Solidarity Night Quotes

We've searched our database for all the quotes and captions related to Solidarity Night. Here they are! All 41 of them:

Persephone, grant me the foresight to know when I must let go my old life to start anew. Artemis, grant me the strength of your spine when you helped deliver Apollo, your own twin. Athena, grant me the solidarity in your sinews for which you were born in all of your armour. Aphrodite, grant me the kind of heart that always follows my passions true. Andromeda grant me the wish to never fall out of love with the night sky or the glisten of it’s stars. And Hera, grant me your fury, so I can remind my enemies I am not the weakness they perceive, I am the oncoming storm, I am war.
Nikita Gill
I’d noticed soon after starting the job that whenever I got angry at the same things as everyone else, they all seemed happy. If I went along with the manager when he was annoyed or joined in the general irritation at someone skiving off the night shift, there was a strange sense of solidarity as everyone seemed pleased that I was angry too.
Sayaka Murata (Convenience Store Woman)
If we know, then we must fight for your life as though it were our own-which it is-and render impassable with our bodies the corridors to the gas chamber. For if they come for you in the morning, they will be coming for us that night.
James Baldwin
For a long while I have believed – this is perhaps my version of Sir Darius Xerxes Cama’s belief in a fourth function of outsideness – that in every generation there are a few souls, call them lucky or cursed, who are simply born not belonging, who come into the world semi-detached, if you like, without strong affiliation to family or location or nation or race; that there may even be millions, billions of such souls, as many non-belongers as belongers, perhaps; that, in sum, the phenomenon may be as “natural” a manifestation of human nature as its opposite, but one that has been mostly frustrated, throughout human history, by lack of opportunity. And not only by that: for those who value stability, who fear transience, uncertainly, change, have erected a powerful system of stigmas and taboos against rootlessness, that disruptive, anti-social force, so that we mostly conform, we pretend to be motivated by loyalties and solidarities we do not really feel, we hide our secret identities beneath the false skins of those identities which bear the belongers’ seal of approval. But the truth leaks out in our dreams; alone in our beds (because we are all alone at night, even if we do not sleep by ourselves), we soar, we fly, we flee. And in the waking dreams our societies permit, in our myths, our arts, our songs, we celebrate the non-belongers, the different ones, the outlaws, the freaks. What we forbid ourselves we pay good money to watch, in a playhouse or a movie theater, or to read about between the secret covers of a book. Our libraries, our palaces of entertainment tell the truth. The tramp, the assassin, the rebel, the thief, the mutant, the outcast, the delinquent, the devil, the sinner, the traveler, the gangster, the runner, the mask: if we did not recognize in them our least-fulfilled needs, we would not invent them over and over again, in every place, in every language, in every time.
Salman Rushdie (The Ground Beneath Her Feet)
There must be a glowing light above such houses. The joy they contain must escape in light through the stones of the walls and shine dimly into the darkness. It is impossible that this sacred festival of destiny should not send a celestial radiation to the infinite. Love is the sublime crucible in which is consummated the fusion of man and woman; the one being, the triple being, the final being-- the human trinity springs from it. This birth of two souls into one space must be an emotion for space. The lover is priest; the apprehensive maiden submits. Something of this joy goes to God. Where there really is marriage, that is to say, where there is love, the ideal is mingled with it. A nuptial bed makes a halo in the darkness. Were it given to the eye of the flesh to perceive the fearful and enchanting sights of the superior life, it is likely that we should see the forms of night, the winged stranger, the blue travelers of the invisible, bending, a throng of shadowy heads, over the luminous house, pleased, blessing, showing to one another the sweetly startled maiden bride and wearing the reflection of the human felicity on their divine countenances. If at that supreme hour, the wedded pair, bewildered with pleasure, and believing themselves alone, were to listen, they would hear in their room a rustling of confused wings. Perfect happiness implies the solidarity of the angels. That obscure little alcove has for its ceiling the whole heavens. When two mouths, made sacred by love, draw near to each other to create, it is impossible, that above that ineffable kiss there should not be a thrill in the immense mystery of the stars.
Victor Hugo (Les Misérables)
Sleepless people were bound by a wordless solidarity.
Pascal Mercier (Night Train to Lisbon)
Mosca and Saracen shared, if not a friendship, at least the solidarity of the generally despised. Mosca assumed that Saracen had his reasons for his persecution of terriers and his possessive love of the malthouse roof. In turn, when Mosca had interrupted Saracen’s self-important nightly patrol and scooped him up, Saracen had assumed that she too had her reasons.
