“
Welcome to Barrayar, son. Here you go: have a world of wealth and poverty, wrenching change and rooted history. Have a birth; have two. Have a name. Miles means "soldier," but don't let the power of suggestion overwhelm you. Have a twisted form in a society that loathes and fears the mutations that have been its deepest agony. Have a title, wealth, power, and all the hatred and envy they will draw. Have your body ripped apart and re-arranged. Inherit an array of friends and enemies you never made. Have a grandfather from hell. Endure pain, find joy, and make your own meaning, because the universe certainly isn't going to supply it. Always be a moving target. Live. Live. Live.
”
”
Lois McMaster Bujold (Barrayar (Vorkosigan Saga, #7))
“
Left weaponless, Roran was forced to retreat before the remaining soldier. He stumbled over a corpse, cutting his calf on a sword as he fell, and rolled to avoid a two-handed blow from the soldier, scrabbling frantically in the ankle-deep mud for something, anything he could use as a weapon. A hilt brushed his fingers, and he ripped it from the muck and slashed at the soldier's sword hand, severing his thumb.
The man stared dumbly at the glistening stump, then said, "This is what comes from not shielding myself."
"Aye," agreed Roran, and beheaded him.
”
”
Christopher Paolini (Eldest (The Inheritance Cycle, #2))
“
In the loudest voice I could muster, I shouted, "As of this moment, you are no longer the armies of China, Macedonia, Myanmar, Tibet or India. You are now warriors of Durga! We have already fought and overcome many fierce creatures. Now we give you the symbol of their power."
I borrowed the Scarf and touched it to my Pearl Necklace. The silken material sped down each and every soldier to cloak them in the most brilliant red, blue, green, gold and white. Even the flag bearers were not left out and now held banners depicting Durga riding her tiger into battle.
"Red for the heart of a Phoenix that sees through falsehood!" I cheered and raided the trident. "Blue for the Monsters of the Deep that rip apart those who dare to cross their domain! Gold for Metal Birds that cut their enemies with razor beaks! Green for the Horde of Hanuman that comes alive to protect that which is most precious! And white for the Dragons of the Five Oceans, whose cunning and power has no equal!
”
”
Colleen Houck (Tiger's Destiny (The Tiger Saga, #4))
“
It was like that. Sometimes I'd go for a period—days or weeks—without feeling the full sweep of my loss, and then as unexpected as a thunderclap, the realization would rip the protective coating from my senses. Maybe that's the way it is with trick knees and aging griefs. Totally pain free one moment and absorbingly painful the next.
”
”
Bette Greene (Morning Is a Long Time Coming (Summer of My German Soldier, #2))
“
What exists beneath the sea?
I’d always pictured it in colors of emerald and aquamarine, where black velvet fish with sequined eyes swim among plankton.
But, when my eyes adjust, I see gray stones, lost anchors, wet wood, buttons, hooks, and eyes, the salem witches who wouldn’t float, stars and stripes, missing vessels, windup toys, the souls of Romeo and Juliet, peaches, cream, pistons, screams, cages of ribs and birds, tunnels, nutcracker soldiers, satin bows, drugstore signs, Pandora box ripped open at its hinges.
”
”
Kelly Easton (The Life History of a Star)
“
Your friends are…interesting,” she said, making me snort. “I would hate to see your enemies.” She looked back at me, black eyes assessing. “You did not mention that one of the ‘friends’ you risked your life for was desperately hoping he could rip your head off.”
“I was a soldier of the Order,” I said wearily. “He’s the leader of a rogue dragon underground. I’m sure I’ve killed a few of his dragons in the past.”I’m also stupidly in love with the girl he considers his, and we both know it.
”
”
Julie Kagawa (Soldier (Talon, #3))
“
The embroidery came later, in the retelling, as the story was told again and again by the men, taking on its own character as it passed over camp.
The Prince had ridden out, with only one soldier. Deep in the mountains, he had chased down the rats responsible for these killings. Had ripped them out of their hiding holes and fought them, thirty to one, at least. Had brought them back thrashed, lashed and subdued. That was their Prince for you, a twisty, vicious fiend who you should never, ever cross, unless you wanted your gullet handed to you on a platter. Why, he once rode a horse to death just to beat Torveld of Patras to the mark.
In the men's eyes the feat was reflected as the wild, impossible thing it was--their Prince vanishing for two days, then appearing out of the night with a sackful of prisoners thrown over his shoulder, tossing them at the feet of his troop and saying: You wanted them? Here they are.
”
”
C.S. Pacat (Captive Prince: Volume Two (Captive Prince, #2))
“
Aedion didn’t care. Not with a row of swords before them, gleaming like the teeth of some mighty beast. The commander’s hand came down. And was ripped clean off by a ghost leopard. For Evangeline, for her freedom, for her future. Where Lysandra lunged, slashing with claws and fangs, soldiers died.
”
”
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
“
Look at all the old wars, centuries ago: the king led his men into battle. Always. That was what the ruler was: both on a practical level and on a mystical one, he was the one who stepped forwards to lead his tribe, put his life at stake for them, become the sacrifice for their safety. If he had refused to do that most crucial thing at that most crucial moment, they would have ripped him apart- and rightly so: he would have shown himself to be an impostor, with no right to the throne. The king was the country; how could he possibly expect it go into battle without him? But now... Can you see any modern president or prime minister on the front line, leading his men into the war he's started? And once that physical and mystical link is broken, once the ruler is no longer willing to be the sacrifice for his people, he becomes not a leader but a leech, forcing others to take his risks while he sits in safety and battens on their losses. War becomes a hideous abstraction, a game for bureaucrats to play on paper; soldiers and civilians become mere pawns, to be sacrificed by the thousand for reasons that have no roots in any reality. As soon as rulers mean nothing, war means nothing; human life means nothing. We're ruled by venal little usurpers, all of us, and they make meaninglessness everywhere they go.
