Someday Somehow Quotes

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We try so hard to hide everything we're really feeling from those who probably need to know our true feelings the most. People try to bottle up their emotions, as if it's somehow wrong to have natural reactions to life.
Colleen Hoover (Maybe Someday (Maybe, #1))
It's been a prevalent notion. Fallen sparks. Fragments of vessels broken at the Creation. And someday, somehow, before the end, a gathering back to home. A messenger from the Kingdom, arriving at the last moment. But I tell you there is no such message, no such home -- only the millions of last moments . . . nothing more. Our history is an aggregate of last moments.
Thomas Pynchon (Gravity's Rainbow)
My own ambition, my deepest and truest ambition, is to find within myself someday, somehow, the ability to do likewise, to do NOTHING - and find it enough.
Edward Abbey
And you’ll smile at this man and wonder if he too, like all those who came before him, will someday be a bittersweet memory, will someday be felled by the same foolish blunder of knowing you a little too well and yet also somehow not enough.
Raphael Bob-Waksberg (Someone Who Will Love You in All Your Damaged Glory)
No one wants to die. Even people who want to go to heaven don’t want to die to get there. And yet death is the destination we all share. No one has ever escaped it. And that is as it should be, because Death is very likely the single best invention of Life. It is Life’s change agent. It clears out the old to make way for the new. Right now the new is you, but someday not too long from now, you will gradually become the old and be cleared away. Sorry to be so dramatic, but it is quite true. “Your time is limited, so don’t waste it living someone else’s life. Don’t be trapped by dogma — which is living with the results of other people’s thinking. Don’t let the noise of others’ opinions drown out your own inner voice. And most important, have the courage to follow your heart and intuition. They somehow already know what you truly want to become. Everything else is secondary
Steve Jobs
… That’s what a map is, you know. Just a memory. Just a wish to go back home—someday, somehow. …
Catherynne M. Valente (The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making (Fairyland, #1))
And I came to understand, in a way I never had before, that books are truly the stuff of miracles. I even dared to dream that someday, somehow, I might surround myself with books from many times and many tongues...
T.A. Barron (The Lost Years of Merlin (Merlin, #1))
We try so hard to hide everything we’re really feeling from those who probably need to know our true feelings the most. People try to bottle up their emotions, as if it’s somehow wrong to have natural reactions to life.
Colleen Hoover (Maybe Someday (Maybe, #1))
Very few people meet their soulmates at age six. So you gotta pass the time somehow. And Ingrid was very - patient. Overly patient. Willing to put up with odd behavior, in the hope that someday I would shape up and marry her martyred ass. And when somebody is that patient, you have to feel grateful, and then you want to hurt them. Does that make any sense?
Audrey Niffenegger (The Time Traveler's Wife)
I was sitting at home and had a profound experience. I experienced, in all of my Being, that someday I was going to die, and it wouldn't be like it had been happening, almost dying but somehow staying alive, but I would just die! And two things would happen right before I died: I would regret my entire life; I would want to live it over again. This terrified me. The thought that I would live my entire life, look at it and realize I blew it forced me to do something with my life.
Hubert Selby Jr.
If you want something,but you can't have it for now. Hold it, wait for the time and somehow, someday you'll get a chance that if you really want it you could have it.
Kenneth
Every so often in life, you randomly cross paths with someone that touches you in a way that you really can't explain, but somehow you know that you will never be the same again. A person that is unknowingly, so incredibly beautiful, both inside and out, that they take your breath away. Recently, I met someone exactly like that. As a matter of fact, I'm still not convinced that she isn't an angel here to protect me from myself and the rest of you crazies... these next few songs are for my angel. I hope the rest of you find your angel someday. Just remember, don't let go when you do, even if they try to fly away.
Erin Noelle (Metamorphosis (Book Boyfriend, #1))
Someday, somehow, I would repay my cousin Rachel.
Daphne du Maurier (My Cousin Rachel)
This is the singular fantasy of human intimacy: that one plus one will somehow, someday, equal one.
Elizabeth Gilbert (Committed: A Skeptic Makes Peace with Marriage)
My entire body is battling itself. My left brain is telling me this is somehow wrong, my right brain is wanting to hear her sing again, my stomach is nowhere to be found, and my heart is punching itself in the face with one arm and hugging itself with the
Colleen Hoover (Maybe Someday (Maybe, #1))
Never settle for less than your dreams. Somewhere, sometime,someday,somehow, you'll find them.
Danielle Steel (Bittersweet)
You are the stars hidden by clouds. I know you’re there even when I can’t see you. Your shine peeks out and reaches me in the depths of my soul. Tell me your arms are long enough to reach me across oceans. Tell me someday we will be together, somehow, some way. Tell me that this love we have can survive being together as well as we’ve survived being apart. Tell me we are more than the chasm of our divide.
Jacqueline Simon Gunn
She didn't care so much whether the world would ever forgive her people; but she did hope that someday, somehow, she would be able to forgive herself.
Chris Bohjalian (Skeletons at the Feast)
I wonder if, north of here, they might even run out of stories someday. It may seem silly, but it is cold up there, too cold to mosey, to piddle, to loafer, and summer only lasts a week and a half. The people spit the words out so fast when they talk, like they are trying to discard them somehow, banish them, rather than relish the sound and the story. We will not run out of them here. We talk like we are tasting something.
Rick Bragg (My Southern Journey: True Stories from the Heart of the South)
I don’t know why I’m trying to hide my reaction from him, but isn’t that what people do? We try so hard to hide everything we’re really feeling from those who probably need to know our true feelings the most. People try to bottle up their emotions, as if it’s somehow wrong to have natural reactions to life.
Colleen Hoover (Maybe Someday (Maybe, #1))
I bet all I had on a thing called love; guess in the end it wasn't enough. And it's hard to watch you leave right now; I'm gonna have to learn to let you go somehow.
Carrie Underwood
For Schwartz this formed the paradox at the heart of baseball, or football, or any other sport. You loved it because you considered it an art: an apparently pointless affair, undertaken by people with special aptitude, which sidestepped attempts to paraphrase its value yet somehow seemed to communicate something true or even crucial about The Human Condition. The Human Condition being, basically, that we're alive and have access to beauty, can even erratically create it, but will someday be dead and will not. Baseball was an art, but to excel at it you had to become a machine. It didn't matter how beautifully you performed SOMETIMES, what you did on your best day, how many spectacular plays you made. You weren't a painter or a writer--you didn't work in private and discard your mistakes, and it wasn't just your masterpieces that counted.
Chad Harbach (The Art of Fielding)
Jus hold me a little longer, Jack. Tell me again that ya wanna be with me, fer real, cross yer heart 'n' let me know you ain't foolin', cause I dunno how or when it happen but somehow I come ta need ya like air, like blood. Touch me again like ya do with them gentle hands make me feel like somethin' precious. Say it again that ya love me, cause hearin' that was like openin' up some big bottomless well that ran dry years back and it cain't never be full enough now, I cain't never hear it enough, but once more, one more time and maybe I'll believe it a little more, and then a little more the next time, till someday I believe it fer true enough ta be able to say it back ta you like y'oughta hear it said cause God knows I love you more'n my own life, more'n anythin' in this world, but it cain't get outta me yet cause I still ain't the man I need ta be, the man who's gonna stand before you and declare.
Jane Seville (Zero at the Bone (Zero at the Bone #1))
If my mother and I shared anything without having carefully considered it, it was this undying ember of a dream that we will someday, somehow find ourselves reaping the bounty of a blooming mother-daughter bond, the roots of which we both refuse to tend in the meantime.
Ashley C. Ford (Somebody's Daughter)
Someday you will die somehow and something’s gonna steal your carbon.
Modest Mouse
I loathe the assumption that I will ‘come to my senses’ someday or — worse still — that my status as non-mother means I’m somehow lacking in emotional range.
