Someday Somewhere Quotes

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Someday, somewhere - anywhere, unfailingly, you'll find yourself, and that, and only that, can be the happiest or bitterest hour of your life.
Pablo Neruda
If every person in this room made it a rule that wherever you are, whenever you can, you will try to act a little kinder than is necessary - the world really would be a better place. And if you do this, if you act just a little kinder than is necessary, someone else, somewhere, someday, may recognize in you, in every single one of you, the face of God.
R.J. Palacio (Wonder (Wonder, #1))
But I wasn't sure. I wasn't sure at all. How did I know that someday―at college, in Europe, somewhere, anywhere―the bell jar, with its stifling distortions, wouldn't descend again?
Sylvia Plath (The Bell Jar)
I hope that someday when I am gone, someone, somewhere, picks my soul up off of these pages and thinks, "I would have loved her.
Nicole Lyons
I gasp, because isn't that just exactly what I've been doing too: writing poems and scattering them to the winds with the same hope as Gram that someone, someday, somewhere might understand who I am, who my sister was, and what happened to us.
Jandy Nelson (The Sky Is Everywhere)
When we were five, they asked us what we wanted to be when we grew up. Our answers were thing like astronaut, president, or in my case… princess. When we were ten, they asked again and we answered - rock star, cowboy, or in my case, gold medalist. But now that we've grown up, they want a serious answer. Well, how 'bout this: who the hell knows?! This isn't the time to make hard and fast decisions, its time to make mistakes. Take the wrong train and get stuck somewhere chill. Fall in love - a lot. Major in philosophy 'cause there's no way to make a career out of that. Change your mind. Then change it again, because nothing is permanent. So make as many mistakes as you can. That way, someday, when they ask again what we want to be… we won't have to guess. We'll know. [from the movie]
Stephenie Meyer (Eclipse (The Twilight Saga, #3))
Create dangerously, for people who read dangerously. ... Writing, knowing in part that no matter how trivial your words may seem, someday, somewhere, someone may risk his or her life to read them.
Edwidge Danticat
There are things we never tell anyone. We want to but we can’t. So we write them down. Or we paint them. Or we sing about them. It’s our only option. To remember. To attempt to discover the truth. Sometimes we do it to stay alive. These things, they live inside of us. They are the secrets we stash in our pockets and the weapons we carry like guns across our backs. And in the end we have to decide for ourselves when these things are worth fighting for, and when it’s time to throw in the towel. Sometimes a person has to die in order to live. Deep down, I know you know this. You just can’t seem to do anything about it. I guess it’s a sad fact of life that some of us move on and some of us inevitably stay behind. Only in this case I’m not sure which one of us is doing which. You were right about one thing though. It’s not fate. It’s a choice. And who knows, maybe we’ll meet again someday, somewhere up above all the noise. Until then, when you think of me, try and remember the good stuff. Try and remember the love.
Tiffanie DeBartolo (How to Kill a Rock Star)
Dance. Dance for the joy and breath of childhood. Dance for all children, including that child who is still somewhere entombed beneath the responsibility and skepticism of adulthood. Embrace the moment before it escapes from our grasp. For the only promise of childhood, of any childhood, is that it will someday end. And in the end, we must ask ourselves what we have given our children to take its place. And is it enough?
Richard Paul Evans (The Christmas Box Miracle: My Spiritual Journey of Destiny, Healing and Hope)
I guess I'm still holding on to something that I know will probably never happen, because somewhere deep down inside me, I have this little piece of hope that someday, it will.
Drake
All over America, people were pulling credentials out of their pockets and sticking them under someone else's nose to prove they had been somewhere or done something. And I thought someday everyone in America will suddenly jump up and say, 'I don't take any shit!' and start pushing and cursing and clawing at the man next to him.
William S. Burroughs (And the Hippos Were Boiled in Their Tanks)
Occasionally, on purpose, Dr. Lecter drops a teacup to shatter on the floor. He is satisfied when it does not gather itself together. For many months now, he has not seen Mischa in his dreams. Someday perhaps a cup will come together. Or somewhere Starling may hear a crossbow string and come to some unwilled awakening, if indeed she even sleeps.
Thomas Harris (Hannibal (Hannibal Lecter, #3))
NO! Don't force yourself to be alone! If you're alive, you can meet that person, somewhere, someday! The person that will be glad that you're alive! You can't... you can't want yourself to die!! So... live...
Yukiru Sugisaki
I have to introduce the part of me that feels like a winner to the part of me convinced I’m a loser, and see if they can’t agree to exist somewhere closer to the middle.
Lauren Graham
Sometime you will find, even as I have found, that there is no such thing as romantic experience; there are romantic memories, and there is the desire of romance- that is all. Our most fiery moments of ecstasy are merely shadows of what somewhere else we have felt, or of what we long someday to feel
Oscar Wilde
Calvin: Somewhere in Communist Russia I'll bet there's a little boy who has never known anything but censorship and oppression. But maybe he's heard of America, and he dreams of living in this land of freedom and opportunity! Someday, I'd like to meet that little boy...and tell him the awful TRUTH ABOUT THIS PLACE!! Calvin's Dad: Calvin, be quiet and eat the stupid lima beans.
Bill Watterson (Calvin and Hobbes (Calvin and Hobbes, #1))
And if you do this, if you act just a little kinder than is necessary, someone else, somewhere, someday, may recognize in you, in every single one of you, the face of God.
R.J. Palacio (Wonder)
If every single person in this room made it a rule that wherever you are, whenever you can, you will try to act a little kinder than is necessary--the world really would be a better place. And if you do this, . . . someone else, somewhere, someday, may recognize in you, in every single one of you, the face of God. . . . or whatever politically correct spiritual representation of universal goodness you happen to believe in.
R.J. Palacio
There is a river whose waters give immortality; somewhere there must be another river whose waters take it away. The number of rivers is not infinite; an immortal traveler wandering the world will someday have drunk from them all.
Jorge Luis Borges (The Aleph and Other Stories)
Someday, somewhere -anywhere, unfailingly, you'll find yourself, and that, and only that, can be the happiest or bitterest hour of your life.
Pablo Neruda
Never settle for less than your dreams. Somewhere, sometime,someday,somehow, you'll find them.
Danielle Steel (Bittersweet)
She's sure, absolutely sure, that what she's waiting for will happen, just the way she wants it to; and I'm so uncertain, so fearful my dreams will end up forgotten somewhere, someday, like a piece of string and a paperclip lying in a dish.
Lois Lowry (A Summer to Die)
I had the feeling that all over America such stupid arguments were taking place on street corners and in bars and restaurants. All over America, people were pulling credentials out of their pockets and sticking them under someone else's nose to prove they had been somewhere or done something. And I thought someday everyone in America will suddenly jump up and say "I don't take any shit!" and start pushing and cursing and clawing at the man next to him.
William S. Burroughs (And the Hippos Were Boiled in Their Tanks)
Someday, sometime, you will be sitting somewhere. A berm overlooking a pond in Vermont. The lip of the Grand Canyon at sunset. A seat on the subway. And something bad will have happened: You will have lost someone you loved, or failed at something at which you badly wanted to succeed. And sitting there, you will fall into the center of yourself. You will look for some core to sustain you. And if you have been perfect all your life and have managed to meet all the expectations of your family, your friends, your community, your society, chances are excellent that there will be a black hole where that core ought to be. I don't want anyone I know to take that terrible chance. And the only way to avoid it is to listen to that small voice inside you that tells you to make mischief, to have fun, to be contrarian, to go another way. George Eliot wrote, 'It is never too late to be what you might have been.' It is never too early, either.
