Soho London Quotes

We've searched our database for all the quotes and captions related to Soho London. Here they are! All 100 of them:

For a terrifying moment I thought he was going to hug me, but fortunately we both remembered we were English just in time. Still, it was a close call.
Ben Aaronovitch (Moon Over Soho (Rivers of London, #2))
The clever people at CERN are smashing particles together in the hope that Doctor Who will turn up and tell them to stop
Ben Aaronovitch (Moon Over Soho (Rivers of London, #2))
My Dad says that being a Londoner has nothing to do with where you're born. He says that there are people who get off a jumbo jet at Heathrow, go through immigration waving any kind of passport, hop on the tube and by the time the train's pulled into Piccadilly Circus they've become a Londoner.
Ben Aaronovitch (Moon Over Soho (Rivers of London, #2))
Every male in the world thinks he's an excellent driver. Every copper who's ever had to pick an eyeball out of a puddle knows that most of them are kidding themselves.
Ben Aaronovitch (Moon Over Soho (Rivers of London, #2))
When you're a boy your life can be measured out as a series of uncomfortable conversations reluctantly initiated by adults in an effort to tell you things that you either already know or really don't want to know.
Ben Aaronovitch (Moon Over Soho (Rivers of London, #2))
There's more to life than just London," said Nightingale. "People keep saying that," I said. "But I've never actually seen any proof.
Ben Aaronovitch (Moon Over Soho (Rivers of London, #2))
We were aiming for a cross between Kafka and Orwell, which just goes to show how dangerous it can be when your police officers are better read than you are.
Ben Aaronovitch (Moon Over Soho (Rivers of London, #2))
First law of gossip - there's no point knowing something if somebody else doesn't know you know it.
Ben Aaronovitch (Moon Over Soho (Rivers of London, #2))
If you just warn people, they often simply ignore you. But if you ask them a question, then they have to think about it. And once they start to think about the consequences, they almost always calm down. Unless they're drunk, of course. Or stoned. Or aged between fourteen and twenty-one. Or Glaswegian.
Ben Aaronovitch (Moon Over Soho (Rivers of London, #2))
The first rule about a black woman’s hair is you don’t talk about a black woman’s hair. And the second rule is you don’t ever touch a black woman’s hair without getting written permission first.
Ben Aaronovitch (Moon Over Soho (Rivers of London, #2))
He was calling it an atonic seizure because, even if he didn't know why it had happened, it was important to give it a cool name.
Ben Aaronovitch (Moon Over Soho (Rivers of London, #2))
It’s a truism in policing that witnesses and statements are fine, but nothing beats empirical physical evidence. Actually it isn’t a truism because most policemen think the word ‘empirical’ is something to do with Darth Vader, but it damn well should be.
Ben Aaronovitch (Moon Over Soho (Rivers of London, #2))
Do not meddle in the affairs of wizards, I thought. For they are soggy and hard to light.
Ben Aaronovitch (Moon Over Soho (Rivers of London, #2))
It's a sad fact of modern life that if you drive long enough, sooner or later you must leave London behind.
Ben Aaronovitch (Moon Over Soho (Rivers of London, #2))
You shouldn’t make jokes about these things,” she said. “Science doesn’t have all the answers, you know.” “It’s got all the best questions, though,
Ben Aaronovitch (Moon Over Soho (Rivers of London, #2))
Blackstone's Police Operational Handbook recommends the ABC of serious investigation: Assume nothing, Believe nothing, and Check everything.
Ben Aaronovitch (Moon Over Soho (Rivers of London, #2))
What's the biggest thing you've zapped with a fireball?' I asked. 'That would be a tiger,'said Nightingale. 'Well don't tell Greenpeace,' I said. 'They're an endagered species.' 'Not that sort of tiger,' said Nightingale. 'A Panzer-kampfwagen sechs Ausf E.' I stared at him. 'You knocked out a Tiger tank with a fireball?' 'Actually I knocked out two,' said Nightingale. 'I have to admit that the first one took three shots, one to disable the tracks, one through the driver's eye slot and one down the commander's hatch - brewed up rather nicely.
Ben Aaronovitch (Moon Over Soho (Rivers of London, #2))
He threw a fireball at me. I threw a chimney stack at him - that's the London way.
