“
Sometimes fate is like a small sandstorm that keeps changing directions. You change direction but the sandstorm chases you. You turn again, but the storm adjusts. Over and over you play this out, like some ominous dance with death just before dawn. Why? Because this storm isn't something that blew in from far away, something that has nothing to do with you. This storm is you. Something inside of you. So all you can do is give in to it, step right inside the storm, closing your eyes and plugging up your ears so the sand doesn't get in, and walk through it, step by step. There's no sun there, no moon, no direction, no sense of time. Just fine white sand swirling up into the sky like pulverized bones. That's the kind of sandstorm you need to imagine.
And you really will have to make it through that violent, metaphysical, symbolic storm. No matter how metaphysical or symbolic it might be, make no mistake about it: it will cut through flesh like a thousand razor blades. People will bleed there, and you will bleed too. Hot, red blood. You'll catch that blood in your hands, your own blood and the blood of others.
And once the storm is over you won't remember how you made it through, how you managed to survive. You won't even be sure, in fact, whether the storm is really over. But one thing is certain. When you come out of the storm you won't be the same person who walked in. That's what this storm's all about.
”
”
Haruki Murakami (Kafka on the Shore)
“
Men always say that as the defining compliment, don’t they? She’s a cool girl. Being the Cool Girl means I am a hot, brilliant, funny woman who adores football, poker, dirty jokes, and burping, who plays video games, drinks cheap beer, loves threesomes and anal sex, and jams hot dogs and hamburgers into her mouth like she’s hosting the world’s biggest culinary gang bang while somehow maintaining a size 2, because Cool Girls are above all hot. Hot and understanding. Cool Girls never get angry; they only smile in a chagrined, loving manner and let their men do whatever they want. Go ahead, shit on me, I don’t mind, I’m the Cool Girl.
Men actually think this girl exists. Maybe they’re fooled because so many women are willing to pretend to be this girl. For a long time Cool Girl offended me. I used to see men – friends, coworkers, strangers – giddy over these awful pretender women, and I’d want to sit these men down and calmly say: You are not dating a woman, you are dating a woman who has watched too many movies written by socially awkward men who’d like to believe that this kind of woman exists and might kiss them. I’d want to grab the poor guy by his lapels or messenger bag and say: The bitch doesn’t really love chili dogs that much – no one loves chili dogs that much! And the Cool Girls are even more pathetic: They’re not even pretending to be the woman they want to be, they’re pretending to be the woman a man wants them to be. Oh, and if you’re not a Cool Girl, I beg you not to believe that your man doesn’t want the Cool Girl. It may be a slightly different version – maybe he’s a vegetarian, so Cool Girl loves seitan and is great with dogs; or maybe he’s a hipster artist, so Cool Girl is a tattooed, bespectacled nerd who loves comics. There are variations to the window dressing, but believe me, he wants Cool Girl, who is basically the girl who likes every fucking thing he likes and doesn’t ever complain. (How do you know you’re not Cool Girl? Because he says things like: “I like strong women.” If he says that to you, he will at some point fuck someone else. Because “I like strong women” is code for “I hate strong women.”)
”
”
Gillian Flynn (Gone Girl)
“
He's twenty-nine. And what did you think he was going to look like?"
She shrugged.
"You know-old. Grizzled. Long white beard. Scruffy robes. Loveable, smart, a little absent minded."
I bit back a grin.
" I said 'sorcerer,' not 'Dumbledore.' So he's hot. It could be worse.
”
”
Chloe Neill (Some Girls Bite (Chicagoland Vampires, #1))
“
I like you better this way." For some reason, admitting this made her face go hot right away; she was very glad that he still had his face pressed into his pillow and the other boys were still in Noah's room. "Crushed and broken," Gansey said. "Just the way women like 'em.
”
”
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
“
It's just like when you've got some coffee that's too black, which means it's too strong. What do you do? You integrate it with cream, you make it weak. But if you pour too much cream in it, you won't even know you ever had coffee. It used to be hot, it becomes cool. It used to be strong, it becomes weak. It used to wake you up, now it puts you to sleep.
”
”
Malcolm X
“
Hopefully as you get older, you start to learn how to live with your demon. It’s hard at first. Some people give their demon so much room that there is no space in their head or bed for love. They feed their demon and it gets really strong and then it makes them stay in abusive relationships or starve their beautiful bodies. But sometimes, you get a little older and get a little bored of the demon. Through good therapy and friends and self-love you can practice treating the demon like a hacky, annoying cousin. Maybe a day even comes when you are getting dressed for a fancy event and it whispers, “You aren’t pretty,” and you go, “I know, I know, now let me find my earrings.” Sometimes you say, “Demon, I promise you I will let you remind me of my ugliness, but right now I am having hot sex so I will check in later.
”
”
Amy Poehler (Yes Please)
“
And I want to play hide-and-seek and give you my clothes and tell you I like your shoes and sit on the steps while you take a bath and massage your neck and kiss your feet and hold your hand and go for a meal and not mind when you eat my food and meet you at Rudy's and talk about the day and type up your letters and carry your boxes and laugh at your paranoia and give you tapes you don't listen to and watch great films and watch terrible films and complain about the radio and take pictures of you when you're sleeping and get up to fetch you coffee and bagels and Danish and go to Florent and drink coffee at midnight and have you steal my cigarettes and never be able to find a match and tell you about the tv programme I saw the night before and take you to the eye hospital and not laugh at your jokes and want you in the morning but let you sleep for a while and kiss your back and stroke your skin and tell you how much I love your hair your eyes your lips your neck your breasts your arse your
and sit on the steps smoking till your neighbour comes home and sit on the steps smoking till you come home and worry when you're late and be amazed when you're early and give you sunflowers and go to your party and dance till I'm black and be sorry when I'm wrong and happy when you forgive me and look at your photos and wish I'd known you forever and hear your voice in my ear and feel your skin on my skin and get scared when you're angry and your eye has gone red and the other eye blue and your hair to the left and your face oriental and tell you you're gorgeous and hug you when you're anxious and hold you when you hurt and want you when I smell you and offend you when I touch you and whimper when I'm next to you and whimper when I'm not and dribble on your breast and smother you in the night and get cold when you take the blanket and hot when you don't and melt when you smile and dissolve when you laugh and not understand why you think I'm rejecting you when I'm not rejecting you and wonder how you could think I'd ever reject you and wonder who you are but accept you anyway and tell you about the tree angel enchanted forest boy who flew across the ocean because he loved you and write poems for you and wonder why you don't believe me and have a feeling so deep I can't find words for it and want to buy you a kitten I'd get jealous of because it would get more attention than me and keep you in bed when you have to go and cry like a baby when you finally do and get rid of the roaches and buy you presents you don't want and take them away again and ask you to marry me and you say no again but keep on asking because though you think I don't mean it I do always have from the first time I asked you and wander the city thinking it's empty without you and want what you want and think I'm losing myself but know I'm safe with you and tell you the worst of me and try to give you the best of me because you don't deserve any less and answer your questions when I'd rather not and tell you the truth when I really don't want to and try to be honest because I know you prefer it and think it's all over but hang on in for just ten more minutes before you throw me out of your life and forget who I am and try to get closer to you because it's beautiful learning to know you and well worth the effort and speak German to you badly and Hebrew to you worse and make love with you at three in the morning and somehow somehow somehow communicate some of the overwhelming undying overpowering unconditional all-encompassing heart-enriching mind-expanding on-going never-ending love I have for you.
”
”
Sarah Kane (Crave)
“
I almost laughed in spite of my nerves. What were the odds that two werewolves had the hots for
me? Like I was some gigantic monster magnet. Was there a sign on my back that said, bite me,
i'm available !?
”
”
Bree Despain (The Dark Divine (The Dark Divine, #1))
“
We must strive to be like the moon.' An old man in Kabati repeated this sentence often... the adage served to remind people to always be on their best behavior and to be good to others. [S]he said that people complain when there is too much sun and it gets unbearably hot, and also when it rains too much or when it is cold. But, no one grumbles when the moon shines. Everyone becomes happy and appreciates the moon in their own special way. Children watch their shadows and play in its light, people gather at the square to tell stories and dance through the night. A lot of happy things happen when the moon shines. These are some of the reasons why we should want to be like the moon.
”
”
Ishmael Beah
“
It's like Dungeons and Dragons, but real."
Jace was looking at Simon as if he were some bizarre species of insect. "It's like what?"
"It's a game," Clary explained. She felt vaguely embarrassed. "People pretend to be wizards and elves, and they kill monsters and stuff."
Jace looked stupefied.
Simon grinned. "You've never heard of Dungeons and Dragons?"
"I've heard of dungeons," Jace said. "Also dragons. Although they're mostly extinct."
Simon looked disappointed. "You've never killed a dragon?"
"He's probably never met a six-foot-tall hot elf-woman in a fur bikini, either," Clary said irritably. "Lay off, Simon."
"Real elves are about eight inches tall," Jace pointed out. "Also, they bite.
”
”
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
“
Some catastrophic moments invite clarity, explode in split moments: You smash your hand through a windowpane and then there is blood and shattered glass stained with red all over the place; you fall out a window and break some bones and scrape some skin. Stitches and casts and bandages and antiseptic solve and salve the wounds. But depression is not a sudden disaster. It is more like a cancer: At first its tumorous mass is not even noticeable to the careful eye, and then one day -- wham! -- there is a huge, deadly seven-pound lump lodged in your brain or your stomach or your shoulder blade, and this thing that your own body has produced is actually trying to kill you. Depression is a lot like that: Slowly, over the years, the data will accumulate in your heart and mind, a computer program for total negativity will build into your system, making life feel more and more unbearable. But you won't even notice it coming on, thinking that it is somehow normal, something about getting older, about turning eight or turning twelve or turning fifteen, and then one day you realize that your entire life is just awful, not worth living, a horror and a black blot on the white terrain of human existence. One morning you wake up afraid you are going to live.
In my case, I was not frightened in the least bit at the thought that I might live because I was certain, quite certain, that I was already dead. The actual dying part, the withering away of my physical body, was a mere formality. My spirit, my emotional being, whatever you want to call all that inner turmoil that has nothing to do with physical existence, were long gone, dead and gone, and only a mass of the most fucking god-awful excruciating pain like a pair of boiling hot tongs clamped tight around my spine and pressing on all my nerves was left in its wake.
That's the thing I want to make clear about depression: It's got nothing at all to do with life. In the course of life, there is sadness and pain and sorrow, all of which, in their right time and season, are normal -- unpleasant, but normal. Depression is an altogether different zone because it involves a complete absence: absence of affect, absence of feeling, absence of response, absence of interest. The pain you feel in the course of a major clinical depression is an attempt on nature's part (nature, after all, abhors a vacuum) to fill up the empty space. But for all intents and purposes, the deeply depressed are just the walking, waking dead.
And the scariest part is that if you ask anyone in the throes of depression how he got there, to pin down the turning point, he'll never know. There is a classic moment in The Sun Also Rises when someone asks Mike Campbell how he went bankrupt, and all he can say in response is, 'Gradually and then suddenly.' When someone asks how I love my mind, that is all I can say too
”
”
Elizabeth Wurtzel (Prozac Nation)
“
I think he likes you" Miranda Whispered.
Realizing she and Derek had drawn attention, she glanced away. "He's probably just curious about me like everyone else" she whispered back.
"Nope. He's hot for you" Della said, reminding Kylie of the supernatural hearing of some of the campers. "When he was sitting by you at lunch, he oozed so much testosterone that it was hard to breathe. He wants your body" Della teased.
"Well, he's not getting it" Kylie said.
”
”
C.C. Hunter (Born at Midnight (Shadow Falls, #1))
“
Just for future reference, don't use words like "love" anymore. It's a very sensitive word and it wears out quickly. Romeo barely says it, but John Hinckley filled up a whole journal with it. To put it into your terms, it's a currency that's easily devalued. Pretty soon you're saying it whenever you hang up the phone or whenever you leave. It turns into an apology. Then it's an excuse. Some assholes want it to be a bulletproof vest: don't hate me; I love you. But mostly it just means--more. More, more--give me something more. A couple of years from now, when you're on your own completely, if you really fall in love, if it really comes to that--and I pity you if it does--you have to look right down into the black of her eyes, right down into the emptiness in there and feel everything, absolutely everything she needs and you have to be willing to drown in it, Kevin. You'd have to want to be crushed, buried alive. Because that's what real love feels like--choking. They used to bury some women in their wedding dresses, you know. I thought it was because all those husbands were too cheap to spring for another gown, but now it makes sense: love is your first foot in the grave. That's why the second most abused word is "forever".
”
”
Peter Craig (Hot Plastic)
“
The seasonal urge is strong in poets. Milton wrote chiefly in winter. Keats looked for spring to wake him up (as it did in the miraculous months of April and May, 1819). Burns chose autumn. Longfellow liked the month of September. Shelley flourished in the hot months. Some poets, like Wordsworth, have gone outdoors to work. Others, like Auden, keep to the curtained room. Schiller needed the smell of rotten apples about him to make a poem. Tennyson and Walter de la Mare had to smoke. Auden drinks lots of tea, Spender coffee; Hart Crane drank alcohol. Pope, Byron, and William Morris were creative late at night. And so it goes.
”
”
Helen Bevington (When Found, Make a Verse of)
“
It feels sort of euphoric, like we're in some sort of fairytale. Like she's Tinkerbell and I'm Peter Pan. No, wait. I don't want to be Peter Pan. Maybe she can be like Cinderella and I'll be her Prince Charming. Yeah, I like that fantasy better. Cinderella's hot when she's all poor and sweaty and slaving over the stove.
”
”
Colleen Hoover (Finding Cinderella (Hopeless, #2.5))
“
Jake wasn't about to be seduced like some schoolgirl. Not by a man who went by the unlikely name of Tornado, not by anyone. He stood as firmly as he could in the mud and tore his mouth from the kiss, staring into too dark eyes. As his hands made their way into Tor's wet jeans he said, "This doesn't mean I like you, you know.
