoping that would be enough. Jay got up and went to the window, pushing the curtain aside. Every muscle in his body was rigid. “Like what, Vi? What’s going on? Something’s been bothering you lately. Why can’t you tell me?” He was right. She owed it to him to at least try. “I don’t know how to explain, but I just feel like everything’s changed between us-“ “Of course it’s changed, Violet, what’d you expect?” Violet tried to ignore the bitterness in his voice, telling herself she had no right to be hurt. “It used to be that I would never keep secrets from you. You were my best friend. But now that we’re dating, it’s just…different. I feel like I have to watc what I say, or you get all worried. Sometimes I just want you to be the old Jay again, so I can talk to you.” Violet crept up behind him, wrapping her arms around his waist and resting her cheek against his back.
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
There is yet another reason why peer-oriented kids are insatiable. In order to reach the turning point, a child must not only be fulfilled, but this fulfillment must sink in. It has to register somehow in the child's brain that the longing for closeness and connectedness is being met. This registration is not cognitive or even conscious, but deeply emotional. It is emotion that moves the child and shifts the energy from one developmental agenda to another, from attachment to individuation. The problem is that, for fulfillment to sink in, the child must be able to feel deeply and vulnerably — an experience most peer-oriented kids will be defended against. Peer-oriented children cannot permit themselves to feel their vulnerability. It may seem strange that feelings of fulfillment would require openness to feelings of vulnerability. There is no hurt or pain in fulfillment — quite the opposite. Yet there is an underlying emotional logic to this phenomenon. For the child to feel full he must first feel empty, to feel helped the child must first feel in need of help, to feel complete he must have felt incomplete. To experience the joy of reunion one must first experience the ache of loss, to be comforted one must first have felt hurt. Satiation may be a very pleasant experience, but the prerequisite is to be able to feel vulnerability. When a child loses the ability to feel her attachment voids, the child also loses the ability to feel nurtured and fulfilled. One of the first things I check for in my assessment of children is the existence of feelings of missing and loss. It is indicative of emotional health for children to be able to sense what is missing and to know what the emptiness is about. As soon as they are able to articulate, they should be able to say things like “I miss daddy,” “It hurt me that grandma didn't notice me,” “It didn't seem like you were interested in my story,” “I don't think so and so likes me.” Many children today are too defended, too emotionally closed, to experience such vulnerable emotions. Children are affected by what is missing whether they feel it or not, but only when they can feel and know what is missing can they be released from their pursuit of attachment. Parents of such children are not able to take them to the turning point or bring them to a place of rest. If a child becomes defended against vulnerability as a result of peer orientation, he is made insatiable in relation to the parents as well. That is the tragedy of peer orientation — it renders our love and affection so useless and unfulfilling. For children who are insatiable, nothing is ever enough. No matter what one does, how much one tries to make things work, how much attention and approval is given, the turning point is never reached. For parents this is extremely discouraging and exhausting. Nothing is as satisfying to a parent as the sense of being the source of fulfillment for a child. Millions of parents are cheated of such an experience because their children are either looking elsewhere for nurturance or are too defended against vulnerability to be capable of satiation. Insatiability keeps our children stuck in first gear developmentally, stuck in immaturity, unable to transcend basic instincts. They are thwarted from ever finding rest and remain ever dependent on someone or something outside themselves for satisfaction. Neither the discipline imposed by parents nor the love felt by them can cure this condition. The only hope is to bring children back into the attachment fold where they belong and then soften them up to where our love can actually penetrate and nurture.
Gabor Maté (Hold On to Your Kids: Why Parents Need to Matter More Than Peers)
This reminds me of a funny Chris story. Back when we lived in California, Easter was coming up and Chris was home with the kids. I forget exactly what the children did, but they got out of line and Chris decided rather than disciplining them, he’d use a little daddy logic on them. Daddy logic, as expressed by a SEAL sniper. “I’ll tell you, you better behave,” he said, “or I’ll keep the Easter Bunny from coming.” “How?” one of them wondered. Daddy logic met kid logic and raised the ante through the roof. “I’ll sit on the stoop and I’ll shoot him when he comes,” said Chris. Somehow he kept a straight face. “You’ll ruin it for everyone, not just yourselves.” We had great behavior for weeks. It’s different living with a sniper as a dad.
Taya Kyle (American Wife: Love, War, Faith, and Renewal)
Ah-ah! Another kiss. Come here to me, Charlotte-Rose. Come and kiss me.' He flung himself down on the couch and held out his arms to me. I rose and went slowly towards him, searching his face, my stomach fluttering with nerves. His face softened. 'I will not hurt you, chérie.' He drew me down so our mouths met and clung. It was a long, long kiss. Somehow, I found myself lying back on the cushions, the Marquis' body half-covering mine, his hand tangling my hair, one shoulder bared to the cool night air. He lifted his mouth from mine, smiled at me and then shifted his body so that his mouth was at the junction of my collarbones, his tongue tracing lazy circles in the hollow. I sighed. My bones seemed made of honey, my skin dancing with a million tiny stars.
Kate Forsyth (Bitter Greens)
Two people who shouldn’t have met, and who didn’t like each other much when they did, but who found they were the only two people in the world who could possibly have understood each other. And I told him of the adventures they had, the places they had gone, and the things I had seen that I had never expected to. I conjured for him electric skies and iridescent seas and evenings full of laughter and silly jokes. I drew a world for him, a world far from a Swiss industrial estate, a world in which he was still somehow the person he had wanted to be. I drew the world he had created for me, full of wonder and possibility. I let him know a hurt had been mended in a way that he couldn’t have known, and for that alone there would always be a piece of me indebted to him.