Anna Quindlen (Being Perfect)
Helen leaned down over her husband and ran her lips lightly across his bare shoulder in good-bye. Maybe, someday, she would find him by the River Styx. There, they could wash all their hateful memories away, and walk into a new life together, a life that didn’t have the dirty paw prints of a dozen gods and a dozen kings marring it. Such a beautiful thought. Helen vowed that she would live a hundred lives of hardship for one life—one real life—with Paris. They could be shepherds, just as they had dreamed once when they had met at the great lighthouse long ago. She’d be anything, really, a shopkeeper, or a farmer, whatever, as long as they were allowed to live their lives and each other freely. She dressed quickly, imagining herself tending a shop somewhere by the sea, hoping that someday this dream would come true.
Josephine Angelini (Goddess (Starcrossed, #3))
As for Sadie, she didn’t appear interested in strategy. She leaped from puddle to puddle in her combat boots. She hummed to herself, twirled like a little kid and occasionally pulled random things out of her backpack: wax animal figurines, some string, a piece of chalk, a bright yellow bag of candy. She reminded me of someone … Then it occurred to me. She looked like a younger version of Annabeth, but her fidgeting and hyperness reminded me of … well, me. If Annabeth and I ever had a daughter, she might be a lot like Sadie. Whoa. It’s not like I’d never dreamed about kids before. I mean, you date someone for over a year, the idea is going to be in the back of your mind somewhere, right? But still – I’m barely seventeen. I’m not ready to think too seriously about stuff like that. Also, I’m a demigod. On a day-to-day basis, I’m busy just trying to stay alive. Yet, looking at Sadie, I could imagine that someday maybe I’d have a little girl who looked like Annabeth and acted like me – a cute little hellion of a demigod, stomping through puddles and flattening monsters with magic camels.
Rick Riordan (The Crown of Ptolemy (Demigods & Magicians, #3))
Maybe not here and now, but somewhere, someday.
Richelle E. Goodrich (Making Wishes: Quotes, Thoughts, & a Little Poetry for Every Day of the Year)
Guess what? “Someday” almost never comes around. It gets lost somewhere between the shouda, woulda, couldas of your life. Let go of whatever is holding you back and dare to live – boldly, bravely, and courageously - now. Remember, none of these elements mean you have to be fearless. It’s absolutely okay to be afraid! Acknowledge that part of yourself and then push beyond that fear, whatever it may be. I’m not brave. . . . I’m just taking every opportunity to LIVE.
Kendra Thomas
Occasionally, on purpose, Dr. Lecter drops a teacup to shatter on the floor. He is satisfied when it does not gather itself together. For many months now, he has not seen Mischa in his dreams. Someday perhaps a cup will come together. Or Somewhere Starling may hear a crossbow string and come to some unwilled awakening, if indeed she even sleeps. We'll withdraw now, while they are dancing on the terrace-- the wise Barney has already left town and we must follow is example. For either of them to discover us would be fatal. We can only learn so much and live.
Thomas Harris (Hannibal (Hannibal Lecter, #3))
I knew I had an ugly life. I knew I was lonely and I was scared. I thought something might be wrong with my father, wrong in the worst possible way. I believed he might contain a pathology of the mind--an emptiness--a knocking hollow where his soul should have been. But I also knew that one day, I would grow up. One day, I would be twenty, or thirty, or forty, even fifty and sixty and seventy and eighty and maybe even one hundred years old. And all those years were mine, they belonged to nobody but me. So even if I was unhappy now, it could all change tomorrow. Maybe I didn't even need to jump off the cliff to experience that kind of freedom. Maybe the fact that I knew such a freedom existed in the world meant that I could someday find it. Maybe, I thought, I don't need a father to be happy. Maybe, what you get from a father you can get somewhere else, from somebody else, later. Or maybe you can just work around what's missing, build the house of your life over the hole that is there and always will be.
Augusten Burroughs (A Wolf at the Table)
So what if I don't learn algebra?' 'Someday schools will be open again,' Mom said. 'Things will be normal. You need to do your work now for when that happens.' 'That's never going to happen,' Jon said. 'And even if schools do open up somewhere, they're not going to open up here. There aren't enough people left.' 'We don't know how many people are like us, holed up, making do until times get better.' 'I bet whoever they are, they aren't studying algebra,' Jon said.
Susan Beth Pfeffer (This World We Live In (Last Survivors, #3))
I have to introduce the part of me that feels like a winner to the part of me convinced I'm a loser, and see if they can't agree to exist somewhere closer to the middle.
Lauren Graham (Someday, Someday, Maybe)
What I want you, my students, to take away from your middle-school experience,” he continued, “is the sure knowledge that, in the future you make for yourselves, anything is possible. If every single person in this room made it a rule that wherever you are, whenever you can, you will try to act a little kinder than is necessary—the world really would be a better place. And if you do this, if you act just a little kinder than is necessary, someone else, somewhere, someday, may recognize in you, in every single one of you, the face of God.
R.J. Palacio (Wonder (Wonder, #1))
WINTER: Because I guess I like the idea that maybe someday I can find my place, you know? My niche. Somewhere people will keep me.
T.S. Joyce (Blackwing Defender (Kane's Mountains, #1))
I am always going somewhere. Someday I won’t have to go. I will just be in the place that I am.
Joseph Fink (The Great Glowing Coils of the Universe (Welcome to Night Vale Episodes #2))
May I have this damaged bunch for two cents? Speak strongly and it shall be yours for two cents. That is a saved penny that you put in the star bank...Suffer the cold for an hour. Put a shawl around you. Sai, I am cold because I am saving to buy land. That hour will save you three cents' worth of coal... When you are alone at night, do not light the lamp. Sit in the darkness and dream awhile. Reckon out how much oil you saved and put its value in pennies in the bank. The money will grow. Someday there will be fifty dollars and somewhere on this long island is a piece of land that you may buy for that money.
Betty Smith (A Tree Grows in Brooklyn)
Someday, somewhere we may find that someone that loves us despite all the mud over our face. Despite the scars that cover our body. Perhaps someday. Until than we can only wait and live. Wait and live. Wait and live...
Trisscar
Here’s what’s going to happen. I’ll go do my postdoc work somewhere else, at a university far away from California, far away from all of you. You and me and Paul, we’ll still Skype and text, just a little less often than we used to. I’ll spend some time feeling sorry for myself and listening to emo music, then I’ll spend some time partying too hard and probably sleeping with a few of the wrong people, and finally someday I’m gonna meet a woman who actually makes me glad I didn’t get you. Because she’ll be to me what Paul is to you, right? She’ll be the one.
Claudia Gray (A Million Worlds with You (Firebird, #3))
If you act just a little kinder than is necessary, someone else, somewhere, someday, may recognize in you, in every single one of you, the face of God
R.J. Palacio (Wonder (Wonder, #1))
Someday, somewhere—anywhere, unfailingly, you’ll find yourself, and that, and only that, can be the happiest or bitterest hour of your life.” -Pablo Neruda
Brittainy C. Cherry (Disgrace)
I had the feeling that, somewhere, there were boys and girls like Taki and Mitsuha. This story is a fantasy, of course, but I do think there are people somewhere who've had experiences similar to theirs, and who hold similar feelings inside. People who've lost precious loved ones or places, and who've privately decided to "struggle and fight," even so. People who believe that they're sure to find something someday, even though it hasn't happened yet, and who keep reaching out for it. I felt that those feelings needed to be related with an immediacy that differed from the glamour of the movie, and I think that's why I wrote this book.
