“
Briefly stated, the Gell-Mann Amnesia effect is as follows. You open the newspaper to an article on some subject you know well. In Murray's case, physics. In mine, show business. You read the article and see the journalist has absolutely no understanding of either the facts or the issues. Often, the article is so wrong it actually presents the story backward—reversing cause and effect. I call these the "wet streets cause rain" stories. Paper's full of them.
In any case, you read with exasperation or amusement the multiple errors in a story, and then turn the page to national or international affairs, and read as if the rest of the newspaper was somehow more accurate about Palestine than the baloney you just read. You turn the page, and forget what you know.
”
”
Michael Crichton
“
Never believe that anti-Semites are completely unaware of the absurdity of their replies. They know that their remarks are frivolous, open to challenge. But they are amusing themselves, for it is their adversary who is obliged to use words responsibly, since he believes in words. The anti-Semites have the right to play. They even like to play with discourse for, by giving ridiculous reasons, they discredit the seriousness of their interlocutors. They delight in acting in bad faith, since they seek not to persuade by sound argument but to intimidate and disconcert. If you press them too closely, they will abruptly fall silent, loftily indicating by some phrase that the time for argument is past.
”
”
Jean-Paul Sartre
“
And because she was young, and so damn clever and amusing and wonderful, wherever she made her home, there would be some man who would fall in love with her and who would make her his wife, and that would be the worst truth of all. It had snuck up on him, this pain and terror and rage at the thought of anyone else with her. Every look, every word from her... he didn't even know when it had started.
”
”
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))
“
If anyone were to find out—” I began.
Patch kissed me, hard, but with an amused glint in his eye. “If I get caught, it’ll mean the end of kissing you. Do you really think I’d risk that?” His face grew serious. “I know I can’t feel your touch, but I feel your love, Nora. Inside me. It means everything to me. I wish I could feel you the same way you feel me, but I have your love. Nothing will ever outweigh that. Some people go their entire lives never feeling the emotions you’ve given me. There is no regret in that.
”
”
Becca Fitzpatrick (Finale (Hush, Hush, #4))
“
We were keeping our eye on 1984. When the year came and the prophecy didn't, thoughtful Americans sang softly in praise of themselves. The roots of liberal democracy had held. Wherever else the terror had happened, we, at least, had not been visited by Orwellian nightmares.
But we had forgotten that alongside Orwell's dark vision, there was another - slightly older, slightly less well known, equally chilling: Aldous Huxley's Brave New World. Contrary to common belief even among the educated, Huxley and Orwell did not prophesy the same thing. Orwell warns that we will be overcome by an externally imposed oppression. But in Huxley's vision, no Big Brother is required to deprive people of their autonomy, maturity and history. As he saw it, people will come to love their oppression, to adore the technologies that undo their capacities to think.
What Orwell feared were those who would ban books. What Huxley feared was that there would be no reason to ban a book, for there would be no one who wanted to read one. Orwell feared those who would deprive us of information. Huxley feared those who would give us so much that we would be reduced to passivity and egoism. Orwell feared that the truth would be concealed from us. Huxley feared the truth would be drowned in a sea of irrelevance. Orwell feared we would become a captive culture. Huxley feared we would become a trivial culture, preoccupied with some equivalent of the feelies, the orgy porgy, and the centrifugal bumblepuppy. As Huxley remarked in Brave New World Revisited, the civil libertarians and rationalists who are ever on the alert to oppose tyranny "failed to take into account man's almost infinite appetite for distractions." In 1984, Orwell added, people are controlled by inflicting pain. In Brave New World, they are controlled by inflicting pleasure. In short, Orwell feared that what we fear will ruin us. Huxley feared that what we desire will ruin us.
This book is about the possibility that Huxley, not Orwell, was right.
”
”
Neil Postman (Amusing Ourselves to Death: Public Discourse in the Age of Show Business)
“
The world is like a ride in an amusement park. And when you choose to go on it you think it's real because that's how powerful our minds are. And the ride goes up and down and round and round. It has thrills and chills and it's very brightly coloured and it's very loud and it's fun, for a while. Some people have been on the ride for a long time and they begin to question: "Is this real, or is this just a ride?" And other people have remembered, and they come back to us, they say, "Hey, don't worry, don't be afraid, ever, because this is just a ride." And we kill those people.
”
”
Bill Hicks
“
In a dog's life, some plaster would fall, some cushions would open, some rugs would shred. Like any relationship, this one had its costs. They were costs we came to accept and balance against the joy and amusement and protection and companionship he gave us.
”
”
John Grogan (Marley and Me: Life and Love With the World’s Worst Dog)
“
Careful with the accusations of insanity, oh my lady whose home is a tower with windows of brick, all for the sake of some skinny-ankled, laugh-prone boy of a khan.
”
”
Shannon Hale (Book of a Thousand Days)
“
What Orwell feared were those who would ban books. What Huxley feared was that there would be no reason to ban a book, for there would be no one who wanted to read one. Orwell feared those who would deprive us of information. Huxley feared those who would give us so much that we would be reduced to passivity and egoism. Orwell feared that the truth would be concealed from us. Huxley feared the truth would be drowned in a sea of irrelevance. Orwell feared we would become a captive culture. Huxley feared we would become a trivial culture, preoccupied with some equivalent of the feelies, the orgy porgy, and the centrifugal bumblepuppy. As Huxley remarked in Brave New World Revisited, the civil libertarians and rationalists who are ever on the alert to oppose tyranny "failed to take into account man's almost infinite appetite for distractions."
In 1984, Huxley added, "people are controlled by inflicting pain. In Brave New World, they are controlled by inflicting pleasure. In short, Orwell feared that what we hate will ruin us. Huxley feared that what we love will ruin us".
”
”
Neil Postman (Amusing Ourselves to Death: Public Discourse in the Age of Show Business)
“
Some day soon, reaper, your mouth is going to be the source of your own destruction."
"That does seem likely, doesn’t it?" Tod glanced at me and shrugged. "Until then, it remains a source of my own amusement.
”
”
Rachel Vincent (With All My Soul (Soul Screamers, #7))
“
Want to go to a wedding with me in Ohio?”
Rolling to my side, Kellan sat up on his elbow. “Anyone I know getting married?” he asked, amusement in his voice.
Smiling, I shrugged again. “Just some annoying wishy-washy girl that half the world hates.
”
”
S.C. Stephens (Reckless (Thoughtless, #3))
“
A witch who is bored might do ANYTHING.
People said things like 'we had to make our own amusements in those days' as if this signified some kind of moral worth, and perhaps it did, but the last thing you wanted a witch to do was get bored and start making her own amusements, because witches sometimes had famously erratic ideas about what was amusing.
”
”
Terry Pratchett (Legends: Volume I (Legends 1, Volume 1 of 3))
“
Get me some Midol, all right?"
Benjamin all but choked. Leon studies the ceiling with a great deal of interest, a smile twitching at the corners of his thin mouth. While Benjamin looked ready to sink into the floor, Leon looked highly amused.
I decided I liked him.
"I think you should pick your own Midol." Graves even said it with a straight face, but there was a ghost of a grin quirking his lips......"Cause, you know, there's different types.
”
”
Lili St. Crow (Jealousy (Strange Angels, #3))
“
Well, well, my dear fellow, be it so. We have shared this same room for some years, and it would be amusing if we ended by sharing the same cell. (...)
”
”
Arthur Conan Doyle (The Adventures of Sherlock Holmes)
“
Even the best of men can’t know what it’s like to go through the world as a person with a body which some other people treat as an access-all-areas amusement arcade.
”
”
Caroline Criado Pérez (Invisible Women: Data Bias in a World Designed for Men)
“
And if that’s all he’s looking for then we’ll set fire to his balls.”
“What?” Storm’s face twists in a mixture of shock and amusement.
I shrug. “What can I say, Storm? I’m into some weird shit.
”
”
K.A. Tucker (Ten Tiny Breaths (Ten Tiny Breaths, #1))
“
Well, sir, do you mean to remain there, commending my father’s taste in wine, or do you mean to accompany me to Ashtead?”
“Set off for Ashtead at this hour, when I have been traveling for two days?” said Sir Horace. “Now, do, my boy, have a little common sense! Why should I?”
“I imagine that your parental feeling, sir, must provide you with the answer! If it does not, so be it! I am leaving immediately!”
“What do you mean to do when you reach Lacy Manor?” asked Sir Horace, regarding him in some amusement.
“Wring Sophy’s neck!” said Mr. Rivenhall savagely.
“Well, you don’t need my help for that, my dear boy!” said Sir Horace, settling himself more comfortably in his chair.
”
”
Georgette Heyer (The Grand Sophy)
“
To be sociable is a risky thing—even fatal—because it means being in contact with people, most of whom are dull, perverse and ignorant and are really with you only because they cannot bear their own company. Most people bore themselves and greet you not as a true friend but as a distraction—like a dancing dog or some half-wit actor
with a fund of amusing stories.
”
”
Paul Hoffman (The Left Hand of God (The Left Hand of God, #1))
“
His habit of reading isolated him: it became such a need that after being in company for some time he grew tired and restless; he was vain of the wider knowledge he had acquired from the perusal of so many books, his mind was alert, and he had not the skill to hide his contempt for his companions' stupidity. They complained that he was conceited; and, since he excelled only in matters which to them were unimportant, they asked satirically what he had to be conceited about. He was developing a sense of humour, and found that he had a knack of saying bitter things, which caught people on the raw; he said them because they amused him, hardly realising how much they hurt, and was much offended when he found that his victims regarded him with active dislike. The humiliations he suffered when he first went to school had caused in him a shrinking from his fellows which he could never entirely overcome; he remained shy and silent. But though he did everything to alienate the sympathy of other boys he longed with all his heart for the popularity which to some was so easily accorded. These from his distance he admired extravagantly; and though he was inclined to be more sarcastic with them than with others, though he made little jokes at their expense, he would have given anything to change places with them.
”
”
W. Somerset Maugham (Of Human Bondage)
“
He seriously thought that there is less harm in killing a man than producing a child: in the first case you are relieving someone of life, not his whole life but a half or a quarter or a hundredth part of that existence that is going to finish, that would finish without you; but as for the second, he would say, are you not responsible to him for all the tears he will shed, from the cradle to the grave? Without you he would never have been born, and why is he born? For your amusement, not for his, that’s for sure; to carry your name, the name of a fool, I’ll be bound – you may as well write that name on some wall; why do you need a man to bear the burden of three or four letters?
”
”
Gustave Flaubert (November)
“
Still, these days when I daydream about the movie, I don't think about the big picture. It's more fun for me to think of little things that would add to the movie. I like to think the powers that be would let me amuse myself with some small things in order to shut me up while they re-write the screenplay to turn Kvothe into a lesbian, shape-changing unicorn.
”
”
Patrick Rothfuss
“
Where am I, or what? From what causes do I derive my existence, and to what condition shall I return? ... I am confounded with all these questions, and begin to fancy myself in the most deplorable condition imaginable, environed with the deepest darkness, and utterly deprived of the use of every member and faculty.
Most fortunately it happens, that since Reason is incapable of dispelling these clouds, Nature herself suffices to that purpose, and cures me of this philosophical melancholy and delirium, either by relaxing this bent of mind, or by some avocation, and lively impression of my senses, which obliterate all these chimeras. I dine, I play a game of backgammon, I converse, and am merry with my friends. And when, after three or four hours' amusement, I would return to these speculations, they appear so cold, and strained, and ridiculous, that I cannot find in my heart to enter into them any farther.
”
”
David Hume (An Enquiry Concerning Human Understanding)
“
We are in great haste to construct a magnetic telegraph from Maine to Texas; but Maine and Texas, it may be, have nothing important to communicate... We are eager to tunnel under the Atlantic and bring the old world some weeks nearer to the new; but perchance the first news that will leak through into the broad flapping American ear will be that Princess Adelaide has the whooping cough.
”
”
Henry David Thoreau (Walden or, Life in the Woods)
“
Before I love you can come out of my mouth again, the front door swings open and Julia walks outside. "We're going to have to set some ground rules," she says. There's more amusement in her voice than anger or annoyance.
"Sorry, Julia," I yell over my shoulder. I turn back to Lake and kiss her one last time, then take a step away from her. "It's just that I'm madly in love with your daughter!"
"Yeah." Julia laughs. "I can see that.
”
”
Colleen Hoover (This Girl (Slammed, #3))
“
What's the Nephilim motto again?"
"'We are dust and shadows,'" said Ty, not looking up from his book.
"Some of us are very handsome dust," Jace added, as the door flew open and Clary stuck her head in.
"Come to the library," she announced. "The tentacle is starting to dissolve."
"You drive me wild with your sexy talk," said Jace, pulling on his gear jacket.
"Adults," said Kit, with some disgust, and stalked out of the room. To Emma's amusement, Ty and Livvy were instantly on their feet, following him.
”
”
Cassandra Clare (Lord of Shadows (The Dark Artifices, #2))
“
Ron, you're making it snow," said Hermione patiently, grabbing his wrist and redirecting his wand away from the ceiling from which, sure enough, large white flakes had started to fall. Lavender Brown, Harry noticed, glared at Hermione from a neighboring table through very red eyes, and Hermione immediately let go of Ron's arm.
"Oh yeah," said Ron, looking down at his shoulders in vague surprise." Sorry...looks like we've all got horrible dandruff now...."
He brushed some of the fake snow off Hermione's shoulder. Lavender burst into tears. Ron looked immensely guilty and turned his back on her.
"We split up," he told Harry out of the corner of his mouth. "Last night. When she saw me coming out of the dormitory with Hermione. Obviously she couldn't see you, so she thought it had just been the two of us."
"ah," said Harry. "Well - you don't mind it's over, do you?" "No," Ron admitted. "It was pretty bad while she was yelling, but at least I didn't have to finish it."
"Coward," said Hermione, though she looked amused. "Well, it was a bad night for romance all around. Ginny and Dean split up too, Harry."
Harry thought there was a rather knowing look in her eye as she told him that, but she could no possibly know that his insides were suddenly dancing the conga.
”
”
J.K. Rowling (Harry Potter and the Half-Blood Prince (Harry Potter, #6))
“
And usually [the philosopher] philosophizes either in order to resign himself to life, or to seek some finality in it, or to distract himself and forget his griefs, or for pastime and amusement.
”
”
Miguel de Unamuno (Tragic Sense of Life)
“
He doesn't seem very impressed," Cimorene commented in some amusement.
"Why should he be?" Kazul said.
"Well, you're a dragon," Cimorene answered, a little taken aback.
"What difference does that make to a cat?
”
”
Patricia C. Wrede
“
Life in this world,” he said, “is, as it were, a sojourn in a cave. What can we know of reality? For all we see of the true nature of existence is, shall we say, no more than bewildering and amusing shadows cast upon the inner wall of the cave by the unseen blinding light of absolute truth, from which we may or may not deduce some glimmer of veracity, and we as troglodyte seekers of wisdom can only lift our voices to the unseen and say, humbly, ‘Go on, do Deformed Rabbit . . . it’s my favorite.’
”
”
Terry Pratchett (Small Gods (Discworld, #13))
“
You could run, and I could stay to fend them off," the vampire offered. "For some reason, I feel amazingly refreshed." He swung an amused look at Declan that made him grind his teeth. "And it seems I'm quite handy against them."--
--Natalya tossed away her busted TEP-C. "So, Lothaire, you're going to fight them out of the blackness of your heart?
”
”
Kresley Cole (Dreams of a Dark Warrior (Immortals After Dark, #10))
“
You do not want to help us,” Will said to Magnus. “You do not want to position yourself as an enemy of Mortmain’s.”
“Well, can you blame him?” Woolsey rose in a whirl of yellow silk. “What could you possibly have to offer that would make the risk worth it to him?”
“I will give you anything,” said Tessa in a low voice that Will felt in his bones. “Anything at all, if you can help us help Jem.”
Magnus gripped a handful of his black hair. “God, the two of you. I can make inquiries. Track down some of the more unusual shipping routes. Old Molly —”
“I’ve been to her,” Will said. “Something’s frightened her so badly she won’t even crawl out of her grave.”
Woolsey snorted. “And that doesn’t tell you anything, little Shadowhunter? Is it really worth all this, just to stretch your friend’s life out another few months, another year? He will die anyway. And the sooner he dies, the sooner you can have his fiancée, the one you’re in love with.” He cut his amused gaze toward Tessa. “Really you ought to be counting down the days till he expires with great eagerness.
”
”
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
“
I don't care," Kami informed him. "All you are to me are sex objects that I choose to imagine bashing together at random. Oh, there you go again, look at that, nothing but Lynburn skin as far as the mind's eye can see. Masculine groans fill the air, husky and-"
"Stop it," Ash said in a faint voice. "That isn't fair."
Behind them, Jared was laughing. Kami glanced back at him and caught his eye: for once, it made her smile, as if amusement could still travel back and forth like a spark between them.
"Ash is right, this is totally unfair," Jared told her. "If you insist on this-"
"Oh, I do," Kami assured him.
"Then I insist on hooking up with Rusty instead of Ash. It's the least you can do."
"Ugh," Ash protested. "You guys, stop."
"She's making a point," Jared said blandly. "I recognize her right to do that. But considering the alternative, I want Rusty."
Ash gave this some thought. "Okay, I'll have Rusty too."
The sound of the door opening behind them made them all look up the stairs to where Rusty stood, with one eyebrow raised.
"Don't fight, boys," he remarked mildly. "There's plenty of Rusty to go around.
”
”
Sarah Rees Brennan (Untold (The Lynburn Legacy, #2))
“
I don't think anyone aims to be typical, really. Most people even vow to themselves some time in high school or college not to be typical. But still, they just kind of loop back to it somehow. Like the circular rails of a train at an amusement park, the scripts we know offer a brand of security, of predictability, of safety for us. But the problem is, they only take us where we've already been. They loop us back to places where everyone can easily go, not necessarily where we were made to go. Living a different kind of life takes some guts and grit and a new way of seeing things.
”
”
Bob Goff (Love Does: Discover a Secretly Incredible Life in an Ordinary World)
“
Sebastian, who had begun to laugh, seemed struck by that last comment. “Ahhh,” he said softly. “That explains it.” He was silent for a moment, lost in some distant, pleasurable memory. “Dangerous creatures, wallflowers. Approach them with the utmost caution. They sit quietly in corners, appearing abandoned and forlorn, when in truth they’re sirens who lure men to their downfall. You won’t even notice the moment she steals the heart right out of your body—and then it’s hers for good. A wallflower never gives your heart back.” “Are you finished amusing yourself?” Gabriel asked, impatient with his father’s flight of fancy.
”
”
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
“
Shepley walked out of his bedroom pulling a T-shirt over his head. His eyebrows pushed together. “Did they just leave?”
“Yeah,” I said absently, rinsing my cereal bowl and dumping Abby’s leftover oatmeal in the sink. She’d barely touched it.
“Well, what the hell? Mare didn’t even say goodbye.”
“You knew she was going to class. Quit being a cry baby.”
Shepley pointed to his chest. “I’m the cry baby? Do you remember last night?”
“Shut up.”
“That’s what I thought.” He sat on the couch and slipped on his sneakers. “Did you ask Abby about her birthday?”
“She didn’t say much, except that she’s not into birthdays.”
“So what are we doing?”
“Throwing her a party.” Shepley nodded, waiting for me to explain. “I thought we’d surprise her. Invite some of our friends over and have America take her out for a while.”
Shepley put on his white ball cap, pulling it down so low over his brows I couldn’t see his eyes. “She can manage that. Anything else?”
“How do you feel about a puppy?”
Shepley laughed once. “It’s not my birthday, bro.”
I walked around the breakfast bar and leaned my hip against the stool. “I know, but she lives in the dorms. She can’t have a puppy.”
“Keep it here? Seriously? What are we going to do with a dog?”
“I found a Cairn Terrier online. It’s perfect.”
“A what?”
“Pidge is from Kansas. It’s the same kind of dog Dorothy had in the Wizard of Oz.”
Shepley’s face was blank. “The Wizard of Oz.”
“What? I liked the scarecrow when I was a little kid, shut the fuck up.”
“It’s going to crap every where, Travis. It’ll bark and whine and … I don’t know.”
“So does America … minus the crapping.”
Shepley wasn’t amused.
“I’ll take it out and clean up after it. I’ll keep it in my room. You won’t even know it’s here.”
“You can’t keep it from barking.”
“Think about it. You gotta admit it’ll win her over.”
Shepley smiled. “Is that what this is all about? You’re trying to win over Abby?”
My brows pulled together. “Quit it.”
His smile widened. “You can get the damn dog…”
I grinned with victory.
“…if you admit you have feelings for Abby.”
I frowned in defeat. “C’mon, man!”
“Admit it,” Shepley said, crossing his arms. What a tool. He was actually going to make me say it.
I looked to the floor, and everywhere else except Shepley’s smug ass smile. I fought it for a while, but the puppy was fucking brilliant. Abby would flip out (in a good way for once), and I could keep it at the apartment. She’d want to be there every day.
“I like her,” I said through my teeth.
Shepley held his hand to his ear. “What? I couldn’t quite hear you.”
“You’re an asshole! Did you hear that?”
Shepley crossed his arms. “Say it.”
“I like her, okay?”
“Not good enough.”
“I have feelings for her. I care about her. A lot. I can’t stand it when she’s not around. Happy?”
“For now,” he said, grabbing his backpack off the floor.
”
”
Jamie McGuire (Walking Disaster (Beautiful, #2))
“
I prefer your company, Em."
He said it as if it were obvious. I snorted again, assuming he was teasing me. "Over the company of a tavern filled with a rapt and grateful audience? I'm sure you do."
"Over anyone else's company." Again, he said it with some amusement, as if wondering what I was doing speculating about something so evident.
"You are drunk," I said.
"Shall I prove it to you?"
"No, you shan't," I said, alarmed, but he was already sweeping to the floor, bending his knee and taking my hand between his.
"What in God's name are you doing?" I said between my teeth. "And why are you doing it now?"
"Shall I make an appointment?" he said, then laughed. "Yes, I believe you would like that. Well, name the time when it would be convenient for you to receive a declaration of love."
"Oh, get up," I said, furious now. "What sort of jest is this, Wendell?"
"You don't believe me?" He smiled, all mischief, a look I'd seen from other Folk, enough to know not to trust him one inch. "Ask for my true name, and I'll give it to you."
"Why on earth would you do that?" I demanded, yanking my hand back.
"Oh, Em," he said forlornly. "You are the cleverest dolt I have ever met."
I stared at him, my heart thundering. Of course, I am not a dolt in any sense; I had supposed he felt something for me and had only hoped he would keep it to himself. Forever. Not that a part of me didn't wish for the opposite. But that was when I assumed his feelings in that respect were equivalent to what he felt for any of the nameless women who passed in and out of his bed. And why would I lower myself to that, when he and I already had something that was vastly more valuable?
”
”
Heather Fawcett (Emily Wilde's Encyclopaedia of Faeries (Emily Wilde, #1))
“
I’m saying I want shit kept quiet.” She grinned at Ruhn, showing all her white teeth, the expression more savage than amused. “I’m saying if you three morons leak any of this to your Aux buddies or drunken hookups, I am going to be very unhappy.”
Honestly, Hunt would have liked nothing more than to grab some popcorn and a beer, kick back in a chair, and watch her verbally fillet these assholes.
”
”
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
“
I made lasagna for dinner," Tamsyn called out. "That work for you?"
He continued to look at her, as if he'd drink her up with his eyes. "Anything is fine."
"Maybe I shouldn't waste my lasagna on you, then." Tamsyn grabbed a container from the cooling unit. "How about some cardboard instead?"
Brenna found herself amused in spite of the blood that continued to scent the air and the taut expectation that stretched between her and Judd. Lips twitching, she waited for his response.
"Cardboard has no nutritional value." Utterly toneless. "Lasagna would be a better choice.
”
”
Nalini Singh (Caressed by Ice (Psy-Changeling, #3))
“
I pity people who can't find laughter or at least some bit of amusement in the little doings of the day. I believe I could find something ridiculous even in the saddest moment, if necessary. It has nothing to do with being superficial. It's a matter of joy in life.
”
”
Sophie Scholl
“
I turned down Halloween parties every year, where people wanted zombies raised at the stroke of midnight or some such nonsense. The scarier my reputation got, the more people wanted me to come be scary for them. I'd told Bert I could always go and threaten to shoot all the partygoers, that'd be scary. Bert had not been amused. But he had stopped asking me to do parties.