”
”
Tana French (The Likeness (Dublin Murder Squad, #2))
“
Tonight, no one will rage and cry: "My Kingdom for a horse!" No ghost will come to haunt the battlements of a castle in the kingdom of Denmark where, apparently something is rotten. Nor will anyone wring her hands and murmur: "Leave, I do not despise you." Three still young women will not retreat to a dacha whispering the name of Moscow, their beloved, their lost hope. No sister will await the return of her brother to avenge the death of their father, no son will be forced to avenge an affront to his father, no mother will kill her three children to take revenge on their father. And no husband will see his doll-like wife leave him out of contempt. No one will turn into a rhinoceros. Maids will not plot to assassinate their mistress, after denouncing her lover and having him jailed. No one will fret about "the rain in Spain!" No one will emerge from a garbage pail to tell an absurd story. Italian families will not leave for the seashore. No soldier will return from World War II and bang on his father's bedroom dor protesting the presence of a new wife in his mother's bed. No evanescent blode will drown. No Spanish nobleman will seduce a thousand and three women, nor will an entire family of Spanish women writhe beneath the heel of the fierce Bernarda Alba. You won't see a brute of a man rip his sweat-drenched T-shirt, shouting: "Stella! Stella!" and his sister-in-law will not be doomed the minute she steps off the streetcar named Desire. Nor will you see a stepmother pine away for her new husband's youngest son. The plague will not descend upon the city of Thebes, and the Trojan War will not take place. No king will be betrayed by his ungrateful daughters. There will be no duels, no poisonings, no wracking coughs. No one will die, or, if someone must die, it will become a comic scene. No, there will be none of the usual theatrics. What you will see tonight is a very simple woman, a woman who will simply talk...
”
”
Michel Tremblay
“
What happened next? I retain nothing from those terrible minutes except indistinct memories which flash into my mind with sudden brutality, like apparitions, among bursts and scenes and visions that are scarcely imaginable. It is difficult even to even to try to remember moments during which nothing is considered, foreseen, or understood, when there is nothing under a steel helmet but an astonishingly empty head and a pair of eyes which translate nothing more than would the eyes of an animal facing mortal danger. There is nothing but the rhythm of explosions, more or less distant, more or less violent, and the cries of madmen, to be classified later, according to the outcome of the battle, as the cries of heroes or of murderers. And there are the cries of the wounded, of the agonizingly dying, shrieking as they stare at a part of their body reduced to pulp, the cries of men touched by the shock of battle before everybody else, who run in any and every direction, howling like banshees. There are the tragic, unbelievable visions, which carry from one moment of nausea to another: guts splattered across the rubble and sprayed from one dying man to another; tightly riveted machines ripped like the belly of a cow which has just been sliced open, flaming and groaning; trees broken into tiny fragments; gaping windows pouring out torrents of billowing dust, dispersing into oblivion all that remains of a comfortable parlor...
”
”
Guy Sajer (The Forgotten Soldier)
“
A shadow fills the space where he stood, familiar and utterly changed at the same time. “E-Elias?” “I’m here.” He hauls me to my feet. He is lean as a rail, and his eyes appear to almost glow in the thickening smoke. “Your brother is here. Tas is here. We’re alive. We’re all right. And that was beautifully done.” He nods to the soldier, who has ripped the dagger out of his thigh and is now crawling away. “He’ll be limping for months.” I
”
”
Sabaa Tahir (A Torch Against the Night (An Ember in the Ashes, #2))
“
FOR THE VOICELESS by El Niño Salvaje I speak for the ones who cannot speak, for the voiceless. I raise my voice and wave my arms and shout for the ones you do not see, perhaps cannot see, for the invisible. For the poor, the powerless, the disenfranchised; for the victims of this so-called “war on drugs,” for the eighty thousand murdered by the narcos, by the police, by the military, by the government, by the purchasers of drugs and the sellers of guns, by the investors in gleaming towers who have parlayed their “new money” into hotels, resorts, shopping malls, and suburban developments. I speak for the tortured, burned, and flayed by the narcos, beaten and raped by the soldiers, electrocuted and half-drowned by the police. I speak for the orphans, twenty thousand of them, for the children who have lost both or one parent, whose lives will never be the same. I speak for the dead children, shot in crossfires, murdered alongside their parents, ripped from their mothers’ wombs. I speak for the people enslaved, forced to labor on the narcos’ ranches, forced to fight. I speak for the mass of others ground down by an economic system that cares more for profit than for people. I speak for the people who tried to tell the truth, who tried to tell the story, who tried to show you what you have been doing and what you have done. But you silenced them and blinded them so that they could not tell you, could not show you. I speak for them, but I speak to you—the rich, the powerful, the politicians, the comandantes, the generals. I speak to Los Pinos and the Chamber of Deputies, I speak to the White House and Congress, I speak to AFI and the DEA, I speak to the bankers, and the ranchers and the oil barons and the capitalists and the narco drug lords and I say— You are the same. You are all the cartel. And you are guilty. You are guilty of murder, you are guilty of torture, you are guilty of rape, of kidnapping, of slavery, of oppression, but mostly I say that you are guilty of indifference. You do not see the people that you grind under your heel. You do not see their pain, you do not hear their cries, they are voiceless and invisible to you and they are the victims of this war that you perpetuate to keep yourselves above them. This is not a war on drugs. This is a war on the poor. This is a war on the poor and the powerless, the voiceless and the invisible, that you would just as soon be swept from your streets like the trash that blows around your ankles and soils your shoes. Congratulations. You’ve done it. You’ve performed a cleansing. A limpieza. The country is safe now for your shopping malls and suburban tracts, the invisible are safely out of sight, the voiceless silent as they should be. I speak these last words, and now you will kill me for it. I only ask that you bury me in the fosa común—the common grave—with the faceless and the nameless, without a headstone. I would rather be with them than you. And I am voiceless now, and invisible.
”
”
Don Winslow (The Cartel (Power of the Dog #2))
“
Надобно смело признаться, Лира!
Мы тяготели к великим мира:
Мачтам, знаменам, церквам, царям,
Бардам, героям, орлам и старцам,
Так, присягнувши на верность — царствам,
Не доверяют Шатра — ветрам.
Знаешь царя — так псаря не жалуй!
Верность как якорем нас держала:
Верность величью — вине — беде,
Верность великой вине венчанной!
Так, присягнувши на верность — Хану,
Не присягают его орде.
Ветреный век мы застали, Лира!
Ветер в клоки изодрав мундиры,
Треплет последний лоскут Шатра…
Новые толпы — иные флаги!
Мы ж остаемся верны присяге,
Ибо дурные вожди — ветра.
14 августа 1918
Better, my Lyre, to confess it freely!
It was the great ever stirred our feelings:
masts, battle ensigns, churches, and kings,
bards, epic heroes, eagles, and elders.
Those that are pledged to the realm, like soldiers,
do not confide their Tent - to the winds.
You know the Tsar - do not toy with the hunter!
Loyalty has held us, firm as an anchor:
loyalty to greatness - to guilt - to grief,
to the great crowned guilt - loyalty unswerving!