Frances Hardinge (Fly by Night)
One more, final question came from the audience on my last night in Newtown, and it was the one I most did not want to hear: “Will God protect my child?” I stayed silent for what seemed like minutes. More than anything I wanted to answer with authority, “Yes! Of course God will protect you. Let me read you some promises from the Bible.” I knew, though, that behind me on the same platform twenty-six candles were flickering in memory of victims, proof that we have no immunity from the effects of a broken planet. My mind raced back to Japan, where I heard from parents who had lost their children to a tsunami in a middle school, and forward to that very morning when I heard from parents who had lost theirs to a shooter in an elementary school. At last I said, “No, I’m sorry, I can’t promise that.” None of us is exempt. We all die, some old, some tragically young. God provides support and solidarity, yes, but not protection—at least not the kind of protection we desperately long for. On this cursed planet, even God suffered the loss of a Son.
Philip Yancey (The Question That Never Goes Away)
We all chose to stand down and hope change would be won for us, and not by us. By someone else, we believed. A hero, we believed. But belief is only step one. Action is step two. Fighting for what you believe is step two. Solidarity is step two. Unity is step two.
Joseph Fink (The Great Glowing Coils of the Universe (Welcome to Night Vale Episodes, #2))
...for those who value stability, who fear transience, uncertainty, change, have erected a powerful system of stigmas and taboos against rootlessness, that disruptive, anti-social force, so that we mostly conform, we pretend to be motivated by loyalties and solidarities we do not really feel, we hide our secret identities beneath the false skins of those identities which bear the belongers' seal of approval. But the truth leaks out in our dreams; alone in our beds (because we are all alone at night, even if we do not sleep by ourselves), we soar, we fly, we flee. And in the waking dreams our societies permit, in our myths, our arts, our songs, we celbrate the non-belongers, the different ones, the outlaws, the freaks. What we forbid ourselves we pay good money to watch, in a playhouse or movie theatre, or to read about between the secret covers of a book. Our libraries, our palaces of entertainment tell the truth. The tramp, the assassin, the rebel, the thief, the mutant, the outcast, the delinquent, the devil, the sinner, the traveller, the gangster, the runner, the mask: if we did not recognize in them our least-fulfilled needs, we would not invent them over and over again, in every place, in every language, in every time.
Salman Rushdie (The Ground Beneath Her Feet)
Rejecting joy to stand in solidarity with the suffering doesn't rescue the suffering the converse does. The brave who focus and all things good and all things beautiful to give thanks for it and discover joy even in the here and now, they are the change agent to bring the fullest night to all the world.
Ann Voskamp (One Thousand Gifts: A Dare to Live Fully Right Where You Are)
But belief is only step one. Action is step two. Fighting for what you believe is step two. Solidarity is step two. Unity is step two.
Joseph Fink (The Great Glowing Coils of the Universe (Welcome to Night Vale Episodes #2))
Having no lead to follow, we were swept up by words, memories, manias, grudges, and solidarities. Having no goal to aim for, we wasted what little life there was in our thoughts on joining in with a pun, speaking ill of common acquaintances, avoiding unpleasant facts, riding hobbyhorses, pushing at open doors, making faces, and preening ourselves.
René Daumal (A Night of Serious Drinking)
Elvis didn’t reply and pressed the rag against his cheek. Let El Güero chuckle if he wanted. It’s not like one could expect solidarity from that piece of shit. Never had and never would.
Silvia Moreno-Garcia (Velvet Was the Night)
Will you let me say, here and now, that the one thing which frustrated the whole attack from first to last was the remarkable solidarity and public spirit displayed by your college as a body. I think that was the last obstacle that X expected to encounter in a community of women. Nothing but the very great loyalty of the Senior Common Room to the College and the respect of the students for the Senior Common Room stood between you and a most unpleasant publicity. It is the merest presumption in me to tell you what you already know far better than I do; but I say it, not only for my own satisfaction, but because this particular kind of loyalty forms at once the psychological excuse for the attack and the only possible defense against it.