Ben Aaronovitch (Moon Over Soho (Rivers of London, #2))
London opens to you like a novel itself. [...] It is divided into chapters, the chapters into scenes, the scenes into sentences; it opens to you like a series of rooms, door, passsage, door. Mayfair to Piccadilly to Soho to the Strand.
Anna Quindlen (Imagined London: A Tour of the World's Greatest Fictional City)
The mark was from the glue that once held a folder into which a library card would have fitted back in the day when dinosaurs roamed the earth and computers were the size of washing machines.
Ben Aaronovitch (Moon Over Soho (Rivers of London, #2))
Ethically challenged magical practitioners,” I said.
Ben Aaronovitch (Moon Over Soho (Rivers of London #2))
I'd been too intent on the room to hear her coming up the stairs. Leslie said that the capacity not to notice a traditional Dutch folk dancing band walk up behind you was not a survival characteristic in the complex, fast-paced world of the modern policing environment. I'd like to point out that I was trying to give directions to a slightly deaf tourist at the time, and anyway it was a Swedish dance troupe.
Ben Aaronovitch (Moon Over Soho (Rivers of London, #2))
one of the first rules of police work is that trouble will always come looking for you, so there’s no point looking for it.
Ben Aaronovitch (Moon Over Soho (Rivers of London, #2))
Ghosts, I was thinking, memories - I wasn't sure there was a difference.
Ben Aaronovitch (Moon Over Soho (Rivers of London, #2))
Which meant I spent my spare time learning theory, studying dead languages and reading books like Essays on The Metaphysical by John "never saw a polysyllabic word he didn't like" Cartwright.
Ben Aaronovitch (Moon Over Soho (Rivers of London, #2))
The evening was still warm enough for shirtsleeves, and the city was clinging to summer like a wannabe trophy wife to a promising center forward.
Ben Aaronovitch (Moon Over Soho (Rivers of London, #2))
In the 1960s the planning department of the London County Council, whose unofficial motto was Finishing What the Luftwaffe Started, decided that what London really needed was a series of orbital motorways driven through its heart.
Ben Aaronovitch (Moon Over Soho (Rivers of London, #2))
(A)ny working hypothesis was probably going to involve quantum theory at some point—the part of physics that made my brains trickle out of my ears.
Ben Aaronovitch (Moon Over Soho (Rivers of London, #2))
Sinister is Latin for 'left', making it the sort of enjoyable schoolboy pun that is such an advert for mixed-gender education.
Ben Aaronovitch (Moon Over Soho (Rivers of London, #2))
One thing for certain, Abigail who lived up the road was going on my watch list. In fact I was going to create a watch list just so I could put Abigail at the top of it.
Ben Aaronovitch (Moon Over Soho (Rivers of London, #2))
Five hundred years ago the notoriously savvy Henry VIII discovered an elegant way to solve both his theological problems and his personal liquidity crisis - he dissolved the monasteries and nicked all their land. Since the principle of any rich person who wants to stay rich is, never give anything away unless you absolutely have to, the land has stayed with Crown ever since.
Ben Aaronovitch (Moon Over Soho (Rivers of London, #2))
The rise and fall of Teresa Cornelys proves three things: that the wages of sin are high, that you should “just say no” to opera, and that it’s always wise to diversify your investment portfolio.
Ben Aaronovitch (Moon Over Soho (Rivers of London #2))
Jazz vampires,' said Stephanopoulos. 'I wish I hadn't started calling them that,' I said.
Ben Aaronovitch (Moon Over Soho (Rivers of London, #2))
Science doesn’t have all the answers, you know.” “It’s got all the best questions, though,” I said.
Ben Aaronovitch (Moon Over Soho (Rivers of London #2))
People don't like to speak ill of the dead even when they're monsters, let alone when they're loved ones. People like to forget any bad things that someone did and why should they remember?
Ben Aaronovitch (Moon Over Soho (Rivers of London, #2))
If the heart of Africa remained elusive, my search for it had brought me closer to understanding myself and other human beings. The ache for home lives in all of us, the safe place where we can go as we are and not be questioned. It impels mighty ambitions and dangerous capers. We amass great fortunes at the cost of our souls, or risk our lives in drug dens from London’s Soho, to San Francisco’s Haight-Ashbury. We shout in Baptist churches, wear yarmulkes and wigs and argue even the tiniest points in the Torah, or worship the sun and refuse to kill cows for the starving. Hoping that by doing these things, home will find us acceptable or failing that, that we will forget our awful yearning for it.