”
”
Chris Owen (Bareback (Bareback, #1))
“
When the girl returned, some hours later, she carried a tray, with a cup of fragrant tea steaming on it; and a plate piled up with very hot buttered toast, cut thick, very brown on both sides, with the butter running through the holes in great golden drops, like honey from the honeycomb. The smell of that buttered toast simply talked to Toad, and with no uncertain voice; talked of warm kitchens, of breakfasts on bright frosty mornings, of cosy parlour firesides on winter evenings, when one's ramble was over and slippered feet were propped on the fender, of the purring of contented cats, and the twitter of sleepy canaries.
”
”
Kenneth Grahame (The Wind in the Willows)
“
Plastic ware," he said slowly, "like knives and forks and spoons?"
I brushed a bit of dirt off the back of my car—was that a scratch?—and said casually,
"Yeah, I guess.Just the basics, you know."
"Did you need plastic ware?" he asked.
I shrugged.
"Because," he went on, and I fought the urge to squirm, "it's so funny, because I need
plastic ware. Badly."
"Can we go inside, please?" I asked, slamming the trunk shut. "It's hot out here."
He looked at the bag again, then at me. And then, slowly, the smile I knew and
dreaded crept across his
face. "You bought me plastic ware," he said. "Didn't you?'
"No," I growled, picking at my license plate.
"You did!" he hooted, laughing out loud. "You bought me some forks. And knives.
And spoons.
Because—"
"No," I said loudly.
"—you love me!" He grinned, as if he'd solved the puzzler for all time, as I felt a flush
creep across my
face. Stupid Lissa. I could have killed her.
"It was on sale," I told him again, as if this was some kind of an excuse.
"You love me," he said simply, taking the bag and adding it to the others.
"Only seven bucks," I added, but he was already walking away, so sure of himself. "It
was on clearance,
for God's sake."
"Love me," he called out over his shoulder, in a singsong voice. "You. Love. Me.
”
”
Sarah Dessen (This Lullaby)
“
Sought we the Scrivani word-work of Surthur
Long-lost in ledger all hope forgotten.
Yet fast-found for friendship fair the book-bringer
Hot comes the huntress Fela, flushed with finding
Breathless her breast her high blood rising
To ripen the red-cheek rouge-bloom of beauty.
“That sort of thing,” Simmon said absently, his eyes still scanning the pages in front of him.
I saw Fela turn her head to look at Simmon, almost as if she were surprised to see him sitting there.
No, it was almost as if up until that point, he’d just been occupying space around her, like a piece of furniture. But this time when she looked at him, she took all of him in. His sandy hair, the line of his jaw, the span of his shoulders beneath his shirt. This time when she looked, she actually saw him.
Let me say this. It was worth the whole awful, irritating time spent searching the Archives just to watch that moment happen. It was worth blood and the fear of death to see her fall in love with him. Just a little. Just the first faint breath of love, so light she probably didn’t notice it herself. It wasn’t dramatic, like some bolt of lightning with a crack of thunder following. It was more like when flint strikes steel and the spark fades almost too fast for you to see. But still, you know it’s there, down where you can’t see, kindling.
”
”
Patrick Rothfuss (The Wise Man's Fear (The Kingkiller Chronicle, #2))
“
Oh my God, not only is he older than the Grand Canyon, but he’s like the pope and the Fae King and the president of the United States all rolled up into one. To some ancient cultures he had been a god.
He was going to hurt her so bad before he killed her so dead, and all she could think of was how hot his kiss had been in the dream and how delicate the touch of his finger was as it traced down her body.
”
”
Thea Harrison (Dragon Bound (Elder Races, #1))
“
At first glance you looked at Kate and thought “fighter,” maybe merc. Five inches taller than me, she was all muscle—well, and some boobs—but mostly muscle. She moved like a predator and when she got pissed off, she exhaled aggression, like hot breath on a winter evening. Still, men looked, until they saw her eyes. Kate’s eyes were crazy. It was that hidden-deep crazy that told you that you had no idea what the hell she would do next but whatever it was, the bad guys wouldn’t like it.
”
”
Ilona Andrews (Gunmetal Magic (Kate Daniels, #5.5; World of Kate Daniels, #6 & #6.5; Andrea Nash, #1))
“
Marginalia
Sometimes the notes are ferocious,
skirmishes against the author
raging along the borders of every page
in tiny black script.
If I could just get my hands on you,
Kierkegaard, or Conor Cruise O'Brien,
they seem to say,
I would bolt the door and beat some logic into your head.
Other comments are more offhand, dismissive -
Nonsense." "Please!" "HA!!" -
that kind of thing.
I remember once looking up from my reading,
my thumb as a bookmark,
trying to imagine what the person must look like
who wrote "Don't be a ninny"
alongside a paragraph in The Life of Emily Dickinson.
Students are more modest
needing to leave only their splayed footprints
along the shore of the page.
One scrawls "Metaphor" next to a stanza of Eliot's.
Another notes the presence of "Irony"
fifty times outside the paragraphs of A Modest Proposal.
Or they are fans who cheer from the empty bleachers,
Hands cupped around their mouths.
Absolutely," they shout
to Duns Scotus and James Baldwin.
Yes." "Bull's-eye." "My man!"
Check marks, asterisks, and exclamation points
rain down along the sidelines.
And if you have managed to graduate from college
without ever having written "Man vs. Nature"
in a margin, perhaps now
is the time to take one step forward.
We have all seized the white perimeter as our own
and reached for a pen if only to show
we did not just laze in an armchair turning pages;
we pressed a thought into the wayside,
planted an impression along the verge.
Even Irish monks in their cold scriptoria
jotted along the borders of the Gospels
brief asides about the pains of copying,
a bird singing near their window,
or the sunlight that illuminated their page-
anonymous men catching a ride into the future
on a vessel more lasting than themselves.
And you have not read Joshua Reynolds,
they say, until you have read him
enwreathed with Blake's furious scribbling.
Yet the one I think of most often,
the one that dangles from me like a locket,
was written in the copy of Catcher in the Rye
I borrowed from the local library
one slow, hot summer.
I was just beginning high school then,
reading books on a davenport in my parents' living room,
and I cannot tell you
how vastly my loneliness was deepened,
how poignant and amplified the world before me seemed,
when I found on one page
A few greasy looking smears
and next to them, written in soft pencil-
by a beautiful girl, I could tell,
whom I would never meet-
Pardon the egg salad stains, but I'm in love.
”
”
Billy Collins (Picnic, Lightning)
“
I thought about how my great-grandparents had starved to death. I thought about their wasted bodies being fed to incinerators because people they didn’t know hated them. I thought about how the children who lived in this house had been burned up and blown apart because a pilot who didn’t care pushed a button. I thought about how my grandfather’s family had been taken from him and how because of that my dad grew up feeling like he didn’t have a dad. And how I had acute stress and nightmares and was sitting alone in a falling down house and crying hot stupid tears all over my shirt. All because of a seventy year old hurt that had somehow been passed down to me like some poisonous heirloom.
”
”
Ransom Riggs (Miss Peregrine's Home for Peculiar Children (Miss Peregrine's Peculiar Children, #1))
“
You think man can destroy the planet? What intoxicating vanity. Let me tell you about our planet. Earth is four-and-a-half-billion-years-old. There's been life on it for nearly that long, 3.8 billion years. Bacteria first; later the first multicellular life, then the first complex creatures in the sea, on the land. Then finally the great sweeping ages of animals, the amphibians, the dinosaurs, at last the mammals, each one enduring millions on millions of years, great dynasties of creatures rising, flourishing, dying away -- all this against a background of continuous and violent upheaval. Mountain ranges thrust up, eroded away, cometary impacts, volcano eruptions, oceans rising and falling, whole continents moving, an endless, constant, violent change, colliding, buckling to make mountains over millions of years. Earth has survived everything in its time. It will certainly survive us. If all the nuclear weapons in the world went off at once and all the plants, all the animals died and the earth was sizzling hot for a hundred thousand years, life would survive, somewhere: under the soil, frozen in Arctic ice. Sooner or later, when the planet was no longer inhospitable, life would spread again. The evolutionary process would begin again. It might take a few billion years for life to regain its present variety. Of course, it would be very different from what it is now, but the earth would survive our folly, only we would not. If the ozone layer gets thinner, ultraviolet radiation sears the earth, so what? Ultraviolet radiation is good for life. It's powerful energy. It promotes mutation, change. Many forms of life will thrive with more UV radiation. Many others will die out. Do you think this is the first time that's happened? Think about oxygen. Necessary for life now, but oxygen is actually a metabolic poison, a corrosive glass, like fluorine. When oxygen was first produced as a waste product by certain plant cells some three billion years ago, it created a crisis for all other life on earth. Those plants were polluting the environment, exhaling a lethal gas. Earth eventually had an atmosphere incompatible with life. Nevertheless, life on earth took care of itself. In the thinking of the human being a hundred years is a long time. A hundred years ago we didn't have cars, airplanes, computers or vaccines. It was a whole different world, but to the earth, a hundred years is nothing. A million years is nothing. This planet lives and breathes on a much vaster scale. We can't imagine its slow and powerful rhythms, and we haven't got the humility to try. We've been residents here for the blink of an eye. If we're gone tomorrow, the earth will not miss us.
”
”
Michael Crichton (Jurassic Park / Congo)
“
And then to Leo’s surprise, Catherine smiled at him. A sweet, natural, brilliant smile, the first she had ever given him. Leo felt his chest tighten, and he went hot all over, as if some euphoric drug had gone straight to his nervous system.
It felt like … happiness.
He remembered happiness from a long time ago. He didn’t want to feel it. And yet the giddy warmth kept washing over him for no reason whatsoever.
“Thank you,” Catherine said, the smile still hovering on her lips. “That is kind of you, my lord. But I will never dance with you.”
Which, of course, made it the goal of Leo’s life.
”
”
Lisa Kleypas (Married by Morning (The Hathaways, #4))
“
You're living with a bunch of hot guys, and instead of finding Cole and experiencing some real-life anatomy, you're shacking up with a textbook like a pariah.
”
”
Ali Novak (My Life with the Walter Boys (My Life with the Walter Boys #1))
“
Some men are friends with the whole world in their hearts, and there are others that hate themselves and spread their hatred around like butter on hot bread.
”
”
John Steinbeck
“
I drank some too-hot coffee and scowled at him, annoyed although I couldn't remember why. The light from the lounge was leaking in, highlighting his spiky blond hair. I decided that must be it.
"You really hate my hair, don't you?" he asked, a smile flickering over his lips so fast I might have imagined it.
"Yeah"
"Why?"
I reached out to touch it, and was surprised as always to find it mostly soft. Just a little stiff in places from whatever product he used on it. It felt weird, imagining Pritkin having anything in his hair but sweat. But he must have; nobody's did that all on its own.
"It's like...angry hair," I said, trying to pat it down and failing miserably.
He caught my wrist. "Most people would say that suits me."
"I'm not most people."
"I know.
”
”
Karen Chance (Hunt the Moon (Cassandra Palmer, #5))
“
Liam cleared his throat again and turned to fully face me. “So, it’s the summer and you’re in Salem, suffering through another boring, hot July, and working part-time at an ice cream parlor. Naturally, you’re completely oblivious to the fact that all of the boys from your high school who visit daily are more interested in you than the thirty-one flavors. You’re focused on school and all your dozens of clubs, because you want to go to a good college and save the world. And just when you think you’re going to die if you have to take another practice SAT, your dad asks if you want to go visit your grandmother in Virginia Beach.”
“Yeah?” I leaned my forehead against his chest. “What about you?”
“Me?” Liam said, tucking a strand of hair behind my ear. “I’m in Wilmington, suffering through another boring, hot summer, working one last time in Harry’s repair shop before going off to some fancy university—where, I might add, my roommate will be a stuck-up-know-it-all-with-a-heart-of-gold named Charles Carrington Meriwether IV—but he’s not part of this story, not yet.” His fingers curled around my hip, and I could feel him trembling, even as his voice was steady. “To celebrate, Mom decides to take us up to Virginia Beach for a week. We’re only there for a day when I start catching glimpses of this girl with dark hair walking around town, her nose stuck in a book, earbuds in and blasting music. But no matter how hard I try, I never get to talk to her.
“Then, as our friend Fate would have it, on our very last day at the beach I spot her. You. I’m in the middle of playing a volleyball game with Harry, but it feels like everyone else disappears. You’re walking toward me, big sunglasses on, wearing this light green dress, and I somehow know that it matches your eyes. And then, because, let’s face it, I’m basically an Olympic god when it comes to sports, I manage to volley the ball right into your face.”
“Ouch,” I said with a light laugh. “Sounds painful.”
“Well, you can probably guess how I’d react to that situation. I offer to carry you to the lifeguard station, but you look like you want to murder me at just the suggestion. Eventually, thanks to my sparkling charm and wit—and because I’m so pathetic you take pity on me—you let me buy you ice cream. And then you start telling me how you work in an ice cream shop in Salem, and how frustrated you feel that you still have two years before college. And somehow, somehow, I get your e-mail or screen name or maybe, if I’m really lucky, your phone number. Then we talk. I go to college and you go back to Salem, but we talk all the time, about everything, and sometimes we do that stupid thing where we run out of things to say and just stop talking and listen to one another breathing until one of us falls asleep—”
“—and Chubs makes fun of you for it,” I added.
“Oh, ruthlessly,” he agreed. “And your dad hates me because he thinks I’m corrupting his beautiful, sweet daughter, but still lets me visit from time to time. That’s when you tell me about tutoring a girl named Suzume, who lives a few cities away—”
“—but who’s the coolest little girl on the planet,” I manage to squeeze out.
”
”
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
“
I am not okay. Not at all and haven't been for some time. I did not tell her how discouraged I felt and that I was ashamed I was not more resilient and all the rest of it which included wanting a bigger life but that so far I had not been bold enough to make a bid for things I wanted to happen and I feared it was written in the stars that I might end up with a reduced life like hers...