Makoto Shinkai (your name.)
We were utterly alone. The hot-springs hotel where we'd had lunch, and the iron bridge, lay hidden in the shadow of the mountains. Every once in a while, as if remembering its duty, the sun showed its face through a break in the clouds. All we could hear were the screeches of crows and the rush of water. Someday, somewhere, I will see this scene, I felt. The opposite of deja-vu - not the feeling that I'd already seen what was around me, but the premonition that I would someday.
Haruki Murakami (South of the Border, West of the Sun)
But these were days of self-fulfillment, where settling for something that was not quite your first choice of a life seemed weak-willed and ignoble. Somewhere, surrendering to what seemed to be your fate had changed from being dignified to being a sign of your own cowardice. There were times when the pressure to achieve happiness felt almost oppressive, as if happiness were something that everyone should and could attain, and that any sort of compromise in its pursuit was somehow your fault. [...] Would he someday have the courage to give up, and would he be able to recognize that moment, or would he wake one day and look in the mirror and find himself an old man, still trying to call himself an actor because he was too scared to admit that he might not be, might never be?
Hanya Yanagihara (A Little Life)
What's the good of a story that ain't got a happy endin'?" the girl demanded, crossing her arms. Leo considered. "Maybe it does have a happy ending. At least, when it's actually complete. I mean, this part of it is sad. But maybe something good will come from it still? I suppose you have to read all the legends together to know for sure, but I don't know all of them. This one is sad, but there might be a story out there somewhere to make it happy." The girl nodded. "I'd like to know that story someday.
Anne Elisabeth Stengl (Veiled Rose (Tales of Goldstone Wood, #2))
It's a scary thing, moving on. Part of me wishes life were more predictable and part of me is excited that it's not. I think it's impossible to tell the good things from the bad things while they're happening. Once I thought being a fat kid was the worst thing that could possibly be, but if I hadn't been fat I would never have known Sarah Byrnes--I mean Sarah--and that would have been a true tragedy in my life. And what is a worse thing than living like she lived for all those years? Nothing I can think of, but someday some kid in a group home somewhere in Kansas--chronicled in LIFE magazine more than five years ago--may be touched by her courage, and I guarantee that will change his or her life forever.
Chris Crutcher (Staying Fat for Sarah Byrnes)
Did they want what I wanted? Did they want to understand, to unlock it? To decode it? To glean, to touch, to learn, to get something, to proceed, to get somewhere, to graduate, to work, to thrive; to someday, sometime, finally earn the luxury, the permission to … stop, to stop all of this, to relax, and forget?
Chip Kidd (The Cheese Monkeys)
You are born into a family and those are your people, and they know you and they love you, and if you are lucky they even on occasion manage to understand you. And that ought to be enough. But it is never enough. Abe had not been dressing up, styling himself, for all these years because he was trying to prove how different he was from everyone else. He did it in the hope of attracting the attention of somebody else—somewhere, someday—who was the same. He was not flying his freak flag; he was sending up a flare, hoping for rescue, for company in the solitude of his passion. “You were with your people. You found them,” I said. He nodded. “That’s good,” I said. “You’re early.
Michael Chabon (Pops: Fatherhood in Pieces)
As a species, tragedy dwells within us all. We push it to the back of our thoughts, but it is never so far gone that it cannot return, crashing and writhing into our souls: a rogue wave overturning a boat on a calm day. Tragedy is never more than a breath away. We hide from its certainty and go about our lives as though time can be wasted. Somewhere deep inside ourselves we know that we tell ourselves lies. We know that someday everything we love will be gone.
Logan Kain (The Dead Will Rise First)
My birth certificate says: Female Negro Mother: Mary Anne Irby, 22, Negro Father: Jack Austin Woodson, 25, Negro In Birmingham, Alabama, Martin Luther King Jr. is planning a march on Washington, where John F. Kennedy is president. In Harlem, Malcolm X is standing on a soapbox talking about a revolution. Outside the window of University Hospital, snow is slowly falling. So much already covers this vast Ohio ground. In Montgomery, only seven years have passed since Rosa Parks refused to give up her seat on a city bus. I am born brown-skinned, black-haired and wide-eyed. I am born Negro here and Colored there and somewhere else, the Freedom Singers have linked arms, their protests rising into song: Deep in my heart, I do believe that we shall overcome someday. and somewhere else, James Baldwin is writing about injustice, each novel, each essay, changing the world. I do not yet know who I’ll be what I’ll say how I’ll say it . . . Not even three years have passed since a brown girl named Ruby Bridges walked into an all-white school. Armed guards surrounded her while hundreds of white people spat and called her names. She was six years old. I do not know if I’ll be strong like Ruby. I do not know what the world will look like when I am finally able to walk, speak, write . . . Another Buckeye! the nurse says to my mother. Already, I am being named for this place. Ohio. The Buckeye State. My fingers curl into fists, automatically This is the way, my mother said, of every baby’s hand. I do not know if these hands will become Malcolm’s—raised and fisted or Martin’s—open and asking or James’s—curled around a pen. I do not know if these hands will be Rosa’s or Ruby’s gently gloved and fiercely folded calmly in a lap, on a desk, around a book, ready to change the world . . .
Jacqueline Woodson (Brown Girl Dreaming)
In the future you make for yourselves, anything is possible. If every single person in this room made it a rule that wherever you are, whenever you can, you will try to act a little kinder than necessary - the world really would be a better place. And if you do this, if you act just a little kinder than is necessary, someone else, somewhere, someday, may recognize in you, in every single one of you, the face of God.
R.J. Palacio
Henry, I know it seems unimaginable, but you are being empowered tonight,” I told him. “You are being given something that is horrible, but is also a life lesson. This will make you stronger. This will make you more determined. You’ll be in your office somewhere, someday, and some pompous asshole will say something to you. And you’ll supposedly be upset, and you’ll supposedly be fearful of your boss’s reaction. But then you’ll think, ‘This is gravy. This is fine. I couldn’t care less about this prick. I’m not upset now. I was upset the night my mother died.
Martin Short (I Must Say: My Life as a Humble Comedy Legend)
wherever you are, whenever you can, you will try to act a little kinder than is necessary—the world really would be a better place. And if you do this, if you act just a little kinder than is necessary, someone else, somewhere, someday, may recognize in you, in every single one of you, the face of God.
