“
Perhaps this is what the stories meant when they called somebody heartsick. Your heart and your stomach and your whole insides felt hollow and empty and aching.
”
”
Juliet Marillier (Daughter of the Forest (Sevenwaters, #1))
“
Be loved, be admired, be necessary; be somebody.
”
”
Simone de Beauvoir (Memoirs of a Dutiful Daughter)
“
Somebody's girlfriend," she said. "Somebody's sister, somebody's daughter. All these things I never knew I was before, and I still don't really know what I am.
”
”
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
“
Even when all the paperwork-a marriage license, a notarized deed, two birth certificates, and seven years of tax returns-clearly indicates you're an adult, but all the same, there you are, clutching the phone and thanking God that you're still somebody's daughter.
”
”
Kelly Corrigan (The Middle Place)
“
We gotta start teaching our daughters to be somebodies instead of somebody's.
”
”
Kifah Shah
“
Kids can always tell the difference between adults who want to empower them, and adults who want to overpower them.
”
”
Ashley C. Ford (Somebody's Daughter)
“
Imagine, I might really become somebody. Someday.
”
”
Maya Angelou (Letter to My Daughter)
“
I did not know that there are miles between running out of things to say, and running out of the strength to say them.
”
”
Ashley C. Ford (Somebody's Daughter)
“
I’ve heard people describe panic as something that rises up inside them. For me, panic radiates in the threads of my muscles, bangs in the back of my skull, twists my stomach, and sets my skin on fire. It doesn’t rise or fall. It spreads.
”
”
Ashley C. Ford (Somebody's Daughter)
“
Let me tell you about love. Love is a kind of madness and you would follow it anywhere, you don't care.
”
”
Elizabeth Brundage (Somebody Else's Daughter)
“
sometimes, your world turns upside down, and you need somebody to show you how to walk on your hands before you can find your feet again.
”
”
Karin Slaughter (The Good Daughter (The Good Daughter, #1))
“
When you write about you and me? Just tell the truth. Your truth. Don’t worry about nobody’s feelings, especially not mine. You gotta be tough to tell your truth, but it’s the only thing worth doing next to loving somebody.
”
”
Ashley C. Ford (Somebody's Daughter)
“
For the rest of my life, I would seek out the library the way some search for the soft light of a chapel in the dark.
”
”
Ashley C. Ford (Somebody's Daughter)
“
When you don’t grow up with a certain kind of affection, even if you know you’re worthy of it, it can be hard to accept in adulthood.
”
”
Ashley C. Ford (Somebody's Daughter)
“
When my life was new, I understood in my bones how little it mattered what anybody else was doing, or what they thought about what I was doing. I believed my bones then.
”
”
Ashley C. Ford (Somebody's Daughter)
“
Every place always has somebody who doesn’t fit in. That’s what makes them fit in.
”
”
Karin Slaughter (The Good Daughter (The Good Daughter, #1))
“
I wanted to be seen, but I didn't want to be watched.
”
”
Ashley C Ford (Somebody's Daughter: A Memoir)
“
Living by your principles will always be the harder path. But you have to do it anyway. You have to do what’s right no matter how hard it gets, or one day you’ll find out you’ve become somebody you can’t live with.
”
”
Zoe Cannon (The Torturer's Daughter (Internal Defense #1))
“
No matter what you wanted to hide from yourself, you couldn’t hide it from the people whose particular brand of bent matched yours. The effort was moot. Weird kids always find each other.
”
”
Ashley C. Ford (Somebody's Daughter)
“
she’d lost her voice somewhere down in her chest, somewhere they couldn’t reach in and grab it.
”
”
Ashley C. Ford (Somebody's Daughter)
“
But even though I was with my father again, I never felt really secure deep down. I don't know how to put it exactly, but things were never really settled inside me. I always had this feeling like, I don't know, like somebody was putting something over on me, like my real father had disappeared forever and, to fill the gap, some other guy was sent to me in his shape.
”
”
Haruki Murakami (After Dark)
“
I was tempted, as I always am, to take the bait when my mother offers me empathy. Tempted by my fantastical belief that one day I will lower my walls, and she will do the same. Then I end up blaming myself for not remembering to stick to the conversational paths offering the least resistance, furious at myself for veering too far into the unexplored or exiled.
”
”
Ashley C. Ford (Somebody's Daughter)
“
Wooed by a vivid cover, she picked one up and leafed through it. She loved thee way it smelled, the ink, the fine paper, the oversized photographs.
”
”
Elizabeth Brundage (Somebody Else's Daughter)
“
My mother didn’t know I could do bad things and still have the sun. She didn’t know I could keep my own truth and memories inside. But I knew.
”
”
Ashley C. Ford (Somebody's Daughter)
“
I learned to carry the secrets of my badness silently and alone.
”
”
Ashley C. Ford (Somebody's Daughter)
“
I did not mind getting hurt as much as I minded being surprised by the pain. I wanted to see it coming.
”
”
Ashley C. Ford (Somebody's Daughter)
“
Ouch!'' The cry escaped before I could stop it, and on either side of me, Chase and Devon leapt to their feet.
''Problem?'' Ali asked mildly, amusement dancing in the corners of her eyes. Given the whole Casey thing, I didn't think she had to call to be in such a good mood, but what did I know?
