Solo Movie Quotes

No matter how old you are now. You are never too young or too old for success or going after what you want. Here’s a short list of people who accomplished great things at different ages 1) Helen Keller, at the age of 19 months, became deaf and blind. But that didn’t stop her. She was the first deaf and blind person to earn a Bachelor of Arts degree. 2) Mozart was already competent on keyboard and violin; he composed from the age of 5. 3) Shirley Temple was 6 when she became a movie star on “Bright Eyes.” 4) Anne Frank was 12 when she wrote the diary of Anne Frank. 5) Magnus Carlsen became a chess Grandmaster at the age of 13. 6) Nadia Comăneci was a gymnast from Romania that scored seven perfect 10.0 and won three gold medals at the Olympics at age 14. 7) Tenzin Gyatso was formally recognized as the 14th Dalai Lama in November 1950, at the age of 15. 8) Pele, a soccer superstar, was 17 years old when he won the world cup in 1958 with Brazil. 9) Elvis was a superstar by age 19. 10) John Lennon was 20 years and Paul Mcartney was 18 when the Beatles had their first concert in 1961. 11) Jesse Owens was 22 when he won 4 gold medals in Berlin 1936. 12) Beethoven was a piano virtuoso by age 23 13) Issac Newton wrote Philosophiæ Naturalis Principia Mathematica at age 24 14) Roger Bannister was 25 when he broke the 4 minute mile record 15) Albert Einstein was 26 when he wrote the theory of relativity 16) Lance E. Armstrong was 27 when he won the tour de France 17) Michelangelo created two of the greatest sculptures “David” and “Pieta” by age 28 18) Alexander the Great, by age 29, had created one of the largest empires of the ancient world 19) J.K. Rowling was 30 years old when she finished the first manuscript of Harry Potter 20) Amelia Earhart was 31 years old when she became the first woman to fly solo across the Atlantic Ocean 21) Oprah was 32 when she started her talk show, which has become the highest-rated program of its kind 22) Edmund Hillary was 33 when he became the first man to reach Mount Everest 23) Martin Luther King Jr. was 34 when he wrote the speech “I Have a Dream." 24) Marie Curie was 35 years old when she got nominated for a Nobel Prize in Physics 25) The Wright brothers, Orville (32) and Wilbur (36) invented and built the world's first successful airplane and making the first controlled, powered and sustained heavier-than-air human flight 26) Vincent Van Gogh was 37 when he died virtually unknown, yet his paintings today are worth millions. 27) Neil Armstrong was 38 when he became the first man to set foot on the moon. 28) Mark Twain was 40 when he wrote "The Adventures of Tom Sawyer", and 49 years old when he wrote "Adventures of Huckleberry Finn" 29) Christopher Columbus was 41 when he discovered the Americas 30) Rosa Parks was 42 when she refused to obey the bus driver’s order to give up her seat to make room for a white passenger 31) John F. Kennedy was 43 years old when he became President of the United States 32) Henry Ford Was 45 when the Ford T came out. 33) Suzanne Collins was 46 when she wrote "The Hunger Games" 34) Charles Darwin was 50 years old when his book On the Origin of Species came out. 35) Leonardo Da Vinci was 51 years old when he painted the Mona Lisa. 36) Abraham Lincoln was 52 when he became president. 37) Ray Kroc Was 53 when he bought the McDonalds Franchise and took it to unprecedented levels. 38) Dr. Seuss was 54 when he wrote "The Cat in the Hat". 40) Chesley "Sully" Sullenberger III was 57 years old when he successfully ditched US Airways Flight 1549 in the Hudson River in 2009. All of the 155 passengers aboard the aircraft survived 41) Colonel Harland Sanders was 61 when he started the KFC Franchise 42) J.R.R Tolkien was 62 when the Lord of the Ring books came out 43) Ronald Reagan was 69 when he became President of the US 44) Jack Lalane at age 70 handcuffed, shackled, towed 70 rowboats 45) Nelson Mandela was 76 when he became President

Never tell me the odds!

