Sole Sisters Quotes

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Many individuals are so constituted that their only thought is to obtain pleasure and shun responsibility. They would like, butterfly-like, to wing forever in a summer garden, flitting from flower to flower, and sipping honey for their sole delight. They have no feeling that any result which might flow from their action should concern them. They have no conception of the necessity of a well-organized society wherein all shall accept a certain quota of responsibility and all realize a reasonable amount of happiness. They think only of themselves because they have not yet been taught to think of society. For them pain and necessity are the great taskmasters. Laws are but the fences which circumscribe the sphere of their operations. When, after error, pain falls as a lash, they do not comprehend that their suffering is due to misbehavior. Many such an individual is so lashed by necessity and law that he falls fainting to the ground, dies hungry in the gutter or rotting in the jail and it never once flashes across his mind that he has been lashed only in so far as he has persisted in attempting to trespass the boundaries which necessity sets. A prisoner of fate, held enchained for his own delight, he does not know that the walls are tall, that the sentinels of life are forever pacing, musket in hand. He cannot perceive that all joy is within and not without. He must be for scaling the bounds of society, for overpowering the sentinel. When we hear the cries of the individual strung up by the thumbs, when we hear the ominous shot which marks the end of another victim who has thought to break loose, we may be sure that in another instance life has been misunderstood--we may be sure that society has been struggled against until death alone would stop the individual from contention and evil.
Theodore Dreiser (Sister Carrie)
And yet, everything was different. And it was different because she no longer felt she was there simply to serve the dreams of other people. She no longer felt like she had to find sole fulfilment as some imaginary perfect daughter or sister or partner or wife or mother or employee or anything other than a human being, orbiting her own purpose, and answerable to herself.
Matt Haig (The Midnight Library)
[Jesus] stands between us and God, and for that very reason he stands between us and all other men and things. He is the Mediator, not only between God and man, but between man and man, between man and reality. Since the whole world was created through him and unto him (John 1:3; 1st Cor. 8:6; Heb. 1:2), he is the sole Mediator in the world... The call of Jesus teaches us that our relation to the world has been built on an illusion. All the time we thought we had enjoyed a direct relation with men and things. This is what had hindered us from faith and obedience. Now we learn that in the most intimate relationships of life, in our kinship with father and mother, bothers and sisters, in married love, and in our duty to the community, direct relationships are impossible. Since the coming of Christ, his followers have no more immediate realities of their own, not in their family relationships nor in the ties with their nation nor in the relationships formed in the process of living. Between father and son, husband and wife, the individual and the nation, stands Christ the Mediator, whether they are able to recognize him or not. We cannot establish direct contact outside ourselves except through him, through his word, and through our following of him. To think otherwise is to deceive ourselves. But since we are bound to abhor any deception which hides the truth from our sight, we must of necessity repudiate any direct relationship with the things of this world--and that for the sake of Christ. Wherever a group, be it large or small, prevents us from standing alone before Christ, wherever such a group raises a claim of immediacy it must be hated for the sake of Christ. For every immediacy, whether we realize it or not, means hatred of Christ, and this is especially true where such relationships claim the sanctions of Christian principles.,, There is no way from one person to another. However loving and sympathetic we try to be, however sound our psychology, however frank and open our behavior, we cannot penetrate the incognito of the other man, for there are no direct relationships, not even between soul and soul. Christ stands between us, and we can only get into touch with our neighbors through him. That is why intercession is the most promising way to reach our neighbors, and corporate prayer, offered in the name of Christ, the purest form of fellowship.
Dietrich Bonhoeffer (The Cost of Discipleship)
Adrian's fragment also refers to the question of responsibility: whether there's a chain of it, or whether we draw the concept more narrowly. I'm all for drawing it narrowly. Sorry, no, you can't blame your dead parents, or having brothers and sisters, or not having them, or your genes, or society, or whatever - not in normal circumstances. Start with the notion that yours is the sole responsibility unless there's powerful evidence to the contrary.
Julian Barnes (The Sense of an Ending)
The pavements were blocks of ice under my feet, and I could feel the cold through the soles of my shoes. I thought about the past ... The terrifying blackouts of my youth. I thought about never seeing my sister again. I thought about [girl]. First scared, then alone, then dead.
Joseph Knox (Sirens (Aidan Waits Thriller, #1))
As he carried the blood-splattered body of his precious daughter, draped in bridal attire, he could feel the nagging burden of being pawned into a senseless situation. Yards behind, another life, lay snuffed – the sole earning member of a destitute family, leaving behind an aged mother and a widowed sister to weep until their tears would run dry.
Rajnish Gambhir (Honour for a Ransom)
You do NOT fear your OWN ability to COMMIT. Just think about your unwavering dedication to your career, your notion of sisterhood and friendship. You are tireless. That is why we all lean on you. Because you are totally committed to the lot of us. You do not have a "fear of commitment" that's just an easy way out of all of this. What you have dearest one, is a deep seated and totally understandable fear of OTHER people's commitment to YOU. I totally wholeheartedly agree, you've never been in love. Until Zac, you've chosen chaps whom you've simply liked but who have loved you. so when it's over, it hasn't hurt you. Why have you done this, over all these years? I'll tell you why, because what YOU actually fear is being left by someone YOU love. Your fear of COMMITMENT centres solely on another's commitment to YOU'It makes
Freya North (Pip (McCabe Sisters, #3))
You need to say goodbye, baby.” Her voice wobbled—hoarse and exhausted. She looked over her shoulder, to where Rune was sitting on the bed, laying kiss after kiss on my older sister’s hands, her fingers, her face, looking at his Poppymin like he always had—like she had been designed solely for him.
Tillie Cole (A Thousand Broken Pieces)
Tolstoy wrote, 'The sole meaning of life is to serve humanity.' He understood this service as a religious duty. For me, I understand it as a fact of life, as THE fact of life. What we do for each other is what survives. My sister is dead, but everything she did for me while she was alive is still going strong. I can still feel her hand reaching across the backseat of our car in Berlin, and I still hear her voice, our conversations going late into the night.
Nina Sankovitch (Tolstoy and the Purple Chair: My Year of Magical Reading)
I’ve had enough I’m sick of seeing and touching Both sides of things Sick of being the damn bridge for everybody Nobody Can talk to anybody Without me Right? I explain my mother to my father my father to my little sister My little sister to my brother my brother to the white feminists The white feminists to the Black church folks the Black church folks to the ex-hippies the ex-hippies to the Black separatists the Black separatists to the artists the artists to my friends’ parents… Then I’ve got to explain myself To everybody I do more translating Than the Gawdamn U.N. Forget it I’m sick of it. I’m sick of filling in your gaps Sick of being your insurance against the isolation of your self-imposed limitations Sick of being the crazy at your holiday dinners Sick of being the odd one at your Sunday Brunches Sick of being the sole Black friend to 34 individual white people Find another connection to the rest of the world Find something else to make you legitimate Find some other way to be political and hip I will not be the bridge to your womanhood Your manhood Your humanness I’m sick of reminding you not to Close off too tight for too long I’m sick of mediating with your worst self On behalf of your better selves I am sick Of having to remind you To breathe Before you suffocate Your own fool self Forget it Stretch or drown Evolve or die The bridge I must be Is the bridge to my own power I must translate My own fears Mediate My own weaknesses I must be the bridge to nowhere But my true self And then I will be useful
Kate Rushin (The Black Back-Ups: Poetry)
Sisters are a trial,” he said. “And it doesn’t matter if they’re Elder or humani. Sometimes I think they exist solely to upset and annoy their brothers.
Michael Scott (The Necromancer (The Secrets of the Immortal Nicholas Flamel, #4))
At a given moment, God unmasks the plots and defeats the plans of those who do not act solely for His glory.
Sister Mary of the Cross (An Unpublished Manuscript on Purgatory)
So yes, you should be seeking to reassure an LTR of your love and devotion, but know that due to women’s intrinsic fear of security loss and the competition anxiety that comes from a declining capacity to compete with her sisters’ attentions, you will never achieve an ideal state of contentment of it, and certainly not by relying solely on comfort and familiarity.
Rollo Tomassi (The Rational Male)
Nay, 'twill be this hour ere I have done weeping. All the kind of the Launces have this very fault. I have received my proportion, like the prodigious son, and am going with Sir Proteus to the Imperial's court. I think Crab, my dog, be the sourest-natured dog that lives. My mother weeping, my father wailing, my sister crying, our maid howling, our cat wringing her hands, and all our house in a great perplexity, yet did not this cruel-hearted cur shed one tear. He is a stone, a very pebble stone, and has no more pity in him than a dog. A Jew would have wept to have seen our parting. Why, my grandam, having no eyes, look you, wept herself blind at my parting. Nay, I'll show you the manner of it. This shoe is my father. No, this left shoe is my father. No, no, this left shoe is my mother. Nay, that cannot be so neither. Yes, it is so, it is so -- it hath the worser sole. This shoe with the hole in it is my mother, and this my father. A vengeance on't! There 'tis. Now, sir, this staff is my sister, for, look you, she is as white as a lily and as small as a wand. This hat is Nan, our maid. I am the dog. No, the dog is himself, and I am the dog -- O, the dog is me, and I am myself. Ay, so, so. Now come I to my father: 'Father, your blessing.' Now should not the shoe speak a word for weeping. Now should I kiss my father -- well, he weeps on. Now come I to my mother. O, that she could speak now like a wood woman! Well, I kiss her -- why, there 'tis: here's my mother's breath up and down. Now come I to my sister; mark the moan she makes. Now the dog all this while sheds not a tear nor speaks a word!