Hazel Hayes (Out of Love)
My daughter accepted without comment the fact that she wasn't going to age. The peculiar thing about the whole business in her case was the fact that she really didn't. Beldin and the twins and I had all achieved the appearance of a certain maturity. We picked up wrinkles and grey hair and a distinguished look. Pol didn't...I guess a sorcerer is supposed to look distinguished and wise, and that implies wrinkles and grey hair. A woman with grey hair and wrinkles is called a crone, and I don't think Pol would have liked that very much. Maybe we all wound up looking the way we thought we ought to look. My brothers and I thought we should look wise and venerable. Pol didn't mind the wise part, but "venerable" wasn't in her vocabulary. I might want to investigate that someday. The notion that we somehow create ourselves in intriguing.
David Eddings (Belgarath the Sorcerer)
When something means nothing to you, you can do everything you want; but someday, somehow you may have to pay for it.
Munia Khan
No matter what it takes. Make at least part of him live, and I can find the rest of him somehow. Someday.
Alyssa Day (Vampire in Atlantis (Warriors of Poseidon, #7))
Mark my words. Someday, somehow, he WILL be back. And upon his return, shake the very foundation of heaven and hell. Irrevocably. Irredeemably. Because that's one bad-ass motherfuckin' bird!
John Layman (Chew, Vol. 6: Space Cakes)
Yet at all costs I had to keep my hands and body and mind moving. Doing that, I hoped, albeit listlessly, would somehow, someday, lead to a breakthrough. There was no guarantee, but I would try to endure, no matter what, until it came.
Banana Yoshimoto (Moonlight Shadow)
Maybe everything does die--but maybe, somehow, everything that dies someday comes back.
Ashley Poston (Geekerella (Once Upon a Con, #1))
But these were days of self-fulfillment, where settling for something that was not quite your first choice of a life seemed weak-willed and ignoble. Somewhere, surrendering to what seemed to be your fate had changed from being dignified to being a sign of your own cowardice. There were times when the pressure to achieve happiness felt almost oppressive, as if happiness were something that everyone should and could attain, and that any sort of compromise in its pursuit was somehow your fault. [...] Would he someday have the courage to give up, and would he be able to recognize that moment, or would he wake one day and look in the mirror and find himself an old man, still trying to call himself an actor because he was too scared to admit that he might not be, might never be?
Hanya Yanagihara (A Little Life)
And for a split second I find her, silhouetted by the sky, arms outstretched like she's making snow angels in the air or simply laughing, turning in place; for a split second, she comes to me as the clouds, the sun, the wind touching my face and telling me that somehow, someday, it will be okay.
Lauren Oliver (Vanishing Girls)
...and for the first time in her life the tears that had always seemed to flow so easily, had always been there, eager to soothe any loss or ache, had refused to come, and somehow, that had been the most frightening thing of all. Used 'em all up on trifling shit, and now there's nothing left to cry. Like something her mother used to say or maybe a schoolteacher had said a long time ago. Stop bawling or someday you won't be able to cry, someone you love will die and you won't ever be able to stop hurting.
Caitlín R. Kiernan
that awareness that sometimes touches him, as lightly as wings, that the people he loves are more temporal, somehow, than others, that he has borrowed them, and that someday they will be reclaimed from him.
Hanya Yanagihara (A Little Life)
He is sitting by the pool and talking to Harold and Julia when abruptly, he feels that strange hollowing in his stomach he occasionally experiences even when he and Jude are in the same house: the sensation of missing him, and odd desire to see him. And although he would never say it to him, this is the way Jude reminds him of Hemming—that awareness that sometimes touches him, as lightly as wings, that the people he loves are more temporal, somehow, than others, that he has borrowed them, and that someday they will be reclaimed from him.
Hanya Yanagihara (A Little Life)
Cinder." Kai pulled one leg onto the bank, turning his body so they were facing each other. He took her hands between his and her heart began to drum unexpectedly. Not because of his touch, and not even because of his low, serious tone, but because it occurred to Cinder all at once that Kai was nervous. Kai was never nervous. "I asked you once," he said, running his thumbs over her knuckles, "if you thought you would ever be willing to wear a crown again. Not as the queen of Luna, but ... as my empress. And you said that you would consider it, someday." She swallowed a breath of cool night air. "And ... this is that day?" His lips twitched, but didn't quite become a smile. "I love you. I want to be with you for the rest of my life. I want to marry you, and, yes, I want you to be my empress." Cinder gaped at him for a long moment before she whispered, "That's a lot of wanting." "You have no idea." She lowered her lashes. "I might have some idea." Kai released one of her hands and she looked up again to see him reaching into his pocket - the same that had held Wolf's and Scarlet's wedding rings before. His fist was closed when he pulled it out and Kai held it toward her, released a slow breath, and opened his fingers to reveal a stunning ring with a large ruby ringed in diamonds. It didn't take long for her retina scanner to measure the ring, and within seconds it was filling her in on far more information than she needed - inane worlds like carats and clarity scrolled past her vision. But it was the ring's history that snagged her attention. It had been his mother's engagement ring once, and his grandmother's before that. Kai took her hand and slipped the ring onto her finger. Metal clinked against metal, and the priceless gem looked as ridiculous against her cyborg plating as the simple gold band had looked on Wolf's enormous, deformed, slightly hairy hand. Cinder pressed her lips together and swallowed, hard, before daring to meet Kai's gaze again. "Cinder," he said, "will you marry me?" Absurd, she thought. The emperor of the Eastern Commonwealth was proposing to her. It was uncanny. It was hysterical. But it was Kai, and somehow, that also made it exactly right. "Yes," she whispered. "I will marry you." Those simple words hung between them for a breath, and then she grinned and kissed him, amazed that her declaration didn't bring the surge of anxiety she would have expected years ago. He drew her into his arms, laughing between kisses, and she suddenly started to laugh too. She felt strangely delirious. They had stood against all adversity to be together, and now they would forge their own path to love. She would be Kai's wife. She would be the Commonwealth's empress. And she had every intention of being blissfully happy for ever, ever after.
Marissa Meyer (Stars Above (The Lunar Chronicles, #4.5))
There isn't an hour of my life without you in it. I mend the boats, test them and all the while the memories come in like the tide. I was thinking today of when we were young, and you left our world for a bigger world. I was a lot more scarred then I would admit. I fought my fear by telling myself you'd come back someday, and trying to think of the first thing I'd say to you when I saw you again. I must have tried out a hundred possibilities. What did I finally say? Not much, my mouth wouldn't work except to kiss you, and when you said I'm here to stay that said it all. Well, I'm doing it again. I keep imagining what I'd say to you if somehow you came back.
Nicholas Sparks (Message in a Bottle)
The Dr. Nuts seemed only as an acid gurgling down into his intestine. He filled with gas, the sealed valve trapping it just as one pinches the mouth of a balloon. Great eructations rose from his throat and bounced upward toward the refuse-laden bowl of the milk glass chandelier. Once a person was asked to step into this brutal century, anything could happen. Everywhere there lurked pitfalls like Abelman, the insipid Crusaders for Moorish Dignity, the Mancuso cretin, Dorian Greene, newspaper reporters, stripteasers, birds, photography, juvenile delinquents, Nazi pornographers. And especially Myrna Minkoff. The musky minx must be dealt with. Somehow. Someday. She must pay. Whatever happened, he must attend to her even if the revenge took years and he had to stalk her through decades from one coffee shop to another, from one folksinging orgy to another, from subway train to pad to cotton field to demonstration. Ignatius invoked an elaborate Elizabethan curse upon Myrna and, rolling over, frantically abused the glove once more.
John Kennedy Toole (A Confederacy of Dunces)
The difference between this waiting period and the wait that I had already been enduring was that I was no longer hoping that he would see me, wishing that he would work, or wondering if he would care. Instead, I knew that he would be at work in my marriage, and that somehow, someway, someday he would be glorified through our sufferings.