The world is full of books, movies and stories about how the loss of a loved one, or a change in fortune, or a severe illness or another tragedy of such magnitude catapulted someone to reset their lives and chase long-forgotten dreams. I’m thinking of Cheryl Strayed, who hiked the Pacific Crest Trail solo after the unexpected and heartbreaking death of her mother, and Elizabeth Gilbert, who embarked on a year-long journey around the world after a painful divorce and depression. I admire their grit to pick themselves up and do something extraordinary in the face of tragedy. But what about the tragedy of a mundane, average, unfulfilling life?

Me enamoré de burlarme de ti en segundo grado, cuando descubrí por primera vez que podía sonrojar tus mejillas con solo una palabra. Luego me enamoré de ti".

For few matters you need to be solo, for some matters you need soul mate and for many matters you need society,

George Lucas based Han Solo on his friend, director Francis Ford Coppola. Before Harrison Ford was chosen to play the role, Kurt Russell, Nick Nolte, Christopher Walken, Jack Nicholson, Al Pacino, Chevy Chase, Steve Martin, and Bill Murray were considered.

Until that rainy Sunday at the movies 31 years ago, for me, companionship had been a mandate for life’s good times. After Orca, it became a choice. My trip to the theater helped me to distinguish between loneliness (experienced by default), and solitude (choosing when and how to enjoy my own company), as I began a journey of engaging the world on my own terms. Over the years, that journey deepened as I traveled life’s roads with increasing independence and confidence, whether I was attending graduate school at night while working during the day, buying my first house or changing careers.

Jerry thought of Dean as a brother, but in time, tempers and egos flared in the partnership, leading to their headline-making breakup in 1956, exactly ten years after they had joined forces. People worried what would become of Dean Martin, but Jerry Lewis flourished in his first solo films: The Delicate Delinquent, The Sad Sack, Rock-a-Bye Baby, and Don't Give Up the Ship. His directors include such comedy pros as Taurog and Frank Tashlin. Eventually, Lewis decided that he wanted to write and direct his own films. As a steady and stellar money-maker for Paramount, no one at the studio was prepared to stand in his way. His first effort was his most daring: The Bellboy,

Alex Honnold, free solo climbing phenom: The Last of the Mohicans soundtrack Rolf Potts, author of Vagabonding and others: ambitones like The Zen Effect in the key of C for 30 minutes, made by Rolfe Kent, the composer of music for movies like Sideways, Wedding Crashers, and Legally Blonde Matt Mullenweg, lead developer of WordPress, CEO of Automattic: “Everyday” by A$AP Rocky and “One Dance” by Drake Amelia Boone, the world’s most successful female obstacle course racer: “Tonight Tonight” by the Smashing Pumpkins and “Keep Your Eyes Open” by NEEDTOBREATHE Chris Young, mathematician and experimental chef: Paul Oakenfold’s “Live at the Rojan in Shanghai,” Pete Tong’s Essential Mix Jason Silva, TV and YouTube philosopher: “Time” from the Inception soundtrack by Hans Zimmer Chris Sacca: “Harlem Shake” by Baauer and “Lift Off” by Jay Z and Kanye West, featuring Beyoncé. “I can bang through an amazing amount of email with the Harlem Shake going on in the background.” Tim Ferriss: Currently I’m listening to “Circulation” by Beats Antique and “Black Out the Sun” by Sevendust, depending on whether I need flow or a jumpstart.