Those that are pledged to the Khan will serve him
- their oath is not to the horde, but its chief.
We struck a fickle age, Lyre, that scatters
all to the winds! Uniforms ripped to tatters,
and the last shreds of the Tent worn thin...
New crowds collecting - other flags waving!
But we still stand by our word - unwavering,
for they are devious captains - the winds.
”
”
Marina Tsvetaeva (The Demesne of the Swans)
“
(From Danielle Raver's short story THE ENCHANTRESS)
Thick chains attached to the wall hold a metal collar and belt, restraining most of the tiger's movements. Open, bloody slashes cover his face and back, but he shows no loss of strength as he pulls on the chains and tries to rip the flesh of the surrounding humans with his deadly claws. Out of his reach, I kneel down before him, and his lightning-blue eyes cross my space for a moment.
“Get her out of there!” I hear from behind me.
“Numnerai,” I speak urgently to the tiger. “They will kill you!”
He growls and gnashes his teeth, but I sense he is responding to me.
“Great white tiger, your duty is to protect the prince. But how can you do that if they sink the end of a spear into your heart?” He looks at me for a longer moment. The fighters respond to this by growing still. In their desperation, they are overlooking my foolishness for a chance to save their fellows' lives. I crouch on my feet and begin to nudge closer to him. The tiger growls a warning, but does not slash out at me. “Think of the prince, protector of the palace. Right now he prays for you to live.
”
”
D.M. Raver (The Story Tellers' Anthology)
“
It all got too busy, suddenly. Troops were getting into battles at the Moro Bridge and then into Urbino. Maybe in Urbino I stopped. You felt you could be shot any time there, not just if you were a soldier, but a priest or a nurse. It was a rabbit warren, those narrow tilted streets. Soldiers were coming in with just bits of their bodies, falling in love with me for an hour and then dying. It was important to remember their names. But I kept seeing the child whenever they died. Being washed away. Some would sit up and rip all their dressings off trying to breathe better. Some would be worried about tiny scratches on their arms when they died. Then the bubble in the mouth. That little pop. I leaned forward to close a dead soldier’s eyes, and he open them and sniggered, “Can’t wait to have me dead? You bitch!” He sat up and swept everything on my tray to the floor. So furious. Who would want to die like that? To die with that kind of anger. You bitch! After that I always waited for the bubble in their mouths. I know death now, David. I know all the smells, I know how to divert them from agony. When to give the quick jolt of morphine in a major vein. The saline solution. To make them empty their bowels before they die. Every damn general should have had my job. Every damn general. It should have been a pre-requisite for any river crossing. Who the hell were we to be given this responsibility, expected to be wise as old priests, to know how to lead people towards something no one wanted and somehow make them feel comfortable. I could never believe in all those services they gave for the dead. Their vulgar rhetoric. How dare they! How dare they talk like that about a human being dying.
”
”
Michael Ondaatje (The English Patient)
“
The Crucifixion While you stood there in the chaos, Could you see past all the pain? Past the sword that ripped your soul, To your son's triumphant reign? Did the sands there of Golgotha Scratch lines into your face, Mixing with the blood of Jesus, Dearest Lady, full of grace? While you stayed beneath his shadow, While he hung there on the cross, Could you feel your own wounds bleeding, As his blood fell to the rocks? As the turmoil clutched your saddened soul, Did your heart completely break? Could you hear the soldier cursing When his hammer hit the stake? The Prophecy of Simeon, Had it at last come true, Where the thoughts of many people Would lay bare because of you? Was it when the earth was quaking That reality set in, Your son had died to save our souls, Because of all our sin? I ask you all these questions as I’m leading up to one. Can you forgive me, Blessed Mother, For the dying of your son?
”
”
Donna Sue Berry (The Seven Sorrows of the Blessed Virgin Mary: Poems in Honor of Our Lady of Sorrows)
“
He stumbled over a corpse, cutting his calf on a sword as he fell, and rolled to avoid a two-handed blow from the soldier, scrabbling frantically in the ankle-deep mud for something, anything he could use for a weapon. A hilt bruised his fingers, and he ripped it from the muck and slashed at the soldier’s sword hand, severing his thumb. The man stared dumbly at the glistening stump, then said, “This is what comes from not shielding myself.” “Aye,” agreed Roran, and beheaded him.
”
”
Christopher Paolini (Eldest (The Inheritance Cycle, #2))
“
Grand Maester Pycelle cleared his throat, a process that seemed to take some minutes. “My order serves the realm, not the ruler. Once I counseled King Aerys as loyally as I counsel King Robert now, so I bear this girl child of his no ill will. Yet I ask you this—should war come again, how many soldiers will die? How many towns will burn? How many children will be ripped from their mothers to perish on the end of a spear?” He stroked his luxuriant white beard, infinitely sad, infinitely weary. “Is it not wiser, even kinder, that Daenerys Targaryen should die now so that tens of thousands might live?
”
”
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
“
The military authorities were concerned that soldiers going home on leave would demoralize the home population with horror stories of the Ostfront. ‘You are under military law,’ ran the forceful reminder, ‘and you are still subject to punishment. Don’t speak about weapons, tactics or losses. Don’t speak about bad rations or injustice. The intelligence service of the enemy is ready to exploit it.’
One soldier, or more likely a group, produced their own version of instructions, entitled ‘Notes for Those Going on Leave.’ Their attempt to be funny reveals a great deal about the brutalizing affects of the Ostfront. ‘You must remember that you are entering a National Socialist country whose living conditions are very different to those to which you have been accustomed. You must be tactful with the inhabitants, adapting to their customs and refrain from the habits which you have come to love so much. Food: Do not rip up the parquet or other kinds of floor, because potatoes are kept in a different place. Curfew: If you forget your key, try to open the door with the round-shaped object. Only in cases of extreme urgency use a grenade. Defense Against Partisans: It is not necessary to ask civilians the password and open fire upon receiving an unsatisfactory answer. Defense Against Animals: Dogs with mines attached to them are a special feature of the Soviet Union. German dogs in the worst cases bite, but they do not explode. Shooting every dog you see, although recommended in the Soviet Union, might create a bad impression. Relations with the Civil Population: In Germany just because someone is wearing women’s clothes does not necessarily mean that she is a partisan. But in spite of this, they are dangerous for anyone on leave from the front. General: When on leave back to the Fatherland take care not to talk about the paradise existence in the Soviet Union in case everybody wants to come here and spoil our idyllic comfort.