Tracie Miles (Stressed-Less Living)
Standing alone in the middle of the room, I looked at each of them, in turn, as I explained that we were lost in an uncharted part of the galaxy, that we would have to find a way to work together if we were to survive, that we must triumph over old rivalries and embrace new friendships, that we must face each unexpected challenge with courage and audacity and hope and that, above all, and despite seemingly insurmountable odds, I would find a way to get them home. Somehow, I promised them, someday, I would set a course… for home.
Kate Mulgrew (Born with Teeth)
Poor, deluded fools. Because their skin's as white as the rich man's, they believe that they might someday be rich themselves. But without the Negro, Owen, these men would be forced to see that, in fact, they have no more chance of becoming rich than do the very slaves they despise and trample on. They'd see how close they are to being slaves themselves. Thus, to protect and nurture their dream of becoming someday, somehow, rich, they don't need actually to own slaves, so much as they need to keep the Negro from ever being free.
Russell Banks (Cloudsplitter)
Because somehow, the snake felt like a gift. A promise. That someday, someway, I’d be able to move on from this horror—shed my old skin and be reborn something stronger.
Giana Darling (Serpentine Valentine)
Someday, somehow, George would have to tell Mom that she was a girl. But this was not that day. And as for how, she had no idea.
Alex Gino (George)
Never settle for less than your dreams, somewhere, sometime, someday, somehow you will find them
Danielle Steel
Somehow, someday, someway, I wanted to be as good as he thought I was. I wanted to deserve him. It was my new mission in life.
Jessica Gadziala (Lazarus (Navesink Bank Henchmen MC, #7))
That's what a map is, you know. Just a memory. Just a wish to go back home - someday, somehow.
Catherynne M. Valente (The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making (Fairyland, #1))
There’s not a stone or leaf or life that men won’t put a name to. It gives them a nice safe box to collect things in. They get in the habit of collecting things and end up surprised at the weight they’re carrying. A dream they thought might fit someday, something bright and sweet like a woman, picked up for her shine and somehow never left or at least never forgotten. Or an ambition! There’s a fine item in any man’s bag. A great, glowing ambition. They never fade, never wear even when you’ve outgrown them. Always there to look at and remember and play might-have-been.
Parke Godwin (Firelord (Firelord, #1))
At their core, Tiger Eyes, Forever..., and Sally J. Freeman are all books about teenage issues, but to an adult reader, the parents' story lines seem to almost overshadow their daughters. I'm bringing an entirely new set of experiences to these novels now, and my reward is a fresh set of story lines that i missed the first time around. I'm sure that in twenty or thirty years I'll read these books again and completely identify with all the grandparent characteristics. That's the wonderful thing about Judy Blume - you can revisit her stories at any stage in life and find a character who strikes a deep chord of recognition. I've been there, I'm in the middle of this, someday that'll be me. The same characters, yet somehow completely different. (Beth Kendrick)
Jennifer O'Connell (Everything I Needed to Know about Being a Girl I Learned from Judy Blume)
Someday, he thought, somehow, he would find a way to tell someone, one person. And he had, someone he had trusted, and that person had died, and he didn't have the fortitude to tell his story ever again
Hanya Yanagihara (A Little Life)
Do you know what I wish?” Skylar held Xander’s hand tight as he looked up at the falling leaves. “I wish we could stand like this in Japan, under real cherry trees. Ones in bloom.” “We have real cherry trees in the United States, you know.” “The ones in Japan feel more real, somehow.” Xander smiled. “Then let’s make it a vow. Someday we’ll stand under cherry blossoms in Japan.” Skylar smiled back, and there was only weariness, no more shadows in his face now. “It’s a promise.
Heidi Cullinan (Antisocial)
...since he seemed to be the one left out somehow, the one who would be lonely soon, the one who had done something he would someday wish he hadn't and would have no one to tell him that it was all right, that they forgave him, that these things happen in the world.
Richard Ford (Rock Springs)
Somehow, Picard reflected, being snubbed by a Vulcan didn’t seem as objectionable as being snubbed by someone else. Maybe it was because they were so reserved to begin with. Someday, he told himself, I would like to get to know a Vulcan better. Get inside his head, as it were.
Michael Jan Friedman (Gauntlet (Star Trek: Stargazer, Book One))
It's a lost and lonely kind of feeling, To wake up wearing a disguise. I lie in bed staring at the ceiling, I don't know who I am There's little that I can Fully recognize.... But I'm taking small steps, 'Cause I don't know where I'm going. I'm taking small steps And I don't know what to say. Small steps, Trying to pull myself together, And maybe I'll discover A clue along the way.... Just to make it through the day and not to get hurt, Seems about the best that I can hope. Like coffee stains splattered on your sweatshirt There isn't any pattern. Everything's uncertain. It's difficult to cope.... But I'm taking small steps, 'Cause I don't know where I'm going. I'm taking small steps, And I've forgotten how to play. Small steps, Trying to pull myself together, And maybe I'll discover, A clue along the way.... And if someday my small steps bring me near you, Please don't rush to tell me all you feel. You don't have to speak for me to hear you. If I softly sigh, Look me in the eye And let me know I'm real.... Then we'll take small steps, 'Cause we won't know where we're going. We'll take small steps, And we'll have too much to say. Small steps, Hand in hand we'll walk together, And maybe we'll discover A clue along the way.... Small steps, 'Cause I don't know where I'm goin'. Small steps, I just take it day to day. Small steps, Somehow get myself together, Then maybe I'll discover Who I am on the way....
Louis Sachar (Small Steps (Holes, #2))
...although he would never say it to him, this is the way in which Jude reminds him of Hemming—that awareness that sometimes touches him, as lightly as wings, that the people he loves are more temporal, somehow, than others, that he has borrowed them, and that someday they will be reclaimed from him.
Hanya Yanagihara (A Little Life)
When did pursuing your ambitions cross the line from brave into foolhardy? How did you know when to stop? In earlier, more rigid, less encouraging (and ultimately, more helpful) decades, things would be much clearer: you would stop when you turned forty, or when you got married, or when you had kids, or after five years, or ten years, or fifteen. And then you would go get a real job, and acting and your dreams for a career in it would recede into the evening, a melting into history as quiet as a briquette of ice sliding into a warm bath. But these were days of self-fulfillment, where settling for something that was not quite your first choice of a life seemed weak-willed and ignoble. Somewhere, surrendering to what seemed to be your fate had changed from being dignified to being a sign of your own cowardice. There were times when the pressure to achieve happiness felt almost oppressive, as if happiness were something that everyone should and could attain, and that any sort of compromise in its pursuit was somehow your fault. Would Willem work for year upon year at Ortolan, catching the same trains to auditions, reading again and again and again, one year maybe caterpillaring an inch or two forward, his progress so minute that it hardly counted as progress at all? Would he someday have the courage to give up, and would he be able to recognize that moment, or would he wake one day and look in the mirror and find himself an old man, still trying to call himself an actor because he was too scared to admit that he might not be, might never be? According
Hanya Yanagihara (A Little Life)
Okay? It's okay! Don't worry about it! Just chill out! You don't have to feel like you're suffering just because your life is unfortunate, you don't have to sulk just because your life hasn't been blessed! What's wrong with staying positive in the face of adversity? You know what? What you're going to do after this is go home looking like nothing ever happened! Live the same old life with your father and mother who are out of the hospital now! You'll never be able to reconcile with either of them, I guarantee that! Even if you somehow beat the odds and become happy someday, it's not going to matter, because no matter how happy you are, it's never going to erase your crappy past! You can't pretend it never happened, you're going to be dragging it around with you! No matter what you do, no matter what happens, that misfortune is going to sit in your heart forever! You'll remember it just when you think you forgot, you'll dream about it for the rest of your life! We are going to have nightmares for the rest of our lives! That's how it's going to be-and since there's nothing you can do about it, don't try to look away! Playing a prank on some random passerby, playing streaker in your underwear is just going to take a tiny bit of stress off your mind, in reality it's not going to change a thing!