William Shakespeare (The Two Gentlemen of Verona)
We are unable to imagine a God who is with us while we wonder if our beloved sister will survive the night. We are unable to imagine a God who proclaims #blacklivesmatter, a God who says #metoo, a God who stands not atop the social hierarchy, but at the bottom with the people who have been cast aside, silenced, and forgotten. When god is solely male, he can only show up as fatherskygod who is nowhere near us.
Christena Cleveland (God Is a Black Woman)
You hardly asked if I was okay the entire time we were together.” (Jessie) “Okay? You wanted me to ask you if you were okay? Jessie, I saw you! How could I think for one second you were okay? Do you think it’s normal for me to watch a girl being raped from the roof? But I was there, loaded down with enough guns to do some serious damage. And what did I do about it? Nothing. Because I could do nothing, because my sole goal was to get you safely out of there. So I sat and watched it… for hours. I let them do that to you. I heard you. I saw you. And eventually, I had to turn away. I couldn’t watch it. It was that bad. I know why you’re not okay. I don’t have to ask why.” (Will)
Leanne Davis (The Other Sister (Sister Series, #1))
The West Sister Dating Rules were clear on the matter of apologies. On the evolutionary scale of dating, a guy who apologized solely for the sake of ending the argument and getting back into your good graces was on the level of primeval slime — especially if he was clearly doing so merely because he was hoping for sex. The proper response was to unveil the offender’s deceit by demanding he explain what exactly he was apologizing for, and then scorn him when he betrayed his ignorance.
Alex Gabriel (Love for the Cold-Blooded, or The Part-Time Evil Minion's Guide to Accidentally Dating a Superhero)
Unless Ty Warner suddenly gets interested in his estate planning, his mostly estranged younger sister, now sixty-five and relying on aid to the indigent for medical bills and part-time jobs to feed her half-dozen adopted animals, will be the sole heir to the largest fortune in the history of stuffed animals.
Zac Bissonnette (The Great Beanie Baby Bubble: Mass Delusion and the Dark Side of Cute)
My sisters and I stand on the deck, the shale tile cool against the soles of our feet - for a week it seems we never have to wear shoes - and take turns twirling, the matching turquoise silk skirts my mother bought us sliding coolly up our legs, our laughter flying out over the ocean. We are all light and happy and far, far away from home.
Alexandria Marzano-Lesnevich (The Fact of a Body: A Murder and a Memoir)
When I stopped viewing girls as potential girlfriends and started treating them as sisters in Christ, I discovered the richness of true friendship. When I stopped worrying about who I was going to marry and began to trust God’s timing, I uncovered the incredible potential of serving God as a single. . . . I believe the time has come for Christians, male and female, to own up to the mess we’ve left behind in our selfish pursuit of short-term romance. Dating may seem an innocent game, but as I see it, we are sinning against each other. What excuse will we have when God asks us to account for our actions and attitudes in relationships? If God sees a sparrow fall (Matthew 10:29), do you think He could possibly overlook the broken hearts and scarred emotions we cause in relationships based on selfishness? Everyone around us may be playing the dating game. But at the end of our lives, we won’t answer to everyone. We’ll answer to God. . . . Long before Seventeen magazine ever gave teenagers tips on dating, people did things very differently. At the turn of the twentieth century, a guy and girl became romantically involved only if they planned to marry. If a young man spent time at a girl’s home, family and friends assumed that he intended to propose to her. But shifting attitudes in culture and the arrival of the automobile brought radical changes. The new “rules” allowed people to indulge in all the thrills of romantic love without having any intention of marriage. Author Beth Bailey documents these changes in a book whose title, From Front Porch to Backseat, says everything about the difference in society’s attitude when dating became the norm. Love and romance became things people could enjoy solely for their recreational value. Though much has changed since the 1920s, the tendency of dating relationships to move toward intimacy without commitment remains very much the same. . . . Many of the attitudes and practices of today’s dating relationships conflict with the lifestyle of smart love God wants us to live.
Joshua Harris
One question I feel compelled to ask; Before they agreed to marry, did all the Cynster females behave as irrationally as Heather is?" He glanced briefly up, but Richard didn't look up from the lure he was tying off as he unperturably replied, "Prickly at the best of times, then 'have-at-you' the instant you set a foot, nay, a toe, wrong?" "Exactly." "Then yes." Richard straightened, tipping his head as he examined his lure. "It seems to be a family failing, even when they're not Cynster-born." Breckenridge humphed. He was carefully placing the fresh hook into his clamp when Richard continued, "There seems to be this prevailing wisdom, not just over marrying for love, but what that actually equates to. They seem to all have it firmly in their heads that without some cast-iron assurance, preferably in the form of an open declaration from us, then no matter the reality of any love, that love won't be solid and strong." Unwinding the vise to release his completed lure, Richard grimaced. "It's almost as if they think that unless we state our feelings out aloud, we won't know what they-our feelings-are." He snorted. "As if we somehow might not notice that our lives have suddenly shifted to revolve solely about them and their well-being." Breckenridge grunted in masculine agreement. "Sadly," Richard said, selecting another hook, "it appears futile to expect them to go against the familial grain.
Stephanie Laurens (Viscount Breckenridge to the Rescue (Cynster, #16; The Cynster Sisters Trilogy, #1))
You must understand that those who are mad, wherever they are, feel imprisoned; perhaps the first step toward madness is the feeling that the world is a prison. The world, with its laws -- I am thinking not solely of societal laws but of natural ones as well -- is experienced as a prison; perhaps this is what leads to the creation of one's own world, with one's own laws, yet the feeling of imprisonment remains forever.
Гоце Смилевски (Freud's Sister)
There is a moment during a structure fire when you know you are either going to get the upper hand or that it's going to get the upper hand on you. You notice the ceiling patch about to fall and the staircase eating itself alive and the synthetic carpet glued to the soles of your boots. The sum of the parts overwhelms, and that's when you back out and force yourself to remember that every fire will burn itself out, even without your help. These days, I'm fighting fire on six sides. I look in front of me and see Kate sick I look behind me and see Anna with her lawyer. The only time Jesse isn't drinking like a fish, he's strung out on drugs; Sara's grasping at straws. And me, I've got my gear on, safe. I'm holding dozens of hooks and irons and poles-all tools that are meant to destroy, when what I need is something to rope us together.
Jodi Picoult (My Sister’s Keeper)
Pensate all'immagine che da una lastra fotografica si trasferisce sulla carta, diventando sempre più scura, da bianca all'oro più pallido, da ambra a seppia. Immaginate la luna mentre gira lentamente il profilo sottile fino a diventare piena, trascinando con sè le maree. Immaginate la crisalide quando schiude la bara dura della larva e mostra le ali al sole. L'insetto perfetto piange il bruco che un tempo è stato? E se ne ricorda?
Joanne Harris (Sleep, Pale Sister)
Normally, as we grow older, we become progressively skilled in coping with life. In most departments, we acquire techniques on which we can fall back when interest and attention wilt. It is part of maturity that there is always some reserve we can tap. But this is not so in prayer. It is the only human activity that depends totally and solely on its intrinsic truth. We are there before God, or rather, to the degree that we are there before God, we are exposed to all that He is, and He can neither deceive nor be deceived. It is not that we want to deceive, whether God or anybody else, but with other people we cannot help our human condition of obscurity. We are not wholly there for them, nor they for us. We are simply not able to be so. Nor should we be. No human occasion calls for our total presence, even were it within our power to offer it. But prayer calls for it. Prayer is prayer if we want it to be.
Wendy Beckett (Sister Wendy on Prayer)
[...] 'Bitter and base associations have become the sole food of your memory; you wander here and there, seeking rest in exile; happiness in pleasure - I mean in heartless, sensual pleasure - such as dulls intellect and blights feeling. Heart-weary and soul-withered, you come home after years of voluntary banishment; you make a new acquaintance - how, or where, no matter; you find in this stranger much of the good and bright qualities which you have sought for twenty years, and never before encountered; and they are all fresh, healthy, without soil and without taint. Such society revives, regenerates; you feel better days come back - higher wishes, purer feelings; you desire to recommence your life, and to spend what remains to you of days in a way more worthy of an immortal being. To attain this end, are you justified in over leaping an obstacle of custom - a mere convention impediment, which neither your conscience sanctifies not your judgment approves?
Charlotte Brontë (Jane Eyre)
As the sole surviving child of that family, I find myself left with certain difficulties in the area of speech and language, problems of tense and person, and of definition. To start with definition, does ‘sole surviving child’ effectively mean ‘only child’? Now that I have no siblings, can I still define myself as a sister? This leads into tense: unquestionably I was a sister, who had a brother, but if someone asks me, ‘Do you [not did you ever] have any brothers and sisters?’, how should I answer? If I say, in the present tense, ‘No, I don’t,’ am I declaring the truth, or concealing it? And then – moving on to the question of person or persons – even if the sibling question has not explicitly been asked, when I tell, in the course of an ordinary conversation, an ordinary story about myself, do I talk about my parents, my childhood, my family, say that I grew up in London, I was brought up Jewish, I always went to my grandparents on a Saturday? Or do I say that we went the local school, loved to ride our bikes up and down the street, climbed trees on the wasteland that we called The Green and that, as we got older, we grew more and more impatient with our father? My dilemma here is not that ‘we’ would be incorrect in the past tense, it is rather that – like the answer to the sibling question – the use of the first person plural has the potential to lead a casual conversation towards a revelation that would render it no longer casual. So, Julian, what would you rather I did? Sprinkle a little bit of trauma wherever I go, or finish off what you started, and obliterate you? Which is your preferred legacy?