”
”
Deborah Levy (Hot Milk)
“
Oh. My. God. You're Rose Hathaway aren't you?"
"Yeah." I said with surprise. "Do you know me?"
"Everyone knows you. I mean, everyone heard about you. You're the one who ran away. And then you came back and killed the Strigoi. That is so cool! Did you get molnija marks?" Her words came out in one long string. She hardly took a breath.
"Yeah. I have two." Thinking about the tiny tattoos on the back of my neck made my skin itch.
Her pale green eyes—if possible—grew wider. "Oh my God. Wow." I usually grew irate when people made a big deal about molnija marks. After all, the circumstances had not been cool. But this girl was young, and there was something appealing about her.
"What's your name?" I asked.
"Jillian—Jill. I mean, just Jill. Not both. Jillian's my full name. Jill's what everyone calls me."
"Right." I said, hiding a smile. "I figured it out."
"I heard Moroi used magic on that trip to fight. Is that true? I would love to do that. I wish someone would teach me. I use air. Do you think i could fight Strigoi with that? Everyone says I'm crazy!" For centuries, Moroi using magic to fight had been viewed as a sin. Everyone believed it should be used peacefully. Recently, some had started to question that, particularly after Christian had proved useful in the Spokane escape.
"I don't know." I said. "You should talk to Christian Ozera."
She gaped. "Would he talk to me?"
"If you bring up fighting the establishment, yeah he'll talk to you."
"Okay, cool. Was that Guardian Belikov?" she asked, switching subjects abruptly.
"Yeah."
I swore I thought she might faint then and there. "Really? He's even cuter then I heard. He's your teacher right? Like, your own personal teacher?"
"Yeah." I wondered where he was. Talking to Jill was exhausting.
"Wow. You know you guys don't even act like teacher and student. You seem like friends. Do you hang out when you're not training?"
"Er, well, kind of. Sometimes." I remembered my earlier thoughts, about how I was one of the few people Dimitri was social with outside of his guardian duties.
"I knew it! I can't even imagine that—I'd be freaking out all the time around him. I'd never get anything done, but your so cool about it all, kind of like, 'Yeah. I'm with this totally hot guy, but whatever it doesn't matter!'"
I laughed in spite of myself. "I think you're giving me more credit than I deserve."
"No way. And I don't believe any of those stories, you know."
"Um, stories?"
"Yeah about you beating up Christian Ozera."
"Thanks." I said.
”
”
Richelle Mead (Shadow Kiss (Vampire Academy, #3))
“
But when they made love he was offended by her eyes. They behaved as though they belonged to someone else. Someone watching. Looking out of the window at the sea. At a boat in the river. Or a passerby in the mist in a hat.
He was exasperated because he didn't know what that look meant. He put it somewhere between indifference and despair. He didn’t know that in some places, like the country that Rahel came from, various kinds of despair competed for primacy. And that personal despair could never be desperate enough. That something happened when personal turmoil dropped by at the wayside shrine of the vast, violent, circling, driving, ridiculous, insane, unfeasible, public turmoil of a nation. That Big God howled like a hot wind, and demanded obeisance. Then Small God (cozy and contained, private and limited) came away cauterized, laughing numbly at his own temerity. Inured by the confirmation of his own inconsequence, he became resilient and truly indifferent. Nothing mattered much. Nothing much mattered. And the less it mattered, the less it mattered. It was never important enough. Because Worse Things had happened. In the country that she came from, poised forever between the terror of war and the horror of peace, Worse Things kept happening.
So Small God laughed a hollow laugh, and skipped away cheerfully. Like a rich boy in shorts. He whistled, kicked stones. The source of his brittle elation was the relative smallness of his misfortune. He climbed into people’s eyes and became an exasperating expression.
”
”
Arundhati Roy (The God of Small Things)
“
Sorin said they came to him and begged him to take them out for a girls' night. Something about getting Jen and Sally hooked up with – I think they used the words 'hot Romanian mojo', or some non-sense.”
Vasile rolled his eyes. “You know how those three talk. It's like a foreign language all on its own.
”
”
Quinn Loftis (Just One Drop (The Grey Wolves, #3))
“
She had never really seen a pair of eyes like this. It was like standing in the doorway to a dark room, like balancing on a threshold, holding a lantern up and watching how it kissed some things gold and left other things in shadow. It was the kind of dark that hid and held a lot of things. A hot fluid dark, a summer tide pool dark, a wild breathless dark.
”
”
Nina Varela (Crier's War (Crier's War, #1))
“
Only you could behave like this with everything going on.” One side of his mouth tipped up as his gaze dropped to my lips and then below. “Well, you are sitting in my lap wearing only jeans and a bra—a cute bra—after kicking some chick’s ass. That’s hot. And I’m really turned on by that.
”
”
Jennifer L. Armentrout (Opposition (Lux, #5))
“
A lie is when you say something happened which didn't happen. But there is only ever one thing which happened at a particular time and a particular place. And there are an infinite number of things which didn't happen at that time and that place. And if I think about something which didn't happen I start thinking about all the other things which didn't happen.
For example, this morning for breakfast I had Ready Brek and some hot raspberry milkshake. But if I say that I actually had Shreddies and a mug of tea I start thinking about Coco-Pops and lemonade and Porridge and Dr Pepper and how I wasn't eating my breakfast in Egypt and there wasn't a rhinoceros in the room and Father wasn't wearing a diving suit and so on and even writing this makes me feel shaky and scared, like I do when I'm standing on the top of a very tall building and there are thousands of houses and cars and people below me and my head is so full of all these things that I'm afraid that I'm going to forget to stand up straight and hang onto the rail and I'm going to fall over and be killed.
This is another reason why I don't like proper novels, because they are lies about things which didn't happen and they make me feel shaky and scared.
And this is why everything I have written here is true.
”
”
Mark Haddon (The Curious Incident of the Dog in the Night-Time)
“
Jerry: Oh, you don't understand, Osgood! Ehhhh... I'm a man.
Osgood: Well, nobody's perfect.
”
”
Billy Wilder (Some Like It Hot)
“
He snorted. "They were probably scared."
"Scared!" For some reason, that hurt, just a little. She felt her lower lip wobble. "I'm not that bad, am I?"
"Worse," he said cheerfully. "You're hell on wheels. You're just lucky I like hot rods
”
”
Linda Howard (Mr. Perfect)
“
Ooo, let’s see, I need to get my spicy barbecue sauce. Definitely some oven mitts, ‘cause he’s gonna be hot from being flame-broiled. I need to get a couple of them apple trees to make wood chips so the meat be nice and appley tasting. Give it that extra yumminess, ‘cause I don’t like that Daimon flavor. Ack! (Simi)
”
”
Sherrilyn Kenyon (Dance with the Devil (Dark-Hunter, #3))
“
Don't get me wrong—he's hot as hell, and in another life I would have liked to wear him as a mink coat. But when your first thought about someone is wondering whether they're some sort of handsome woodland serial killer, it's hard to build an attraction.
”
”
Karsten Knight (Wildefire (Wildefire, #1))
“
I had never been given any affirmation at home, so I was hungry for praise. When I was complimented, even on a whim by a hysterical teacher, my chest grew hot, and for some reason I felt like crying.
”
”
Sayaka Murata (Earthlings)
“
Lawson, also known by his call sign of Hiker, had been my best friend since our navy days. He now had the distinction of being the sheriff of Santa Rosaria.
“Where the hell are you? It sounds like you’re far away.”
“I’m on the top deck of a cruise ship in the Panama Canal.”
“Swamp, I’m busy. I don’t have time for your jokes.”
“Then why the hell did you call me?”
“I’m calling because some hot shot lawyer called my office for a character reference on you.”
“Why?”
“I’ll ask you the same question. Why? Are you in some kind of trouble?”
“Of course I’m not in any kind of trouble! What did you say to him?”
“I told him you’re some kind of character.
”
”
Behcet Kaya (Appellate Judge (Jack Ludefance, #3))
“
You are working up to Mr. Fantastic Fiction levels of Zombie Expert, which is like playing Guitar Hero on some level that actually melts the guitar controller, burning your fingers with searing hot plastic till you scream in pain. Only with words. And zombies.
”
”
Libba Bray
“
I usually make it a point not to cry in front of people, especially hot boys that I'd been totally crushing on before they'd tried to choke me.
But for some reason, hearing that there was yet another thing I didn't know just sent me right on over the edge.
Archer,to his credit, didn't look exactly horrified by my sobbing, and he even reached out like he might grab hold of my shoulders.Or possibly smack me.
But before he could either comfort me or commit further acts of violence upon my person,I spun away from him and made my drama queen moment complete by running away.
It wasn't pretty.
”
”
Rachel Hawkins (Hex Hall (Hex Hall, #1))
“
There was a dragon who had a long-standing obsession with a queen's breasts," she said, growing breathless. "The dragon knew the penalty to touch her would mean death, yet he revealed his secret desire to the king's chief doctor. This man promised he could arrange for the dragon to satisfy his desire, but it would cost him one thousand gold coins." She spread her soapy hands over his nipples, then down his arms. "Though he didn't have the money, the dragon readily agreed to the scheme."
Grace," Darius moaned, his erection straining against her stomach.
She hid her smile, loving that she had this much power over such a strong man. That she, Grace Carlyle, made him ache with longing. "The next day the physician made a batch of itching powder and poured some into the queen's bra… uh, you might call it a brassiere… while she bathed. After she dressed, she began itching and itching and itching. The physician was summoned to the Royal Chambers, and he informed the king and queen that only a special saliva, if applied for several hours, would cure this type of itch. And only a dragon possessed this special saliva." Out of breath, she paused.
Continue," Darius said. His arms wound around her so tightly she could barely breathe. His skin blazed hot against hers, hotter than even the steamy water.
Are you sure?"
Continue." Taut lines bracketed his mouth.
Well, the king summoned the dragon. Meanwhile, the physician slipped him the antidote for the itching powder, which the dragon put into his mouth, and for the next few hours, the dragon worked passionately on the queen's breasts.
Anyway," she said, reaching around him and lathering the muscled mounds of his butt, "the queen's itching was eventually relieved, and the dragon left satisfied and touted as a hero."
This does not sound like a joke," Darius said.
I'm getting to the punch line. Hang on. When the physician demanded his payment, the now satisfied dragon refused. He knew that the physician could never report what really happened to the king. So the next day, the physician slipped a massive dose of the same itching powder into the king's loincloth. And the king immediately summoned the dragon."
-Heart of the Dragon
”
”
Gena Showalter
“
We stand there for a few seconds before he thrusts one of the cardboard cups at me and says, “Oh, shit. This is, uh…this is for you.”
I take it and hold it up to my nose.
“What is it?”
“It’s an I’m-a-dick-achino.”
I try to stop the smile that lifts the corners of my mouth. “Huh. Smells like plain old hot chocolate to me.”
“Yeah, well, it turns out they were out of dick-achinos. I offered to make some more, but they said I was overqualified.”
“They were right.
”
”
Leisa Rayven (Bad Romeo (Starcrossed, #1))
“
From p. 40 of Signet Edition of Thomas Wolfe's _You Can't Go Home Again_ (1940):
Some things will never change. Some things will always be the same. Lean down your ear upon the earth and listen.
The voice of forest water in the night, a woman's laughter in the dark, the clean, hard rattle of raked gravel, the cricketing stitch of midday in hot meadows, the delicate web of children's voices in bright air--these things will never change.
The glitter of sunlight on roughened water, the glory of the stars, the innocence of morning, the smell of the sea in harbors, the feathery blur and smoky buddings of young boughs, and something there that comes and goes and never can be captured, the thorn of spring, the sharp and tongueless cry--these things will always be the same.
All things belonging to the earth will never change--the leaf, the blade, the flower, the wind that cries and sleeps and wakes again, the trees whose stiff arms clash and tremble in the dark, and the dust of lovers long since buried in the earth--all things proceeding from the earth to seasons, all things that lapse and change and come again upon the earth--these things will always be the same, for they come up from the earth that never changes, they go back into the earth that lasts forever. Only the earth endures, but it endures forever.
The tarantula, the adder, and the asp will also never change. Pain and death will always be the same. But under the pavements trembling like a pulse, under the buildings trembling like a cry, under the waste of time, under the hoof of the beast above the broken bones of cities, there will be something growing like a flower, something bursting from the earth again, forever deathless, faithful, coming into life again like April.
”
”
Thomas Wolfe (You Can't Go Home Again)
“
But her attention was on the prince across from her, who seemed utterly ignored by his father and his own court, shoved down near the end with her and Aedion.
He ate so beautifully, she thought, watching him cut into his roast chicken. Not a drop moved out of place, not a scrap fell on the table. She had decent manners, while Aedion was hopeless, his plate littered with bones and crumbs scattered everywhere, even some on her own dress. She’d kicked him for it, but his attention was too focused on the royals down the table.
So both she and the Crown Prince were to be ignored, then. She looked at the boy again, who was around her age, she supposed. His skin was from the winter, his blue-black hair neatly trimmed; his sapphire eyes lifted from his plate to meet hers.
“You eat like a fine lady,” she told him.
His lips thinned and color stained his ivory cheeks. Across from her, Quinn, her uncle’s Captain of the Guard, choked on his water.
The prince glanced at his father—still busy with her uncle—before replying. Not for approval, but in fear. “I eat like a prince,” Dorian said quietly.
“You do not need to cut your bread with a fork and knife,” she said. A faint pounding started in her head, followed by a flickering warmth, but she ignored it. The hall was hot, as they’d shut all the windows for some reason.
“Here in the North,” she went on as the prince’s knife and fork remained where they were on his dinner roll, “you need not be so formal. We don’t put on airs.”
Hen, one of Quinn’s men, coughed pointedly from a few seats down. She could almost hear him saying, Says the little lady with her hair pressed into careful curls and wearing her new dress that she threatened to skin us over if we got dirty.