”
”
Antony Beevor (Stalingrad: The Fateful Siege, 1942–1943)
“
Day and night, bombs crashed into Baghdad. You watched it on TV, you heard it on the radio, you saw it from the roof and when you ventured out into the street: soldiers and civilians, arms and legs roasting, broken by falling stone, intestines spilling onto concrete; homes and barracks, walls ripped open; Baathists and Islamists, Communists and Social Democrats, grocers, tailors, construction workers, nurses, teachers all scurrying to hide in dim burrows, where they would wait to die, as many died, some slowly from disease and infection, others quick in bursts of light, thickets of tumbling steel, halos of dust, crushed by the world’s greatest army.
”
”
Roy Scranton (War Porn)
“
By the latter part of 1861 the War Department had taken over from the states the responsibility for feeding, clothing, and arming Union soldiers. But this process was marred by inefficiency, profiteering, and corruption. To fill contracts for hundreds of thousands of uniforms, textile manufacturers compressed the fibers of recycled woolen goods into a material called “shoddy.” This noun soon became an adjective to describe uniforms that ripped after a few weeks of wear, shoes that fell apart, blankets that disintegrated, and poor workmanship in general on items necessary to equip an army of half a million men and to create its support services within a few short months.
”
”
James M. McPherson (Battle Cry of Freedom: The Civil War Era)
“
All the buildings around the fort and the tents and huts in the fort had been burned by the rebels and among the embers the charred remains of numbers of our soldiers … could be seen.… Bodies with gaping wounds, some bayoneted through the eyes, some with skulls beaten through, others with hideous wounds as if their bowels had been ripped open with bowie-knives, plainly told that but little quarter was shown to our troops. Strewn from the fort to the river bank, in the ravines and hollows, behind logs and under the brush where they had crept for protection from the assassins who pursued them, we found bodies bayoneted, beaten, and shot to death, showing how cold-blooded and persistent was the slaughter.…46
”
”
Jack Hurst (Nathan Bedford Forrest: A Biography)
“
At the door he stops, collects himself, and quietly unbolts the door. At first, when he pulls it open, he sees nothing. Then there’s a soft hiss, followed by a ripping noise. The noise sounds as though it has nothing to do with him until suddenly a shirt button pops off and clatters against the door. Karekin looks down as all at once his mouth fills with a warm fluid. He feels himself being lifted off his feet, the sensation bringing back to him childhood memories of being whisked into the air by his father, and he says, “Dad, my button,” before he is lifted high enough to make out the steel bayonet puncturing his sternum. The fire’s reflection leads along the gun barrel, over the sight and hammer, to the soldier’s ecstatic face.
”
”
Jeffrey Eugenides (Middlesex)
“
That’s what the FBI can never understand—that what Paulie and the organization offer is protection for the kinds of guys who can’t go to the cops. They’re like the police department for wiseguys. For instance, say I’ve got a fifty-thousand-dollar hijack load, and when I go to make my delivery, instead of getting paid, I get stuck up. What am I supposed to do? Go to the cops? Not likely. Shoot it out? I’m a hijacker, not a cowboy. No. The only way to guarantee that I’m not going to get ripped off by anybody is to be established with a member, like Paulie. Somebody who is a made man. A member of a crime family. A soldier. Then, if somebody fucks with you, they fuck with him, and that’s the end of the ball game. Goodbye. They’re dead, with the hijacked stuff rammed down their throats, as well as a lot of other things. Of course problems can arise when the guys sticking you up are associated with wiseguys too. Then there has to be a sit-down between your wiseguys and their wiseguys. What usually happens then is that the wiseguys divide whatever you stole for their own pockets and send you and the guy who robbed you home with nothing. And if you complain, you’re dead.
”
”
Nicholas Pileggi (Wiseguy)
“
Crimson flames tied through my ears Rollin' high and mighty traps Pounced with fire on flaming roads Using ideas as my maps "We'll meet on edges, soon," said I Proud 'neath heated brow Ah, but I was so much older then I'm younger than that now
Half-wracked prejudice leaped forth
"Rip down all hate," I screamed
Lies that life is black and white
Spoke from my skull. I dreamed
Romantic facts of musketeers
Foundationed deep somehow
[chorus]
Girls' faces formed the forward path
From phony jealousy
To memorizing politics
Of ancient history
Flung down by corpse evangelists
Unthought of, though, somehow
[chorus]
A self-ordained professor's tongue
Too serious to fool
Spouted out that liberty
Is just equality in school
"Equality," I spoke the word
As if a wedding vow
{chorus]
In a soldier's stance, I aim my hand
At the mongrel dogs who teach
Fearing not that I'd become my enemy
In the instant that I preach
My pathway led by confusion boats
Mutiny from stern to bow
[chorus]
Yes , my guard stood hard when abstract threats
Too noble to neglect
Deceived me into thinking
I had something to protect
Good and bad, I define these terms
Quite clear, no doubt, somehow
Ah, but I was so much older then
I'm younger than that now
”
”
Bob Dylan (My Back Pages)
“
So that is how we came to be standing in a sparse room, in a nondescript building in the barracks at SAS HQ--just a handful out of all those who had started out so many months earlier.
We shuffled around impatiently. We were ready.
Ready, finally, to get badged as SAS soldiers.
The colonel of the regiment walked in, dressed casually in lightweight camo trousers, shirt, beret, and blue SAS belt.
He smiled at us.
“Well done, lads. Hard work, isn’t it?”
We smiled back.
“You should be proud today. But remember: this is only the beginning. The real hard work starts now, when you return to your squadron. Many are called, few are chosen. Live up to that.” He paused.
“And from now on for the rest of your life remember this: you are part of the SAS family. You’ve earned that. And it is the finest family in the world. But what makes our work here extraordinary is that everyone here goes that little bit extra. When everyone else gives up, we give more. That is what sets us apart.”
It is a speech I have never forgotten.
I stood there, my boots worn, cracked, and muddy, my trousers ripped, and wearing a sweaty black T-shirt.
I felt prouder than I had ever felt in my life.
We all came to attention--no pomp and ceremony. We each shook the colonel’s hand and were handed the coveted SAS sandy beret.
Along the way, I had come to learn that it was never about the beret--it was about what it stood for: camaraderie, sweat, skill, humility, endurance, and character.
I molded the beret carefully onto my head as he finished down the line. Then he turned and said: “Welcome to the SAS. My door is always open if you need anything--that’s how things work around here. Now go and have a beer or two on me.”
Trucker and I had done it, together, against all the odds.
So that was SAS Selection. And as the colonel had said, really it was just the beginning.