''No problem,'' I said darkly, rubbing my shin ''Somebody just accidentally kicked me under the table.'' I narrowed my eyes at lake, and she helped herself to another T-bone And smothered it in stake sauce.
''Wasn’t an accident'' She said cheerfully.
''Lake'' Mitch didn’t say any more than his daughters name and she rolled her eyes.
''It’s not like I shot her''.
”
”
Jennifer Lynn Barnes
“
Live or die, but don't poison everything...
Well, death's been here
for a long time --
it has a hell of a lot
to do with hell
and suspicion of the eye
and the religious objects
and how I mourned them
when they were made obscene
by my dwarf-heart's doodle.
The chief ingredient
is mutilation.
And mud, day after day,
mud like a ritual,
and the baby on the platter,
cooked but still human,
cooked also with little maggots,
sewn onto it maybe by somebody's mother,
the damn bitch!
Even so,
I kept right on going on,
a sort of human statement,
lugging myself as if
I were a sawed-off body
in the trunk, the steamer trunk.
This became perjury of the soul.
It became an outright lie
and even though I dressed the body
it was still naked, still killed.
It was caught
in the first place at birth,
like a fish.
But I play it, dressed it up,
dressed it up like somebody's doll.
Is life something you play?
And all the time wanting to get rid of it?
And further, everyone yelling at you
to shut up. And no wonder!
People don't like to be told
that you're sick
and then be forced
to watch
you
come
down with the hammer.
Today life opened inside me like an egg
and there inside
after considerable digging
I found the answer.
What a bargain!
There was the sun,
her yolk moving feverishly,
tumbling her prize --
and you realize she does this daily!
I'd known she was a purifier
but I hadn't thought
she was solid,
hadn't known she was an answer.
God! It's a dream,
lovers sprouting in the yard
like celery stalks
and better,
a husband straight as a redwood,
two daughters, two sea urchings,
picking roses off my hackles.
If I'm on fire they dance around it
and cook marshmallows.
And if I'm ice
they simply skate on me
in little ballet costumes.
Here,
all along,
thinking I was a killer,
anointing myself daily
with my little poisons.
But no.
I'm an empress.
I wear an apron.
My typewriter writes.
It didn't break the way it warned.
Even crazy, I'm as nice
as a chocolate bar.
Even with the witches' gymnastics
they trust my incalculable city,
my corruptible bed.
O dearest three,
I make a soft reply.
The witch comes on
and you paint her pink.
I come with kisses in my hood
and the sun, the smart one,
rolling in my arms.
So I say Live
and turn my shadow three times round
to feed our puppies as they come,
the eight Dalmatians we didn't drown,
despite the warnings: The abort! The destroy!
Despite the pails of water that waited,
to drown them, to pull them down like stones,
they came, each one headfirst, blowing bubbles the color of cataract-blue
and fumbling for the tiny tits.
Just last week, eight Dalmatians,
3/4 of a lb., lined up like cord wood
each
like a
birch tree.
I promise to love more if they come,
because in spite of cruelty
and the stuffed railroad cars for the ovens,
I am not what I expected. Not an Eichmann.
The poison just didn't take.
So I won't hang around in my hospital shift,
repeating The Black Mass and all of it.
I say Live, Live because of the sun,
the dream, the excitable gift.
”
”
Anne Sexton (The Complete Poems)
“
When children are small, our desires seem small, even if we want the sky. Anything we want seems to be only a matter of time and effort away. It’s too early to imagine what’s already holding you back.
”
”
Ashley C. Ford (Somebody's Daughter)
“
Ashley, you’re the only person who has to live in your skin, and wake up with the consequences of your choices. That’s why you can’t let other people make the big choices for you. You have to do what it feels right to do, and you can’t let anybody stop you.” I heard the stifled smile again. “Not even me.
”
”
Ashley C. Ford (Somebody's Daughter)
“
And if your daughter came to you, crying with hunger, would you tell her no? Would you tell her she is too fat, she wants too much, she must shrink into society? No.
Then why would you tell yourself the exact same thing? You are somebody’s daughter.
”
”
Michelle K.
“
She had the feeling that she would be different from now on, that she could never go back and be the same person she had been.
So who am I now?
Somebody fierce, I think.
Somebody who’d enjoy running through the darkness, underneath stars bright as miniature suns, and maybe even hunt deer.
Somebody who can laugh and death
”
”
L.J. Smith (Daughters of Darkness (Night World, #2))
“
Things didn't really go away. You just learned to push them deeper.
”
”
Elizabeth Brundage (Somebody Else's Daughter)
“
I will not be someone who abandons my principles as soon as they become inconvenient. I will not be someone who says that certain things have to be done… as long as somebody else does them.
”
”
Zoe Cannon (The Torturer's Daughter (Internal Defense #1))
“
though I tended to hold adults to impossible standards, I seemed to have infinite patience for children. Unlike some adults, I never quit remembering what it was like to be one. Their small plights were familiar to me, as were their big feelings.
”
”
Ashley C. Ford (Somebody's Daughter)
“
I could ask him if he think "a lot" means the same as "too many"...I could tell him that he shouldn't call a girl a slut because someday she might be somebody's mother...maybe she's a slut because she's lonely, she's sad, she's hoping someone or something will make the lonely and sad go away.