She gave Hen an equally pointed look, then returned her attention to the foreign prince. He’d already looked down at his food again, as if he expected to be neglected for the rest of the night. And he looked lonely enough that she said, “If you like, you could be my friend.” Not one of the men around them said anything, or coughed.
Dorian lifted his chin. “I have a friend. He is to be Lord of Anielle someday, and the fiercest warrior in the land.
”
”
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
“
We gather here today,” said Robert, reaching out his arms expansively, “to honor my son, Alexander Gideon Lightwood, who has single-handedly destroyed the forces of the Endarkened and who defeated in battle the son of Valentine Morgenstern. Alec saved the life of our third son, Max. Along with his parabatai, Jace Herondale, I am proud to say that my son is one of the greatest warriors I have ever known.” He turned and smiled at Alec and Magnus. “It takes more than a strong arm to make a great warrior,” he went on. “It takes a great mind and a great heart. My son has both. He is strong in courage, and strong in love. Which is why I also wanted to share our other good news with you. As of yesterday, my son became engaged to be married to his partner, Magnus Bane—”
A chorus of cheers broke out. Magnus accepted them with a modest wave of his fork. Alec slid down in his chair, his cheeks burning. Jace looked at him meditatively.
“Congratulations,” he said. “I kind of feel like I missed an opportunity.”
“W-what?” Alec stammered.
Jace shrugged. “I always knew you had a crush on me, and I kind of had a crush on you, too. I thought you should know.”
“What?” Alec said again.
Clary sat up straight. “You know,” she said, “do you think there’s any chance that you two could ...” She gestured between Jace and Alec. “It would be kind of hot.”
“No,” Magnus said. “I am a very jealous warlock.”
“We’re parabatai,” Alec said, regaining his voice. “The Clave would—I mean—it’s illegal.”
“Oh, come on,” said Jace. “The Clave would let you do anything you wanted. Look, everyone loves you.” He gestured out at the room full of Shadowhunters. They were all cheering as Robert spoke, some of them wiping away tears. A girl at one of the smaller tables held up a sign that said, ALEC LIGHTWOOD, WE LOVE YOU.
”
”
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
“
You ain’t know nothing,” a man scoffed. “How I’m supposed to trust some junkie Churchwitch-”
The words sliced through her like razor-sharp fangs. Her face flooded with shame, so hot she imagined it steamed in the icy air. At least it wasn’t difficult to identify the speaker. All she had to do was look for the man with Terrible’s fist locked around his neck.
“Ain’t think I hear you right,” Terrible said in a calm, quiet voice. “Wanna louden up?” The man shook his head His eyes bulged. He looked like a bug, with his hands clenching into tiny useless fists. “You sure? You got else to say, you best say it now, instead of later. Now we got us watchers. Later might not be true, dig?” The man dug.
”
”
Stacia Kane (Unholy Magic (Downside Ghosts, #2))
“
Can you hold a red-hot iron rod in your hand merely because some one wants you to do so? Then, will it be right on your part to ask others to do the same thing just to satisfy your desires? If you cannot tolerate infliction of pain on your body or mind by others' words and actions, what right have you to do the same to others through your words and deeds?
Do unto others as you would like to be done by. Injury or violence done by you to any life in any form, animal or human, is as harmful as it would e if caused to your own self.
”
”
Mahavira
“
I nodded toward Cade’s wrist. “I’m sorry.”
“It’s fun. I get a man bracelet.”
I smiled. “I don’t think you get to keep it. She’s just using you as her model.”
“Her model?”
“It’s a fact, not a compliment.”
“Because if you gave me a compliment you might have a stroke.”
I laughed. “Probably not a stroke, but my brain would definitely revolt in some way.”
He didn’t laugh along with me, just looked at the cording on his wrist.
“Oh, stop, you don’t need me to tell you that you’re hot to know that it’s true.”
“Are you okay? Did that hurt your head?” Cade asked.
I kicked his foot with mine and he laughed.
“So you think I’m hot?” Cade’s eyes sparkled.
“Doesn’t every girl?”
It surprised me when his cheeks turned a light shade of pink. I wasn’t sure why that embarrassed him in any way. I was positive he already knew it. He ran one hand through his hair. Then he said, almost too quiet for me to hear, “You’re not every girl.
”
”
Kasie West (P.S. I Like You)
“
He gave River a couple of apples and some water, keeping an eye on Tor, who was now standing, shaking with anger. Jake decided it was a good thing he was mad at Tor, 'cause shit, the man was soaked, everything clung to him and he looked hard and lean and completely touchable. Yeah, best to be pissed at the jerk when he looked like that.
”
”
Chris Owen (Bareback (Bareback, #1))
“
The day has been so full of fret and care, and our hearts have been so full of evil and of bitter thoughts, and the world has seemed so hard and wrong to us. Then Night, like some great loving mother, gently lays her hand upon our fevered head, and turns our little tear-stained faces up to hers, and smiles; and though she does not speak, we know what she would say, and lay our hot flushed cheek against her bosom, and the pain is gone.
Sometimes, our pain is very deep and real, and we stand before her very silent, because there is no language for our pain, only a moan. Night's heart is full of pity for us: she cannot ease our aching; she takes our hand in hers, and the little world grows very small and very far away beneath us, and, borne on her dark wings, we pass for a moment into a mightier Presence than her own, and in the wondrous light of that great Presence, all human life lies like a book before us, and we know that Pain and Sorrow are but angels of God.
”
”
Jerome K. Jerome (Three Men in a Boat (Three Men, #1))
“
What is that?” The question is inane. But, honestly, what the fuck am I supposed to do with this? Alex chuckles nervously. As is appropriate since I’m holding his dick and I’m clearly not sane. “I mean, I know what it is. Obviously. Do you have some kind of . . . disorder? Like elephantiasis of the penis or something?” I did not say that out loud. “It’s not that big.” His erection slides in my grip. I can’t stop staring. My thumb and middle finger must have a good inch or more before they can meet. I squeeze to see if it helps bring them closer together. It doesn’t. What it does is make Alex groan, and that, oh holy monster of cock, is one hot noise.
”
”
Helena Hunting (Pucked (Pucked, #1))
“
That is my problem with life, I rush through it, like I’m being chased. Even things whose whole point is slowness, like drinking relaxing tea. When I drink relaxing tea, I suck it down as if I’m in a contest for who can drink relaxing tea the quickest. Or if I’m in a hot tub with some other people and we’re all looking up at the stars, I’ll be the first to say, It’s so beautiful here. The sooner you say, It’s so beautiful here, the quicker you can say, Wow, I’m getting overheated.
”
”
Miranda July (No One Belongs Here More Than You)
“
Leave your life. Leave everyone you love, every care, every stress, every commitment. Live alone. Understand what it feels like to know that if you go into cardiac arrest, choke on a piece of hot dog, or get electrocuted, no one will find you. You’ll rot. No one will mourn you. Imagine this feeling haunting your thoughts for the rest of your life. You’ll wither and vanish, and some stranger will take care of your things and your burial, and you may not even get a placard. Imagine that, live it, and let yourself believe that you should be alone, and then go back to the people who love you.
”
”
Renee Carlino (Nowhere but Here)
“
You promised to be on your best behavior,” I reminded him, breathless.
“You kissed me,” he growled. His voice had gone very deep.
“Well, but you started it by kissing my neck.”
“True. I hadn't planned that.” His sultry voice, paired with those blazing eyes, told me I needed to get away from him. I hurried to the end of the bed, where I jumped off and began to pace back and forth, yanking out my loose hairband and pulling my hair back into a tight ponytail. I tried hard not to think about the taste of his lips. I'd had my first kiss, and I'd never be the same.
“Why did you stop?” he asked.
“Because you were moving on to other things.”
He scratched his chin and cheek. “Hmm, moved too quickly. Rookie mistake.”
I crossed my arms again, watching him speculate internally like a coach outlining a play that had gone wrong. Incredible. Then he sized me up in his sights again.
“But I can see you still want me.”
I gave him my meanest stare, but it was hard to look at him. Gosh, he was hot! And a total player. The kiss meant nothing to him.
“Oh,” he said with mock sadness, “there it goes. Mad instead? Well, sort of. You can't seem to muster a really good anger—”
“Stop it!”
“Sorry, was I saying that out loud?”
“I can read people, too, you know. Well, not you, but at least I have the decency to try not to notice, to give them some sort of emotional privacy!”
“Yes, how very decent of you.” He hadn't moved from his languid position on my bed.
I leaned forward, grabbing a pillow and throwing it at him.
“Pillow fight?” He raised an eyebrow.
“Get off my bed. Please. I'm ready to go to sleep.
”
”
Wendy Higgins (Sweet Evil (Sweet, #1))
“
Now if you're not „hot”, you are expected to work on it until you are. It's like when you renovate a house and you're legally required to leave just one of the original walls standing. If you don't have a good body you have down to a neutral shape, then bolt on some breast implants, replace your teeth, dye you hair, and call yourself the Playmate of the Year.
How do we survive this? How do we teach our daughters and our gay sons that they are good enough the way they are? We have to lead by example.
”
”
Tina Fey (Bossypants)
“
As I grow in age, I value women who are over forty most of all. Here are just a few reasons why: A woman over forty will never wake you in the middle of the night to ask, “What are you thinking?” She doesn’t care what you think.
If a woman over forty doesn’t want to watch the game, she doesn’t sit around whining about it. She does something she wants to do. And, it’s usually something more interesting.
A woman over forty knows herself well enough to be assured in who she is, what she is, what she wants and from whom. Few women past the age of forty give a hoot what you might think about her or what she’s doing.
Women over forty are dignified. They seldom have a screaming match with you at the opera or in the middle of an expensive restaurant. Of course, if you deserve it, they won’t hesitate to shoot you, if they think they can get away with it.
Older women are generous with praise, often undeserved. They know what it’s like to be unappreciated.
A woman over forty has the self-assurance to introduce you to her women friends. A younger woman with a man will often ignore even her best friend because she doesn’t trust the guy with other women. Women over forty couldn’t care less if you’re attracted to her friends because she knows her friends won’t betray her.
Women get psychic as they age. You never have to confess your sins to a woman over forty. They always know.
A woman over forty looks good wearing bright red lipstick. This is not true of younger women. Once you get past a wrinkle or two, a woman over forty is far sexier than her younger counterpart.
Older women are forthright and honest. They’ll tell you right off if you are a jerk, if you are acting like one! You don’t ever have to wonder where you stand with her.
Yes, we praise women over forty for a multitude of reasons. Unfortunately, it’s not reciprocal. For every stunning, smart, well-coiffed hot woman of forty-plus, there is a bald, paunchy relic in yellow pants making a fool of himself with some twenty-two-year-old waitress.
Ladies, I apologize.
For all those men who say, “Why buy the cow when you can get the milk for free,” here’s an update for you. Now 80 percent of women are against marriage, why? Because women realize it’s not worth buying an entire pig, just to get a little sausage.
”
”
Andy Rooney
“
She smiled and sipped from her glass. There was altogether too much of her sitting there, the broad expanse of thigh cradled in the insubstantial stocking and the garters with the pale flesh pursed and her full breasts and the sootblack piping of her eyelids, a gaudish rake of metaldust in prussian blue where cerulean moths fluttered her awake from some outlandish dream. Suttree gradually going awash in the sheer outrageous sentience of her. Their glasses clicked on the tabletop. Her hot spiced tongue fat in his mouth and her hands all over him like the very witch of fuck.
”
”
Cormac McCarthy (Suttree)
“
I wish some man or other would take me sometime when hes there and kiss me in his arms theres nothing like a kiss long and hot down to your soul almost paralyses you...I love flowers Id love to have the whole place swimming in roses God of heaven theres nothing like nature the wild mountains then the sea and waves rushing then the beautiful country with the fields of oats and wheat and all kinds of things and all the fine cattle going about that would do your heart good to see rivers and lakes and flowers all sorts of shapes and smells and colours...after that long kiss I near lost my breath yes he said I was a flower of the mountain yes so we are flowers all a womans body yes...then I asked him with my eyes to ask again yes and then he asked me would I yes to say yes my mountain flower and first I put my arms around him yes and drew him down to me so he could feel my breasts all perfume yes and his heart was going like mad and yes I said yes I will yes.
”
”
James Joyce (Ulysses)
“
Not easy when you can't talk, is it?" I grinned. "Well, not easy for you but I could get used to it."
He grumbled, but I could see relif in his eyes, like he was glad to see me smile.
"SO i was right, wasn't I? It's still youm even in wolf form."
He grunted.
"No sudden uncontrollable urges to go kill something?"
He rolled his eyes.
"Hey, you're the one who was worried." I paused. "And i don't smell like dinner, right?"
I got a real look for that one.
"Just covering all the bases."
He gave a rumbling groul, like a chuckle, and settled in, lowering his head to his front paws, gaze on me. I tried to get comfortable, but the ground was ice-cold through his swearshirt, and i was wearing only my new pajamas, a light jacket, and sneakers.
Seeing me shiver, he stretched a front leg toward the swearshirt, pawing the edge and snarling when he realized he couldnt grab it.
"The lack of opposanle thumbs is going to take some getting used to, huh?"
He motioned me closer with his muzzel. When I pretended not to understand, he twisted and gingerly took the hem of the swearshirt between his teeth, lips curled in discust as he tugged it.
"Okay, okay. I'm just trying not to croud you."
That wasnt the only reason i was uncomfortanle getting too cozy with him now, but he just grunted, again seeming to say it was fine. i moved over beside himm. He shifted, his torso making a partial wind block, the boddy heat from the change still blasting like a furnace.
He grunted.
"Yes, thats better.thanks. now get some rest."
i had no idea what would happen now. i doubted derek did either. he'd been focused on getting through the change. what i did know was that this was only half the process. he had to change back, and he'd need time and rest for that.
and how would it happen? did he have to wait until his body was ready, like he did with the change to a wolf? how long would that be?hours?days?