Dorothy L. Sayers (Gaudy Night (Lord Peter Wimsey, #12))
There's folly in her stride that's the rumor justified by lies I've seen her up close beneath the sheets and sometime during the summer she was mine for a few sweet months in the fall and parts of December ((( To get to the heart of this unsolvable equation, one must first become familiar with the physical, emotional, and immaterial makeup as to what constitutes both war and peace. ))) I found her looking through a window the same window I'd been looking through She smiled and her eyes never faltered this folly was a crime ((( The very essence of war is destructive, though throughout the years utilized as a means of creating peace, such an equation might seem paradoxical to the untrained eye. Some might say using evil to defeat evil is counterproductive, and gives more meaning to the word “futile”. Others, like Edmund Burke, would argue that “the only thing necessary for the triumph of evil is for good men and women to do nothing.” ))) She had an identity I could identify with something my fingertips could caress in the night ((( There is such a limitless landscape within the mind, no two minds are alike. And this is why as a race we will forever be at war with each other. What constitutes peace is in the mind of the beholder. ))) Have you heard the argument? This displacement of men and women and women and men the minds we all have the beliefs we all share Slipping inside of us thoughts and religions and bodies all bare ((( “Without darkness, there can be no light,” he once said. To demonstrate this theory, during one of his seminars he held a piece of white chalk and drew a line down the center of a blackboard. Explaining that without the blackness of the board, the white line would be invisible. ))) When she left she kissed with eyes open I knew this because I'd done the same Sometimes we saw eye to eye like that Very briefly, she considered an apotheosis a synthesis a rendering of her folly into solidarity ((( To believe that a world-wide lay down of arms is possible, however, is the delusion of the pacifist; the dream of the optimist; and the joke of the realist. Diplomacy only goes so far, and in spite of our efforts to fight with words- there are times when drawing swords of a very different nature are surely called for. ))) Experiencing the subsequent sunrise inhaling and drinking breaking mirrors and regurgitating just to start again all in all I was just another gash in the bark ((( Plato once said: “Only the dead have seen the end of war.” Perhaps the death of us all is called for in this time of emotional desperation. War is a product of the mind; only with the death of such will come the end of the bloodshed. Though this may be a fairly realistic view of such an issue, perhaps there is an optimistic outlook on the horizon. Not every sword is double edged, but every coin is double sided. ))) Leaving town and throwing shit out the window drinking boroughs and borrowing spare change I glimpsed the rear view mirror stole a glimpse really I've believed in looking back for a while it helps to have one last view a reminder in case one ever decides to rebel in the event the self regresses and makes the declaration of devastation once more ((( Thus, if we wish to eliminate the threat of war today- complete human annihilation may be called for. )))
Dave Matthes (Wanderlust and the Whiskey Bottle Parallel: Poems and Stories)
It was women’s individual experiences of victimization that produced our widespread moral and political opposition to it. And at the same time, there was something about the hashtag itself—its design, and the ways of thinking that it affirms and solidifies—that both erased the variety of women’s experiences and made it seem as if the crux of feminism was this articulation of vulnerability itself. A hashtag is specifically designed to remove a statement from context and to position it as part of an enormous singular thought. A woman participating in one of these hashtags becomes visible at an inherently predictable moment of male aggression: the time her boss jumped her, or the night a stranger followed her home. The rest of her life, which is usually far less predictable, remains unseen. Even as women have attempted to use #YesAllWomen and #MeToo to regain control of a narrative, these hashtags have at least partially reified the thing they’re trying to eradicate: the way that womanhood can feel like a story of loss of control. They have made feminist solidarity and shared vulnerability seem inextricable, as if we were incapable of building solidarity around anything else. What we have in common is obviously essential, but it’s the differences between women’s stories—the factors that allow some to survive, and force others under—that illuminate the vectors that lead to a better world. And, because there is no room or requirement in a tweet to add a disclaimer about individual experience, and because hashtags subtly equate disconnected statements in a way that can’t be controlled by those speaking, it has been even easier for #MeToo critics to claim that women must themselves think that going on a bad date is the same as being violently raped.
Jia Tolentino (Trick Mirror)
It’s unfair for the burden to rest entirely on the victims’ shoulders. It shouldn’t be only the accusers who risk everything; it shouldn’t be only the aggrieved who grieve. Other people need to take real action. Not just stand in solidarity, not just post on Instagram or hang a banner or donate fifty bucks.