R.J. Palacio (Wonder)
I will take you down my own avenue of remembrance, which winds among the hazards and shadows of my single year as a plebe. I cannot come to this story in full voice. I want to speak for the boys who were violated by this school, the ones who left ashamed and broken and dishonored, who departed from the Institute with wounds and bitter grievances. I want also to speak for the triumphant boys who took everything the system could throw at them, endured every torment and excess, and survived the ordeal of the freshman year with a feeling of transformation and achievement that they never had felt before and would never know again with such clarity and elation. I will speak from my memory- my memory- a memory that is all refracting light slanting through prisms and dreams, a shifting, troubled riot of electrons charged with pain and wonder. My memory often seems like a city of exiled poets afire with the astonishment of language, each believing in the integrity of his own witness, each with a separate version of culture and history, and the divine essentional fire that is poetry itself. But i will try to isolate that one lonely singer who gathered the fragments of my plebe year and set the screams to music. For many years, I have refused to listen as his obsessive voice narrated the malignant litany of crimes against my boyhood. We isolate those poets who cause us the greatest pain; we silence them in any way we can. I have never allowed this furious dissident the courtesy of my full attention. His poems are songs for the dead to me. Something dies in me every time I hear his low, courageous voice calling to me from the solitude of his exile. He has always known that someday I would have to listen to his story, that I would have to deal with the truth or falsity of his witness. He has always known that someday I must take full responsibility for his creation and that, in finally listening to him, I would be sounding the darkest fathoms of myself. I will write his stories now as he shouts them to me. I will listen to him and listen to myself. I will get it all down. Yet the laws of recall are subject to distortion and alienation. Memory is a trick, and I have lied so often to myself about my own role and the role of others that I am not sure I can recognize the truth about those days. But I have come to believe in the unconscious integrity of lies. I want to record even them. Somewhere in the immensity of the lie the truth gleams like the pure, light-glazed bones of an extinct angel. Hidden in the enormous falsity of my story is the truth for all of us who began at the Institute in 1963, and for all who survived to become her sons. I write my own truth, in my own time, in my own way, and take full responsibility for its mistakes and slanders. Even the lies are part of my truth. I return to the city of memory, to the city of exiled poets. I approach the one whose back is turned to me. He is frail and timorous and angry. His head is shaved and he fears the judgment of regiments. He will always be a victim, always a plebe. I tap him on the shoulder. "Begin," I command. "It was the beginning of 1963," he begins, and I know he will not stop until the story has ended.
Pat Conroy (The Lords of Discipline)
He was telling me then that lyrics have truth behind them, because they come from somewhere inside the person who wrote them. I look back down at the page.
Colleen Hoover (Maybe Someday (Maybe, #1))
We all have to start somewhere.’ So start somewhere, anywhere, and give me an idea of what it is you’d like to do. Tell me EVERYTHING. What is your DREAM?
Lauren Graham (Someday, Someday, Maybe)
Never settle for less than your dreams, somewhere, sometime, someday, somehow you will find them
Danielle Steel
How did I know that someday—at college, in Europe, somewhere, anywhere—the bell jar, with its stifling distortions, wouldn’t descend again?
Sylvia Plath (The Bell Jar)
How did I know that someday- at college, in Europe, somewhere, anywhere- the bell jar, with its stifling distortions, wouldn't descend again?
Sylvia Plath (The Bell Jar)
But I wasn't sure. I wasn't sure at all. How did I know that someday- at college, in Europe, somewhere, anywhere - the bell jar, with its stifling distortions, wouldn't appear again?
Sylvia Plath
have no doubt, this technology will — someday, somewhere — be used to change the genome of our own species in ways that are heritable, forever altering the genetic composition of human kind.
Jennifer A. Doudna (A Crack in Creation: Gene Editing and the Unthinkable Power to Control Evolution)
Human populations have driven other human populations to the brink of extinction numerous times throughout history. Now the entire species threatens itself with mass suicide. Not because anyone is forcing us to. Not because we don't know better. And not because we don't have alternatives. We are killing ourselves because choosing death is more convenient than choosing life. Because the people committing suicide are not the first to die from it. Because we believe that someday, somewhere, some genius is bound to invent a miracle technology that will change our world so that we don't have to change our lives. Because short-term pleasure is more seductive than long-term survival. Because no one wants to exercise their capacity for intentional behavior until someone else does. Until the neighborhood does. Until the energy and car companies do. Until the federal government does. Until China, Australia, India, Brazil, the U.K. - until the whole world does. Because we are oblivious to the death that we pass every day. "We have to do something" we tell one another, as though reciting the line were enough. "We have to do something" we tell ourselves, and then wait for instructions that are not on the way. We know that we are choosing our own end; we just can't believe it.
Jonathan Safran Foer (We Are the Weather: Saving the Planet Begins at Breakfast)
One of these days, I was going to find out what kind of soap he used so I could put it through a cheese grater and snort it like it was coke. Someday, my body would be found in a dirty alley somewhere, OD’d on the stuff.
T. Torrest (Remember When 3: The Finale (Remember Trilogy, #3))
I must dive back into the festivities. I must swim within the conversations, swim from gift to gift, wish to wish. Some people swim to get somewhere. Others swim to stay in shape, or to get faster. Right now, I'm going to swim so I won't drown.
David Levithan (Someday (Every Day, #3))
necessary—the world really would be a better place. And if you do this, if you act just a little kinder than is necessary, someone else, somewhere, someday, may recognize in you, in every single one of you, the face of God.” He paused and shrugged.
R.J. Palacio (Wonder)
will ever really understand. Not even those who shook our hands when we left. Not even those who welcomed us back with mighty hugs and no conception whatsoever what it was like to sit there watching the life bleed out of a man whose throat you’d cut so you could go on, undetected, to murder some other poor boy whose bad luck had placed him in your path at the wrongest time possible in the entire history of the human species. So that someday, somewhere far away, some woman would cry because she no longer had a son.
Glen Cook (Angry Lead Skies (Garrett P.I., #10))
Someday I am going to own a few feet of earth somewhere and put a house over it. Just one big room will do, with a stove and a basin of water, a huge desk, a bookcase and an easel. Then life can go rolling by, and what floats in through my door will be sufficient for me.
Henry Miller (Letters to Emil)
you are, whenever you can, you will try to act a little kinder than is necessary—the world really would be a better place. And if you do this, if you act just a little kinder than is necessary, someone else, somewhere, someday, may recognize in you, in every single one of you, the face of God.
R.J. Palacio (Wonder)
I say it sometimes to my daughter, who feels things so deeply. “There’s always a solution, sweetheart. You just haven’t imagined it yet.” I don’t know why I say it, because it has never comforted her. “You always say that, but in this case, THERE IS NOT!” she replies. I guess I want it to seep in somewhere deep in her subconscious, so that someday, when she is up against something truly awful, when the rug is pulled out from under her, some part of her will remember: that there is always a solution, that suffering is not forever, that some meaning can be found in even the direst of situations. I
Kerry Egan (On Living)
When did pursuing your ambitions cross the line from brave into foolhardy? How did you know when to stop? In earlier, more rigid, less encouraging (and ultimately, more helpful) decades, things would be much clearer: you would stop when you turned forty, or when you got married, or when you had kids, or after five years, or ten years, or fifteen. And then you would go get a real job, and acting and your dreams for a career in it would recede into the evening, a melting into history as quiet as a briquette of ice sliding into a warm bath. But these were days of self-fulfillment, where settling for something that was not quite your first choice of a life seemed weak-willed and ignoble. Somewhere, surrendering to what seemed to be your fate had changed from being dignified to being a sign of your own cowardice. There were times when the pressure to achieve happiness felt almost oppressive, as if happiness were something that everyone should and could attain, and that any sort of compromise in its pursuit was somehow your fault. Would Willem work for year upon year at Ortolan, catching the same trains to auditions, reading again and again and again, one year maybe caterpillaring an inch or two forward, his progress so minute that it hardly counted as progress at all? Would he someday have the courage to give up, and would he be able to recognize that moment, or would he wake one day and look in the mirror and find himself an old man, still trying to call himself an actor because he was too scared to admit that he might not be, might never be? According
Hanya Yanagihara (A Little Life)
single person in this room made it a rule that wherever you are, whenever you can, you will try to act a little kinder than is necessary—the world really would be a better place. And if you do this, if you act just a little kinder than is necessary, someone else, somewhere, someday, may recognize in you, in every single one of you, the face of God.