Feeling his gaze on me, i forced a smile and pushed back my worries. it would be okat. he could change. that was the important thing.
when i relaxed, he shifted closer, fur brushing my hand. i tentatively touched it, feeling the coarse top layer and soft undercoar. he leaned against my hand, as if to sat it was okaym and i buried my hand in his fur, his skin so hot from the change it was like putting my numb hands on a radiator. my cool fingers must have felt just as good, because he closed his eyes and shifte until i was leaning on him. within minutes he was asleep.
i closed my eyes, meaning to rest for just a moment, but the next thing i knew, i was waking up, curled on my side, using derek as a pillow. i jumped. he looked over at me.
"S-sorry, I didn't mean-"
He cut me short with a growl, telling me off for apologizing.
”
”
Kelley Armstrong
“
When women read romance books, one of two things generally happen.” Mal ran a hand through his lovely locks. “They either want to discuss the book in great depth. And probably, life and your relationship. Now sometimes that’s okay. You reach a higher level of understanding with each other and shit. But sometimes it sucks, pure and simple. You wind up getting bitched at for days because of something the dude in the book did that makes you look bad. But if it’s an awesome book, however, a hot one? Well then … kinky fuckery like you wouldn’t believe, man. The ideas Pumpkin has gotten out of some of those books. Gold. I could never have talked her into trying half of that stuff.
”
”
Kylie Scott (Dirty (Dive Bar, #1))
“
When trees grow together, nutrients and water can be optimally divided among them all so that each tree can grow into the best tree it can be. If you "help" individual trees by getting rid of their supposed competition, the remaining trees are bereft. They send messages out to their neighbors in vain, because nothing remains but stumps. Every tree now muddles along on its own, giving rise to great differences in productivity. Some individuals photosynthesize like mad until sugar positively bubbles along their trunk. As a result, they are fit and grow better, but they aren't particularly long-lived. This is because a tree can be only as strong as the forest that surrounds it. And there are now a lot of losers in the forest. Weaker members, who would once have been supported by the stronger ones, suddenly fall behind. Whether the reason for their decline is their location and lack of nutrients, a passing malaise, or genetic makeup, they now fall prey to insects and fungi.
But isn't that how evolution works? you ask. The survival of the fittest? Their well-being depends on their community, and when the supposedly feeble trees disappear, the others lose as well. When that happens, the forest is no longer a single closed unit. Hot sun and swirling winds can now penetrate to the forest floor and disrupt the moist, cool climate. Even strong trees get sick a lot over the course of their lives. When this happens, they depend on their weaker neighbors for support. If they are no longer there, then all it takes is what would once have been a harmless insect attack to seal the fate even of giants.
”
”
Peter Wohlleben (The Hidden Life of Trees: What They Feel, How They Communicate: Discoveries from a Secret World)
“
When he was gone, when he was dust and ashes, Magnus would still be
walking through this world. If the world was changed for the better, then
that unknowable future would be better for Magnus. Alec could imagine
that on some scorching hot day like this, on a strange street in a strange
land, Magnus might see something good that reminded him of Alec,
some way that the world was changed because Alec had lived. Alec
couldn’t imagine what the world would be like then.
But he could imagine, in some faraway future, the face he loved best.
”
”
Cassandra Clare (The Land I Lost (Ghosts of the Shadow Market, #7))
“
Whachoo want, white boy? Burn cream? A Band-Aid?
Then he raised his own enormous palms to me, brought them up real close so I could see them properly; the hideous constellation of water-filled blisters, angry red welts from grill marks, the old scars, the raw flesh where steam or hot fat had made the skin simply roll off. They looked like the claws of some monstrous science-fiction crustacean, knobby and calloused under wounds old and new. I watched, transfixed, as Tyrone - his eyes never leaving mine - reached slowly under the broiler and, with one naked hand, picked up a glowing-hot sizzle-platter, moved it over to the cutting board, and set it down in front of me.
He never flinched.
”
”
Anthony Bourdain (Kitchen Confidential: Adventures in the Culinary Underbelly)
“
but was this funny? was this funny? was this funny? why was this funny? why was Sugar Kane funny? why were men dressed as women funny? why were men made up as women funny? why were men staggering in high heels funny? why was Sugar Kane funny, was Sugar Kane the supreme female impersonator? was this funny? why was this funny? why is female funny? why were people going to laugh at Sugar Kane & fall in love with Sugar Kane? why, another time? why would Sugar Kane Kovalchick girl ukulelist be such a box office success in America? why dazzling-blond girl ukulelist alcoholic Sugar Kane Kovalchick a success? why Some Like It Hot a masterpiece? why Monroe's masterpiece? why Monroe's most commercial movie? why did they love her? why when her life was in shreds like clawed silk? why when her life was in pieces like smashed glass? why when her insides had bled out? why when her insides had been scooped out? why when she carried poison in her womb? why when her head was ringing with pain? her mouth stinging with red ants? why when everybody on the set of the film hated her? resented her? feared her? why when she was drowning before their eyes? I wanna be loved by you boop boopie do! why was Sugar Kane Kovalchick of Sweet Sue's Society Syncopaters so seductive? I wanna be kissed by nobody else but you I wanna! I wanna! I wanna be loved by you alone but why? why was Marilyn so funny? why did the world adore Marilyn? who despised herself? was that why? why did the world love Marilyn? why when Marilyn had killed her baby? why when Marilyn had killed her babies? why did the world want to fuck Marilyn? why did the world want to fuck fuck fuck Marilyn? why did the world want to jam itself to the bloody hilt like a great tumescent sword in Marilyn? was it a riddle? was it a warning? was it just another joke? I wanna be loved by you boop boopie do nobody else but you nobody else but you nobody else
”
”
Joyce Carol Oates (Blonde)
“
You walk into a room and flip a switch and the room fills with light. You leave your garbage in bags on the curbside, and a truck comes and transports it to some invisible place. When you're in danger, you call for the police. Hot water pours from faucets. Lift a receiver or press a button on a telephone, and you can speak to anyone. All the information in the world is on the Internet, and the Internet is all around you, drifting through the air like pollen on a summer breeze. There is money, slips of paper that can be traded for anything: houses, boats, perfect teeth. There are dentists. She tried to imagine this life playing out somewhere at the present moment. Some parallel Kristen in an air-conditioned room, waking from an unsettling dream of walking through an empty landscape.
”
”
Emily St. John Mandel (Station Eleven)
“
Well, well, well,” Santa said once the elf had retreated. “Come and sit on my lap, little boy.”
This Santa’s beard was real, and so was his hair. He wasn’t fucking around.
“I’m not really a little boy,” I pointed out.
“Get on my lap, then, big boy.”
I walked up to him. There wasn’t much lap under his belly. And even though he tried to disguise it, as I went up there, I swear he adjusted
his crotch.
“Ho ho ho!” he chortled.
I sat gingerly on his knee, like it was a subway seat with gum on it.
“Have you been a good little boy this year?” he asked.
I didn’t feel that I was the right person to determine my own goodness or badness, but in the interest of speeding along this encounter, I said yes.
He actually wobbled with joy.
“Good! Good! Then what can I bring you this Christmas?”
I thought it was obvious.
“A message from Lily,” I said. “That’s what I want for Christmas. But I want it right now.”
“So impatient!” Santa lowered his voice and whispered in my ear. “But Santa does have a little something for you”—he shifted a little in
his seat—“right under his coat. If you want to have your present, you’ll have to rub Santa’s belly.”
“What?” I asked.
He gestured with his eyes down to his stomach. “Go ahead.”
I looked closely and saw the faint outline of an envelope beneath his red velvet coat.
“You know you want it,” he whispered.
The only way I could survive this was to think of it as the dare it was.
Fuck off, Lily. You can’t intimidate me.
I reached right under Santa’s coat. To my horror, I found he wasn’t wearing anything underneath. It was hot, sweaty, Geshy, hairy … and
his belly was this massive obstacle, blocking me from the envelope. I had to lean over to angle my arm in order to reach it, the whole time
having Santa laugh, “Oh ho ho, ho ho oh ho!” in my ear.
I heard the elf scream, “What the hell!” and various parents start to shriek. Yes, I was feeling up Santa. And now the corner of the envelope was in my hand. He tried to jiggle it away from me, but I held tight and yanked it
out, pulling some of his white belly hair with me. “OW ho ho!” he cried. I jumped o1 his lap.
“Security’s here!” the elf proclaimed.
The letter was in my hand, damp but intact.
“He touched Santa!” a young child squealed.
”
”
Rachel Cohn (Dash & Lily's Book of Dares (Dash & Lily, #1))
“
Wow,” Sussman said, “you look hot even with the slight disfigurement.”
I stopped and turned toward him.
“What did you say?”
“Um, you look hot?”
“Let me ask you something,” I said, easing closer. He took a wary step back. “When you were alive, like, five minutes ago, would you have told some chick you’d just met that she looked hot?”
He thought about that a moment, then answered, “No. My wife would divorce me.”
“Then why is it the moment you guys die, you think you can say whatever you want to whomever you want?”
He thought about that a moment, too. “Because my wife can’t hear me?” he offered.
”
”
Darynda Jones (First Grave on the Right (Charley Davidson, #1))
“
When did you start here?” I ask her.
“Three days ago. Sir. Aspirant. Um—” She wrings her hands.
“Veturius is fine.”
She walks carefully, gingerly—the Commandant must have whipped her recently. And yet she doesn't hunch or shuffle like the others slaves. The straight-backed grace with which she moves tells her story better than words. She'd been a freewoman before this—I'd bet my scims on it. And she has no idea how pretty she is—or what kind of problems her beauty will cause for her at a place like Blackcliff. The wind pulls at her hair again, and I catch her scent—like fruit and sugar.
“Can I give you some advice?”
Her head flies up like a scared animal's. At least she's wary. “Right now you...” Will grab the attention of every male in a square mile. “Stand out,” I finish. “It's hot, but you should wear a hood or a cloak—something to help you blend in.”
She nods, but her eyes are suspicious. She wraps her arms around herself and drops back a little. I don't speak to her again.
”
”
Sabaa Tahir (An Ember in the Ashes (An Ember in the Ashes, #1))
“
Might I,” quavered Mary, “might I have a bit of earth?”
In her eagerness she did not realize how queer the words would sound and that they were not the ones she had meant to say. Mr. Craven looked quite startled.
“Earth!” he repeated. “What do you mean?”
“To plant seeds in—to make things grow—to see them come alive,” Mary faltered.
He gazed at her a moment and then passed his hand quickly over his eyes.
“Do you—care about gardens so much,” he said slowly.
“I didn’t know about them in India,” said Mary. “I was always ill and tired and it was too hot. I sometimes made little beds in the sand and stuck flowers in them. But here it is different.”
Mr. Craven got up and began to walk slowly across the room.
“A bit of earth,” he said to himself, and Mary thought that somehow she must have reminded him of something. When he stopped and spoke to her his dark eyes looked almost soft and kind.
“You can have as much earth as you want,” he said. “You remind me of some one else who loved the earth and things that grow. When you see a bit of earth you want,” with something like a smile, “take it, child, and make it come alive.
”
”
Frances Hodgson Burnett (The Secret Garden)
“
I'm sorry." Her voice cracked. "McKenna-"
"Not sorry enough." He pressed his wet face to hers, his mouth rubbing over her cheeks and chin in feverish, rough half kisses, as if he wanted to devour her. "Not nearly enough. You say you've had to live without your heart...how would you like to lose your soul as well? I've cursed every day I've had to live without you, and every night that I spent with another woman, wishing that it was you in my arms-"
"NO-" she moaned.
"Wishing," he continued fiercely, "for some way to stop the memories of you from eating away at me until there was nothing left inside. I've found no peace anywhere, not even in sleep. Not even in dreams..." He broke off and assaulted her with hungry, shuddering kisses. The taste of his tears, his mouth, made Aline disoriented and hot, her head reeling from shocks of pleasure. McKenna seemed possessed by a passion that bordered on violence, his lungs wracked with hard breaths, his hands tightening with a force that threatened to leave bruises on her tender flesh. "By God," he said with the vehemence of a man to whom entirely too much had happened, "In the past few days I've suffered the torments of the damned, and I've had enough!
”
”
Lisa Kleypas (Again the Magic (Wallflowers, #0))
“
EDMUND
*Then with alcoholic talkativeness
You've just told me some high spots in your memories. Want to hear mine? They're all connected with the sea. Here's one. When I was on the Squarehead square rigger, bound for Buenos Aires. Full moon in the Trades. The old hooker driving fourteen knots. I lay on the bowsprit, facing astern, with the water foaming into spume under me, the masts with every sail white in the moonlight, towering high above me. I became drunk with the beauty and signing rhythm of it, and for a moment I lost myself -- actually lost my life. I was set free! I dissolved in the sea, became white sails and flying spray, became beauty and rhythm, became moonlight and the ship and the high dim-starred sky! I belonged, without past or future, within peace and unity and a wild joy, within something greater than my own life, or the life of Man, to Life itself! To God, if you want to put it that way. Then another time, on the American Line, when I was lookout on the crow's nest in the dawn watch. A calm sea, that time. Only a lazy ground swell and a slow drowsy roll of the ship. The passengers asleep and none of the crew in sight. No sound of man. Black smoke pouring from the funnels behind and beneath me. Dreaming, not keeping looking, feeling alone, and above, and apart, watching the dawn creep like a painted dream over the sky and sea which slept together. Then the moment of ecstatic freedom came. the peace, the end of the quest, the last harbor, the joy of belonging to a fulfillment beyond men's lousy, pitiful, greedy fears and hopes and dreams! And several other times in my life, when I was swimming far out, or lying alone on a beach, I have had the same experience. Became the sun, the hot sand, green seaweed anchored to a rock, swaying in the tide. Like a saint's vision of beatitude. Like a veil of things as they seem drawn back by an unseen hand. For a second you see -- and seeing the secret, are the secret. For a second there is meaning! Then the hand lets the veil fall and you are alone, lost in the fog again, and you stumble on toward nowhere, for no good reason!