NisiOisiN (猫物語 (黒) [Nekomonogatari] (Bakemonogatari, #4, Part 1))
Our insistence on being different from everything around us is one of the greatest mistakes of mankind. We stubbornly maintain an illusory distinction that sets us apart from rock and ice, water and fire, plant and animal. Both religion and rationality try to explain it through an elaborate vocabulary of separation—soul, atman, spirit, ghosts in the machine or simply the idea of selfhood. We have dreamed up gods so that we can reassure ourselves that somewhere, someday, somehow, after this life is over, something awaits us: a presence that recognizes who we are. But if we approach a mountain instead, accepting that we are nothing more or less than an integral part of its existence, our ego merges with the nature of the mountain. In
Stephen Alter (Becoming a Mountain: Himalayan Journeys in Search of the Sacred and the Sublime)
The cultural Left has contributed to the formation of this politically useless unconscious not only by adopting “power” as the name of an invisible, ubiquitous, and malevolent presence, but by adopting ideals which nobody is yet able to imagine being actualized. Among these ideals are participatory democracy and the end of capitalism. Power will pass to the people, the Sixties Left believed only when decisions are made by all those who may be affected by the results. This means, for example, that economic decisions will be made by stakeholders rather than by shareholders, and that entrepreneurship and markets will cease to play their present role. When they do, capitalism as we know it will have ended, and something new will have taken its place. […] Sixties leftists skipped lightly over all the questions which had been raised by the experience of non market economies in the so-called socialist countries. They seemed to be suggesting that once we were rid of both bureaucrats and entrepreneurs, “the people” would know how to handle competition from steel mills or textile factories in the developing world, price hikes on imported oil, and so on. But they never told us how “the people” would learn how to do this. The cultural Left still skips over such questions. Doing so is a consequence of its preference for talking about “the system” rather than about specific social practices and specific changes in those practices. The rhetoric of this Left remains revolutionary rather than reformist and pragmatic. Its insouciant use of terms like “late capitalism” suggests that we can just wait for capitalism to collapse, rather than figuring out what, in the absence of markets, will set prices and regulate distribution. The voting public, the public which must be won over if the Left is to emerge from the academy into the public square, sensibly wants to be told the details. It wants to know how things are going to work after markets are put behind us. It wants to know how participatory democracy is supposed to function. The cultural Left offers no answers to such demands for further information, but until it confronts them it will not be able to be a political Left. The public, sensibly, has no interest in getting rid of capitalism until it is offered details about the alternatives. Nor should it be interested in participatory democracy –– the liberation of the people from the power of technocrats –– until it is told how deliberative assemblies will acquire the same know-how which only the technocrats presently possess. […] The cultural Left has a vision of an America in which the white patriarchs have stopped voting and have left all the voting to be done by members of previously victimized groups, people who have somehow come into possession of more foresight and imagination than the selfish suburbanites. These formerly oppressed and newly powerful people are expected to be as angelic as the straight white males were diabolical. If I shared this expectation, I too would want to live under this new dispensation. Since I see no reason to share it, I think that the left should get back into the business of piecemeal reform within the framework of a market economy. This was the business the American Left was in during the first two-thirds of the century. Someday, perhaps, cumulative piecemeal reforms will be found to have brought about revolutionary change. Such reforms might someday produce a presently unimaginable non market economy, and much more widely distributed powers of decision making. […] But in the meantime, we should not let the abstractly described best be the enemy of the better. We should not let speculation about a totally changed system, and a totally different way of thinking about human life and affairs, replace step-by-step reform of the system we presently have.
Richard Rorty (Achieving Our Country: Leftist Thought in Twentieth-Century America)
I was holding out hope that someday, somehow, Theo would come back. It isn't as if I've loved the same cold memory all this time. Rilke wrote, Even your not being there is warm with you. I'm in love with Theo's residual warmth. the indentation she left for me to grow around. All those living petals, never falling... I leave space for Theo to be something that's still happening to me.
Casey McQuiston
Maybe Laura’s real problem came in admitting this: there was nothing new under the sun. To write a story would be, somehow deep down, to embrace her limits, to admit that, indeed, she would someday die—if not of a worm or a ceiling, then of something else. The very nature of a story admitted this reality. To be a writer was to say, yes, I am just another Murasaki, and it is quite possible that no one will remember my name.
L.L. Barkat (The Novelist)
You have to tell someone,” Ana used to say, and as he had grown older, he had decided to interpret this sentence literally: Some One. Someday, he thought, somehow, he would find a way to tell some one, one person. And then he had, someone he had trusted, and that person had died, and he didn’t have the fortitude to tell his story ever again. But then, didn’t everyone only tell their lives—truly tell their lives—to one person?
Hanya Yanagihara (A Little Life)
I was thinking about when I would be dead," Natalie said. "Dead?" he said, surprised. "Are we going to die, you and I?" "I only worry about how," Natalie said soberly; unlike most of the things she found herself saying to Arthur Langdon, this was true. "I keep thinking of course it's got to happen, and even to me, but then I always think that somehow and someday this interesting person of mine will..." She searched for a word. "Subside," she said finally. "I mean, I will be very suddenly aware of an ending, and that there is not going to be any more for me, and that I am not going to be with myself any longer. And all of that's all right," she said, going on quickly as he opened his mouth to speak. "I'm only afraid of being caught unaware, of that terrible fast panic that comes when you're very very frightened, and of being afraid when it happens.
Shirley Jackson (Hangsaman)
Often children who survive extremely adverse childhoods have learned a particular survival strategy. I call it ‘strategic detachment.’ This is not the withdrawal from reality that leads to psychological disturbance, but an intuitively calibrated disengagement from noxious aspects of their family life or other aspects of their world. They some how know, This is not all there is. They hold the belief that a better alternative exists somewhere and that someday they will find their way to it. They persevere in that idea. They somehow know Mother is not all women, Father is not all men, this family does not exhaust the possibilities of human relationships-there is life beyond this neighborhood. This does not spare them suffering in the present, but it allows them not to be destroyed by it. Their strategic detachment does not guarantee that they will never know feelings of powerlessness, but it helps them not to be stuck there.
Nathaniel Branden
Operating from the idea that a relationship (or anything else) will somehow complete you, save you, or make your life magically take off is a surefire way to keep yourself unhappy and unhitched. Ironically, quite the opposite is true. What you really need to understand is that nothing outside of you can ever produce a lasting sense of completeness, security, or success. There’s no man, relationship, job, amount of money, house, car, or anything else that can produce an ongoing sense of happiness, satisfaction, security, and fulfillment in you. Some women get confused by the word save. In this context, what it refers to is the mistaken idea that a relationship will rid you of feelings of emptiness, loneliness, insecurity, or fear that are inherent to every human being. That finding someone to be with will somehow “save” you from yourself. We all need to wake up and recognize that those feelings are a natural part of the human experience. They’re not meaningful. They only confirm the fact that we are alive and have a pulse. The real question is, what will you invest in: your insecurity or your irresistibility? The choice is yours. Once you get that you are complete and whole right now, it’s like flipping a switch that will make you more attractive, authentic, and relaxed in any dating situation—instantly. All of the desperate, needy, and clingy vibes that drive men insane will vanish because you’ve stopped trying to use a relationship to fix yourself. The fact is, you are totally capable of experiencing happiness, satisfaction, and fulfillment right now. All you have to do is start living your life like you count. Like you matter. Like what you do in each moment makes a difference in the world. Because it really does. That means stop putting off your dreams, waiting for someday, or delaying taking action on those things you know you want for yourself because somewhere deep inside you’re hoping that Prince Charming will come along to make it all better. You know what I’m talking about. The tendency to hold back from investing in your career, your health, your home, your finances, or your family because you’re single and you figure those things will all get handled once you land “the one.” Psst. Here’s a secret: holding back in your life is what’s keeping him away. Don’t wait until you find someone. You are someone.