Give the Audience Something to Cheer For Austin Madison is an animator and story artist for such Pixar movies as Ratatouille, WALL-E, Toy Story 3, Brave, and others. In a revealing presentation Madison outlined the 7-step process that all Pixar movies follow. 1. Once there was a ___. 3 [A protagonist/ hero with a goal is the most important element of a story.] 2. Every day he ___. [The hero’s world must be in balance in the first act.] 3. Until one day ___. [A compelling story introduces conflict. The hero’s goal faces a challenge.] 4. Because of that ___. [This step is critical and separates a blockbuster from an average story. A compelling story isn’t made up of random scenes that are loosely tied together. Each scene has one nugget of information that compels the next scene.] 5. Because of that ___. 6. Until finally ____. [The climax reveals the triumph of good over evil.] 7. Ever since then ___. [The moral of the story.] The steps are meant to immerse an audience into a hero’s journey and give the audience someone to cheer for. This process is used in all forms of storytelling: journalism, screenplays, books, presentations, speeches. Madison uses a classic hero/ villain movie to show how the process plays out—Star Wars. Here’s the story of Luke Skywalker. Once there was a farm boy who wanted to be a pilot. Every day he helped on the farm. Until one day his family is killed. Because of that he joins legendary Jedi Obi-Wan Kenobi. Because of that he hires the smuggler Han Solo to take him to Alderaan. Until finally Luke reaches his goal and becomes a starfighter pilot and saves the day. Ever since then Luke’s been on the path to be a Jedi knight. Like millions of others, I was impressed with Malala’s Nobel Peace prize–winning acceptance speech. While I appreciated the beauty and power of her words, it wasn’t until I did the research for this book that I fully understood why Malala’s words inspired me. Malala’s speech perfectly follows Pixar’s 7-step storytelling process. I doubt that she did this intentionally, but it demonstrates once again the theme in this book—there’s a difference between a story, a good story, and a story that sparks movements.

In the movie Star Wars, the malign aspect of technology is the Death Star. It is an object huge and disconnected from humanness that reduces its clients to clones-recognizably human, but all identically in thrall to the machine, all drained of color and drained of will. Its protagonist, Darth Vader, is not a full human being either. He is constructed-part technology, part human body. The heroes, Luke Skywalker and Han Solo, by contrast are fully human. They have individuality, they have will, and they hang with creatures in a haunt called the Mos Eisley Cantina-creatures that are strange, distorted, and perverse, but that brim with messy vitality. If you look at the heroes, they have technology as well. But their technology is different. It is not hidden and dehumanizing; their starships are rickety and organic and have to be kicked to get running. This is crucial. Their technology is human. It is an extension of their natures, fallible, human, individual, and therefore beneficent. They have not traded their humanness for technology, nor surrendered their will to technology. Technology has surrendered to them. And in doing so it extends their naturalness.

Geralmente a nascença dos estylos se origina ou das necessidades características de cada povo, pelos materiaes mais accessiveis, pela natureza do solo ou do clima, ou então por um desses fortes movi- mentos espirituaes que modificam a situação do homem em face da cousa publica, dando-lhe novas necessidades e deveres...

Where Jolson conquered, Bing Crosby convinced and charmed, and like Astaire, Jolson too for that matter, he did not possess the physical gifts of a standard leading man (angles and ears and hair, yet again). Also like Astaire, he made it all seem easy, with the laid-back acting and the unforced way that devastating baritone could pour out and swing out. In one crucial sense he was more beholden to Jolson than Astaire, being primarily a solo performer who sang to people more than he sang with them. Recall: who was Crosby’s only steady partner on film? Bob Hope, in a partnership based in jokey rivalry. Other singers in Crosby films, besides Hope and Dorothy Lamour, seldom counted. Nor did most of Crosby’s films. Paramount, his home studio, was a formula-bound factory for most of the 1930s and ’40s, and the golden goose of the Crosby films did not countenance feather-ruffling. One after another, they were amiable time-passers, relaxed escapism that made a mint and sold tons of records and sheet music. For many then and some now, these vehicles offered unthreatening comfort—few chances taken, little deviation from formula, a likable guy ambling through some minor plot and singing mostly great songs. On occasion there was something as glaring as the ridiculous Dixie: as composer Dan Emmett, Crosby speeds up the title song into an uptempo hit only because the theater’s caught on fire. Generally, his films lacked even that cuckoo invigoration, which is why posterity dotes on Holiday Inn and its splashy, inferior semi-remake, White Christmas, and few of the others. While it would not be accurate to view Crosby as another megalomaniacal Jolson type, he lacked Astaire’s forceful imagination. Greater professional curiosity might have made his films—not simply his singing—transcend time and circumstance.