*He grins wryly.
It was a great mistake, my being born a man, I would have been much more successful as a sea gull or a fish. As it is, I will always be a stranger who never feels at home, who does not really want and is not really wanted, who can never belong, who must always be a a little in love with death!
TYRONE
*Stares at him -- impressed.
Yes, there's the makings of a poet in you all right.
*Then protesting uneasily.
But that's morbid craziness about not being wanted and loving death.
EDMUND
*Sardonically
The *makings of a poet. No, I'm afraid I'm like the guy who is always panhandling for a smoke. He hasn't even got the makings. He's got only the habit. I couldn't touch what I tried to tell you just now. I just stammered. That's the best I'll ever do, I mean, if I live. Well, it will be faithful realism, at least. Stammering is the native eloquence of us fog people.
”
”
Eugene O'Neill (Long Day’s Journey into Night)
“
There is a whirlwind in southern Morocco, the aajej, against which the fellahin defend themselves with knives. There is the africo, which has at times reached into the city of Rome. The alm, a fall wind out of Yugoslavia. The arifi, also christened aref or rifi, which scorches with numerous tongues. These are permanent winds that live in the present tense.
There are other, less constant winds that change direction, that can knock down horse and rider and realign themselves anticlockwise. The bist roz leaps into Afghanistan for 170 days--burying villages. There is the hot, dry ghibli from Tunis, which rolls and rolls and produces a nervous condition. The haboob--a Sudan dust storm that dresses in bright yellow walls a thousand metres high and is followed by rain. The harmattan, which blows and eventually drowns itself into the Atlantic. Imbat, a sea breeze in North Africa. Some winds that just sigh towards the sky. Night dust storms that come with the cold. The khamsin, a dust in Egypt from March to May, named after the Arabic word for 'fifty,' blooming for fifty days--the ninth plague of Egypt. The datoo out of Gibraltar, which carries fragrance.
There is also the ------, the secret wind of the desert, whose name was erased by a king after his son died within it. And the nafhat--a blast out of Arabia. The mezzar-ifoullousen--a violent and cold southwesterly known to Berbers as 'that which plucks the fowls.' The beshabar, a black and dry northeasterly out of the Caucasus, 'black wind.' The Samiel from Turkey, 'poison and wind,' used often in battle. As well as the other 'poison winds,' the simoom, of North Africa, and the solano, whose dust plucks off rare petals, causing giddiness.
Other, private winds.
Travelling along the ground like a flood. Blasting off paint, throwing down telephone poles, transporting stones and statue heads. The harmattan blows across the Sahara filled with red dust, dust as fire, as flour, entering and coagulating in the locks of rifles. Mariners called this red wind the 'sea of darkness.' Red sand fogs out of the Sahara were deposited as far north as Cornwall and Devon, producing showers of mud so great this was also mistaken for blood. 'Blood rains were widely reported in Portugal and Spain in 1901.'
There are always millions of tons of dust in the air, just as there are millions of cubes of air in the earth and more living flesh in the soil (worms, beetles, underground creatures) than there is grazing and existing on it. Herodotus records the death of various armies engulfed in the simoom who were never seen again. One nation was 'so enraged by this evil wind that they declared war on it and marched out in full battle array, only to be rapidly and completely interred.
”
”
Michael Ondaatje
“
What do you know about bipolar disorder?” I almost say, What do you know about it? But I make myself breathe and smile. “Is that the Jekyll-Hyde thing?” My voice sounds flat and even. Maybe a little bored, even though my mind and body are on alert. “Some people call it manic depression. It’s a brain disorder that causes extreme shifts in mood and energy. It runs in families, but it can be treated.” I continue to breathe, even if I’m not smiling anymore, but here is what is happening: my brain and my heart are pounding out different rhythms; my hands are turning cold and the back of my neck is turning hot; my throat has gone completely dry. The thing I know about bipolar disorder is that it’s a label. One you give crazy people. I know this because I’ve taken junior-year psychology and I’ve seen movies and I’ve watched my father in action for almost eighteen years, even though you could never slap a label on him because he would kill you. Labels like “bipolar” say This is why you are the way you are. This is who you are. They explain people away as illnesses.
”
”
Jennifer Niven (All the Bright Places)
“
Oh, look, the lights are so pretty,” I said dreamily, having just noticed
them.
I smiled at the way the lights were dancing overhead, pink and yellow and
blue. I felt some pressure on my arm and thought, I should look over and see
what’s going on, but then the thought was gone, sliding away like Jell-O off a
hot car hood.
“Fang?”
“Yeah. I’m here.”
I struggled to focus on him. “I’m so glad you’re here.”
“Yeah, I got that.”
“I don’t know what I’d do without you.” I peered up at him, trying to see
past the too-bright lights.
“You’d be fine,” he muttered.
“No,” I said, suddenly struck by how unfine I would be. “I would be totally
unfine. Totally.” It seemed very urgent that he understand this.
Again I felt some tugging on my arm, and I really wondered what that was
about. Was Ella’s mom going to start this procedure any time soon?
“It’s okay. Just relax.” He sounded stiff and nervous. “Just...relax. Don’t
try to talk.”
“I don’t want my chip anymore,” I explained groggily, then frowned.
“Actually, I never wanted that chip.”
“Okay,” said Fang. “We’re taking it out.”
“I just want you to hold my hand.”
“I am holding your hand.”
“Oh. I knew that.” I drifted off for a few minutes, barely aware of
anything, but feeling Fang’s hand still in mine.
“Do you have a La-Z-Boy somewhere?” I roused myself to ask, every word an
effort.
“Um, no,” said Ella’s voice, somewhere behind my head.
“I think I would like a La-Z-Boy,” I mused, letting my eyes drift shut
again. “Fang, don’t go anywhere.”
“I won’t. I’m here.”
“Okay. I need you here. Don’t leave me.”
“I won’t.”
“Fang, Fang, Fang,” I murmured, overwhelmed with emotion. “I love you. I
love you sooo much.” I tried to hold out my arms to show how much, but I
couldn’t move them.
“Oh, jeez,” Fang said, sounding strangled.
”
”
James Patterson (Saving the World and Other Extreme Sports (Maximum Ride, #3))
“
So you're, like crazy, in love. You open your eyes in the morning and your first thought is her. You wonder how she is. What she's doing. When you can see her again. Those thoughts stay with you all day. You share them with whoever will listen — including your best friends, who of course respect you but, after a while, out of the kind of concern only real friends have, seriously question your sanity. And you make all sorts of plans — big plans, like, post-high school — when the rest of us can barely wrap our heads around the fact that we only two years left to get a clue.
You live and breath this girl. You talk about her all the time, you hang out with your friends less and less, you're blind to other girls, no matter how hot or into you they are — and some of them are extremely hot and into you — and eventually, you break and actually say you love her.
Not only that, you tell your friends you love her. Which, as you know, is about as major as you can get.
Your friends may think you're a little out there, but they know you wouldn't be for any other girl. It's just because it's her. She's different.
This girl is it for you. Food, water, oxygen, sleep — all details.
”
”
Tricia Rayburn (Siren (Siren, #1))
“
And so we know the satisfaction of hate. We know the sweet joy of revenge. How it feels good to get even. Oh, that was a nice idea Jesus had. That was a pretty notion, but you can't love people who do evil. It's neither sensible or practical. It's not wise to the world to love people who do such terrible wrong. There is no way on earth we can love our enemies. They'll only do wickedness and hatefulness again. And worse, they'll think they can get away with this wickedness and evil, because they'll think we're weak and afraid. What would the world come to?
But I want to say to you here on this hot July morning in Holt, what if Jesus wasn't kidding? What if he wasn't talking about some never-never land? What if he really did mean what he said two thousand years ago? What if he was thoroughly wise to the world and knew firsthand cruelty and wickedness and evil and hate? Knew it all so well from personal firsthand experience? And what if in spite of all that he knew, he still said love your enemies? Turn your cheek. Pray for those who misuse you. What if he meant every word of what he said? What then would the world come to?
And what if we tried it? What if we said to our enemies: We are the most powerful nation on earth. We can destroy you. We can kill your children. We can make ruins of your cities and villages and when we're finished you won't even know how to look for the places where they used to be. We have the power to take away your water and to scorch your earth, to rob you of the very fundamentals of life. We can change the actual day into actual night. We can do these things to you. And more.
But what if we say, Listen: Instead of any of these, we are going to give willingly and generously to you. We are going to spend the great American national treasure and the will and the human lives that we would have spent on destruction, and instead we are going to turn them all toward creation. We'll mend your roads and highways, expand your schools, modernize your wells and water supplies, save your ancient artifacts and art and culture, preserve your temples and mosques. In fact, we are going to love you. And again we say, no matter what has gone before, no matter what you've done: We are going to love you. We have set our hearts to it. We will treat you like brothers and sisters. We are going to turn our collective national cheek and present it to be stricken a second time, if need be, and offer it to you. Listen, we--
But then he was abruptly halted.
”
”
Kent Haruf (Benediction (Plainsong, #3))
“
beyond the tilled plain, beyond the toy roofs, there would be a low suffusion of inutile loveliness, a low sun in a platinum haze with a warm, peeled-peach tinge pervading the upper edge of a two-dimensional, dove-grey cloud fusing with the distant amorous mist. there might be a line of spaced trees silhouetted against the horizon, and hot still noons above a wilderness of clover, and claude lorrain clouds inscribed remotely into misty azure with only their cumulus part conscpicuous against the neutral swoon of the background. or again, it might be a stern el greco horizon, pregnant with inky rain, and a passing glimpse of some mummy-necked farmer, and all around alternating strips of quick-silverish water and harsh green corn, the whole arrangement opening like a fan, somewhere in kansas.
”
”
Vladimir Nabokov (Lolita)
“
Reading for me, was like breathing. It was probably akin to masturbation for my brain. Getting off on the fantasy within the pages of a good novel felt necessary to my survival. If I wasn't asleep, knitting, or working, I was reading. This was for several reasons, all of them focused around the infititely superior and enviable lives of fictional heroines to real-life people.
Take romans for instance. Fictional women in romance novels never get their period. They never have morning breath. They orgasm seventeen times a day. And they never seem to have jobs with bosses.
These clean, well-satisfied, perm-minty-breathed women have fulfilling careers as florists, bakery owners, hair stylists or some other kind of adorable small business where they decorate all day. If they do have a boss, he's a cool guy (or gal) who's invested in the woman's love life. Or, he's a super hot billionaire trying to get in her pants.
My boss cares about two things: Am I on time ? Are all my patients alive and well at the end of my shift?
And the mend in the romance novels are too good to be true; but I love it, and I love them. Enter stage right the independently wealthy venture capitalist suffering from the ennui of perfection until a plucky interior decorator enters stage left and shakes up his life and his heart with perky catch phrases and a cute nose that wrinkles when she sneezes.
I suck at decorating. The walls of my apartment are bare. I am allergic to most store-bought flowers. If I owned a bakery, I'd be broke and weigh seven hundred pounds, because I love cake.
”
”
Penny Reid (Beauty and the Mustache (Knitting in the City, #4; Winston Brothers, #0))
“
The morning was hot, and the exercise of reading left her mind contracting and expanding like the main-spring of a clock, and the small noises of midday, which one can ascribe to no definite cause, in a regular rhythm. It was all very real, very big, very impersonal, and after a moment or two she began to raise her first finger and to let it fall on the arm of her chair so as to bring back to herself some consciousness of her own existence. She was next overcome by the unspeakable queerness of the fact that she should be sitting in an arm-chair, in the morning, in the middle of the world. Who were the people moving in the house--moving things from one place to another? And life, what was that? It was only a light passing over the surface and vanishing, as in time she would vanish, though the furniture in the room would remain. Her dissolution became so complete that she could not raise her finger any more, and sat perfectly still, listening and looking always at the same spot. It became stranger and stranger. She was overcome with awe that things should exist at all. . . She forgot that she had any fingers to raise. . . The things that existed were so immense and so desolate. . . She continued to be conscious of these vast masses of substance for a long stretch of time, the clock still ticking in the midst of the universal silence.
”
”
Virginia Woolf (The Voyage Out (The Virginia Woolf Library))
“
I always wondered what your type was, but I never imagined it would be a hard-core rocker!”
Here we go. I had been hoping he'd be too sleepy for this conversation.
“He's not my type. If I had a type it would be...nice. Not some hotheaded, egocentric male slut.”
“Did you just call him a male slut?” Jay laughed. “Dang, that's, like, the worst language I've ever heard you use.”
I glowered at him, feeling ashamed, and he laughed even harder.
“Oh, hey, I've got a joke for you. What do you call someone who hangs out with musicians?”
He raised his eyebrows and I shrugged. “I don't know. What?”
“A drummer!” I shook my head while he cracked up at his joke for another minute before hounding me again about Kaidan. “All right, so you talked about my CDs, you had some cultural confusion with some of his lingo, then you talked about hot dogs? That can't be everything. You looked seriously intense.”
“That's because he was intense, even though we weren't really talking about anything. He made me nervous.”
“You thought he was hot, didn't you?”
I stared out my window at the passing trees and houses. We were almost to school.
“I knew it!” He smacked the steering wheel, loving every second of my discomfort. “This is so weird. Anna Whitt has a crush.”
“Fine, yes. He was hot. But it doesn't matter, because there's something about him I don't like. I can't explain it. He's...scary.”
“He's not the boy next door, if that's what you mean. Just don't get the good-girl syndrome.”
“What's that?”
“You know. When a good girl falls for a bad boy and hopes the boy will fall in love and magically want to change his ways. But the only one who ends up changing is the girl.
”
”
Wendy Higgins (Sweet Evil (Sweet, #1))
“
The cloud weeps, and then the garden sprouts. The baby cries, and the mother's milk flows. The nurse of creation has said, Let them cry a lot.
This rain-weeping and sun-burning twine together to make us grow. Keep your intelligence white-hot and your grief glistening, so your life will stay fresh. Cry easily like a little child.