”
”
Laurell K. Hamilton (Cerulean Sins (Anita Blake, Vampire Hunter, #11))
“
There are few persons who have not, at some period of their lives, amused themselves in retracing the steps by which particular conclusions of their own minds have been attained.
”
”
Edgar Allan Poe (The Purloined Letter/Murders in Rue Morgue)
“
Halt," said Horace, "I've been thinking..."
Halt and Will exchanged an amused glance. "Always a dangerous pastime," they chorused. For many years, it had been Halt's unfailing response when Will had made the same statement. Horace waited patiently while they had their moment of fun, then continued.
"Yes, yes. I know. But seriously, as we said last night, Macindaw isn't so far away from here..."
"And?" Halt asked, seeing how Horace had left the statement hanging.
"Well, there's a garrison there and it might not be a b ad idea for one of to go fetch some reinforcements. It wouldn't hurt to have a dozen knights and men-at-arms to back us up when we run into Tennyson."
But Halt was already shaking his head.
"Two problems, Horace. It'd take too long for one of us to get there, explain it all and mobilize a force. And even if we could do it quickly, I don't think we'd want a bunch of knights blundering around the countryside, crashing through the bracken, making noise and getting noticed." He realized that statement had been a little tactless. "No offense, Horace. Present company excepted, of course.
”
”
John Flanagan (Halt's Peril (Ranger's Apprentice, #9))
“
Unidentified One sounded even more amused. “You had better have the weapon we were told of, or I’ll take your ribs out one by one and break them in front of your little face.”
I saved that for future reference. Unidentified One seemed to have gone to some trouble with the wording of that threat, it would be a shame if they never experienced it firsthand.
”
”
Martha Wells (Network Effect (The Murderbot Diaries, #5))
“
People of a television culture need “plain language” both aurally and visually, and will even go so far as to require it in some circumstances by law. The Gettysburg Address would probably have been largely incomprehensible to a 1985 audience.
”
”
Neil Postman (Amusing Ourselves to Death: Public Discourse in the Age of Show Business)
“
Trout did another thing which some people might have considered eccentric: he called mirrors leaks. It amused him to pretend that mirrors were holes between two universes.
If he saw a child near a mirror, he might wag his finger at a child warningly, and say with great solemnity, "Don't get too near that leak. You wouldent want to wind up in the other universe, would you?"
Sometimes somebody would say in his presence, "Excuse me, I have to take a leak." This was a way of saying that the speaker intended to drain liquid wastes from his body through a valve in his lower abdomen.
And trout would reply waggishly, "where I come from, that means you're about to steal a mirror."
And so on
”
”
Kurt Vonnegut Jr.
“
Some days I don't know what is greater.
My wisdom, or my stupidity.
”
”
Sanober Khan
“
There comes a point in life where each one of us who survives begins to feel like a ghost that has forgotten to die at the right time, and certainly most of us were more amusing when we were young. It seems that age folds the heart in on itself. Some of us walk detached, dreaming on the past, and some of us realize that we have lost the trick of standing in the sun. For many of us the thought of the future is a cause for irritation rather than optimism, as if we have had enough of new things, and wish only for the long sleep that rounds the edges of our lives
”
”
Louis de Bernières (Birds Without Wings (Vintage International))
“
You wanna know what I’m feeling? Lemme tell you, bébé. Amusement. You’re acting like we got some kind of choice in this matter. You’re just as screwed as I am—because we’re both too far gone for the other.
”
”
Kresley Cole (Endless Knight (The Arcana Chronicles, #2))
“
Goodness gracious me,” exclaimed Alexia, “what are you wearing? It looks like the unfortunate progeny of an illicit union between a pair of binoculars and some opera glasses. What on earth are they called, binocticals, spectaculars?”
The earl snorted his amusement and then tried to pretend he hadn't.
“How about glassicals?” he suggested, apparently unable to resist a contribution.
”
”
Gail Carriger (Soulless (Parasol Protectorate, #1))
“
Well, I'm glad you're so amused," I said, running my fingers across the railing.
Maxon hopped up to sit on the railing, looking very relaxed. "You're always amusing. Get used to it."
Hmm. He was almost being funny.
"So...about what you said...," he started tentatively.
"Which part? The part about me calling you names or fighting with my mom or saying food was my motivation?" I rolled my eyes.
He laughed once. "The part about me being good..."
"Oh. What about it?" Those few sentences suddenly seemed more embarrassing than anything else I'd said. I ducked my head down and twisted a piece of my dress.
"I appreciate you making things look authentic, but you didn't need to go that far."
My head snapped up. How could he think that?
"Maxon, that wasn't for the sake of the show. If you had asked me a month ago what my honest opinion of you was, it would have been very different. But now I know you, and I know the truth, and you are everything I said you were. And more."
He was quiet, but there was a small smile on his face.
"Thank you," he finally said.
"Anytime."
Maxon cleared his throat. "He'll be lucky, too." He got down from his makeshift seat and walked to my side of the balcony.
"Huh?"
"Your boyfriend. When he comes to his senses and begs you to take him back," Maxon said matter-of-factly.
I had to laugh. No such thing would happen in y world.
"he's not my boyfriend anymore. And he made it pretty clear he was gone with me." Even I could hear the tiny bit of hope in my voice.
"Not possible. He'll have seen you on TV by now and fallen for you all over again. Though, in my opinion, you're still much too good for the dog." Maxon spoke almost as if he was bored, like he'd seen this happen a million times.
"Speaking of which!" he said a bit louder. "If you don't want me to be in love with you, you're going to have to stop looking so lovely. First thing tomorrow I'm having your maids sew some potato sacks together for you."
I hit his arm. "Shut up, Maxon."
"I'm not kidding. You're too beautiful for your own good. Once you leave, we'll have to send some of the guards with you. You'll never survive on your own, poor thing." He said all this with mock pity.
"I can't help it." I sighed. "One can never help being born into perfection." I fanned my face as if being so pretty was exhausting.
"No, I don't suppose you can help it.
”
”
Kiera Cass (The Selection (The Selection, #1))
“
I only wanted to . . . I mean, just now, when Mr. George interrupted us, there was something very important I wanted to say to you.”
“It is about what I told you in the church yesterday? I mean, I can understand that you may think me crazy because I see these beings, but a psychiatrist wouldn’t make any difference.”
Gideon frowned. “Just keep quiet for a moment, would you? I have to pluck up all my courage to make you a declaration of love . . . I’ve had absolutely no practice in this kind of thing.”
“What?”
“Gwyneth,” he said, perfectly seriously, “I’ve fallen in love with you.”
My stomach muscles contracted as if I’d had a shock. But it was joy. “Really?”
“Yes, really!” In the light of the torch I saw Gideon smile. “I do realize we’ve known each other for less than a week, and at first I thought you were rather . . . childish, and I probably behaved badly to you. But you’re terribly complicated, I never know what you’ll do next, and in some ways you really are terrifyingly . . . er. . . naïve. Sometimes I just want to shake you.”
“Okay, I can see you were right about having no practice in making declarations of love,” I agreed.
“But then you’re so amusing, and clever, and amazingly sweet,” Gideon went on, as if he hadn’t heard me. “And the worst of it is, you only have to be in the same room and I need to touch you and kiss you . . .”
“Yes, that’s really too bad,” I whispered, and my heart turned over as Gideon took the hatpin out of my hair, tossed the feathered monstrosity into the air to fall on the floor, draw me close, and kissed me. About three minutes later, I was leaning against the wall, totally breathless, making an effort to stay upright.
“Hey, Gwyneth, try breathing in and out in the normal way,” said Gideon, amused.
I gave him a little push. “Stop that! I can’t believe how conceited you are!”
“Sorry. It’s just such a . . . a heady feeling to think you’d forget to breathe on my account.
”
”
Kerstin Gier (Saphirblau (Edelstein-Trilogie, #2))
“
A single raised eyebrow. "You've defected, sweetheart. No use worrying about the big, bad wolf now."
She was aware of Judd speaking, but her attention never shifted off the man who was a predator, for all that he wore human skin. When he peeled open and held out a bar of some kind, she took it, aware low energy levels could be dangerous when it came to her ability to keep a handle on the cold fire.
"Thank you."
A faint smile, a strange amusement in those icy eyes. "You're welcome."
It was the most polite interaction they'd ever had.
”
”
Nalini Singh (Kiss of Snow (Psy-Changeling, #10))
“
Where are we going?”
… “Just this place I know with a waterfall and a cave. It’s part of the estate, so no one uses it.”
“How nice,” I said … “We have a garage at my house. It holds a car and some of my dad’s tools.”
Martin glanced at me, equal parts amused and confused. “Oh?”
“Yes. And a hammock in the back yard.”
“Is that so…”
“Yeah.”
“So no waterfalls?”
“No. But this one time, when it rained a lot, the gutter broke. That was similar to a waterfall.
”
”
Penny Reid (Attraction (Elements of Chemistry, #1; Hypothesis, #1.1))
“
He’ll also cut you some slack if you’re astonishingly stupid in an amusing fashion. Granny claimed that this explains why uncountable millions of breathtakingly stupid people get along just fine in life.
”
”
Dean Koontz (Odd Thomas (Odd Thomas, #1))
“
Ash opened the door, stopping the males before they could go in, “Learn some manners.”
Letty gave them a salute before walking in, rifle in hand.
“That’s rather chauvinistic,” one of the males huffed.
Ash let out an amused laugh. “I didn’t let her in first because she’s female, you jackass. I let her in first because she likes to shoot things, and I’m very considerate that way.
”
”
Charlie Cochet (Hell & High Water (THIRDS, #1))
“
Briefly stated, the Gell-Mann Amnesia effect is as follows. You open the newspaper to an article on some subject you know well. In Murray's case, physics. In mine, show business. You read the article and see the journalist has absolutely no understanding of either the facts or the issues. Often, the article is so wrong it actually presents the story backward—reversing cause and effect. I call these the "wet streets cause rain" stories. Paper's full of them.
In any case, you read with exasperation or amusement the multiple errors in a story, and then turn the page to national or international affairs, and read as if the rest of the newspaper was somehow more accurate about Palestine than the baloney you just read. You turn the page, and forget what you know.
That is the Gell-Mann Amnesia effect. I'd point out it does not operate in other arenas of life. In ordinary life, if somebody consistently exaggerates or lies to you, you soon discount everything they say. In court, there is the legal doctrine of falsus in uno, falsus in omnibus, which means untruthful in one part, untruthful in all. But when it comes to the media, we believe against evidence that it is probably worth our time to read other parts of the paper. When, in fact, it almost certainly isn't. The only possible explanation for our behavior is amnesia.
”
”
Michael Crichton
“
A dog is a pitiful thing, depending wholly on companionship, and utterly lost except in packs or by the side of his master. Leave him alone and he does not know what to do except bark and howl and trot about till sheer exhaustion forces him to sleep. A cat, however, is never without the potentialities of contentment. Like a superior man, he knows how to be alone and happy. Once he looks about and finds no one to amuse him, he settles down to the task of amusing himself; and no one really knows cats without having occasionally peeked stealthily at some lively and well-balanced kitten which believes itself to be alone.
”
”
H.P. Lovecraft (Cats and Dogs)
“
Old lady, if I die I'd like you to do one small thing for me. I want you to build a one-hundred-acre museum dedicated to my memory. Bronze my clothing and possessions. Have at least three hundred marble statues erected of me in my most dashing poses. One of these statues should stand one hundred feet tall and greet ships as they float down the Hudson River. One of the fourteen wings of the museum should have an amusement park with the world's fastest roller coaster inside. None of these rides should be equipped with safety devices. You can license some of the space to fast-food restaurants and ice-cream parlors but nothing should be healthy or nutritious. The gift shop should sell stuffed Puck dolls packed with broken glass and asbestos. There's a more detailed list in my room." Puck saidduble
”
”
Michael Buckley (Sisters Grimm Books 1, 2, and 3 Three-Pack (The Sisters Grimm, #1-3))
“
This looks good."
"That's Metamucil," Bricker said with disgust, snatching it from her hand.
"So?" She turned to scowl at him. "What's wrong with Metamucil?"
"It's--" He glanced at the container and read, "A dietary supplement."
"That sounds healthy," she said, trying to grab it back.
"Eshe," he said, his disgust giving way to amusement. "It's what old mortals take to get regular."
"To get regular what?" she asked, and then poked him in the stomach, hard. The moment Bricker bent over with an "oomph," she snatched the container back and repeated, "Regular what?"
"Crap," he gasped, clutching his stomach.
"I didn't hit you that hard," she said with some disgust of her own.
"No." He sighed, straightening. "I meant that's what they get regulated. Crap."
Eshe dropped the can in dismay. "They buy crap?
”
”
Lynsay Sands (Born to Bite (Argeneau, #13))
“
Jared glared. Some people, Kami knew, had bedroom eyes. She was saddened to have to admit that Jared had filthy alleyway eyes. The thought reached Jared and he tilted his head, and Kami felt what he felt: startled and amused.
”
”
Sarah Rees Brennan
“
This Lady Pauline,” he began, “she must be a fearful person. She sounds like a terrible sorceress.” His face was deadpan, but Will sensed the underlying amusement and replied in kind. “She’s very slim and beautiful. But she has amazing power. Some time ago, she persuaded Halt to have a haircut for their wedding.” Malcolm, who had noticed Halt’s decidedly slapdash hair styling, raised his eyebrows. “A sorceress indeed.
”
”
John Flanagan (Halt's Peril (Ranger's Apprentice, #9))
“
You can con God and get away with it, Granny said, if you do so with charm and wit. If you live your life with imagination and verve, God will play along just to see what outrageously entertaining thing you’ll do next. He’ll also cut you some slack if you’re astonishingly stupid in an amusing fashion. Granny claimed that this explains why uncountable millions of breathtakingly stupid people get along just fine in life.
”
”
Dean Koontz (Odd Thomas (Odd Thomas, #1))
“
What is this spirit in man that urges him forever to depart from happiness and security, to toil, to place himself in danger, even to risk a reasonable certainty of death? It dawned upon me up there in the moon as a thing I ought always to have known, that man is not made simply to go about being safe and comfortable and well fed and amused. Against his interest, against his happiness he is constantly being driven to do unreasonable things. Some force not himself impels him and go he must.
”
”
H.G. Wells (The First Men in the Moon)
“
His eyes sparkle with some kind of hidden knowledge as he lets me pass, like beautiful people know the meaning of the universe and are amused by us ordinary folks who have to bumble along in the dark.
”
”
L.H. Cosway (Six of Hearts (Hearts, #1))
“
Easy, pet.” His voice was laced with soft amusement. “I detect evidence of a temper, which I’ve no doubt you inherited from the old man. I’ve seen his eyes flash just that way when his dander is up over some trifle.
”
”
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
“
We are, on earth, two distinct races. Those who have need of others, whom others amuse, engage soothe, whom solitude harasses, pains, stupefies, like the movement of a terrible glacier or the traversing of the desert; and those, on the contrary, whom others weary, tire, bore, silently torture, whom isolation calms and bathes in the repose of independency, and plunges into the humors of their own thoughts. In fine, there is here a normal, physical phenomenon. Some are constituted to live a life outside of themselves, others, to live a life within themselves. As for me, my exterior associations are abruptly and painfully short-lived, and, as they reach their limits, I experience in my whole body and in my whole intelligence an intolerable uneasiness.
”
”
Guy de Maupassant
“
No. Grief and anger doesn’t shock me.” Catherine paused. “Rachel, do you remember that day at the convent when we saw the old biplane? Remember what I said?” Rachel laughed without amusement. “I don’t even remember what I said.” “’Who can doubt the presence of God in the sight of men whom He has given wings.’ I recall that so precisely because I’ve had time to consider my error.” She smiled. “God didn’t give man wings; He gave him the brain and the spirit to give himself wings. Just as He gave us the capacity to laugh when we hurt, or to struggle on when we feel like giving up. I’ve come to believe that how we choose to live with pain, or injustice, or death…is the true measure of the Divine within us. Some, like Crossen, choose to do harm to themselves and others. Others, like Kenji, bear up under their pain and help others to bear it. I used to wonder, why did God give children leprosy? Now I believe: God doesn’t give anyone leprosy. He gives us, if we choose to use it, the spirit to live with leprosy, and with the imminence of death. Because it is in our own mortality that we are most Divine.
”
”
Alan Brennert (Moloka'i (Moloka'i, #1))
“
You have to understand, before now, I hadn’t been entirely certain Reece even realized I was female. Yet here he was, edging toward me as if I was territory to be protected. Something Mal didn’t intend to allow if his side-stepping maneuver meant anything. It was like some strange animalistic caveman dance, the two of them slowly hemming me in. Amusing in a way.
The first male to pee on me, however, would pay with his balls.
”
”
Kylie Scott (Play (Stage Dive, #2))
“
Lord John: 'The court has suffered most sorely for your absence. We hardly know where to find our amusement now.'
Lady Nora: 'I am sorry to hear that, I suppose it takes some wit to produce one's own entertainment. Are you often bored?
”
”
Meredith Duran (At Your Pleasure)
“
How often does it occur that information provided you on morning radio or television, or in the morning newspaper, causes you to alter your plans for the day, or to take some action you would not otherwise have taken, or provides insight into some problem you are required to solve?
”
”
Neil Postman (Amusing Ourselves to Death: Public Discourse in the Age of Show Business)
“
ROTHKO: (Explodes) 'Pretty.' 'Beautiful.' 'Nice.' 'Fine.' That's our life now! Everything's 'fine'. We put on the funny nose and glasses and slip on the banana peel and the TV makes everything happy and everyone's laughing all the time, it's all so goddamn funny, it's our constitutional right to be amused all the time, isn't it? We're a smirking nation, living under the tyranny of 'fine.' How are you? Fine.. How was your day? Fine. How are you feeling? Fine. How did you like the painting? Fine. What some dinner? Fine... Well, let me tell you, everything is not fine!!
HOW ARE YOU?!... HOW WAS YOUR DAY?!... HOW ARE YOU FEELING? Conflicted. Nuanced. Troubled. Diseased. Doomed. I am not fine. We are not fine. We are anything but fine... Look at these pictures. Look at them! You see the dark rectangle, like a doorway, an aperture, yes but it’s also a gaping mouth letting out a silent howl of something feral and foul and primal and REAL. Not nice. Not fine. Real. A moan of rapture. Something divine or damned. Something immortal, not comic books or soup cans, something beyond me and beyond now. And whatever it is, it’s not pretty and it’s not fine...I AM HERE TO STOP YOUR HEART
”
”
John Logan (Red (Oberon Modern Plays))
“
There are few persons who have not, at some period of their lives, amused themselves in retracing the steps by which particular conclusions of their own minds have been attained. The occupation is often full of interest and he who attempts it for the first time is astonished by the apparently illimitable distance and incoherence between the starting-point and the goal.
”
”
Edgar Allan Poe (The Murders in the Rue Morgue (C. Auguste Dupin, #1))
“
Te vivo?” Winter nods. “It’s Portuguese. My dad used to say it to my sister and me. Sadly, it’s some of the only Portuguese I know. It means ‘I live you’ or something along those lines.” “You mean I love you?” “No.” I scrub at my stubble and glance down at our daughter, who is now amusing herself by playing her favorite game of fetch with Peter and his miniature rubber chicken. “It means . . . I live you. Like I see you everywhere, you are in everything. Our connection is more than physical.
”
”
Elsie Silver (Reckless (Chestnut Springs, #4))
“
There is nothing wrong with entertainment. As some psychiatrist once put it, we all build castles in the air. The problems come when we try to live in them. The communications media of the late nineteenth and early twentieth centuries, with telegraphy and photography at their center, called the peek-a-boo world into existence, but we did not come to live there until television. Television gave the epistemological biases of the telegraph and the photograph their most potent expression, raising the interplay of image and instancy to an exquisite and dangerous perfection. And it brought them into the home. We are by now well into a second generation of children for whom television has been their first and most accessible teacher and, for many, their most reliable companion and friend. To put it plainly, television is the command center of the new epistemology. There is no audience so young that it is barred from television. There is no poverty so abject that it must forgo television. There is no education so exalted that it is not modified by television. And most important of all, there is no subject of public interest—politics, news, education, religion, science, sports—that does not find its way to television. Which means that all public understanding of these subjects is shaped by the biases of television.
”
”
Neil Postman (Amusing Ourselves to Death: Public Discourse in the Age of Show Business)
“
What?" he asked.
"Nothing. Your bony hands of death amuse me, that's all."
"Wait until yours look the same," he said, preparing to scythe.
"Wait - what?" She batted the sapphire blade out of his hands. "What do you mean? Is that why everyone around here has such creepy fingers?"
"Yeah." He bent down to pick up his scythe. "I don't know why it happens, though. Probably the same weird reason our hair goes all wonky."
"What?" she barked, knocking his scythe to the ground once more.
"Stop that!"
"What happens to our hair?"
He gestured to the disaster atop his head. "You think I want to look like a drunken hedgehog all the time? It's from hanging out in the ether so much. It messes with your follicles or something. Doesn't happen to everyone, but I can assure you that Ferbus's wasn't always the color of a prison jumpsuit, Zara wasn't born Silvylocks, and Mort's been rocking the electrocution look for years. Look, yours has gotten straighter already."
Lex ran a hand through her hair. It had lost some of its poofyness. There had been so many other circuses of insanity to deal with that she hadn't even noticed. It was calm, manageable, even - she shuddered to think it - sleek and shiny.
"Oh my God," she said in disgust. "I'm a shampoo commercial.
”
”
Gina Damico (Croak (Croak, #1))
“
You need a name. I heard some interesting ones today;perhaps you'll like one." He mentally ran through the list Brom had given him until he found tow names that stuck him as heroic, noble and pleasing to the ear. "What do you think of Vanilor or his successor, Eridor? Both were great dragons."
No, said the dragon. It sounded amused with his efforts. Eragon.
"That's my name; you can't have it," he siad, rubbing his chin.
"Well, if you don't like those, there are others." He continued through the list, but the dragon rejected every one he proposed. UT seemed to be laughing at something Eragon did not understand, but he ignored and kept suggesting names. "There was ingothold, he slew the..." A revelation stopped him. Thats the problem! I've been choosing male names. You are a she!
”
”
Christopher Paolini (Eragon (The Inheritance Cycle #1))
“
Trippers and askers surround me,
People I meet, the effect upon me of my early life or the ward and
city I live in, or the nation,
The latest dates, discoveries, inventions, societies, authors old
and new,
My dinner, dress, associates, looks, compliments, dues,
The real or fancied indifference of some man or woman I love,
The sickness of one of my folks or of myself, or ill-doing or loss
or lack of money, or depressions or exaltations,
Battles, the horrors of fratricidal war, the fever of doubtful news,
the fitful events;
These come to me days and nights and go from me again,
But they are not the Me myself.
Apart from the pulling and hauling stands what I am,
Stands amused, complacent, compassionating, idle, unitary,
Looks down, is erect, or bends an arm on an impalpable certain rest,
Looking with side-curved head curious what will come next,
Both in and out of the game and watching and wondering at it.
Backward I see in my own days where I sweated through fog with
linguists and contenders,
I have no mockings or arguments, I witness and wait.
”
”
Walt Whitman (Song of Myself)
“
Some [jests] are becoming to a gentleman, others are not; see that you choose such as become you. Irony better befits a gentleman than buffoonery; the ironical man jokes to amuse himself, the buffoon to amuse other people.
”
”
Aristotle (The Rhetoric & The Poetics of Aristotle)
“
Life in this world,” he said, “is, as it were, a sojourn in a cave. What can we know of reality? For all we see of the true nature of existence is, shall we say, no more than bewildering and amusing shadows cast upon the inner wall of the cave by the unseen blinding light of absolute truth, from which we may or may not deduce some glimmer of veracity, and we as troglodyte seekers of wisdom can only lift our voices to the unseen and say, humbly, ‘Go on, do Deformed Rabbit…it’s my favorite.
”
”
Terry Pratchett (Small Gods (Discworld, #13))
“
I quite understand you. You mean that an innocent lie for the sake of a good joke is harmless, and does not offend the human heart. Some people lie, if you like to put it so, out of pure friendship, in order to amuse their fellows; but when a man makes use of extravagance in order to show his disrespect and to make clear how the intimacy bores him, it is time for a man of honour to break off the said intimacy., and to teach the offender his place.
