Solitaire Book Quotes

But books–they’re different. When you watch a film, you’re sort of an outsider looking in. With a book–you’re right there. You are inside. You are the main character.

I think it's better to just read and not study books.

I can't really remember when Nick and Charlie became Nick-and-Charlie, but Nick is the only one who visited Charlie when he was ill, so in my books... he's definitely alright.

When you watch a film, you’re sort of an outsider looking in. With a book—you’re right there. You are inside. You are the main character.

I wish I knew what he was reading. I know I don’t like books, but you can always tell what someone is thinking by what they’re reading.

As I open the door, he murmurs: “Nothing’s going to change until you decide you want it to change.

If a man knew enough he could write a whole book about the juniper tree. Not juniper trees in general but that one particular juniper tree which grows from a ledge of naked sandstone near the old entrance to Arches National Monument.

Life's best adventures are as close as your nearest bookshelf. Tour Europe with the Count of Monte Cristo. Dance a ball with Mr Darcy. Hunt down bad guys with Stephanie Plum. Amazing things can happen when you read.

He shakes his head. “You know all the names to books, but you haven’t read a single one. It’s like it’s raining money, but you refuse to catch a single coin.

Though not untidy, exactly, it verged on being so. Books were stacked on every available surface; the tables were cluttered papers, ashtrays, bottles of whiskey, boxes of chocolates; umbrellas and galoshes made passage difficult in the narrow hall… Camilla’s night table was littered with empty teacups, leaky pens, dead marigolds in a water glass, and at the foot of her bed was a half-played game of solitaire… everywhere I looked was some fresh oddity: an old stereopticon, arrowheads in a dusty glass case, a staghorn fern, a bird’s skeleton…

Alice wrote a book when she was seventeen. This is that book.

I think it’s better to just read and not study books.

Death was sweetened for the martyrs by the promise of 72 virgins waiting in paradise. She had researched the 72 virgins. The number wasn’t actually in the Quran but in the Hadith 2687, collected in the Book of Sunan. The Quran, in Sura 56, was vague on the point. And theirs shall be the dark-eyed houris, chaste as hidden pearls … A new analysis translated houris from the Aramaic dialect Syriac as “white raisins”, which put everything in a very different light.

Is there something to the notion "Let me sleep on it."? Mountains of data says there is. For example, Mendeleyev - the creator of the Periodic Table of Elements - says that he came up with this idea in his sleep. Contemplating the nature of the universe while playing Solitaire one evening, he nodded off. When he awoke, he knew how all the atoms in the universe were organised, and he promptly created his famous table. Interestingly, he organised the atoms in repeating groups of seven, just the way you play Solitaire.

« Dans nos écoles on nous enseigne le doute et l’art d’oublier. Avant tout l’oubli de ce qui est personnel et localisé. » « — Personne ne peut lire deux mille livres. Depuis quatre siècles que je vis je n’ai pas dû en lire plus d’une demi-douzaine. D’ailleurs ce qui importe ce n’est pas de lire mais de relire. L’imprimerie, maintenant abolie, a été l’un des pires fléaux de l’humanité, car elle a tendu à multiplier jusqu’au vertige des textes inutiles. — De mon temps à moi, hier encore, répondis-je, triomphait la superstition que du jour au lendemain il se passait des événements qu’on aurait eu honte d’ignorer. » « — À cent ans, l’être humain peut se passer de l’amour et de l’amitié. Les maux et la mort involontaire ne sont plus une menace pour lui. Il pratique un art quelconque, il s’adonne à la philosophie, aux mathématiques ou bien il joue aux échecs en solitaire. Quand il le veut, il se tue. Maître de sa vie, l’homme l’est aussi de sa mort[30]. — Il s’agit d’une citation ? lui demandai-je. — Certainement. Il ne nous reste plus que des citations. Le langage est un système de citations. » Extrait de: Borges,J.L. « Le livre de sable. » / Utopie d’un homme qui est fatigué

Do not jump into your automobile next June and rush out to the canyon country hoping to see some of that which I have attempted to evoke in these pages. In the first place you can’t see anything from a car; you’ve got to get out of the goddamned contraption and walk, better yet crawl, on hands and knees, over the sandstone and through the thornbush and cactus. When traces of blood begin to mark your trail you’ll see something, maybe. Probably not. In the second place most of what I write about in this book is already gone or going under fast. This is not a travel guide but an elegy. A memorial.