Jojo Moyes (Me Before You (Me Before You, #1))
Softly, he said, “Why are you crying?” His words made the tears flow faster. “Kestrel.” She drew a shaky breath. “Because when my father comes home, I will tell him that he has won. I will join the military.” There was a silence. “I don’t understand.” Kestrel shrugged. She shouldn’t care whether he understood or not. “You would give up your music?” Yes. She would. “But your bargain with the general was for spring.” Arin still sounded confused. “You have until spring to marry or enlist. Ronan…Ronan would ask the god of souls for you. He would ask you to marry him.” “He has.” Arin didn’t speak. “But I can’t,” she said. “Kestrel.” “I can’t.” “Kestrel, please don’t cry.” Tentative fingers touched her face. A thumb ran along the wet skin of her cheekbone. She suffered for it, suffered for the misery of knowing that whatever possessed him to do this could be no more than compassion. He valued her that much. But not enough. “Why can’t you marry him?” he whispered. She broke her word to herself and looked at him. “Because of you.” Arin’s hand flinched against her cheek. His dark head bowed, became lost in its own shadow. Then he slipped from his seat and knelt before hers. His hands fell to the fists on her lap and gently opened them. He held them as if cupping water. He took a breath to speak. She would have stopped him. She would have wished herself deaf, blind, made of unfeeling smoke. She would have stopped his words out of terror, longing. The way terror and longing had become indistinguishable. Yet his hands held hers, and she could do nothing. He said, “I want the same thing you want.” Kestrel pulled back. It wasn’t possible his words could mean what they seemed. “It hasn’t been easy for me to want it.” Arin lifted his face so that she could see his expression. A rich emotion played across his features, offered itself, and asked to be called by its name. Hope. “But you’ve already given your heart,” she said. His brow furrowed, then smoothed. “Oh. No, not the way you think.” He laughed a little, the sound soft yet somehow wild. “Ask me why I went to the market.” This was cruel. “We both know why.” He shook his head. “Pretend that you’ve won a game of Bite and Sting. Why did I go? Ask me. It wasn’t to see a girl who doesn’t exist.” “She…doesn’t?” “I lied.” Kestrel blinked. “Then why did you go to the market?” “Because I wanted to feel free.” Arin raised a hand to brush the air by his temple, then awkwardly let it fall. Kestrel suddenly understood this gesture she’d seen many times. It was an old habit. He was brushing away a ghost, hair that was no longer there because she had ordered it cut. She leaned forward, and kissed his temple. Arin’s hand held her lightly to him. His cheek slid against hers. Then his lips touched her brow, her closed eyes, the line where her jaw met her throat. Kestrel’s mouth found his. His lips were salted with her tears, and the taste of that, of him, of their deepening kiss, filled her with the feeling of his quiet laugh moments ago. Of a wild softness, a soft wildness. In his hands, running up her thin dress. In his heat, burning through to her skin…and into her, sinking into him.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
He said, “I want the same thing you want.” Kestrel pulled back. It wasn’t possible his words could mean what they seemed. “It hasn’t been easy for me to want it.” Arin lifted his face so that she could see his expression. A rich emotion played across his features, offered itself, and asked to be called by its name. Hope. “But you’ve already given your heart,” she said. His brow furrowed, then smoothed. “Oh. No, not the way you think.” He laughed a little, the sound soft yet somehow wild. “Ask me why I went to the market.” This was cruel. “We both know why.” He shook his head. “Pretend that you’ve won a game of Bite and Sting. Why did I go? Ask me. It wasn’t to see a girl who doesn’t exist.” “She…doesn’t?” “I lied.” Kestrel blinked. “Then why did you go to the market?” “Because I wanted to feel free.” Arin raised a hand to brush the air by his temple, then awkwardly let it fall. Kestrel suddenly understood this gesture she’d seen many times. It was an old habit. He was brushing away a ghost, hair that was no longer there because she had ordered it cut. She leaned forward, and kissed his temple. Arin’s hand held her lightly to him. His cheek slid against hers. Then his lips touched her brow, her closed eyes, the line where her jaw met her throat. Kestrel’s mouth found his. His lips were salted with her tears, and the taste of that, of him, of their deepening kiss, filled her with the feeling of his quiet laugh moments ago. Of a wild softness, a soft wildness. In his hands, running up her thin dress. In his heat, burning through to her skin…and into her, sinking into him.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
Please know that they did their best to divide us, to tell us that where the water met the dirt we were born on was somehow sacred, that the strips of colour on the flap of fabric waving above our heads were holy, that the way the light refracted off our skins defined our character. They drove their cars through us in Tahir Square and they took our pensions on Wall Street and then they told us we were going to jail because we shared songs with each other. I know that you do not have fat, bloated middlemen, I know the dictators have fallen, I know that the gatekeepers have all faded out and you live as earthlings, undivided by imaginary borders and differences. Because I know I was born here on the blue electric fields, in the democracy of ideas, in the new country. And this is a place worth dying for.
Iain S. Thomas (I Wrote This for You and Only You)
feel it anew, this terrible disappointment in myself that I am happy to take out on him. He is the most obvious thing that has ever happened to me, and all around the city it is happening to other silly, half-formed women excited by men who’ve simply met the prerequisite of living a little more life, a terribly unspecial thing that is just what happens when you keep on getting up and brushing your teeth and going to work and ignoring the whisper that comes to you at night and tells you it would be easier to be dead. So, sure, an older man is a wonder because he has paid thirty-eight years of Con Ed bills and suffered food poisoning and seen the climate reports and still not killed himself, but somehow, after being a woman for twenty-three years, after the ovarian torsion and student loans and newfangled Nazis in button-downs, I too am still alive, and actually this is the more remarkable feat.