Chris Pavone (Two Nights in Lisbon)
Capitalists too, as the novelist Charles Dickens noted, liked to think of their workers as 'hands' only, preferring to forget they had stomachs and brains. But, said the more perceptive nineteenth-century critics, if this is how people live their lives at work, then how on earth can they think differently when they come home at night? How might it be possible to build a sense of moral community or of social solidarity, of collective and meaningful ways of belonging and living that are untainted by the brutality, ignorance and stupidity that envelops labourers at work? How, above all, are workers supposed to develop any sense of their mastery over their own fates and fortunes when they depend so deeply upon a multitude of distant, unknown and in many respects unknowable people who put breakfast on their table every day?
David Harvey (Seventeen Contradictions and the End of Capitalism)
I’d noticed soon after starting the job that whenever I got angry at the same things as everyone else, they all seemed happy. If I went along with the manager when he was annoyed or joined in the general irritation at someone skiving off the night shift, there was a strange sense of solidarity as everyone seemed pleased that I was angry too. Now, too, I felt reassured by the expression on Mrs. Izumi and Sugawara’s faces: Good, I pulled off being a “person.” I’d felt similarly reassured any number of times here in the convenience store.
Sayaka Murata (Convenience Store Woman)
My daughter would soon be the age of the ghosts of our girlhood. I found it inconceivable that in a relatively small amount of time, my daughter could wear a wedding dress, as Lila had, end up brutalized in a man's bed, lock herself in the role of Signora Carracci; I found it equally inconceivable that, as had happened to me, she could lie under the heavy body of a grown man, at night, on the Maronti, smeared with dark sand, damp air, and bodily fluids, just for revenge. I remembered the thousands of odious things we had gone through and I let the solidarity regain force. What a waste it would be, I said to myself, to ruin our story by leaving too much space for ill feelings: ill feelings are inevitable, but the essential thing is to keep them in check.
Elena Ferrante
Soiree in Rome. The women are more attractive than the men - they always are. My first impression is that all the men are ugly (they are producers and film directors) and that all the women are beautiful (they are actresses). On a second view: the men are ugly, but they have character; all the women have something erotic about them, but nothing remarkable - a purely macho society, the world of showbiz. The big scene with the male lead is played out in all its grandeur, from one palazzo to the next in the Roman night. The most beautiful actress I know is marrying a rich director, author of 97 screenplays. This is the rule among the showbiz crowd. As usual I feel alienation from all the men there and solidarity with all the women, whom the men pretend to scorn in order to please them, but to whom they are basically indifferent. It must be nice to live in bodies so beautiful, so ingenuous, and allow the men to dominate you with all their ugliness, wealth and pretensions. It must be marvellous to be a woman. Ultimately, it is this which is fascinating: woman is unimaginable. The more beautiful she is, the more unimaginable.
Jean Baudrillard (Cool Memories)
Jazz was the opposite of everything Harry Anslinger believed in. It is improvised, and relaxed, and free-form. It follows its own rhythm. Worst of all, it is a mongrel music made up of European, Caribbean, and African echoes, all mating on American shores. To Anslinger, this was musical anarchy, and evidence of a recurrence of the primitive impulses that lurk in black people, waiting to emerge. “It sounded,” his internal memos said, “like the jungles in the dead of night.”94 Another memo warned that “unbelievably ancient indecent rites of the East Indies are resurrected”95 in this black man’s music. The lives of the jazzmen, he said, “reek of filth.”96 His agents reported back to him97 that “many among the jazzmen think they are playing magnificently when under the influence of marihuana but they are actually becoming hopelessly confused and playing horribly.” The Bureau believed that marijuana slowed down your perception of time98 dramatically, and this was why jazz music sounded so freakish—the musicians were literally living at a different, inhuman rhythm. “Music hath charms,”99 their memos say, “but not this music.” Indeed, Harry took jazz as yet more proof that marijuana drives people insane. For example, the song “That Funny Reefer Man”100 contains the line “Any time he gets a notion, he can walk across the ocean.” Harry’s agents warned: “He does think that.” Anslinger looked out over a scene filled with men like Charlie Parker,101 Louis Armstrong,102 and Thelonious Monk,103 and—as the journalist Larry Sloman recorded—he longed to see them all behind bars.104 He wrote to all the agents he had sent to follow them, and instructed: “Please prepare all cases in your jurisdiction105 involving musicians in violation of the marijuana laws. We will have a great national round-up arrest of all such persons on a single day. I will let you know what day.” His advice on drug raids to his men was always “Shoot first.”106 He reassured congressmen that his crackdown would affect not “the good musicians, but the jazz type.”107 But when Harry came for them, the jazz world would have one weapon that saved them: its absolute solidarity. Anslinger’s men could find almost no one among them who was willing to snitch,108 and whenever one of them was busted,109 they all chipped in to bail him out.