I don’t like stories. I like moments. I like night better than day, moon better than sun, and here-and-now better than any sometime-later. I also like birds, mushrooms, the blues, peacock feathers, black cats, blue-eyed people, heraldry, astrology, criminal stories with lots of blood, and ancient epic poems where human heads can hold conversations with former friends and generally have a great time for years after they’ve been cut off. I like good food and good drink, sitting in a hot bath and lounging in a snowbank, wearing everything I own at once, and having everything I need close at hand. I like speed and that special ache in the pit of the stomach when you accelerate to the point of no return. I like to frighten and to be frightened, to amuse and to confound. I like writing on the walls so that no one can guess who did it, and drawing so that no one can guess what it is. I like doing my writing using a ladder or not using it, with a spray can or squeezing the paint from a tube. I like painting with a brush, with a sponge, and with my fingers. I like drawing the outline first and then filling it in completely, so that there’s no empty space left. I like letters as big as myself, but I like very small ones as well. I like directing those who read them here and there by means of arrows, to other places where I also wrote something, but I also like to leave false trails and false signs. I like to tell fortunes with runes, bones, beans, lentils, and I Ching. Hot climates I like in the books and movies; in real life, rain and wind. Generally rain is what I like most of all. Spring rain, summer rain, autumn rain. Any rain, anytime. I like rereading things I’ve read a hundred times over. I like the sound of the harmonica, provided I’m the one playing it. I like lots of pockets, and clothes so worn that they become a kind of second skin instead of something that can be taken off. I like guardian amulets, but specific ones, so that each is responsible for something separate, not the all-inclusive kind. I like drying nettles and garlic and then adding them to anything and everything. I like covering my fingers with rubber cement and then peeling it off in front of everybody. I like sunglasses. Masks, umbrellas, old carved furniture, copper basins, checkered tablecloths, walnut shells, walnuts themselves, wicker chairs, yellowed postcards, gramophones, beads, the faces on triceratopses, yellow dandelions that are orange in the middle, melting snowmen whose carrot noses have fallen off, secret passages, fire-evacuation-route placards; I like fretting when in line at the doctor’s office, and screaming all of a sudden so that everyone around feels bad, and putting my arm or leg on someone when asleep, and scratching mosquito bites, and predicting the weather, keeping small objects behind my ears, receiving letters, playing solitaire, smoking someone else’s cigarettes, and rummaging in old papers and photographs. I like finding something lost so long ago that I’ve forgotten why I needed it in the first place. I like being really loved and being everyone’s last hope, I like my own hands—they are beautiful, I like driving somewhere in the dark using a flashlight, and turning something into something completely different, gluing and attaching things to each other and then being amazed that it actually worked. I like preparing things both edible and not, mixing drinks, tastes, and scents, curing friends of the hiccups by scaring them. There’s an awful lot of stuff I like.

No end of blessings from heaven and earth. As we climb up out of the Moab valley and reach the high tableland stretching northward, traces of snow flying across the road, the sun emerges clear of the overcast, burning free on the very edge of the horizon. For a few minutes the whole region from the canyon of the Colorado to the Book Cliffs—crag, mesa, turret, dome, canyon wall, plain, swale and dune—glows with a vivid amber light against the darkness on the east. At the same time I see a mountain peak rising clear of the clouds, old Tukuhnikivats fierce as the Matterhorn, snowy as Everest, invincible. “Ferris, stop this car. Let’s go back.” But he only steps harder on the gas. “No,” he says, “you’ve got a train to catch.” He sees me craning my neck to stare backward. “Don’t worry,” he adds, “it’ll all still be here next spring.” The

Issib wasn't thrilled to see him. I'm busy and don't need interruptions." "This is the household library," said Nafai. "This is where we always come to do research." "See? You're interrupting already." "Look, I didn't say anything, I just came in here, and you started picking at me the second I walked in the door." "I was hoping you'd walk back out." "I can't. Mother sent me here." Nafai walked over behind Issib, who was floating comfortably in the air in front of his computer display. It was layered thirty pages deep, but each page had only a few words on it, so he could see almost everything at once. Like a game of solitaire, in which Issib was simply moving fragments from place to place. The fragments were all words in weird languages. The ones Nafai recognized were very old. "What language is that?" Nafai asked pointing, to one. Issib signed. "I'm so glad you're not interrupting me." "What is it, some ancient form of Vijati?" "Very good. It's Slucajan, which came from Obilazati, the original form of Vijati. It's dead now." "I read Vijati, you know." "I don't." "Oh, so you're specializing in ancient, obscure languages that nobody speaks anymore, including you?" "I'm not learning these languages, I'm researching lost words." "If the whole language is dead, then all the words are lost." "Words that used to have meanings, but that died out or survived only in idiomatic expressions. Like 'dancing bear.' What's a bear, do you know?" "I don't know. I always thought it was some kind of graceful bird." "Wrong. It's an ancient mammal. Known only on Earth, I think, and not brought here. Or it died out soon. It was bigger than a man, very powerful. A predator." "And it danced?" "The expression used to mean something absurdly clumsy. Like a dog walking on its hind legs." "And now it means the opposite. That's weird. How could it change?" "Because there aren't any bears. THe meaning used to be obvious, because everybody knew a bear and how clumsy it would look, dancing. But when the bears were gone, the meaning could go anywhere. Now we use it for a person who's extremely deft in getting out of an embarrassing social situation. It's the only case that we use the word bear anymore. And you see a lot of people misspelling it, too." "Great stuff. You doing a linguistics project?" "No." "What's this for, then?" "Me." "Just collection old idioms?" "Lost words." "Like bear? The word isn't lost, Issya. It's the bears that are gone." "Very good, Nyef. You get full credit for the assignment. Go away now.

solitaire. 

Franklin and G were playing against Derrick and Erick in solitaire.  Derrick looked over at Erick and then they bid their hands.  The game went on and Derrick and Erick were beating them horribly. 