”
”
Diana Joseph (I'm Sorry You Feel That Way: The Astonishing But True Story of a Daughter, Sister, Slut, Wife, Mother, and Friend to Man and Dog)
“
I was an anxious driver. I was afraid of highways, and driving alone anywhere more than thirty minutes away scared me. Operating a vehicle is a lesson in individual control and mutual trust. I was skeptical of both.
”
”
Ashley C. Ford (Somebody's Daughter)
“
Despite everything my father had done, I was still so eager to be claimed by him. To be protected by him. To the world he was a bad man. To me, he was my dad who did a bad thing. I was still trying to figure out what it meant to love someone who had done such a bad thing, but I did love him. And that was enough for me to show up, and say so to his face.
”
”
Ashley C. Ford (Somebody's Daughter)
“
Always enter a room with your head up. Right away that tells people you're your own person. If your head is down, that lets people feel they can do anything they want with you. When you talk to somebody, white or colored, always look him straight in the eye. First of all, it's honesty. Second, he knows he can beat up on you if you don't make eye contact.
”
”
Yvonne S. Thornton (The Ditchdigger's Daughters: A Black Family's Astonishing Success Story)
“
If my mother and I shared anything without having carefully considered it, it was this undying ember of a dream that we will someday, somehow find ourselves reaping the bounty of a blooming mother-daughter bond, the roots of which we both refuse to tend in the meantime.
”
”
Ashley C. Ford (Somebody's Daughter)
“
We don’t give up on our people. We don’t stop loving them.” She looked into my face, her eyes watering at the bottoms. “Not even when we’re burning alive.
”
”
Ashley C. Ford (Somebody's Daughter)
“
It was easier to laugh at the jokes after you'd forgotten the pain.
”
”
Ashley C. Ford (Somebody's Daughter)
“
Love every one as you love your little daughter and son, because everybody is somebody's daughter and son.
”
”
Debasish Mridha
“
Feeling any of it felt like the beginning of losing control, and losing control felt like certain death in my body, if not my mind. If I didn’t process the feeling, I wouldn’t feel it, and if I didn’t feel it, it couldn’t kill me.
”
”
Ashley C. Ford (Somebody's Daughter)
“
Bad things happen to good people, Zoe. It doesn’t mean you’re bad. It means the universe found a warrior in you. It chose carefully. It’s up to you how to move forward. You can choose to be the victim, or you can choose to be the warrior.
”
”
Rochelle B. Weinstein (Somebody's Daughter)
“
My mother wasn’t perfect. Our relationship was complicated, and difficult. She was my imperfect mother. We were two different people, and found that hard to accept in one another. But I was hers and she was mine. That’s how it had always been. Who would I be, if not hers? I didn’t want to be without her.
”
”
Ashley C. Ford (Somebody's Daughter)
“
wear. It doesn’t take long for children to teach themselves not to want what they’ve already learned they won’t have. I couldn’t find a good enough reason to torture myself by acknowledging my futile desires for more stuff.
”
”
Ashley C. Ford (Somebody's Daughter)
“
I made my bed and I sleep like a baby with no regrets and I don't mind saying it's a sad, sad story when a mother will teach her daughter that she ought to hate a perfect stranger. And how in the world can the words that I said send somebody so over the edge that they'd write me a letter saying that I better shut up and sing or my life will be over?
”
”
Dixie Chicks (Playlist -- The Very Best of Dixie Chicks: Piano/Vocal/Chords)
“
He wanted to dig a hole and put the past inside it and cover it back up again. He didn't know if flowers would grow there or not. He hoped they would.
”
”
Elizabeth Brundage (Somebody Else's Daughter)
“
His life in general had been a neatly wrapped package of lies.
”
”
Elizabeth Brundage (Somebody Else's Daughter)
“
It wasn’t lost on me that I mostly spoke my truth in the spaces where my family was absent.
”
”
Ashley C. Ford (Somebody's Daughter)
“
Everybody changes, Ellie figured. Everybody starts out as one kind of person and ends up being somebody else. … Even when you don't notice it, life is rearranging you.
”
”
Connie Schultz (The Daughters of Erietown)
“
mother’s job is to teach her children not to need her anymore. The hardest part of that job is accepting success
”
”
Rochelle B. Weinstein (Somebody's Daughter)
“
No matter how hard you try, no matter the level of wishful thinking, there are some things that are beyond our control.
”
”
Rochelle B. Weinstein (Somebody's Daughter)
“
There's no such thing as a small god. Once somebody starts playing God, sooner or later, things will get out of hand.
”
”
Elif Shafak
“
I knew how to disappear. Sometimes my mother needed me to disappear.
”
”
Ashley C. Ford (Somebody's Daughter)
“
The library felt too good to be true. All those books, on all those shelves, and I could just pluck them out, one by one, find an empty chair, and read, and read, and read.
”
”
Ashley C. Ford (Somebody's Daughter)
“
I was sewn into his regrets.
”
”
Ashley C. Ford (Somebody's Daughter)
“
Just the word beautiful was seductive - but what did it really mean? Beauty was a soft word that ached with possibility, pliant as dough. You could not presume to define it, she realized, because the very idea of beauty and all it represented was a subjective thing - in the eye of the beholder - but that wasn't really true anymore.
”
”
Elizabeth Brundage (Somebody Else's Daughter)
“
When I turned out the light, nobody guessed I was in there telling myself stories, building safe spaces to go inside my head. They would walk right by me, never knowing I'd been there beside them in the dark.