Maya Angelou (All God's Children Need Traveling Shoes)
Who made the 999 call?" "Dunno," said Purdy. "Mobile, probably." It's officers like Purdy that give the Metropolitan Police its sterling reputation for customer service that makes us the envy of the civilised world.
Ben Aaronovitch (Moon Over Soho (Rivers of London, #2))
The bouncer scrutinized my face. “Do I know you?” he asked. No, I thought, but you might remember me from such Saturday-night hits as “Would you please put that punter down I’d like to arrest him,” “You can stop kicking him now, the ambulance has arrived,” and the classic “If you don’t back off right now I’m going to nick you as well.
Ben Aaronovitch (Moon Over Soho (Rivers of London #2))
But Smithy,” said Stephanopoulis. “I don’t believe in respectable businessmen. I’ve been a copper for more than five minutes. And the constable here doesn’t think you’re respectable either, because it happens he is a card-carrying member of the Workers’ Revolutionary Party and so regards all forms of property as a crime against the proletariat.” That one caught me by surprise and the best I could manage was “Power to the people.
Ben Aaronovitch (Moon Over Soho (Rivers of London #2))
Death and burial were a public spectacle. Shakespeare may have seen for himself the gravediggers at St Ann's, Soho, playing skittles with skulls and bones.
Catharine Arnold (Necropolis: London and Its Dead)
There’s more to life than just London,’ said Nightingale. ‘People keep saying that,’ I said. ‘But I’ve never actually seen any proof.
Ben Aaronovitch (Moon Over Soho (Rivers of London, #2))
Never diss somebody’s mum, never play chess with the Kurdish mafia, and never lie down with a woman who’s more magical than you are. I
Ben Aaronovitch (Moon Over Soho (Rivers of London #2))
Whatever you see, he’d said, take as long a look as you need to get used to it, to accept it, and then move on as if nothing has changed.
Ben Aaronovitch (Moon Over Soho (Rivers of London #2))
(...) I headed over the river to the address listed on Mr Wilkinson's driving licence to see whether there was anyone who loved him enough to kill him.
Ben Aaronovitch (Moon Over Soho (Rivers of London, #2))
Dr Walid walked me past the security at reception and introduced me to today's dead body.
Ben Aaronovitch (Moon Over Soho (Rivers of London, #2))
An argument,” said Dr. Walid. “It’s an argument of wizards.
Ben Aaronovitch (Moon Over Soho (Rivers of London #2))
We are far from liking London well enough till we like its defects: the dense darkness of much of its winter, the soot on the chimney-pots and everywhere else, the early lamplight, the brown blur of the houses, the splashing of hansoms in Oxford Street or the Strand on December afternoons. There is still something that recalls to me the enchantment of children—the anticipation of Christmas, the delight of a holiday walk—in the way the shop-fronts shine into the fog. It makes each of them seem a little world of light and warmth, and I can still waste time in looking at them with dirty Bloomsbury on one side and dirtier Soho on the other.
Henry James (English Hours)
I showed her my warrant card, and she stared at it in confusion. You get that about half the time, mainly because most members of the public have never seen a warrant card close up and have no idea what the hell it is.
Ben Aaronovitch (Moon Over Soho (Rivers of London, #2))
Murder investigations start with the victim, because usually in the first instance that's all you've got. The study of the victim is called victimology because everything sounds better with an 'ology' tacked on the end. To make sure you make a proper fist of this, the police have developed the world's most useless mnemonic - 5 x W H & H - otherwise known as Who? What? Where? When? Why? and How? Next time you watch a real murder investigation on the TV, and you see a group of serious-looking detectives standing around talking, remember that what they're actually doing is trying to work out what sodding order the mnemonic is supposed to go in. Once they've sorted that out, the exhausted officers will retire to the nearest watering hole for a drink and a bit of a breather.
Ben Aaronovitch (Moon Over Soho (Rivers of London, #2))
The general public have a warped view of the speed at which an investigation proceeds. They like to imagine tense conversations going on behind the venetian blinds and unshaven, but ruggedly handsome, detectives working themselves with single-minded devotion into the bottle and marital breakdown. The truth is that at the end of the day, unless you've generated some sort of lead, you go home and get on with the important things in life - like drinking and sleeping, and if you're lucky, a relationship with the gender and sexual orientation of your choice.