Marie Forleo (Make Every Man Want You: How to Be So Irresistible You'll Barely Keep from Dating Yourself!)
But in our wholeness, we became overly proud. In our pride, we neglected to worship the gods. The mighty Zeus punished us for our neglect by cutting all the double-headed, eight-limbed, perfectly contented humans in half, thereby creating a world of cruelly severed one-headed, two-armed, two-legged miserable creatures. In this moment of mass amputation, Zeus inflicted on mankind that most painful of human conditions: the dull and constant sense that we are not quite whole. For the rest of time, humans would be born sensing that there was some missing part - a lost half, which we love almost more than we love ourselves - and that this missing part was out there someplace, spinning through the universe in the form of another person. We would also be born believing that if only we searched relentlessly enough, we might someday find that vanished half, that other soul. Through union with the other, we would recomplete our original form, never to experience loneliness again. This is the singular fantasy of human intimacy: that one plus one will somehow, someday, equal two.
Elizabeth Gilbert (Committed: A Skeptic Makes Peace with Marriage)
To Begin With, the Sweet Grass 1. Will the hungry ox stand in the field and not eat of the sweet grass? Will the owl bite off its own wings? Will the lark forget to lift its body in the air or forget to sing? Will the rivers run upstream? Behold, I say—behold the reliability and the finery and the teachings of this gritty earth gift. 2. Eat bread and understand comfort. Drink water, and understand delight. Visit the garden where the scarlet trumpets are opening their bodies for the hummingbirds who are drinking the sweetness, who are thrillingly gluttonous. For one thing leads to another. Soon you will notice how stones shine underfoot. Eventually tides will be the only calendar you believe in. And someone's face, whom you love, will be as a star both intimate and ultimate, and you will be both heart-shaken and respectful. And you will hear the air itself, like a beloved, whisper: oh, let me, for a while longer, enter the two beautiful bodies of your lungs. 3. The witchery of living is my whole conversation with you, my darlings. All I can tell you is what I know. Look, and look again. This world is not just a little thrill for the eyes. It's more than bones. It's more than the delicate wrist with its personal pulse. It's more than the beating of the single heart. It's praising. It's giving until the giving feels like receiving. You have a life—just imagine that! You have this day, and maybe another, and maybe still another. 4. Someday I am going to ask my friend Paulus, the dancer, the potter, to make me a begging bowl which I believe my soul needs. And if I come to you, to the door of your comfortable house with unwashed clothes and unclean fingernails, will you put something into it? I would like to take this chance. I would like to give you this chance. 5. We do one thing or another; we stay the same, or we change. Congratulations, if you have changed. 6. Let me ask you this. Do you also think that beauty exists for some fabulous reason? And, if you have not been enchanted by this adventure— your life— what would do for you? 7. What I loved in the beginning, I think, was mostly myself. Never mind that I had to, since somebody had to. That was many years ago. Since then I have gone out from my confinements, though with difficulty. I mean the ones that thought to rule my heart. I cast them out, I put them on the mush pile. They will be nourishment somehow (everything is nourishment somehow or another). And I have become the child of the clouds, and of hope. I have become the friend of the enemy, whoever that is. I have become older and, cherishing what I have learned, I have become younger. And what do I risk to tell you this, which is all I know? Love yourself. Then forget it. Then, love the world.
Mary Oliver
I DON’T THROW AROUND the word purpose lightly. I get that it can feel like a heavy notion. I know for me thoughts around “What is my life’s purpose?” have often kept me up at night. Mostly because I worry that if I don’t yet know, somehow I’m already behind—that I’ve already lost time. The idea of purpose also lacks tangibility—a “maybe, someday” revelation you cross your fingers hoping you’ll stumble upon. But instead of choosing a mindset that makes it all too easy to live for tomorrow, what if the very things you’re meant to breathe life into are closer than you think?
Joanna Gaines (The Stories We Tell: Every Piece of Your Story Matters)
The hope is that when it comes to dealing with humans whose behaviors are among our worst and most damaging, words like 'evil' and 'soul' will be as irrelevant as when considering a car with faulty brakes, that they will be as rarely spoken in a courtroom as in an auto repair shop. And crucially, the analogy holds in a key way, extending to instances of dangerous people without anything obviously wrong with their frontal cortex, genes, and so on. When a car is being dysfunctional and dangerous and we take it to a mechanic, this is not a dualistic situation where (a) if the mechanic discovers some broken widget causing the problem, we have a mechanistic explanation, but (b) if the mechanic can’t find anything wrong, we’re dealing with an evil car; sure, the mechanic can speculate on the source of the problem—maybe it’s the blueprint from which the car was built, maybe it was the building process, maybe the environment contains some unknown pollutant that somehow impairs function, maybe someday we’ll have sufficiently powerful techniques in the auto shop to spot some key molecule in the engine that is out of whack—but in the meantime we’ll consider this car to be evil. Car free will also equals 'internal forces we do not understand yet.
Robert M. Sapolsky
You have to tell someone,” Ana used to say, and as he had grown older, he had decided to interpret this sentence literally: Some One. Someday, he thought, somehow, he would find a way to tell some one, one person. And then he had, someone he had trusted, and that person had died, and he didn’t have the fortitude to tell his story ever again. But then, didn’t everyone only tell their lives—truly tell their lives—to one person? How often could he really be expected to repeat himself, when with each telling he was stripping the clothes from his skin and the flesh from his bones, until he was as vulnerable as a small pink mouse?
Hanya Yanagihara (A Little Life)
You have to tell someone,” Ana used to say, and as he had grown older, he had decided to interpret this sentence literally: Some One. Someday, he thought, somehow, he would find a way to tell some one, one person. And then he had, someone he had trusted, and that person had died, and he didn’t have the fortitude to tell his story ever again. But then, didn’t everyone only tell their lives—truly tell their lives—to one person? How often could he really be expected to repeat himself, when with each telling he was stripping the clothes from his skin and the flesh from his bones, until he was as vulnerable as a small pink mouse?
Hanya Yanagihara (A Little Life)
It shook Therese in the profoundest part of her where no words were, no easy words like death or dying or killing. Those words were somehow future, and this was present. An inarticulate anxiety, a desire to know, know anything, for certain, had jammed itself in her throat so for a moment she felt she could hardly breathe. Do you think, do you think, it began. Do you think both of us will die violently someday, be suddenly shut off? But even that question wasn’t definite enough. Perhaps it was a statement after all: I don’t want to die yet without knowing you. Do you feel the same way, Carol? She could have uttered the last question, but she could not have said all that went before it.
Patricia Highsmith (The Price of Salt)
But these were days of self-fulfillment, where settling for something that was not quite your first choice of a life seemed weak-willed and ignoble. Somewhere, surrendering to what seemed to be your fate had changed from being dignified to being a sign of your own cowardice. There were times when the pressure to achieve happiness felt almost oppressive, as if happiness were something that everyone should and could attain, and that any sort of compromise in its pursuit was somehow your fault... Would he someday have the courage to give up, and would he be able to recognize that moment, or would he wake one day and look in the mirror and find himself an old man, still trying to call himself an actor because he was too scared to admit that he might not be, might never be?
Hanya Yanagihara
People alone, trapped, country people, all looked at the sky, I knew. It was the way out somehow, that sky, but it was also the steady, changeless witness to the after and before one's decisions—it witnessed all the deaths that took people away to other worlds—and so people had a tendency to talk to it. [...] I wondered whether I would ever be in love with a boy. Would I? Why not? Why not? Right then and there I vowed and dared and bet that sky and the trees that I would. [...] It would be a boy very far away—and I would go there someday and find him. He would just be there. And I would love him. And he would love me. And we would simply be there together, loving like that, in that place, wherever it was. I had a whole life ahead. I had patience and faith and a headful o songs.
Lorrie Moore (Who Will Run the Frog Hospital?)
