Soldiers Are Real Heroes Quotes

We've searched our database for all the quotes and captions related to Soldiers Are Real Heroes. Here they are! All 23 of them:

Sir, people never wanted me to make it to squire. They won't like it any better if I become a knight. I doubt I'll ever get to command a force larger than, well, just me.' Raoul shook his head. 'You're wrong.' As she started to protest, he raised a hand. 'Hear me out. I have some idea of what you've had to bear to get this far, and it won't get easier. But there are larger issues than your fitness for knighthood, issues that involve lives and livelihoods. Attend,' he said, so much like Yayin, one of her Mithran teachers, that Kel had to smile. 'At our level, there are four kids of warrior,' he told Kel. He raised a fist and held up one large finger. 'Heroes, like Alanna the Lioness. Warriors who find dark places and fight in them alone. This is wonderful, but we live in the real world. There aren't many places without any hope or light.' He raised a second finger. 'We have knights- plain, everyday knights, like your brothers. They patrol their borders and protect their tenants, or they go into troubled areas at the king's command and sort them out. They fight in battles, usually against other knights. A hero will work like an everyday knight for a time- it's expected. And most knights must be clever enough to manage alone.' Kel nodded. 'We have soldiers,' Raoul continued, raising a third finger. 'Those warriors, including knights, who can manage so long as they're told what to do. These are more common, thank Mithros, and you'll find them in charge of companies in the army, under the eye of a general. Without people who can take orders, we'd be in real trouble. 'Commanders.' He raised his little finger. 'Good ones, people with a knack for it, like, say, the queen, or Buri, or young Dom, they're as rare as heroes. Commanders have an eye not just for what they do, but for what those around them do. Commanders size up people's strengths and weaknesses. They know where someone will shine and where they will collapse. Other warriors will obey a true commander because they can tell that the commander knows what he- or she- is doing.' Raoul picked up a quill and toyed with it. 'You've shown flashes of being a commander. I've seen it. So has Qasim, your friend Neal, even Wyldon, though it would be like pulling teeth to get him to admit it. My job is to see if you will do more than flash, with the right training. The realm needs commanders. Tortall is big. We have too many still-untamed pockets, too curse many hideyholes for rogues, and plenty of hungry enemies to nibble at our borders and our seafaring trade. If you have what it takes, the Crown will use you. We're too desperate for good commanders to let one slip away, even a female one. Now, finish that'- he pointed to the slate- 'and you can stop for tonight.
Tamora Pierce (Squire (Protector of the Small, #3))
A hero is also someone who, in their day to day interactions with the world, despite all the pain, uncertainty and doubt that can plague us, is resiliently and unashamedly themselves. If you can wake up every day and be emotionally open and honest regardless of what you get back from the world then you can be the hero of your own story. Each and every person who can say that despite life’s various buffetings that they are proud to be the person they are is a hero. Now I do have to mention the real heroes of The Trevor Project, the men and women volunteers, all of whom stand up day after day answering the calls of desperate teens whose circumstances have pushed them to the edge of the abyss. To take that call, and say yes, I will be the one who saves this life takes such courage and compassion. Hemingway’s definition of ‘grace under pressure’ seems fitting as the job they do is every bit as important, and every bit as delicate as a soldier defusing a bomb.
Daniel Radcliffe
Each one's no longer conscious Of the high wall, or the rest: Since the one enduring fortress, Is the soldier's iron breast. If you’d live unconquered, Quickly arm, and fight the real foe: Every wife an Amazon bred, And every child a hero.
Johann Wolfgang von Goethe
Because soldiers aren't really brave, they follow orders. Soldiers do as they told. They're not heroes. There are no real heroes, son. It depends on whose telling the story.
Chris Priestley (Anything That Isn't This)
These men, often elevated to the status of local heroes, served as the most violently effective tool of a democracy aroused against Native Americans: citizen-soldiers engaged in acts of self-interest disguised as self-preservation.
Roxanne Dunbar-Ortiz ("All the Real Indians Died Off": And 20 Other Myths About Native Americans (Myths Made in America Book 5))
On the other hand, if you disarm, tie up, and leave a POW out in a clearing somewhere because you can’t take him with you, then the word will spread that Americans treat POWs honorably, even when the chips are down, and a whole bunch of scared, tired soldiers will surrender rather than die. In World War II an entire Soviet army corps defected to the Germans. The Germans were treating Soviet POWs like dogs, and yet a whole corps came over to their side. How would they behave if they faced a humane enemy? “The last thing you ought to know is that if I ever catch any of you heroes killing a POW, I’ll shoot you right on the spot. Because it’s illegal, because it’s wrong, because it’s dumb, and it’s one of the worst things you could do to help us win a war.” I didn’t bother to include the possibility of organizing Soviet POWs and defectors into combat units and the very real importance of capturing POWs for intelligence purposes.