”
”
Fyodor Dostoevsky (The Idiot)
“
Places are supposed to look smaller when you go back to them, but my road just looked schizoid. A couple of the houses had had nifty little makeovers involving double glazing and amusing faux-antique pastel paint; most of them hadn't. Number 16 looked like it was on its last legs: the roof was in tatters, there was a pile of bricks and a dead wheelbarrow by the front steps, and at some point in the last twenty years someone had set the door on fire. In Number 8, a window on the first floor was lit up, gold and cozy and dangerous as hell.
”
”
Tana French (Faithful Place (Dublin Murder Squad, #3))
“
The modern world is severely lacking in magic, and those who crave it are at a constant disadvantage because they are desperate and it’s in short supply. Some places—amusement parks, country fairs, museums, old bookstores—can temporarily fill the void, but there will always be people who check every armoire for a door to Narnia, every rabbit hole for a road to Wonderland.
”
”
Delilah S. Dawson (Bloom)
“
Where am I?” I ask. “Where are my parents and my brother? Where’s my home? And who are you?”
He blinks a couple of times before smiling faintly as though something has just amused him. “I’m afraid you’re not in Kansas anymore, Dorothy.”
Wizard of Oz references? I’m somewhere, I don’t know where, and that’s the best I get? Well, I’m not some dumb little girl willing to put up with that, and he certainly isn’t any kind of wizard. - Celestra Caine, FADE by Kailin Gow
”
”
Kailin Gow (FADE OMNIBUS (Books 1 through 4) (Kailin Gow's FADE Series Book 5))
“
My reading was always a kind of living,” he explained later, “a longing to know some man or men stronger, braver, wiser, wittier, more amusing, or more desperately wicked, than I was, whom I could come to know well and sometimes be friends with.
”
”
Doris Kearns Goodwin (The Bully Pulpit: Theodore Roosevelt, William Howard Taft, and the Golden Age of Journalism)
“
Some people get a kick out of reading railway timetables and that's all they do all day. Some people make huge model boats out of matchsticks. So what's wrong if there happens to be one guy in the world who enjoys trying to understand you?"
"Kind of like a hobby?" she said, amused.
"Yeah I guess you could call it a hobby. Most normal people would call it friendship or love or something, but if you want to call it a hobby, that's OK too.
”
”
Haruki Murakami (Norwegian Wood)
“
Prior to the age of telegraphy, the information-action ratio was sufficiently close so that most people had a sense of being able to control some of the contingencies in their lives. What people knew about had action-value. In the information world created by telegraphy, this sense of potency was lost, precisely because the whole world became context for news. Everything became everyone's business. For the first time, we were sent information which answered no question we had asked, and which, in any case, did not permit the right of reply.
”
”
Neil Postman (Amusing Ourselves to Death: Public Discourse in the Age of Show Business)
“
In a dog’s life, some plaster would fall, some cushions would open, some rugs would shred. Like any relationship, this one had its costs. They were costs we came to accept and balance against the joy and amusement and protection and companionship he gave us. We could have bought a small yacht with what we spent on our dog and all the things he destroyed. Then again, how many yachts wait by the door all day for your return? How many live for the moment they can climb in your lap or ride down the hill with you on a toboggan, licking your face?
”
”
John Grogan (Marley & Me: Life and Love with the World's Worst Dog)
“
Curious," it said. "What you call your decent self doesn't dare look me in the eye! What a mistake people make who say that the man who won't look you in the eye is not to be trusted! As if mere brazenness were a sign of honesty; really, the theory of decency is the most amusing thing in the world.
”
”
John Kendrick Bangs (Ghosts I Have Met, and Some Others)
“
Most fortunately it happens, that since reason is incapable of dispelling these clouds, nature herself suffices to that purpose, and cures me of this philosophical melancholy and delirium, either by relaxing this bent of mind, or by some avocation, and lively impression of my senses, which obliterate all these chimeras. I dine, I play a game of backgammon, I converse, and am merry with my friends; and when after three or four hours' amusement, I would return to these speculations, they appear so cold, and strain'd, and ridiculous, that I cannot find in my heart to enter into them any farther.
”
”
David Hume (A Treatise of Human Nature)
“
There are even some stars so remote that their light will reach the Earth only when Earth itself is a dead planet, as they themselves are dead, so that the living Earth will never be visited by that forlorn ray of light, without a living source, without a living destination. Often on fine nights when the park of this establishment is vacant, I amuse myself with this marvelous instrument (telescope). I go upstairs, walk across the grass, sit on a bench in the Avenue of Oaks – and there, in my solitude, I enjoy the pleasure of weighing the rays of dead stars.
”
”
Auguste de Villiers de l'Isle-Adam (Tomorrow's Eve)
“
Day 72
I remember oranges and you don’t mind me leaving the queue momentarily to find some. When you say, Of course, you reach for my arm in sympathy and recognition. This may be the thing that breaks me today, that stops me in my tracks before driving me forward, turning a corner, making something work, letting everything happen. When I return, you’re touching my yoghurts, reading the ingredients, as though you are making them yours, protecting them in my absence and amusing yourself with the cherry-ness of them. On days like this, I want to take my strangers home with me.
”
”
Gemma Seltzer (Speak to Strangers)
“
Go on," Kell told him without taking his eyes from Lila. " Get some rest."
Hastra shifted. "I can't, sir," he said. "I'm to escort Miss Bard--"
"I'll take that charge," cut in Kell. Hastra bit his lip and retreated several steps.
Lila let her forehead come to rest against his, her face so close the features blurred. And yet, that fractured eye shone with frightening clarity.
"You never told me," he whispered.
"You never noticed," she answered. And then, "Alucard did."
The blow landed, and Kell started to pull away when Lila's eyelids fluttered and she swayed dangerously.
He braced her. "Come on," he said gently. "I have a room upstairs. Why don't we--"
A sleepy flicker of amusement. "Trying to get me into bed?"
Kell mustered a smile. "It's only fair. I've spent enough time in yours."
"If I remember correctly," she said, her voice dreamy with fatigue, "you were on top of the bed the entire time."
"And tied to it," observed Kell.
Her words were soft at the edges. "Those were the days..." she said, right before she fell forward. It happened so fast Kell could do nothing but throw his arms around her.
"Lila?" he asked, first gently, and then more urgently. "Lila?"
She murmured against his front, something about sharp knives and soft corners, but didn't rouse, and Kell shot a glance at Hastra, who was still standing there, looking thoroughly embarrassed.
"What have you done?" demanded Kell.
"It was just a tonic, sir," he fumbled, "something for sleep."
"You drugged her?"
"It was Tieren's order," said Hastra, chastised. "He said she was mad and stubborn and no use to us dead." Hastra lowered his voice when he said this, mimicking Tieren's tone with startling accuracy.
"And what do you plan to do when she wakes back up?"
Hastra shrank back. "Apologize?"
Kell made an exasperated sound as Lila nuzzled-- actually nuzzled-- his shoulder.
"I suggest," he snapped at the young man, "you think of something better. Like an escape route."
Hastra paled, and Kell swept Lila up into his arms, amazed at her lightness... Kell swept through the halls until he reached his room and lowered Lila onto the couch.
Hastra handed him a blanket. "Shouldn't you take off her knives?"
"There's not enough tonic in the world to risk it," said Kell.
”
”
Victoria Schwab (A Conjuring of Light (Shades of Magic, #3))
“
Call listened with amusement--not that the incident hadn't been terrible. Being decapitated was a grisly fate, whether you were a Yankee or not. But then, amusing things happened in battle, as they did in the rest of life. Some of the funniest things he had ever witnessed had occurred during battles. He had always found it more satisfying to laugh on a battlefield than anywhere else, for if you lived to laugh on a battlefield, you could feel you had earned the laugh. But if you just laughed in a saloon, or at a social, the laugh didn't reach deep.
”
”
Larry McMurtry (Streets of Laredo (Lonesome Dove, #2))
“
... And suddenly he thought, I'm the abnormal one now. Normalcy was a
majority concept, the standard of many and not the standard of just
one man.
Abruptly that realization joined with what he saw on their faces --
awe, fear, shrinking horror -- and he knew that they were afraid of
him. To them he was some terrible scourge they had never seen, a
scourge even worse than the disease they had come to live with. He was
an invisible spectre who had left for evidence of his existence the
bloodless bodies of their loved ones. And he understood what they felt
and did not hate them. His right hand tightened on the tiny envelope
of pills. So long as the end did not come with violence, so long as it
did not have to be a butchery before their eyes...
Robert Neville looked out over the new people of the earth. He knew he
did not belong to them; he knew that, like the vampires, he was
anathema and black terror to be destroyed. And, abruptly, the concept
came, amusing to him even in his pain.
A coughing chuckle filled his throat. He turned and leaned against the
wall while he swallowed the pills. Full circle, he thought while the
final lethargy crept into his limbs. Full circle. A new terror born in
death, a new superstition entering the unassailable fortress of
forever.
I am legend.
”
”
Richard Matheson (I Am Legend and Other Stories)
“
If you live your life with imagination and verve, God will play along just to see what outrageously entertaining thing you'll do next.
He'll also cut you some slack if you're astonishingly stupid in an amusing fashion. Granny claimed that this explains why uncountable millions of breathtakingly stupid people get along just fine in life.
”
”
Dean Koontz (Odd Thomas (Odd Thomas, #1))
“
Marked.” My face was on fire, my limbs shaking. “All of you. I will take all of you out with my own bare hands!”
There was laughter building in Bram’s voice as he responded. “As cute as I’m sure that would be, your attempt…if we thought the people who might try to trace that chip could make you absolutely, one hundred percent safe, I would carry you to them and hand you over myself.”
I gingerly rested my fingertips against my forehead, breathing deeply, trying to calm myself down.
“There are some very bad men out to get you, Miss Dearly.”
“You have got to be kidding me.”
“By the way, you have quite the vocabulary, for a princess.” He still sounded amused.
This statement was random enough to get my attention. “Princess?” I asked, confused.
“You know, a princess. A New Victorian girl.”
My lips parted to fire off another question before it clicked. “You’re a Punk.”
“Born and bred.”
“Fantastic.
”
”
Lia Habel (Dearly, Departed (Gone with the Respiration, #1))
“
What do you want?" and Rose looked up rather surprised.
"I'd like to borrow some money. I shouldn't think of asking you, only Mac never has a cent since he's set up his old chemical shop, where he'll blow himself to bits some day and you and Uncle will have the fun of putting him together again," and Steve tried to look as if the idea amused him.
”
”
Louisa May Alcott (Eight Cousins (Eight Cousins, #1))
“
He's such a jerk," I said, wanting to rant. "If I'm going to go gaga for some guy, it'll be because I want to, not because some asshat is helping me along."
God how lame was that? Just shut up, Ari. Before you embarrass yourself even more.
"Well, just for the record...forcing a girl to go all gaga for me isn't my style." He paused, his tone doing nothing to hide his amusement. "I like the gaga to be natural."
I rolled my eyes and took off at a jog before he could see that my face had gone straight past hot to volcanic.
”
”
Kelly Keaton (A Beautiful Evil (Gods & Monsters, #2))
“
And for a moment they were Jem-and-Will again. Will could see Jem, but also through him, to the past. Will remembered the two of them, running through the dark streets of London, jumping from rooftop to rooftop, seraph blades gleaming in their hands; hours in the training room, shoving each other into mud puddles, throwing snowballs at Jessamine from behind an ice fort in the courtyard, asleep like puppies on the rug in front of the fire.
Ave atque vale... Hail and farewell. He had never given much thought to the words before, he had never thought about why they were not just a farewell but also a greeting. Every meeting led to a parting, and so it would, as long as it was mortal. In every meeting there was some of the sorrow of parting, but in every parting there was some joy of the meeting as well.
He would not forget the joy.
...
"Wo men shi sheng si ji jiao," said Will, and he saw Jem's eyes widen, fractionally, and the spark of amusement inside them. "Go in peace, James Carstairs.
”
”
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
“
If you're not Gryffindor, we'll disinherit you," said Ron, "but no pressure."
"Ron!"
Lily and Hugo laughed, but Albus and Rose looked solemn.
"He doesn't mean it," said Hermione and Ginny, but Ron was no longer paying attention. Catching Harry's eye, he nodded covertly to a point of some fifty yards away. The steam had thinned for a moment, and three people stood in sharp relief against the shifting mist.
"Look who it is"
Draco Malfoy was standing there with his wife and son, a dark coat buttoned up to his throat. His hair was receding somewhat, with emphasised the pointed chin. The new boy resembled Draco as much as Albus resembled Harry. Draco caught sight of Harry, Ron, Hermione, Ginny staring at him, nodded curtly and turned away again.
"So that's little Scorpius" said Ron under his breath. "Make sure you beat him in every test, Rosie. Thank God you inherited your mother's brains."
"Ron for heaven's sake," said Hermione, half-stern, half-amused. "Don't try to turn them against each other before they've even started school!"
"You're right, sorry" said Ron, but unable to help himself, he added, "don't get too friendly with him, though Rosie. Granddad Weasley would never forgive you if you married a pure-blood."
"Hey!
”
”
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
“
So? If I die, then I die! The loss to the world won’t be great. Yes, and I’m fairly bored with myself already. I am like a man who is yawning at a ball, whose reason for not going home to bed is only that his carriage hasn’t arrived yet. But the carriage is ready . . . farewell!
I run through the memory of my past in its entirety and can’t help asking myself: Why have I lived? For what purpose was I born? . . .
There probably was one once, and I probably did have a lofty calling, because I feel a boundless strength in my soul . . .
But I didn’t divine this calling. I was carried away with the baits of passion, empty and unrewarding. I came out of their crucible as hard and cold as iron, but I had lost forever the ardor for noble aspirations, the best flower of life.
Since then, how many times have I played the role of the ax in the hands of fate! Like an instrument of execution, I fell on the head of doomed martyrs, often without malice, always without regret . . .
My love never brought anyone happiness, because I never sacrificed anything for those I loved: I loved for myself, for my personal pleasure.
I was simply satisfying a strange need of the heart, with greediness, swallowing their feelings, their joys, their suffering—and was never sated. Just as a man, tormented by hunger, goes to sleep in exhaustion and dreams of sumptuous dishes and sparkling wine before him. He devours the airy gifts of his imagination with rapture, and he feels easier. But as soon as he wakes: the dream disappears . . . and all that remains is hunger and despair redoubled!
And, maybe, I will die tomorrow! . . . And not one being on this earth will have ever understood me totally. Some thought of me as worse, some as better, than I actually am . . . Some will say “he was a good fellow,” others will say I was a swine. Both one and the other would be wrong.
Given this, does it seem worth the effort to live? And yet, you live, out of curiosity, always wanting something new . . . Amusing and vexing!
”
”
Mikhail Lermontov (A Hero of Our Time)
“
Well, it's not called a mystery for nothing," said Henry sourly. "Take my word for it. But one mustn't underestimate the primal appeal to lose one's self, lose it utterly. And in losing it be born to the principle of continuous life, outside the prison of mortality and time. That was attractive to me from the first, even when I knew nothing about the topic and approached it less as potential mystes than anthropologist. Ancient commentators are very circumspect about the whole thing. It was possible, with a great deal of work, to figure out some of the sacred rituals-the hymns, the sacred objects, what to wear and do and say. More difficult was the mystery itself: how did one propel oneself into such a state, what was the catalyst?" His voice was dreamy, amused. "We tried everything. Drink, drugs, prayer, even small doses of poison.
”
”
Donna Tartt (The Secret History)
“
Tattitude: Wow, Jeff, who's the babe?
Dangerous_pie: Your mom.
Tattitude: No, the one three feet away from you.
Dangerous_pie: Oh, that's Lindsey Abraham. I had her flown in from California for my personal amusement. You can look at her if you want, though.
Tattitude: Sweet. But have you talked to her yet?
Dangerous_pie: Uh-huh. We're really close.
Tattitude: Intro me?
Dangerous_pie: After class.
Tattitude: Duh.
Just then, I noticed that a large shadow had fallen over my screen. I couldn't even bear to look up as Mr. Laurenzano said, "Thaddeus Ibsen, Lindsey Abraham. Lindsey, Thaddeus. There, you've been introduced. NOW can I teach some science?"
Wow, it looked like this was going to be my year for unusual teachers.
”
”
Jordan Sonnenblick (After Ever After)
“
Those who are esteemed umpires of taste, are often persons who have acquired some knowledge of admired pictures or sculptures, and have an inclination for whatever is elegant; but if you inquire whether they are beautiful souls, and whether their own acts are like fair pictures, you learn that they are selfish and sensual. Their cultivation is local, as if you should rub a log of dry wood in one spot to produce fire, all the rest remaining cold. Their knowledge of the fine arts is some study of rules and particulars, or some limited judgment of color or form which is exercised for amusement or for show. It is a proof of the shallowness of the doctrine of beauty, as it lies in the minds of our amateurs, that men seem to have lost the perception of the instant dependence of form upon soul.
”
”
Ralph Waldo Emerson (The Poet)
“
Suddenly he smiled, and the sadness was vanquished by whisky heat. “Aye, Jessica, I like you. And I’m not just stuck with you. You fit me here, woman.” He thumped his chest with his fist. Then he shook her hand from his forearm and pushed off with the cart again. Jessi watched him move down the aisle, all sleek animal muscle and dark grace.
Wow. He wasn’t a man of many words, but when he used them, he certainly used the right ones.
You fit me here. You are the exception to everything.
Crimeny.
It was how she’d always thought a relationship should be. People should fit each other: some
days like sexy, strappy high-heeled shoes, other days like comfortable loafers—but always a good fit. And if you cared about someone, they should be the exception to everything; the number-one priority, the one who came before all others.
He was halfway down the aisle from her now, plucking a
can from the shelf—her primal hunter/gatherer procuring food by modern means, she thought, with a soft snort of amusement.
”
”
Karen Marie Moning (Spell of the Highlander (Highlander, #7))
“
Since we're into witches, let's swing by and check out this Isis at Spirit Quest." She slid her eyes right. Well, maybe she'd rag just a little. "You can probably buy a talisman or some herbs," she said solemnly. "You know, to ward off evil."
Peabody shifted in her seat. Feeling foolish wasn't nearly as bad as worrying about being cursed. "Don't think I won't."
"After we deal with Isis, we can grab a pizza sub -- with plenty of garlic."
"Garlic's for vampires."
"Oh. We can have Roarke get us a couple of his antique guns. With silver bullets."
"Werewolves, Dallas." Amused at both of them now, Peabody rolled her eyes. "A lot of good you're going to do if we have to defend ourselves against witchcraft."
"What does it to witches, then?"
"I don't know," Peabody admitted. "But I'm damn sure going to find out.
”
”
J.D. Robb (Ceremony in Death (In Death, #5))
“
Look, I wanted to mention something to you," I said. Play it off as casual. Play it off as no big deal. Be cool.
Her lips curled up in an amused smile. "Okay?"
"You know what a horrible prankster Will can be." She nodded and I continued: "I may have just done something to get back at him and I swear," I said, resting a hand on her shoulder, "I swear, Hanna, you'll think it's hilarious... eventually."
"Eventually?"
"Absolutely. Eventually."
She considered me through narrowed eyes. "This is just a prank, right? No shaved heads or scars?"
I pulled back to study her. "That was a very specific question. Scars?" I shook my head, clearing it. "And no, no, no, no. Just a silly little prank." I gave Hanna my best smile, the one Chloe said made panties drop. But apparently it only made Hanna more suspicious.
Her eyes narrowed further. "What would I need to do?"
"Nothing," I said. "You'll probably see some weird stuff but just... go along with it."
"So, basically be oblivious."
"Exactly," I said.
"And this will be funny?"
"Hilarious."
She thought about it for a full ten seconds before reaching out to shake my hand. "You're on.
”
”
Christina Lauren (Beautiful Beginning (Beautiful Bastard, #3.5))
“
Because he’s better than that. Better than they are. He’s young, he’s good-looking, charming, efficient, smart, and skilled enough to come up with, or get someone else to come up with this e-virus that’s got all you geeks stumped.”
“We’re not stumped,” Roarke corrected with some annoyance as they rode to the bedroom. “The bleeding investigation is ongoing and we’re pursuing all shagging avenues.”
While it amused her to hear him quote the usual departmental line—with the addition of the Irish—she shrugged.
”
”
J.D. Robb (Kindred in Death (In Death, #29))
“
May be, Churchill had pointed out, I should stop trying so hard not to love Hardy, and accept the some part of me might always want him. "Some things," he said, "you just have to learn to live with."
"But you can't love someone new without getting over the last one."
"Why not?"
"Because then the new relationship is compromised."
Seeming amused, Churchill said that every relationship was compromised in one way or the other, and you were better off not picking at the edges of it.
I disagreed. I felt I needed to let Hardy go completely. I just didn't know how. I hoped someday I might meet someone so compelling that I could take the risk of loving again. But I had serious doubts such a man existed.
”
”
Lisa Kleypas (Sugar Daddy (Travises, #1))
“
He stared and talked at the girl's red hair and amused face for what seemed to be a few minutes; and then, feeling that the groups in such a place should mix, rose to his feet. To his astonishment, he discovered the whole garden empty. Everyone had gone long ago, and he went himself with a rather hurried apology. He left with a sense of champagne in his head, which he could not afterwards explain. In the wild events which were to follow, this girl had no part at all; he never saw her again until all his tale was over. And yet, in some indescribable way, she kept recurring like a motive in music through all his mad adventures afterwards, and the glory of her strange hair ran like a red thread through those dark and ill-drawn tapestries of the night. For what followed was so improbable that it might well have been a dream.
”
”
G.K. Chesterton (The Man Who Was Thursday: A Nightmare)
“
Only a hundred years ago the idea that an order might arise without a personal Author appeared so nonsensical to you that it inspired seemingly absurd jokes, like the one about the pack of monkeys hammering away at typewriters until the Encyclopedia Britannica emerged. I recommend that you devote some of your free time to compiling an anthology of just such jokes, which amused your forebears as pure nonsense but now turn out to be parables of Nature.
”
”
Stanisław Lem (Imaginary Magnitude)
“
I am not a joke. I am not a riddle! I am not a bird or a cat or a penguin! I'm not a scarecrow or a plant or a puppet! I am not your broken friend! I am not your regretful teacher! I am not a child's fairy tale! I am not a circus act here to amuse and frighten you! I am not another one of your madmen howling at the moon! And I...I am not...I am not some rich boy playing dress-up! I AM BANE!
”
”
Tom King (Batman, Vol. 3: I Am Bane)
“
As to your sister, she is quite a peach, is she not? You have been hiding her from me.”
Lady Maccon would not be goaded. “Really, Channing, she is practically”—she paused to do some calculations—“one-twentieth your age. Or worse. Don’t you want some maturity in your life?”
“Good God, no!”
“Well, how about some human decency?”
“Now you’re just being insulting.” Alexia huffed in amusement.
Channing raised blond eyebrows at her, handsome devil that he was. “Ah, but this is what I enjoy so much about immortality. The decades may pass for me, but the ladies, well, they will keep coming along all young and beautiful, now, won’t they?”
“Channing, someone should lock you away.”
“Now, Lady Maccon, that transpires tomorrow night, remember?
”
”
Gail Carriger (Heartless (Parasol Protectorate, #4))
“
He stared to sea. "I gave up all ideas of practicing medicine. In spite of what I have just said about the wave and the water, in those years in France I am afraid I lived a selfish life. That is, I offered myself every pleasure. I traveled a great deal. I lost some money dabbling in the theatre, but I made much more dabbling on the Bourse. I gained a great many amusing friends, some of whom are now quite famous. But I was never very happy. I suppose I was fortunate. It took me only five years to discover what some rich people never discover — that we all have a certain capacity for happiness and unhappiness. And that the economic hazards of life do not seriously affect it.
”
”
John Fowles (The Magus)
“
He surveyed me, his eyes half closed, as if wondering if I were a delicious snack. I had an image of a massive dragon circling me slowly, eyes full of magic fixed on me as he moved, considering if he should bite me in half.
“Dragons.” Rogan snapped his fingers.
Oh crap.
“I wondered why I kept getting dragons around you.” He leaned forward. His eyes lit up, turning back to their clear sky blue. “You think I’m a dragon.”
“Don’t be ridiculous.” My face felt hot. I was probably blushing. Damn it.
His smile went from amused to sexual, so charged with promise that carnal was the only way to describe it. I almost bolted out of my chair.
“Big powerful scary dragon.”
“You have delusions of grandeur.”
“Do I have a lair? Did I kidnap you to it from your castle?”