No one wants to die. Even people who want to go to heaven don’t want to die to get there. And yet death is the destination we all share. No one has ever escaped it. And that is as it should be, because Death is very likely the single best invention of Life. It is Life’s change agent. It clears out the old to make way for the new. Right now the new is you, but someday not too long from now, you will gradually become the old and be cleared away. Sorry to be so dramatic, but it is quite true… Your time is limited, so don’t waste it living someone else’s life. Don’t be trapped by dogma — which is living with the results of other people’s thinking. Don’t let the noise of others’ opinions drown out your own inner voice. And most important, have the courage to follow your heart and intuition. They somehow already know what you truly want to become. Everything else is secondary.
George Ilian (Steve Jobs: 50 Life and Business Lessons from Steve Jobs)
He would have to keep her, somehow, and that would mean solving her. That would mean making her his impossible problem. Time travel no longer held any interest for him, only Regan and whatever it would take to make her a fixture in his life. Knowing her would mean knowing everything, not just her thoughts or her truths or the way she liked to be fucked. Knowing her would mean knowing her future, having it for himself. It was knowing what her children would look like, and what she would look like someday, when the youth was gone from her face and replaced by something else; by what? A mystery. It was a fucking mystery and Aldo couldn’t sit idly by while there were mysteries afoot. Uncertainty was something he lived with, yes, but not anymore. Frustration and restraint, she had said, equating his love of math with his love of her. I am Atlas, he thought, holding up the heavens. I will be endurance, I will have to endure.
Olivie Blake (Alone With You in the Ether)
That’s not fair,” Sophie grumbled through a yawn. “Yeah, wow,” Keefe said, rubbing his eyes as he stumbled to his feet. “If I don’t go now, I’m going to be drooling on your desk—unless you need me to stay.” Sophie couldn’t tell if he was asking her or her physicians. Either way, she told him, “Go home, Keefe. You’ve been stuck here long enough.” He shook his head, studying her with sleepy eyes. “I’m never stuck with you, Foster. Someday I’m going to make you see that.” “Sounds like I’d better get Hunkyhair home,” Ro said, striding out of Sophie’s closet in a silky pink gown that somehow looked both right and wrong with her armor strapped on top of it. “I was bored,” Ro added when she noticed the way everyone was staring, like that explained her new fashion choices. “I’ll bring the dress back tomorrow.” “Keep it,” Sophie told her. “You… look really good.” Ro glanced down, sliding her hands across the shimmering skirt, then rolled her eyes and muttered something about sparkles going to her head.
Shannon Messenger (Legacy (Keeper of the Lost Cities, #8))
But these were days of self-fulfillment, where settling for something that was not quite your first choice of a life seemed weak-willed and ignoble. Somewhere, surrendering to what seemed to be your fate had changed from being dignified to being a sign of your own cowardice. There were times when the pressure to achieve happiness felt almost oppressive, as if happiness were something that everyone should and could attain, and that any sort of compromise in its pursuit was somehow your fault. Would Willem work for year upon year at Ortolan, catching the same trains to auditions, reading again and again and again, one year maybe caterpillaring an inch or two forward, his progress so minute that it hardly counted as progress at all? Would he someday have the courage to give up, and would he be able to recognize that moment, or would he wake one day and look in the mirror and find himself an old man, still trying to call himself an actor because he was too scared to admit that he might not be, might never be?
Hanya Yanagihara (A Little Life)
If you trust in Nature, in the small Things that hardly anyone sees and that can so suddenly become huge, immeasurable; if you have this love for what is humble and try very simply, as someone who serves, to win the confidence of what seems poor: then everything will become easier for you, more coherent and somehow more reconciling, not in your conscious mind perhaps, which stays behind, astonished, but in your innermost awareness, awakeness, and knowledge. You are so young, so much before all beginning, and I would like to beg you, dear Sir, as well as I can, to have patience with everything unresolved in your heart and to try to love the questions themselves as if they were locked rooms or books written in a very foreign language. Don’t search for the answers, which could not be given to you now, because you would not be able to live them. And the point is, to live everything. Live the questions now. Perhaps then, someday far in the future, you will gradually, without even noticing it, live your way into the answer.
Rainer Maria Rilke (Letters to a Young Poet)
Just like rain, let it all flow incessantly until the sky clears out. Sometimes a part of me asks how is it that the ones who love the most, dearly, tenderly giving their all, find their hollow end meeting with scars that they never deserved. How is it that sometimes Life turns cold for those who sprinkle the most amount of sunshine, the hand that wipes other's pain how is that parched with betrayals and misunderstandings. But I guess it is about life lessons, how a soul grows through it all, as if the soul walks across the pyre of fire to know and eventually become its own mettle. Through it all the heart becomes more open and the mind more understanding, a unique strength of peace walks inside the very fire that rages the soul. Patience flows in through perseverance and the ashes mould in the teardrop of resilience to wear the smile of kindness. I have realised that when the worst happens to us, the soul is confronted with two choices, either to become bitter with repeating the question why or to become better with understanding the way how to walk ahead. Eventually it boils down to two simple emotions, love and hate, astonishingly born out of the same part of our mind and heart. It is a selection of either vengeance or forgiveness, not an easy choice to make especially when we are at our most vulnerable self. Whatever we choose becomes our reality, as if we get soaked in it, and somehow Time runs by. And when years pass by and we look back and see the path, and reflect on our choice we understand the meaning of both the choices, to some they take the shape of peace and to some they take the shape of agony, but looking closely we can see that the agony is the pathway leading to peace, forgiveness is the destination, sooner or later we all reach that space to find it in us to forgive, some in years while some in lifetimes. And perhaps, that is why we all undergo all that happens to us, chained in our Karma. So even when Life seems unfair, give it your all. Love with all your soul and no matter what comes by, don't stop walking along this shore of Time, because no matter how long it takes, you will find your Home. And when Life puts up a question as to why some who broke your soul find pleasure so easy, remind yourself the difference between pleasure and peace and don't forget to acknowledge the fact that perhaps you have paid your Karmic debt in full while theirs might just be beginning. So break if you must, but remind yourself about the gift of Life and Love every passing moment that breathes like a dream in an illusion of Time. Let your Faith walk hand in hand with you as you tread softly towards your destination, because no matter the years or the lifetimes, someday the sky shall be clear for the rainbow of your soul to smile in the Justice of Him, who knows all, sees all, feels all and does all.
Debatrayee Banerjee
She drifted down the walk carelessly for a moment, stunned by the night. The moon had come out, and though not dramatically full or a perfect crescent, its three quarters were bright enough to turn the fog and dew and all that had the power to shimmer a bright silver, and everything else- the metal of the streetlamps, the gates, the cracks in the cobbles- a velvety black. After a moment Wendy recovered from the strange beauty and remembered why she was there. She padded into the street before she could rethink anything and pulled up her hood. "Why didn't I do this earlier?" she marveled. Sneaking out when she wasn't supposed to was its own kind of adventure, its own kind of magic. London was beautiful. It felt like she had the whole city to herself except for a stray cat or two. Despite never venturing beyond the neighborhood much by herself, she had plenty of time with maps, studying them for someday adventures. And as all roads lead to Rome, so too do all the major thoroughfares wind up at the Thames. Names like Vauxhall and Victoria (and Horseferry) sprang from her brain as clearly as if there had been signs in the sky pointing the way. Besides Lost Boys and pirates, Wendy had occasionally terrified her brothers with stories about Springheel Jack and the half-animal orphan children with catlike eyes who roamed the streets at night. As the minutes wore on she felt her initial bravery dissipate and terror slowly creep down her neck- along with the fog, which was also somehow finding its way under her coat, chilling her to her core. "If I'm not careful I'm liable to catch a terrible head cold! Perhaps that's really why people don't adventure out in London at night," she told herself sternly, chasing away thoughts of crazed, dagger-wielding murderers with a vision of ugly red runny noses and cod-liver oil. But was it safer to walk down the middle of the street, far from shadowed corners where villains might lurk? Being exposed out in the open meant she would be more easily seen by police or other do-gooders who would try to escort her home. "My mother is sick and requires this one particular tonic that can only be obtained from the chemist across town," she practiced. "A nasty decoction of elderberries and slippery elm, but it does such wonders for your throat. No one else has it. And do you know how hard it is to call for a cab this time of night? In this part of town? That's the crime, really." In less time than she imagined it would take, Wendy arrived at a promenade that overlooked the mighty Thames. She had never seen it from that particular angle before or at that time of night. On either bank, windows of all the more important buildings glowed with candles or gas lamps or even electric lights behind their icy panes, little tiny yellow auras that lifted her heart. "I do wish I had done this before," she breathed. Maybe if she had, then things wouldn't have come to this...