Johann Hari (Chasing the Scream: The First and Last Days of the War on Drugs)
I have lived pain, and my life can tell: I only deepen the wound of the world when I neglect to give thanks for early light dappled through leaves and the heavy perfume of wild roses in early July and the song of crickets on humid nights and the rivers that run and the stars that rise and the rain that falls and all the good things that a good God gives. Why would the world need more anger, more outrage? How does it save the world to reject unabashed joy when it is joy that saves us? Rejecting joy to stand in solidarity with the suffering doesn’t rescue the suffering. The converse does. The brave who focus on all things good and all things beautiful and all things true, even in the small, who give thanks for it and discover joy even in the here and now, they are the change agents who bring fullest Light to all the world. When we lay the soil of our hard lives open to the rain of grace and let joy penetrate our cracked and dry places, let joy soak into our broken skin and deep crevices, life grows. How can this not be the best thing for the world? For us? The clouds open when we mouth thanks.
Ann Voskamp (One Thousand Gifts: A Dare to Live Fully Right Where You Are)
A couple of coworkers and I went to see the movie Collateral one evening. When we came back to the office around 11:00 (to go back to work), we ran into Chris Metzen sitting in the hallway. Upper management was making an effort to stay late with the team to show solidarity, and tonight was Chris’s night. He was playing the new beta and preparing for the final boss fight in Gnomeregan. Dungeon crawls were far more intense than anything he was used to, and he told the people standing behind his desk that he actually felt nervous before the fight. “Dude, my heart is pumping so hard right now, I’m gonna have a fucking heart attack. Just look at my hands, they’re shaking. I’ve never been so nervous about a game before this!” As his party prepared to fight the Gnomeregan end boss monster, Mekgineer Thermaplugg, Chris typed, “Remember guys, he’s just a gnome!” After a heated battle, Chris died screaming, seconds before the boss collapsed. This was before players received postmortem credit for kills, so Chris couldn’t complete his dungeon quest. He was so disappointed, he immediately went home. When I told Jeff what had happened the next morning, he laughed and replied, “Ouch. That really sucks. We should give kill-credit to everyone in the party, dead or alive.
John Staats (The World of Warcraft Diary: A Journal of Computer Game Development)
In these cases, multiple types of solidarity seemed to naturally meld together. It was women’s individual experiences of victimization that produced our widespread moral and political opposition to it. And at the same time, there was something about the hashtag itself—its design, and the ways of thinking that it affirms and solidifies—that both erased the variety of women’s experiences and made it seem as if the crux of feminism was this articulation of vulnerability itself. A hashtag is specifically designed to remove a statement from context and to position it as part of an enormous singular thought. A woman participating in one of these hashtags becomes visible at an inherently predictable moment of male aggression: the time her boss jumped her, or the night a stranger followed her home. The rest of her life, which is usually far less predictable, remains unseen. Even as women have attempted to use #YesAllWomen and #MeToo to regain control of a narrative, these hashtags have at least partially reified the thing they’re trying to eradicate: the way that womanhood can feel like a story of loss of control. They have made feminist solidarity and shared vulnerability seem inextricable, as if we were incapable of building solidarity around anything else.
Jia Tolentino (Trick Mirror)
At the beginning of the scene, when called upon to offer his opinion on one side or another of the legal argument, the Earl of Warwick holds back. He may know something about dogs and hawks, he genially declares, but in such highly technical matters—“these nice sharp quillets of the law” (2.4.17)—he professes to be no wiser than a jackdaw, a proverbially stupid bird. But by the scene’s end, in the wake of the formation of the parties, his restraint has vanished: he has plucked the white rose and is eager for blood. “This brawl today,” he prophesies, Grown to this faction in the Temple Garden, Shall send between the red rose and the white A thousand souls to death and deadly night. (2.4.124–28) The obscure legal difference has not fundamentally changed, no new occasion for dispute has arisen, and there does not seem to be an underlying cause such as greed or jealousy. But the party rage seems to have a life of its own. Suddenly everyone seems to be boiling over with potentially murderous aggression. It is as if, in the absence of the dominant figure of the king, the purely conventional and meaningless emblems precipitate a rush of both group solidarity and group loathing. This loathing is an important part of what leads to a social breakdown and, eventually, to tyranny. It makes the voice, even the very thought, of the opponent almost unendurable. You are either with me or against me—and if you are not with me, I hate you and want to destroy you and all of your adherents. Each party naturally seeks power, but seeking power becomes itself the expression of rage: I crave the power to crush you. Rage generates insults, and insults generate outrageous actions, and outrageous actions, in turn, heighten the intensity of the rage. It all begins to spiral out of control.