I stared straight at him, trying to frost my voice. “You have some strange fantasies, Rogan. You may need professional help.”
“Would you like to volunteer?”
“No. Besides, dragons kidnap virgins, so I’m out.” And why had I just told him I was not a virgin? Why did I even go there?
“It doesn’t matter if I’m the first. It only matters that I’ll be the last.”
“You won’t be the first, the last, or anything in between. Not in a million years.”
He laughed.
“Rogan,” I ground out through my teeth. “I’m on the clock. My client is in the next room mourning his wife. Stop flirting with me.”
“Stop? I haven’t even started.
”
”
Ilona Andrews (White Hot (Hidden Legacy, #2))
“
Curiouser and curiouser."
Startled,I glanced at him. "I say that sometimes."
Even with his face tight with worry, Dad managed to look a little amused. "It's from Alice in Wonderland. Appropriate, don't you think?"
Yeah,except that our rabbit hole was a heck of a lot darker,I thought.
I pretended to study the bookcase in the far corner. I'd expected boring books about Prodigium history or shifter economy, and there were a few of those, but I also noticed some recent fiction, as well as several Roald Dahl books. Dad went up in my estimation another notch.
”
”
Rachel Hawkins (Demonglass (Hex Hall, #2))
“
I could feel the warmth of the dog through my nightgown; I must have gotten hot during the night and thrown off the sheet. I drowsily patted the animal's head and began to stroke his fur, my fingers running idly through the thick hair. He wriggled even closer, sniffed my face, put his arm around me.
His *arm*?
I was off the bed and shrieking in one move.
In my bed, Sam propped himself on his elbows, sunny side up, and looked at me with some amusement.
"Oh, ohmyGod! Sam, how'd you get here? What are you doing? Where's Dean?" I covered my face with my hands and turned back, but I'd certainly seen all there was to see of Sam.
"Woof," said Sam, from a human throat, and the truth stomped over me in combat boots.
I whirled back to face him, so angry I felt like I was going to blow a gasket.
"You watched me undress last night, you ... you ... damn dog!
”
”
Charlaine Harris (Dead Until Dark (Sookie Stackhouse, #1))
“
And, maybe, I will die tomorrow! . . . And not one being on this earth will have ever understood me totally. Some thought of me as worse, some as better, than I actually am . . . Some will say “he was a good fellow,” others will say I was a swine. Both one and the other would be wrong.
Given this, does it seem worth the effort to live? And yet, you live, out of curiosity, always wanting something new . . . Amusing and vexing!
”
”
Mikhail Lermontov (A Hero of Our Time)
“
Some people assume that authors write books because we have vivid imaginations and want to share our vision. Other people assume that authors write because we are bursting with stories, and therefore must scribble those stories down in moments of creative propondidty. Both groups of people are completely wrong. Authors write books for one, and only one, reason: because we like to torture people. Now, actual torture is frowned upon in civilized society. Fortunately, the authorial community has discovered in storytelling an even more powerful—and more fulfilling—means of causing agony in others. We write stories. And by doing so, we engage in a perfectly legal method of doing all kinds of mean and terrible things to our readers. Take, for instance, the word I used above. Propondidty. There is no such word—I made it up. Why? Because it amused me to think of thousands of readers looking up a cromulent word in their dictionaries.
”
”
Brandon Sanderson (Alcatraz (Alcatraz, #1-4))
“
Besides," said Kennedy, "the time when industry gets a grip of everything and uses it to its own advantage may not be particularly amusing. If men go on inventing machinery they'll end up by being swallowed by their own machines. I've always thought that the last day will be brought about by some colossal boiler heated to three thousand atmospheres blowing up the world."
"And I bet the Yankees will have had a hand in it," said Joe.
”
”
Jules Verne (Five Weeks in a Balloon)
“
He touches his thumb to my cheek and his wonderful vibrations tune through me like the strumming of a harp. “I love you, Skyla. In time you will feel the same.” I catch my breath and hold it, not sure how to respond. A part of me knows this is real. A part of me already has a very special place in my heart for Marshall. And although I’m terribly afraid to admit it, the thought of making love to him has been playing out in the recesses of my darkest fantasies for some time now.
“Really?” His brows arch in amusement. Shit.
”
”
Addison Moore
“
My writing, on the other hand, is always done with my readers in mind. I never write for my own amusement. I always try to put across an idea that I feel is important, in the most easily readable form I can manage. This has annoyed some of my academic colleagues, who feel that I am oversimplifying my subject, but I argue that at least my writings are widely read, while theirs stay firmly within the confines of their academic ivory towers. And I always work with one special rule in mind: simplification without distortion. This is, in fact, much harder than the usual self-indulgent academic writing.
”
”
Desmond Morris
“
One day, it will all make sense, it will all be revealed. Until then, we learn to live and accept our shadows, our Déjà vu's, our dreams, our intuition that takes us to places that our minds never conceived, our bodies only perceived and our souls gladly remembered. Conversations and experiences amuse me, for I am experimenting with my feelings in ways that I can only do down here. Language makes up for a very interesting, yet bizarre way of putting thoughts into spoken form for the sound to move on in other peoples' ears, but every language, every sound, every word carries with it a long history, a deep culture and the souls of the many people who have previously used it throughout the centuries. Our hearts give us direction, hope and the passion to keep moving forward.. But what we do when they're frozen, broken, torn apart by an unhealthy way of living is what gives us new strength to push forward or kills us completely. Deep inside, we feed the entities that empower the fight between our internal demons and angels. We feed them with our thoughts, our emotions, our self-talk and the external talk that we lower our shields to at times. Whether good or bad, this brings about a change internally and at times there isn't much we can do to protect ourselves. At times, we need to let things be and go along with it. Of course, we're all worried, stressed, confused and lacking direction at times and we're in the same way at peace, stable and walking in the right direction once we get things sorted. Give it some time, give it some light, give it some love. You're not very far away.
”
”
Virgil Kalyana Mittata Iordache
“
I was born in a village in the northeast, and it wasn’t until I was quite big that I saw my first train. I climbed up and down the station bridge, quite unaware that its function was to permit people to cross from one track to another. I was convinced that the bridge had been provided to lend an exotic touch and to make the station premises a place of pleasant diversity, like some foreign playground. I remained under this delusion for quite a long time, and it was for me a very refined amusement indeed to climb up and down the bridge. I thought that it was one of the most elegant services provided by the railways. When later I discovered that the bridge was nothing more than a utilitarian device, I lost all interest in it.
Again, when as a child I saw photographs of subway trains in picture books, it never occurred to me that they had been invented out of practical necessity; I could only suppose that riding underground instead of on the surface must be a novel and delightful pastime.
I have been sickly ever since I was a child and have frequently been confined to bed. How often as I lay there I used to think what uninspired decorations sheets and pillow cases make. It wasn’t until I was about twenty that I realized that they actually served a practical purpose, and this revelation of human dullness stirred dark depression in me.
”
”
Osamu Dazai (No Longer Human)
“
Could you unfreeze him now, please?"
Magnus looked amused. "I was surprised when I got Sebastian's message this morning," he said, "Saying he was doing a favor for you, no less. How did you wind up meeting him?"
"He's a cousin of some friends of the Lightwoods or something. He's nice. I promise."
"Nice, bah. He's gorgeous." Magnus gazed dreamily in his direction. "You should leave him here. I could hang hats on him and things.
”
”
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
“
Niphon, standing with a glass of wine, regarded me with curious amusement as I headed straight for him.Considering I usually avoided him if it all possible, my approach undoubtedly astonished him.
But not as much as when I punched him.
I didn’t even need to shape-shift much bulk into my fist. I’d caught him by surprise. The wineglass fell out of his hand, hitting the carpet and spilling its contents like blood. The imp flew backward, hitting Peter’s china cabinet with a crash. Niphon slumped to the floor, eyes wide with shock. I kept coming. Kneeling, I grabbed his designer shirt and jerked him toward me.
“Stay the fuck out of my life, or I will destroy you,” I hissed.
Terror filled his features. “Are you out of your fucking mind? What do you—” Suddenly, the fear disappeared. He started laughing. “He did it, didn’t he? He broke up with you. I didn’t know if he could do it, even after giving him the spiel about how it’d be better for both of you. Oh my. This is lovely. All your so-called charms weren’t enough to—ahh!”
I’d pulled him closer to me, digging my nails into him, and finally, I felt an emotion. Fury. Niphon’s role had been greater than I believed. My face was mere inches from his.
“Remember when you said I was nothing but a backwoods girl from some gritty fishing village? You were right. And I had to survive in gritty circumstances—in situations you’d never be able to handle. And you know what else? I spent most of my childhood gutting fish and other animals.” I ran a finger down his neck. “I can do it for you too. I could slit you from throat to stomach. I could rip you open, and you’d scream for death. You’d wish you weren’t immortal. And I could do it over and over again.”
That wiped the smirk off Niphon’s face.
”
”
Richelle Mead (Succubus Dreams (Georgina Kincaid, #3))
“
I am sorry, Miss Grey, you should think it necessary to interfere with Master Bloomfield's amusements; he was very much distressed about you destroying the birds.'
'When Master Bloomfield's amusements consist in injuring sentient creatures,' I answered, 'I think it my duty to interfere.'
'You seemed to have forgotten,' said she, calmly, 'that the creatures were all created for our convenience.'
I thought that doctrine admitted some doubt, but merely replied - 'If they were, we have no right to torment them for our amusement.
”
”
Anne Brontë (Agnes Grey)
“
Boy everyone in this country is running around yammering about their fucking rights. "I have a right, you have no right, we have a right."
Folks I hate to spoil your fun, but... there's no such thing as rights. They're imaginary. We made 'em up. Like the boogie man. Like Three Little Pigs, Pinocio, Mother Goose, shit like that. Rights are an idea. They're just imaginary. They're a cute idea. Cute. But that's all. Cute...and fictional. But if you think you do have rights, let me ask you this, "where do they come from?" People say, "They come from God. They're God given rights." Awww fuck, here we go again...here we go again.
The God excuse, the last refuge of a man with no answers and no argument, "It came from God." Anything we can't describe must have come from God. Personally folks, I believe that if your rights came from God, he would've given you the right for some food every day, and he would've given you the right to a roof over your head. GOD would've been looking out for ya. You know that.
He wouldn't have been worried making sure you have a gun so you can get drunk on Sunday night and kill your girlfriend's parents.
But let's say it's true. Let's say that God gave us these rights. Why would he give us a certain number of rights?
The Bill of Rights of this country has 10 stipulations. OK...10 rights. And apparently God was doing sloppy work that week, because we've had to ammend the bill of rights an additional 17 times. So God forgot a couple of things, like...SLAVERY. Just fuckin' slipped his mind.
But let's say...let's say God gave us the original 10. He gave the british 13. The british Bill of Rights has 13 stipulations. The Germans have 29, the Belgians have 25, the Sweedish have only 6, and some people in the world have no rights at all. What kind of a fuckin' god damn god given deal is that!?...NO RIGHTS AT ALL!? Why would God give different people in different countries a different numbers of different rights? Boredom? Amusement? Bad arithmetic? Do we find out at long last after all this time that God is weak in math skills? Doesn't sound like divine planning to me. Sounds more like human planning . Sounds more like one group trying to control another group. In other words...business as usual in America.
Now, if you think you do have rights, I have one last assignment for ya. Next time you're at the computer get on the Internet, go to Wikipedia. When you get to Wikipedia, in the search field for Wikipedia, i want to type in, "Japanese-Americans 1942" and you'll find out all about your precious fucking rights. Alright. You know about it.
In 1942 there were 110,000 Japanese-American citizens, in good standing, law abiding people, who were thrown into internment camps simply because their parents were born in the wrong country. That's all they did wrong. They had no right to a lawyer, no right to a fair trial, no right to a jury of their peers, no right to due process of any kind. The only right they had was...right this way! Into the internment camps.
Just when these American citizens needed their rights the most...their government took them away. and rights aren't rights if someone can take em away. They're priveledges. That's all we've ever had in this country is a bill of TEMPORARY priviledges; and if you read the news, even badly, you know the list get's shorter, and shorter, and shorter.
Yeup, sooner or later the people in this country are going to realize the government doesn't give a fuck about them. the government doesn't care about you, or your children, or your rights, or your welfare or your safety. it simply doesn't give a fuck about you. It's interested in it's own power. That's the only thing...keeping it, and expanding wherever possible.
Personally when it comes to rights, I think one of two things is true: either we have unlimited rights, or we have no rights at all.
”
”
George Carlin (It's Bad for Ya)
“
America, is there lipstick on my teeth?" Zoe asked. I turned to my left and found her smiling maniacally, exposing all her pearly whites.
"No, you're good," I answered, seeing out of the corner of my eye that Marlee was nodding in confirmation.
"Thanks. How is he so calm?" Zoe asked, pointing over at Maxon, who was talking to a member of the crew. She then bent down and put her head between her legs and started doing controlled breathing.
Marlee and I looked at each other, eyes wide with amusement, and tried not to laugh. It was hard if we looked at Zoe, so we surveyed the room and chatted about what others were wearing. There were several girls in seductive reds and lively greens, but no one else in blue. Olivia had gone so far as to wear orange. I'd admit that I didn't know that much about fashion, but Marlee and I both agreed that someone should have intervened on her behalf. The color made her skin look kind of green.
Two minutes before the cameras turned on, we realized it wasn't the dress making her look green. Olivia vomited into the closest trash can very loudly and collapsed on the floor. Silvia swooped in, and a fuss was made to wipe the sweat off her and get her into a seat. She was placed in the back row with a small receptacle at her feet, just in case.
Bariel was in the seat in front of her. I couldn't hear what she muttered to the poor girl from where I was, but it looked like Bariel was prepared to injure Olivia should she have another episode near her.
I guessed that Maxon had seen or heard some of the commotion, and I looked over to see if he was having any sort of reaction to it all. But he wasn't looking toward the disturbance; he was looking at me. Quickly-so quickly it would look like nothing but scratching an itch to anyone else-Maxon reached up and tugged on his ear. I repeated the action back, and we both turned away.
I was excited to know that tonight, after dinner, Maxon would be stopping by my room.
”
”
Kiera Cass (The Selection (The Selection, #1))
“
Imagination is not, as some poets have thought, simply synonymous with good. It may be either good or evil. As long as art remained primarily mimetic, the evil which imagination could do was limited by nature. Again, as long as it was treated as an amusement, the evil which it could do was limited in scope. But in an age when the connection between imagination and figuration is beginning to be dimly realized, when the fact of the directionally creator relation is beginning to break through into consciousness, both the good and the evil latent in the working of imagination begin to appear unlimited. We have seen in the Romantic movement an instance of the way in which the making of images may react upon the collective representations. It is a fairly rudimentary instance, but even so it has already gone beyond the dreams and responses of a leisured few. The economic and social structure of Switzerland is noticeably affected by its tourist industry, and that is due only in part to increased facilities of travel. It is due not less to the condition that (whatever may be said about their ‘particles’) the mountains which twentieth-century man sees are not the mountains which eighteenth-century man saw.
It may be objected that this is a very small matter, and that it will be a long time before the imagination of man substantially alters those appearances of nature with which his figuration supplies him. But then I am taking the long view. Even so, we need not be too confident. Even if the pace of change remained the same, one who is really sensitive to (for example) the difference between the medieval collective representations and our own will be aware that, without traveling any greater distance than we have come since the fourteenth century, we could very well move forward into a chaotically empty or fantastically hideous world. But the pace of change has not remained the same. It has accelerated and is accelerating.
We should remember this, when appraising the aberrations of the formally representational arts. Of course, in so far as these are due to affectation, they are of no importance. But in so far as they are genuine, they are genuine because the artist has in some way or other experienced the world he represents. And in so far as they are appreciated, they are appreciated by those who are themselves willing to make a move towards seeing the world in that way, and, ultimately therefore, seeing that kind of world. We should remember this, when we see pictures of a dog with six legs emerging from a vegetable marrow or a woman with a motorbicycle substituted for her left breast.
”
”
Owen Barfield
“
B-but, Mr Jimson, I w-want to be an artist.'
'Of course you do,' I said, 'everybody does once. But they get over it, thank God, like the measles and the chickenpox. Go home and go to bed and take some hot lemonade and put on three blankets and sweat it out.'
'But Mr J-Jimson, there must be artists.'
'Yes, and lunatics and lepers, but why go and live in an asylum before you're sent for? If you find life a bit dull at home,' I said, 'and want to amuse yourself, put a stick of dynamite in the kitchen fire, or shoot a policeman. Volunteer for a test pilot, or dive off Tower Bridge with five bob's worth of roman candles in each pocket. You'd get twice the fun at about one-tenth of the risk.
”
”
Joyce Cary (The Horse's Mouth)
“
A tick of amusement flashed in Tomas’ eyes. “I can see you are not quite comfortable with leaving your quarters just yet, so may I order you some food?” Helena lifted her chin. She was determined to bury her fear, and that included her wobbly knees that seemed to recognize she was talking to a lion who, under normal circumstances, viewed her as a tasty gazelle. “Sausage Pizza and…Dr. Pepper.” Tomas stared for several moments, fear filling his eyes. “I am certain we can find you a pizza, but I was not aware you are ill and require a doctor. Niccolo will have my head.” This was going to be a very, very long day.
”
”
Mimi Jean Pamfiloff (Accidentally Married to...a Vampire? (Accidentally Yours, #2))
“
Space, let me repeat, is enormous. The average distance between stars out there is 20 million million miles. Even at speeds approaching those of light, these are fantastically challenging distances for any traveling individual. Of course, it is possible that alien beings travel billions of miles to amuse themselves by planting crop circles in Wiltshire or frightening the daylights out of some poor guy in a pickup truck on a lonely road in Arizona (they must have teenagers, after all), but it does seem unlikely.
”
”
Bill Bryson (A Short History of Nearly Everything)
“
The majority of people spoil their lives by an unhealthy and exaggerated altruism – are forced, indeed, so to spoil them. They find themselves surrounded by hideous poverty, by hideous ugliness, by hideous starvation. It is inevitable that they should be strongly moved by all this. The emotions of man are stirred more quickly than man’s intelligence; and, as I pointed out some time ago in an article on the function of criticism, it is much more easy to have sympathy with suffering than it is to have sympathy with thought. Accordingly, with admirable, though misdirected intentions, they very seriously and very sentimentally set themselves to the task of remedying the evils that they see. But their remedies do not cure the disease: they merely prolong it. Indeed, their remedies are part of the disease.
They try to solve the problem of poverty, for instance, by keeping the poor alive; or, in the case of a very advanced school, by amusing the poor.
But this is not a solution: it is an aggravation of the difficulty. The proper aim is to try and reconstruct society on such a basis that poverty will be impossible. And the altruistic virtues have really prevented the carrying out of this aim. Just as the worst slave-owners were those who were kind to their slaves, and so prevented the horror of the system being realised by those who suffered from it, and understood by those who contemplated it, so, in the present state of things in England, the people who do most harm are the people who try to do most good; and at last we have had the spectacle of men who have really studied the problem and know the life – educated men who live in the East End – coming forward and imploring the community to restrain its altruistic impulses of charity, benevolence, and the like. They do so on the ground that such charity degrades and demoralises. They are perfectly right. Charity creates a multitude of sins.
”
”
Oscar Wilde (The Soul of Man Under Socialism, the Socialist Ideal Art, and the Coming Solidarity. by Oscar Wilde, William Morris, W.C. Owen)
“
Gavin turned us to face Josh, a satisfied grin springing up when he noticed the condition of Josh’s clothes.
“Thanks for the last-minute invitation, man.” Josh chuckled, patting Gavin on the shoulder. “Shall I do the honors, Mr. Suave?”
“Sure thing, Frodo Baggins. By the way, I hear the Shire has impeccable dinner parties this time of year.” The corners of Gavin’s lips twitched and his eyebrows shot up as he gestured to a food stain of some sort near the collar of Josh’s white shirt.
Josh’s chin shot down to follow Gavin’s amusement and he quickly tried to wipe away the crumbs. “Yeah, well … you know how we hobbits like to eat.
”
”
Rachael Wade (The Gates (Resistance, #2))
“
You alarm me!' said the King. 'I feel faint—Give me a ham sandwich!'
On which the Messenger, to Alice's great amusement, opened a bag that hung round his neck, and handed a sandwich to the King, who devoured it greedily.
'Another sandwich!' said the King.
'There's nothing but hay left now,' the Messenger said, peeping into the bag.
'Hay, then,' the King murmured in a faint whisper.
Alice was glad to see that it revived him a good deal. 'There's nothing like eating hay when you're faint,' he remarked to her, as he munched away.
'I should think throwing cold water over you would be better,' Alice suggested: 'or some sal-volatile.'
'I didn't say there was nothing better,' the King replied. 'I said there was nothing like it.' Which Alice did not venture to deny.
”
”
Lewis Carroll (Through the Looking-Glass and What Alice Found There (Alice's Adventures in Wonderland, #2))
“
At first he found it amusing. He coined a law intended to have the humor of a Parkinson’s law that "The number of rational hypotheses
that can explain any given phenomenon is infinite." It pleased him never to run out of hypotheses. Even when his experimental work
seemed dead-end in every conceivable way, he knew that if he just sat down and muddled about it long enough, sure enough, another
hypothesis would come along. And it always did. It was only months after he had coined the law that he began to have some doubts
about the humor or benefits of it.
If true, that law is not a minor flaw in scientific reasoning. The law is completely nihilistic. It is a catastrophic logical disproof of the
general validity of all scientific method!
If the purpose of scientific method is to select from among a multitude of hypotheses, and if the number of hypotheses grows faster
than experimental method can handle, then it is clear that all hypotheses can never be tested. If all hypotheses cannot be tested, then the
results of any experiment are inconclusive and the entire scientific method falls short of its goal of establishing proven knowledge
”
”
Robert M. Pirsig (Zen and the Art of Motorcycle Maintainance)
“
Moreover, we have seen enough by now to know that technological changes in our modes of communication are even more ideology-laden than changes in our modes of transportation. Introduce the alphabet to a culture and you change its cognitive habits, its social relations, its notions of community, history and religion. Introduce the printing press with movable type, and you do the same. Introduce speed-of-light transmission of images and you make a cultural revolution. Without a vote. Without polemics. Without guerrilla resistance. Here is ideology, pure if not serene. Here is ideology without words, and all the more powerful for their absence. All that is required to make it stick is a population that devoutly believes in the inevitability of progress. And in this sense, all Americans are Marxists, for we believe nothing if not that history is moving us toward some preordained paradise and that technology is the force behind that movement.
”
”
Neil Postman (Amusing Ourselves to Death: Public Discourse in the Age of Show Business)
“
Is she pleasing to the eye?"
Gabriel went to an inset sideboard to pour himself a brandy. "She's bloody ravishing," he muttered.
Looking more and more interested, his father asked, "What is the problem with her, then?"
"She's a perfect little savage. Constitutionally incapable of guarding her tongue. Not to mention peculiar: She goes to balls but never dances, only sits in the corner. Two of the fellows I went drinking with last night said they'd asked her to waltz on previous occasions. She told one of them that a carriage horse had recently stepped on her foot, and she told the other that the butler had accidentally slammed her leg in the door." Gabriel took a swallow of brandy before finishing grimly, "No wonder she's a wallflower."
Sebastian, who had begun to laugh, seemed struck by that last comment. "Ahhh," he said softly. "That explains it." He was silent for a moment, lost in some distant, pleasurable memory. "Dangerous creatures, wallflowers. Approach them with the utmost caution. They sit quietly in corners, appearing abandoned and forlorn, when in truth they're sirens who lure men to their downfall. You won't even notice the moment she steals the heart right out of your body- and then it's hers for good. A wallflower never gives your heart back."
"Are you finished amusing yourself?" Gabriel asked, impatient with his father's flight of fancy. "Because I have actual problems to deal with."
Still smiling, Sebastian reached for some chalk and applied it to the tip of his cue stick. "Forgive me. The word makes me a bit sentimental.
”
”
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
“
She reached for the milk and honey soap, then poured it into the puff, but when she started washing him with it, he chuckled.
“Uh, sweetheart?”
“Hmm?” Candice mumbled as she stared at some interesting spot on his arm.
“Real men don’t use puffs,” he said, amused and turned on by having Candice’s undivided attention.
She finally managed to drag her gaze away from his forearm and stared at him as if he’d lost his mind. “You can’t be serious?” When he only shrugged, she rolled her eyes. “What does it matter what I use, so long as you’re clean?”