Raven Leilani (Luster)
A while back a young woman from another state came to live with some of her relatives in the Salt Lake City area for a few weeks. On her first Sunday she came to church dressed in a simple, nice blouse and knee-length skirt set off with a light, button-up sweater. She wore hose and dress shoes, and her hair was combed simply but with care. Her overall appearance created an impression of youthful grace. Unfortunately, she immediately felt out of place. It seemed like all the other young women her age or near her age were dressed in casual skirts, some rather distant from the knee; tight T-shirt-like tops that barely met the top of their skirts at the waist (some bare instead of barely); no socks or stockings; and clunky sneakers or flip-flops. One would have hoped that seeing the new girl, the other girls would have realized how inappropriate their manner of dress was for a chapel and for the Sabbath day and immediately changed for the better. Sad to say, however, they did not, and it was the visitor who, in order to fit in, adopted the fashion (if you can call it that) of her host ward. It is troubling to see this growing trend that is not limited to young women but extends to older women, to men, and to young men as well. . . . I was shocked to see what the people of this other congregation wore to church. There was not a suit or tie among the men. They appeared to have come from or to be on their way to the golf course. It was hard to spot a woman wearing a dress or anything other than very casual pants or even shorts. Had I not known that they were coming to the school for church meetings, I would have assumed that there was some kind of sporting event taking place. The dress of our ward members compared very favorably to this bad example, but I am beginning to think that we are no longer quite so different as more and more we seem to slide toward that lower standard. We used to use the phrase “Sunday best.” People understood that to mean the nicest clothes they had. The specific clothing would vary according to different cultures and economic circumstances, but it would be their best. It is an affront to God to come into His house, especially on His holy day, not groomed and dressed in the most careful and modest manner that our circumstances permit. Where a poor member from the hills of Peru must ford a river to get to church, the Lord surely will not be offended by the stain of muddy water on his white shirt. But how can God not be pained at the sight of one who, with all the clothes he needs and more and with easy access to the chapel, nevertheless appears in church in rumpled cargo pants and a T-shirt? Ironically, it has been my experience as I travel around the world that members of the Church with the least means somehow find a way to arrive at Sabbath meetings neatly dressed in clean, nice clothes, the best they have, while those who have more than enough are the ones who may appear in casual, even slovenly clothing. Some say dress and hair don’t matter—it’s what’s inside that counts. I believe that truly it is what’s inside a person that counts, but that’s what worries me. Casual dress at holy places and events is a message about what is inside a person. It may be pride or rebellion or something else, but at a minimum it says, “I don’t get it. I don’t understand the difference between the sacred and the profane.” In that condition they are easily drawn away from the Lord. They do not appreciate the value of what they have. I worry about them. Unless they can gain some understanding and capture some feeling for sacred things, they are at risk of eventually losing all that matters most. You are Saints of the great latter-day dispensation—look the part.
D. Todd Christofferson
Little Brother, an aspiring painter, saved up all his money and went to France, to surround himself with beauty and inspiration. He lived on the cheap, painted every day, visited museums, traveled to picturesque locations, bravely spoke to everyone he met, and showed his work to anyone who would look at it. One afternoon, Little Brother struck up a conversation in a café with a group of charming young people, who turned out to be some species of fancy aristocrats. The charming young aristocrats took a liking to Little Brother and invited him to a party that weekend in a castle in the Loire Valley. They promised Little Brother that this was going to be the most fabulous party of the year. It would be attended by the rich, by the famous, and by several crowned heads of Europe. Best of all, it was to be a masquerade ball, where nobody skimped on the costumes. It was not to be missed. Dress up, they said, and join us! Excited, Little Brother worked all week on a costume that he was certain would be a showstopper. He scoured Paris for materials and held back neither on the details nor the audacity of his creation. Then he rented a car and drove to the castle, three hours from Paris. He changed into his costume in the car and ascended the castle steps. He gave his name to the butler, who found him on the guest list and politely welcomed him in. Little Brother entered the ballroom, head held high. Upon which he immediately realized his mistake. This was indeed a costume party—his new friends had not misled him there—but he had missed one detail in translation: This was a themed costume party. The theme was “a medieval court.” And Little Brother was dressed as a lobster. All around him, the wealthiest and most beautiful people of Europe were attired in gilded finery and elaborate period gowns, draped in heirloom jewels, sparkling with elegance as they waltzed to a fine orchestra. Little Brother, on the other hand, was wearing a red leotard, red tights, red ballet slippers, and giant red foam claws. Also, his face was painted red. This is the part of the story where I must tell you that Little Brother was over six feet tall and quite skinny—but with the long waving antennae on his head, he appeared even taller. He was also, of course, the only American in the room. He stood at the top of the steps for one long, ghastly moment. He almost ran away in shame. Running away in shame seemed like the most dignified response to the situation. But he didn’t run. Somehow, he found his resolve. He’d come this far, after all. He’d worked tremendously hard to make this costume, and he was proud of it. He took a deep breath and walked onto the dance floor. He reported later that it was only his experience as an aspiring artist that gave him the courage and the license to be so vulnerable and absurd. Something in life had already taught him to just put it out there, whatever “it” is. That costume was what he had made, after all, so that’s what he was bringing to the party. It was the best he had. It was all he had. So he decided to trust in himself, to trust in his costume, to trust in the circumstances. As he moved into the crowd of aristocrats, a silence fell. The dancing stopped. The orchestra stuttered to a stop. The other guests gathered around Little Brother. Finally, someone asked him what on earth he was. Little Brother bowed deeply and announced, “I am the court lobster.” Then: laughter. Not ridicule—just joy. They loved him. They loved his sweetness, his weirdness, his giant red claws, his skinny ass in his bright spandex tights. He was the trickster among them, and so he made the party. Little Brother even ended up dancing that night with the Queen of Belgium. This is how you must do it, people.