R.J. Palacio (Wonder)
If every single person in this room made it a rule that wherever you are, whenever you can, you will try to act a little kinder than is necessary—the world really would be a better place. And if you do this, if you act just a little kinder than is necessary, someone else, somewhere, someday, may recognize in you, in every single one of you, the face of God.
R.J. Palacio (Wonder)
Our insistence on being different from everything around us is one of the greatest mistakes of mankind. We stubbornly maintain an illusory distinction that sets us apart from rock and ice, water and fire, plant and animal. Both religion and rationality try to explain it through an elaborate vocabulary of separation—soul, atman, spirit, ghosts in the machine or simply the idea of selfhood. We have dreamed up gods so that we can reassure ourselves that somewhere, someday, somehow, after this life is over, something awaits us: a presence that recognizes who we are. But if we approach a mountain instead, accepting that we are nothing more or less than an integral part of its existence, our ego merges with the nature of the mountain. In
Stephen Alter (Becoming a Mountain: Himalayan Journeys in Search of the Sacred and the Sublime)
If every single person in this room made it a rule that wherever you are, whenever you can, you will try to act a little kinder than is necessary--the world really would be a better place. And if you do this, if you act just a little kinder than is necessary, someone else, somewhere, someday, may recognize in you, in every single one of you, the face of God." RJ Palacio - Wonder
Palacio R. J.
Someday, somewhere, sometime, Life will bring your loved ones back, When you will be least expecting them. And when your time is right, Speak out those three little words. Don’t waste time in thinking. Follow your intuition as it knows what’s right for you. Life is short; You might never get another chance. Speak up.Right now. Right here. Confess your likings. Confess your feelings. Confess your love!
Sankalp Kohli (When I Found You... I Found Myself)
Lord, what will I be? Where will the careless conglomeration of environment, heredity and stimulus lead me? Someday I may say: It was of great significance that I sat and laughed at myself in a convertible with the rain coming down in rattling sheets on the canvas roof. It influenced my life that I did not find content immediately and easily - - and now I am I because of that. It was inestimably important for me to look at the lights of Amherstn town in the rain, with the wet black tree-skeletons against the limpid streetlights and gray November mist, and then look at the boy beside me and feel all the hurting beauty go flat because he wasn't the right one - not at all. And I may say that my philosophy has been deeply affected by the fact that windshield wipers ticked off seconds too loudly and hopelessly, that my clock drips loud sharp clicks too monotonously on my hearing. I can hear it even through the pillow I muffle it with - the tyrannical drip drip drip drip of seconds along the night. And in the day, even when I'm not there, the seconds come out in little measured strips of time. And I wind the clock. And I look at the windshield wipers cutting an arch out of the sprinkled raindrops on the glass. Click-click. Clip-clip. Tick-tick. snip-snip. And it goes on and on. I could smash the measured clicking sound that haunts me - draining away life, and dreams, and idle reveries. Hard, sharp, ticks. I hate them. Measuring thought, infinite space, by cogs and wheels. Can you understand? Someone, somewhere, can you understand me a little, love me a little? For all my despair, for all my ideals, for all that - I love life. But it is hard, and I have so much - so very much to learn.
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
Outside the train, the world went by, and somewhere above him in the sky, a plane flew away, and objects in motion would stay in motion, and objects at rest would stay at rest. Isaac Newton -- the real one, the one Isaac had been named after -- had figured out that law, and a law wasn't a theory, it was a law. The air Rick had breathed out was still in Isaac's apartment, and the sheets still smelled like him, and there were little parts of him everywhere, and someday he'd come home, and against the great scale of universal time, a few months wasn't long at all. Before Isaac even knew it, they'd be together. The train would rock its way down the tracks and Rick's airplane would fly west and the planet would rotate and the solar system would turn and the galaxy would spin and the universe would keep on expanding, and with enough time, everything in it would again be made right.
Shukyou (Bodies in Space)
Every Disney heroine has an “I Want” song, in which they explain what’s missing in their lives. Moana feels called by the ocean. Tiana is “Almost There,” saving money to start her own restaurant. Belle wants “adventure in the great wide somewhere.” The tradition goes all the way back to Snow White, singing “Someday My Prince Will Come.” You can chart the progress of women in America by the things Disney heroines sing about in their “I Want” songs.
Emily Nagoski (Burnout: The Secret to Unlocking the Stress Cycle)
Often children who survive extremely adverse childhoods have learned a particular survival strategy. I call it ‘strategic detachment.’ This is not the withdrawal from reality that leads to psychological disturbance, but an intuitively calibrated disengagement from noxious aspects of their family life or other aspects of their world. They some how know, This is not all there is. They hold the belief that a better alternative exists somewhere and that someday they will find their way to it. They persevere in that idea. They somehow know Mother is not all women, Father is not all men, this family does not exhaust the possibilities of human relationships-there is life beyond this neighborhood. This does not spare them suffering in the present, but it allows them not to be destroyed by it. Their strategic detachment does not guarantee that they will never know feelings of powerlessness, but it helps them not to be stuck there.
Nathaniel Branden
Operating from the idea that a relationship (or anything else) will somehow complete you, save you, or make your life magically take off is a surefire way to keep yourself unhappy and unhitched. Ironically, quite the opposite is true. What you really need to understand is that nothing outside of you can ever produce a lasting sense of completeness, security, or success. There’s no man, relationship, job, amount of money, house, car, or anything else that can produce an ongoing sense of happiness, satisfaction, security, and fulfillment in you. Some women get confused by the word save. In this context, what it refers to is the mistaken idea that a relationship will rid you of feelings of emptiness, loneliness, insecurity, or fear that are inherent to every human being. That finding someone to be with will somehow “save” you from yourself. We all need to wake up and recognize that those feelings are a natural part of the human experience. They’re not meaningful. They only confirm the fact that we are alive and have a pulse. The real question is, what will you invest in: your insecurity or your irresistibility? The choice is yours. Once you get that you are complete and whole right now, it’s like flipping a switch that will make you more attractive, authentic, and relaxed in any dating situation—instantly. All of the desperate, needy, and clingy vibes that drive men insane will vanish because you’ve stopped trying to use a relationship to fix yourself. The fact is, you are totally capable of experiencing happiness, satisfaction, and fulfillment right now. All you have to do is start living your life like you count. Like you matter. Like what you do in each moment makes a difference in the world. Because it really does. That means stop putting off your dreams, waiting for someday, or delaying taking action on those things you know you want for yourself because somewhere deep inside you’re hoping that Prince Charming will come along to make it all better. You know what I’m talking about. The tendency to hold back from investing in your career, your health, your home, your finances, or your family because you’re single and you figure those things will all get handled once you land “the one.” Psst. Here’s a secret: holding back in your life is what’s keeping him away. Don’t wait until you find someone. You are someone.
Marie Forleo (Make Every Man Want You: How to Be So Irresistible You'll Barely Keep from Dating Yourself!)
I have never even seen a witch, let alone felt the need to burn one to death. We can conclude, then, that our forefathers, equipped with the knowledge that supernatural explanations were reasonable, rounded up all the witches in existence and took care of them. The other possibility is that there are witches out there, hiding somewhere, plotting their revenge, liberally applying fireproofing compounds to themselves. And someday they may reappear and start causing trouble.