Ben Aaronovitch (Moon Over Soho (Rivers of London, #2))
If they were ugly, Peter, would you care half so much?" asked Nightingale. "There are some hideous things out there that can talk and reason, and I wonder if you would be quite so quick to rush to their defence." "Maybe not," I said. "But that just makes me shallow, it doesn't make me wrong.
Ben Aaronovitch (Moon Over Soho (Rivers of London, #2))
Leslie said that the capacity not to notice a traditional Dutch folk-dancing band walk up behind you was not a survival characteristic in the complex fast-paced world of the modern policing environment. I’d like to point out that I was trying to give directions to a slightly deaf tourist at the time and anyway it was a Swedish dance troupe.
Ben Aaronovitch (Moon Over Soho (Rivers of London #2))
Lesley said that my exes knew that past a certain point I’d lost interest, and that’s why they always packed me in first. That’s not the way I remember it, but Lesley swore she could have constructed a calendar based on my love life. A cyclical one, she said, like the Maya – counting down to disaster. Lesley could be surprisingly erudite sometimes.
Ben Aaronovitch (Moon Over Soho (Rivers of London, #2))
For a terrifying moment I thought he was going to hug me. Fortunately, we both remembered we were English just in time. Still...it was a close call." ~ Peter Grant
Ben Aaronovitch (Moon Over Soho (Rivers of London, #2))
Men have died for this music. You can’t get more serious than that’ Dizzy Gillespie
Ben Aaronovitch (Moon Over Soho (Rivers of London, #2))
Pictures of Cheam adorn the walls of planning offices of every Home County to serve as an awful warning.
Ben Aaronovitch (Moon Over Soho (Rivers of London, #2))
the clever people at CERN are smashing particles together in the hope that Doctor Who will turn up and tell them to stop.
Ben Aaronovitch (Moon Over Soho (Rivers of London #2))
People still use the phrase hoisted by his own petard
Ben Aaronovitch (Moon Over Soho (Rivers of London #2))
The ache for home lives in all of us, the safe place where we can go as we are and not be questioned. It impels mighty ambitions and dangerous capers. We amass great fortunes at the cost of our souls, or risk our lives in drug dens from London’s Soho, to San Francisco’s Haight-Ashbury. We shout in Baptist churches, wear yarmulkes and wigs and argue even the tiniest points in the Torah, or worship the sun and refuse to kill cows for the starving. Hoping that by doing these things, home will find us acceptable or failing that, that we will forget our awful yearning for it.
Maya Angelou (The Collected Autobiographies of Maya Angelou (Modern Library (Hardcover)))
but the first rule about a black woman’s hair is you don’t talk about a black woman’s hair. And the second rule is you don’t ever touch a black woman’s hair without getting written permission first.
Ben Aaronovitch (Moon Over Soho (Rivers of London #2))
[Soho] is all things to all men, catering comprehensively for those needs which money can buy. You see it as you wish. An agreeable place to dine; a cosmopolitan village tucked away behind Piccadilly with its own mysterious village life, one of the best shopping centres for food in London, the nastiest and most sordid nursery of crime in Europe. Even the travel journalists, obsessed by its ambiguities, can't make up their minds.
P.D. James (Unnatural Causes (Adam Dalgliesh, #3))
John Radcliffe, Royal physician to William and Mary, was famous in his own time for reading very little and writing almost nothing. So it stands to reason that one of the most famous libraries in Oxford was his creation.
Ben Aaronovitch (Moon Over Soho (Rivers of London #2))
You can’t die of jazz,” said Dr. Walid. “Can you?” I thought of Fats Navarro, Billie Holiday, and Charlie Parker who, when he died, was mistaken by a coroner for a man twice his real age. “You know,” I said, “I think you’ll find you can.” Jazz
Ben Aaronovitch (Moon Over Soho (Rivers of London #2))
The world was different before the war,' he said. 'We didn't have this instantaneous access to information that your generation has. The world was a bigger, more mysterious place - we still dreamed of secret caves in the Mountains of the Moon, and tiger hunting in the Punjab.
Ben Aaronovitch (Moon Over Soho (Rivers of London, #2))
In previous eras the servants’ quarters would be fully underground, but the Victorians, being the great social improvers they were, had decided that even the lowly should be able to see the feet of the people walking past the grand houses of their masters—hence the half basement.