”
”
Bear Grylls (Mud, Sweat and Tears)
“
Building with Its Face Blown Off
How suddenly the private
is revealed in a bombed-out city,
how the blue and white striped wallpaper
of a second story bedroom is now
exposed to the lightly falling snow
as if the room had answered the explosion
wearing only its striped pajamas.
Some neighbors and soldiers
poke around in the rubble below
and stare up at the hanging staircase,
the portrait of a grandfather,
a door dangling from a single hinge.
And the bathroom looks almost embarrassed
by its uncovered ochre walls,
the twisted mess of its plumbing,
the sink sinking to its knees,
the ripped shower curtain,
the torn goldfish trailing bubbles.
It's like a dollhouse view
as if a child on its knees could reach in
and pick up the bureau, straighten a picture.
Or it might be a room on a stage
in a play with no characters,
no dialogue or audience,
no beginning, middle, and end–
just the broken furniture in the street,
a shoe among the cinder blocks,
a light snow still falling
on a distant steeple, and people
crossing a bridge that still stands.
And beyong that–crows in a tree,
the statue of a leader on a horse,
and clouds that look like smoke,
and even farther on, in another country
on a blanket under a shade tree,
a man pouring wine into two glasses
and a woman sliding out
the wooden pegs of a wicker hamper
filled with bread, cheese, and several kinds of olives.
”
”
Billy Collins (The Trouble With Poetry - And Other Poems)
“
So after I got Jamie’s address, I wrote to her every day. Every night after I put the kids to bed, I would write. I would tell her about everything that had happened--what I did, what the kids did, something funny one of them said. I just wrote as much as I could for several pages. Every night I wrote her novels and every morning I mailed them to her.
That was all well and good until I found out I’d addressed all of the envelopes incorrectly! I’d left out one digit of the zip code on every single letter I’d written. I was devastated. Even though I had put a return address on them, I was sure they were stuck in post office limbo.
I had this realization the same day I got my first letter from Jamie. I ripped it open and read it through gripped fingers. She told me all about her first few days in basic training, and at the bottom she added the most heartbreaking line, “I wish you’d write me. I know you’re busy and I know you don’t like to write, but I wish you would.”
I couldn’t believe it. She thought I hadn’t written at all.
I called a buddy of mine who is now Command Sergeant Major Phil Blaisdell, a battalion sergeant major at Fort Jackson, South Carolina. “Phil, I’m in trouble. Man, I’ve been sending her letters and I was putting the wrong zip code on them and I got a letter from her and she thinks I’m not sending her letters and I know she needs that.”
“All right, let me call you back.”
A little while later my phone rang. “I’m Command Sergeant Major Duncan. I am the battalion sergeant major of Fort Leonard Wood, Missouri. First of all, I’d like to tell you that I know who you are and I appreciate your service and what you’ve done. I’ve seen your Men’s Health issue and you are an inspiration. I understand you know a Specialist Boyd,” she said.
“Yes, Sergeant Major, I do.”
“Well, I’ve got her standing in front of me right now. Would you like to talk to her?”
“Yes, Sergeant Major, I would.” So she handed the phone to Jamie. Jamie was a little stressed out because she had been called to the sergeant major’s office and thought, What have I done? The conversation was rushed and she was speaking in a hushed tone.
“Hey, I miss you, I love you.”
“Hey, me, too, baby. Let me tell you real quick, I’ve been sending you letters--”
“I got them all today. Thank you.”
“I miss you, and I hope that you can tell.”
“Look, I want to keep talking but they’re watching me.”
“Okay, we’re good. Just wanted to make sure you got the letters. I love you and we’ll talk later.
”
”
Noah Galloway (Living with No Excuses: The Remarkable Rebirth of an American Soldier)
“
I just wrote as much as I could for several pages. Every night I wrote her novels and every morning I mailed them to her.
That was all well and good until I found out I’d addressed all of the envelopes incorrectly! I’d left out one digit of the zip code on every single letter I’d written. I was devastated. Even though I had put a return address on them, I was sure they were stuck in post office limbo.
I had this realization the same day I got my first letter from Jamie. I ripped it open and read it through gripped fingers. She told me all about her first few days in basic training, and at the bottom she added the most heartbreaking line, “I wish you’d write me. I know you’re busy and I know you don’t like to write, but I wish you would.”
I couldn’t believe it. She thought I hadn’t written at all.
I called a buddy of mine who is now Command Sergeant Major Phil Blaisdell, a battalion sergeant major at Fort Jackson, South Carolina. “Phil, I’m in trouble. Man, I’ve been sending her letters and I was putting the wrong zip code on them and I got a letter from her and she thinks I’m not sending her letters and I know she needs that.”
“All right, let me call you back.”
A little while later my phone rang. “I’m Command Sergeant Major Duncan. I am the battalion sergeant major of Fort Leonard Wood, Missouri. First of all, I’d like to tell you that I know who you are and I appreciate your service and what you’ve done. I’ve seen your Men’s Health issue and you are an inspiration. I understand you know a Specialist Boyd,” she said.
“Yes, Sergeant Major, I do.”
“Well, I’ve got her standing in front of me right now. Would you like to talk to her?”
“Yes, Sergeant Major, I would.” So she handed the phone to Jamie. Jamie was a little stressed out because she had been called to the sergeant major’s office and thought, What have I done? The conversation was rushed and she was speaking in a hushed tone.
“Hey, I miss you, I love you.”
“Hey, me too, baby. Let me tell you real quick, I’ve been sending you letters—”
“I got them all today. Thank you.”
“I miss you, and I hope that you can tell.”
“Look, I want to keep talking but they’re watching me.”
“Okay, we’re good. Just wanted to make sure you got the letters. I love you and we’ll talk later.
”
”
Noah Galloway (Living with No Excuses: The Remarkable Rebirth of an American Soldier)
“
Michael Herr, the most brilliant reporter of the Vietnam War, captures the same frenzy in the voice of one American soldier he met: “We’d rip out the hedges and burn the hooches and blow all the wells and kill every chicken, pig and cow in the whole fucking ville. I mean, if we can’t shoot these people, what the fuck are we doing here?” When
”
”
Adam Hochschild (King Leopold's Ghost)
“
She informed me that anything hand written would remain private, but anything typed- newspaper, cartoons, magazine articles- were to be read aloud by the receiving soldier. Each envelope garnered her 10 push-ups, so I was to be concise in my messaging. Immediately, I went shopping for romance novels…. A couple times a week I dutifully scoured through my stack of romance novels and ripped out the pages that I found particularly energetic. In individual envelopes, I sent off a couple dozen sex scenes during the course of her basic training. During the months following her basic, I hid from her and her massive biceps.