I know I don’t like books, but you can always tell what someone is thinking by what they’re reading.

I am the voice of my soul printed in print for your eyes to read, I am the wanderer with a million wonders and aspirations in my soul, I am the humble one at the table of the kings and queens, I am the solitaire figure over time, in the history books of romance and love,

drawing pad. He withdrew it and

Fear ye not, stand still.… —Exodus 14:13 (KJV) Help, God! I’m overwhelmed! In the middle of creating a real estate brochure, my computer paused for what seemed an eternity each time I dropped in a new photo. “Hmm,” said the technician when my computer reacted to his touch like a really slow-moving snail, “let’s check your apps.” The technician tapped my home screen twice, and a stream of intriguing icons appeared at the bottom of the page. He swiped them with his finger. There were my mailbox, weather, news, Google, Mapquest, calendar, contacts, two word games, solitaire, a poetry book. On he swiped, past real estate, camera, some magazines, alarm clock, dictionary, Bible. “You haven’t turned off your apps in a while,” he said. “I didn’t know I was supposed to,” I answered. “If you leave them on, there’s too much information vying for space,” he explained. “Then everything slows down. A computer is like a person…can’t handle everything at once.” Hey, God, have You brought me here to tell me something? The tech showed me how to turn off the apps I didn’t need. Now my computer was brochure-ready and humming at full speed. As I left the store, I was humming too. Standing still, I turned off all the extra programs in my head and focused on the task at hand! Father, in a complicated world, You bring me back to what’s always true: “Be still” and know…one thing at a time! —Pam Kidd Digging Deeper: Prv 3:5–6; Is 40:28–31

All that is human melted into the sky and faded into the mountains. Is that a paradox? That a man could never need or have better companionship than himself? As for the solitary confinement of the mind, that solipsism, like the other absurdities of the professional philosopher, is the product of too much time wasted in library stacks between the covers of a book and smoke-hilled coffeehouses, bad for the brains, and conversation-clogged seminars. To refute the solipsist or the metaphysical idealist, all that you have to do is take him out and throw a rock at his head. If he ducks, he’s a liar. His logic may be airtight, but his argument, far from revealing the delusions of living experience, only exposes the limitations of logic.

Benson had already forgotten the samples he had analyzed when an unfortunate explosion of the air purification system burned him beyond recognition. The investigation concluded that it was an accident. The purification system was antiquated; colonists had complained about it for the last twenty years and credits had consistently been refused. It was a sad event. It was forgotten in a week. A new air purification system was installed.

Films aren't real, but I love them. But books they're different. When you watch a film, you're sort of an outsider looking in. With a book you're right there. You are inside. You are the main character.

Arie looked at the book. There was a little piece of paper that marked a page near the front cover. She opened up the book. Arie – Remember that wherever your heart is, there you will find your treasure. Be always faithful to your destiny. Paulo Coelho Arie gasped. It was a signed copy. Made out to her. How could that be? She looked from the book, at Noah, and noticed that he was down on one knee. “Arabella, I love you because the universe conspired to help me find you. You are more than the love of my life. You are my best friend, my confidant, and a mirror of who I am. Paulo Coelho said, ‘To realize one’s destiny is a person’s only obligation.’ Mine is to be with you. Will you make me the happiest person on earth and be my wife?” “Oh my gosh!” Arie exclaimed. Noah pulled out a navy velvet box. It held a beautiful three-carat, white diamond, princess cut solitaire ring. “Will you marry me?” Noah asked.

C. M. Doughty—Travels in Arabia Deserta—who almost never came back. A few Americans have tried to understand the desert: Mary Austin in her book Land of Little Rain, John C. Van Dyke in an unjustly forgotten book The Desert, Joseph Wood Krutch with The Voice of the Desert, the contemporary novelists Paul Bowles and William Eastlake in part of their work (but only in an incidental way), and such obscure figures as the lad Everett Reuss, author of On Desert Trails, who disappeared at the age of twenty-six into the canyon

Last semester, when I asked my class, as I do each quarter, how many of them had ever spent a night sleeping in the wilderness the answer was zero, and I realized for the first time in my teaching life I might be standing in front of a room full of students for whom the words “elk” or “granite” or “bristlecone pine” conjured exactly nothing. I thought about the books that had shaped my sensibility as a young writer: Pilgrim at Tinker Creek, Silent Spring, A Sand County Almanac, Refuge, A River Runs Through It, In Patagonia and Desert Solitaire. Now, amid the most sweeping legislative attack on our environment in history, a colleague wondered aloud to me whether it was feasible, or even sane anymore, to teach books that celebrate nature unironically. This planet hadn’t even been mapped properly a couple of hundred years ago, and now none of it, above or below ground, remains unsullied by our need for extraction. As we hurtle toward the cliff, foot heavy on the throttle, to write a poem about the loveliness of a newly leafed out aspen grove or a hot August wind sweeping across prairie grass or the smell of the air after a three-day rain in the maple forest might be at best so unconscionably naïve, and at worst so much part of the problem, we might as well drive a Hummer and start voting Republican.