”
”
Ashley C. Ford (Somebody's Daughter)
“
I knew I couldn’t have the sunrise or its colors for my own. Some things were too precious not to be shared. They just had to happen, and you just had to make sure you were there when they did, and then, you were part of something with everyone else who showed up at the right time.
”
”
Ashley C. Ford (Somebody's Daughter)
“
But each time I left campus to come home, I spent ten minutes in the mirror reciting the same phrase like my therapist had taught me: I like myself the way I am. I like myself the way I am. I like myself the way I am. I like myself the way I am. Then, I would promise myself not to forget.
”
”
Ashley C. Ford (Somebody's Daughter)
“
But you couldn't really start over. That was a huge, modern lie invented by talk-show hosts. Sure you could change things that improved your life, but all the bad stuff lingered. It lingered in your body compromising your organs.
”
”
Elizabeth Brundage (Somebody Else's Daughter)
“
It reminded me of my father’s letters telling me I was the best, the greatest, the most beautiful, and the only one. I didn’t believe a word, but I believed that someone else did, and as long as I could maintain that, it would be enough for me.
”
”
Ashley C. Ford (Somebody's Daughter)
“
When I was four years old, I taught myself to lie awake until morning. I wanted the sunrise, and I only had to stay awake to have her. When children are small, our desires seem small, even if we want the sky. Anything we want seems to be only a matter of time and effort away. It’s too early to imagine what’s already holding you back.
”
”
Ashley C. Ford (Somebody's Daughter)
“
There was the dream of happiness and then there was what was real.
”
”
Elizabeth Brundage (Somebody Else's Daughter)
“
In situations of crisis, it was always best to rely on routine.
”
”
Elizabeth Brundage (Somebody Else's Daughter)
“
I am freer than you and that is worth all of the things I don't have.
”
”
Ashley C. Ford (Somebody's Daughter)
“
We wanted to be good, as all children do, but as young Black children learn sooner than others, we don't all get the chance to be seen that way.
”
”
Ashley C. Ford (Somebody's Daughter)
“
Daughters, he told himself, were God’s revenge on you for being a man: you lived in mortal fear that they might accidentally encounter somebody like—yourself at that age.
”
”
Tom Clancy (Debt of Honor (Jack Ryan, #7; Jack Ryan Universe, #8))
“
We were lovers who lived together, trying to find out if we had whatever turned two people in love into the kind of family either of us wanted.
”
”
Ashley C. Ford (Somebody's Daughter)
“
I decided to pretend to be good, the kind of good that seemed to be best. The silent kind.
”
”
Ashley C. Ford (Somebody's Daughter)
“
... books were a place where my age didn't matter as long as I could read the words in front of me, I found a home for my mind and spirit to take root.
”
”
Ashley C. Ford (Somebody's Daughter)
“
She cried and he held her and he cried too. He didn't think that either could say what they were crying about, but it was something they needed to do, right now, together, and then, quite suddenly, they were laughing, hard, brash laughter that came up from someplace deep.
”
”
Elizabeth Brundage (Somebody Else's Daughter)
“
I honour your circumspection. A fortnight's acquaintance is certainly very little. One cannot know what a man really is by the end of a fortnight. But if we do not venture somebody else will; and after all, Mrs. Long and her daughters must stand their chance; and, therefore, as she will think it an act of kindness, if you decline the office, I will take it on myself.
”
”
Jane Austen (Pride and Prejudice)
“
There are few words worthy of the wonders they describe, but sunrise sounds like it feels. A u sunken to the bottom of one's throat, and an i, pointing upward and onward to a warm beyond.
”
”
Ashley C Ford (Somebody's Daughter: A Memoir)
“
I couldn’t, and I wouldn’t, tell on myself. Self-preservation had already been imprinted upon me as a requirement. Honesty was not always the best policy. Grown-ups would tell you it was important to tell the truth, and when you did, everything would work out, but I knew this wasn’t the case.
”
”
Ashley C. Ford (Somebody's Daughter)
“
I wanted to assert my own style, which posed a problem, because I didn't really have any style. Grandma would shake her head at me and say, "Someday baby, you'll really understand how to dress. I'm just gonna pray on that for you.
”
”
Ashley C. Ford (Somebody's Daughter)
“
Rather, a woman is regarded as owing her human capacities to particular people, often men or his children within heterosexual relationships that also uphold white supremacy, and who are in turn deemed entitled to her services. This might be envisaged as the de facto legacy of coverture law—a woman’s being “spoken for” by her father, and afterward her husband, then son-in-law, and so on. And it is plausibly part of what makes women more broadly somebody’s mother, sister, daughter, grandmother: always somebody’s someone, and seldom her own person. But this is not because she’s not held to be a person at all, but rather because her personhood is held to be owed to others, in the form of service labor, love, and loyalty.
”
”
Kate Manne (Down Girl: The Logic of Misogyny)
“
Do me a favor, Ashley? When you write about you and me? Just tell the truth. Your truth. Don’t worry about nobody’s feelings, especially not mine. You gotta be tough to tell your truth, but it’s the only thing worth doing next to loving somebody.
”
”
Ashley C. Ford (Somebody's Daughter)
“
The feeling started in my hand and creeped out into my already shifting body. I was not safe. Nothing about me was safe from drowning in the open air. It was my first panic attack. My Grandpa watched it happen until it was over, then he drove me home.