”
”
Rachel Stephens Showman (Those Ducks Look Aggressive: A Look Inside Military Life)
“
The shift in the political waters has its own riptide. The fracture on the right, the extremism, will find its voice or voices, and will roll in; then, like a rip current, it will pull away from shore, sucking, and drowning those voices as it does—they will be lost at sea. And while it may appear that we, the party, are lost at sea, the sea level itself will be rising, and the tidal wave, initially imperceptible, will build and slowly roll in. There will be a seamless transition unfolding in the corridors of power, a slow turn to the right that no one sees coming. In the name of what it means to be an American, we will spearhead the development, within the military, and outside it, of separatist soldiers, who believe that they are following the true wishes of their leaders culminating in the erosion of civil liberties under the guise of protection. This combined with the withering of local law enforcement, economic setbacks, and failing infrastructure will become part of a picture that coincides with a period of economic, social, and political unrest; the stabilization in this country will give rise to rogue non-politicians.
”
”
A.M. Homes (The Unfolding)
“
Just as the boss is responsible for the actions of his soldiers, so the soldiers will pay for their boss’s words. I’m going to rip their heads off their fucking shoulders.
”
”
Sophie Lark (Savage Lover (Brutal Birthright, #3))
“
On February 12, 1941, the Dutch Nazi newspaper reported that Jews with sharpened teeth had ripped open the necks of Nazi soldiers and sucked their blood like vampires. The depths of the Nazi lies and depravity shook us all.
”
”
Miep Gies (Anne Frank Remembered: The Story of the Woman Who Helped to Hide the Frank Family)
“
Ravyn kept digging. When his fingernail ripped and the raw tip of his finger struck something sharp, he swore and reared back. His body was invisible, but not his blood. It trickled, crimson red, appearing the moment it left his hand and scattering over the hole he’d dug, the ground thirsty for it. Something was hidden in the earth, waiting. When Ravyn touched it, it was sharper than stone—colder than soil. Steel. Heart in his throat, he dug until he’d unearthed a sword. It lay crooked, caked in dirt. But there was no mistaking its make—forged steel—with an intricately designed hilt, too ornate to be a soldier’s blade. He reached for it, the salt in the air piercing his lungs as he took short, fevered breaths. But before Ravyn could pry the sword free, he caught a glimpse at what was buried beneath it. Resting perfectly, undisturbed for centuries. A pale, knobbed object. Human. Skeletal. A spine.
”
”
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
“
My Back Pages"
Crimson flames tied through my ears
Rollin' high and mighty traps
Pounced with fire on flaming roads
Using ideas as my maps
"We'll meet on edges, soon," said I
Proud 'neath heated brow
Ah, but I was so much older then
I'm younger than that now.
Half-wracked prejudice leaped forth
"Rip down all hate," I screamed
Lies that life is black and white
Spoke from my skull, I dreamed
Romantic facts of musketeers
Foundationed deep, somehow
Ah, but I was so much older then
I'm younger than that now.
Girls' faces formed the forward path
From phony jealousy
To memorizing politics
Of ancient history
Flung down by corpse evangelists
Unthought of, though, somehow
Ah, but I was so much older then
I'm younger than that now.
A self-ordained professor's tongue
Too serious to fool
Spouted out that liberty
Is just equality in school
"Equality," I spoke their word
As if a wedding vow
Ah, but I was so much older then
I'm younger than that now.
In a soldier's stance, I aimed my hand
At the mongrel dogs who teach
Fearing not I'd become my enemy
In the instant that I preach
My existence led by confusion boats
Mutiny from stern to bow
Ah, but I was so much older then
I'm younger than that now.
Yes, my guard stood hard when abstract threats
Too noble to neglect
Deceived me into thinking
I had something to protect
Good and bad, I define these terms
Quite clear, no doubt, somehow
Ah, but I was so much older then
I'm younger than that now.
Bob Dylan, Another Side of Bob Dylan (1964)
”
”
Bob Dylan (Lyrics, 1962-1985)
Martin Archer (Soldiers and Marines: A Novel of War (Soldiers and Marines Book 1))
“
Rava approached Steldor and removed a dagger from a sheath at her hip. With her left hand, she smoothed the collar of his white shirt, then yanked the fabric away from his chest, slicing through it in a single motion. Spying the silver wolf’s head talisman that he always wore, she seized it, ripping it free of his neck.
“Whether for good luck or good fortune, you’ll have no need of this,” she sneered, dropping the pendant into a pouch that hung from her belt.
“I’m sorry it’s not strong enough to cover your stench,” he icily replied, for the mixture inside the talisman was the source of his rich, masculine scent.
Rava stared at Steldor, then stalked around him to tear the remnants of his shirt from his back, trying without success to strip him of his pride. She perused his muscular torso, and when she faced him once more, her eyes came to rest on the scar beneath his rib cage--the one that marked the life-threatening wound given to him by a Cokyrian blade--and placed the tip of the dagger she still held against it.
“Only slightly marred.” She traced the knife’s point along the jagged white line, leaving a trail of red. “I’ll see what I can do to change that.”
She tucked the weapon back into its sheath and gave a nod to the soldiers who had brought Steldor out of the Bastion. As they tied his wrists with rope, she went to the woman who had brought the box and lifted its lid. With a satisfied chuckle, she removed a whip more fearsome than any I had ever seen, cradling it like a mother would an infant, and the gathered throng fell silent. It was indeed rawhide, but uncoiled it reached four feet in length before meeting a silver ring, on the other end of which another two feet of metal-studded leather waited to strike. I looked to Narian and Cannan, and knew by both of their expressions that this was not what they had expected. Indeed, Rava purposefully made eye contact with Narian, her demeanor haughty, before returning her attention to her prey.
“On your knees,” Rava growled, dangling the whip in front of Steldor. He obeyed, his eyes never leaving her face, continuing to radiate strength and insolence.
“How can a flag be of consequence in a dead kingdom?” she taunted. “It is cloth. It is meaningless. And it can be burned.”
She ticked a finger for one of the many soldiers around us to come forward, and I recognized Saadi. He extended our rolled Hytanican flag, and Rava took it, letting it unfurl until the end touched the ground. She held out her other hand and Saadi passed her a lit torch, which she touched to the banner of my homeland, letting flames consume it. The courtyard’s white stone walkway would now and forever be scorched.