Stephen Greenblatt (Tyrant: Shakespeare on Politics)
I was willing to bet that if I were a dude coming back to the Sofitel late at night with a couple of underage hookers, no one would bat an eye, state of emergency or no state of emergency. But let a lady try and show some sisterly solidarity, and suddenly it was ENFORCE ALL THE POLICIES. Fuck that.
Cory Doctorow (Attack Surface (Little Brother, #3))
Going out into the woods at night with your friends is fun and exhilarating, going out into the woods by yourself is scary.
Adam Curtiss
As in all political and religious faiths founded on the ideas of dead heroes, this made for solidarity and power and quite prevented any adaptation of the form of government to the needs of the world that had arisen since his demise. I
Milo M. Hastings (City of Endless Night)
Now listen to me. I will not walk on one-way streets any longer. Your wound is my wound, (though you don't know that mine is yours), and I do what I can, but the well will run dry. You will use us up. There are women whose first stretching across borders was into your lives. When they discover how you make use of their compassion, they will turn away heartsick, stricken, withering in the freshness of their hope. There are women who were leaders, who worked night and day, defeated not by foreign policy, but by the sexual politics of solidarity, bitter now, unable to work anywhere near you. How dare you speak of the New Woman! We are your richest resource besides your endurance, and you use us like rags to wrap around your pain.
Aurora Levins Morales (Getting Home Alive)
It’s in the most trying times, when we ourselves have nothing, that we mustn’t forget there are higher virtues like compassion, kindness and solidarity. Doing something when it is hard, because it is the right thing to do, matters more than doing it when it’s easy.
T.L. Huchu (The Library of the Dead (Edinburgh Nights, #1))
Don’t make the same mistake I made a long time ago and lose yourself in the soulless pursuit of money, child. It’s in the most trying times, when we ourselves have nothing, that we mustn’t forget there are higher virtues like compassion, kindness and solidarity. Doing something when it is hard, because it is the right thing to do, matters more than doing it when it’s easy. The world needs light now more than ever.
T.L. Huchu (The Library of the Dead (Edinburgh Nights, #1))
As the Aragalaya movement continues, and as people struggle to live in Sri Lanka, I write in solidarity from Minneapolis.
V.V. Ganeshananthan (Brotherless Night)
Don't make the same mistake I made a long time ago and lose yourself in the soulless pursuit of money, child. It's in the most trying times, when we ourselves have nothing, that we mustn't forget there are higher virtues like compassion, kindness and solidarity. Doing something when it's hard, because it is the right thing to do, matters more than doing it when it's easy. The world needs light now more than ever.