Ben Aaronovitch (Moon Over Soho (Rivers of London #2))
but the first rule about a black woman’s hair is you don’t talk about a black woman’s hair. And the second rule is you don’t ever touch a black woman’s hair without getting written permission first. And that includes after sex, marriage, or death for that matter. This courtesy is not reciprocated.
Ben Aaronovitch (Moon Over Soho (Rivers of London #2))
It was chintz but not the cat-lady chintz I was used to. Perhaps it was Mrs. Bellrush’s manner or steely blue eyes but I got the distinct impression that this was aggressive chintz, warrior chintz, the kind of chintz that had gone out to conquer an Empire and still had the good taste to dress for dinner. Any IKEA flat-pack that showed its face around here was going to be kindling.
Ben Aaronovitch (Moon Over Soho (Rivers of London #2))
Stephanopoulos was waiting for me inside. She was a short, terrifying woman whose legendary capacity for revenge had earned her the title of the lesbian officer least likely to have a flippant remark made about her sexual orientation. She was stocky, and had a square face that wasn’t helped by a Sheena Easton flat-top that you might have called ironic postmodern dyke chic, but only if you really craved suffering.
Ben Aaronovitch (Moon Over Soho (Rivers of London, #2))
She was the first close friend who I felt like I’d re­ally cho­sen. We weren’t in each other’s lives be­cause of any obli­ga­tion to the past or con­ve­nience of the present. We had no shared his­tory and we had no rea­son to spend all our time to­ gether. But we did. Our friend­ship in­ten­si­fied as all our friends had chil­dren – she, like me, was un­con­vinced about hav­ing kids. And she, like me, found her­self in a re­la­tion­ship in her early thir­ties where they weren’t specif­i­cally work­ing to­wards start­ing a fam­ily. By the time I was thirty-four, Sarah was my only good friend who hadn’t had a baby. Ev­ery time there was an­other preg­nancy an­nounce­ment from a friend, I’d just text the words ‘And an­other one!’ and she’d know what I meant. She be­came the per­son I spent most of my free time with other than Andy, be­cause she was the only friend who had any free time. She could meet me for a drink with­out plan­ning it a month in ad­vance. Our friend­ship made me feel lib­er­ated as well as safe. I looked at her life choices with no sym­pa­thy or con­cern for her. If I could ad­mire her de­ci­sion to re­main child-free, I felt en­cour­aged to ad­mire my own. She made me feel nor­mal. As long as I had our friend­ship, I wasn’t alone and I had rea­son to be­lieve I was on the right track. We ar­ranged to meet for din­ner in Soho af­ter work on a Fri­day. The waiter took our drinks or­der and I asked for our usual – two Dirty Vodka Mar­ti­nis. ‘Er, not for me,’ she said. ‘A sparkling wa­ter, thank you.’ I was ready to make a joke about her un­char­ac­ter­is­tic ab­sti­nence, which she sensed, so as soon as the waiter left she said: ‘I’m preg­nant.’ I didn’t know what to say. I can’t imag­ine the ex­pres­sion on my face was par­tic­u­larly en­thu­si­as­tic, but I couldn’t help it – I was shocked and felt an un­war­ranted but in­tense sense of be­trayal. In a de­layed re­ac­tion, I stood up and went to her side of the ta­ble to hug her, un­able to find words of con­grat­u­la­tions. I asked what had made her change her mind and she spoke in va­garies about it ‘just be­ing the right time’ and wouldn’t elab­o­rate any fur­ther and give me an an­swer. And I needed an an­swer. I needed an an­swer more than any­thing that night. I needed to know whether she’d had a re­al­iza­tion that I hadn’t and, if so, I wanted to know how to get it. When I woke up the next day, I re­al­ized the feel­ing I was ex­pe­ri­enc­ing was not anger or jeal­ousy or bit­ter­ness – it was grief. I had no one left. They’d all gone. Of course, they hadn’t re­ally gone, they were still my friends and I still loved them. But huge parts of them had dis­ap­peared and there was noth­ing they could do to change that. Un­less I joined them in their spa­ces, on their sched­ules, with their fam­i­lies, I would barely see them. And I started dream­ing of an­other life, one com­pletely re­moved from all of it. No more chil­dren’s birth­day par­ties, no more chris­ten­ings, no more bar­be­cues in the sub­urbs. A life I hadn’t ever se­ri­ously con­tem­plated be­fore. I started dream­ing of what it would be like to start all over again. Be­cause as long as I was here in the only Lon­don I knew – mid­dle-class Lon­don, cor­po­rate Lon­don, mid-thir­ties Lon­don, mar­ried Lon­don – I was in their world. And I knew there was a whole other world out there.