”
”
Ashley C. Ford (Somebody's Daughter)
“
As corny as it sounds, Gallagher said, life is very long. You're supposed to mess up when you're young and other people sometimes benefit from your mistakes-as you did in this case. But things rarely stay the same. People grow up and change. They move on.
”
”
Elizabeth Brundage (Somebody Else's Daughter)
“
The sun had risen for me -for me alone- and turned the sky into the painted milk of a soggy bowl of leftover off-brand Lucky Charms. The soft roses and lavenders went on to burn blood orange on the underbellies of clouds. I told my shadow I wanted to keep the sun. My shadow whispered back the instructions for making a memory. I watched the light of day ascend until it hurt my eyes, then I closed them, and taught myself to remember.
”
”
Ashley C. Ford (Somebody's Daughter)
“
Too many choices, that's the problem. Sometimes you get to a point, you know?"
She looked at his face. His eyes seemed distant. "What do you mean?"
He shook his head. "You wake up one day and nothing's the same. It's like you're in the wrong life or something. I don't know how to explain it.
”
”
Elizabeth Brundage (Somebody Else's Daughter)
“
Defining yourself in terms of how you rank is always dangerous and ultimately immature. It doesn't matter whether the rank has to do with your grades, your weight or where you finished in the 800 meter race. Becoming a mature adult means, among other things, that you define yourself relative to your own potential, not relative somebody else's standard.
”
”
Leonard Sax (Girls on the Edge: The Four Factors Driving the New Crisis for Girls: Sexual Identity, the Cyberbubble, Obsessions, Environmental Toxins)
“
Annabeth is not somebody you want as an enemy. Right before the game, she strolled up to me. “Hey, Seaweed Brain.” “Will you stop calling me that?” She knows I hate that name, mostly because I never have a good comeback. She’s the daughter of Athena, which doesn’t give me a lot of ammunition. I mean, “Owl-head” and “Wise Girl” are kind of lame insults.
”
”
Rick Riordan (The Demigod Files (Percy Jackson and the Olympians))
“
My desire for a physical representation of my father’s love led to me pursuing parental relationships with all kinds of authority figures I came into contact with. They weren’t all aware of their parental status, but they were all important to me. Combined with my mother, they made up the perfect parental figures: proud of me, hard on me, and charmed by me. They were my Danny Tanners, Carl Winslows, and Aunt Beckys.
”
”
Ashley C. Ford (Somebody's Daughter)
“
I don’t fundamentally understand why people give a shit about what other people put up their noses or what other people put in their veins or what other people breathe into their lungs. I mean I sort of care like if somebodies an addict it’s very destructive to people around that addict. It’s destructive to themselves. I’d like to get them help. I certainly support that which is to get that person help but, I don’t understand how people wake up and say I have to eradicate drug use across the land. “I gotta stick my nose into the business of what other people stick up their nose.”
I just find that incomprehensible. I mean, is your life so vacant and so hysterical, so empty, so void of love, care and affection? I can go play with my daughter or I can go and obsessively try and get politicians to throw people in jail for doing things I don’t like. I can’t imagine why people would be choosing option “B” but, only because they don’t have anyone who loves them or, anyone they care about. They don’t have any rich, significant, important, hobbies, relationships, artistic pursuits or anything rich enough to keep them from obsessing about what other people do or bossing and bulling what other people do. This “stick your nose in other people’s business” Is so compulsive and epidemic to human society.
”
”
Stefan Molyneux
“
THE UNOFFICIAL AND UNWRITTEN
(but you better follow them or you’re going to get beaten twice as hard)
SPOKANE INDIAN RULES OF FISTICUFFS:
1. IF SOMEBODY INSULTS YOU, THEN YOU HAVE TO FIGHT HIM.
2. IF YOU THINK SOMEBODY IS GOING TO INSULT YOU, THEN YOU HAVE TO FIGHT HIM.
3. IF YOU THINK SOMEBODY IS THINKING ABOUT INSULTING YOU, THEN YOU HAVE TO FIGHT HIM.
4. IF SOMEBODY INSULTS ANY OF YOUR FAMILY OR FRIENDS, OR IF YOU THINK THEY’RE GOING TO INSULT YOUR FAMILY OR FRIENDS, OR IF YOU THINK THEY’RE THINKING ABOUT INSULTING YOUR FAMILY OR FRIENDS, THEN YOU HAVE TO FIGHT HIM.
5. YOU SHOULD NEVER FIGHT A GIRL, UNLESS SHE INSULTS YOU, YOUR FAMILY, OR YOUR FRIENDS, THEN YOU HAVE TO FIGHT HER.
6. IF SOMEBODY BEATS UP YOUR FATHER OR YOUR MOTHER, THEN YOU HAVE TO FIGHT THE SON AND/OR DAUGHTER OF THE PERSON WHO BEAT UP YOUR MOTHER OR FATHER.