Dave Grossman (On Killing: The Psychological Cost of Learning to Kill in War and Society)
The wu in wuxia means both “to cut” and “to stop.” It also refers to the weapon—usually a sword—carried by the assassin, the hero of the story. The genre became very popular during the Song Dynasty [960–1279]. These stories often depicted a soldier in revolt, usually against a corrupt political leader. In order to stop corruption and the killing of innocent people, the hero must become an assassin. So wuxia stories are concerned with the premise of ending violence with violence. Although their actions are motivated by political reasons, the hero’s journey is epic and transformative—physically, emotionally, and spiritually. In the Tang Dynasty, a prominent poet named Li Bai wrote some verses about an assassin. This is the earliest example I know of wuxia literature. Gradually, the genre gave shape to ideas and stories that had been percolating in historical and mythological spheres. Although these stories were often inspired by real events of the past, to me they feel very contemporary and relevant. It’s one of the oldest genres in Chinese literature, and there are countless wuxia novels today. I began to immerse myself in these novels when I was in elementary school, and they quickly became my favorite things to read. I started with newer books and worked my way back to the earliest writing from the Tang Dynasty.
Hou Hsiao-hsien
They,” he waved his hand out across the world, taking all of it in, every individual life and moment as though it were something that could be measured, known, and grasped, “they’re tired of being lied to. They’re tired of being taken in by this week’s outrage at last week’s Hitler of the moment. They’re tired of finding out that the thing they read on the internet wasn’t true. That cancer’s not cured by these five super foods and that you can, or cannot, see the Great Wall of China from space. They’re tired of having their heroes become all too real every time a celebrity gets busted for sex, drugs, or their disbelief in global warming, climate change, fracking, fossil fuels, cops, guns, or whatever we’ve decided is the new worst thing you can possibly support. When did we get permission to be anything other than what they want us to be? Which is just their heroes. All those people want out there, right now, watching this feed, is for me and my crew to handle this. And be heroes doing it. They want us to do that, they want to see it, and then they want us to come back next week and do it again. They could care less about how I feel regarding the latest war or what people do with their genitalia. They don’t need those things to actually enjoy this show.
Nick Cole (CTRL ALT Revolt! (Soda Pop Soldier, #0.5))
Rockton is no more Oliver than Churchgrove is Lord Kirkwood,” Lady Minerva said stoutly. “Then why did you steal my name for him?” Oliver asked. “It’s not quite your name, old chap,” Lord Gabriel said. “And you know perfectly well that Minerva likes to tweak your nose from time to time.” “Stop calling me ‘old,’ blast it,” Oliver grumbled. “I’m not some doddering fool.” “How old are you, anyway?” Maria asked him, amused by his vanity. “Thirty-five.” Mrs. Plumtree had said little until now, but apparently the conversation had piqued her interest. “That’s long past the age when a man should marry, don’t you think, Miss Butterfield?” Aware of Oliver’s gaze on her, Maria chose her words carefully. “I suppose it depends on the man. Papa didn’t marry until he was nearly that age. He was too busy fighting in the Revolutionary War to court anyone.” When the blood drained from Mrs. Plumtree’s face, Oliver’s eyes held a glint of triumph. “Ah, yes, the Revolutionary War. Did I forget to mention, Gran, that Mr. Butterfield was a soldier in the Continental Marines?” The table got very quiet. Lady Minerva focused on eating her soup. Lady Celia took several sips of wine, one after another, and Lord Jarret stared into his soup bowl as if it contained the secret to life. The only real sound punctuating the silence was Lord Gabriel’s muttered “bloody hell.” Clearly, there was some undercurrent here that Maria didn’t understand. Oliver was watching his grandmother again like a wolf about to pounce, and Mrs. Plumtree was clearly contemplating which weapon would best hold the wolf at bay. “Uncle Adam was a hero,” Freddy put in, oblivious as usual to undercurrents of any kind. “At the Battle of Princeton, he held off ten of the British until help could arrive. It was just him and his bayonet, slashing and stabbing-“ “Freddy,” Maria chided under her breath, “our hosts are British, remember?