Bobby Henderson (The Gospel of the Flying Spaghetti Monster)
I saw a group of women standing by a station wagon. There were seven of them, pushing cartons and shopping bags over the open tailgate into the rear of the car. Celery stalks and boxes of Gleem stuck out of the bags. I took the camera from my lap, raised it to my eye, leaned out the window a bit, and trained it on the ladies as if I were shooting. One of them saw me and immediately nudged her companion but without taking her eyes off the camera. They waved. One by one the others reacted. They all smiled and waved. They seemed supremely happy. Maybe they sensed that they were waving at themselves, waving in the hope that someday if evidence is demanded of their passage through time, demanded by their own doubts, a moment might be recalled when they stood in a dazzling plaza in the sun and were registered on the transparent plastic ribbon; and thirty years away, on that day when proof is needed, it could be hoped that their film is being projected on a screen somewhere, and there they stand, verified, in chemical reincarnation, waving at their own old age, smiling their reassurance to the decades, a race of eternal pilgrims in a marketplace in the dusty sunlight, seven arms extended in a fabulous salute to the forgetfulness of being. What better proof (if proof is ever needed) that they have truly been alive? Their happiness, I think, was made of this, the anticipation of incontestable evidence, and had nothing to do with the present moment, which would pass with all the others into whatever is the opposite of eternity. I pretended to keep shooting, gathering their wasted light, letting their smiles enter the lens and wander the camera-body seeking the magic spool, the gelatin which captures the image, the film which threads through the waiting gate. Sullivan came out of the supermarket and I lowered the camera. I could not help feeling that what I was discovering here was power of a sort.
Don DeLillo (Américana)
St. Clair tucks the tips of his fingers into his pockets and kicks the cobblestones with the toe of his boots. "Well?" he finally asks. "Thank you." I'm stunned. "It was really sweet of you to bring me here." "Ah,well." He straightens up and shrugs-that full-bodied French shrug he does so well-and reassumes his usual, assured state of being. "Have to start somewhere. Now make a wish." "Huh?" I have such a way with words. I should write epic poetry or jingles for cat food commercials. He smiles. "Place your feet on the star, and make a wish." "Oh.Okay,sure." I slide my feet together so I'm standing in the center. "I wish-" "Don't say it aloud!" St. Clair rushes forward, as if to stop my words with his body,and my stomach flips violently. "Don't you know anything about making wishes? You only get a limited number in life. Falling stars, eyelashes,dandelions-" "Birthday candles." He ignores the dig. "Exactly. So you ought to take advantage of them when they arise,and superstition says if you make a wish on that star, it'll come true." He pauses before continuing. "Which is better than the other one I've heard." "That I'll die a painful death of poisoning, shooting,beating, and drowning?" "Hypothermia,not drowning." St. Clair laughs. He has a wonderful, boyish laugh. "But no. I've heard anyone who stands here is destined to return to Paris someday. And as I understand it,one year for you is one year to many. Am I right?" I close my eyes. Mom and Seany appear before me. Bridge.Toph.I nod. "All right,then.So keep your eyes closed.And make a wish." I take a deep breath. The cool dampness of the nearby trees fills my lungs. What do I want? It's a difficult quesiton. I want to go home,but I have to admit I've enjoyed tonight. And what if this is the only time in my entire life I visit Paris? I know I just told St. Clair that I don't want to be here, but there's a part of me-a teeny, tiny part-that's curious. If my father called tomorrow and ordered me home,I might be disappointed. I still haven't seen the Mona Lisa. Been to the top of the Eiffel Tower.Walked beneath the Arc de Triomphe. So what else do I want? I want to feel Toph's lips again.I want him to wait.But there's another part of me,a part I really,really hate,that knows even if we do make it,I'd still move away for college next year.So I'd see him this Christmas and next summer,and then...would that be it? And then there's the other thing. The thing I'm trying to ignore. The thing I shouldn't want,the thing I can't have. And he's standing in front of me right now. So what do I wish for? Something I'm not sure I want? Someone I'm not sure I need? Or someone I know I can't have? Screw it.Let the fates decide. I wish for the thing that is best for me. How's that for a generalization? I open my eyes,and the wind is blowing harder. St. Clair pushes a strand of hair from his eyes. "Must have been a good one," he says.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Dare's going to bring you more trouble,” Olivia said, as if she too understood that volatility was more perilous than cold dislike. “You know, Price,” Constantine said, leaning back even more, his roiling emotions calming more than they had in hours. “I think, someday, I might not dislike you.” “Whatever, Leandred. If I could peel you away from Ren, you'd already be sticking to a waste receptacle somewhere.” “Likewise.” For a moment, they both felt oddly serene and in entire accord.
Anne Zoelle (The Destiny of Ren Crown (Ren Crown, #5))
The lengths we went to as a society to crush someone of such modest ambitions-Garner's big dream was to someday sit down at work-were awesome to contemplate. What happened to Garner spoke to the increasing desperation of white America to avoid having to even see, much less speak to or live alongside, people like him. Half a century after the civil rights movement, white Americans do not want to know this man. They don't want him walking in their neighborhoods. they want him moved off the corner. Even white liberals seem to, deep down inside, if the policies they advocate and the individual choices they make are any indication. The police are blamed for these deaths, and often rightly so, but the highly confrontational, physically threatening strategies cops such as Daniel Pantaleo employ draw their power from the tacit approval of upscale white voters. Whether they admit it or not, many voters would rather that Eric Garner be dead and removed from view somewhere than living and eating Cheetos on the stoop next door.
Matt Taibbi (I Can't Breathe: A Killing on Bay Street)
but what I want you, my students, to take away from your middle-school experience,” he continued, “is the sure knowledge that, in the future you make for yourselves, anything is possible. If every single person in this room made it a rule that wherever you are, whenever you can, you will try to act a little kinder than is necessary—the world really would be a better place. And if you do this, if you act just a little kinder than is necessary, someone else, somewhere, someday, may recognize in you, in every single one of you, the face of God.
R.J. Palacio (Wonder)
Dorian might have found it funny—so typically Celaena to make such a flamboyant return—had he not been utterly petrified. She had drawn a line in the sand. Worse than that, she’d defeated one of the king’s deadliest generals. No one had done that and lived. Ever. Somewhere in Wendlyn, his friend was changing the world. She was fulfilling the promise she’d made him. She had not forgotten him, or any of them still here. And perhaps when they figured out a way to destroy that tower and free magic from his father’s yoke, she would know her friends had not forgotten her, either. That he had not forgotten her. So Dorian let his father rage. He sat in on those meetings and shut down his revulsion and horror when his father sent a third minister to the butchering block. For Sorscha, for the promise of keeping her safe, of someday, perhaps, not having to hide what and who he was, he kept on his well-worn mask, offered banal suggestions about what to do regarding Aelin, and pretended. One last time. When Celaena got back, when she returned as she’d sworn she would … Then they would set about changing the world together.
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
...but what I want you, my students, to take away from your middle-school experience," he continued, "is the sure knowledge that, in the future you make for yourselves, anything is possible. If every single person in this room made it a rule that wherever you are, whenever you can, you will try to be a little kinder than is necessary, someone else, somewhere, someday, may recognize in you, in every single one of you, the face of God." He paused and shrugged. "Or whatever politically correct spiritual representation of universal goodness you happen to believe in.