Elizabeth Gilbert (Big Magic: Creative Living Beyond Fear)
Does it undermine my image as a warrior to be with you?' 'No. Does it undermine Feyre's when she's seen with Rhys?' Her stomach tightened. Her heartbeat pulsed in her arms, her gut. 'It's different for them,' she made herself say as they reached the end of the bridge and turned to walk along the quay flanking the river. Cassian asked carefully. 'Why?' Nesta kept her focus on the glittering river, vibrant with the hues of sunset. 'Because they're mates.' At his utter silence, she knew what he'd say. Halted again, bracing herself for it. Cassian's face was a void. Completely empty as he said, 'And we're not?' Nesta said nothing. He huffed a laugh. 'Because they're mates and you don't want us to be.' 'That word means nothing to me, Cassian,' she said, voice thick as she tried to keep the people who strode past from overhearing. 'It means something to all of you, but for most of my life, husband and wife was as good as it got. Mate is just a word.' 'That's bullshit.' When she only began walking along the river again, he asked. 'Why are you frightened?' 'I'm not frightened.' 'What spooked you? Just being seen publicly with me like this?' Yes. Having him kiss her and realising that soon she'd have to return to the world humming around them, and leave the House, and she didn't know what she would do then. What it would mean for them. If she would plunge back into that dark place she'd occupied before. Drag him down with her. 'Nesta. Talk to me.' She met his stare, but wouldn't open her mouth. Cassian's eyes blazed. 'Say it.' She refused. 'Say it, Nesta.' 'I don't know what you're talking about.' 'Ask me why I vanished for nearly a week after Solstice. Why I suddenly had to do an inspection right after a holiday.' Nesta kept her mouth shut. 'It was because I woke up the next morning and all I wanted to do was fuck you for a week straight. And I knew what that meant, what had happened, even though you didn't, and I didn't want to scare you. You weren't ready for the truth- not yet.' Her mouth went dry. 'Say it,' Cassian snarled. People gave them a wide berth. Some outright turned back toward the direction they'd come from. 'No.' His face shuttered with rage even as his voice became calm. 'Say it.' She couldn't. Not before he'd ordered her to, and certainly not now. She couldn't let him win like that. 'Say what I guessed from the moment we met,' he breathed. 'What I knew the first time I kissed you. What became unbreakable between us on Solstice night.' She wouldn't. 'I am your mate, for fuck's sake!' Cassian shouted, loud enough for people across the river to hear. 'You are my mate! Why are you still fighting it?' She let the truth, voiced at last, wash over her. 'You promised me forever on Solstice,' he said, voice breaking. 'Why is one word somehow throwing you off that?' 'Because with that one word, the last scrap of my humanity goes away!' She didn't care who saw them, who heard. 'With that one stupid word, I am no longer human in any way. I'm one of you!' He blinked. 'I thought you wanted to be one of us.' 'I don't know what I want. I didn't have a choice.' 'Well, I didn't have a choice in being shackled to you, either.' The declaration slammed into her. Shackled. He sucked in a breath. 'That was an incredibly poor choice of words.' 'But the truth, right?' 'No, I was angry- it's not true.' 'Why? Your friends saw me for what I was. What I am. The mating bond made you stupidly blind to it. How many times did they warn you away from me, Cassian?' She barked a cold laugh. Shackled. Words beckoned, sharp as knives, begging for her to grab one and plunge it into his chest. Make him hurt as much as that one would hurt her. Make him bleed. But if she did that, if she ripped into him... She couldn't. Wouldn't let herself do it.
Sarah J. Maas (A ​Court of Silver Flames (A Court of Thorns and Roses, #4))
Have you ever been kissed before?" She flushed scarlet and had to wet her lips before she could speak. "Not well kissed..." His shoulders shook. "Miss Cross, you leave me speechless." He cupped her jaw in his hand as his other hand came to the small of her back and pulled her against him. "I'll try to do better," he whispered against her mouth, and then he kissed her again. If she had expected another soft touch of his lips against her, she was quickly proven wrong. This time, his mouth settled on hers with intent, firm and insistent. When she gasped at the difference, his tongue slid between her parted lips and teased her until she moaned. He kissed as if he meant to conquer her, and Eliza was all too happy to surrender. His hands moved over her, gripping her waist, sliding up her shoulders to hold the nape of her neck as his mouth traveled over her eyelids and down her jaw. She whimpered as his teeth grazed her earlobe, setting her earring swaying, and she almost melted when his hand brushed her breast. It was an accident, she thought wildly, because they were pressed so close together- somehow her hands had got around his chest, beneath his jacket- but then he did it again. He muttered something profane and tore off his glove, and then it was his bare hand on her breast, his palm cupping her, his fingers teasing along the edge of her bodice until- oh, heavens- his thumb went right over her nipple. Eliza's start of shock turned into a shiver of ecstasy as he stroked the hard little nub again. He pulled her hard against him, until his hips met hers and she felt his unmistakable arousal. His mouth was hot and wet against her neck, and dimly Eliza thought that if he asked, she would tear off her dress and give herself to him right here on Lady Thayne's terrace, in the rain, ten feet away from a ballroom full of people. This was what it meant to want someone with a burning passion. Thank all the saints in heaven she'd got a chance to feel it once in her life...
Caroline Linden (An Earl Like You (The Wagers of Sin, #2))
He moved a little, as if intending to push away from her, and she reached out impulsively, her short arms catching his broad shoulders. She embraced him protectively, although it might seem ridiculous to shelter such a physically powerful creature. Devlin stiffened. To her surprise, and perhaps his, he gradually accepted her hold, hunching over to accommodate her short stature. His black head lowered almost to her shoulder. Amanda put her hand on his nape of his neck, where the warm edge of skin met the crisp edge of his collar. "Jack..." She meant to sound sympathetic, but somehow her voice came out as briskly pragmatic as ever. "What you did was neither illegal nor immoral, and there is certainly no point in wasting your time with regrets. You needn't berate yourself for something you can't change. And as you say, you had no choice. If you wish for revenge against your father and siblings for their treatment of you, I suggest that you apply yourself to being happy." He gave a brief huff of laughter against her ear. "My practical princess," he muttered, his arms tightening around her.
Lisa Kleypas (Suddenly You)
He moved a little, as if intending to push away from her, and she reached out impulsively, her short arms catching his broad shoulders. She embraced him protectively, although it might seem ridiculous to shelter such a physically powerful creature. Devlin stiffened. To her surprise, and perhaps his, he gradually accepted her hold, hunching over to accommodate her short stature. His black head lowered almost to her shoulder. Amanda put her hand on the nape of his neck, where the warm edge of skin met the crisp edge of his collar. "Jack..." She meant to sound sympathetic, but somehow her voice came out as briskly pragmatic as ever. "What you did was neither illegal nor immoral, and there is certainly no point in wasting your time with regrets. You needn't berate yourself for something you can't change. And as you say, you had no choice. If you wish for revenge against your father and siblings for their treatment of you, I suggest that you apply yourself to being happy." He gave a brief huff of laughter against her ear. "My practical princess," he muttered, his arms tightening around her.