7. IF YOUR MOTHER OR FATHER BEATS UP SOMEBODY, THEN THAT PERSON’S SON AND/OR DAUGHTER WILL FIGHT YOU.
8. YOU MUST ALWAYS PICK FIGHTS WITH THE SONS AND/OR DAUGHTERS OF ANY INDIANS WHO WORK FOR THE BUREA OF INDIAN AFFAIRS.
9. YOU MUST ALWAYS PICK FIGHTS WITH THE SONS AND/OR DAUGHTERS OF ANY WHITE PEOPLE WHO LIVE ANYWHERE ON THE RESERVATION.
10. IF YOU GET IN A FIGHT WITH SOMEBODY WHO IS SURE TO BEAT YOU UP, THEN YOU MUST THROW THE FIRST PUNCH, BECAUSE IT’S THE ONLY PUNCH YOU’LL EVER GET TO THROW.
11. IN ANY FIGHT, THE LOSER IS THE FIRST ONE WHO CRIES.
”
”
Sherman Alexie (The Absolutely True Diary of a Part-Time Indian)
“
A prison chaplain in the West of England confessed he had given up one prisoner as hopeless, so stubborn was he against any approach by him, and known throughout the jail as the most truculent and obstinate troublemaker.
But one day the governor was told of a visitor who insisted on seeing him. To his surprise, it was a little girl. "He's my daddy," she explained, "It's his birthday." The governor allowed the prisoner to be sent for.
"Daddy," said the child as he was brought in, "this was your birthday, so I wanted to come and see you." Then taking a lock of hair out of her pocket, she offered it to him. "I had no money to buy a present for you. But I brought this, a lock of my own hair."
The prisoner broke down and clasped her in his arms, sobbing. He became a changed man after that and guarded, as his most precious possession, the lock of hair that reminded him that somebody still loved him.
”
”
Francis Gay
“
These days, there are so few pure country people left on the concession roads that we may be in need of a new category of membership, much as sons and daughters of veterans are now allowed to join the Legion. A few simple questions could be asked, a small fee paid and (assuming that the answers are correct) you could be granted the status of an "almost local." Here are some of the questions you might be asked: Do you have just one suit for weddings and funerals? Do you save plastic buckets? Do you leave your car doors unlocked at all times? Do you have an inside dog and an outside dog? Has your outside dog never been to town? When you pass a neighbour in the car, do you wave from the elbow or do you merely raise one finger from the steering wheel? Do you have trouble keeping the car or truck going in a straight line because you are looking at crops or livestock? Do you sometimes find yourself sitting in the car in the middle of a dirt road chatting with a neighbour out the window while other cars take the ditch to get around you? Can you tell whose tractor is going by without looking out the window? Can people recognize you from three hundred yards away by the way you walk or the tilt of your hat? If somebody honks their horn at you, do you automatically smile and wave? Do most of your conversations open with some observation about the weather? Is your most important news source the store in the village? Have you had surgery in the local hospital? If you hear about a death or a fire in the community, does the woman in your house immediately start making sandwiches or a cake? Do you sometimes find yourself referring to a farm in the neighbourhood by the name of someone who owned it more than twenty-five years ago? If you answered yes to all of the above questions, consider it official: you are a local.
”
”
Dan Needles (True Confessions from the Ninth Concession)
“
Success is somebody else's failure. Success is the American Dream we can keep dreaming because most people in most places, including thirty million of ourselves, live wide awake in the terrible reality of poverty. No, I do not wish you success. I don't even want to talk about it. I want to talk about failure.
Because you are human beings, you are going to meet failure. You are going to meet disappointment, injustice, betrayal, and irreparable loss. You will find you're weak where you thought yourself strong. You'll work for possessions and then find they possess you. You will find yourself - as I know you already have - in dark places, alone, and afraid.
What I hope for you, for all my sisters and daughters, brothers and sons, is that you will be able to live there, in the dark place. To live in the place that our rationalizing culture of success denies, calling it a place of exile, uninhabitable, foreign.
”
”
Ursula K. Le Guin (Dancing at the Edge of the World: Thoughts on Words, Women, Places)
“
I trusted my mother to deliver the violence she’d promised upon anyone she believed violated something that belonged to her. She explained it was her job to protect me from those sick people, and so it was important for me to tell her the truth, so she could do her job. But telling the truth wasn’t enough. I had to make her believe me with my voice, and my body, and my face, which always seemed to be doing the wrong thing in those moments. I thought, if I can’t make her believe me, somebody could die. Somebody could die because my mother refused to believe I’m not a liar, and I couldn’t convince her otherwise.
”
”
Ashley C. Ford (Somebody's Daughter)
“
My grandmother’s parents had thought she was too good for my grandfather. They were Irish, shipworkers who had gotten the hell out of Locust Point and moved uptown, to Charles Village, where the houses were much bigger. They looked down on my grandfather just because he was where they once were. It killed them, the idea that their precious youngest daughter might move back to the neighborhood and live with an Italian, to boot. Everybody’s got to look down on somebody. If there’s not somebody below you, how do you know you’ve traveled any distance at all in your life? For my dad’s generation, it was all about the blacks. I’m not saying it was right, just that it was, and it hung on because it was such a stark, visible difference. And now the rules have changed again, and it’s the young people with money and ambition who are buying the houses in Locust Point, and the people in places like Linthicum and Catonsville and Arbutus are the ones to be pitied and condescended to. It’s hard to keep up.