Liz Braswell (Straight On Till Morning)
Is it hard for you to be in an Abnegation house again? I meant to ask before. We can go somewhere else, if it is.” I finish my second piece of bread. All Abnegation houses are the same, so this living room is exactly the same as my own, and it does bring back memories, if I look at it carefully. Light glowing through the blinds every morning, enough for my father to read by. The click of my mother’s knitting needles every evening. But I don’t feel like I’m choking. It’s a start. “Yes,” I say. “But not as hard as you might think.” He raises an eyebrow. “Really. The simulations in Erudite headquarters…helped me, somehow. To hold on, maybe.” I frown. “Or maybe not. Maybe they helped me to stop holding on so tightly.” That sounds right. “Someday I’ll tell you about it.” My voice sounds far away. He touches my cheek and, even though we’re in a room full of people, crowded by laughter and conversation, slowly kisses me. “Whoa there, Tobias,” says the man to my left. “Weren’t you raised a Stiff? I thought the most you people did was…graze hands or something.” “Then how do you explain all the Abnegation children?” Tobias raises his eyebrows. “They’re brought into being by sheer force of will,” the woman on the arm of the chair interjects. “Didn’t you know that, Tobias?” “No, I wasn’t aware.” He grins. “My apologies.” They all laugh. We all laugh. And it occurs to me that I might be meeting Tobias’s true faction. They are not characterized by a particular virtue. They claim all colors, all activities, all virtues, and all flaws as their own. I don’t know what binds them together. The only common ground they have, as far as I know, is failure. Whatever it is, it seems to be enough. I feel, as I look at him, that I am finally seeing him as he is, instead of how he is in relation to me. So how well do I really know him, if I have not seen this before?
Veronica Roth (Insurgent (Divergent, #2))
I know you don’t want to feel superior, but it is so easy to control us.” He snorted his disagreement. “I have failed to control you at every turn. You have no idea how often I wanted to force your obedience when you placed yourself in danger. I should have gone with my instincts…but no, I allowed you to go back to the inn.” “Your love for me caused you to pull back.” She reached out to touch his hair. “Isn’t that how it should be between two people? If you really love who I am, and you want me to be happy, then you know I have to do what comes naturally to me, what I feel is right.” His finger traced down her throat, through the deep valley between her breasts, making her shiver with sudden heat. “That is true, little one, but that is also true of my needs. You can do no other than to make me happy. My happiness is completely dependent on whether or not you are safe.” Raven couldn’t help smiling. “Somehow I think your devious nature is showing. Perhaps you need to examine human ingenuity. You rely heavily on your gifts, Mikhail, but humans must find other ways. We are uniting two worlds. If we decide to have a child…” He stirred restlessly, his dark eyes glittering. She caught the imperious Carpathian decree before he could censor his thoughts. You must. “If we decide someday to have a child,” she persisted, ignoring his authority, “if it is male, he will be raised in both worlds. And if it is a girl, she will be raised with free will and a mind of her own. I mean it, Mikhail. I will never, ever, consent to bringing a child into this world to be a broodmare for one of these men. She will know her own power and choose her own life.” “Our women make their choices,” he said quietly. “I’m sure there’s some ritual that ensures that she wants to choose the right man,” Raven guessed. “You will give me your word you will agree to my terms, or I will not bear a child.” His fingertips brushed her face with exquisite tenderness. “More than anything I want your happiness. I would also want my children to be happy. We have years to decide these things, lifetimes, but yes, when we have learned to balance the two worlds and we know the time is right, I agree absolutely to your terms.” “You know I’ll hold you to it,” she warned. He laughed softly, cupping the side of her face in his palm. “As the years go by, your strength and power will grow. You already terrify me, Raven. I do not know if my heart will be able to stand the coming years.
Christine Feehan (Dark Prince (Dark, #1))
Metacom is a thoughtful, brave person. But somehow he does not cause me to feel both shy and alive the way Wamsutta does. I can see the way Wootonekanuske looks at Metacom with such admiration, and I think it is no accident that he always wears the woven belt she gave him. Metacom could never be my husband. But maybe he will indeed be my brother-in-law someday. I would be very glad of that. Wootonekanuske and Metacom are very young, but I think they already know each other's hearts. And I think I know mine.
Patricia Clark Smith (Weetamoo: Heart of the Pocassets, Massachusetts - Rhode Island, 1653)
Someday, when we are dead and buried, someone will walk past our gravestones and wonder about my secrets, your secrets. Will our wisdom be buried with us? Or will it somehow survive?
Valya Dudycz Lupescu (The Silence of Trees)
...an unlikely group pieced together these past few weeks from parties and family references, friend-of-friend happenstance, and (in one case, just now being introduced) sheer, scarcely tolerable intrusiveness-five people who, in normal life back home, would have been satisfied never to have known one another. Five young expatriates hunch around an undersized cafe table: a moment of total insignificance, and not without a powerful whiff of cliche. Unless you were one of them. Then this meaningless, overdrawn moment may (then or later) seem to be somehow the summation of both an era and your own youth, your undeniably defining afternoon (though you can hardly say that aloud without making a joke of it). Somehow this one game of Sincerity becomes the distilled recollection of a much longer series of events. It persistantly rises to the surface of your memory-that afternoon when you fell in love with a person or a place or a mood, when you savored the power of fooling everyone, when you discovered some great truth about the world, when (like a baby duck glimpsing your quacking mother's waddling rear for the first time) an indelible brand was seared into your heart, which is, of course, a finate space with limited room for searing. Despite its insignificance, there was this moment, this hour or two, this spring afternoon blurring into evening on a cafe patio in a Central European capital in the opening weeks of its post-Communist era. The glasses of liqueur. The diamond dapples of light between oval, leaf-shaped shadows, like optical illusions. The trellised curve of the cast-iron fence seperating the patio from its surrounding city square. The uncomfortable chair. Someday this too will represent someone's receding, cruelly unattainable golden age. (4-5)
Arthur Phillips (Prague)
Every day we all wake up and struggle to put one foot in front of the other with no promise that at the end of the day, life will be any better. But you get up anyway. You keep breathing and hold on to faith that somehow, someday things are going to change for the better. Probably when we least expect it.
M.L. Gardner (1929 Jonathan's Cross (The 1929 Series, #1))
No one wants to die. Even people who want to go to heaven don’t want to die to get there. And yet death is the destination we all share. No one has ever escaped it. And that is as it should be, because Death is very likely the single best invention of Life. It is Life’s change agent. It clears out the old to make way for the new. Right now the new is you, but someday not too long from now, you will gradually become the old and be cleared away. Sorry to be so dramatic, but it is quite true. Your time is limited, so don’t waste it living someone else’s life. Don’t be trapped by dogma—which is living with the results of other people’s thinking. Don’t let the noise of others’ opinions drown out your own inner voice. And most important, have the courage to follow your heart and intuition. They somehow already know what you truly want to become. Everything else is secondary.
Brent Schlender (Becoming Steve Jobs: The Evolution of a Reckless Upstart into a Visionary Leader)
For Schwartz this formed the paradox at the heart of baseball, or football, or any other sport. You loved it because you considered it an art: an apparently pointless affair, undertaken by people with a special aptitude, which sidestepped attempts to paraphrase its value yet somehow seemed to communicate something true or even crucial about The Human Condition. The Human Condition being, basically, that we're alive and have access to beauty, can even erratically create it, but will someday be dead and will not.