Lisa Kleypas (Suddenly You)
So Dad was a tedious, well-connected workaholic. But the other thing you need to understand is that Mom was a living wet dream. A former Guess model and Miller Lite girl, she was tall, curvy and gorgeous. At thirty-eight, she had somehow managed to remain ageless and maintained her killer body. She’s five-foot-nine with never-ending legs, generous breasts and full hips that scoop dramatically into her slim waist. People who say Barbie’s proportions are unrealistic obviously never met my stepmother. Her face is pretty too, with long eyelashes, sculpted cheekbones and big, blue eyes that tease and smile at the same time. Her long brown hair rests on her shoulders in thick, tousled layers like in one of those Pantene Pro-V commercials. One memory seared in to my brain from my early teenage years is of Mom parading around the house one evening in nothing but her heels and underwear. I was sitting on the couch in the living room watching TV when a flurry of long limbs and blow-dried hair burst in front of the screen. “Teddy-bear. Do you know where Silvia left the dry cleaning? I’m running late for dinner with the Blackwells and I can’t find my red cocktail dress.” Mom stood before me in matching off-white, La Perla bra and panties and Manolo Blahnik stilettos. Some subtle gold hoop earrings hung from her ears and a tiny bit of mascara on her eye lashes highlighted her sparkling, blue eyes. Aside from the missing dress, she was otherwise ready to go. “I think she left them hanging on the chair next to the other sofa,” I said, trying my best not to gape at Mom’s perfect body. Mom trotted across the room, her heels tocking on the hard wood floor. I watched her slim, sexy back as she lifted the dry cleaning onto the sofa and then bent over to sort through the garments. My eyes followed her long mane of brown hair down to her heart-shaped ass. Her panties stretched tightly across each cheek as she bent further down. “Found it!” She cried, springing back upright, causing her 35Cs to bounce up and down from the sudden motion. They were thrusting proudly off her ribcage and bulging out over the fabric of the balconette bra like two titanic eggs. Her supple skin pushed out over the silk edges. And then she was gone as quickly as she had arrived, her long legs striding back down the hallway.
C.R.R. Crawford (Sins from my Stepmother: Forbidden Desires)
The Constructed Space" Meanwhile surely there must be something to say, Maybe not suitable but at least happy In a sense between us two whoever We are. Anyhow here we are and never Before have we two faced each other who face Each other now across this abstract scene Stretching between us. This is a public place Achieved against subjective odds and then Mainly an obstacle to what I mean. It is like that, remember. It is like that Very often at the beginning till we are met By some intention risen up out of nothing. And even then we know what we are saying Only when it is said and fixed and dead. Or maybe, surely, of course we never know What we have said, what lonely meanings are read Into the space we make. And yet I say This silence here for in it I might hear you. I say this silence or, better, construct this space So that somehow something may move across The caught habits of language to you and me. From where we are it is not us we see And times are hastening yet, disguise is mortal. The times continually disclose our home. Here in the present tense disguise is mortal. The trying times are hastening. Yet here I am More truly now this abstract act become.
W.S. Graham (New Collected Poems)
I want to be strong.” “You are strong.” “Not really.” Judd exhaled softly. “No, I guess not, but you’re stronger than you think. You’re stronger than when we met. Hell, you told me no and we both know that couldn’t have been easy.” Giving him a little grin, I shrugged again. “Wasn’t that hard either.” “Liar.” Grinning wider, I sighed. “I really wanted you.” Judd’s smile faded. “I know. I wanted you too.” “That time has passed.” “No. We still want it. That’s why you look at me like I’m both your salvation and a death sentence. You still want me and I clearly still want you.” “You walked away.” “I wanted you to do well on your own.” “Then let me.” “Now, I want you to do well on your own with me standing nearby. Also with me frequently inside you.” “Don’t be nasty.” “It wouldn’t be. Somehow, it’d be better than anything I’ve known.” Even as my skin flushed at the thought of us alone and naked, I shrugged with disinterest. “That’s the Arby’s thing talking.” “Stop with the Arby’s shit, will you? You’re a beautiful chick and I can’t get you out of my head. Comparing you to a fucking shit eatery isn’t acceptable. It’s like comparing the Sistine Chapel to my auntie’s house. Ain’t even close.
Bijou Hunter (Damaged and the Knight (Damaged, #2))
I am not Sa. I lack his almighty wisdom. But I think you are likely to find Etta’s destiny in Etta, rather than hoping Kennit will impregnate you with it.” Anger writhed over her face. Then she sat still, anger still glinting in her eyes, but with it a careful consideration of his words. Finally, she observed gruffly, “It’s hard to take offense at your saying that I might be important for myself.” Her eyes met his squarely. “I might consider it a compliment. Except it’s hard to believe you are sincere, when you obviously don’t believe the same is true of yourself.” She continued into his stunned silence, “You haven’t lost your belief in Sa. You’ve lost your belief in yourself. You speak to me of measuring myself by my significance to Kennit. But you do the same. You evaluate your purpose in terms of Vivacia or Kennit. Pick your own life, Wintrow, and be responsible for it. Then, perhaps, you may be significant to them.” Like a key turning in a rusty lock. That was the sensation inside him. Or perhaps like a wound that bleeds anew past a closed crust, he thought wryly. He sifted her words, searching for a flaw in her logic, for a trick in her wording. There was none. She was right. Somehow, sometime, he had abdicated responsibility for his life.
Robin Hobb (Ship of Destiny (Liveship Traders, #3))
Princess,” he said with a smile twitching at the corner of his mouth, “why are you sitting here by yourself?” Rose heaved a sigh, her pudgy hands sifting through the glittering buttons on the string. Locating her favorite, the perfume button, she lifted it to her nose and smelled. “I'm waiting for Maude,” she said glumly. “She's giving Mama her medicine, and then we're to take supper in the nursery.” “Medicine,” Zachary repeated, frowning. Why in hell did Holly have need of medicine? She had been perfectly fine not two hours ago when they had ended their dance lesson. Had she met with some kind of accident? “For her megrims.” The child rested her chin in her hands. “And now there's no one to play with. Maude will try, but she's too tired to be much fun. She'll put me to bed early. Oh, I don't like it when Mama is ill!” Zachary regarded the child with a thoughtful scowl, wondering if it was possible for someone to develop megrims, an incapacitating case of them, in a mere two hours. What had caused them? All thoughts of his evening activities vanished abruptly. “Princess, you stay here,” he muttered. “I'm going to visit your mother.” “Will you?” Rose looked at him hopefully. “Can you make her better again, Mr. Bronson?” The innocent faith in the question somehow twisted his heart and made him laugh at the same time. He reached down and clasped his hand gently over the top of her dark head. “I'm afraid not, Rose. But I can make certain she has everything she needs.