("Easy As A-B-C")
”
”
Laura Lippman (Baltimore Noir)
“
Mrs. Heath wanted to sprinkle their minds with grass seed and watch the blades spike up through the earth, flat and predictable as a golf course. She wanted dependable students, well fed but not necessarily nourished. But he was not in that category. Admittedly, he could not count on his perceptions of letters and words, and he was not always accurate. He misused words most when he liked their sound. A sentence had a kind of music, and the word sounded right. The definitions were never as interesting as the sound they made coming out of your mouth. He rolled their flavors around on his tongue, tasting every nook and cranny, but he could not be trusted to deliver the right answer and she would never give him better than a C, no matter what genius work he produced. The way he saw it, his mind was a big unruly field of wildflowers. One day he would shower the world with blossoms.
”
”
Elizabeth Brundage (Somebody Else's Daughter)
“
A reflection on Robert Lowell
Robert Lowell knew I was not one of his devotees. I attended his famous “office hours” salon only a few times. Life Studies was not a book of central importance for me, though I respected it. I admired his writing, but not the way many of my Boston friends did. Among poets in his generation, poems by Elizabeth Bishop, Alan Dugan, and Allen Ginsberg meant more to me than Lowell’s. I think he probably sensed some of that.
To his credit, Lowell nevertheless was generous to me (as he was to many other young poets) just the same. In that generosity, and a kind of open, omnivorous curiosity, he was different from my dear teacher at Stanford, Yvor Winters. Like Lowell, Winters attracted followers—but Lowell seemed almost dismayed or a little bewildered by imitators; Winters seemed to want disciples: “Wintersians,” they were called.
A few years before I met Lowell, when I was still in California, I read his review of Winters’s Selected Poems. Lowell wrote that, for him, Winters’s poetry passed A. E. Housman’s test: he felt that if he recited it while he was shaving, he would cut himself. One thing Lowell and Winters shared, that I still revere in both of them, was a fiery devotion to the vocal essence of poetry: the work and interplay of sentences and lines, rhythm and pitch. The poetry in the sounds of the poetry, in a reader’s voice: neither page nor stage.
Winters criticizing the violence of Lowell’s enjambments, or Lowell admiring a poem in pentameter for its “drill-sergeant quality”: they shared that way of thinking, not matters of opinion but the matter itself, passionately engaged in the art and its vocal—call it “technical”—materials.
Lowell loved to talk about poetry and poems. His appetite for that kind of conversation seemed inexhaustible. It tended to be about historical poetry, mixed in with his contemporaries. When he asked you, what was Pope’s best work, it was as though he was talking about a living colleague . . . which in a way he was. He could be amusing about that same sort of thing. He described Julius Caesar’s entourage waiting in the street outside Cicero’s house while Caesar chatted up Cicero about writers.
“They talked about poetry,” said Lowell in his peculiar drawl. “Caesar asked Cicero what he thought of Jim Dickey.”
His considerable comic gift had to do with a humor of self and incongruity, rather than wit. More surreal than donnish. He had a memorable conversation with my daughter Caroline when she was six years old. A tall, bespectacled man with a fringe of long gray hair came into her living room, with a certain air.
“You look like somebody famous,” she said to him, “but I can’t remember who.”
“Do I?”
“Yes . . . now I remember!— Benjamin Franklin.”
“He was a terrible man, just awful.”
“Or no, I don’t mean Benjamin Franklin. I mean you look like a Christmas ornament my friend Heather made out of Play-Doh, that looked like Benjamin Franklin.”
That left Robert Lowell with nothing to do but repeat himself:
“Well, he was a terrible man.”
That silly conversation suggests the kind of social static or weirdness the man generated. It also happens to exemplify his peculiar largeness of mind . . . even, in a way, his engagement with the past. When he died, I realized that a large vacuum had appeared at the center of the world I knew.
”
”
Robert Pinsky
“
Curiously enough, though, it was Jeanette who came home one day with a C on a test. Prior to that, B was the lowest grade any of us had gotten, and even a B caused Mommy to shake her head and ask, 'Did anyone in the class get an A? Then you can get an A, too. You just have to study harder.' But this time she looked at the C on Jeanette's paper and said nothing. Wasn't she going to lay into Jeanette? Was Doc so special that she could get away with anything? The rest of us were stunned. I, for one, resolved that if that's the way it was going to be, I was darned if I was going to work so hard at studying from then on.
Then Saturday came. Mommy roused Jeanette at 6:00 A.M., told her to dress in old clothes, and ordered her to the kitchen, where she handed Jeanette a bucket and scrub clothes. 'You and I are going to clean the kitchen from top to bottom,' Mommy announced. 'I'm going to teach you how to do it and do every bit of it right because that's what you're going to be doing for a living when you grow up'.
Jeanette was outraged. 'I'm going to be a doctor'!
'Anybody who gets a C on a test is either too dumb or too lazy to be a doctor. You're going to end up working in somebody's kitchen, so you'd better know how to do it. Now, start by scouring the oven. And I want it spotless'.
”
”
Yvonne S. Thornton (The Ditchdigger's Daughters: A Black Family's Astonishing Success Story)
“
In the middle of my depression, somebody told me about a self-help
group for people who wanted to persue personal visions, and I thought
that might be just the thing for me, since I no longer had any. So I
went to this Goals Meeting. It was in an Episcopal church in the leafy
suburbs, and when I walked inside, a nice lady was explaing that her
Goal was to get out of debt and buy a pony for her little daughter.