Steldor’s upper lip lifted away from his teeth, but aside from this snarl, he showed no reaction.
“Tell me, does it seem worth it to you to suffer this punishment for a rag?”
“Without question,” Steldor forcefully answered, and cheers rolled like thunder through the Hytanicans who had gathered to watch, sending chills down my spine.
”
”
Cayla Kluver (Sacrifice (Legacy, #3))
“
Late in November, he suddenly appeared at Fort Lyon with the 3rd Colorado and other units and announced his intention to attack Black Kettle. Several officers remonstrated, declaring that the Cheyennes had been led to understand that they were prisoners of war. Chivington responded, as one of the protesters recalled, that “he believed it to be right and honorable to use any means under God’s heaven to kill Indians that would kill women and children, and ‘damn any man that was in sympathy with Indians.’“ On November 29, 1864, Chivington methodically deployed his command, about 700 strong with four howitzers, around Black Kettle’s village. The chief, shouting reassurances to his alarmed people, ran up an American flag and a white flag over his tepee. Then the troops opened fire and charged. The Indians fled in panic in all directions. Only one pocket of resistance formed, and that was speedily eliminated. Chivington had made clear his wish that prisoners not be taken, and a massacre followed as the soldiers indiscriminately shot down men, women, and children. Interpreter John Smith later testified: “They were scalped, their brains knocked out; the men used their knives, ripped open women, clubbed little children, knocked them in the head with their guns, beat their brains out, mutilated their bodies in every sense of the word.” Two hundred Cheyennes, two-thirds of them women and children, perished. Nine chiefs died, but Black Kettle made good his escape. As
”
”
Robert M. Utley (American Heritage History of the Indian Wars)
“
Albert Tso always knew he’d have his heart ripped out. He’d just assumed it was a beautiful woman that would do it. Not some pale-skinned, knock-kneed tourist. But there his heart was, dripping blood, in the palm of the puny stranger standing before him.
”
”
C.E. Martin (Brothers in Stone (Stone Soldiers #2))
“
Any woman who wears pants faces a possible punishment for having the pants ripped off and torn to pieces by soldiers.
”
”
Manik Joshi (Weird Laws from Around the World)
“
So they would. And together, they would do so, cadre once more.
They would fight for this kingdom—their new court. Their new home.
He could see it in Fenrys’s eyes as he cut a soldier in two with a deep slice to the middle. Could see that vision of a future on Lorcan’s raging face as the warrior wielded magic and blade to rip through the enemy ranks.
Cadre, yet more than that. Brothers—the warriors fighting at his side were his brothers. Had stayed with him through all of it. And would continue to do so now.
”
”
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
“
I’m keeping' is what we say in Gallacia to any such inquiry, and it covers such a broad range as to convey no information what so ever. It can mean 'I am filled with unspeakable joy, my gout is cured, and angels attend my every step.' Or it can mean 'A bear just ripped my leg off and I am, at this moment, bleeding out, but please don’t make a fuss.' Either way, you’re keeping.
”
”
T. Kingfisher (What Feasts at Night (Sworn Soldier, #2))
“
Rowan straightened as best he could, stalwart against the death that now beckoned, and Aedion could have sworn the prince whispered Aelin’s name. More shouting from the soldiers in the back; some in the front turning to see what the panic was about behind them. Aedion didn’t care. Not with a row of swords before them, gleaming like the teeth of some mighty beast. The commander’s hand came down. And was ripped clean off by a ghost leopard.
”
”
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
“
You can rip out my heart and you'll see the whole wide world reflected in it. What will I see in yours?
”
”
Abhijit Naskar (Mücadele Muhabbet: Gospel of An Unarmed Soldier)
“
His head lifted. Pain-filled eyes, bloodless lips. 'You saved me,' he rasped.
'You can explain who they were later.'
'Ambush,' Rhys said anyway, his eyes scanning my face for signs of hurt. 'Hybern soldiers with ancient chains from the king himself, to nullify my power. They must have traced the magic I used yesterday... I'm sorry.' The words tumbled out of him. I brushed back his dark hair. That was why I hadn't been able to use the bond to speak mind to mind.
'Rest,' I said, and moved to retrieve the blanket from my pack. It'd have to do. He gripped my wrist before I could rise. His eyelids lowered. Consciousness ripped from him- too fast. Much too fast and too heavy.
'I was looking for you, too,' Rhys murmured.
And passed out.
”
”
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
“
Brela was about to watch her father die. No. In that moment, the wall she’d built around her magic broke inside her. She didn’t call it, but the shadows unleashed. She dropped her dagger and screamed as that power tore through her. She felt the magic rip out of her veins and connect with the darkness down the street. The shadows were the most beautiful and vicious things she’d ever seen. Tendrils of black fire and smoke launched from the ground and swarmed the soldiers, swallowing their screams as they shredded through the bodies. Bone, viscera, and red mist sprayed out of the darkness.
”
”
Laura Winter (The Bones of Crystal Sand (Smoke and Shadow, #0))
“
What was the last thing he’d said to her?
It’s on the tip of her tongue,
She can’t remember what she’d heard,
Vowels ripped and consonants undone,
Stuck in the space between words,
Muted language that refuses to come
”
”
Eric Overby (Hourglass in Grace)
“
Where are you going? she demanded. 'There are two dozen soldiers there!'
'Autumn Court soldiers,' Cassian clarified, wings pumping so hard the wind ripped at her eyes. 'I don't know what the fuck they're doing here, or if Eris has royally fucked us over, but one of them shot an ash arrow through Az's wing.'
'Then why are we flying away?'
'Because I'm not landing with you in the middle of that.'
'Put me down!' she shouted. 'Put me down wherever and go back to him!' He didn't, surveying the bog below for the right place. She slammed a hand on his muscled chest. 'Cassian!'
'I know what each second costs me, Nesta,' he said quietly.
'Put me down in a fucking tree, then!' She pointed to one that they narrowly avoided.
He spotted an area he deemed safe enough: a solid stretch of grassy land, the remnants of a tee rising from its midst. He set her in the tree, as she'd suggested, perching her on the highest, sturdiest branch. It groaned and swayed beneath their weight. 'Stay here,' he commanded, waiting until she'd wrapped her hands around the branch and was clinging like a child who'd climbed too high. 'I'll be back soon. Do not climb down. No matter what you may see or hear.'
'Go.' She was utterly useless in a fight, she knew. She would only distract him.
'Be careful,' he warned, as if he weren't the one about to head into danger, and then he was gone.