—Sí que es guapísima. —Sacudió la ceniza que había en el extremo de su puro y me miró a los ojos, el tipo de mirada que te obligaba a escuchar—. Pero es como… ¿qué significa eso, en realidad? A no ser que mi meta sea sentarme y mirarla fijamente como alguien miraría el océano o una montaña, lo atractivo es solo algo visual.

The many delights of solo living are seldom shown in the media, just as the pain, vulnerability, and often conflict of living alongside the same person for years and years are rarely depicted, unless a "break-up" is involved. What is the impact of seeing the repetition, over and over and over again, of the "happily-ever-after" of getting together with a partner as the ending of every story from fairy tale to action movie? How much do we internalize the notion that this is the goal we should be thriving for?

Movies, music, TV, images and even food have become perfected to such an extent that it’s hard to even remember the way things used to be. We look at computers more than we look at the outside world. It may be true in some sense that movies and TV are more entertaining now, although I don’t personally think so. Magazines think they need to Photoshop their images to keep selling copies. There is no defense for artificial food whatsoever, and the problem with artificial music is that the public doesn’t realize that what they’re listening to is not real. It’s not human. The use of live instruments in recordings and in live “concerts” is so rare now that young people (especially in the United States) don’t have hardly any idea whatsoever about how to dance to live music of any sort. They don’t hear human salsa bands, string quartets, jazz bands, funk bands, rock bands or solo instrumentalists anymore. We have enough DJs. We need more high-level live music. There

Arriving solo to a movie premiere was a lot like going to any average theater and seeing a movie by yourself. You get the looks. Everyone wondering what you’re doing by yourself, asking you if you’re lost, asking you where your date or person was. People treated a single female alone at the movies like a cancer patient. Of course, people treated a single man alone at the movies like a pedophile, so—between the two—I’d rather garner sympathy than suspicion.

What…the…” I breathed. “You were married to…” I blinked. “Wait,” I said to my mother, “you were married?” “To your father,” my mother returned. “Until he died.” “Then does that mean…” I blinked again, and turned to Reed, who gave me a shrug and a shake of the head. “You’re my brother?” Reed nodded. “Half, anyway.” Kat spoke up, drawing my attention along with everyone else’s. “What…the hell is going on here? Can I go yet?” “Stay where you are, Kitten,” my mother snapped at her. “My name is Kat!” A withering glare from my mother caused Kat to flinch. “Yes, ma’am,” she said, chastened. “So Sienna and this dude are brother and sister?” Clary piped up from behind me. “Cuz I thought I caught ro-mantic tension between them. Heh,” he guffawed. “Guess it’s more like BRO-mantic tension!” He burst out in uncontrolled laughter which was echoed by no one. “What?” He turned to Bastian. “Roberto, that is funny! Come on!” I turned to Reed. “All this time you’ve been playing Leia to my Luke and you never told me?” He frowned. “What? I’m totally Luke. You’re the girl. Can you make objects move through the air?” He raised his finger and I felt a gust of wind blow my hair. “No? I’m Luke. You’re Leia. Get it straight.” “So who’s Han Solo?” Clary asked seriously. “And Darth Vader?” “I’m going to kill every last one of you pathetic geeks,” my mother said. “And I’m not even going to be nice about it. I’m going to just start draining souls. Will you please stop with the moronic Star Wars references? The movies came out in the 1970s. Most of you weren’t even born then. Move on with your lives.

They looked like a faded billboard for an old-time black and white movie. Some sentimental story. Maybe their mother died young and the old guy raised them all solo. Now they’re grateful. Or now for the first time ever a fractured family is seeing eye to eye, because of a terrible external threat. Some kind of dramatic hokum. They were acting it out.