R.J. Palacio (Wonder (Wonder, #1))
He cleared his throat and read from the book: "'It was at moments such as these that Joseph recognized the face of God in human form. It glimmered in their kindness to him, it glowed in their keenness, it hinted in their caring, indeed it caressed in their gaze.'" ... "If every single person in this room made it a rule that wherever you are, whenever you can, you will try to act a little kinder than is necessary--the world really would be a better place. And if you do this, if you act just a little kinder than is necessary, someone else, somewhere, someday, may recognize in you, in every single one of you, the face of God.
R.J. Palacio (Wonder)
Dearest dearest darling most important dearest darling Natalie-this is me talking, your own priceless own Natalie, and I just wanted to tell you one single small thing: you are the best, and they will know it someday, and someday no one will ever dare laugh again when you are near, and no one will dare even speak to you without bowing first. And they will be afraid of you. And all you have to do is wait, my darling, wait and it will come, I promise you. Because that’s the fair part of it—they have it now, and you have it later. Don’t worry, please, please don’t, because worrying might spoil it, because if you worry it might not come true. Somewhere there is something waiting for you, and you can smile a little perhaps now when you are so unhappy, because how well we both know that you will be happy very very very very soon. Somewhere someone is waiting for you, and loves you, and thinks you are beautiful, and it will be so wonderful and so fine, and if you can be patient and wait and never never never never despair, because despair might spoil it, you will come there, someday, and the gates will open and you will pass through, and no one will be able to come in unless you let them, and no one can even see you. Someday, someone, somewhere. Natalie, please
Shirley Jackson (Hangsaman)
The other half, Lost Tokyo-1, has not been located yet, although presumably it exists out there somewhere in the universe, a mega-demi-city of eighty-five million people, a city fractured, cracker in half, torn, ripped not cleanly, but shredded, ragged, ripped along living rome, plans, meetings, dates, conjugal beds in prisons, family dinner tables, secrets being whispered into ears, couples holding hands, separated in an instant without warning or explanation, leaving two halves, bewildered, speaking Japanese to instant neighbours from the other side of the world, unable to understand what has happened, or if things will ever go back to the way they were, hoping its other half might someday find its way back.
Charles Yu (How to Live Safely in a Science Fictional Universe)
But these were days of self-fulfillment, where settling for something that was not quite your first choice of a life seemed weak-willed and ignoble. Somewhere, surrendering to what seemed to be your fate had changed from being dignified to being a sign of your own cowardice. There were times when the pressure to achieve happiness felt almost oppressive, as if happiness were something that everyone should and could attain, and that any sort of compromise in its pursuit was somehow your fault... Would he someday have the courage to give up, and would he be able to recognize that moment, or would he wake one day and look in the mirror and find himself an old man, still trying to call himself an actor because he was too scared to admit that he might not be, might never be?
Hanya Yanagihara
Hunter was superstitious about his actions. He called himself a Road Man for the Lords of Karma. He used that expression several times, most recently the night before he died. I don’t know exactly what he meant by that, but I know he wasn’t joking. He took seriously the idea that evil actions bear evil fruit, and that this is not a matter of psychology, but is a universal law. How he reconciled this with the harm that he inflicted on people around him, on my mother, on me, on countless women, on cabbies, bartenders, waiters, editors, hotel maids, journalists, audience members, and anyone else who encountered his rage, I don’t know. Maybe it all balanced out, the good he did and the harm he did, because he did a tremendous amount of good. He also spoke and wrote of reincarnation. Maybe he was serious about this. Maybe he feared he would be reincarnated as a three-legged dog with the mange in a garbage slum in Brazil, as he once wrote. Or maybe knew he would return as a crazy bodhisattva, to tell the truth and shake us out of our complacency. It is said that when the Tibetan Dalai Lama dies, he is reincarnated not long afterward somewhere else in Tibet. A group of high lamas goes in search of him, based on visions received during meditation, and when they find a candidate, they present him with things owned by the previous Dalai Lama mixed in with other objects. The true reincarnation identifies unerringly those objects that had once belonged to him. Perhaps someday I will encounter a young boy who will recognize this medallion as his, and then I will tell him all about who he had been and all that he did.
Juan F. Thompson (Stories I Tell Myself: Growing Up with Hunter S. Thompson)
Relway mused, “Now that it’s happened I’m not so sure I’m happy with the outcome. Spared their racial theories The Call would’ve been good for TunFaire.” He would appreciate their interest in law and order and proper behavior. “Here’s a challenge you still need to meet. Glory Mooncalled. He’s weak now but he’s still out there somewhere. If you don’t get him now he’ll try to put something back together someday. He can’t help himself.” “It’s still great day for TunFaire, Garrett. One of pure triumph.” I don’t know if he meant that or was being sarcastic. You never quite know anything with Relway. And he wants it that way. “I liked the way you put it, Garrett. Faded steel heat.” I’d mentioned that to him the night he’d discovered the tanks in the old Lamp brewery. “But the war goes on.” “The war never ends. Tell you what. Send me a note when you do decide to roast that pigeon. I’ve got dibs on a drumstick.
Glen Cook (Faded Steel Heat (Garrett P.I., #9))
I asked him once what the posters meant to him, and he gave me a peculiar, surprised sort of look. “Why, they mean the same thing to me as they do to most cons, I guess,” he said. “Freedom. You look at those pretty women and you feel like you could almost . . . not quite but almost . . . step right through and be beside them. Be free. I guess that’s why I always liked Raquel Welch the best. It wasn’t just her; it was that beach she was standing on. Looked like she was down in Mexico somewhere. Someplace quiet, where a man would be able to hear himself think. Didn’t you ever feel that way about a picture, Red? That you could almost step right through it?” I said I’d never really thought of it that way. “Maybe someday you’ll see what I mean,” he said, and he was right. Years later I saw exactly what he meant . . . and when I did, the first thing I thought of was Normaden, and about how he’d said it was always cold in Andy’s cell.
Stephen King (Different Seasons: Four Novellas)
Maybe they sensed that they were waving at themselves, waving in the hope that someday if evidence is demanded of their passage through time, demanded by their own doubts, a moment might be recalled when they stood in a dazzling plaza in the sun and were registered on the transparent plastic ribbon; and thirty years away, on that day when proof is needed, it could be hoped that their film is being projected on a screen somewhere, and there they stand, verified, in chemical reincarnation, waving at their own old age, smiling their reassurance to the decades, a race of eternal pilgrims in a marketplace in the dusty sunlight, seven arms extended in a fabulous salute to the forgetfulness of being. What better proof (if proof is ever needed) that they have truly been alive? Their happiness, I think, was made of this, the anticipation of incontestable evidence, and had nothing to do with the present moment, which would pass with all the others into whatever is the opposite of eternity.
Don DeLillo (Américana)
But these were days of self-fulfillment, where settling for something that was not quite your first choice of a life seemed weak-willed and ignoble. Somewhere, surrendering to what seemed to be your fate had changed from being dignified to being a sign of your own cowardice. There were times when the pressure to achieve happiness felt almost oppressive, as if happiness were something that everyone should and could attain, and that any sort of compromise in its pursuit was somehow your fault. Would Willem work for year upon year at Ortolan, catching the same trains to auditions, reading again and again and again, one year maybe caterpillaring an inch or two forward, his progress so minute that it hardly counted as progress at all? Would he someday have the courage to give up, and would he be able to recognize that moment, or would he wake one day and look in the mirror and find himself an old man, still trying to call himself an actor because he was too scared to admit that he might not be, might never be?