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
As a child, Callum never sympathized much with storybook villains, who were always clinging to some sort of broad, unspecified drive. It wasn’t the depravity that unnerved him, but the desperation of it all; the need, the compulsion, which always destroyed them in the end. That was the distasteful thing about villains, really. Not the manner in which they went about their business, which was certainly gruesome and morally corrupt, but the fact that they desired things so intensely. The heroes were always reluctant, always pushed into their roles, martyring themselves. Callum didn’t like that, either, but at least it made sense. Villains were far too proactive. Must they participate in the drudgery of it all for some interminable cause? Taking over the world was a mostly nonsensical agenda. Have control of these puppets, with their empty heads and their pitchforked mobs? Why? Wanting anything—beauty, love, omnipotence, absolution—was the natural flaw in being human, but the choice to waste away for anything made the whole indigestible. A waste. Simple choices were what registered to Callum as most honestly, the truest truths: fairy-tale peasants need money for dying child, accepts whatever consequence follow. The rest of the story—about rewards of choosing good or the ill-fated outcomes of desperation and vice—we’re always too lofty, a pretty but undeniable lie. Cosmic justice wasn’t real. Betrayal was all too common. For better or worse, people did not get what they deserved. Callum had always tended toward the assassins in the stories, the dutiful soldiers, those driven by personal reaction rather than on some larger moral cause. Perhaps it was a small role to serve on the whole, but at least it was rational, comprehensible beyond fatalistic. Take the huntsman who failed to kill Snow White, for example. An assassin acting on his own internal compass. Whether humanity as a whole won or lost as a result of his choice? Unimportant. He didn’t raise an army, didn’t fight for good, didn’t interfere much with the queen’s other evils. It wasn’t the whole world at stake; it was never about destiny. Callum admired that, the ability to take a moral stance and hold it. It was only about whether the huntsman could live with his decision—because however miserable or dull or uninspired, life was the only thing that mattered in the end. The truest truths: Mortal lifetimes were short, inconsequential. Convictions were death sentences. Money couldn’t buy happiness, but nothing could buy happiness, so at least money could buy everything else. In terms of finding satisfaction, all a person was capable of controlling was himself.
Olivie Blake (The Atlas Six (The Atlas, #1))
The plots on Counterspy were exactly what the title implies. In the beginning, this meant counterespionage against Germany’s Gestapo and Japan’s Black Dragon. The approach was slightly above the juvenile. Perhaps one reason for its durability was its reputation for upstaging the news. The Case of the Missing Soldier (Oct. 24, 1945) related the cruel rackets feeding on the families of dead war heroes just two days before a sensational arrest in a real such case. The series also beat by two days the arrest of “the unchallenged Mata Hari of World War II,” a woman whose photographic memory was used for espionage.
John Dunning (On the Air: The Encyclopedia of Old-Time Radio)
There are only one million of them, the truly evil men, in the whole world. The very rich and the very powerful, whose decisions really count—they only number one million. The stupid men, who number ten million, are the soldiers and policemen who enforce the rule of the evil men. They are the standing armies of twelve key countries, and the police forces of those and twenty more. In total, there are only ten million of them with any real power or consequence. They are often brave, I’m sure, but they are stupid, too, because they give their lives for governments and causes that use their flesh and blood as mere chess pieces. Those governments always betray them or let them down or abandon them, in the long run. Nations neglect no men more shamefully than the heroes of their wars.
Gregory David Roberts (Shantaram)
My mother describes me as 'a real hero . . . just like your grandfather'. But I do not know what to do with this accolade for her son, other than let her have moment, or it helps her back here.
Jake Wood (Among You: The Extraordinary True Story of a Soldier Broken By War)
Franco watched his brother continue to help other soldiers onto the railcars, lifting their packs up to them, and suddenly a wave of guilt rushed over him. He wondered who the real heroes were in this conflict. Were they men like Giacomo Matteotti, who fought against social injustice, or were they men like Benny, who wanted only to defend their country, discover their purpose, and be part of a greater cause?
Steve Physioc (The Walls of Lucca (Martellino series Book 1))
Two Valentines are actually described in the early church, but they likely refer to the same man — a priest in Rome during the reign of Emperor Claudius II. According to tradition, Valentine, having been imprisoned and beaten, was beheaded on February 14, about 270, along the Flaminian Way. Sound romantic to you? How then did his martyrdom become a day for lovers and flowers, candy and little poems reading Roses are red… ? According to legends handed down, Valentine undercut an edict of Emperor Claudius. Wanting to more easily recruit soldiers for his army, Claudius had tried to weaken family ties by forbidding marriage. Valentine, ignoring the order, secretly married young couples in the underground church. These activities, when uncovered, led to his arrest. Furthermore, Valentine had a romantic interest of his own. While in prison he became friends with the jailer’s daughter, and being deprived of books he amused himself by cutting shapes in paper and writing notes to her. His last note arrived on the morning of his death and ended with the words “Your Valentine.” In 496 February 14 was named in his honor. By this time Christianity had long been legalized in the empire, and many pagan celebrations were being “christianized.” One of them, a Roman festival named Lupercalia, was a celebration of love and fertility in which young men put names of girls in a box, drew them out, and celebrated lovemaking. This holiday was replaced by St. Valentine’s Day with its more innocent customs of sending notes and sharing expressions of affection. Does any real truth lie behind the stories of St. Valentine? Probably. He likely conducted underground weddings and sent notes to the jailer’s daughter. He might have even signed them “Your Valentine.” And he probably died for his faith in Christ.