Joanne Limburg (Small Pieces: A Book of Lamentations)
Lacking older siblings, the oldest or only child identifies primarily with her parents, conforming to their ideals and demands, not the least reason being that she no one with whom to share those demands. Since firstborns try to live up to the expectations of adults- teachers' as well as parents'- rather than that of peers, they are likely to learn more and to bring home better report cards than younger siblings. Thus firstborns pave the way for younger siblings, setting the standards against which they are measured and measure themselves. Middle children tend to be more gregarious and more dependent on the approval of peers than that of adults. For one thing they have the example of the older sibling- who has the credibility of generational sameness- to guide them in their decisions and to teach them the rules of the family road. An older sister who was grounded for a month for coming home late from a date, for instance, is a lesson not lost on her younger sister or brother. At the same time younger children are buffered by birth order from their parents' sole concentration. Hence they are treated with more indulgence and are called upon less to take on responsibilities.
Victoria Secunda (Women and Their Fathers: The Sexual and Romantic Impact of the First Man in Your Life)
Their sisters have no earthly employment but household work and sewing, no earthly pleasure but an unprofitable visiting, and no hope, in all their life to come, of anything better. This stagnant state of things makes them decline in health. They are never well, and their minds and views shrink to wondrous narrowness. The great wish, the sole aim of every one of them is to be married, but the majority will never marry; they will die as they now live. They scheme, they plot, they dress to ensnare husbands. The gentlemen turn them into ridicule; they don’t want them; they hold them very cheap.
Charlotte Brontë (The Brontës Complete Works)
People say you can’t describe love, but I have this theory that you can. It’s just subjective. Do you want to know what love feels like for me? It’s breathing and suffocating. Sobbing and smiling. Yearning and fading. To ache that much harder. To live that much larger. It’s every moment. Every single, tiny one. I’ve felt it all with Ryke. And it’s not solely the wild, crazed events that keep my heart pumping. It’s these small, most inconceivable seconds of time spent together. Our smiles. Our tears. Our limbs shifting or standing still. The instant our lonely souls are filled. I’ve never lived or loved wilder and freer than with him.
Krista Ritchie (Long Way Down (Calloway Sisters, #4))
A King Who Keeps To Himself Dwells" A king who keeps to himself dwells in a humble house with his sole servant. While his body-man eats, drinks, feels fever and chills, and plucks gray hairs from his head, his master knows nothing of thirst or hunger, illness or age. They set out together, but whether fortune or misfortune awaits them on the world’s wide road depends on the servant’s whim, faithful or unfaithful to his king. Along the way, a kinswoman, mother and sister to them both, offers them a room, a mean, but the soon press on, until the old servant can go no farther. He stumbles, falls, and cannot rise again. Then the king, without a glance backward, continues on to a country we shall all come to know. Whoever knows this pair, say their names. (and the answer is body and soul)
Elizabeth Spires
I met Mrs. Jennings in Bond Street,” said he, after the first salutation, “and she encouraged me to come on; and I was the more easily encouraged, because I thought it probable that I might find you alone, which I was very desirous of doing. My object — my wish — my sole wish in desiring it — I hope, I believe it is — is to be a means of giving comfort; — no, I must not say comfort — not present comfort — but conviction, lasting conviction to your sister’s mind. My regard for her, for yourself, for your mother — will you allow me to prove it, by relating some circumstances which nothing but a very sincere regard — nothing but an earnest desire of being useful — I think I am justified — though where so many hours have been spent in convincing myself that I am right, is there not some reason to fear I may be wrong?” He stopped.
Jane Austen (Sense and Sensibility)
There's no such thing as witches. But there used to be. It used to be the air was so thick with magic you could taste it on your tongue like ash. Witches lurked in every tangled wood and waited at every midnight-crossroad with sharp-toothed smiles. They conversed with dragons on lonely mountaintops and rode rowan-wood brooms across full moons; they charmed the stars to dance beside them on the summer solstice and rode to battle with familiars at their heels. It used to be witches were wild as crows and fearless as foxes, because magic blazed bright and the night was theirs. But then came the plague and the purges. The dragons were slain and the witches were burned and the night belonged to men with torches and crosses. Witching isn’t all gone, of course. My grandmother, Mama Mags, says they can’t ever kill magic because it beats like a great red heartbeat on the other side of everything, that if you close your eyes you can feel it thrumming beneath the soles of your feet, thumpthumpthump. It’s just a lot better-behaved than it used to be. Most respectable folk can’t even light a candle with witching, these days, but us poor folk still dabble here and there. Witch-blood runs thick in the sewers, the saying goes. Back home every mama teaches her daughters a few little charms to keep the soup-pot from boiling over or make the peonies bloom out of season. Every daddy teaches his sons how to spell ax-handles against breaking and rooftops against leaking. Our daddy never taught us shit, except what a fox teaches chickens — how to run, how to tremble, how to outlive the bastard — and our mama died before she could teach us much of anything. But we had Mama Mags, our mother’s mother, and she didn’t fool around with soup-pots and flowers. The preacher back home says it was God’s will that purged the witches from the world. He says women are sinful by nature and that magic in their hands turns naturally to rot and ruin, like the first witch Eve who poisoned the Garden and doomed mankind, like her daughter’s daughters who poisoned the world with the plague. He says the purges purified the earth and shepherded us into the modern era of Gatling guns and steamboats, and the Indians and Africans ought to be thanking us on their knees for freeing them from their own savage magics. Mama Mags said that was horseshit, and that wickedness was like beauty: in the eye of the beholder. She said proper witching is just a conversation with that red heartbeat, which only ever takes three things: the will to listen to it, the words to speak with it, and the way to let it into the world. The will, the words, and the way. She taught us everything important comes in threes: little pigs, bill goats gruff, chances to guess unguessable names. Sisters. There wer ethree of us Eastwood sisters, me and Agnes and Bella, so maybe they'll tell our story like a witch-tale. Once upon a time there were three sisters. Mags would like that, I think — she always said nobody paid enough attention to witch-tales and whatnot, the stories grannies tell their babies, the secret rhymes children chant among themselves, the songs women sing as they work. Or maybe they won't tell our story at all, because it isn't finished yet. Maybe we're just the very beginning, and all the fuss and mess we made was nothing but the first strike of the flint, the first shower of sparks. There's still no such thing as witches. But there will be.
Alix E. Harrow (The Once and Future Witches)
There was still the same unknowability about her life ahead. And yet, everything was different. And it was different because she no longer felt she was there simply to serve the dreams of other people. She no longer felt like she had to find sole fulfilment as some imaginary perfect daughter or sister or partner or wife or mother or employee or anything other than a human being, orbiting her own purpose, and answerable to herself. And it was different because she was alive, when she had so nearly been dead. And because that had been her choice. A choice to live. Because she had touched the vastness of life and within that vastness she had seen the possibility not only of what she could do, but also feel. There were other scales and other tunes. There was more to her than a flat line of mild to moderate depression, spiced up with occasional flourishes of despair. And that gave her hope, and even the sheer sentimental gratitude of being able to be here, knowing she had the potential to enjoy watching radiant skies and mediocre Ryan Bailey comedies and be happy listening to music
Matt Haig (The Midnight Library)
When a victim does go for help, she is seen as attacking the assailant. These are separate; seeking aid is her primary motive, his fallout is a secondary effect. But we are taught, if you speak, something bad happens to him. You will be blamed for every job he doesn’t get, every game he doesn’t play. His family, friends, community, team, will unleash hell on you, are you sure you want that? We force her to think hard about what this will mean for his life, even though he never considered what his actions would do to her. Inherently the victim is outnumbered. She is the sole object of his sexual aggression, expected to single-handedly undo all of their staunch beliefs, backed by years of amiable stories. They’ll say, We’ve never seen him behave that way, so you must be lying. This sentiment was echoed in Brock’s sister’s statement: The evidence presented during his trial and the conclusions that were made about his character were only from one night of his life, from strangers that didn’t know him: a fraction of a fraction of his existence. Victims are not fractions; we are whole.
Chanel Miller (Know My Name)
All the adults were beside themselves with the dislocation of what they were going through, by my grandmother's was of a different order. She had been separated from a sister who was her sole living connection to a family lost in the Holocaust. None of us had ever strayed from one another - ordinary people in the Soviet Union almost never traveled outside of it, and hardly even within it. But our genes also carried generations of anxiety about safety as Jews - if we went to the wrong place, or left the relative safety that came with community, the panic that set in was as intense in the person leaving as in the people being left. (My father left behind his brother and mother, but they weren't as close as my grandmother had been with her sister.) There must be no one for whom this is less natural to comprehend than Americans, whose country enshrines mobility as a national virtue - unless you ask African Americans about their elders, perhaps. It isn't only that Americans don't fear going from one place to another; it's also that thy don't fear letting each other go there and don't use guilt to discourage it, while those who go don't feel ashamed for wanting to.