”
”
Sarah J. Maas (A Court of Silver Flames (A Court of Thorns and Roses, #4))
“
Soldiers dropped their weapons and fled. Others remained, frozen with terror. Sazed stood at their back, between the horrified soldiers and the mass of skaa.
I am not a warrior, he thought, hands shaking as he stared at the monsters. It had been difficult enough to stay calm inside their camp. Watching them scream—their massive swords out, their skin ripped and bloodied as they fell upon the human soldiers—Sazed felt his courage begin to fail.
But if I don’t do something, nobody will.
He tapped pewter.
His muscles grew. He drew deeply upon his steelmind as he dashed forward, taking more strength than he ever had before. He had spent years storing up strength, rarely finding occasion to use it, and now he tapped that reserve.
His body changed, weak scholar’s arms transforming into massive, bulky limbs. His chest widened, bulging, and his muscles grew taut with power. Days spent fragile and frail focused on this single moment. He shoved his way through the ranks of soldiers, pulling his robe over his head as it grew too restrictive, leaving himself wearing only a vestigial loincloth.
The lead koloss turned to find himself facing a creature nearly his own size. Despite its rage, despite its inhumanness, the beast froze, surprise showing in its beady red eyes.
Sazed punched the monster. He hadn’t practiced for war, and knew next to nothing about combat. Yet, at that moment, his lack of skill didn’t matter. The creature’s face folded around his fist, its skull cracking.
Sazed turned on thick legs, looking back at the startled soldiers. Say something brave! he told himself.
“Fight!” Sazed bellowed, surprised at the sudden deepness and strength of his voice.
And, startlingly, they did.
”
”
Brandon Sanderson (The Well of Ascension (Mistborn, #2))
“
Women are faithless, lying creatures who rip out a man's soul and trample it in the dirt while they laugh and move on to another. I thought my girl loved me. I cherished her letters, read them and reread them until they were nigh worn through."
"I remember," Robert said gently.
"And what did she do when I returned to claim her?" Bookman slapped his hand down on the wooden surface, making the sideboard rock. "She swore she'd written to say all was finished between us. She said I'd changed, I was too hard and that I frightened her. What she really meant was that she'd taken up with another man."
"And what did you do about that?" Robert tensed as his valet sauntered over to the bed.
"What did I do? What do we do to traitors in the army, Major? We teach them a lesson."
"But she was a young girl."
Bookman shrugged. "So? Shouldn't she be held to the same standards of loyalty and decency as the rest of us?"
"Not if she isn't a soldier."
"She was my woman. She betrayed me. I had a right to demand justice.
”
”
Catherine Lloyd (Death Comes to the Village (Kurland St. Mary Mystery, #1))
“
One soldier’s arm had been ripped free, the arterial spray like a crimson rainbow.
”
”
David Estes (Lifemarked (The Fatemarked Epic, #5))
“
Unity,” Kadash said softly. “If that is your goal, Dalinar, then why do you seek to rip apart your own people?” Navani started writing. Dalinar drew closer, passing his longsword from one hand to the other. “How do you know, Kadash? How do you know the Iriali are the pagans?” Kadash frowned. Though he wore the square beard of an ardent, that scar on his head wasn’t the only thing that set him apart from his fellows. They treated swordplay like just another art. Kadash had the haunted eyes of a soldier. When he dueled, he kept watch to the sides, in case someone tried to flank him. An impossibility in a solo duel, but all too likely on a battlefield. “How can you ask that, Dalinar?” “Because it should be asked,” Dalinar said. “You claim the Almighty is God. Why?” “Because he simply is.” “That isn’t good enough for me,” Dalinar said, realizing for the first time it was true. “Not anymore.
”
”
Brandon Sanderson (Oathbringer (The Stormlight Archive, #3))
“
Meng Po raised her arms.
At once, the gashes on Mulan's skin healed. Her wounds closed, and the dull pain in her ankle vanished. The rips and tears on her sleeves mended themselves, and her soldier's uniform, which had seen battle on Earth as well as in the Underworld, began to shimmer- until the simple muslin and linen cloth became a rich, forest-green silk. Her tunic lengthened, stretching until it flared behind her calves. Fitted over her chest was the finest armor, emblazoned with pink lotus blossoms and a red dragon.
”
”
Elizabeth Lim (Reflection)
“
had been ripped from her father’s Torah, but also from Torat Ha-Adam, the Nachmanides volume. Both had been utterly destroyed. Intact on the floor, unmolested, she found Historia Calamitatum, the only book not in the divine language from which the entire cosmos was created. Holding the Historia and the valise, she began to leave the room, but her composure failed and she broke into a run, tore down the two remaining flights of stairs and out into the U-shaped courtyard. What she saw stopped her. The nearest part of the quadrangle was vacant, but at its far end a throng of inmates was clustered inside the recently erected funnel of barbed wire. The limit of the courtyard was defined by the platform at the terminal point of the railway track. Rachel ran toward the crowd of prisoners, but as she approached, she saw smaller knots of soldiers, and stopped. To one side, they wore the brown uniforms of the Gendarmerie, and to the other, the gray-green of
”
”
James Carroll (The Cloister)
“
Next to frayed notices exhorting citizens to eat less sugar and salt (which few had tasted recently anyway), and next to the propaganda images of American soldiers killing little children, there were posters advertising sums of lire for the capture of Jews. There was money to be earned for handing them over to the authorities so that they could be deported, imprisoned or worse. Natalia ripped down a cartoon of a Jewish man, his tongue being cut off with a pair of scissors. As she tore it into shreds and scattered the pieces, she frightened herself with the vehemence of her anger, for she felt like cutting off the tongue of the designer of this vile propaganda. Pulling stumps of chalk from their pockets, the two girls wrote in bold letters on the brick walls. EVVIVA LA CLN – Long live the committee of national liberation
”
”
Angela Petch (The Tuscan House)
“
water. Another sailor rescued him. But Carson refused to sit onshore and recover. Instead he answered a bugler’s call for help on the Tennessee. He went to that ship’s battle station, which was located at the same place on the Tennessee as it was on the Arizona. At the air bases, US soldiers reacted swiftly, too. They were unable to use the antiaircraft guns because the ammunition had been locked away for protection. So they fought back with whatever weapons they could find. Some entered the smoking cockpits of damaged planes, ripped out the machine guns, and started firing them at the enemy in the sky. One soldier was able to down a low-flying Japanese plane
”
”
Patricia Brennan Demuth (What Was Pearl Harbor?)