Robert Morgan (On This Day: 365 Amazing and Inspiring Stories about Saints, Martyrs and Heroes)
Love opens the most impossible gates in the world. Feel, therefore, my would-be patriots. Do you feel? Do you feel that millions of your sisters and brothers are starving today and have been in such condition for ages? Do you feel my dear soldiers? Do you feel that the light of truth has become much scarier to the society than the darkness of ignorance? Does this not make you restless? Does this not make you sleepless? Has it not gone into your blood yet, coursing through your veins, becoming resonant with your heart-beat? Are you not yet seized with the one idea of lifting the misery from the society? Have you not been yet immersed in this idea, so much so that, you have forgotten your name, your fame, your property and even your very physical existence as a flesh and blood being? Have you done that yet? That is the very first step of the real education my friend. Your world needs heroes. Be Heroes!
Abhijit Naskar (The Education Decree)
The fighter pilots thought they were the real heroes, but our missions required guts and skill: the soldiers and bush reconnaissance troops, referred to as recces, held us in the highest esteem. Our squadron’s pilots had saved many lives, picking up the seriously wounded in the most difficult of places, in small clearings in the bush never intended for the use of winged aircraft, braving ground fire and surface-to-air missiles.
Peter Vollmer (Diamonds Are but Stone)
But that story, when sifted to the bottom, according to the common version of it, will be found to be based on a delusion--a delusion, however, into which so good a man as Milner as allowed himself to fall. Milner's account is as follows:--"Constantine, marching from France into Italy against Maxentius, in an expedition which was likely either to exalt or to ruin him, was oppressed with anxiety. Some god he thought needful to protect him; the God of the Christians he must most inclined to respect, but he wanted some satisfactory proof of His real existence and power, and he neither understood the means of acquiring this, nor could he be content with the atheistic indifference in which so many generals and heroes since his time have acquiesced. He prayed, he implored with such vehemence and importunity, and God left him not unanswered. While he was marching with his forces in the afternoon, the trophy of the cross appeared very luminous in the heavens, brighter than the sun, with this inscription, 'Conquer by this.' He and his soldiers were astonished at the sight; but he continued pondering on the event till night. And Christ appeared to him when asleep with the same sign of the cross, and directed him to make use of the symbol as his military ensign." Such is the statement of Milner.
Alexander Hislop (The Two Babylons)
If you wanna idolize someone, idolize the soldiers, not some shallow actors playing some fake characters with no bearing on real life whatsoever.
Abhijit Naskar (Karadeniz Chronicle: The Novel)
I wasn't allowed to make the plans or write the leaflets or draft the letters or decide anything but they let me picket because they needed numbers and it was just being a foot soldier and they let me sit in because it was bodies and they let me get arrested because it was numbers for the press; but once we were arrested the women disappeared inside the prison, we were swallowed up in it, it wasn't as if anyone was missing to them. They were all over the men, to get them out, to keep track of them, to make sure they were okay, the heroes of the revolution incarnate had to be taken care of. The real men were going to real jail in a real historical struggle; it was real revolution. The nothing ones walked off a cliff and melted into thin air. I didn't mind being used but I didn't expect to disappear into a darkness resembling hell by any measure; left there to rot by my brothers; the heroes of the revolution. They got the men out; they left us in.
Andrea Dworkin (Mercy)
It was dim inside, the only light filtering in through small windows. For a moment I hesitated, and said a prayer, inaudible, inarticulate, yet real. Then I looked around. That scene will remain with me forever. Each casket was draped with a beautiful American flag. Never before had the flag seemed to have such sublime significance and beauty. About the walls were other flags, American and French; flower petals had been scattered over the floor, and outside I could hear the band playing a hymn.
Patrick K. O'Donnell (The Unknowns: The Untold Story of America’s Unknown Soldier and WWI’s Most Decorated Heroes Who Brought Him Home)
The fate of one, P. M. Gavrilov, who was among the very few survivors of the battle of Brest in 1941, would prove the quality of Soviet justice. Gavrilov was a real hero. Although he had been wounded, and although certain that he would die, he fought to his last bullet, saving one grenade to hurl at the enemy as he passed out from loss of blood. His courage so impressed the Wehrmacht (which was seldom given to sentimental acts) that German soldiers carried his almost lifeless body to a dressing station, whence he was taken to a prisoner-of-war camp. It was for this act of ‘surrender’ that he stood accused after the liberation of his German camp in May 1945. His next home was a camp again, this time a Soviet one. In all, about 1.8 million prisoners like him would end up in the hands of SMERSh.
Catherine Merridale (Ivan's War: Life and Death in the Red Army, 1939-1945)
The real, true spring had arrived, the chestnut trees were in blossom, and the Boche could do nothing about it.
Alan Furst (A Hero of France (Night Soldiers #14))