Boris Fishman (Savage Feast: Three Generations, Two Continents, and a Dinner Table (A Memoir with Recipes))
...the letters begin to cross vast spaces in slow sailing ships and everything becomes still more protracted and verbose, and there seems no end to the space and the leisure of those early nineteenth century days, and faiths are lost and the life of Hedley Vicars revives them; aunts catch cold but recover; cousins marry; there is the Irish famine and the Indian Mutiny, and both sisters remain, to their great, but silent grief, for in those days there were things that women hid like pearls in their breasts, without children to come after them. Louisa, dumped down in Ireland with Lord Waterford at the hunt all day, was often very lonely; but she stuck to her post, visited the poor, spoke words of comfort (‘I am sorry indeed to hear of Anthony Thompson's loss of mind, or rather of memory; if, however, he can understand sufficiently to trust solely in our Saviour, he has enough’) and sketched and sketched. Thousands of notebooks were filled with pen and ink drawings of an evening, and then the carpenter stretched sheets for her and she designed frescoes for schoolrooms, had live sheep into her bedroom, draped gamekeepers in blankets, painted Holy Families in abundance, until the great Watts exclaimed that here was Titian's peer and Raphael's master! At that Lady Waterford laughed (she had a generous, benignant sense of humour); and said that she was nothing but a sketcher; had scarcely had a lesson in her life—witness her angel's wings, scandalously unfinished. Moreover, there was her father's house for ever falling into the sea; she must shore it up; must entertain her friends; must fill her days with all sorts of charities, till her Lord came home from hunting, and then, at midnight often, she would sketch him with his knightly face half hidden in a bowl of soup, sitting with her notebook under a lamp beside him. Off he would ride again, stately as a crusader, to hunt the fox, and she would wave to him and think, each time, what if this should be the last? And so it was one morning. His horse stumbled. He was killed. She knew it before they told her, and never could Sir John Leslie forget, when he ran down-stairs the day they buried him, the beauty of the great lady standing by the window to see the hearse depart, nor, when he came back again, how the curtain, heavy, Mid-Victorian, plush perhaps, was all crushed together where she had grasped it in her agony.
Virginia Woolf
I thought of calling this piece “In Memoriam,” because “in memoriam” has always suggested a place to me—Memoriam, Oklahoma, say, or Memoriam, Tennessee—and because, to my tinker’s brain, “in memoriam,” sounds like “in memory am.” Which I am, now more than ever. Lost, basically, wandering that ancestral home, all polished wood and anecdote, wishing that I could unload it somehow, knowing I never will. Like it or not, I have an investment in Memoriam now. My father’s casket between the potted palms is the cornerstone. Welcome home, kid. It’s an odd, slightly ghostly predicament. Lacking brothers and sisters, aunts and uncles, with my mother’s memory having long ago lost any trace of me, I find myself the sole surviving owner of ten thousand names, stories, jokes, associations—that time the raccoon reached up through the knothole in the cabin floor when I was four; those Friday nights when the three of us would watch “The Man from U.N.C.L.E.”; that evening, a memorable night in 1966, when my dad, with his professorial air and his Czech accent and his horn-rims, put on my mother’s shoulder-length blond wig on a dare and went out to pick up the pizza—that mean nothing, except that they were the soil of our lives.
Mark Slouka
Making Requests Consciously Sometimes we may be able to communicate a clear request without putting it in words. Suppose you’re in the kitchen and your sister, who is watching television in the living room, calls out, “I’m thirsty.” In this case, it may be obvious that she is requesting you to bring her a glass of water from the kitchen. However, in other instances, we may express our discomfort and incorrectly assume that the listener has understood the underlying request. For example, a woman might say to her husband, “I’m annoyed you forgot the butter and onions I asked you to pick up for dinner.” While it may be obvious to her that she is asking him to go back to the store, the husband may think that her words were uttered solely to make him feel guilty. When we simply express our feelings, it may not be clear to the listener what we want them to do. Even more often, we are simply not conscious of what we are requesting when we speak. We talk to others or at them without knowing how to engage in a dialogue with them. We toss out words, using the presence of others as a wastebasket. In such situations, the listener, unable to discern a clear request in the speaker’s words, may experience the kind of distress illustrated in the following anecdote.
Marshall B. Rosenberg (Nonviolent Communication: A Language of Life: Life-Changing Tools for Healthy Relationships (Nonviolent Communication Guides))
Since every I is, in itself, fundamentally criminal in its attitude toward the State and the people, we must recognize that to live is to transgress. Unless we accept death, we must be willing to kill in order to be unique. "You are not as noble as a criminal, you who do not desecrate anything." Moreover Stirner, still without the courage of his convictions, specifies: "Kill them, do not martyr them." But to decree that murder is legitimate is to decree mobilization and war for all the Unique. Thus murder will coincide with a kind of collective suicide. Stirner, who either does not admit or does not see this, nevertheless does not recoil at the idea of any form of destruction. The spirit of rebellion finally discovers one of its bitterest satisfactions in chaos. "You [the German nation] will be struck down. Soon your sister nations will follow you; when all of them have gone your way, humanity will be buried, and on its tomb I, sole master of myself at last, I, heir to all the human race, will shout with laughter." And so, among the ruins of the world, the desolate laughter of the individual-king illustrates the last victory of the spirit of rebellion. But at this extremity nothing else is possible but death or resurrection. Stirner, and with him all the nihilist rebels, rush to the utmost limits, drunk with destruction. After which, when the desert has been disclosed, the next step is to learn how to live there. Nietzsche's exhaustive search then begins.
Albert Camus (The Rebel)
The girls seemed unconcerned and went about their days, each as lovely in their own way as the flowers they tended. Sorrel's black hair became streaked with premature white, which gave her an exotic air, although the elegance was somewhat ruined by the muddy jeans and shorts she practically lived in. Nettie, on the other hand, had a head of baby-fine blonde hair that she wore short, thinking, wrongly, that it would look less childlike. Nettie wouldn't dream of being caught in dirty jeans and was always crisply turned out in khaki capris or a skirt and a white shirt. She considered her legs to be her finest feature. She was not wrong. Patience was the sole Sparrow redhead, although her hair had deepened from its childhood ginger and was now closer to the color of a chestnut. It was heavy and glossy as a horse's mane, and she paid absolutely no attention to it or to much else about her appearance, nor did she have to. In the summer her wide-legged linen trousers and cut-off shorts were speckled with dirt and greenery, her camisoles tatty and damp. The broad-brimmed hat she wore to pick was most often dangling from a cord down her back. As a result, the freckles that feathered across her shoulders and chest were the color of caramel and resistant to her own buttermilk lotion (Nettie smoothed it on Patience whenever she could make her stand still). When it was terribly hot, Patience wore the sundresses she'd found packed away in the attic. She knew they were her mother's, and she liked to imagine how happy Honor had been in them.
Ellen Herrick (The Sparrow Sisters)
My sisters and I giggled at “Dance: Ten; Looks: Three” (“Tits and ass / bought myself a fancy pair / tightened up the derriere”) while our parents sat in the front of the car—my father at the wheel, my mom in the passenger seat—both distracted and nonplussed. We flipped through the Jacqueline Susann and Harold Robbins hardbacks in my grandmother’s bookshelf and watched The Exorcist on the Z Channel (the country’s first pay-cable network that premiered in LA in the mid-’70s) after our parents sternly told us not to watch it, but of course we did anyway and got properly freaked out. We saw skits about people doing cocaine on Saturday Night Live, and we were drawn to the allure of disco culture and unironic horror movies. We consumed all of this and none of it ever triggered us—we were never wounded because the darkness and the bad mood of the era was everywhere, and when pessimism was the national language, a badge of hipness and cool. Everything was a scam and everybody was corrupt and we were all being raised on a diet of grit. One could argue that this fucked us all up, or maybe, from another angle, it made us stronger. Looking back almost forty years later, it probably made each of us less of a wuss. Yes, we were sixth and seventh graders dealing with a society where no parental filters existed. Tube8.com was not within our reach, fisting videos were not available on our phones, nor were Fifty Shades of Grey or gangster rap or violent video games, and terrorism hadn’t yet reached our shores, but we were children wandering through a world made almost solely for adults. No one cared what we watched or didn’t, how we felt or what we wanted, and we hadn’t yet become enthralled by the cult of victimization. It was, by comparison to what’s now acceptable when children are coddled into helplessness, an age of innocence.
Bret Easton Ellis (White)
John Vernall lifted up his head, the milk locks that had given him his nickname stirring in the third floor winds, and stared with pale grey eyes out over Lambeth, over London. Snowy's dad had once explained to him and his young sister Thursa how by altering one's altitude, one's level on the upright axis of this seemingly three-planed existence, it was possible to catch a glimpse of the elusive fourth plane, the fourth axis, which was time. Or was at any rate, at least in Snowy's understanding of their father's Bedlam lectures, what most people saw as time from the perspective of a world impermanent and fragile, vanished into nothingness and made anew from nothing with each passing instant, all its substance disappeared into a past that was invisible from their new angle and which thus appeared no longer to be there. For the majority of people, Snowy realised, the previous hour was gone forever and the next did not exist yet. They-were trapped in their thin, moving pane of Now: a filmy membrane that might fatally disintegrate at any moment, stretched between two dreadful absences. This view of life and being as frail, flimsy things that were soon ended did not match in any way with Snowy Vernall's own, especially not from a glorious vantage like his current one, mucky nativity below and only reefs of hurtling cloud above. His increased elevation had proportionately shrunken and reduced the landscape, squashing down the buildings so that if he were by some means to rise higher still, he knew that all the houses, churches and hotels would be eventually compressed in only two dimensions, flattened to a street map or a plan, a smouldering mosaic where the roads and lanes were cobbled silver lines binding factory-black ceramic chips in a Miltonic tableau. From the roof-ridge where he perched, soles angled inwards gripping the damp tiles, the rolling Thames was motionless, a seam of iron amongst the city's dusty strata. He could see from here a river, not just shifting liquid in a stupefying volume. He could see the watercourse's history bound in its form, its snaking path of least resistance through a valley made by the collapse of a great chalk fault somewhere to the south behind him, white scarps crashing in white billows a few hundred feet uphill and a few million years ago. The bulge of Waterloo, off to his north, was simply where the slide of rock and mud had stopped and hardened, mammoth-trodden to a pasture where a thousand chimneys had eventually blossomed, tarry-throated tubeworms gathering around the warm miasma of the railway station. Snowy saw the thumbprint of a giant mathematic power, untold generations caught up in the magnet-pattern of its loops and whorls. On the loose-shoelace stream's far side was banked the scorched metropolis, its edifices rising floor by floor into a different kind of time, the more enduring continuity of architecture, markedly distinct from the clock-governed scurry of humanity occurring on the ground. In London's variously styled and weathered spires or bridges there were interrupted conversations with the dead, with Trinovantes, Romans, Saxons, Normans, their forgotten and obscure agendas told in stone. In celebrated landmarks Snowy heard the lonely, self-infatuated monologues of kings and queens, fraught with anxieties concerning their significance, lives squandered in pursuit of legacy, an optical illusion of the temporary world which they inhabited. The avenues and monuments he overlooked were barricades' against oblivion, ornate breastwork flung up to defer a future in which both the glorious structures and the memories of those who'd founded them did not exist.