“It matters, believe me.” Blade knew he sounded absurd but he couldn’t help it. It was bad enough he’d let her put bandages on a few measly cuts; if word got out he’d let her use a peach-colored puff and milk-and-honey bath soap he’d never hear the end of it.
A man had to put his foot down somewhere.
”
”
Anne Rainey (Tasting Candy (Vaughn, #2))
“
Well, fuck a duck,” comes Morris’s delighted voice.
I jerk in surprise, then spin around to glare at him for sneaking up on me from behind. Judging by the amusement dancing in his eyes, it’s obvious he peeked over my shoulder and caught a glimpse of the photo I’d been drooling over.
“I was wondering how he’d pull that one off,” Morris remarks, still grinning like a fool. “Shouldn’t have doubted him, though. That dude is an unstoppable force of nature.”
I narrow my eyes. “He told you about the picture?”
“About the whole list, actually. We hung out last night—Lorris is close to taking over Brooklyn, by the way—and he was moaning and groaning about not being able to track down a red velvet couch.” Morris shrugs. “I offered to throw a red blanket on the sofa in my common room and take some pictures, but he said you’d consider that cheating and deprive him of your love.”
Stifling a sigh, I shove the phone in my purse, then walk over to the mini-fridge across the room and grab a bottle of water. I twist off the cap, doing my best to ignore the sheer enjoyment Morris is getting out of this.
“I wish I was gay,” he says ruefully.
A snicker pops out. “Uh-huh. Go on. I’m willing to follow you down this rabbit hole and see where it leads.”
“Seriously, Gretch, I love him. I have a boner for him.” Morris sighs. “If I’d known he existed, I wouldn’t have asked you out in the first place.”
“Gee, thanks.”
“Oh, shut up. You’re awesome, and I’d tap that in a second. But I can’t compete with this guy. He’s operating on a whole other level when it comes to you.
”
”
Elle Kennedy (The Mistake (Off-Campus, #2))
“
Another sliver of smile. “But the thing is, none of those kids knew what was going on at home. What Audrey was dealing with. Just like I didn’t know what they were dealing with. Most people aren’t mean for no reason, you know? Stuff’s going on with them too.” “Alice,” he says, softly chiding. “Some people are just assholes.” “I know,” I say. “Some. Not most.” This time, his amusement takes the form of a quiet huff. “What?” I say. “I just…” I can see the wheels turning as he considers his next words. “You might be the least cynical person I’ve ever met. I’m not sure I’ve ever known anyone like you.” I narrow my eyes. “You mean I’m naive.” “No, Alice,” he replies. “If that’s what I meant, then that’s what I would’ve said.
”
”
Emily Henry (Great Big Beautiful Life)
“
And here in this other realm she looms over him, vast and sprawling, wildly patchwork and dense. Not just older and bigger. Stronger in many ways: her arms and core are thick with muscled neighborhoods that each have their own rhythms and reputations. Williamsburg, Hasidim enclave and artist haven turned hipster ground zero. Bed Stuy (do or die). Crown Heights, where now the only riots are over seats at brunch. Her jaw is tight with the stubborn ferocity of Brighton Beach's old mobsters and the Rockaways' working-class holdouts against the brutal inevitability of rising seas. But there are spires at Brooklyn's heart, too- perhaps not as grand as his own, and maybe some of hers are actually the airy, fanciful amusement-park towers of Coney Island- but all are just as shining, just as sharp.
”
”
N.K. Jemisin (The City We Became (Great Cities, #1))
“
Only one comment seemed to perfectly fit her current situation. “I see dead people.”
He leaned forward hands on his hips. “Me too. It’s the only explanation for what’s standing in front of me. Unless some high school kids broke into the anatomy closet and stole the classroom skeleton, stretched some cadaver skin over that bitch then cast an ancient ritual to animate it.” She laughed. For as much as she now disliked the bastard she had to admit he was amusing. “Did they do the same to that shit you’re wearing? You do realize it’s 2008 right?” She raised a hand. “Wait let me see if I can reach you using your own language. You do ken ‘tis year of our Lord two thousand and eight aye?
”
”
Jennifer Turner (Eternal Seduction (A Darkness Within, #1))
“
How often does it occur that information provided you on morning radio or television, or in the morning newspaper, causes you to alter your plans for the day, or to take some action you would not otherwise have taken, or provides insight into some problem you are required to solve? For most of us, news of the weather will sometimes have consequences; for investors, news of the stock market; perhaps an occasional story about crime will do it, if by chance it occurred near where you live or involved someone you know. But most of our daily news is inert, consisting of information that gives us something to talk about but cannot lead to any meaningful action...You may get a sense of what this means by asking yourself another series of questions: What steps do you plan to take to reduce the conflict in the Middle East? Or the rates of inflation, crime and unemployment? What are your plans for preserving the environment or reducing the risk of nuclear war? What do you plan to do about NATO, OPEC, the CIA, affirmative action, and the monstrous treatment of the Baha’is in Iran? I shall take the liberty of answering for you: You plan to do nothing about them. You may, of course, cast a ballot for someone who claims to have some plans, as well as the power to act. But this you can do only once every two or four years by giving one hour of your time, hardly a satisfying means of expressing the broad range of opinions you hold. Voting, we might even say, is the next to last refuge of the politically impotent. The last refuge is, of course, giving your opinion to a pollster, who will get a version of it through a desiccated question, and then will submerge it in a Niagara of similar opinions, and convert them into—what else?—another piece of news. Thus, we have here a great loop of impotence: The news elicits from you a variety of opinions about which you can do nothing except to offer them as more news, about which you can do nothing.
”
”
Neil Postman (Amusing Ourselves to Death: Public Discourse in the Age of Show Business)
“
For me that's the only way of understanding a particular term that everyone here bandies about quite happily, but which clearly can't be quite that straight forward because it doesn't exist in many languages, only in Italian and Spanish, as far as I know, but then again, I don't know that many languages. Perhaps in German too, although I can't be sure: el enamoramiento--the state of falling or being in love, or perhaps infatuation. I'm referring to the noun, the concept; the adjective, the condition, are admittedly more familiar, at least in French, although not in English, but there are words that approximate that meaning ... We find a lot of people funny, people who amuse and charm us and inspire affection and even tenderness, or who please us, captivate us, and can even make us momentarily mad, we enjoy their body and their company or both those things, as is the case for me with you and as I've experienced before with other women, on other occasions, although only a few. Some become essential to us, the force of habit is very strong and ends up replacing or even supplanting almost everything else. It can supplant love, for example, but not that state of being in love, it's important to distinguish between the two things, they're easily confused, but they're not the same ... It's very rare to have a weakness, a genuine weakness for someone, and for that someone to provoke in us that feeling of weakness.
”
”
Javier Marías (Los enamoramientos)
“
When John took those naked pictures, the most popular singer was a girl with a tiny stick body and a large deferential head, who sang in a delicious lilt of white lace and promises and longing to be close. When she shut herself up in her closet and starved herself to death, people were shocked. But starvation was in her voice all along. That was the poignancy of it. A sweet voice locked in a dark place, but focused entirely on the tiny strip of light coming under the door.
I drop the rag in the bucket and smoke some more, ashing into the sink,. A tiny piece of the movie from the naked time plays on my eyeball: A psychotic killer is blowing up amusement parks. At the head of the crowd clamoring to ride the roller coaster is a slim, lovely man with long blond hair and floppy clothes and big, beautiful eyes fixed on a tiny strip of light that only he can see.
”
”
Mary Gaitskill
“
While on the one hand," he said, "our most prominent scientists, the inexhaustible heroes of this perennial confusion, have finally and somewhat unfortunately extricated themselves from the metaphor of godhead, they have immediately fallen into the trap of regarding this oppressive history as some kind of triumphant march, a supernatural progress following, what they call, the victory of 'will and intellect', and though, as you know, I am no longer capable of being the least surprised by this, I must confess to you I still cannot understand why it should be the cause of such universal celebration for them that we have climbed out of the trees. Do they think it's good like this? I find nothing amusing in it. Furthermore it doesn't fit us properly: you only have to consider how long, even after thousands of years of practice, we can keep going on two legs. Half a day, my dear friend, and we shouldn't forget it.
”
”
László Krasznahorkai (The Melancholy of Resistance)
“
I told them you’d take it like this,” said Hermione with a hint of complacency.
“If you think I’m going to let six people risk their lives--!”
“--because it’s the first time for all of us,” said Ron.
“This is different, pretending to be me--”
“Well, none of us really fancy it, Harry,” said Fred earnestly. “Imagine if something went wrong and we were stuck as specky, scrawny gits forever.”
Harry did not smile.
“You can’t do it if I don’t cooperate, you need me to give you some hair.”
“Well, that’s that plan scuppered,” said George. “Obviously there’s no chance at all of us getting a bit of your hair unless you cooperate.”
“Yeah, thirteen of us against one bloke who’s not allowed to use magic; we’ve got no chance,” said Fred.
“Funny,” said Harry, “really amusing.
”
”
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
“
GOD. Sometimes I think there might be a god out there, and that every once in a while he tunes in to see what we're up to, and have a good laugh at how we like to dress him up in various costume. Robes, thorny crowns, yarmulkes and curls, saris and butt-hugging yoga pants. Male, female, a genderless reincarnation factory; a Mother Earth or a withholding Father Christmas. I would think it would amuse the hell out of him. That we're all idolaters, worshiping figments of our own creation who bear no resemblance to him.
Maybe he's sitting in some alternate dimension somewhere, saying, 'Shit, I didn't even create the world! I was just cooking my dinner, not paying attention to the heat, and suddenly here was this big band and a few hours later, a bunch of dinosaurs...
”
”
Suzanne Morrison (Yoga Bitch: One Woman's Quest to Conquer Skepticism, Cynicism, and Cigarettes on the Path to Enlightenment)
“
I understand it was Derian who spoiled everything. He purposefully tainted your view of me and forced you to go along with him. I know none of what happened was your idea or your desire, Eena.”
She didn’t bother getting up, but spoke from her curled position. Her voice was weak, still heavy with despair. “Derian didn’t force me to do anything.”
“But had he not influenced you, we would be enjoying a pleasant dinner again, telling stories and laughing. I’m sure that would be the case. You would be happy… and so would I.”
Eena chuckled briefly without amusement.
“You must admit we shared some enjoyable evenings, didn’t we? There’s really no reason we can’t put this whole mess behind us and start from where we left off.” He sounded genuinely serious.
“You forget,” she reminded him, “I overheard your conversation with the Ghengats. This isn’t about Derian, it’s about you.”
“Alright,” he admitted, sighing a sound of acquiescence, “so I’m not everything you’d hoped for. But really, what man can ever live up to a woman’s terribly high expectations?”
This got her attention. She almost stood up to face him, but decided it wasn’t worth the effort. Leaning forward, she retorted, “Expecting a man to respect you, to be honest with you, and, oh yes, to not be a shameless murderer—I don’t think those are overly high expectations!”
He shrugged, casually excusing his faults. “Nobody’s perfect.”
“What do you want?” she finally asked with exasperation.
He squatted to her level to state his desire. “I want you.”
The expression on his face—the look in his weary blue eyes—appeared strangely sincere. But there was one thing Eena had learned from all of this: never trust a master of deceit.
”
”
Richelle E. Goodrich (Eena, The Dawn and Rescue (The Harrowbethian Saga #1))
“
I'll buy you a blow-up doll. I'm sure my mate won't mind when I explain how hard up you are."
She didn't bother to punch him this time, just glared with promise of future retaliation. "Very funny. You wouldn't be laughing if you knew how sexually frustrated I am right now." [...] "The last time was when that SilverBlade sentinel was in town for a communications meeting."
All amusement left Dorian's face. "You serious? That was months ago." A very long time to go without intimate touch. "Merce, that could get dangerous."
"I know. Do you think I don't know?" She thrust her hands through her hair. "Damn it Dorian! It's getting to the point where I'm starting to wonder if some of the wolves would be good in bed. [...]
"Cat and wolf isn't a ... um ... normal combination."
"And Psy and cat is?" She made a face at him. "Yeah, yeah I know. Cat and wolf is strange." [...]
"How about one of the Rats?" Dorian's eyes gleamed.
”
”
Nalini Singh (Hostage to Pleasure (Psy-Changeling, #5))
“
To begin with, there is the frightful debauchery of taste that has already been effected by a century of mechanisation. This is almost too obvious and too generally admitted to need pointing out. But as a single instance, take taste in its narrowest sense - the taste for decent food. In the highly mechanical countries, thanks to tinned food, cold storage, synthetic flavouring matters, etc., the palate it almost a dead organ. As you can see by looking at any greengrocer’s shop, what the majority of English people mean by an apple is a lump of highly-coloured cotton wool from America or Australia; they will devour these things, apparently with pleasure, and let the English apples rot under the trees. It is the shiny, standardized, machine-made look of the American apple that appeals to them; the superior taste of the English apple is something they simply do not notice. Or look at the factory-made, foil wrapped cheeses and ‘blended’ butter in an grocer’s; look at the hideous rows of tins which usurp more and more of the space in any food-shop, even a dairy; look at a sixpenny Swiss roll or a twopenny ice-cream; look at the filthy chemical by-product that people will pour down their throats under the name of beer. Wherever you look you will see some slick machine-made article triumphing over the old-fashioned article that still tastes of something other than sawdust. And what applies to food applies also to furniture, houses, clothes, books, amusements and everything else that makes up our environment. These are now millions of people, and they are increasing every year, to whom the blaring of a radio is not only a more acceptable but a more normal background to their thoughts than the lowing of cattle or the song of birds. The mechanisation of the world could never proceed very far while taste, even the taste-buds of the tongue, remained uncorrupted, because in that case most of the products of the machine would be simply unwanted. In a healthy world there would be no demand for tinned food, aspirins, gramophones, gas-pipe chairs, machine guns, daily newspapers, telephones, motor-cars, etc. etc.; and on the other hand there would be a constant demand for the things the machine cannot produce. But meanwhile the machine is here, and its corrupting effects are almost irresistible. One inveighs against it, but one goes on using it. Even a bare-arse savage, given the change, will learn the vices of civilisation within a few months. Mechanisation leads to the decay of taste, the decay of taste leads to demand for machine-made articles and hence to more mechanisation, and so a vicious circle is established.
”
”
George Orwell (The Road to Wigan Pier)
“
A state of scepticism and suspense may amuse a few inquisitive minds. But the practice of superstition is so congenial to the multitude, that if they are forcibly awakened, they still regret the loss of their pleasing vision. Their love of the marvellous and supernatural, their curiosity with regard to future events, and their strong propensity to extend their hopes and fears beyond the limits of the visible world, were the principal causes which favoroud the establishment of Polytheism. So urgent on the vulgar is the necessity of believing, that the fall of any system of mythology will most probably be succeeded by the introduction of some other mode of superstition. (...) an object much less deserving would have been sufficient to fill the vacant place in their hearts.
”
”
Edward Gibbon (The Christians and the Fall of Rome (Great Ideas))
“
It seems right now that all I’ve ever done in my life is making my way here to you.’
I could see that Rosie could not place the line from The Bridges of Madison County that had produced such a powerful emotional reaction on the plane. She looked confused.
‘Don, what are you…what have you done to yourself?’
‘I’ve made some changes.’
‘Big changes.’
‘Whatever behavioural modifications you require from me are a trivial price to pay for having you as my partner.’
Rosie made a downwards movement with her hand, which I could not interpret. Then she looked around the room and I followed her eyes. Everyone was watching. Nick had stopped partway to our table. I realised that in my intensity I had raised my voice. I didn’t care.
‘You are the world’s most perfect woman. All other women are irrelevant. Permanently. No Botox or implants will be required.
‘I need a minute to think,’ she said.
I automatically started the timer on my watch. Suddenly Rosie started laughing. I looked at her, understandably puzzled at this outburst in the middle of a critical life decision.
‘The watch,’ she said. ‘I say “I need a minute” and you start timing. Don is not dead.
'Don, you don’t feel love, do you?’ said Rosie. ‘You can’t really love me.’
‘Gene diagnosed love.’ I knew now that he had been wrong. I had watched thirteen romantic movies and felt nothing. That was not strictly true. I had felt suspense, curiosity and amusement. But I had not for one moment felt engaged in the love between the protagonists. I had cried no tears for Meg Ryan or Meryl Streep or Deborah Kerr or Vivien Leigh or Julia Roberts. I could not lie about so important a matter.
‘According to your definition, no.’
Rosie looked extremely unhappy. The evening had turned into a disaster.
'I thought my behaviour would make you happy, and instead it’s made you sad.’
‘I’m upset because you can’t love me. Okay?’
This was worse! She wanted me to love her. And I was incapable.
Gene and Claudia offered me a lift home, but I did not want to continue the conversation. I started walking, then accelerated to a jog. It made sense to get home before it rained. It also made sense to exercise hard and put the restaurant behind me as quickly as possible. The new shoes were workable, but the coat and tie were uncomfortable even on a cold night. I pulled off the jacket, the item that had made me temporarily acceptable in a world to which I did not belong, and threw it in a rubbish bin. The tie followed. On an impulse I retrieved the Daphne from the jacket and carried it in my hand for the remainder of the journey. There was rain in the air and my face was wet as I reached the safety of my apartment.
”
”
Graeme Simsion (The Rosie Project (Don Tillman, #1))
“
Straining to hear, I can make out something acoustic. Coming from...the backyard?
I glance down from my bedroom window and feel my jaw fall open. Matt Finch is standing below my window, guitar strapped across his chest. I pull my window up, and I expect the song from that old movie - the one about a guy with a trench coat and the big radio and his heart on his sleeve.
But it's not that. It's not anything I recognise, and I strain to make out the lyrics: Stop being ridiculous, stop being ridiculous, Reagan.
What an asshole.
The mesh screen and two floors between us don't seem like enough to protect him from my anger.
"Nice apology," I call down to him.
"I've apologised thirteen times," he yells back, "and so far you haven't called me back."
I open my mouth to say it doesn't matter, but he's already redirecting the song.
"Now I'm gonna stand here until you forgive me," he sings loudly, "or at least until you hear me out, la-la, oh-la-la. I drove seven hours overnight, and I won't leave until you come out here."
(...) "This is private property!" My throat feel coarse from how loudly I'm yelling. "And that doesn't even rhyme!"
The guitar chord continues as he sings, "Then call the cops, call the cops, call the cops..."
I storm downstairs, my feet pounding against the staircase. When I turn the corner, my dad looks almost amused from his seat in the recliner. Noticing my expression, he stares back at his newspaper, as if I won't notice him.
(...) "Dad. How did Matt know which window was mine?"
"Well..." he peeks over the sports section. "I reckon I told him."
"You talked to him?" My voice is no longer a voice. It's a shriek. "God, Dad!"
He juts out his chin, defensive. "How was I supposed to know you had some sort of drama with him? He shows up, lookin' to serenade my daughter. Thought it seemed innocent enough. Sweet, even. Old-fashioned."
"It's not any of those things! I hate him!
”
”
Emery Lord (Open Road Summer)
“
She was sliding dangerously fast down a slippery slope, if she went from "no kissing" and "we'll see" to him coming over when the children were gone. She cast around in her mind for something, anything, to stop her headlong plunge.
She blurted out, "Do Djinn date?"
He blinked. "That is not something to which I have given much thought," he said. "Perhaps some Djinn might date some ... creatures ... some ... times. Dating has not previously been a habit of mine."
She nodded, too rapidly, and forced herself to stop. "I just wondered."
"Humans like to date," Khalil said thoughtfully. Then he turned decisive. "That is what we will do tomorrow. We will go on a date."
Suddenly she was dying. She didn't know from what exactly: repressed laughter or mortification or perhaps a combination of both. She managed to articulate, "You don't dictate a date."
"I do not see why not," said Khalil, his energy caressing hers with lazy amusement. He tapped her nose. "Humans require air. Breathe now."
She did, and a snicker escaped. "If you order a date to happen, it's no longer a date. It becomes, I don't know, a meeting or kidnapping or something.
”
”
Thea Harrison (Oracle's Moon (Elder Races, #4))
“
There are some themes, some subjects, too large for adult fiction; they can only be dealt with adequately in a children's book.
The reason for that is that in adult literary fiction, stories are there on sufferance. Other things are felt to be more important: technique, style, literary knowingness. Adult writers who deal in straightforward stories find themselves sidelined into a genre such as crime or science fiction, where no one expects literary craftsmanship.
But stories are vital. Stories never fail us because, as Isaac Bashevis Singer says, "events never grow stale." There's more wisdom in a story than in volumes of philosophy. And by a story I mean not only Little Red Riding Hood and Cinderella and Jack and the Beanstalk but also the great novels of the nineteenth century, Jane Eyre, Middlemarch, Bleak House and many others: novels where the story is at the center of the writer's attention, where the plot actually matters. The present-day would-be George Eliots take up their stories as if with a pair of tongs. They're embarrassed by them. If they could write novels without stories in them, they would. Sometimes they do.
But what characterizes the best of children's authors is that they're not embarrassed to tell stories. They know how important stories are, and they know, too, that if you start telling a story you've got to carry on till you get to the end. And you can't provide two ends, either, and invite the reader to choose between them. Or as in a highly praised recent adult novel I'm about to stop reading, three different beginnings. In a book for children you can't put the plot on hold while you cut artistic capers for the amusement of your sophisticated readers, because, thank God, your readers are not sophisticated. They've got more important things in mind than your dazzling skill with wordplay. They want to know what happens next.
”
”
Philip Pullman
“
Just as that puzzled savage who has picked up - a strange cast-up from the ocean? - something unearthed from the sands? - or an obscure object fallen down from the sky? - intricate in curves, it gleams first dully and then with a bright thrust of light. Just as he turns it this way and that, turns it over, trying to discover what to do with it, trying to discover some mundane function within his own grasp, never dreaming of its higher function.
So also we, holding Art in our hands, confidently consider ourselves to be its masters; boldly we direct it, we renew, reform and manifest it; we sell it for money, use it to please those in power; turn to it at one moment for amusement - right down to popular songs and night-clubs, and at another - grabbing the nearest weapon, cork or cudgel - for the passing needs of politics and for narrow-minded social ends. But art is not defiled by our efforts, neither does it thereby depart from its true nature, but on each occasion and in each application it gives to us a part of its secret inner light.
”
”
Aleksandr Solzhenitsyn (Nobel Lecture)
“
At the Theatre: To the Lady Behind Me
Dear Madam, you have seen this play;
I never saw it till today.
You know the details of the plot,
But, let me tell you, I do not.
The author seeks to keep from me
The murderer's identity,
And you are not a friend of his
If you keep shouting who it is.
The actors in their funny way
Have several funny things to say,
But they do not amuse me more
If you have said them just before;
The merit of the drama lies,
I understand, in some surprise;
But the surprise must now be small
Since you have just foretold it all.
The lady you have brought with you
Is, I infer, a half-wit too,
But I can understand the piece
Without assistance from your niece.
In short, foul woman, it would suit
Me just as well if you were mute;
In fact, to make my meaning plain,
I trust you will not speak again.
And—may I add one human touch?—
Don't breathe upon my neck so much.
”
”
A.P. Herbert
“
I know this much—the world out there, Fancy, that world which is all around on the other side of the wall, it isn’t real. It’s real inside here, we’re real, but what is outside is like it’s made of cardboard, or plastic, or something. Nothing out there is real. Everything is made out of something else, and everything is made to look like something else, and it all comes apart in your hands. The people aren’t real, they’re nothing but endless copies of each other, all looking just alike, like paper dolls, and they live in houses full of artificial things and eat imitation food—” “My doll house,” Fancy said, amused. “Your dolls have little cakes and roasts made of wood and painted. Well, the people out there have cakes and bread and cookies made out of pretend flour, with all kinds of things taken out of it to make it prettier for them to eat, and all kinds of things put in to make it easier for them to eat, and they eat meat which has been cooked for them already so they won’t have to bother to do anything except heat it up and they read newspapers full of nonsense and lies and one day they hear that some truth is being kept from them for their own good and the next day they hear that the truth is being kept from them because it was really a lie
”
”
Shirley Jackson (The Sundial)
“
SCREE! the strix yelled, ruffling its feathers.
"What do you mean 'you need to kill us'?" Grover asked.
Meg scowled. "You can talk to it?"
"Well, yes," Grover said. "It's an animal."
"Why didn't you tell us what it was saying before now?" Meg asked.