Hanya Yanagihara (A Little Life)
This is where these writers placed their bets, striking a dangerous balance between silence and art. How do writers and readers find each other under such dangerous circumstances? Reading, like writing, under these conditions is disobedience to a directive in which the reader, our Eve, already knows the possible consequences of eating that apple but takes a bold bite anyway. How does that reader find the courage to take this bite, open that book? After an arrest, an execution? Of course he or she may find it in the power of the hushed chorus of other readers, but she can also find it in the writer’s courage in having stepped forward, in having written, or rewritten, in the fi rst place. Create dangerously, for people who read dangerously. Th is is what I’ve always thought it meant to be a writer. Writing, knowing in part that no matter how trivial your words may seem, someday, somewhere, someone may risk his or her life to read them. Coming from where I come from, with the history I have—having spent the first twelve years of my life under both dictatorships of Papa Doc and his son, JeanClaude—this is what I’ve always seen as the unifying principle among all writers. This is what, among other things, might join Albert Camus and Sophocles to Toni Morrison, Alice Walker, Osip Mandelstam, and Ralph Waldo Emerson to Ralph Waldo Ellison. Somewhere, if not now, then maybe years in the future, a future that we may have yet to dream of, someone may risk his or her life to read us. Somewhere, if not now, then maybe years in the future, we may also save someone’s life, because they have given us a passport, making us honorary citizens of their culture.
Edwidge Danticat (Create Dangerously: The Immigrant Artist at Work)
Is it hard for you to be in an Abnegation house again? I meant to ask before. We can go somewhere else, if it is.” I finish my second piece of bread. All Abnegation houses are the same, so this living room is exactly the same as my own, and it does bring back memories, if I look at it carefully. Light glowing through the blinds every morning, enough for my father to read by. The click of my mother’s knitting needles every evening. But I don’t feel like I’m choking. It’s a start. “Yes,” I say. “But not as hard as you might think.” He raises an eyebrow. “Really. The simulations in Erudite headquarters…helped me, somehow. To hold on, maybe.” I frown. “Or maybe not. Maybe they helped me to stop holding on so tightly.” That sounds right. “Someday I’ll tell you about it.” My voice sounds far away. He touches my cheek and, even though we’re in a room full of people, crowded by laughter and conversation, slowly kisses me. “Whoa there, Tobias,” says the man to my left. “Weren’t you raised a Stiff? I thought the most you people did was…graze hands or something.” “Then how do you explain all the Abnegation children?” Tobias raises his eyebrows. “They’re brought into being by sheer force of will,” the woman on the arm of the chair interjects. “Didn’t you know that, Tobias?” “No, I wasn’t aware.” He grins. “My apologies.” They all laugh. We all laugh. And it occurs to me that I might be meeting Tobias’s true faction. They are not characterized by a particular virtue. They claim all colors, all activities, all virtues, and all flaws as their own. I don’t know what binds them together. The only common ground they have, as far as I know, is failure. Whatever it is, it seems to be enough. I feel, as I look at him, that I am finally seeing him as he is, instead of how he is in relation to me. So how well do I really know him, if I have not seen this before?
Veronica Roth (Insurgent (Divergent, #2))
I have friends like that—very straightforward and responsible, good at what they do, good home life. But they get stressed, and they blow off steam by posting aggressive comments on the web. Their web personality is different from their real personality. They keep them separate. They just laugh and say it’s okay to write whatever you can’t say in the real world, no matter how critical or negative it is. That does seem to be one purpose of the Internet for a lot of people.” Kotaro nodded. “But I think my friends are wrong. Their posts will never disappear. They think they’re just putting opinions out there. They don’t use real names. They say what they think. They assume no one pays attention for more than a few moments. That’s a big mistake.” “Most of what goes on the net, stays on the net—somewhere.” “That’s not what I mean. No matter how carefully they choose their words, whatever they say, the words they use stay inside them. Everything is cumulative. Words don’t ‘disappear.’ “Maybe they post a comment saying a certain actress should just die. They think they’ve blown off steam by criticizing someone no one likes anyway. But those words—’I hope she dies’—stay inside the writer, along with the feeling that it’s acceptable to write things like that. All that negativity accumulates, and someday the weight of it will change the writer. “That’s what words do. However they’re expressed, there’s no way people can separate their words from themselves. They can’t escape the influence of their own thoughts. They can divide their comments among different handles and successfully hide their identity, but they can’t hide from themselves. They know who they are. You can’t run from yourself.” Mom would say, “What goes around, comes around.” “So be careful, Kotaro. If the real world is stressing you out, deal with your stress in the real world, no matter how dumb you think it makes you look. Okay?
Miyuki Miyabe (The Gate of Sorrows)
As if reading his mind, she smiled happily up at him. “Gary really came through for us, didn’t he?” “Absolutely, ma petite. And Beau LaRue was not so bad either. Come, we cannot leave the poor man pacing the swamp. He will think we are engaging in something other than conversation.” Wickedly Savannah moved her body against his, her hands sliding provocatively, enticingly, over the rigid thickness straining his trousers. “Aren’t we?” she asked with that infuriating sexy smile he could never resist. “We have a lot of clean-up to do here, Savannah,” he said severely. “And we need to get word to our people, spread the society’s list through our ranks, warn those in danger.” Her fingers were working at the buttons of his shirt so that she could push the material aside to examine his chest and shoulder, where two of the worst wounds had been. She had to see his body for herself, touch him to assure herself he was completely healed. “I suggest, for now, that your biggest job is to create something for Gary to do so we can have a little privacy.” With a smooth movement, she pulled the shirt from over her head so that her full breasts gleamed temptingly at him. Gregori made a sound somewhere between a sigh and a moan. His hands came up to cup the weight of her in his palms, the feel of her soft, satin skin soothing after the burning torture of the tainted blood. His thumbs caressed the rosy tips into hard peaks. He bent his head slowly to the erotic temptation because he was helpless to do anything else. He needed the merging of their bodies after such a close call as much as she did. He could feel the surge of excitement, the rush of liquid heat through her body at the feel of his mouth pulling strongly at her breast. Gregori dragged her even closer, his hands wandering over her with a sense of urgency. Her need was feeding his. “Gary,” she whispered. “Don’t forget about Gary.” Gregori cursed softly, his hand pinning her hips so that he could strip away the offending clothes on her body. He spared the human a few seconds of his attention, directing him away from the cave. Savannah’s soft laughter was taunting, teasing. “I told you, lifemate, you’re always taking off my clothes.” “Then stop wearing the damn things,” he responded gruffly, his hands at her tiny waist, his mouth finding her flat stomach. “Someday my child will be growing right here,” he said softly, kissing her belly. His hands pinned her thighs so that he could explore easily without interruption. “A beautiful little girl with your looks and my disposition.” Savannah laughed softly, her arms cradling his head lovingly. “That should be quite a combination. What’s wrong with my disposition?” She was writhing under the onslaught of his hands and mouth, arcing her body more fully into his ministrations. “You are a wicked woman,” he whispered. “I would have to kill any man who treated my daughter the way I am treating you.” She cried out, her body rippling with pleasure. “I happen to love the way you treat me, lifemate,” she answered softly and cried out again when he merged their bodies, their minds, their hearts and souls.
Christine Feehan (Dark Magic (Dark, #4))