Alan Moore (Jerusalem, Book One: The Boroughs (Jerusalem, #1))
John’s adolescence was marked by loss. When he was thirteen his father died, swiftly followed by his two sisters. Shortly after he turned seventeen his eldest brother, James, whose progress through his chosen medics, career had taken him to London, became unable to work due to ill health and returned to the farm, lying for days on one of the beds that pulled out from the walls of the two-roomed cottage like drawers, coughing himself to death at least while John watched or was nearby; and I find it hard to imagine, now, when death is largely hedged about with treatment plans, when it does not often come senseless out of nowhere, but can be postposted, or if not, then at least explained, what grief must have been like when that boundary was a curtain you could put your hand through. It is easy to think that when death could be so quickly turned to, a matter of mistral and all families counted lost children in their numbers, that loss must have been a blunter thing- that having so much practice, they must have been better at it, or inoculated, that it cannot have been for them such devastation, this laying waste- as the birth of a tenth child might be of less account in a busy week than the loss of a pair of, so that the date of it was not looked for until later, when it was found to have been forgotten. It is easy to think that in an age without anaesthetics, when legs might be hacked off on kitchen tables, teeth pulled sigh pliers taking gobbets of jaw and gun away with the , that pain must have been somehow a less precise, less devastating thing, the alternative being unthinkable- that it was just the same but persisting, could only be endured, to universal to allow concession; and so John Hunter watched the bodies of those he loved carried out of the tiny farmhouse one by one, making their last journey to the church, and afterwards he went about the business of his day, he went to school or to the fields, and then at last, summoned by William, the sole surviving brother he barely remembered, he went to London and, did not return.
Jessie Greengrass (Sight)
I immediately packed up Bindi and went to catch the next plane home. The family was in free fall. Steve was in shock, and Bob was even worse off. Lyn had always acted as the matriarch, the one who kept everything together. She was such a strong figure, a leader. Her death didn’t seem real. I sat on that plane and looked down at Bindi. Life is changed forever now, I thought. As we arrived home, I didn’t know what to expect. I had never dealt with grief like this before. Lyn was only in her fifties, and it seemed cruel to have her life cut short, as she was on the brink of a dream she had held in her heart forever. These were going to be her golden years. She and Bob could embark on the life they had worked so hard to achieve. They would be together, near their family, where they could take care of the land and enjoy the wildlife they loved. I couldn’t imagine what Steve, his dad, and his sisters were going through. My heart was broken. Bindi’s gran was gone just when they had most looked forward to spending time together. The aftermath of Lyn’s death was every bit as awful as I could have imagined. Steve was absolutely inconsolable, and Bob was very obviously unable to cope. Joy and Mandy were trying to keep things together, but they were distraught and heartbroken. Everyone at the zoo was somber. I felt I needed to do something, yet I felt helpless, sad, and lost. Steve’s younger sister Mandy performed the mournful task of sifting through the smashed items from the truck. One of the objects Lyn had packed was Bob’s teapot. There was nothing Bob enjoyed more than a cup of tea. As Mandy went to wash out the teapot, she noticed movement. Inside was Sharon, the bird-eating spider, the sole survivor of the accident. Although her tank had been smashed to bits, she had managed to crawl into the teapot to hide. After the funeral, time appeared to slow down and then stop entirely. Steve talked about moving out to Ironback Station. He couldn’t seem to order his thoughts. He no longer saw a reason for going on with all the projects on which we had worked so hard. Bindi was upset but didn’t have the understanding to know why. She was too young to get her head around what had happened. She simply cried when she saw her daddy crying. It would be a long time before life returned to anything like normalcy. Lyn’s death was something that Steve would never truly overcome. His connection with his mum, like that of so many mothers and sons, was unusually close. Lyn Irwin was a pioneer in wildlife rehabilitation work. She had given her son a great legacy, and eventually that gift would win out over death. But in the wake of her accident, all we could see was loss. Steve headed out into the bush alone, with just Sui and his swag. He reverted to his youth, to his solitary formative years. But grief trailed him. My heart broke for my husband. I was not sure he would ever find his way back.
Terri Irwin (Steve & Me)
Bernard was afraid of loud voices. He was afraid of the dark. He was afraid of his brother, Dudley, who tried to make a man of him, and he was afraid of his sister, Joan, who threw him in the lake and held his head under the water to make him swim. When Barnard spoke to the maids, he did it quietly and he said “please” and “thank you”--and sometimes, though he was a boy and a Taverner, he cried. His father, of course, was desperate. A boy like Bernard had never happened in his family before. He sent him away to the toughest school he could find, but though the teachers caned him even more than his father had done, and the boys did interesting things to him like squeezing lemon juice into his eyes and piercing the soles of his feet with compass needles, it seemed to make no difference. Bernard went on being quiet, and he went on being terrified of his family, and he went on saying “please” and “thank you” to the maids. But there were some things Bernard was not afraid of. He was not afraid of spiders--when the servants screamed because there was a large one in the bath, it was to Bernard they went, and he would put a glass over it and let it out in the garden, admiring its furry legs and complicated eyes. He was not afraid of the adders that hissed on the moor. He liked the adders with their zigzag markings and flickering tongues. Bernard did not mind the rats in the cellars and he did not mind the horses. He minded the people on the horses--his sister, Joan, with her braying voice and his brother, Dudley, with his whip--but if he met the horses quietly in a field he got on well enough with them.
Eva Ibbotson (Journey to the River Sea)
His decision to attend had been based solely on his desire to be near Lily. Though they'd arranged to meet later in the night, he found it difficult to go so many hours without seeing her smile and feeling her presence. He'd noticed her the moment he stepped into the ballroom. She had told him once how she had grown accustomed to blending in and going unnoticed beside her sisters or in a crowd. He did not know how it was possible for anyone not to see the treasure that was Lily. Her unique and subtle brand of grace and charm accented her every movement and filled her expression with warmth. Men should be falling at her feet in hopes of gaining her favor.
Amy Sandas (The Untouchable Earl (Fallen Ladies, #2))
And it was different because she no longer felt she was there simply to serve the dreams of other people. She no longer felt like she had to find sole fulfilment as some imaginary perfect daughter or sister or partner or wife or mother or employee or anything other than a human being, orbiting her own purpose, and answerable to herself. And it was different because she was alive, when she had so nearly been dead. And because that had been her choice. A choice to live. Because she had touched the vastness of life and within that vastness she had seen the possibility not only of what she could do, but also feel. There were other scales and other tunes. There was more to her than a flat line of mild to moderate depression, spiced up with occasional flourishes of despair. And that gave her hope, and even the sheer sentimental gratitude of being able to be here, knowing she had the potential to enjoy watching radiant skies and mediocre Ryan Bailey comedies and be happy listening to music and conversation and the beat of her own heart.
Matt Haig (The Midnight Library)
(S)he no longer felt she was there simply to serve the dreams of other people. She no longer felt like she had to find sole fulfillment as some imaginary perfect daughter or sister or parter or wife or mother or employee or anything other than a human being, orbiting her own purpose, and answerable to herself.
Matt Haig (The Midnight Library)
It seems to me that, in the real world, it is impossible to be guided solely by either the impulses of feeling or my rational calculation. Neither is likely to make us happy. In my own view, we have need of them both. Wisdom, I suppose, lies in knowing when to call upon one and when on the other.
Janice Hadlow (The Other Bennet Sister)
Dixon was Stern’s brother-in-law, married to Silvia, his sister, Stern’s sole living immediate relation and the enduring object of his affections.
Scott Turow (The Burden of Proof (Kindle County, #2))
Anyway. To answer your question, no. I don’t regret not having children. They absolutely terrify me.” That makes me laugh. “Kids scare you?” “Their sole purpose is to grow up and replace us. We’re breeding our replacements. Have you ever thought of that?” “You’ve been watching too many alien movies.” “My sister has six of the little monsters. Six.” He shudders. “Visiting her house is like descending into Dante’s seventh circle of hell. Half a dozen violent, miniature tyrants going around smashing things and screaming like a bunch of Vikings on crack. It’s total chaos. She’s forty-two but she looks a hundred and two.