Lisa Kleypas (Where Dreams Begin)
Did you already forget how to promise?” I worm my pinkie around his and squeeze. He squeezes back and lowers our joined hands to the bed. My heartbeat is strong in my ears. Do I pull away first? Do I wait for him to? What if he doesn’t? What if we fall asleep like this? “I promise I don’t write mushy, girly stuff,” he says. “I just like to keep track of what’s going on, you know? The places I go, the things I find. The people I meet.” I could be imagining it, but the hold on my hand seems to be tighter. “I know one day I’ll want to look back,” he continues, “and I don’t trust my memory alone to remember everything. What’s important to me right now might not be later, but that doesn’t mean I want to forget it.” He yawns and his eyes get watery, tired. I fight the temptation to yawn myself. “I think you’ve just made an excellent case for diaries. Maybe I’ll start keeping one.” He yawns again and his grip on my pinkie loosens, but we’re still mostly hooked together. “It looked like you already were,” he says in a fading whisper. His eyes drift closed. I stare at his relaxed face, pale in the dim light. Nearly asleep, he looks vulnerable. Like I could tell him anything I wanted and he wouldn’t remember it in the morning. When I first met him, I thought he was attractive but not in an omg-he’s-the-most-gorgeous-thing-I’ve-ever-seen way. But somehow, now that I know him, how his light brown eyes can sear right through me, how the corner of his mouth turns up when he laughs, how he blushes when he’s caught wearing a headband, I can see that he really is beautiful. His hand twitches and his breathing slows, deep and heavy. In an instant he’s fallen asleep, and I’ve fallen even harder for him.
Kristin Rae (Wish You Were Italian (If Only . . . #2))
I suppose we ought to go back,” she said when several minutes had passed, and his silence became unsettling. In answer Ian tipped his head back and closed his eyes, looking like a man in the throes of some deep, internal battle. “Why?” he said, still in that odd posture. “Because there’s nowhere else to walk,” she answered, stating the obvious. “We did not come out tonight to walk,” he said flatly. Elizabeth’s sense of security began to disintegrate. “We didn’t?” “You know we didn’t.” “Then-then why are we here?” she asked. “Because we wanted to be alone together.” Horrified at the possibility that he’d somehow known what thoughts had been running through her mind at supper, she said uneasily, “Why should you think I want to be alone with you?” He turned his head toward her, and his relentless gaze locked with hers. “Come here and I’ll show you why.” Her entire body began to vibrate with a mixture of shock, desire, and fear, but somehow her mind remained in control. It was one thing to want to be kissed by him at the cottage where the vicar was nearby, but here, with absolute privacy and nothing to prevent him from taking all sorts of liberties, it was another matter entirely. Far more dangerous. More frightening. And based on her behavior in England, she couldn’t even blame him for thinking she’d be willing now. Struggling desperately to ignore the sensual pull he was exerting on her, Elizabeth drew a long, shaky breath. “Mr. Thornton,” she began quietly. “My name is Ian,” he interrupted. “Considering our long acquaintance-not to mention what has transpired between us-don’t you think it’s a little ridiculous to call me Mr. Thornton?” Ignoring his tone, Elizabeth tried to keep hers nonjudgmental and continue her explanation. “I used to blame you entirely for what happened that weekend we were together,” she began softly. “But I’ve come to see things more clearly.” She paused in that valiant speech to swallow and then plunged in again. “The truth is that my actions that first night, when we met in the garden and I asked you to dance with me, were foolish-no, shameless.” Elizabeth stopped, knowing that she could partly exonerate herself by explaining to him that she’d only done all that so her friends wouldn’t lose their wagers, but he would undoubtedly find that degrading and insulting, and she wanted very much to soothe matters between them, not make them much, much worse. And so she said haltingly, “Every other time we were alone together after that I behaved like a shameless wanton. I can’t completely blame you for thinking that’s exactly what I was.” His voice was heavy with irony. “Is that what I thought, Elizabeth?” His deep voice saying her name in the darkness made her senses jolt almost as much as the odd way he was looking at her across the distance that separated them. “Wh-what else could you have thought?” Shoving his hands into his pockets, he turned fully toward her. “I thought,” he gritted, “you were not only beautiful but intoxicatingly innocent. If I’d believed when we were standing in the garden that you realized what the hell you were asking for when you flirted with a man of my years and reputation, I’d have taken you up on your offer, and we’d both have missed the dancing.” Elizabeth gaped at him. “I don’t believe you.” “What don’t you believe-that I wanted to drag you behind the hedges then and there and make you melt in my arms? Or that I had scruples enough to ignore that ignoble impulse?
Judith McNaught (Almost Heaven (Sequels, #3))
Chip asked me about New York and what I wanted to do, and how long my dad had owned the shop, and what it was I loved about Waco. He asked about my sisters and my family in general, and what I’d done at Baylor, and if I’d known a few communications majors he’d run around with at school. (I told y’all he was chatty!) Somehow none of these questions seemed intrusive or strange to me at the time, which is funny, because thinking back I find them particularly telling. At the time, it was just like talking with an old friend. John finally stood up, and this baseball-cap-wearing customer that John had introduced as Chip followed. “Well, nice talking to you,” he said. “Nice talking to you too,” I replied, and that was it. I went back inside. The guys in the shop wanted to know what I thought about Hot John, and I just laughed. “Sorry, guys, I don’t think it’s gonna work out.” The next day I came back from my lunch break to find a note on my desk: “Chip Gaines called. Call him back.” I thought, Oh, that must be the guy I met yesterday. So I called him. I honestly thought he was going to ask me about getting a better price on his brakes or something, but instead he said, “Hey, I really enjoyed our conversation yesterday. I was wondering…you want to go out sometime?” And for some reason I said okay--just like that, without any hesitation. It wasn’t like me at all. When I hung up the phone, I went, “What in the world just happened!” So you said okay immediately? I don’t even remember that. That’s fun! No reservations? Man, I must’ve been good-lookin’. What Chip didn’t know was I didn’t even give myself time to have reservations. Something told me to just go for it. Cute, Joey. This story makes me love you all over again.