Then this other fellow got up to share. He was a white boy in a
dashiki. He said, "My name is Ira and I have a Goal. Right now I'm
unemployed and in debt and I'm living with my parents, who don't
understand me at all. But my faith in this program is so huge that I
know that one year from today I'm going to be traveling across the
United States with my Spirit Guide. My Spirit Guide is going to be a
while malamute dog named Isis. I mean, I know this as clearly as I've
known anything in my life. My Goal is for Isis to guide me to the
homes of my favorite self-help authoers. Isis is going to take me to
meet John Bradshaw and Louise Hay and M. Scott Peck, and I'm going to
get them to mentor me!" He kind of bellowed this. And I wasn't sure
whether Ira was exactly what John Bradshaw and Louise Hay and M. Scott
Peck deserved or whether I hoped they kept shotguns in their homes. I
was honestly torn.
”
”
Peter Trachtenberg (7 Tattoos: A Memoir in the Flesh)
“
Ben stood at the parlor window, glancing neither to the right nor to the left of him lest he see three grown men looking as worried as he felt. Westhaven found the courage to speak first. “Either we’ve all developed a fascination with red tulips, or somebody had better go out there and fetch the ladies in. They’ve neither of them likely thought to bring a handkerchief.” Deene screwed up his mouth. “Declarations of love—that’s what red tulips stand for.” His Grace cracked a small smile. “You young fellows. Quaking in your boots over a few female sentimentalities. Believe I’ll go make some declarations of my own.” He set down his empty glass and left the room. “Marriage,” said Westhaven, “calls for a particular variety of courage. I’m thinking His Grace’s experience in the cavalry is likely serving him well right now.” “Come away.” Ben took each man by the arm, but neither of them moved. “Let him make his charge in private. I have some ideas for you both to consider, and if you’re with me, His Grace will fall in line that much more easily.” Westhaven smiled, looking very like his father. “Don’t bet on it. Windhams can be contrary for the sheer hell of it.” This was a joke or a warning. Ben wasn’t sure which. “The Portmaine family motto is ‘We thrive on impossible challenges.’” Deene arched a blond eyebrow. “You just manufactured that for present purposes. You’re from the North, and your family motto is probably something like ‘Thank God for friendly sheep.’” Which
”
”
Grace Burrowes (Lady Maggie's Secret Scandal (The Duke's Daughters, #2; Windham, #5))
“
The panel delivery truck drew up before the front of the “Amsterdam Apartments” on 126th Street between Madison and Fifth Avenues. Words on its sides, barely discernible in the dim street light, read: LUNATIC LYNDON … I DELIVER AND INSTALL TELEVISION SETS ANY TIME OF DAY OR NIGHT ANY PLACE. Two uniformed delivery men alighted and stood on the sidewalk to examine an address book in the light of a torch. Dark faces were highlighted for a moment like masks on display and went out with the light. They looked up and down the street. No one was in sight. Houses were vague geometrical patterns of black against the lighter blackness of the sky. Crosstown streets were always dark. Above them, in the black squares of windows, crescent-shaped whites of eyes and quarter moons of yellow teeth bloomed like Halloween pumpkins. Suddenly voices bubbled in the night. “Lookin’ for somebody?” The driver looked up. “Amsterdam Apartments.” “These is they.” Without replying, the driver and his helper began unloading a wooden box. Stenciled on its side were the words: Acme Television “Satellite” A.406. “What that number?” someone asked. “Fo-o-six,” Sharp-eyes replied. “I’m gonna play it in the night house if I ain’t too late.” “What ya’ll got there, baby?” “Television set,” the driver replied shortly. “Who dat getting a television this time of night?” The delivery man didn’t reply. A man’s voice ventured, “Maybe it’s that bird liver on the third storey got all them mens.” A woman said scornfully, “Bird liver! If she bird liver I’se fish and eggs and I got a daughter old enough to has mens.” “… or not!” a male voice boomed. “What she got ’ill get television sets when you jealous old hags is fighting over mops and pails.” “Listen to the loverboy! When yo’ love come down last?” “Bet loverboy ain’t got none, bird liver or what.” “Ain’t gonna get none either. She don’t burn no coal.” “Not in dis life, next life maybe.” “You people make me sick,” a woman said from a group on the sidewalk that had just arrived. “We looking for the dead man and you talking ’bout tricks.” The two delivery men were silently struggling with the big television box but the new arrivals got in their way. “Will you ladies kindly move your asses and look for dead men sommers else,” the driver said. His voice sounded mean. “ ’Scuse me,” the lady said. “You ain’t got him, is you?” “Does I look like I’m carrying a dead man ’round in my pocket?” “Dead man! What dead man? What you folks playing?” a man called down interestedly. “Skin?” “Georgia skin? Where?” “Ain’t nobody playing no skin,” the lady said with disgust. “He’s one of us.” “Who?” “The dead man, that’s who.” “One of usses? Where he at?” “Where he at? He dead, that’s where he at.” “Let me get some green down on dead man’s row.” “Ain’t you the mother’s gonna play fo-o-six?” “Thass all you niggers thinks about,” the disgusted lady said. “Womens and hits!” “What else is they?” “Where yo’ pride? The white cops done killed one of usses and thass all you can think about.” “Killed ’im where?” “We don’t know where. Why you think we’s looking?” “You sho’ is a one-tracked woman. I help you look, just don’t call me nigger is all.
”
”
Chester Himes (Blind Man with a Pistol (Harlem Cycle, #8))