J.T. Geissinger (Cruel Paradise (Beautifully Cruel, #2))
I followed him into the trees, through the ever-lightening world. His hand was solid and unmovable around mine as we passed through the low-lying mists, and he helped me up a bare hill slick with dew. We sat atop its crest, and I hid my smile as Tamlin put an arm around my shoulders, tucking me in close. I rested my head against his chest, while he toyed with the flowers in my garland. In silence, we stared out over the rolling green expanse. The sky shifted into periwinkle, and the clouds filled with pink light. Then, like a shimmering disk too rich and clear to be described, the sun slipped over the horizon and lined everything with gold. It was like seeing the world being born, and we were the sole witnesses. Tamlin's arm tightened around me, and he kissed the top of my head. I pulled back, looking up at him. The gold in his eyes, bright with the rising sun, flickered. 'What?' 'My father once told me that I should let my sisters imagine a better life- a better world. And I told him that there was no such thing.' I ran my thumb over his mouth, marvelling, and shook my head. 'I never understood- because I couldn't... couldn't believe that it was even possible.' I swallowed, lowering my hand. 'Until now.' His throat bobbed. His kiss that time was deep and thorough, unhurried and intent. I let the dawn creep inside me, let it grow with each movement of his lips and brush of his tongue against mine. Tears pricked beneath my closed eyes. It was the happiest moment of my life.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
I followed him into the trees, through the ever-lightening world. His hand was solid and unmovable around mine as we passed through the low-lying mists, and he helped me up a bare hill slick with dew. We sat atop its crest, and I hid my smile as Tamlin put an around my shoulders, tucking me in close. I rested my head against his chest, while he toyed with the flowers in my garland. In silence, we stared out over the rolling green expanse. The sky shifted into periwinkle, and the clouds filled with pink light. Then, like a shimmering disk too rich and clear to be described, the sun slipped over the horizon and lined everything with gold. It was like seeing the world being born, and we were the sole witnesses. Tamlin's arm tightened around me, and he kissed the top of my head. I pulled back, looking up at him. The gold in his eyes, bright with the rising sun, flickered. 'What?' 'My father once told me that I should let my sisters imagine a better life- a better world. And I told him that there was no such thing.' I ran my thumb over his mouth, marvelling, and shook my head. 'I never understood- because I couldn't... couldn't believe that it was even possible.' I swallowed, lowering my hand. 'Until now.' His throat bobbed. His kiss that time was deep and thorough, unhurried and intent. I let the dawn creep inside me, let it grow with each movement of his lips and brush of his tongue against mine. Tears pricked beneath my closed eyes. It was the happiest moment of my life.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
Anyway. To answer your question, no. I don’t regret not having children. They absolutely terrify me.” That makes me laugh. “Kids scare you?” “Their sole purpose is to grow up and replace us. We’re breeding our replacements. Have you ever thought of that?” “You’ve been watching too many alien movies.” “My sister has six of the little monsters. Six.” He shudders. “Visiting her house is like descending into Dante’s seventh circle of hell. Half a dozen violent, miniature tyrants going around smashing things and screaming like a bunch of Vikings on crack. It’s total chaos. She’s forty-two but she looks a hundred and two. If I hadn’t gotten a vasectomy in my twenties, watching her raise those future criminals would’ve definitely sent me running to the doctor.
J.T. Geissinger (Cruel Paradise (Beautifully Cruel, #2))
She no longer felt like she had to find sole fulfilment as some imaginary perfect daughter or sister or partner or wife or mother or employee or anything other than a human being, orbiting her own purpose, and answerable to herself.
Matt Haig (The Midnight Library)
Nobody said your face had to be on them. I can focus solely on the designs. People would never know it was you. Like . . .” He stopped and showed a cute little dragonfly, perched on the pale white curve of a woman’s hip. A soft growl escaped Zach. “When did she let you take that?” Keelie glanced at Zach and then Zane, saw the glint in his eyes. “Aw, come on, man. You know Abby is like my kid sister. I told her we needed to get some images for the women’s gallery. She was in her swimsuit when I took it. Relax.” “Fuck you,” Zach said, shortly.
Shiloh Walker (Razed (Barnes Brothers, #2))
They watched in silence as the sliver turned into a semicircle, and the semicircle became a glowing pink globe, balanced on the horizon. She was in awe of the beauty. Of the very idea that this happened every morning behind the scenes while she slept. Beau shifted, his hand leaving her stomach, and she missed it. But it returned a moment later, holding something small and square. He opened the box, and her eyes widened. She sucked in a breath. A solitaire diamond winked back, reflecting the pink rays of dawn. She turned and met his eyes, those beautiful brown eyes, focused solely on her. “I love you, Eden Martelli,” he said in that low, smoky voice. “I love your beautiful smile and the way your laugh brightens the whole room. I love your warm heart and your quiet strength. I love how tender you are with Micah.” She placed her palm over her aching heart, catching her breath as he continued. “I want nothing more than to spend the rest of my life with you. I want to cherish you every day. I want to laugh together and celebrate every new beginning together. I want to be Micah’s daddy—and maybe give him a brother or sister or two . . .” His lips kicked up at the corners. They went flat again as a somber look washed over his eyes. “You’re the love of my life, Eden. Will you marry me?” “Oh, Beau . . .” He took her breath away. He made her believe in new beginnings and happily-ever-afters. “I don’t want to rush you. We can be engaged for as long as you want, but you’re it for me. You’re the one. There’ll never be another.” “Yes,” she breathed. “I want all of that, and I want it with you.
Denise Hunter (Falling Like Snowflakes (Summer Harbor, #1))
There are only a very few cop clichés that are necessary for saying almost anything to the press. That is one reason, of course, that a talking suit like Captain Matthews could become good enough at it to rise up to his lofty rank based solely on his ability to memorize them all and then put them in the right order when standing in front of a camera. It was really not even a skill, since it took a great deal less ability than the simplest card trick. Still, it was a talent Deborah did not have, not even a little, and trying to explain it to her was like describing plaid to a blind person. Altogether it was a nasty and unpleasant interlude, and by the time we headed down to the press conference I was nearly as sweaty and frazzled as my sister. Neither of us felt any better when we saw the standing-room-only crowd of salivating predators waiting for us. For a moment Deborah froze in place, one foot raised in the air. But then, as if somebody had flipped a switch, the reporters turned on her and began their routine of shouting questions and taking pictures, and as I saw Deborah clamp her jaw and frown, I took a deep breath. She’s going to be all right, I thought, and I watched her climb to the podium with something like pride in my creation. Of
Jeff Lindsay (Dexter is Delicious (Dexter, #5))
Even annoyed, as she was now, she vibrated the kind of barely restrained energy that made every part of him spark to life. Some parts more enthusiastically than others. He shifted his weight and sidestepped slightly in an effort to keep that reality as unnoticeable as possible. He’d become a master of that particular skill during the last few months she’d been on the station. He needn’t have worried. She didn’t so much as glance at him. Her irritation was focused solely on her big brother. “Did you really just perp walk Cooper down the harbor?” Logan’s eyebrows lifted along with his hands, which he held up at his sides, palms out. “Hold up, I didn’t--” “Save it,” Kerry said. She turned to Cooper. “I apologize. He forgets I’m an adult woman who can handle her own affairs.” She glared at her brother during that last part. “She’s right, you know.” This came from a little spitfire brunette who, given Kerry’s descriptions of her family, must be the middle McCrae sister, Fiona. Fists planted on her hips, managing to somehow look down her cute little nose at her much taller and much bigger brother, she added, “We’re trying to plan my wedding and grill her about Mr. Hot and Aussie here. I’d think by now you’d know that we’ve got this covered.” She made a brief gesture to the other women standing alongside her. “If we thought he was a danger to society, we would have called.” Cooper watched the ricocheting dialogue like a spectator at a cricket match, unable to squelch a grin. It was like watching his own sister, all grown up and in triplicate. As Kerry and Fiona closed in on a somehow now hapless-looking lumberjack of a police chief, Cooper stepped forward and stuck out his hand toward the taller, willowy young woman who stood just behind Fiona. Where Kerry was Amazonian and Fiona a little firebrand, their oldest sister was the epitome of cool, calm, and collected. “Hannah Blue, I presume? I’m Cooper Jax. Sorry for the disruption of your sister’s wedding plans. I didn’t know.” This had Fiona turning his way. “And how could you, given Kerry couldn’t be bothered to so much as send you a postcard?” “Hey,” Kerry said, looking at her sister now. “Whose side are you on?” Fiona looked back at her. “The side that keeps this guy here and you looking all pent up and googly-eyed.” “Googly-eyed?” Kerry shot back. Cooper, grinning unrepentantly now, turned his attention back to Hannah and continued, as if her sisters weren’t getting all up in each other’s personal space. “I understand congratulations are in order on your recent nuptials as well.” Hannah gave him a swift, all-encompassing once-over as only a former defense attorney could. Then, in the face of his unrelenting goodwill, she took his hand, her mouth curving up in the barest hint of a smile as she gave it a firm, quick shake. “You’re a charmer, Mr. Jax, I’ll give you that.” “Go with your strength,” he replied.
Donna Kauffman (Starfish Moon (Brides of Blueberry Cove, #3))
Consider our fixation upon Jesus as personal Savior, so central to the evangelistic strategies of the previous generation. Such privatization of the Christian faith turns out to be little more than a regrettable accommodation to a pagan culture's unbiblical obsession with individual determinism and personal subjective experience. And we are now paying the price for peddling a less-than-holistic gospel. Framing conversion to Christ in solely individualistic terms has left us with little social capital to draw on in our churches as we try to encourage our people to stay in community and grow together as brothers and sisters in Christ.