Joanna Gaines (The Magnolia Story)
Gray helped himself to more toast, taking the opportunity to slide an extra slice onto Miss Turner’s plate. She glanced up at him, her expression a mixture of shock and reproach. And this was his reward for generosity. He gave a tense shrug by way of excuse, then replaced the knife and fork and busied himself with his own food. He felt her staring at him. That was it. If she was entitled to stare at him, he was damned well going to stare back. And if this governess was going to reprimand him like an incorrigible charge…well, then Gray was going to misbehave. Letting his silver clatter to the china, he balled his hands into fists and plunked them down on either side of his plate. “You say you miss your family, Miss Turner? I wonder at it. Her glare was cold. “You do?” “You told me in Gravesend you’d nowhere to turn.” “I spoke the truth.” Her chin lifted. “I’ve been missing my family since long before I felt England.” “So they’re dead?” She fidgeted with her fork. “Some.” “But not all?” He leaned toward her and spoke in a low voice, though anyone who cared to listen might hear. “What sort of relations allow a young woman to cross an ocean unaccompanied, to labor as a plantation governess? I should think you’d be glad to be free of them.” She blinked. He picked up his fork and jabbed at a hunk of meat. His voice a low murmur, he directed the next question at his plate. “Or perhaps they’re glad to be free of you?” Something crushed his foot under the table. A pointy-heeled boot. Then, just as quickly, the pressure eased. But her foot remained atop his. The gesture was infuriating, and somehow wildly erotic. He met her gaze, and this time found no coldness, no reproach. Instead, her eyes were wide, beseeching. They called to something deep inside him he hadn’t known was there. Please, she mouthed. Don’t. She bit her lip, and he felt it as a visceral tug. That unused part of him stretched and ached. And at that instant, Gray would have sworn they were the only two souls in the room. In the world. Until Wiggins spoke again, confound the man.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
Oh, Gray, she said. Oh, gray, indeed. As in, oh Gray what the holy hell has come over you and what the devil do you intend to do about it? He took the coward’s way out. He looked away. “I thought you were painting a portrait. Of me.” She turned her head, following his gaze to her easel. A vast seascape overflowed the small canvas. Towering thunderclouds and a violent, frothy sea. And slightly off center, a tiny ship cresting a massive wave. “I am painting you.” “What, am I on the little boat, then?” It was a relief to joke. The relief was short-lived. “No,” she said softly, turning back to look at him. “I’m on the little boat. You’re the storm. And the ocean. You’re…Gray, you’re everything.” And that was when things went from “very bad” to “worse.” “I can’t take credit for the composition. It’s inspired by a painting I once saw, in a gallery on Queen Anne Street. By a Mr. Turner.” “Turner. Yes, I know his work. No relation, I suppose?” “No.” She looked back at the canvas. “When I saw it that day, so brash and wild…I could feel the tempest churning in my blood. I just knew then and there, that I had something inside me-a passion too bold, too grand to keep squeezed inside a drawing room. First I tried to deny it, and then I tried to run from it…and then I met you, and I saw you have it, too. Don’t deny it, Gray. Don’t run from it and leave me alone.” She sat up, still rubbing his cheek with her thumb. Grasping his other hand, she drew it to her naked breast. Oh, God. She was every bit as soft as he’d dreamed. Softer. And there went his hand now. Trembling. “Touch me, Gray.” She leaned forward, until her lips paused a mere inch away from his. “Kiss me.” Perhaps that dagger had missed his heart after all, because the damned thing was hammering away inside his chest. And oh, he could taste her sweet breath mingling with his. Her lips were so close, so inviting. So dangerous. Panic-that’s what had his knees trembling and his heart hammering and his lips spouting foolishness. It had to be panic. Because something told Gray that he could see her mostly naked, and watch her toes curl as she reached her climax, and even cup her dream-soft breast in his palm-but somehow, if he touched his lips to hers, he would be lost. “Please,” she whispered. “Kiss me.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
Long story short, I got lured into a trap. A Mage using that concealment spell tried to knife me. Then someone else tried to blow my brains out with a bullet." "A Mage attacked you?" Alain asked, feeling a sick sensation inside. "She tried. I knew they'd been watching me. I didn't give them any reason to try to kill me." Mari looked at him. "Did I?" "It is my fault," Alain admitted. "Even though I have tried to keep them from finding out who you are, they still believe that you are dangerous." She gave him another look, then shook her head. "From the looks of things, I'm mainly dangerous to my friends and myself. Just how much trouble did you actually get in because of spending time with me in Dorcastle?" Alain looked into the fire. "My Guild did not believe that I had been with you in Dorcastle. The elders thought that the woman I had been seen with in that city was a common I had sought out because she researched the Mechanic I had met in Ringhmon." "Why would you want to find a common who looked like me?" Mari asked. "For physical satisfaction." The simple statement would have created no reaction in a Mage, but he saw the outraged look in Mari's face and hurriedly added more. "I would not have done that. But the elders assumed that I did. I told you that they believed I was attracted to you." "Alain, 'attracted to' doesn't bring to mind the idea of finding another woman who resembles me so that you can pretend that you're—" she choked off the words, glaring into the night. "The elders assumed that. I never wanted it. I would never do it. There is no other woman like you." Somehow he must have said the right thing, because she relaxed. "But because of that belief of theirs," Mari said, "your elders thought you might look for me again." "They actually thought that you would seek me," Alain explained. "They were very concerned that you would..." His "social skills" might need work, but Alain realized that he probably should not say the rest. Too late. Mari bent a sour look his way. "What did they think I would do?" "It is not important." "Alain..." He exhaled slowly, realizing that Mari would not give up on this question. "The elders thought that you would seek to ensnare me, using your physical charms, and through me work to strike at the Mage Guild." She stared back in disbelief. "Ensnare? They actually used the word ensnare?" "Yes. Many times." "Using my physical charms?" Mari seemed unable to decide whether to laugh or get angry. She looked down at herself. "I'm a little low on ammunition when it comes to physical charms, or hadn't these elders of yours noticed?" "You are beautiful beyond all other women," Alain objected. Mari rolled her eyes. "And you ate seriously deluded. I hadn't realized how badly until this moment.