Chad Harbach (The Art of Fielding)
Mate. He’d told Hayden he would stick to his routine. That meant watching the game at her apartment on Sunday and maintaining their friendship. His logical mind fought against his growing urges. Last night, he couldn’t have a simple conversation without touching her. And she didn’t make things any easier. He could smell the desire pouring out of her. It took every ounce of his self-control to hold himself back. At times, it was painful. “I know what I’m doing. I’ve got the situation under control.” Cam laughed. “Like you did yesterday? Dude, we both know it’s only going to get worse. You’re like a ticking sex bomb.” Deep down, Kaden knew he was right. Annabelle would become an irresistible, unquenchable thirst. Ordinarily, she would feel the same pull, but there was no way to know how a human would react. “There’s no such thing as a sex bomb.” Cam spread himself flat across the sofa with his arms crossed behind his head. “Yeah, well, there definitely should be.” “Be serious.” He sat up. “I’m trying to tell you, it’s foolish to fight the bond between you. You’d be better off going with it and letting the panties drop where they may.” And what would happen if he did bond with her? There was no chance it would ever work out between them. He had to hide who he was from the world. A life with him meant Annabelle would have to lie to her friends and family about their relationship. He would never be able to marry her or give her the children she wanted. They’d talked about her dreams for a white picket fence and a family. Even if she were willing to give up those things, wouldn’t he be putting her life in danger? A dull ache formed in the pit of his chest. “You know that’s not possible.” If he could somehow push away these human emotions of his, maybe he stood a chance of keeping her in his life. Maybe someday he could actually be happy for her if she found a suitable mate. He dug his fingernails into the palms of his hands at the thought of her with a human. “I have to go. She’s waiting for me.” “Don’t forget the condoms,” Cam shouted out. “Matter of fact, you might want to double up. With all your pent-up frustration, there’s bound to be an explosion.” “Hilarious,” he replied, shutting the door behind him as he made his way toward his truck. Once inside, he slid his seat belt on and leaned back against the head cushion with his eyes closed. Filled with self-doubt, he worried that he wouldn’t be able to handle it. But he had to. For the sake of everyone he loved, he had to find a way.
Stacey O'Neale (Under His Skin (Alien Encounters, #1))
Someday," Joseph said to his granddaughter, "someday something will happen and you will want to go back to the carving. You won't be able to prevent yourself; that's just the way it is. The world always somehow takes us back to the chisel. Something happens and we have to respond.
Jane Urquhart (The Stone Carvers)
Sandy Stranded at the drive in Branded a fool What will they say Monday at school? Sandy, can't you see I'm in misery? You made a start, now we're apart There's nothing left for me Love has flown all alone I sit and wonder why, oh? Why you left me, oh Sandy Oh Sandy, baby, someday When high school is done Somehow, someway Our two worlds will be one In Heaven forever And ever we will be Oh please, say you'll stay Oh Sandy Sandy my darling', you hurt me real bad You know it's true But baby you gotta believe me when I say I'm helpless without you Love has flown all alone I sit I wonder why Why you left me, oh Sandy? Sandy, Sandy, why, oh Sandy?
Grease
In his line of work, nobody ever calls in the dead of night. Still he forgives her for her sudden departures. His large, powerful body is always invincibly warm in this freezing room; he likes to turn up the air conditioning and have her burrow into his warmth. For a few moments she considers staying here, her cheek against his chest, letting his heartbeat lull her back into warm, safe sleep. Then, very reluctantly, she sits up. She watches the outline of his body under the covers, and out of habit she reaches out and runs the soft, fleshy pad of her right thumb across the long, brown lashes of his left eye. The eye shuts tighter as the other one opens. Green flecked with gold, catching what little light there is in the room. “Give me one good reason.” She cannot think of anything to say. “Thought not.” The huge hands with their thick fingers come up behind her head and pull it against his chest. She breathes him in, the smell of soap and warm skin and cigarette smoke. She loves the smell of him, even if she is allergic to secondhand smoke. He cannot, will not stop smoking, and she has to take antihistamines before she sees him. Small sacrifices, like not being able to go out with him in broad daylight, the slight twinge of envy she feels seeing lovers walk through malls and parks with their arms locked around each other. His daylight hours do not belong to her, and neither do these nights; she steals them like a common thief from a wife and children whose faces and names she does not want to know. Someday soon these sacrifices will not seem so small, and these nights will not be enough. She cannot bear the thought of that day coming, and yet somehow she cannot wait for it to come.
F.H. Batacan
If you keep thinking about your dream, it will happen someday, somehow.
Gita Savitri Devi (A Cup Of Tea)
You can see the crimes that people commit, see them in their clear brutality, and yet someday, somehow, forgive. It might be the only way. How is forgiveness of what is not acknowledged forgiveness at all?
JoAnne Tompkins (What Comes After)
But eating her hair was nothing more than a slightly creepy last-ditch effort on my part to try and absolve myself from all the guilt. I dreamt that swallowing a piece of her hair tethered us together somehow, eliminating any fear that we might someday grow apart because of everything that happened. So, when I woke up, I plucked a strand from her head while she slept and put it in my mouth.
Colleen Hoover (Layla)
In his line of work, nobody ever calls in the dead of night. Still he forgives her for her sudden departures. His large, powerful body is always invincibly warm in this freezing room; he likes to turn up the air conditioning and have her burrow into his warmth. For a few moments she considers staying here, her cheek against his chest, letting his heartbeat lull her back into warm, safe sleep. Then, very reluctantly, she sits up. She watches the outline of his body under the covers, and out of habit she reaches out and runs the soft, fleshy pad of her right thumb across the long, brown lashes of his left eye. The eye shuts tighter as the other one opens. Green flecked with gold, catching what little light there is in the room. “Give me one good reason.” She cannot think of anything to say. “Thought not.” The huge hands with their thick fingers come up behind her head and pull it against his chest. She breathes him in, the smell of soap and warm skin and cigarette smoke. She loves the smell of him, even if she is allergic to secondhand smoke. He cannot, will not stop smoking, and she has to take antihistamines before she sees him. Small sacrifices, like not being able to go out with him in broad daylight, the slight twinge of envy she feels seeing lovers walk through malls and parks with their arms locked around each other. His daylight hours do not belong to her, and neither do these nights; she steals them like a common thief from a wife and children whose faces and names she does not want to know. Someday soon these sacrifices will not seem so small, and these nights will not be enough. She cannot bear the thought of that day coming, and yet somehow she cannot wait for it to come.
F.H. Batacan (Smaller and Smaller Circles)
Finally Sosa rose and approached, but Boone was grateful he didn’t touch him. “Friend, listen. They didn’t teach us in seminary how to deal with stuff like this. I can’t make it make sense any more than you can, and you’re not going to hear me say that God’s got some kind of a master plan and that he’ll make it all clear to you someday. He does have a plan, but he’s not the author of death. All I can make of this is that it’s evidence of our fallen world. I’d love to be able to tell you that somehow because of this, a hundred wonderful things will happen that will make it worth it. That’s ridiculous and you know it better than I do. You want my prediction: we’re not going to know the whys this side of heaven. In the meantime, all we can do is put our shaky faith and trust in the God we know is sovereign.
Jerry B. Jenkins (The Brotherhood (Precinct 11, #1))
I really am sorry,” Tad explains. “I just want to belong. A frog who can’t eat flies—it just feels so wrong.” “Being different can be hard, but, you’ll figure it out somehow. Someday, you may find it’s a gift, even if you don’t think so right now.” “How would you know?” Tad’s eyes fill with tears. “Because, I’m allergic to honey—have been for years! Since I couldn’t make honey like other bees do, I trained as a Medic, and now I get to help you!
Alicia J. Pfaff (If I Can't Eat Flies, What Am I?)