Joseph H. Hellerman (When the Church Was a Family: Recapturing Jesus' Vision for Authentic Christian Community)
One of Joan’s favorites was a quote from Thoreau: “If one advances confidently in the direction of his dreams and endeavors to lead a life which he has imagined, he will meet a success unexpected in common hours.
Susan Bogert Warner (Sole Sisters: Stories of Women and Running)
The shame attached to rape was men’s shame, shame they were too weak to carry: that their gender could do this, that they could do it, that they wanted to do it, that they could not protect their wives and sisters and daughters from it, that they could not stop it. That a thing they believed to be solely theirs could be taken by another man. That, should a child be born, the cuckold would be left to raise another man’s bastard.
Nevada Barr (The Rope (Anna Pigeon #17))
Late afternoons were for resting in the hammock that hung between the Three Sisters, my favourite trio of birch trees, a book resting on my chest. Other days, I would follow my imagination around our property, my bare feet sinking into pillows of soft moss and rough lichens as I climbed up rock faces or followed a path of fallen pine needles. I would name each plant and tree around me as I filled my pockets with acorns, my soles hardened by the end of the summer.
Kristyn Jewell (Poppy and Pa)
We’d been thrust together, not as neighbors or comrades or even as strangers but as human beings united by the sole desire that the next bomb find its target anywhere but the roof above our heads.
Amanda Barratt (The Warsaw Sisters)
I came up here with the sole intention of dismantling my sister’s life until she felt as low as I did.
N'Dia Rae (The Coldest Secret Ever: A Psychological Thriller)
I don't think much of you yet—I wish I could—though you do go talking and lecturing up and down the country to crowded audiences, and are busy with all sorts of philanthropic intellectualism, and circulating libraries and museums, and Heaven only knows what besides, and try to make us think, through newspaper reports, that you are, even as we, of the working classes. But bless your hearts, we “ain't so green,” though lots of us of all sorts toady you enough certainly, and try to make you think so. I'll tell you what to do now: instead of all this trumpeting and fuss, which is only the old parliamentary-majority dodge over again, just you go, each of you (you've plenty of time for it, if you'll only give up t'other line), and quietly make three or four friends—real friends—among us. You'll find a little trouble in getting at the right sort, because such birds don't come lightly to your lure; but found they may be. Take, say, two out of the professions, lawyer, parson, doctor—which you will; one out of trade; and three or four out of the working classes—tailors, engineers, carpenters, engravers. There's plenty of choice. Let them be men of your own ages, mind, and ask them to your homes; introduce them to your wives and sisters, and get introduced to theirs; give them good dinners, and talk to them about what is really at the bottom of your hearts; and box, and run, and row with them, when you have a chance. Do all this honestly as man to man, and by the time you come to ride old John, you'll be able to do something more than sit on his back, and may feel his mouth with some stronger bridle than a red-tape one. Ah, if you only would! But you have got too far out of the right rut, I fear. Too much over-civilization, and the deceitfulness of riches. It is easier for a camel to go through the eye of a needle. More's the pity. I never came across but two of you who could value a man wholly and solely for what was in him—who thought themselves verily and indeed of the same flesh and blood as John Jones the attorney's clerk, and Bill Smith the costermonger, and could act as if they thought so.
Thomas Hughes (Tom Brown's Schooldays (Tom Brown, #1))
And it was different because she no longer felt she was there simply to serve the dreams of other people. She no longer felt like she had to find sole fulfilment as some imaginary perfect daughter or sister or partner or wife or mother or employee or anything other than a human being, orbiting her own purpose, and answerable to herself.
Matt Haig (The Midnight Library)
Nachama, his parents, and two sisters would eventually be rounded up and transported to a concentration camp, Auschwitz, in the spring of 1943. All but Nachama were gassed, and he would spend the next two years of living hell surviving on his wits, charm, and his extraordinary singing voice. Prisoner 116155, as was tattooed on Nachama’s wrist, entertained the camp guards, inspired and revived his fellow prisoners with his unique and powerful baritone, his popular rendition of “’O Sole Mio” gaining him the nickname “the singer of Auschwitz.
Iain MacGregor (Checkpoint Charlie: The Cold War, the Berlin Wall and the Most Dangerous Place on Earth)
The challenge was that many would-be naturals found little support in traditional places for beauty advice, including beauty magazines (even ones catering to Black women) and professional stylists. Often, even mothers and grandmothers were of no help; the hair care that many Black women learned from their fore-mothers was solely focused on “fixing” or “taming” natural hair, not on celebrating its innate qualities. Many Black women had not seen or managed their natural texture in decades. Black beauty magazines such as Essence continued to mostly feature models with straightened hair. And, until the recent renaissance, education for beauticians included little to no training about the care of natural Black hair. Stylists were tested only on their ability to handle straightened Black tresses.33
Tamara Winfrey Harris (The Sisters Are Alright: Changing the Broken Narrative of Black Women in America)
Mammy is the obedient, loyal domestic who loves most to serve her White family.23 Unfailingly maternal, she has no personal desires and is not herself desirable; her broad, corpulent body is meant solely for work and the comfort of others.24 Mammy is asexual, and to underscore this, she is generally depicted as dark skinned and with African features, a headscarf covering what we imagine to be nappy hair—the negative of the pale, fine-featured, light-eyed, and straight-haired Whiteness seen as the pinnacle of beauty.
Tamara Winfrey Harris (The Sisters Are Alright: Changing the Broken Narrative of Black Women in America)
What would have happened if Julia—who once dreamed of becoming a novelist and, as a child, possessed, as she put it, “zero interest in the stove”—had returned home to California after that fateful bite of perfectly cooked fish? We can’t know for sure, but clearly in Julia’s romance with French food, that first bite of sole was just the first kiss. “Really, the more I cook, the more I like to cook,” she later told her sister-in-law. “To think it has taken me forty years to find my true passion (cat and husband excepted).
Angela Duckworth (Grit: The Power of Passion and Perseverance)
What would have happened if Julia—who once dreamed of becoming a novelist and, as a child, possessed, as she put it, “zero interest in the stove”—had returned home to California after that fateful bite of perfectly cooked fish? We can’t know for sure, but clearly in Julia’s romance with French food, that first bite of sole was just the first kiss. “Really, the more I cook, the more I like to cook,” she later told her sister-in-law. “To think it has taken me forty years to find my true passion (cat and husband excepted).” So, while we might envy those who love what they do for a living, we shouldn’t assume that they started from a different place than the rest of us. Chances are, they took quite some time figuring out exactly what they wanted to do with their lives. Commencement speakers may say about their vocation, “I can’t imagine doing anything else,” but, in fact, there was a time earlier in life when they could.
Angela Duckworth (Grit: The Power of Passion and Perseverance)
But the hundred-plus years during which France and England fought are characterized by a deeper conflict than mere territorial battles: “The King of England,” says Jean Froissart, “had long wished for an opportunity to assert his right to the crown of France.” When Philip V had resurrected the old Salic Law to take the throne of France away from his niece, he had inadvertently provided a way for the English king to take the French thone. Philip V’s end run around his niece’s right to rule France had led to the barring of his own daughter, his sole child, from the throne, and the appointment of the new House of Valois in the place of Hugh Capet’s descendants—leaving Edward III, son of Philip’s sister Isabelle, as the sole remaining monarch of direct Capetian descent.
Susan Wise Bauer (The History of the Renaissance World: From the Rediscovery of Aristotle to the Conquest of Constantinople)
Word was, her power was old and ancient and derived from the lives of her sister witches lost in the Salem trials. Alice was the sole survivor, thanks to Elenora’s intervention.
Kristen Painter (The Witch's Halloween Hero (Nocturne Falls, #4.5))
During the pandemic, I couldn’t bring myself to leave the house, terrified I would find myself standing in the doorway of an ICU room, watching the doctors press their whole weight on the chest of my mother, my sisters, my children, terrified of the lurch of their feet, the lurch that accompanies each press that restarts the heart, the jerk of their pale, tender soles, terrified of the frantic prayer without intention that keens through the mind, the prayer for life that one says in the doorway, the prayer I never want to say again, the prayer that dissolves midair when the hush-click-hush-click of the ventilator drowns it, terrified of the terrible commitment at the heart of me that reasons that if the person I love has to endure this, then the least I can do is stand there, the least I can do is witness, the least I can do is tell them over and over again, aloud, I love you. We love you. We ain’t going nowhere.
Jesmyn Ward
His gaze dropped to the studio bed: still half-unmade. On the undisturbed half, nearest the wall, there stretched out a long, colorful scatter of magazines, science-fiction paperbacks, a few hardcover detective novels still in their wrappers, a few bright napkins taken home from restaurants, and a half-dozen of those shiny little Golden Guides and Knowledge Through Color books—his recreational reading as opposed to his working materials and references arranged on the coffee table beside the bed. They'd been his chief—almost his sole—companions during the three years he'd laid sodden there stupidly goggling at the TV across the room; but always fingering them and stupefiedly studying their bright, easy pages from time to time. Only a month ago it had suddenly occurred to him that their gay casual scatter added up to a slender, carefree woman lying beside him on top of the covers—that was why he never put them on the floor; why he contented himself with half the bed; why he unconsciously arranged them in a female form with long, long legs. They were a "scholar's mistress," he decided, on the analogy of "Dutch wife," that long, slender bolster sleepers clutch to soak up sweat in tropical countries—a very secret playmate, a dashing but studious call girl, a slim, incestuous sister, eternal comrade of his writing work.