Jack Campbell (The Hidden Masters of Marandur (The Pillars of Reality, #2))
THE NIGHTGOWN was only the first of the garments in the box. There were seven nightgowns, in fact—one for each day of the week—of delicate silk, lovely georgette, and beautiful tiffany. As Alexandra pulled them out, she draped them on the bed. She’d never seen a nightgown that wasn’t white, but these were almond and pale blush pink, powder blue and soft peach, with delicate edgings of lace and intricate, exquisite embroidery. “They’re stunning,” she said. “Madame Rodale has nothing like them in her book of fashion plates.” Tris just grinned. He seemed different tonight. More relaxed, less worried. She didn’t know what had prompted his sudden good humor, but she didn’t want to question it. She’d rather enjoy it instead. After the afternoon she’d had—starting with Elizabeth’s letter and ending with three fruitless interviews—she wasn’t about to risk the one thing that seemed to be going right. “Are you going to try one on for me?” he asked. Her face heated. He chose a nightgown off the bed, palest lavender with black lace and violet embroidery. “This one,” he said, handing it to her. “Do you require assistance with your dress?” “Just the buttons,” she said, and turned to let him unfasten them. She shifted the nightgown in her hands. It felt so light. “There,” he said when the back of her green dress gaped open. He kissed her softly on the nape of her neck, then settled on one of the striped chairs, sipping from the glass of port he’d brought upstairs with him. “Use the dressing room. I’ll be waiting.” In the dressing room, she shakily stripped out of her frock, chemise, shoes, and stockings, then dropped the nightgown over her head and smoothed it down over her hips. The fabric whispered against her legs. She turned to see herself in the looking glass. Sweet heaven. She’d never imagined nightgowns like this existed. Her nightgowns all had high collars that tied at the throat. This one had a wide, low neckline. Her nightgowns all had long, full sleeves. This one had tiny puffed sleeves that began halfway off her shoulders. Her nightgowns were made of yards and yards of thick, billowing fabric. This one was a slender column that left no curve to the imagination. It was wicked. “Are you ready yet?” Tris called. Alexandra swallowed hard, reminding herself that he’d seen her in less clothing. And he was her husband. Still, wearing the nightgown for him somehow felt more intimate than wearing nothing at all. She was as ready as she’d ever be. Drawing a deep breath, she exited the dressing room, walked quickly through the sitting room, and paused in the bedroom’s doorway. She dropped her gaze, then raised her lashes, giving him the look—the one Juliana had said would make men fall at her feet. Judging from the expression on Tris’s face, it was a good thing he was sitting. The way he looked at her made her heartbeat accelerate. He rose and moved toward her. She met him halfway, licking suddenly dry lips. “Will you kiss me?” she asked softly, reaching up to sweep that always unruly lock off his forehead. It worked this time. He kissed her but good.
Lauren Royal (Alexandra (Regency Chase Brides #1))
My little undomesticated pornstar pushed me so hard between her legs, my oxygen levels plummeted. She clenched around my fingers through her panties as an orgasm rolled through her in waves. The gush of warmth soaked the cotton. I kissed her through the fabric, again and again, knowing tomorrow everything would return to its proper position—my boundaries, my limits, my hang-ups, my demons. “Can I return the favor?” Dallas sat half up. “But not through your briefs. Men’s briefs always smell like old cheese that’s been sitting in a crockpot for days. I know because whenever my housekeeper went on vacation, we all took turns doing the laundry. And, well, I really shouldn’t say, but Dadd—” Not wanting the moment to be ruined with a conversation about her father’s underwear, I pulled forward, shutting her smart mouth with a kiss that tasted like her sweet pussy. At first, she pinched her lips and made a face, unsure what she thought about her own taste. But when I dragged the tip of my hard cock along her slit through our clothes, she went wild and kissed me back, shoving her tongue so deep down my throat I thought she would fish out my dinner. “Yes.” She wiggled against me. “Please, sir, may I have some more?” She’d quoted Oliver Twist while getting fucked. Truly, the woman was one of a kind. Knowing it was idiotic, and dangerous, and deranged, I pushed my tip through her slit. She was tight—tighter, still, through the tattered, stretched cotton of her ruined panties—but wet and sleek, ready for what was coming. The sensation, how warm and taut she felt, completely undid me. I thrust harder and deeper, entering her through our underwear, fucking her slowly with only flimsy fabric between us. I tore my mouth from hers, eyes glued to my cock each time it sank into her. I could barely fit inside, she was so tight. This was, by far, the best fuck I’d ever had. She panted. “Is this what people call dry-humping?” No. Nothing about this was dry. I was basically fucking her through our underwear. Only, explaining to her that this was full-blown sex with a side order of my issues was not in my plans for tonight. Or ever. “Sure.” Each push brought me closer to a climax. From slow, controlled, teasing thrusts designed to drive her mad with desire, I quickly derailed to jerky, manic, need-to-be-inside-this-woman plunges. Of a man so hungry for human connection, for affection, for carnal needs to be met and satisfied. My head grew dizzy. I’d taken into consideration the possibility that Dallas couldn’t come through penetration. It merely placed her in the same majority as most females on Planet Earth. But she shook, clawed, and reached for me, looking ready to climax. Her tits bounced and jiggled each time I slammed into her. Her mouth opened in awe, probably because this orgasm felt different from the first two. Deeper and more violent. She clutched the lapels of my shirt, shoving her face in mine. “Lose the underwear.” She met my thrust, groaning when my crown peeked past the slot in my boxer briefs. “I want you to come inside me. I want to feel you.” I was about two seconds from fulfilling her demand. Luckily, my logic grabbed the steering wheel, which my cock had seized sometime this evening, and derailed the situation from full-blown calamity. I managed to wait until she came, just barely, before pulling out, flipping her onto her stomach, and jerking off. I aimed for her bare ass but somehow came on her hair. No matter. She had plenty of time to wash it. Her agenda wasn’t exactly full. Dallas fell back onto the pillows, a lopsided grin on her face. (Chapter 31)
Parker S. Huntington (My Dark Romeo (Dark Prince Road, #1))