"Because it was just yelling scree!" Grover said. "Now it's saying scree as in, it needs to kill us."
I tried to move my legs. They seemed to have turned into sacks of cement, which I found vaguely amusing. I could still move my arms and had some feeling in my chest, but I wasn't sure how long that would last.
"Perhaps ask the strix why it needs to kill us?" I suggested.
"Scree!" Grover said.
I was getting tired of the strix language. The bird replied in a series of squawks and clicks.
Meanwhile, out in the corridor, the other strixes shrieked and bashed against the net of plants. Black talons and gold beaks poked out, snapping tomatoes into pico de gallo. I figured we had a few minutes at most until the birds burst through and killed us all, but their razor-sharp beaks sure were cute!
Grover wrung his hands. "The strix says he's been sent to drink our blood, eat our flesh and disembowel us, not necessarily in that order. He says he's sorry, but it's a direct command from the emperor."
"Stupid emperors," Meg grumbled. "Which one?"
"I don't know," Grover said. "The strix just calls him Scree."
"You can translate disembowel," she noted, "but you can't translate the emperor's name?
”
”
Rick Riordan (The Burning Maze (The Trials of Apollo, #3))
“
The gods had given me almost everything. But I let myself be lured into long spells of senseless and sensual ease. I amused myself with being a flâneur, a dandy, a man of fashion. I surrounded myself with the smaller natures and the meaner minds. I became the spendthrift of my own genius, and to waste an eternal youth gave me a curious joy. Tired of being on the heights, I deliberately went to the depths in the search for new sensation. What the paradox was to me in the sphere of thought, perversity became to me in the sphere of passion. Desire, at the end, was a malady, or a madness, or both. I grew careless of the lives of others. I took pleasure where it pleased me, and passed on. I forgot that every little action of the common day makes or unmakes character, and that therefore what one has done in the secret chamber one has some day to cry aloud on the housetop. I ceased to be lord over myself. I was no longer the captain of my soul, and did not know it. I allowed pleasure to dominate me. I ended in horrible disgrace. There is only one thing for me now, absolute humility.
”
”
Oscar Wilde (De Profundis)
“
Some of the most memorable, and least regrettable, nights of my own youth were spent in coon hunting with farmers. There is no denying that these activities contributed to the economy of farm households, but a further fact is that they were pleasures; they were wilderness pleasures, not greatly different from the pleasures pursued by conservationists and wilderness lovers. As I was always aware, my friends the coon hunters were not motivated just by the wish to tree coons and listen to hounds and listen to each other, all of which were sufficiently attractive; they were coon hunters also because they wanted to be afoot in the woods at night. Most of the farmers I have known, and certainly the most interesting ones, have had the capacity to ramble about outdoors for the mere happiness of it, alert to the doings of the creatures, amused by the sight of a fox catching grasshoppers, or by the puzzle of wild tracks in the snow.
”
”
Wendell Berry (Bringing it to the Table: On Farming and Food)
“
I sent a clear warning to you, Aidan." There was a hint of censure in his words, although his voice was soft.
There was a hard edge to Aidan's mouth. "I received your warning. But this is my city, Gregori, and my family. I take care of my own."
Savannah rolled her eyes. "You could just beat on your chests,you know. It probably works just as well."
You will show some respect, Gregori ordered.
Savannah burst out laughing, then reached up to caress his shadowed jaw. "Keep hoping,my love, and perhaps someday someone will obey you."
Aidan's mouth twitched, the golden eyes sliding over Gregori in amusement. "She inherited something besides her mother's good looks,did she not?"
Gregori sighed heavily. "She is impossible."
Aidan laughed,ignoring the warning flash from Gregori's pale eyes. "I believe they all are."
Savannah ducked out from under Gregori's arm and found an overstuffed chair to curl up on. "Of course we're impossible.It's the only way to stay sane."
"I would have brought Alexandria to meet you,but Gregori's warning dictated prudence." Aidan sounded smug, as if he had been able to lay down the law to his woman when Gregori was unable to do so.
Savannah flashed an impish grin up at the man. "What did you do,leave her sleeping while you ran off to play hero? I'll just bet she has a thing or two to say to you when you wake her."
Aidan had the grace to look sheepish. Then he turned to Gregori. "Your lifemate is a mean little thing, healer. I do not envy you."
Savannah laughed, unrepentant. "He's crazy about me. Don't let him fool you."
"I believe you," Aidan agreed.
"Do not encourage her in her rebellion," Gregori tried to sound severe,but she was turning him inside out.She was everything to him, even with her silliness.Where did she get her outrageous sense of humor? How could she ever be happy with someone who hadn't laughed in centuries? She melted his insides. Melted him. He was careful to keep his face expressionless. It was bad enough that Savannah knew he was practically wrapped around her little finger. Aidan didn't need to know,too.
”
”
Christine Feehan (Dark Magic (Dark, #4))
“
You know, it's such a peculiar thing--our idea of mankind in general. We all have a sort of vague, glowing picture when we say that, something solemn, big and important. But actually all we know of it is the people we meet in our lifetime. Look at them. Do you know any you'd feel big and solemn about? There's nothing but housewives haggling at pushcarts, drooling brats who write dirty words on the sidewalks, and drunken debutantes. Or their spiritual equivalent. As a matter of fact, one can feel some respect for people when they suffer. They have a certain dignity. But have you ever looked at them when they're enjoying themselves? That's when you see the truth. Look at those who spend the money they've slaved for--at amusement parks and side shows. Look at those who're rich and have the whole world open to them. Observe what they pick out for enjoyment. Watch them in the smarter speak-easies. That's your mankind in general. I don't want to touch it.
”
”
Ayn Rand
“
It was Christmas night in the Castle of the Forest Sauvage, and all around length. It hung on the boughs of the forest trees in rounded lumps, even better than apple-blossom, and occasionally slid off the roofs of the village when it saw the chance of falling on some amusing character and giving pleasure to all. The boys made snowballs with it, but never put stones in them to hurt each other, and the dogs, when they were taken out to scombre, bit it and rolled in it, and looked surprised but delighted when they vanished into the bigger drifts. There was skating on the moat, which roared with the gliding bones which they used for skates, while hot chestnuts and spiced mead were served on the bank to all and sundry. The owls hooted. The cooks put out plenty of crumbs for the small birds. The villagers brought out their red mufflers. Sir Ector’s face shone redder even than these. And reddest of all shone the cottage fires down the main street of an evening,
”
”
T.H. White (The Once and Future King (The Once and Future King, #1-5))
“
Gustavo Tiberius speaking."
“It’s so weird you do that, man,” Casey said, sounding amused. “Every time I call.”
“It’s polite,” Gus said. “Just because you kids these days don’t have proper phone etiquette.”
“Oh boy, there’s the Grumpy Gus I know. You miss me?”
Gus was well aware the others could hear the conversation loud and clear. He was also aware he had a reputation to maintain. “Hadn’t really thought about it.”
“Really.”
“Yes.”
“Gus.”
“Casey.”
“I miss you.”
“I miss you too,” Gus mumbled into the phone, blushing fiercely.
“Yeah? How much?”
Gus was in hell. “A lot,” he said truthfully. “There have been allegations made against my person of pining and moping. False allegations, mind you, but allegations nonetheless.”
“I know what you mean,” Casey said. “The guys were saying the same thing about me.”
Gus smiled. “How embarrassing for you.”
“Completely. You have no idea.”
“They’re going to get you packed up this week?”
“Ah, yeah. Sure. Something like that.”
“Casey.”
“Yes, Gustavo.”
“You’re being cagey.”
“I have no idea what you mean. Hey, that’s a nice Hawaiian shirt you’ve got on. Pink? I don’t think I’ve seen you in that color before.”
Gus shrugged. “Pastor Tommy had a shitload of them. I think I could wear one every day for the rest of the year and not repeat. I think he may have had a bit of a….” Gus trailed off when his hand started shaking. Then, “How did you know what I was wearing?”
There was a knock on the window to the Emporium. Gus looked up.
Standing on the sidewalk was Casey. He was wearing bright green skinny jeans and a white and red shirt that proclaimed him to be a member of the 1987 Pasadena Bulldogs Women’s Softball team. He looked ridiculous. And like the greatest thing Gus had ever seen.
Casey wiggled his eyebrows at Gus. “Hey, man.”
“Hi,” Gus croaked.
“Come over here, but stay on the phone, okay?”
Gus didn’t even argue, unable to take his eyes off Casey. He hadn’t expected him for another week, but here he was on a pretty Saturday afternoon, standing outside the Emporium like it was no big deal.
Gus went to the window, and Casey smiled that lazy smile.
He said, “Hi.”
Gus said, “Hi.”
“So, I’ve spent the last two days driving back,” Casey said. “Tried to make it a surprise, you know?”
“I’m very surprised,” Gus managed to say, about ten seconds away from busting through the glass just so he could hug Casey close.
The smile widened. “Good. I’ve had some time to think about things, man. About a lot of things. And I came to this realization as I drove past Weed, California. Gus. It was called Weed, California. It was a sign.”
Gus didn’t even try to stop the eye roll. “Oh my god.”
“Right? Kismet. Because right when I entered Weed, California, I was thinking about you and it hit me. Gus, it hit me.”
“What did?”
Casey put his hand up against the glass. Gus did the same on his side. “Hey, Gus?”
“Yeah?”
“I’m going to ask you a question, okay?”
Gustavo’s throat felt very dry. “Okay.”
“What was the Oscar winner for Best Song in 1984?”
Automatically, Gus answered, “Stevie Wonder for the movie The Woman in Red. The song was ‘I Just Called to Say I Love You.’” It was fine, of course. Because he knew answers to all those things. He didn’t know why Casey wanted to—
And then he could barely breathe.
Casey’s smile wobbled a little bit. “Okay?”
Gus blinked the burn away. He nodded as best he could.
And Casey said, “Yeah, man. I love you too.”
Gus didn’t even care that he dropped his phone then. All that mattered was getting as close to Casey as humanely possible. He threw open the door to the Emporium and suddenly found himself with an armful of hipster. Casey laughed wetly into his neck and Gus just held on as hard as he could. He thought that it was possible that he might never be in a position to let go. For some reason, that didn’t bother him in the slightest.
”
”
T.J. Klune (How to Be a Normal Person (How to Be, #1))
“
This one is bigger than the other by at least a quarter,” he said. “That’s perspective,” Will replied stubbornly. “The left one is closer, so it looks bigger.” “If it’s perspective, and it’s that much bigger, your handcart would have to be about five meters wide,” Horace told him. “Is that what you’re planning?” Again, Will studied the drawing critically. “No. I thought maybe two meters. And three meters long.” He quickly sketched in a smaller version of the left wheel, scrubbing over the first attempt as he did so. “Is that better?” “Could be rounder,” Horace said. “You’d never get a wheel that shape to roll. It’s sort of pointy at one end.” Will’s temper flared as he decided his friend was simply being obtuse for the sake of it. He slammed the charcoal down on the table. “Well, you try drawing a perfect circle freehand!” he said angrily. “See how well you do! This is a concept drawing, that’s all. It doesn’t have to be perfect!” Malcolm chose that moment to enter the room. He had been outside, checking on MacHaddish, making sure the general was still securely fastened to the massive log that held him prisoner. He glanced now at the sketch as he passed by the table. “What’s that?” he asked. “It’s a walking cart,” Horace told him. “You get under it, so the spears won’t hit you, and go for a walk.” Will glared at Horace and decided to ignore him. He turned his attention to Malcolm. “Do you think some of your people could build me something like this?” he asked. The healer frowned thoughtfully. “Might be tricky,” he said. “We’ve got a few cart wheels, but they’re all the same size. Did you want this one so much bigger than the other?” Now Will switched his glare to Malcolm. Horace put a hand up to his face to cover the grin that was breaking out there. “It’s perspective. Good artists draw using perspective,” Will said, enunciating very clearly. “Oh. Is it? Well, if you say so.” Malcolm studied the sketch for a few more seconds. “And did you want them this squashed-up shape? Our wheels tend to be sort of round. I don’t think these ones would roll too easily, if at all.” Truth be told, Malcolm had been listening outside the house for several minutes and knew what the two friends had been discussing. Horace gave vent to a huge, indelicate snort that set his nose running. His shoulders were shaking, and Malcolm couldn’t maintain his own straight face any longer. He joined in, and the two of them laughed uncontrollably. Will eyed them coldly. “Oh, yes. Extremely amusing,” he said.
”
”
John Flanagan (The Siege of Macindaw (Ranger's Apprentice, #6))
“
I pretend to reach for them, but before he can guess my intentions, I catch one of his wings instead. He flutters, trying to break loose, his one free wing batting my hand.
I draw out the decanter and stuff him into it, careful to fold his wings. I don’t want to hurt him. I just want to better him.
Once he’s settled inside, I shove a paper towel into the bottle’s neck. No need to worry that he’ll smother. After all, he spent that night in a bug trap last year and survived.
“Looks like you’re going to have some turbulence on your flight,” I tell him through the glass.
His voice fills my head, an angry, scolding growl. When I don’t respond, he yells Chessie’s name. Chessie flits over to the car and sits on the side mirror, licking his paw, amused and uninterested in taking sides.
I hold the decanter up to get a closer look at Morpheus. “Game, set, match, luv. You do realize that my human side defeated you, right? No magic required.”
Unlike a real moth that would beat itself against the glass walls until exhausted, he hangs under the curved neck, dignified, glaring with his bulbous eyes. If he had a mouth instead of a proboscis, I’d be able to tell if he’s snarling or beaming with pride. Knowing him, it could be either. Most likely, it’s both.
”
”
A.G. Howard (Unhinged (Splintered, #2))
“
The intense view of these manifold contradictions and imperfections in human reason has so wrought upon me, and heated my brain, that I am ready to reject all belief and reasoning, and can look upon no opinion even as more probable or likely than another. Where am I, or what? From what causes do I derive my existence, and to what condition shall I return? Whose favour shall I court, and whose anger must I dread? What beings surround me? and on whom have, I any influence, or who have any influence on me? I am confounded with all these questions, and begin to fancy myself in the most deplorable condition imaginable, invironed with the deepest darkness, and utterly deprived of the use of every member and faculty.
Most fortunately it happens, that since reason is incapable of dispelling these clouds, nature herself suffices to that purpose, and cures me of this philosophical melancholy and delirium, either by relaxing this bent of mind, or by some avocation, and lively impression of my senses, which obliterate all these chimeras. I dine, I play a game of backgammon, I converse, and am merry with my friends; and when after three or four hours' amusement, I would return to these speculations, they appear so cold, and strained, and ridiculous, that I cannot find in my heart to enter into them any farther.
”
”
David Hume
“
It’s your fault that I’ve been reduced to such behavior,” he continued. “I assure you, I myself find it appalling that the only pleasure I obtain these days is chasing after you like an adolescent lordling with a housemaid.”
“Did you chase after the housemaids when you were a boy?”
“Good God, of course not. How could you ask such a thing?” Sebastian looked indignant. Just as she felt a twinge of guilt and began to apologize, he said smugly, “They chased after me.”
Evie raised a cue stick as if to crown him with it.
He caught her wrist easily in one hand and pried the stick from her fingers. “Easy, firebrand. You’ll knock out the few wits I have left—and then of what use would I be to you?”
“You would be purely ornamental,” Evie replied, giggling.
“Ah, well, I suppose there’s some value in that. God help me if I should ever lose my looks.”
“I wouldn’t mind.”
He gave her a quizzical smile. “What?”
“If…” Evie paused, suddenly embarrassed. “If anything happened to your looks…if you became…less handsome. Your appearance wouldn’t matter to me. I would still…” She paused and finished hesitantly, “…want you as my husband.”
Sebastian’s smile faded slowly. He gave her a long, intent stare, her wrist still clasped in his hand. Something strange crossed his expression…an undefinable emotion wrought of heat and vulnerability. When he answered, his voice was strained from the effort to sound cavalier. “Without a doubt, you’re the first one who’s ever said that to me. I hope you won’t be such a pea goose as to endow me with characteristics that I don’t have.”
“No, you’re endowed enough as it is,” Evie replied, before the double meaning of the statement occurred to her. She burned a brilliant scarlet. “Th-that is…I didn’t mean…”
But Sebastian was laughing quietly, the odd tension passing, and he pulled her against him. As she responded to him eagerly, his amusement dissolved like sugar in hot liquid. He kissed her longer, harder, his breath striking her cheek in rapid drives.
“Evie,” he whispered, “you’re so warm, so lovely…oh, hell. I’ve got two months, thirteen days and six hours before I can take you to my bed. Little she-devil. This is going to be the death of me.
”
”
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
“
Teaser from the soon to be released: Redemption of Fire; My Demon Master Book 2. (with Reference to the character, Cain, from Dormant Desires, Book 4; CAIN.
In the oddest, surreal moment, I look out and see one lone face. It’s Cain, the chimera by curse and not birth. He’s been welcomed into Demon-kind as one of them. Almost a treasured being for all his uniqueness. In all reality, he is the most divine among us. The product of an angel and a Neanderthal. A very son of the first Eve. It is he alone who is not prostrate before me. Our eyes lock and my vision goes wonky. I can see details and colors and etched outlines like I never imagined. I see Cain’s magnificent aura as it embraces him like a full-body halo. He is watching the spectacle that is me with detached interest. It’s as if he has truly seen everything there is too see and this is nothing more than a repeat of some long forgotten original episode. He is unafraid. I can feel how calm he is. Before he drops his eyes, surrendering to the dominance of my dragon, he gives me a slightly amused expression and a small nod of encouragement.
”
”
Payne Hawthorne (Fire Clothed in Skin (Fire Clothed in Skin Saga, #1))
“
What if one were to want to hunt for these hidden presences? You can’t just rummage around like you’re at a yard sale. You have to listen. You have to pay attention. There are certain things you can’t look at directly. You need to trick them into revealing themselves. That’s what we’re doing with Walter, Jaz. We’re juxtaposing things, listening for echoes. It’s not some silly cybernetic dream of command and control, modeling the whole world so you can predict the outcome. It’s certainly not a theory of everything. I don’t have a theory of any kind. What I have is far more profound.’
‘What’s that?’
‘A sense of humor.’
Jaz looked at him, trying to find a clue in his gaunt face, in the clear gray eyes watching him with such - what? Amusement? Condescension? There was something about the man which brought on a sort of hermeneutic despair. He was a forest of signs.
‘We’re hunting for jokes.’ Bachman spoke slowly, as if to a child. ‘Parapraxes. Cosmic slips of the tongue. They’re the key to the locked door. They’ll help us discover it.’
‘Discover what?’
‘The face of God. What else would we be looking for?
”
”
Hari Kunzru (Gods Without Men)
“
It amused him sometimes to consider that his friends, because he had a face which did not express his feelings very vividly and a rather slow way of moving, looked upon him as strong-minded, deliberate and cool. They thought him reasonable and praised his common sense; but he knew that his placid expression was no more than a mask, assumed unconsciously, which acted like the protective colouring of butterflies; and himself was astonished at the weakness of his will. It seemed to him that he was swayed by every light emotion, as though he were a leaf in the wind, and when passion seized him he was powerless. He had no self-control. He merely seemed to possess it because he was indifferent to many of the things which moved other people.
He considered with some irony the philosophy which he had developed for himself, for it had not been of much use to him in the conjuncture he had passed through; and he wondered whether thought really helped a man in any of the critical affairs of life: it seemed to him rather that he was swayed by some power alien to and yet within himself, which urged him like that great wind of Hell which drove Paolo and Francesca ceaselessly on. He thought of what he was going to do and, when the time came to act, he was powerless in the grasp of instincts, emotions, he knew not what. He acted as though he were a machine driven by the two forces of his environment and personality; his reason was someone looking on, observing the facts but powerless to interfere: it was like those gods of Epicurus, who saw the doings of men from their empyrean heights and had no might to alter one smallest particle of what occurred.
”
”
W. Somerset Maugham (Of Human Bondage)
“
And then there was the sad sign that a young woman working at a Tim Hortons in Lethbridge, Alberta, taped to the drive-through window in 2007. It read, “No Drunk Natives.”
Accusations of racism erupted, Tim Hortons assured everyone that their coffee shops were not centres for bigotry, but what was most interesting was the public response. For as many people who called in to radio shows or wrote letters to the Lethbridge Herald to voice their outrage over the sign, there were almost as many who expressed their support for the sentiment. The young woman who posted the sign said it had just been a joke.
Now, I’ll be the first to say that drunks are a problem. But I lived in Lethbridge for ten years, and I can tell you with as much neutrality as I can muster that there were many more White drunks stumbling out of the bars on Friday and Saturday nights than there were Native drunks. It’s just that in North America, White drunks tend to be invisible, whereas people of colour who drink to excess are not.
Actually, White drunks are not just invisible, they can also be amusing. Remember how much fun it was to watch Dean Martin, Red Skelton, W. C. Fields, John Wayne, John Barrymore, Ernie Kovacs, James Stewart, and Marilyn Monroe play drunks on the screen and sometimes in real life? Or Jodie Marsh, Paris Hilton, Cheryl Tweedy, Britney Spears, and the late Anna Nicole Smith, just to mention a few from my daughter’s generation. And let’s not forget some of our politicians and persons of power who control the fates of nations: Winston Churchill, John A. Macdonald, Boris Yeltsin, George Bush, Daniel Patrick Moynihan. Hard drinkers, every one.
The somewhat uncomfortable point I’m making is that we don’t seem to mind our White drunks.
They’re no big deal so long as they’re not driving. But if they are driving drunk, as have Canada’s coffee king Tim Horton, the ex-premier of Alberta Ralph Klein, actors Kiefer Sutherland and Mel Gibson, Super Bowl star Lawyer Milloy, or the Toronto Maple Leafs’ Mark Bell, we just hope that they don’t hurt themselves. Or others.
More to the point, they get to make their mistakes as individuals and not as representatives of an entire race.
”
”
Thomas King (The Inconvenient Indian: A Curious Account of Native People in North America)
“
He was incredibly and unbearably beautiful.
There was no other way for her to adequately describe it to herself. It was beyond being just handsome. Handsome was a common masculine adjective, limited in its scope. This man was honestly beautiful. His facial features were so very elegant, taking the term noble to the extreme. Dark brows winged up over dark eyes, both of indeterminate color in the shadows of the night. So dramatic, but then so belied by the ridiculous childlike length of lush lashes. His magnificent eyes were lit with a soft, smoldering light of amusement as his sensual mouth was lifting up at the corner in a smile she could only call sinful.
“How did you . . . but that’s . . . you couldn’t possibly!” she spluttered, her hands opening and closing reflexively on his lapels.
“I did. It is not. And apparently, I could.” He was smiling broadly now, and Isabella was certain she was the cause of some unseen bit of amusement. She glowered at him, completely forgetting he’d just saved her neck. Literally.
“I’m so glad you find this so entertaining!”
Jacob couldn’t help his growing smile. She was so focused on him that she hadn’t realized they were still a good ten feet off the ground and floating at the exact spot where he’d met her precipitous fall. That was for the best, he thought, sinking down to the pavement while she was distracted by the taunt of his amusement. He was going to have enough trouble as it was explaining how he’d managed to catch a woman hurtling to her death from five stories up.
”
”
Jacquelyn Frank (Jacob (Nightwalkers, #1))
“
I never knew it happened like that."
I snap my gaze to her. "What?"
"You know. Romeo and Juliet stuff. Love at first sight and all that."
"It's not like that," I say quickly.
"You could have fooled me." We're up again. Catherine takes her shot. It swishes cleanly through the hoop.
When I shoot, the ball bounces hard off the backboard and flies wildly through the air, knocking the coach in the head. I slap a hand over my mouth. The coach barely catches herself from falling. Several students laugh. She glares at me and readjusts her cap.
With a small wave of apology, I head back to the end of the line.
Will's there, fighting laughter. "Nice," he says. "Glad I'm downcourt of you."
I cross my arms and resist smiling, resist letting myself feel good around him. But he makes it hard. I want to smile. I want to like him, to be around him, to know him. "Happy to amuse you."
His smile slips then, and he's looking at me with that strange intensity again. Only I understand. I know why. He must remember...must recognize me on some level even though he can't understand it.
"You want to go out?" he asks suddenly.
I blink. "As in a date?"
"Yes. That's what a guy usually means when he asks that question."
Whistles blow. The guys and girls head in opposite directions.
"Half-court scrimmage," Will mutters, looking unhappy as he watches the coaches toss out jerseys. "We'll talk later in study hall. Okay?"