Dolly Alderton (Good Material)
So etwas wie ein ständiges Spurensicherungsteam gibt es übrigens nicht. da die Spurensicherung so teuer ist, bestellt man sie beim Innenministerium immer nur häppchenweise wie beim chinesischen Lieferservice. Aus der prozession von Plastikanzügen zu schließen, die an uns vorüberzog, hatte Stephanopoulos sich das Super-Deluxe-Menü für sechs Personen mit einer extraportion Reis gegönnt. Und ich war dann wohl der Glückskeks.
Ben Aaronovitch (Moon Over Soho (Rivers of London, #2))
The stairs down to the scene were so narrow that we had to wait for a herd of forensics types to come up before we could go down. There’s no such thing as a full-service forensics team. It’s very expensive, so you order bits of it up from the Home Office like a Chinese takeout. Judging by the number of noddy suits filing past us Stephanopoulis had gone for the super-deluxe meal for six with extra egg fried rice. I was, I guessed, the fortune cookie.
Ben Aaronovitch (Moon Over Soho (Rivers of London #2))
Many of the bands that played in Hamburg were from Liverpool,” Norman went on. “It was an accident. Bruno went to London to look for bands. But he happened to meet an entrepreneur from Liverpool in Soho who was down in London by pure chance. And he arranged to send some bands over. That’s how the connection was established. And eventually the Beatles made a connection not just with Bruno but with other club owners as well. They kept going back because they got a lot of alcohol and a lot of sex.
Malcolm Gladwell (Outliers: The Story of Success)
A curious colony of mountaineers has long been enclosed within that small flat London district of Soho.  Swiss watchmakers, Swiss silver-chasers, Swiss jewellers, Swiss importers of Swiss musical boxes and Swiss toys of various kinds, draw close together there.  Swiss professors of music, painting, and languages; Swiss artificers in steady work; Swiss couriers, and other Swiss servants chronically out of place; industrious Swiss laundresses and clear-starchers; mysteriously existing Swiss of both sexes; Swiss creditable and Swiss discreditable; Swiss to be trusted by all means, and Swiss to be trusted by no means; these diverse Swiss particles are attracted to a centre in the district of Soho.  Shabby Swiss eating-houses, coffee-houses, and lodging-houses, Swiss drinks and dishes, Swiss service for Sundays, and Swiss schools for week-days, are all to be found there.  Even the native-born English taverns drive a sort of broken-English trade; announcing in their windows Swiss whets and drams, and sheltering in their bars Swiss skirmishes of love and animosity on most nights in the year.
Charles Dickens (The Complete Works of Charles Dickens)
Beautiful!' she would murmur, nudging Septimus, that he might see. But beauty was behind a pane of glass. Even taste (Rezia liked ices, chocolates, sweet things) had no relish to him. He put down his cup on the little marble table. He looked at people outside; happy they seemed, collecting in the middle of the street, shouting, laughing, squabbling over nothing. But he could not taste, he could not feel. In the tea-shop among the tables and the chattering waiters the appalling fear came over him—he could not feel. He could reason; he could read, Dante for example, quite easily (“Septimus, do put down your book,” said Rezia, gently shutting the Inferno), he could add up his bill; his brain was perfect; it must be the fault of the world then—that he could not feel. "The English are so silent," Rezia said. She liked it, she said. She respected these Englishmen, and wanted to see London, and the English horses, and the tailor-made suits, and could remember hearing how wonderful the shops were, from an Aunt who had married and lived in Soho. It might be possible, Septimus thought, looking at England from the train window, as they left Newhaven; it might be possible that the world itself is without meaning.
Virginia Woolf (Mrs. Dalloway)
One August evening in 1996, a publisher named Nigel Newton left his office in London’s Soho district and headed home, carrying a stack of papers. Among them were fifty sample pages from a book he needed to review, but Newton didn’t have high hopes for it. The manuscript had already been rejected by eight other publishers. Newton didn’t read the sample pages that evening. Instead, he handed them over to his eight-year-old daughter, Alice. Alice read them. About an hour later, she returned from her room, her face glowing with excitement. “Dad,” she said, “this is so much better than anything else.” She wouldn’t stop talking about the book. She wanted to finish reading it, and she pestered her father – for months – until he tracked down the rest. Eventually, spurred by his daughter’s insistence, Newton signed the author to a modest contract and printed five hundred copies. That book, which barely made it to the public, was Harry Potter and the Philosopher’s Stone.fn1
Jake Knapp (Sprint: the bestselling guide to solving business problems and testing new ideas the Silicon Valley way)
their, through Soho’s rainswept streets, around the old
Roy Robson (London Large Crime Thriller Series featuring Inspector Harry Hawkins #1-3)
The air used to be clean and the sex used to be dirty. Now it is the other way around. Soho [London] has lost its heart.