Let body needs dwindle and soul decisions increase. Diminish what you give your physical self. Your spiritual eye will begin to open.
When the body empties and stays empty, God fills it with musk and mother-of-pearl. That way a man gives his dung and gets purity.
Listen to the prophets, not to some adolescent boy. The foundation and the walls of spiritual life are made of self-denials and disciplines.
Stay with friends who support you in these. Talk with them about sacred texts, and how you're doing, and how they're doing, and keep your practices together.
”
”
Jalal ad-Din Muhammad ar-Rumi
“
I love you, and it's driving me crazy to see you so upset. I want to fix it, and I know I can't. But what I want to do is rewrite this whole world so you can fix it. I want to come up with a story that all the world will choose to celebrate, and in it, the people we love will never get sick, and the people we love will never be sad for long, and there would be unlimited frozen hot chocolate. Maybe if it were up to me I wouldn't have the whole world collectively believe in Santa Claus, but I would definitely have them collectively believe in something, because there is a messed-up kind of beauty in the way we can bend over backward to make life seem magical when we want to. In other words, after giving it some thought , I think that reality has the distinct potential to complete suck, and the way to get around that is to step out of reality with someone you completely, unadulteratedly enjoy. In my life, that's you. And if it takes dressing up like Santa to get that across to you, then so be it.
”
”
David Levithan (The Twelve Days of Dash & Lily (Dash & Lily, #2))
“
He surveyed me, his eyes half closed, as if wondering if I were a delicious snack. I had an image of a massive dragon circling me slowly, eyes full of magic fixed on me as he moved, considering if he should bite me in half.
“Dragons.” Rogan snapped his fingers.
Oh crap.
“I wondered why I kept getting dragons around you.” He leaned forward. His eyes lit up, turning back to their clear sky blue. “You think I’m a dragon.”
“Don’t be ridiculous.” My face felt hot. I was probably blushing. Damn it.
His smile went from amused to sexual, so charged with promise that carnal was the only way to describe it. I almost bolted out of my chair.
“Big powerful scary dragon.”
“You have delusions of grandeur.”
“Do I have a lair? Did I kidnap you to it from your castle?”
I stared straight at him, trying to frost my voice. “You have some strange fantasies, Rogan. You may need professional help.”
“Would you like to volunteer?”
“No. Besides, dragons kidnap virgins, so I’m out.” And why had I just told him I was not a virgin? Why did I even go there?
“It doesn’t matter if I’m the first. It only matters that I’ll be the last.”
“You won’t be the first, the last, or anything in between. Not in a million years.”
He laughed.
“Rogan,” I ground out through my teeth. “I’m on the clock. My client is in the next room mourning his wife. Stop flirting with me.”
“Stop? I haven’t even started.
”
”
Ilona Andrews (White Hot (Hidden Legacy, #2))
“
After Father had served the chicken and mashed potatoes and peas and Mother had passed the hot rolls, Beezus decidedthe time had come to tell Aunt Beatrice about being Sacajawea. "Do you know what I did last week?" she began. "I want some jelly," said Ramona "You mean, 'Please pass the jelly,' "corrected Mother while Beezus waited patiently. 'No, what did you do last week?" asked Aunt Beatrice. "Well, last week I-" Beezus began again. " like purple jelly better then red jelly," said Ramona. ' Ramona , stop interrupting your sister," said Father. "Well, Ido like purple jelly better then red jelly," insisted Ramona."Never mind," said Mother. "Go no, Beezus." Last week-" said Beezus, looking at her aunt, who smiled as if she understood."Excuse me, Beezus," Mother cut in. "Ramona, we do not put jelly on our mashed potatoes." "I like jelly on my mashed potatoes."Ramona stirred potato and jelly aroud with her fork. "Ramona you heard what your mother said." Father looked stern. "If I can ut butter on my mashed potateos, why can't I put jelly? I put butter and jelly on toast," said Ramona. Father couldn't help laughing. "That's a hard question to answer." "But Mother-" Beezus began."I like jelly on my mashed potateos," interrupted Ramona, looking sulky.
”
”
Beverly Cleary (Beezus and Ramona (Ramona, #1))
“
He thought of nothing, wished for nothing, but not to be left behind the peasants, and to do his work as well as possible. He heard nothing but the swish of scythes, and saw before him Tit's upright figure mowing away, the crescent-shaped curve of the cut grass, the grass and flower heads slowly and rhythmically falling before the blade of his scythe, and ahead of him the end of the row, where would come the rest.
Suddenly, in the midst of his toil, without understanding what it was or whence it came, he felt a pleasant sensation of chill on his hot, moist shoulders. He glanced at the sky in the interval for whetting the scythes. A heavy, lowering storm cloud had blown up, and big raindrops were falling. Some of the peasants went to their coats and put them on; others--just like Levin himself--merely shrugged their shoulders, enjoying the pleasant coolness of it.
Another row, and yet another row, followed--long rows and short rows, with good grass and with poor grass. Levin lost all sense of time, and could not have told whether it was late or early now. A change began to come over his work, which gave him immense satisfaction. In the midst of his toil there were moments during which he forgot what he was doing, and it came all easy to him, and at those same moments his row was almost as smooth and well cut as Tit's. But so soon as he recollected what he was doing, and began trying to do better, he was at once conscious of all the difficulty of his task, and the row was badly mown.
”
”
Leo Tolstoy (Anna Karenina)
“
With a deliberate shrug, he stepped free of the hold on his shoulder. “Tell me something, boys,” he drawled. “Do you wear that leather to turn each other on? I mean, is it a dick thing with you all?” Butch got slammed so hard against the door that his back teeth rattled.
The model shoved his perfect face into Butch’s. “I’d watch your mouth, if I were you.”
“Why bother, when you’re keeping an eye on it for me? You gonna kiss me now?”
A growl like none Butch had ever heard came out of the guy.
“Okay, okay.” The one who seemed the most normal came forward. “Back off, Rhage. Hey, come on. Let’s relax.”
It took a minute before the model let go.
“That’s right. We’re cool,” Mr. Normal muttered, clapping his buddy on the back before looking at Butch. “Do yourself a favor and shut the hell up.”
Butch shrugged. “Blondie’s dying to get his hands on me. I can’t help it.”
The guy launched back at Butch, and Mr. Normal rolled his eyes, letting his friend go this time. The fist that came sailing at jaw level snapped Butch’s head to one side. As the pain hit, Butch let his own rage fly. The fear for Beth, the pent-up hatred of these lowlifes, the frustration about his job, all of it came out of him. He tackled the bigger man, taking him down onto the floor. The guy was momentarily surprised, as if he hadn’t expected Butch’s speed or strength, and Butch took advantage of the hesitation. He clocked Blondie in the mouth as payback and then grabbed the guy’s throat. One second later, Butch was flat on his back with the man sitting on his chest like a parked car. The guy took Butch’s face into his hand and squeezed, crunching the features together. It was nearly impossible to breathe, and Butch panted shallowly.
“Maybe I’ll find your wife,” the guy said, “and do her a couple of times. How’s that sound?"
“Don’t have one.”
“Then I’m coming after your girlfriend.”
Butch dragged in some air. “Got no woman.”
“So if the chicks won’t do you, what makes you think I’d want to?”
“Was hoping to piss you off.”
“Now why’d you want to do that?” Blondie asked.
“If I attacked first”—Butch hauled more breath into his lungs—“your boys wouldn’t have let us fight.
Would’ve killed me first. Before I had a chance at you.”
Blondie loosened his grip a little and laughed as he stripped Butch of his wallet, keys, and cell phone.
“You know, I kind of like this big dummy,” the guy drawled.
Someone cleared a throat. Rather officiously.
Blondie leaped to his feet, and Butch rolled over, gasping. When he looked up, he was convinced he was hallucinating. Standing in the hall was a little old man dressed in livery. Holding a silver tray.
“Pardon me, gentlemen. Dinner will be served in about fifteen minutes.”
“Hey, are those the spinach crepes I like so much?” Blondie said, going for the tray.
“Yes, Sire.”
“Hot damn.”
The other men clustered around the butler, taking what he offered. Along with cocktail napkins. Like they didn’t want to drop anything on the floor. What the hell was this?
“Might I ask a favor?” the butler said.
Mr. Normal nodded with vigor. “Bring out another tray of these and we’ll kill anything you want for you.”
Yeah, guess the guy wasn’t really normal. Just relatively so.
The butler smiled as if touched. “If you’re going to bloody the human, would you be good enough to do it in the backyard?”
“No problem.” Mr. Normal popped another crepe in his mouth. “Damn, Rhage, you’re right. These are awesome.
”
”
J.R. Ward (Dark Lover (Black Dagger Brotherhood, #1))
“
Humans, like all mammals, are heat engines; surviving means having to continually cool off, as panting dogs do. For that, the temperature needs to be low enough for the air to act as a kind of refrigerant, drawing heat off the skin so the engine can keep pumping. At seven degrees of warming, that would become impossible for portions of the planet’s equatorial band, and especially the tropics, where humidity adds to the problem. And the effect would be fast: after a few hours, a human body would be cooked to death from both inside and out. At eleven or twelve degrees Celsius of warming, more than half the world’s population, as distributed today, would die of direct heat. Things almost certainly won’t get that hot anytime soon, though some models of unabated emissions do bring us that far eventually, over centuries. But at just five degrees, according to some calculations, whole parts of the globe would be literally unsurvivable for humans. At six, summer labor of any kind would become impossible in the lower Mississippi Valley, and everybody in the United States east of the Rockies would suffer more from heat than anyone, anywhere, in the world today. New York City would be hotter than present-day Bahrain, one of the planet’s hottest spots, and the temperature in Bahrain “would induce hyperthermia in even sleeping humans.
”
”
David Wallace-Wells (The Uninhabitable Earth: Life After Warming)
“
«She sat at the bow of a pleasure craft a stone's throw away, under the shade of a white parasol, a diligent tourist out to reap all the beauty and charm Copenhagen had to offer. She studied him with a distressed concentration, as if she couldn't quite remember who he was. As if she didn't want to. He looked different. His hair reached down to his nape, and he'd sported a full beard for the past two years. Their eyes met. She bolted upright from the chair. The parasol fell from her hand, clanking against the deck. She stared at him, her face pale, her gaze haunted. He'd never seen her like this, not even on the day he left her. She was stunned, her composure flayed, her vulnerability visible for miles. As her boat glided past him, she picked up her skirts and ran along the port rail, her eyes never leaving his. She stumbled over a line in her path and fell hard. His heart clenched in alarm, but she barely noticed, scrambling to her feet. She kept running until she was at the stern and could not move another inch closer to him (…) Gigi didn't move from her rigid pose at the rail, but she suddenly looked worn down, as if she'd been standing there, in that same spot, for all the eighteen hundred and some days since she'd last seen him. She still loved him. The thought echoed wildly in his head, making him hot and dizzy. She still loved him.»
”
”
Sherry Thomas (Private Arrangements)
“
....the Crocodiles say they can't even begin to say how many new guys they've seen Come In and then get sucked back Out There, Come In to AA for a while and Hang In and put together a little sober time and have things start to get better, head-wise and life-quality-wise, and after a while the new guys get cocky, they decide they've gotten `Well,' and they get really busy at the new job sobriety's allowed them to get, or maybe they buy season Celtics tickets, or they rediscover pussy and start chasing pussy (these withered gnarled toothless totally post-sexual old fuckers actually say pussy), but one way or another these poor cocky clueless new bastards start gradually drifting away from rabid Activity In The Group, and then away from their Group itself, and then little by little gradually drift away from any AA meetings at all, and then, without the protection of meetings or a Group, in time--oh there's always plenty of time, the Disease is fiendishly patient--how in time they forget what it was like, the ones that've cockily drifted, they forget who and what they are, they forget about the Disease, until like one day they're at like maybe a Celtics-Sixers game, and the good old Fleet/First Interstate Center's hot, and they think what could just one cold foamer hurt, after all this sober time, now that they've gotten `Well.' Just one cold one. What could it hurt. And after that one it's like they'd never stopped, if they've got the Disease. And how in a month or six months or a year they have to Come Back In, back to the Boston AA halls and their old Group, tottering, D.T.ing, with their faces hanging down around their knees all over again, or maybe it's five or ten years before they can get it up to get back In, beaten to shit again, or else their system isn't ready for the recurred abuse again after some sober time and they die Out There--the Crocodiles are always talking in hushed, 'Nam-like tones about Out There--or else, worse, maybe they kill somebody in a blackout and spend the rest of their lives in MCI-Walpole drinking raisin jack fermented in the seatless toilet and trying to recall what they did to get in there, Out There; or else, worst of all, these cocky new guys drift back Out There and have nothing sufficiently horrible to Finish them happen at all, just go back to drinking 24/7/365, to not-living, behind bars, undead, back in the Disease's cage all over again. The Crocodiles talk about how they can't count the number of guys that've Come In for a while and drifted away and gone back Out There and died, or not gotten to die.
”
”
David Foster Wallace (Infinite Jest)
“
It was an old hunter in camp and the hunter shared tobacco with him and told him of the buffalo and the stands he'd made against them, laid up in a sag on some rise with the dead animals scattered over the grounds and the herd beginning to mill and the riflebarrel so hot the wiping patches sizzled in the bore and the animals by the thousands and the tens of thousands and the hides pegged out over actual square miles of ground the teams of skinners spelling one another around the clock and the shooting and shooting weeks and months till the bore shot slick and the stock shot loose at the tang and their shoulders were yellow and blue to the elbow and the tandem wagons groaned away over the prairie twenty and twenty-two ox teams and the flint hides by the hundred ton and the meat rotting on the ground and the air whining with flies and the buzzards and ravens and the night a horror of snarling and feeding with the wolves half-crazed and wallowing in the carrion.