Fritz Leiber (Dark Ladies: Conjure Wife/Our Lady of Darkness)
His gaze dropped to the studio bed: still half-unmade. On the undisturbed half, nearest the wall, there stretched out a long, colorful scatter of magazines, science-fiction paperbacks, a few hardcover detective novels still in their wrappers, a few bright napkins taken home from restaurants, and a half-dozen of those shiny little golden Guides and Knowledge Through Color books—his recreational reading as opposed to his working materials and references arranged on the coffee table beside the bed. They'd been his chief—almost his sole—companions during the three years he'd laid sodden there stupidly goggling at the TV across the room; but always fingering them and stupefiedly studying their bright, easy pages from time to time. Only a month ago it had suddenly occurred to him that their gay casual scatter added up to a slender, carefree woman lying beside him on top of the covers—that was why he never put them on the floor; why he contented himself with half the bed; why he unconsciously arranged them in a female form with long, long legs. They were a "scholar's mistress," he decided, on the analogy of "Dutch wife," that long, slender bolster sleepers clutch to soak up sweat in tropical countries—a very secret playmate, a dashing but studious call girl, a slim, incestuous sister, eternal comrade of his writing work.
Fritz Leiber (Dark Ladies: Conjure Wife/Our Lady of Darkness)
was a child. When someone needed a ride and didn’t have a boat available, they called Dick. He charged twenty bucks, a twelve-pack of beer, or a fifth of vodka. Cate paid cash. His thirty-year-old son, Adam, accompanied him these days and stared at Cate in a way that gave her the creeps. She stared back, and Adam finally had the grace to look away. Cate decided she’d never ride with Adam when he took over for his father in the future. “I brought over Dr. Powers,” answered Dick. “He’s the one who said to call the FBI. Kurt Olson from the sheriff’s office and a new deputy, Bruce Taylor, were already there.” Dick glanced over his shoulder at Cate. “You met Bruce or Dr. Powers yet?” “No.” She only knew Kurt. He’d been a deputy on Widow’s Island forever. “Bruce is young. Only been here a few months. From southern Oregon. Haven’t made up my mind about him yet,” Dick said, pulling at his beard. “Dr. Powers is a good guy. We’ve needed a doctor on the island since Dr. Hardy died three years ago. Tessa Black from the sheriff’s department shared his ride. Didn’t you two run around together when you were young? You know she’s a county deputy now, right?” “Yes.” Tessa had been like a sister to Cate while growing up. After nearly ten years of being a Seattle police officer and detective, Tessa had returned to Widow’s Island about a year and a half ago and joined the sheriff’s office. Cate had been back on the island for five days and still hadn’t contacted her good friend. Her grandmother had repeatedly pushed her to call Tessa, but Cate had dragged her feet, stating she needed more rest, and had firmly ordered her grandmother to keep this visit to the island under her hat. Cate wasn’t ready to face people. But tonight’s discovery gave her no choice. Trespassing teenage lovebirds had found the bones. The coroner—the new Dr. Powers—believed they belonged to a teenage female. Two years ago the FBI had conducted an investigation of a missing local girl, Becca Conan, with no results. Fourteen-year-old Becca was the daughter of Rex Conan, sole resident and current owner of Ruby’s Island. Now the FBI—meaning
Kendra Elliot (Close to the Bone (Widow's Island #1))
Describe her to me.’ The Sisters looked at each other, and then Sister Jani answered, ‘She has courage. She has braved scorn and ridicule, which can tear the soul more viciously than vultures at a corpse. She has managed to keep her self-esteem intact.’ ‘She has compassion and discretion,’ added Sister Elen. ‘She does not pull down the weak, and the secrets of others are safe with her.’ ‘She has integrity,’ continued Sister Deian. ‘When she goes about doing what is right, she does not consider solely her own benefit.’ ‘She has the most beautiful dreams,’ concluded Sister Carmis on a wistful note.
Karen Lord (Redemption in Indigo)
Buchanan, his father’s sole male heir, was dead, and his younger sister, Victoria, though married, was still childless.
Mary Ellen Taylor (Spring House)
Winston couldn't remember the last time he'd had one of these lonesome summer weekdays. He felt betrayed. How dare his friends live the portions of their lives that didn't include him? On days like this, he used to shovel breakfast cereal into his mouth, then bolt outside to play, only to discover nine-tenths of his world was missing. Downcast, he'd return home and skim his sole Hardy Boys mystery, The Missing Chums, blind to the title's irony. After a few boring pages, he'd behead a few of his sister's dolls, then fight her off with a knife. Then they'd share a cantaloupe half, arguing about whether it tasted better with or without salt.
Paul Beatty
Rule I DO NOT CARELESSLY DENIGRATE SOCIAL INSTITUTIONS OR CREATIVE ACHIEVEMENT Loneliness and Confusion For years, I saw a client who lived by himself.* He was isolated in many other ways in addition to his living situation. He had extremely limited family ties. Both of his daughters had moved out of the country, and did not maintain much contact, and he had no other relatives except a father and sister from whom he was estranged. His wife and the mother of his children had passed away years ago, and the sole relationship he endeavored to establish while he saw me over the course of more than a decade and a half terminated
Jordan B. Peterson (Beyond Order: 12 More Rules for Life)
the assumption that the herstory and myth of white women is the legitimate and sole herstory and myth of all women to call upon for power and background, and that nonwhite women and our herstories are noteworthy only as decorations, or examples of female victimization.
Audre Lorde (Sister Outsider: Essays and Speeches)
When we view living in the european mode only as a problem to be solved, we rely solely upon our ideas to make us free, for these were what the white fathers told us were precious. But as we coe more into touch with our own ancient, non-european consciousness of living as a situation to be experienced and interacted with, we learn more and more to cherish our feelings, and to respect those hidden sources of our power from where true knowledge and, therefore, lasting action comes.
Audre Lorde (Sister Outsider: Essays and Speeches)
It is impossible to be guided solely by either the impulses of feeling or by rational calculation. Neither is likely to make us happy. In my own view, we have need of them both. Wisdom, I suppose, lies in knowing when to call upon one and when on the other.
Janice Hadlow (The Other Bennet Sister)
she no longer felt she was there simply to serve the dreams of other people. She no longer felt like she had to find sole fulfilment as some imaginary perfect daughter or sister or partner or wife or mother or employee or anything other than a human being, orbiting her own purpose, and answerable to herself.
Matt Haig (The Midnight Library)
Their spirits are not truly gone. It is still possible to communicate with the Masters. The royals . . . they have wanted us to believe one thing, and one thing only: that they are the sole possessors of magic. They are wrong.
Sasha Nanua (Sisters of the Snake (Ria & Rani, #1))
It is quite a revelation to discover that the place you wanted to escape to is the exact same place you escaped from. That the prison wasn't the place, but the perspective. And the most peculiar discovery Nora made was that, of all the extremely divergent variations of herself she had experienced, the most radical sense of change happened within the exact same life. The one she began and ended with. This biggest and most profound shift happened not by becoming richer or more successful or more famous or by being amid the glaciers and polar bears of Svalbard. It happened by waking up in the exact same bed, in the same grotty damp apartment with its dilapidated sofa and yucca plant and tiny potted cacti and bookshelves and untried yoga manuals. There was the same electric piano and books. There was the same sad absence of a feline and lack of a job. There was still the same unknowability about her life ahead. And yet, everything was different. And it was different because she no longer felt she was there simply to serve the dreams of other people. She no longer felt like she had to find sole fulfillment as some imaginary perfect daughter or sister or partner or wife or mother or employee or anything other than a human being, orbiting her own purpose, and answerable to herself. And it was different because she was alive, when she had so nearly been dead. And because that had been her choice. A choice to live. Because she had touched the vastness of life and within that vastness she had seen the possibility not only of what she could do, but also feel. There were other scales and other tunes. There was more to her than a flat line of mild to moderate depression, spiced up with occasional flourishes of despair. And that gave her hope, and even the sheer sentimental gratitude of being able to be here, knowing she had the potential to enjoy watching radiant skies and mediocre Ryan Bailey comedies and be happy listening to music and conversation and beat of her own heart. And it was different because, above all other things, that heavy and painful Book of Regrets had been successfully burnt to dust.
Matt Haig (The Midnight Library)
her view on weddings and husbands matured. It wasn’t about the event, but rather the person she pictured standing at the end of the aisle. The man who would stick by her through the good and the bad. For richer and for poorer. In sickness and in health.” My eyes sting, and I’m surprised I’ve held off on crying up until now. I avoid locking eyes with my sister, who is sniffling loudly behind me, solely because I know that one glance at her and my tears will never stop flowing. On the one hand, I’m so happy for her, but on the other, I yearn for a love like hers. A love that might not be perfect, but one that will stand the test of time and all the trials that life brings our way. I
Lauren Asher (My December Darling)
When we view living in the european mode only as a problem to be solved, we rely solely upon our ideas to make us free, for these were what the white fathers told us were precious.
Audre Lorde (Sister Outsider: Essays and Speeches)
She looked over her shoulder, to where Rune was sitting on the bed, laying kiss after kiss on my older sister’s hands, her fingers, her face, looking at his Poppymin like he always had—like she had been designed solely for him.
Tillie Cole (A Thousand Broken Pieces (A Thousand Boy Kisses #2))