T.L. Huchu (The Library of the Dead (Edinburgh Nights, #1))
reform-minded general secretary of the Soviet Communist Party, the most powerful position in Russia, the Soviet satellites were moving toward independence. I was in Prague the night the Velvet Revolution separated Czechoslovakia from Moscow’s rule and spent time in Poland with the charismatic Lech Walesa, who led Solidarity. Nineteen eighty-nine was that kind of year. Earlier, in June, I finished a commencement address at Tulane University School of Medicine on a Saturday morning and got a call from our news desk: Chinese troops had moved on young urban protesters who had taken over Tiananmen Square in the heart of the Chinese capital, demanding more political and personal freedom after a state visit from Gorbachev, who was reforming
Tom Brokaw (A Lucky Life Interrupted: A Memoir of Hope)
At Ardennes she conceived a desire to strangle the young woman who prepped and held down garde manger. The woman, Becky Hemerling, was a culinary-institute grad with wavy blond hair and a petite flat body and fair skin that turned scarlet in the kitchen heat. Everything about Becky Hemerling sickened Denise—her C.I.A. education (Denise was an autodidact snob), her overfamiliarity with more senior cooks (especially with Denise), her vocal adoration of Jodie Foster, the stupid fish-and-bicycle texts on her T-shirts, her overuse of the word “fucking” as an intensifier, her self-conscious lesbian “solidarity” with the “latinos” and “Asians” in the kitchen, her generalizations about “right-wingers” and “Kansas” and “Peoria,” her facility with phrases like “men and women of color,” the whole bright aura of entitlement that came of basking in the approval of educators who wished that they could be as marginalized and victimized and free of guilt as she was. What is this person doing in my kitchen? Denise wondered. Cooks were not supposed to be political. Cooks were the mitochondria of humanity; they had their own separate DNA, they floated in a cell and powered it but were not really of it. Denise suspected that Becky Hemerling had chosen the cooking life to make a political point: to be one tough chick, to hold her own with the guys. Denise loathed this motivation all the more for harboring a speck of it herself. Hemerling had a way of looking at her that suggested that she (Hemerling) knew her better than she knew herself—an insinuation at once infuriating and impossible to refute. Lying awake beside Emile at night, Denise imagined squeezing Hemerling’s neck until her blue, blue eyes bugged out. She imagined pressing her thumbs into Hemerling’s windpipe until it cracked.    Then one night she fell asleep and dreamed that she was strangling Becky and that Becky didn’t mind. Becky’s blue eyes, in fact, invited further liberties. The strangler’s hands relaxed and traveled up along Becky’s jawline and past her ears to the soft skin of her temples. Becky’s lips parted and her eyes fell shut, as if in bliss, as the strangler stretched her legs out on her legs and her arms out on her arms…    Denise couldn’t remember being sorrier to wake from a dream.    “If you can have this feeling in a dream,” she said to herself, “it must be possible to have it in reality.
Jonathan Franzen (The Corrections)
Apartheid is, in my view, as abhorrent as anti-Semitism. To me, Andrei Sakharov’s isolation is as much a disgrace as Joseph Begun’s imprisonment and Ida Nudel’s exile. As is the denial of Solidarity and its leader Lech Walesa’s right to dissent. And Nelson Mandela’s interminable imprisonment.
Elie Wiesel (Night)
The System The denunciation of a dictatorship’s crimes doesn’t end with a list of the tortured, murdered, and disappeared. The machine gives you lessons in egoism and lies. Solidarity is a crime. To save yourself, the machine teaches, you have to be a hypocrite and a louse. The person who kisses you tonight will sell you tomorrow. Every favor breeds an act of revenge. If you say what you think, they smash you, and nobody deserves the risk. Doesn’t the unemployed worker secretly wish the factory will fire the other guy in order to take his place? Isn’t your neighbor your competition and enemy? Not long ago, in Montevideo, a little boy asked his mother to take him back to the hospital, because he wanted to be unborn. Without a drop of blood, without even a tear, the daily massacre of the best in every person is carried out. Victory for the machine: people are afraid of talking and looking at one another. May nobody meet anybody else. When someone looks at you and keeps looking, you think, “He’s going to screw me.” The manager tells the employee, who was once his friend, “I had to denounce you. They asked for the lists. Some name had to be given. If you can, forgive me.” Out of every thirty Uruguayans, one has the job of watching, hunting down, and punishing others. There is no work outside the garrisons and the police stations, and in any case to keep your job you need a certificate of democratic faith given by the police. Students are required to denounce their fellow students, children are urged to denounce their teachers. In Argentina, television asks, “Do you know what your child is doing right now?” Why isn’t the murder of souls through poisoning written up on the crime page?
Eduardo Galeano (Days and Nights)
As hard as he tried, he could not erase the memory of the woman with the shining black hair, sparkling eyes, easy laugh, and magic marbles; he could not forget the friend who thrust his finger out and held it in the dark like a beacon, all night till the sun came up. The memory of that finger, that one solitary white finger, reaching out in friendship and solidarity, shone in his memory like a bright, shining star.
James McBride (The Heaven & Earth Grocery Store)
On Oscar night, ushers carried trays of rainbow ribbons—another concession to Jackson—so that Black attendees could show their solidarity. Only Quincy Jones wore one. (Will Smith said it would clash with his tuxedo.)
Michael Schulman (Oscar Wars: A History of Hollywood in Gold, Sweat, and Tears)