Sebastian Horsley
In the same year, William Henly, a Fellow of the Royal Society, wrote to the Humane Society with a suggestion that electricity be used to shock the heart and brain in ‘cases of Apparent Death from Drowning’. After all, he reasoned, why not use ‘the most potent resource in nature, which can instantly pervade the innermost recesses of the animal frame’? In 1794, the first clear success in using electricity to restart the heart was recorded by what had become the Royal Humane Society. Sophia Greenhill, a young girl, had fallen from a window in Soho and was pronounced dead by a doctor at Middlesex Hospital. Mr Squires, a local member of the Society, made it to the girl in around twenty minutes. Using a friction-type electricity machine, he applied shocks to her body. It seemed ‘in vain’, until he began to shock her thorax. Then he felt a pulse, and the child began to breathe again. She was concussed but went on to make a full recovery, and the Royal Humane Society was finally sure of the importance of electricity in reanimating those in ‘suspended animation’.
Lucy Inglis (Georgian London: Into the Streets)
As property prices started rising, developers snatched up bomb sites and derelict buildings and erected the shapeless concrete lumps that have made the ’70s the shining beacon of architectural splendor that it is.
Ben Aaronovitch (Moon Over Soho (Rivers of London #2))
we might have been Welsh, in my dad’s eyes a fate worse than Scottish.
Ben Aaronovitch (Moon Over Soho (Rivers of London #2))
The city was clinging to summer like a wannabe trophy wife to a promising center forward.
Ben Aaronovitch (Moon Over Soho (Rivers of London, #2))
A vision of the little house in Soho flickered across his mind’s eye, his mother at a desk, writing in her journal, with hazy sunlight streaming through the morning windows. The woman inhabited a world he had once thought his own – a world of publishers and reliable suppliers. A London that was confident and competent amid its grey, puddle-strewn streets.
Sara Sheridan (On Starlit Seas)
her hair was piled up under a broad-brimmed
Ben Aaronovitch (Moon Over Soho (Rivers of London, #2))
— Да, этого человека явно обучал профессионал, — нахмурился Найтингейл. — Вы себе представляете, сколько лет нужно тренироваться, чтобы достичь такого уровня? Какая нужна целеустремленность, какая требовательность к себе? Вы только что столкнулись с одним из самых опасных людей в мире. — Внезапно похлопав меня по плечу, он добавил: — И остались живы. Нет, это просто поразительно. На миг я испугался, что он собирается на радостях заключить меня в объятья, но, к счастью, мы оба вовремя вспомнили, что мы англичане. И все же момент был опасный.
Ben Aaronovitch (Moon Over Soho (Rivers of London, #2))
That’s how real men settle their differences, through reasoned discussion and a dispassionate analysis. He farted as I reached the inner door, a sign, I decided, of his respect. Alexander
Ben Aaronovitch (Moon Over Soho (Rivers of London, #2))
MUCH AS I love the Jag, it’s too conspicuous for everyday police work. So that day I was driving a battered silver ex–Metropolitan Police Ford Asbo that, despite my best efforts, smelled vaguely of old stakeouts and wet dog. I
Ben Aaronovitch (Moon Over Soho (Rivers of London #2))
Norwich station has your standard late-Victorian brick, cast-iron, and glass shed retrofitted with the bright molded plastic of various fast-food franchises. I gratefully staggered in the direction of Upper Crust and considered asking if I could stick my head under their coffee spigot but settled for a couple of double espressos and a chicken tikka masala baguette instead.