I nod, my chest uncomfortably tight, breath hard to catch. Seventh period. A few hours to decide whether to date a hunter. The choice should be easy, obvious, but already my head aches. I doubt anything will ever be easy for me again.
”
”
Sophie Jordan (Firelight (Firelight, #1))
“
The energetic kender had already grabbed hold of the dwarf's boot and heaved, propelling Flint head first right into the hard-muscled body of the young bronze dragon. Hands flailing wildly, Flint caught hold of the harness on the dragon's neck and hung on for dear life, revolving slowly in the air like a sack on a hook.
"What are you doing?" Tas asked in disgust, gazing up at Flint. "This is no time to play! Here, let me help--"
"Stop it! Let go!" roared Flint, kicking at Tasselhoff's hands. "Get back! Get back, I say!"
"Get up yourself then," Tas said, hurt, backing up.
Puffing and red-faced, the dwarf dropped to the ground. "I'll get on in my own good time!" he said, glaring at the kender. "Without help from you!"
...The dwarf cast a glance back at the big bronze dragon and folded his arms across his chest stubbornly. "I've got to give this some thought--"
"Oh, come on, Flint!" Tas begged. "You're only stalling. I want to fly! Please, Flint, hurry!" The kender brightened. "I could go by myself..."
...
Khirsah, the dragon, gazed down at the two with amused impatience... yet, young as he was, the bronze dragon held a great reverence and respect for the elders of the world. Though vastly older than the dwarf in years, Khirsah saw in Flint one who had led a long, full, rich life; one worthy of respect. But, Khirsah thought with a sigh, if I don't do something, the kender's right--the battle will be over.
”
”
Margaret Weis
“
Stepan Arkadyevitch had not chosen his political opinions or his views; these political opinions and views had come to him of themselves, just as he did not choose the shapes of his hat and coat, but simply took those that were being worn. And for him, living in a certain society--owing to the need, ordinarily developed at years of discretion, for some degree of mental activity--to have views was just as indispensable as to have a hat. If there was a reason for his preferring liberal to conservative views, which were held also by many of his circle, it arose not from his considering liberalism more rational, but from its being in closer accordance with his manner of life. The liberal party said that in Russia everything is wrong, and certainly Stepan Arkadyevitch had many debts and was decidedly short of money. The liberal party said that marriage is an institution quite out of date, and that it needs reconstruction; and family life certainly afforded Stepan Arkadyevitch little gratification, and forced him into lying and hypocrisy, which was so repulsive to his nature. The liberal party said, or rather allowed it to be understood, that religion is only a curb to keep in check the barbarous classes of the people; and Stepan Arkadyevitch could not get through even a short service without his legs aching from standing up, and could never make out what was the object of all the terrible and high-flown language about another world when life might be so very amusing in this world. And with all this, Stepan Arkadyevitch, who liked a joke, was fond of puzzling a plain man by saying that if he prided himself on his origin, he ought not to stop at Rurik and disown the first founder of his family--the monkey. And so Liberalism had become a habit...Anna Karenina, Tolstoy.
”
”
Leo Tolstoy
“
Ah, my child, you will have real troubles to fret about by and by," is the consolation we have almost all of us had administered to us in our childhood, and have repeated to other children since we have been grown up. We have all of us sobbed so piteously, standing with tiny bare legs above our little socks, when we lost sight of our mother or nurse in some strange place; but we can no longer recall the poignancy of that moment and weep over it, as we do over the remembered sufferings of five or ten years ago. Every one of those keen moments has left its trace, and lives in us still, but such traces have blent themselves irrecoverably with the firmer texture of our youth and manhood; and so it comes that we can look on at the troubles of our children with a smiling disbelief in the reality of their pain. Is there any one who can recover the experience of his childhood, not merely with a memory _of_ what he did and what happened to him, of what he liked and disliked when he was in frock and trousers, but with an intimate penetration, a revived consciousness of what he felt then, when it was so long from one Midsummer to another; what he felt when his school fellows shut him out of their game because he would pitch the ball wrong out of mere wilfulness; or on a rainy day in the holidays, when he didn't know how to amuse himself, and fell from idleness into mischief, from mischief into defiance, and from defiance into sulkiness; or when his mother absolutely refused to let him have a tailed coat that "half," although every other boy of his age had gone into tails already? Surely if we could recall that early bitterness, and the dim guesses, the strangely perspectiveless conception of life, that gave the bitterness its intensity, we should not pooh-pooh the griefs of our children.
”
”
George Eliot (The Mill on the Floss)
“
In our folk nobody has any experience of youth, there’s barely even any time for being a toddler. The children simply don’t have any time in which they might be children........Indeed... there’s simply no way that we would be able to provide our children with a viable childhood, one that is real. Naturally, there are consequences. There’s a certain ever present, not to be liquidated childishness that permeates our folk; We often act in ways that are totally and utterly ridiculous and, indeed, precisely like children we do things that are crazy, letting loose with our assets in a manner that is bereft of all rationality, prodigious in our celebrations, partaking in a light-headed frivolousness that is divorced from all sensibility, and often enough all simply for the sake of some small token of fun, so much do we love having our small amusements. But our folk isn’t only childish, to a certain extent we also age prematurely, childhood and old age mix themselves differently with us than by others. We don’t have any youth, we jump right away into maturity and, then, we remain grown-ups for too long and as a consequence to this there’s a broad shadow of a certain tiredness and a sort of hopelessness that colours our essential nature, a nature that as a whole is otherwise so tenacious and permeated by hope, strong hope. This, no doubt, this is related to why we’re so disinclined toward music—we’re too old for music, so much excitement, so much passion doesn’t sit well with our heaviness;
”
”
Franz Kafka (The Complete Stories)
“
You heard me. Let someone else send you to your blaze of glory. You're a speck, man. You're nothing. You're not worth the bullet or the mark on my soul for taking you out."
You trying to piss me off again, Patrick?" He removed Campbell Rawson from his shoulder and held him aloft.
I tilted my wrist so the cylinder fell into my palm, shrugged. "You're a joke, Gerry. I'm just calling it like I see it."
That so?"
Absolutely." I met his hard eyes with my own. "And you'll be replaced, just like everything else, in maybe a week, tops. Some other dumb, sick shit will come along and kill some people and he'll be all over the papers, and all over Hard Copy and you'll be yesterday's news. Your fifteen minutes are up, Gerry. And they've passed without impact."
They'll remember this," Gerry said. "Believe me."
Gerry clamped back on the trigger. When he met my finger, he looked at me and then clamped down so hard that my finger broke.
I depressed the trigger on the one-shot and nothing happened.
Gerry shrieked louder, and the razor came out of my flesh, then swung back immediately, and I clenched my eyes shut and depressed the trigger frantically three times.
And Gerry's hand exploded.
And so did mine.
The razor hit the ice by my knee as I dropped the one shot and fire roared up the electrical tape and gasoline on Gerry's arm and caught the wisps of Danielle's hair.
Gerry threw his head back and opened his mouth wide and bellowed in ecstasy.
I grabbed the razor, could barely feel it because the nerves in my hand seemed to have stopped working.
I slashed into the electric tape at the end of the shotgun barrel, and Danielle dropped away toward the ice and rolled her head into the frozen sand.
My broken finger came back out of the shotgun and Gerry swung the barrels toward my head.
The twin shotgun bores arced through the darkness like eyes without mercy or soul, and I raised my head to meet them, and Gerry's wail filled my ears as the fire licked at his neck.
Good-bye, I thought. Everyone. It's been nice.
Oscar's first two shots entered the back of Gerry's head and exited through the center of his forehead and a third punched into his back.
The shotgun jerked upward in Gerry's flaming arm and then the shots came from the front, several at once, and Gerry spun like a marionette and pitched toward the ground. The shotgun boomed twice and punched holes through the ice in front of him as he fell.
He landed on his knees and, for a moment, I wasn't sure if he was dead or not. His rusty hair was afire and his head lolled to the left as one eye disappeared in flames but the other shimmered at me through waves of heat, and an amused derision shone in the pupil.
Patrick, the eye said through the gathering smoke, you still know nothing.
Oscar rose up on the other side of Gerry's corpse, Campbell Rawson clutched tight to his massive chest as it rose and fell with great heaving breaths. The sight of it-something so soft and gentle in the arms of something so thick and mountaineous-made me laugh.
Oscar came out of the darkness toward me, stepped around Gerry's burning body, and I felt the waves of heat rise toward me as the circle of gasoline around Gerry caught fire.
Burn, I thought. Burn. God help me, but burn.
Just after Oscar stepped over the outer edge of the circle, it erupted in yellow flame, and I found myself laughing harder as he looked at it, not remotely impressed.
I felt cool lips smack against my ear, and by the time I looked her way, Danielle was already past me, rushing to take her child from Oscar.
His huge shadow loomed over me as he approached, and I looked up at him and he held the look for a long moment.
How you doing, Patrick?" he said and smiled broadly.
And, behind him, Gerry burned on the ice.
And everything was so goddamned funny for some reason, even though I knew it wasn't. I knew it wasn't. I did. But I was still laughing when they put me in the ambulance.
”
”
Dennis Lehane
“
MOST legislators have been men of inferior capacity whom chance exalted over their fellows, and who took counsel almost exclusively of their own prejudices and whims.
It would seem that they had not even a sense of the greatness and dignity of their work: they amused themselves by framing childish institutions, well devised indeed to please small minds, but discrediting their authors with people of sense.
They flung themselves into useless details; and gave their attention to individual interests: the sign of the narrow genius, which grasps things piecemeal and cannot take a general view.
Some of them have been so affected as to employ another language than the vernacular-a ridiculous thing in a framer of laws; for how can they be obeyed if they are not known?
They have often abolished needlessly those which were already established-that is to say, they have plunged nations into the confusion which always accompanies change.
It is true that, by reason of some extravagance springing rather from the nature than from the mind of man, it is sometimes necessary to change certain laws. But the case is rare; and when it happens it requires the most delicate handling; much solemnity ought to be observed, and endless precautions taken, in order to lead the people to the natural conclusion that the laws are most sacred, since so many formalities are necessary to their abrogation.
Often they have made them too subtle, following logical instead of natural equity. As a consequence such laws have been found too severe; and a spirit of justice required that they should be set aside; but the cure was as bad as the disease. Whatever the laws may be, obedience to them is necessary; they are to be regarded as the public conscience, with which all private consciences ought to be in conformity.
(Letter #79)
”
”
Montesquieu (Persian Letters)
“
I keep having the same experience and keep resisting it every time. I do not want to believe it although it is palpable: the great majority of people lacks an intellectual conscience. Indeed, it has often seemed to me as if anyone calling for an intellectual conscience were as lonely in the most densely populated cities as if he were in a desert. Everybody looks at you with strange eyes and goes right on handling his scales, calling this good and that evil. Nobody even blushes when you intimate that their weights are underweight; nor do people feel outraged; they merely laugh at your doubts. I mean: the great majority of people does not consider it contemptible to believe this or that and to live accordingly, without first having given themselves an account of the final and most certain reasons pro and con, and without even troubling themselves about such reasons afterward: the most gifted men and the noblest women still belong to this "great majority." But what is goodheartedness, refinement, or genius to me, when the person who has these virtues tolerates slack feelings in his faith and judgments and when he does not account the desire for certainty as his inmost craving and deepest distress—as that which separates the higher human beings from the lower.
Among some pious people I found a hatred of reason and was well disposed to them for that; for this at least betrayed their bad intellectual conscience. But to stand in the midst of this rerum concordia discors and of this whole marvelous uncertainty and rich ambiguity of existence without questioning, without trembling with the craving and the rapture of such questioning, without at least hating the person who questions, perhaps even finding him faintly amusing—that is what I feel to be contemptible, and this is the feeling for which I look first in everybody. Some folly keeps persuading me that every human being has this feeling, simply because he is human. This is my type of injustice.
”
”
Friedrich Nietzsche
“
Mama,” the child exclaimed, breathless and agitated.
Phoebe looked down at him in concern. “Justin, what is it?”
“Galoshes brought me a dead mouse. She dropped it on the floor right in front of me!”
“Oh, dear.” Tenderly Phoebe smoothed his dark, ruffled hair. “I’m afraid that’s what cats do. She thought it was a fine gift.”
“Nanny won’t touch it, and the housemaid screamed, and I had a fight with Ivo.”
Although Phoebe’s younger brother Ivo was technically Justin’s uncle, the boys were close enough in age to play together and quarrel.
“About the mouse?” Phoebe asked sympathetically.
“No, before the mouse. Ivo said there’s going to be a honeymoon and I can’t go because it’s for grownups.” The boy tilted his head back to look up at her, his lower lip quivering. “You wouldn’t go to the honeymoon without me, would you, Mama?”
“Darling, we’ve made no plans to travel yet. There’s too much to be done here, and we all need time to settle in. Perhaps in the spring—”
“Dad wouldn’t want to leave me behind. I know he wouldn’t!”
In the electrified silence that followed, Tom shot a glance at West, who looked blank and startled.
Slowly Phoebe lowered to the ground until her face was level with her son’s. “Do you mean Uncle West?” she asked gently. “Is that what you’re calling him now?”
Justin nodded. “I don’t want him to be my uncle—I already have too many of those. And if I don’t have a dad, I’ll never learn how to tie my shoes.”
Phoebe began to smile. “Why not call him Papa?” she suggested.
“If I did, you’d never know which one I was talking about,” Justin said reasonably, “the one in heaven or the one down here.”
Phoebe let out a breath of amusement. “You’re right, my clever boy.”
Justin looked up at the tall man beside him with a flicker of uncertainty. “I can call you Dad … can’t I? Do you like that name?”
A change came over West’s face, his color deepening, small muscles contorting with some powerful emotion. He snatched Justin up, one of his large hands clasping the small head as he kissed his cheek. “I love that name,” West said unsteadily. “I love it.” The boy’s arms went around his neck.
“Can we go to Africa for our honeymoon, Dad?” he heard Justin ask.
“Yes,” came West’s muffled voice.
“Can I have a pet crocodile, Dad?”
“Yes.”
Phoebe produced a handkerchief from seemingly out of nowhere and tucked it discreetly into one of West’s hands.
”
”
Lisa Kleypas (Chasing Cassandra (The Ravenels, #6))
“
You’re as pretty as she is.”
“Don’t be saying such things loud enough for herself to hear you, or she’ll skin us both.”
Touched and amused, she kissed his cheek. And Shawn came through the door.
It would have been comical, she decided, and was a pity that no one noticed but herself noticed the way he stopped dead in his tracks, stared, then jolted when the door swung back and slapped him in the ass.
I liked how she was trying to make him jealous with Jack.
Jack sighed into his beer when Brenna strode out. “She smells like sawdust,” he said more to himself than otherwise. “It’s very pleasant.”
“What are you doing sniffing at her?” Shawn demanded.
Jack just blinked at him. “What?”
“I’ll be back in a minute.” He shoved up the pass-through on the bar, let it fall with a bang that had Aidan cursing him, then rushed through the door after Brenna.
“Wait a minute. Mary Brennan? Just a damn minute.”
She paused by the door of her truck, and for one of the first times in her life felt the warm glow of pure female satisfaction stream through her. A fine feeling, she decided. A fine feeling altogether.
Schooling her face to show mild interest, she turned. “Is there a problem, then?”
“Yes, there’s a problem. What are you doing flirting with Jack Brennan that way?”
She let her eyebrows rise up under the bill of her cap. “And what business might that be of yours, I’d like to know?”
“A matter of days ago you’re asking me to make love with you, and I turn around and you’re cozying up to Jack and making plans to have dinner with some Dubliner.”
She waited one beat, then two. “And?”
“And?” Flustered and furious, he glared at her. “And it’s not right.”
She only lifted a shoulder in dismissal, then turned to open the truck door.
“It’s not right,” he repeated, grabbing her again and turning her to face him. “I’m not having it.”
“So you said, in clear terms.”
“I don’t mean that.”
“Oh, well, if you’ve decided you’d like to have sex with me after all, I’ve changed my mind.”
“I haven’t decided—” He broke off, staggered. “Changed your mind?
”
”
Nora Roberts (Tears of the Moon (Gallaghers of Ardmore, #2))
“
For the guard with the scar over her heart: I’ve been watching you. You’re not like the other guards — the bowing, scraping, mindlessly loyal lizards who live for your queen. You have your own thoughts, don’t you? You’re smarter than the average SandWing. And I think I know your secret. Let’s talk about it. Third cell down, the one with two NightWings in it. I’m the one who doesn’t snore. I HAVE NO INTEREST IN DISCUSSING ANYTHING WITH A NIGHTWING PRISONER. WHOSE IDEA WAS IT TO LET YOU HAVE PAPER AND INK? You should be interested. You’re going to need allies for what you’re planning … and when I get out of here, I’m going to be a very useful ally indeed. AMUSING ASSUMPTIONS. MY QUEEN BELIEVES YOU’RE GOING TO BE IN HERE FOR A LONG, LONG TIME. True … but she also believes she’s going to be queen for a long, long time … doesn’t she. An interesting silence after my last note. Perhaps it would reassure you to know I set your notes on fire as soon as I’ve read them. You can tell me anything, my new, venomous-tailed friend. Believe me, Night-Wings are exceptionally skilled at keeping secrets. WE ARE NOT FRIENDS. I DON’T KNOW ANYTHING ABOUT YOU, OTHER THAN WHAT IT SAYS IN YOUR PRISONER FILE. FIERCETEETH: TRAITOR. KIDNAPPER. RINGLEADER OF ASSASSINATION PLOT. TO BE HELD INDEFINITELY WITH FELLOW TRAITOR STRONGWINGS, ON BEHALF OF THE NIGHTWING QUEEN. OH, YES, CERTAINLY SOUNDS LIKE A DRAGON ANYONE CAN TRUST. She’s not my queen. You can’t be a traitor to someone who shouldn’t be ruling over you in the first place. Which might be a thought you’ve had lately yourself, isn’t it? I know some things about you, even without a file. Saguaro: Prison guard. Schemer. Connected to great secret plans. We’re not so different, you and I. Particularly when it comes to trustworthiness. Just think, if my alleged “assassination plot” had worked, the NightWings would have a different queen right now. Perhaps it would even be me. Well, if at first you don’t succeed … I could tell you my story, if you get me more paper to write on. Or you could stop by one midnight and listen to it instead. But I’ve noticed you don’t like spending too much time in the dungeon. Is it the tip-tap of little scorpion claws scrabbling everywhere? The stench rising from the holes in the floor? The gibbering mad SandWing a few cages down who never shuts up, all night long? (What is her story? Has she really been here since the rule of Queen Oasis?) Or is it that you can too easily picture yourself behind these bars … and you know how close you are to joining us? ALL RIGHT, NIGHTWING, HERE’S A BLANK SCROLL. GO AHEAD AND TRY TO CONVINCE ME THAT YOU’RE A DRAGON WHO EVEN DESERVES TO LIVE, LET ALONE ONE I SHOULD WASTE MY TIME ON. I DO ENJOY BEING AMUSED.
”
”
Tui T. Sutherland (Escaping Peril (Wings of Fire, #8))
“
Where I lived at Pencey, I lived in the Ossenburger Memorial Wing of the new dorms. It was only for juniors and seniors. I was a junior. My roommate was a senior. It was named after this guy Ossenburger that went to Pencey. He made a pot of dough in the undertaking business after he got out of Pencey. What he did, he started these undertaking parlors all over the country that you could get members of your family buried for about five bucks apiece. You should see old Ossenburger. He probably just shoves them in a sack and dumps them in the river. Anyway, he gave Pencey a pile of dough, and they named our wing alter him. The first football game of the year, he came up to school in this big goddam Cadillac, and we all had to stand up in the grandstand and give him a locomotive—that's a cheer. Then, the next morning, in chapel, he made a speech that lasted about ten hours. He started off with about fifty corny jokes, just to show us what a regular guy he was. Very big deal. Then he started telling us how he was never ashamed, when he was in some kind of trouble or something, to get right down his knees and pray to God. He told us we should always pray to God—talk to Him and all—wherever we were. He told us we ought to think of Jesus as our buddy and all. He said he talked to Jesus all the time. Even when he was driving his car. That killed me. I can just see the big phony bastard shifting into first gear and asking Jesus to send him a few more stiffs. The only good part of his speech was right in the middle of it. He was telling us all about what a swell guy he was, what a hotshot and all, then all of a sudden this guy sitting in the row in front of me, Edgar Marsalla, laid this terrific fart. It was a very crude thing to do, in chapel and all, but it was also quite amusing. Old Marsalla. He damn near blew the roof off. Hardly anybody laughed out loud, and old Ossenburger made out like he didn't even hear it, but old Thurmer, the headmaster, was sitting right next to him on the rostrum and all, and you could tell he heard it. Boy, was he sore. He didn't say anything then, but the next night he made us have compulsory study hall in the academic building and he came up and made a speech. He said that the boy that had created the disturbance in chapel wasn't fit to go to Pencey. We tried to get old Marsalla to rip off another one, right while old Thurmer was making his speech, but be wasn't in the right mood.
”
”
J.D. Salinger (The Catcher in the Rye)
“
You don’t want to do this, Miss Sheffield,” he warned.
“Oh,” she said with great feeling, “I do. I really, really do.” And then, with quite the most evil grin her lips had ever formed, she drew back her mallet and smacked her ball with every ounce of every single emotion within her. It knocked into his with stunning force, sending it hurtling even farther down the hill.
Farther . . .
Farther . . .
Right into the lake.
Openmouthed with delight, Kate just stared for a moment as the pink ball sank into the lake. Then something rose up within her, some strange and primitive emotion, and before she knew what she was about, she was jumping about like a crazy woman, yelling, “Yes! Yes! I win!”
“You don’t win,” Anthony snapped.
“Oh, it feels like I’ve won,” she reveled.
Colin and Daphne, who had come dashing down the hill, skidded to a halt before them. “Well done, Miss Sheffield!” Colin exclaimed. “I knew you were worthy of the mallet of death.”
“Brilliant,” Daphne agreed. “Absolutely brilliant.”
Anthony, of course, had no choice but to cross his arms and scowl mightily.
Colin gave her a congenial pat on the back. “Are you certain you’re not a Bridgerton in disguise? You have truly lived up to the spirit of the game.”
“I couldn’t have done it without you,” Kate said graciously. “If you hadn’t hit his ball down the hill . . .”
“I had been hoping you would pick up the reins of his destruction,” Colin said.
The duke finally approached, Edwina at his side. “A rather stunning conclusion to the game,” he commented.
“It’s not over yet,” Daphne said.
Her husband gave her a faintly amused glance. “To continue the play now seems rather anticlimactic, don’t you think?”
Surprisingly, even Colin agreed. “I certainly can’t imagine anything topping it.”
Kate beamed.
The duke glanced up at the sky. “Furthermore, it’s starting to cloud over. I want to get Daphne in before it starts to rain. Delicate condition and all, you know.”
Kate looked in surprise at Daphne, who had started to blush. She didn’t look the least bit pregnant.
“Very well,” Colin said. “I move we end the game and declare Miss Sheffield the winner.”
“I was two wickets behind the rest of you,” Kate demurred.
“Nevertheless,” Colin said, “any true aficionado of Bridgerton Pall Mall understands that sending Anthony into the lake is far more important than actually sending one’s ball through all the wickets. Which makes you our winner, Miss Sheffield.” He looked about, then straight at Anthony. “Does anyone disagree?”
No one did, although Anthony looked close to violence.
“Excellent,” Colin said. “In that case, Miss Sheffield is our winner, and Anthony, you are our loser.”
A strange, muffled sound burst from Kate’s mouth, half laugh and half choke.
“Well, someone has to lose,” Colin said with a grin. “It’s tradition.”
“It’s true,” Daphne agreed. “We’re a bloodthirsty lot, but we do like to follow tradition.
”
”
Julia Quinn (The Viscount Who Loved Me (Bridgertons, #2))
“
What did we talk about?