I seen Studebaker wagons with six and eight ox teams headed out for the grounds not hauling a thing but lead. Just pure galena. Tons of it. On this ground alone between the Arkansas River and the Concho there were eight million carcasses for that's how many hides reached the railhead. Two years ago we pulled out from Griffin for a last hunt. We ransacked the country. Six weeks. Finally found a herd of eight animals and we killed them and come in. They're gone. Ever one of them that God ever made is gone as if they'd never been at all.
The ragged sparks blew down the wind. The prairie about them lay silent. Beyond the fire it was cold and the night was clear and the stars were falling. The old hunter pulled his blanket about him. I wonder if there's other worlds like this, he said. Or if this is the only one.
”
”
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
“
And thus it passed on from Candlemass until after Easter, that the month of May was come, when every lusty heart beginneth to blossom, and to bring forth fruit; for like as herbs and trees bring forth fruit and flourish in May, in like wise every lusty heart that is in any manner a lover, springeth and flourisheth in lusty deeds. For it giveth unto all lovers courage, that lusty month of May, in something to constrain him to some manner of thing more in that month than in any other month, for divers causes. For then all herbs and trees renew a man and woman, and likewise lovers call again to their mind old gentleness and old service, and many kind deeds that were forgotten by negligence. For like as winter rasure doth alway arase and deface green summer, so fareth it by unstable love in man and woman. For in many persons there is no stability; for we may see all day, for a little blast of winter's rasure, anon we shall deface and lay apart true love for little or nought, that cost much thing; this is no wisdom nor stability, but it is feebleness of nature and great disworship, whosomever useth this. Therefore, like as May month flowereth and flourisheth in many gardens, so in like wise let every man of worship flourish his heart in this world, first unto God, and next unto the joy of them that he promised his faith unto; for there was never worshipful man or worshipful woman, but they loved one better than another; and worship in arms may never be foiled, but first reserve the honour to God, and secondly the quarrel must come of thy lady: and such love I call virtuous love.
But nowadays men can not love seven night but they must have all their desires: that love may not endure by reason; for where they be soon accorded and hasty heat, soon it cooleth. Right so fareth love nowadays, soon hot soon cold: this is no stability. But the old love was not so; men and women could love together seven years, and no licours lusts were between them, and then was love, truth, and faithfulness: and lo, in like wise was used love in King Arthur's days. Wherefore I liken love nowadays unto summer and winter; for like as the one is hot and the other cold, so fareth love nowadays; therefore all ye that be lovers call unto your remembrance the month of May, like as did Queen Guenever, for whom I make here a little mention, that while she lived she was a true lover, and therefore she had a good end.
”
”
Thomas Malory (Le Morte d'Arthur: King Arthur and the Legends of the Round Table)
“
The sun was shining on the sea,
Shining with all his might:
He did his very best to make
The billows smooth and bright--
And this was odd, because it was
The middle of the night.
The moon was shining sulkily,
Because she thought the sun
Had got no business to be there
After the day was done--
"It's very rude of him," she said,
"To come and spoil the fun!"
The sea was wet as wet could be,
The sands were dry as dry.
You could not see a cloud, because
No cloud was in the sky:
No birds were flying over head--
There were no birds to fly.
The Walrus and the Carpenter
Were walking close at hand;
They wept like anything to see
Such quantities of sand:
"If this were only cleared away,"
They said, "it WOULD be grand!"
"If seven maids with seven mops
Swept it for half a year,
Do you suppose," the Walrus said,
"That they could get it clear?"
"I doubt it," said the Carpenter,
And shed a bitter tear.
"O Oysters, come and walk with us!"
The Walrus did beseech.
"A pleasant walk, a pleasant talk,
Along the briny beach:
We cannot do with more than four,
To give a hand to each."
The eldest Oyster looked at him.
But never a word he said:
The eldest Oyster winked his eye,
And shook his heavy head--
Meaning to say he did not choose
To leave the oyster-bed.
But four young oysters hurried up,
All eager for the treat:
Their coats were brushed, their faces washed,
Their shoes were clean and neat--
And this was odd, because, you know,
They hadn't any feet.
Four other Oysters followed them,
And yet another four;
And thick and fast they came at last,
And more, and more, and more--
All hopping through the frothy waves,
And scrambling to the shore.
The Walrus and the Carpenter
Walked on a mile or so,
And then they rested on a rock
Conveniently low:
And all the little Oysters stood
And waited in a row.
"The time has come," the Walrus said,
"To talk of many things:
Of shoes--and ships--and sealing-wax--
Of cabbages--and kings--
And why the sea is boiling hot--
And whether pigs have wings."
"But wait a bit," the Oysters cried,
"Before we have our chat;
For some of us are out of breath,
And all of us are fat!"
"No hurry!" said the Carpenter.
They thanked him much for that.
"A loaf of bread," the Walrus said,
"Is what we chiefly need:
Pepper and vinegar besides
Are very good indeed--
Now if you're ready Oysters dear,
We can begin to feed."
"But not on us!" the Oysters cried,
Turning a little blue,
"After such kindness, that would be
A dismal thing to do!"
"The night is fine," the Walrus said
"Do you admire the view?
"It was so kind of you to come!
And you are very nice!"
The Carpenter said nothing but
"Cut us another slice:
I wish you were not quite so deaf--
I've had to ask you twice!"
"It seems a shame," the Walrus said,
"To play them such a trick,
After we've brought them out so far,
And made them trot so quick!"
The Carpenter said nothing but
"The butter's spread too thick!"
"I weep for you," the Walrus said.
"I deeply sympathize."
With sobs and tears he sorted out
Those of the largest size.
Holding his pocket handkerchief
Before his streaming eyes.
"O Oysters," said the Carpenter.
"You've had a pleasant run!
Shall we be trotting home again?"
But answer came there none--
And that was scarcely odd, because
They'd eaten every one.
”
”
Lewis Carroll (Through the Looking-Glass and What Alice Found There (Alice's Adventures in Wonderland, #2))
“
Then someone else appeared from the crowd, and Annabeth's vision tunneled.
Percy smiled at her-that sarcastic, troublemaker's smile that had annoyed her for years but eventually had become endearing. His sea-green eyes were as gorgeous as she remembered. His dark hair was swept to one side, like he'd just come from a walk on the beach. He looked even better than he had six months ago-tanner and taller, leaner and more muscular.
Annabeth was to stunned to move. She felt that if she got any closer to him, all the molecules in her body might combust. She'd secretly had a crush on him sonar they were twelve years old. Last summer, she'd fallen for him hard. They'd been a happy couple together for four months-and then he'd disappeared.
During their separation, something had happened to Annabeth's feelings. They'd grown painfully intense-like she'd been forced to withdraw from a life-saving medication. Now she wasn't sure which was more excruciating-living with that horrible absence, or being with him again...
Annabeth didn't mean to, but she surged forward. Percy rushed toward her at the same time. The crowds tensed. Some reach d for swords that weren't there.
Percy threw his arms around her. They kissed, and for a moment nothing else mattered. An asteroid could have hit the planet and wiped out all life, Annabeth wouldn't have cared.
Percy smelled of ocean air. His lips were salty. Seaweed Brain, she thought giddily.
Percy pulled away and studied her face. "Gods, I never thought-"
Annabeth grabbed his wrist and flipped him over her shoulder. He slammed into the stone pavement. Romans cried out. Some surged forward, but Reyna shouted, "Hold! Stand down!"
Annabeth put her knee on Percy's chest. She pushed her forearm against his throat. She didn't care what the Romans thought. A white-hot lump of anger expanded in her chest-a tumor of worry and bitterness that she'd been carrying around since last autumn.
"Of you ever leave me again," she said, her eyes stinging, "I swear to all the gods-"
Percy had the nerve to laugh. Suddenly the lump of heated emotions melted inside Annabeth.
"Consider me warned," Percy said. "I missed you, too." Annabeth rose and helped him to his feet. She wanted to kiss him again SO badly, but she managed to restrain herself.
Jason cleared his throat. "So, yeah…It's good to be back…"
"And this is Annabeth," Jason said. "Uh, normally she doesn't judo-flip people.
”
”
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
“
He leaned closer. “That’s what I’m trying to do. Your face is absolutely adorable when you blush.”
My ears burned. Oh great, am I the color of a tomato now?
“Yeah, well, I can make you blush,” I retorted. “By telling you how hot you are, and that when that little piece of black hair falls into your eyes, it’s so sexy it makes me forget my words, and...” I stopped, suddenly aware of how warm the mausoleum was.
“Go on,” Caspian prodded, shaking his head so that his hair covered one green eye. I blushed again, and glanced around me, slowly backing away from him. I just needed some... space to clear my head. He followed me, stalking my every move. My blood felt like pure oxygen racing through my veins, fizzy and bubbling and making me want to float away. A hard wall at my back stopped me, but Caspian kept coming. I thought desperately of some way to change the subject.
“I got you Moby-Dick,” I blurted out. He gave me a sly smile.
“Mmmm, did you? How... interesting.”
“And Treasure Island, and The Count of Monte Cristo.” I babbled on. “I thought you might like some boy books.” He stopped an inch away from me. I felt like I was his prisoner.
“Let’s go back to the sexy and hot thing,” Caspian said. “Could we add a gorgeous or mysterious in there, too?”
I gulped. “Like you don’t already know you’re all of those things. You probably had girls falling all over you before.”
Caspian cocked his head to one side. “True. But I always thought it was because I was the quiet new guy. And besides, there’s only one person I was ever really interested in.”
“Was?” I squeaked. Then I cleared my throat and tried again. “I mean—”
“Am,” Caspian corrected himself. “Technically, I guess it’s both. I was interested the first day I saw her, and I still am interested in her.”
His eyes glowed in the soft candlelight around us, and every last ounce of coherent thought left me.
“It’s... um... really. It’s...” My head felt like it was thickening and my body was overheating, every word dragged from somewhere in the depths of my fuzzy brain.
I waved a hand in front of my face to fan myself, and finally spit out what I was trying to say. “It’s hot in here. Don’t you think? It’s really warm.”
“I only feel warmth when I’m standing next to you,” Caspian said. He stepped half an inch closer. “Like right now.
”
”
Jessica Verday (The Haunted (The Hollow, #2))
“
Some things you carry around inside you as though they were part of your blood and bones, and when that happens, there’s nothing you can do to forget
…But I had never been much of a believer. If anything, I believed that things got worse before they got better. I believed good people suffered... people who have faith were so lucky; you didn’t want to ruin it for them. You didn’t want to plant doubt where there was none. You had to treat suck individuals tenderly and hope that some of whatever they were feeling rubs off on you
Those who love you will love you forever, without questions or boundaries or the constraints of time. Daily life is real, unchanging as a well-built house. But houses burn; they catch fire in the middle of the night.
The night is like any other night of disaster, with every fact filtered through a veil of disbelief. The rational world has spun so completely out of its orbit, there is no way to chart or expect what might happen next
At that point, they were both convinced that love was a figment of other people’s imaginations, an illusion fashioned out of smoke and air that really didn’t exist
Fear, like heat, rises; it drifts up to the ceiling and when it falls down it pours out in a hot and horrible rain
True love, after all, could bind a man where he didn’t belong. It could wrap him in cords that were all but impossible to break
Fear is contagious. It doubles within minutes; it grows in places where there’s never been any doubt before
The past stays with a man, sticking to his heels like glue, invisible and heartbreaking and unavoidable, threaded to the future, just as surely as day is sewn to night
He looked at girls and saw only sweet little fuckboxes, there for him to use, no hearts involved, no souls, and, most assuredly no responsibilities.
Welcome to the real world. Herein is the place where no one can tell you whether or not you’ve done the right thing.
I could tell people anything I wanted to, and whatever I told them, that would be the truth as far as they were concerned. Whoever I said I was, well then, that’s who id be
The truths by which she has lived her life have evaporated, leaving her empty of everything except the faint blue static of her own skepticism. She has never been a person to question herself; now she questions everything
Something’s, are true no matter how hard you might try to bloc them out, and a lie is always a lie, no matter how prettily told
You were nothing more than a speck of dust, good-looking dust, but dust all the same
Some people needed saving
She doesn’t want to waste precious time with something as prosaic as sleep. Every second is a second that belongs to her; one she understands could well be her last
Why wait for anything when the world is so cockeyed and dangerous? Why sit and stare into the mirror, too fearful of what may come to pass to make a move?
At last she knows how it feels to take a chance when everything in the world is at stake, breathless and heedless and desperate for more
She’ll be imagining everything that’s out in front of them, road and cloud and sky, all the elements of a future, the sort you have to put together by hand, slowly and carefully until the world is yours once more
”
”
Alice Hoffman (Blue Diary)
“
One thing of great importance can affect a small number of people. Equally so, a thing of little importance can affect a multitude. Either way, a happening - big or small - can affect an entire string of people. Occurrences can join us all together. You see, we're all made up of the same stuff. When something happens, it triggers something inside us that connects us to a situation, connects us to other people, lighting us up and linking us like little lights on a Christmas tree, twisted and turned but still connected to a wire. Some go out, others flicker, others burn strong and bright, yet we are all on the same line.
I said at the beginning of this story that this was about people who find out who they are. About people who are unraveled and whose cores are revealed to all who count. And that all that count are revealed to them. You thought I was talking about Lou Suffern and the Turkey Boy, about Raphie, Jessica, and Ruth, didn't you? Wrong. I was talking about each of us.
A lesson finds the common denominatior and links us all together, like a chain. At the end of that chain dangles a clock, and on the face of the clock registers the passing of time. We see it and we hear it, the hushed tick-tock, but often we don't feel it. Each second makes its mark on every single person's life - comes and then goes, quietly disappearing without fanfare, evaporating into air like steam from a piping hot Christmas pudding. Enough time leaves us warm; when our time is gone, it leaves us cold. Time is more precious than gold, more precious than diamonds, more precious than oil or any valuable treasures. It is time of which we do not have enough; it is time that causes the war within our hearts, and so we must spend it wisely. Time cannot be packaged and ribboned and left under trees for Christmas morning.
Time can't be given. But it can be shared.
”
”
Cecelia Ahern