Ben Aaronovitch (Moon Over Soho (Rivers of London #2))
Plague pits of London,” she said. “There are many, leading some to name it the city of bones. From one end to the other you need only dig a few yards beneath the surface to discover its many hidden secrets—tens of thousands of bodies are buried beneath the sprawling capital, a land of skeletons. In addition to the Knightsbridge pit I mentioned earlier we have another at the center of Soho—Golden Square. Now a charming little area, it has a secret history as a plague pit. In 1685 Lord Macauley described it as ‘a field not to be passed by without a shudder by any Londoner of that age’. Here, as the great plague raged, nightly cartloads of corpses were dropped and buried. It was believed that the earth was deeply infected and could never again be interred without the risk of infection.
David Leadbeater (The Plagues of Pandora (Matt Drake, #9))
The bungalow was a hideous red-brick structure built, if I had to guess, in the early 1980s by some hack architect who’d been aiming at art deco and hit Tracy Emin instead.
Ben Aaronovitch (Moon Over Soho (Rivers of London, #2))
Before London swallowed it whole, Camden Town was the fork in the road best known for a coaching inn called the Mother Red Cap. It served as a last-chance stop for beer, highway robbery and gonorrhoea before heading north into the wilds of Middlesex.
Ben Aaronovitch (Moon Over Soho (Rivers of London, #2))
He farted as I reached the inner door as a sign, I decided, of his respect. Alexander
Ben Aaronovitch (Moon Over Soho (Rivers of London #2))
But London didn’t care, she never does when you leave her because she knows for every one that leaves another two arrive. Besides, she was too busy painting on her neon lipstick and dolling herself up in red and gold.
Ben Aaronovitch (Moon Over Soho (Rivers of London #2))
VIRGINIA WOOLF LOVED SOHO. IN THE EARLY 1920S, HER FAVORITE URBAN itinerary brought her to this old, foreign quarter of central London, located to the west of Bloomsbury. Her “usual round,” as she put it, involved a journey from Gordon Square, where her sister Vanessa still lived, to the bookish fringes of Soho.
Judith R. Walkowitz (Nights Out: Life in Cosmopolitan London)
Zedwell Hotel in Piccadilly Circus sits between Trafalgar Square, Regent Street, Soho & Chinatown. Direct access from Piccadilly Tube Station & close to Leicester Square, Zedwell is ideal for both leisure and business trips. Experience tranquility and comfort with our well-equipped rooms, free high-speed Wi-Fi and on-site gym. A prime location to explore London's vibrant attractions.
Zedwell Piccadilly Circus
Stella daydreamed about Continental delicatessen stores and the scent of ripe tomatoes. She and Michael had liked to go to Covent Garden and Billingsgate together, to Fortnum & Mason, and to the little foreign grocers' shops around Golders Green, Soho and Camden Town. She'd loved to see the sacks of pistachio nuts and the jars of crystallized ginger, the bottles of orange-flower water and distillations of rose petals, suggestive of the flavors of dishes from The Arabian Nights, the barrels of pickled herrings and the sides of salt beef. Together they enjoyed talking about what they might do with the star anise and the brined green peppercorns, the tarragon vinegar and the bottled bilberries. People had sometimes given Stella questioning looks when she took her sketchpad to the markets, but there was a pleasure in trying to capture the textures of the piled oranges and peaches and the glimmer of mackerel scales.
Caroline Scott (Good Taste)
It might have happened somewhere between Hyde Park and Soho, one Friday night or any other night...
Lana M. Rochel (The Prisoner: Speculative Poetry: modern, fantastic, and science-fictional (Poetry by Lana M. Rochel))
This is how you get out of bed the next day. You push off your duvet, rotate your body, put your feet on the floor and stand up. Then it’s have a wee, have a bath, get dressed, go downstairs, eat breakfast, talk to your boss, practise your forma, eat lunch, smack the shit out of the punchbag at the gym, shower, get dressed, get in the Ford Asbo and head into town to make sure that your face is being seen. You do this because it is your job, because it’s necessary and because, if you’re honest, you love it. Repeat this process until the bad dreams stop or you just get used to them – whichever comes first.
Ben Aaronovitch (Moon Over Soho (Rivers of London #2))
First law of gossip – there’s no point knowing something if somebody else doesn’t know you know it.
Ben Aaronovitch (Moon Over Soho (Rivers of London #2))
because everything sounds better with an ‘ology’ tacked on the end.
Ben Aaronovitch (Moon Over Soho (Rivers of London #2))
A little analytical voice in my head pointed out that any working hypothesis was probably going to involve quantum theory at some point – the part of physics that made my brain trickle out of my ears.
Ben Aaronovitch (Moon Over Soho (Rivers of London #2))