I don't remember. We talked so hard and sat so still that I got cramps in my knee. We had too many cups of tea and then didn't want to leave the table to go to the bathroom because we didn't want to stop talking. You will think we talked of revolution but we didn't. Nor did we talk of our own souls. Nor of sewing. Nor of babies. Nor of departmental intrigue. It was political if by politics you mean the laboratory talk that characters in bad movies are perpetually trying to convey (unsuccessfully) when they Wrinkle Their Wee Brows and say (valiantly--dutifully--after all, they didn't write it) "But, Doctor, doesn't that violate Finagle's Constant?" I staggered to the bathroom, released floods of tea, and returned to the kitchen to talk. It was professional talk. It left my grey-faced and with such concentration that I began to develop a headache. We talked about Mary Ann Evans' loss of faith, about Emily Brontë's isolation, about Charlotte Brontë's blinding cloud, about the split in Virginia Woolf's head and the split in her economic condition. We talked about Lady Murasaki, who wrote in a form that no respectable man would touch, Hroswit, a little name whose plays "may perhaps amuse myself," Miss Austen, who had no more expression in society than a firescreen or a poker. They did not all write letters, write memoirs, or go on the stage. Sappho--only an ambiguous, somewhat disagreeable name. Corinna? The teacher of Pindar. Olive Schriener, growing up on the veldt, wrote on book, married happily, and ever wrote another. Kate Chopin wrote a scandalous book and never wrote another. (Jean has written nothing.). There was M-ry Sh-ll-y who wrote you know what and Ch-rl-tt- P-rk-ns G-lm-an, who wrote one superb horror study and lots of sludge (was it sludge?) and Ph-ll-s Wh--tl-y who was black and wrote eighteenth century odes (but it was the eighteenth century) and Mrs. -nn R-dcl-ff- S-thw-rth and Mrs. G--rg- Sh-ld-n and (Miss?) G--rg-tt- H-y-r and B-rb-r- C-rtl-nd and the legion of those, who writing, write not, like the dead Miss B--l-y of the poem who was seduced into bad practices (fudging her endings) and hanged herself in her garter. The sun was going down. I was blind and stiff. It's at this point that the computer (which has run amok and eaten Los Angeles) is defeated by some scientifically transcendent version of pulling the plug; the furniture stood around unknowing (though we had just pulled out the plug) and Lady, who got restless when people talked at suck length because she couldn't understand it, stuck her head out from under the couch, looking for things to herd. We had talked for six hours, from one in the afternoon until seven; I had at that moment an impression of our act of creation so strong, so sharp, so extraordinarily vivid, that I could not believe all our talking hadn't led to something more tangible--mightn't you expect at least a little blue pyramid sitting in the middle of the floor?
”
”
Joanna Russ (On Strike Against God)
“
It's a fine day for a prayer. But then, most days are.'
'That's what you were doing? Praying?' At his nod, I asked, 'For what do you petition the gods?'
He raised his brows. 'Petition?'
'Isn't that what prayer is? Begging the gods to give you what you want?'
He laughed, his voice deep as a booming wind, but kinder. 'I suppose that is how some men pray. Not I. Not anymore.'
'What do you mean?'
'Oh, I think that children pray so, to find a lost doll or that Father will bring home a good haul of fish, or that no one will discover a forgotten chore. Children think they know what is best for themselves, and do not fear to ask the divine for it. But I have been a man for many years, and I should be shamed if I did not know better by now.'
I eased my back into a more comfortable position against the railing. I suppose if you are used to the swaying of a ship, it might be restful. My muscles constantly fought against it, and I was beginning to ache in every limb. 'So. How does a man pray, then?'
He looked on me with amusement, then levered himself down to sit beside me. 'Don't you know? How do you pray, then?'
'I don't.' And then I rethought, and laughed aloud. 'Unless I'm terrified. Then I suppose I pray as a child does. 'Get me out of this, and I'll never be so stupid again. Just let me live.'
He laughed with me. 'Well, it looks as if, so far, your prayers have been granted. And have you kept your promise to the divine?'
I shook my head, smiling ruefully. 'I'm afraid not. I just find a new direction to be foolish in.'
'Exactly. So do we all. Hence, I've learned I am not wise enough to ask the divine for anything.'
'So. How do you pray then, if you are not asking for something?'
'Ah. Well, prayer for me is more listening than asking. And, after all these years, I find I have but one prayer left. It has taken me a lifetime to find my prayer, and I think it is the same one that all men find, if they but ponder on it longer enough.
”
”
Robin Hobb (Fool's Fate (Tawny Man, #3))
“
I love you, Kate,” he whispered, his lips brushing the words against her mouth. “I love you so much.”
She nodded, unable to make a sound.
“And right now I wish . . . I wish . . .” And then the strangest thing happened. Laughter bubbled up inside of him. He was overtaken by the pure joy of the moment, and it was all he could do not to pick her up and twirl her grandly through the air.
“Anthony?” she asked, sounding equal parts confused and amused.
“Do you know what else love means?” he murmured, planting his hands on either side of her body and letting his nose rest against hers.
She shook her head. “I couldn’t possibly even hazard a guess.”
“It means,” he grumbled, “that I’m finding this broken leg of yours a damned nuisance.”
“Not half so much as I, my lord,” she said, casting a rueful glance at her splinted leg.
Anthony frowned. “No vigorous exercise for two months, eh?”
“At least.”
He grinned, and in that moment he looked every inch the rake she’d once accused him of being. “Clearly,” he murmured, “I shall have to be very, very gentle.”
“Tonight?” she croaked.
He shook his head. “Even I haven’t the talent to express myself with that light a touch.”
Kate giggled. She couldn’t help herself. She loved this man and he loved her and whether he knew it or not, they were going to grow very, very old together. It was enough to make a girl— even a girl with a broken leg— positively giddy.
“Are you laughing at me?” he queried, one of his brows arching arrogantly as he slid his body into place next to her.
“I wouldn’t dream of it.”
“Good. Because I have some very important things to tell you.”
“Really?”
He nodded gravely. “I may not be able to show you how much I love you this eve, but I can tell you.”
“I should never tire of hearing it,” she murmured.
“Good. Because when I’m done telling you, I’m going to tell you how I’d like to show you.”
“Anthony!” she squeaked.
“I think I’d start with your earlobe,” he mused. “Yes, definitely the earlobe. I’d kiss it, and then nibble it, and then . . .”
Kate gasped. And then she squirmed. And then she fell in love with him all over again.
”
”
Julia Quinn (The Viscount Who Loved Me (Bridgertons, #2))
“
All human life, we may say, consists solely of these two activities: (1) bringing one’s activities into harmony with conscience, or (2) hiding from oneself the indications of conscience in order to be able to continue to live as before.
Some do the first, others the second. To attain the first there is but one means: moral enlightenment — the increase of light in oneself and attention to what it shows. To attain the second — to hide from oneself the indications of conscience—there are two means: one external and the other internal. The external means consists in occupations that divert one’s attention from the indications given by conscience; the internal method consists in darkening conscience itself.
As a man has two ways of avoiding seeing an object that is before him: either by diverting his sight to other more striking objects, or by obstructing the sight of his own eyes—just so a man can hide from himself the indications of conscience in two ways: either by the external method of diverting his attention to various occupations, cares, amusements, or games; or by the internal method of obstructing the organ of attention itself. For people of dull, limited moral feeling, the external diversions are often quite sufficient to enable them not to perceive the indications conscience gives of the wrongness of their lives. But for morally sensitive people those means are often insufficient.
The external means do not quite divert attention from the consciousness of discord between one’s life and the demands of conscience. This consciousness hampers one’s life; and in order to be able to go on living as before, people have recourse to the reliable, internal method, which is that of darkening conscience itself by poisoning the brain with stupefying substances.
One is not living as conscience demands, yet lacks the strength to reshape one’s life in accord with its demands. The diversions which might distract attention from the consciousness of this discord are insufficient, or have become stale, and so—in order to be able to live on, disregarding the indications conscience gives of the wrongness of their life—people (by poisoning it temporarily) stop the activity of the organ through which conscience manifests itself, as a man by covering his eyes hides from himself what he does not wish to see.
”
”
Leo Tolstoy (Why do men stupefy themselves?: And other writings)
“
A reflection on Robert Lowell
Robert Lowell knew I was not one of his devotees. I attended his famous “office hours” salon only a few times. Life Studies was not a book of central importance for me, though I respected it. I admired his writing, but not the way many of my Boston friends did. Among poets in his generation, poems by Elizabeth Bishop, Alan Dugan, and Allen Ginsberg meant more to me than Lowell’s. I think he probably sensed some of that.
To his credit, Lowell nevertheless was generous to me (as he was to many other young poets) just the same. In that generosity, and a kind of open, omnivorous curiosity, he was different from my dear teacher at Stanford, Yvor Winters. Like Lowell, Winters attracted followers—but Lowell seemed almost dismayed or a little bewildered by imitators; Winters seemed to want disciples: “Wintersians,” they were called.
A few years before I met Lowell, when I was still in California, I read his review of Winters’s Selected Poems. Lowell wrote that, for him, Winters’s poetry passed A. E. Housman’s test: he felt that if he recited it while he was shaving, he would cut himself. One thing Lowell and Winters shared, that I still revere in both of them, was a fiery devotion to the vocal essence of poetry: the work and interplay of sentences and lines, rhythm and pitch. The poetry in the sounds of the poetry, in a reader’s voice: neither page nor stage.
Winters criticizing the violence of Lowell’s enjambments, or Lowell admiring a poem in pentameter for its “drill-sergeant quality”: they shared that way of thinking, not matters of opinion but the matter itself, passionately engaged in the art and its vocal—call it “technical”—materials.
Lowell loved to talk about poetry and poems. His appetite for that kind of conversation seemed inexhaustible. It tended to be about historical poetry, mixed in with his contemporaries. When he asked you, what was Pope’s best work, it was as though he was talking about a living colleague . . . which in a way he was. He could be amusing about that same sort of thing. He described Julius Caesar’s entourage waiting in the street outside Cicero’s house while Caesar chatted up Cicero about writers.
“They talked about poetry,” said Lowell in his peculiar drawl. “Caesar asked Cicero what he thought of Jim Dickey.”
His considerable comic gift had to do with a humor of self and incongruity, rather than wit. More surreal than donnish. He had a memorable conversation with my daughter Caroline when she was six years old. A tall, bespectacled man with a fringe of long gray hair came into her living room, with a certain air.
“You look like somebody famous,” she said to him, “but I can’t remember who.”
“Do I?”
“Yes . . . now I remember!— Benjamin Franklin.”
“He was a terrible man, just awful.”
“Or no, I don’t mean Benjamin Franklin. I mean you look like a Christmas ornament my friend Heather made out of Play-Doh, that looked like Benjamin Franklin.”
That left Robert Lowell with nothing to do but repeat himself:
“Well, he was a terrible man.”
That silly conversation suggests the kind of social static or weirdness the man generated. It also happens to exemplify his peculiar largeness of mind . . . even, in a way, his engagement with the past. When he died, I realized that a large vacuum had appeared at the center of the world I knew.
”
”
Robert Pinsky
“
So,” Will begins, “do you play ball as well as you run?”
I laugh a little. I can’t help it. He’s sweet and disarming and my nerves are racing. “Not even close.”
The conversation goes no further as we move up in our lines. Catherine looks over her shoulder at me, her wide sea eyes assessing. Like she can’t quite figure me out. My smile fades and I look away. She can never figure me out. I can never let her. Never let anyone here.
She faces me with her arms crossed. “You make friends fast. Since freshman year, I’ve spoken to like . . .” She paused and looks upward as though mentally counting. “Three, no—four people. And you’re number four.”
I shrug. “He’s just a guy.”
Catherine squares up at the free-throw line, dribbles a few times, and shoots. The ball swished cleanly through the net. She catches it and tosses it back to me.
I try copying her moves, but my ball flies low, glides beneath the backboard. I head to the end of the line again.
Will’s already waiting it half-court, letting others go before him. My face warms at his obvious stall.
“You weren’t kidding,” he teases over the thunder of basketballs.
“Did you make it?” I ask, wishing I had looked while he shot.
“Yeah.”
“Of course,” I mock.
He lets another kid go before him. I do the same. Catherine is several ahead of me now.
His gaze scans me, sweeping over my face and hair with deep intensity, like he’s memorizing my features. “Yeah, well. I can’t run like you.”
I move up in line, but when I sneak a look behind me, he’s looking back, too.
“Wow,” Catherine murmurs in her smoky low voice as she falls into line beside me. “I never knew it happened like that.”
I snap my gaze to her. “What?”
“You know. Romeo and Juliet stuff. Love at first sight and all that.”
“It’s not like that,” I say quickly.
“You could have fooled me.” We’re up again. Catherine takes her shot. It swishes cleanly through the hoop.
When I shoot, the ball bounces hard off the backboard and flies wildly through the air, knocking the coach in the head. I slap a hand over my mouth. The coach barely catches herself from falling. Several students laugh. She glares at me and readjusts her cap.
With a small wave of apology, I head back to the end of the line.
Will’s there, fighting laughter. “Nice,” he says. “Glad I’m downcourt of you.”
I cross my arms and resist smiling, resist letting myself feel good around him. But he makes it hard. I want to smile. I want to like him, to be around him, to know him. “Happy to amuse you.”
His smile slips then, and he’s looking at me with that strange intensity again. Only I understand. I know why. He must remember . . . must recognize me on some level even though he can’t understand it.
“You want to go out?” he asks suddenly.
I blink. “As in a date?”
“Yes. That’s what a guy usually means when he asks that question.
”
”
Sophie Jordan (Firelight (Firelight, #1))
“
Stepan Arkadyevitch had not chosen his political opinions or his views; these political opinions and views had come to him of themselves, just as he did not choose the shapes of his hat and coat, but simply took those that were being worn. And for him, living in a certain society—owing to the need, ordinarily developed at years of discretion, for some degree of mental activity—to have views was just as indispensable as to have a hat. If there was a reason for his preferring liberal to conservative views, which were held also by many of his circle, it arose not from his considering liberalism more rational, but from its being in closer accordance with his manner of life. The liberal party said that in Russia everything is wrong, and certainly Stepan Arkadyevitch had many debts and was decidedly short of money. The liberal party said that marriage is an institution quite out of date, and that it needs reconstruction; and family life certainly afforded Stepan Arkadyevitch little gratification, and forced him into lying and hypocrisy, which was so repulsive to his nature. The liberal party said, or rather allowed it to be understood, that religion is only a curb to keep in check the barbarous classes of the people; and Stepan Arkadyevitch could not get through even a short service without his legs aching from standing up, and could never make out what was the object of all the terrible and high-flown language about another world when life might be so very amusing in this world. And with all this, Stepan Arkadyevitch, who liked a joke, was fond of puzzling a plain man by saying that if he prided himself on his origin, he ought not to stop at Rurik and disown the first founder of his family—the monkey. And so Liberalism had become a habit of Stepan Arkadyevitch's, and he liked his newspaper, as he did his cigar after dinner, for the slight fog it diffused in his brain. He read the leading article, in which it was maintained that it was quite senseless in our day to raise an outcry that radicalism was threatening to swallow up all conservative elements, and that the government ought to take measures to crush the revolutionary hydra; that, on the contrary, "in our opinion the danger lies not in that fantastic revolutionary hydra, but in the obstinacy of traditionalism clogging progress," etc., etc. He read another article, too, a financial one, which alluded to Bentham and Mill, and dropped some innuendoes reflecting on the ministry. With his characteristic quickwittedness he caught the drift of each innuendo, divined whence it came, at whom and on what ground it was aimed, and that afforded him, as it always did, a certain satisfaction. But today that satisfaction was embittered by Matrona Philimonovna's advice and the unsatisfactory state of the household. He read, too, that Count Beist was rumored to have left for Wiesbaden, and that one need have no more gray hair, and of the sale of a light carriage, and of a young person seeking a situation; but these items of information did not give him, as usual, a quiet, ironical gratification. Having finished the paper, a second cup of coffee and a roll and butter, he got up, shaking the crumbs of the roll off his waistcoat; and, squaring his broad chest, he smiled joyously: not because there was anything particularly agreeable in his mind—the joyous smile was evoked by a good digestion.
”
”
Leo Tolstoy (Anna Karenina)
“
How nice that our former stable boy has begotten a namesake from my elder daughter,” the countess remarked acidly. “This will be the first of many brats, I am sure. Regrettably there is still no heir to the earldom…which is your responsibility, I believe. Come to me with news of your impending marriage to a bride of good blood, Westcliff, and I will evince some satisfaction. Until then, I see little reason for congratulations.”
Though he displayed no emotion at his mother’s hard-hearted response to the news of Aline’s child, not to mention her infuriating preoccupation with the begetting of an heir, Marcus was hard-pressed to hold back a savage reply. In the midst of his darkening mood, he became aware of Lillian’s intent gaze.
Lillian stared at him astutely, a peculiar smile touching her lips. Marcus arched one brow and asked sardonically, “Does something amuse you, Miss Bowman?”
“Yes,” she murmured. “I was just thinking that it’s a wonder you haven’t rushed out to marry the first peasant girl you could find.”
“Impertinent twit!” the countess exclaimed.
Marcus grinned at the girl’s insolence, while the tightness in his chest eased. “Do you think I should?” he asked soberly, as if the question was worth considering.
“Oh yes,” Lillian assured him with a mischievous sparkle in her eyes. “The Marsdens could use some new blood. In my opinion, the family is in grave danger of becoming overbred.”
“Overbred?” Marcus repeated, wanting nothing more than to pounce on her and carry her off somewhere. “What has given you that impression, Miss Bowman?”
“Oh, I don’t know…” she said idly. “Perhaps the earth-shattering importance you attach to whether one should use a fork or spoon to eat one’s pudding.”
“Good manners are not the sole province of the aristocracy, Miss Bowman.” Even to himself, Marcus sounded a bit pompous.
“In my opinion, my lord, an excessive preoccupation with manners and rituals is a strong indication that someone has too much time on his hands.”
Marcus smiled at her impertinence. “Subversive, yet sensible,” he mused. “I’m not certain I disagree.”
“Do not encourage her effrontery, Westcliff,” the countess warned.
“Very well—I shall leave you to your Sisyphean task.”
“What does that mean?” he heard Daisy ask.
Lillian replied while her smiling gaze remained locked with Marcus’s. “It seems you avoided one too many Greek mythology lessons, dear. Sisyphus was a soul in Hades who was damned to perform an eternal task…rolling a huge boulder up a hill, only to have it roll down again just before he reached the top.”
“Then if the countess is Sisyphus,” Daisy concluded, “I suppose we’re…”
“The boulder,” Lady Westcliff said succinctly, causing both girls to laugh.
“Do continue with our instruction, my lady,” Lillian said, giving her full attention to the elderly woman as Marcus bowed and left the room. “We’ll try not to flatten you on the way down.
”
”
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
“
She sorted through the clothes. “Do you mind wearing Emilio’s underwear?” She turned back to him with the two different styles that she’d found. “You’re about the same size. And they’re clean. They were wrapped in a paper package, like from a laundry service.”
Max gave her a look, because along with the very nice, very expensive pair of black silk boxers she’d pilfered from Emilio, she’d also borrowed one of his thongs.
“What?” Gina said. It was definitely a man-thong. It had all that extra room for various non-female body parts.
“Don’t be ridiculous.”
“I’m not,” she said, trying to play it as serious. “One, it’s been a while, maybe your tastes have changed. And two, these might actually be more comfortable, considering the placement of your bandage and—”
He took the boxers from her.
“Apparently I was wrong.” She turned away and started sorting through the pairs of pants and Bermuda shorts she’d grabbed, trying not to be too obvious about the fact that she was watching him out of the corner of her eye. To make sure he didn’t fall over.
Right.
After he got the boxers on, he took off the bathrobe and . . .
Okay, he definitely wasn’t as skinny as he’d been after his lengthy stint in the hospital. Emilio’s pants probably weren’t going to fit him, after all. Although, there was one pair that looked like they’d be nice and loose . . . There they were. The Kelly green Bermuda shorts.
Max gave her another one of those you’ve-got-to-be-kidding glances as he put the bathrobe over the back of another chair. “Do I really look as if I’ve ever worn shorts that color in my entire life?”
She tried not to smile. “I honestly don’t think you have much choice.” She let herself look at him. “You know, you could just go with the boxers. At least until your pants dry. You know what would really work with that, though? A bowtie.” She turned, as if to go back to the closet. “I’m sure Emilio has a tux. Judging from his other clothes, it’s probably polyester and chartreuse, but maybe the bowtie is—”
“Gina.” Max stopped her before she reached the door. He motioned for her to come back.
She held out the green shorts, but instead of taking them, he took her arm, pulled her close.
“I love you,” Max said, as if he were dispatching some terrible, dire news that somehow still managed to amuse him at least a little.
Gina had been hoping that he’d say it, praying even, but the fact that he’d managed to smile, even just a bit while he did, was a miracle.
And then, before her heart even had a chance to start beating again, he kissed her.
And oh, she was also beyond ready for that particular marvel, for the sweet softness of his mouth, for the solidness of his arms around her. There was more of him to hold her since he’d regained his fighting weight—and that was amazing, too. She skimmed her hands across the muscular smoothness of his back, his shoulders, as his kiss changed from tender to heated.
And, God. That was a miracle, too.
Except she couldn’t help but wonder about those words, wrenched from him, as if it cost him his soul to speak them aloud. Why tell her this right now?
Yes, she’d been waiting for years for him to say that he loved her, but . . .
Max laughed his surprise. “No. Why do you . . .?” He figured it out himself. “No, no, Gina, just . . . I should’ve said it before. I should have said it years ago, but I really should have said it, you know, instead of hi.” He laughed again, clearly disgusted with himself. “God, I’m an idiot. I mean, hi? I should have walked in and said, ‘Gina, I need you. I love you, don’t ever leave me again.’”
She stared at him. It was probably a good thing that he hadn’t said that at the time, because she might’ve fainted.
It was obvious that he wanted her to say something, but she was completely speechless.
”
”
Suzanne Brockmann (Breaking Point (Troubleshooters, #9))
“
Is there a bird among them, dear boy?” Charity asked innocently, peering not at the things on the desk, but at his face, noting the muscle beginning to twitch at Ian’s tense jaw.
“No.”
“Then they must be in the schoolroom! Of course,” she said cheerfully, “that’s it. How like me, Hortense would say, to have made such a silly mistake.”
Ian dragged his eyes from the proof that his grandfather had been keeping track of him almost from the day of his birth-certainly from the day when he was able to leave the cottage on his own two legs-to her face and said mockingly, “Hortense isn’t very perceptive. I would say you are as wily as a fox.”
She gave him a little knowing smile and pressed her finger to her lips. “Don’t tell her, will you? She does so enjoy thinking she is the clever one.”
“How did he manage to have these drawn?” Ian asked, stopping her as she turned away.
“A woman in the village near your home drew many of them. Later he hired an artist when he knew you were going to be somewhere at a specific time. I’ll just leave you here where it’s nice and quiet.” She was leaving him, Ian knew, to look through the items on the desk. For a long moment he hesitated, and then he slowly sat down in the chair, looking over the confidential reports on himself. They were all written by one Mr. Edgard Norwich, and as Ian began scanning the thick stack of pages, his anger at his grandfather for this outrageous invasion of his privacy slowly became amusement. For one thing, nearly every letter from the investigator began with phrases that made it clear the duke had chastised him for not reporting in enough detail. The top letter began,
I apologize, Your Grace, for my unintentional laxness in failing to mention that indeed Mr. Thornton enjoys an occasional cheroot…
The next one opened with,
I did not realize, Your Grace, that you would wish to know how fast his horse ran in the race-in addition to knowing that he won.
From the creases and holds in the hundreds of reports it was obvious to Ian that they’d been handled and read repeatedly, and it was equally obvious from some of the investigator’s casual comments that his grandfather had apparently expressed his personal pride to him:
You will be pleased to know, Your Grace, that young Ian is a fine whip, just as you expected…
I quite agree with you, as do many others, that Mr. Thornton is undoubtedly a genius…
I assure you, Your Grace, that your concern over that duel is unfounded. It was a flesh wound in the arm, nothing more.
Ian flipped through them at random, unaware that the barricade he’d erected against his grandfather was beginning to crack very slightly.
“Your Grace,” the investigator had written in a rare fit of exasperation when Ian was eleven,
“the suggestion that I should be able to find a physician who might secretly look at young Ian’s sore throat is beyond all bounds of reason. Even if I could find one who was willing to pretend to be a lost traveler, I really cannot see how he could contrive to have a peek at the boy’s throat without causing suspicion!”
The minutes became an hour, and Ian’s disbelief increased as he scanned the entire history of his life, from his achievements to his peccadilloes. His gambling gains and losses appeared regularly; each ship he added to his fleet had been described, and sketches forwarded separately; his financial progress had been reported in minute and glowing detail.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))