“
Achilles was looking at me. “Your hair never quite lies flat, here.” He touched my head, just behind my ear. “I don’t think I’ve ever told you how I like it.”
My scalp prickled where his fingers had been. “You haven’t,” I said.
“I should have.” His hand drifted down to the vee at the base of my throat, drew softly across the pulse. “What about this? Have I told you what I think of this, just here?”
“No,” I said.
“This surely then.” His hand moved across the muscles of my chest; my skin warmed beneath it. “Have I told you of this?”
“That you have told me.” My breath caught a little as I spoke.
“And what of this?” His hand lingered over my hips, drew down the line of my thigh. “Have I spoken of it?”
“You have.”
“And this? Surely I would not have forgotten this.” His cat’s smile. “Tell me I did not.”
“You did not.”
“There is this too.” His hand was ceaseless now. “I know I have told you of this.”
I closed my eyes. “Tell me again,” I said.
”
”
Madeline Miller (The Song of Achilles)
“
I decided a long time ago I would feed on the vultures until a dove came along. A pigeon. The kind of soul that didn't impede on anyone; just walked around worrying about its own business, trying to get through life without pulling everyone else down. With its own needs and selfish habits. Brave. A communicator. Intelligent. Beautiful. Soft-spoken. A creature that mates for life. Unattainable until she has a reason to trust you.
”
”
Jamie McGuire (Walking Disaster (Beautiful, #2))
“
I had always imagined Rosa Parks as a stately woman with a bold temperament, someone who could easily stand up to a busload of glowering passengers. But when she died in 2005 at the age of ninety-two, the flood of obituaries recalled her as soft-spoken, sweet, and small in stature. They said she was "timid and shy" but had "the courage of a lion." They were full of phrases like "radical humility" and "quiet fortitude.
”
”
Susan Cain (Quiet: The Power of Introverts in a World That Can't Stop Talking)
“
Happy Birthday."
Adrian came to a sudden halt. The words were soft and small, spoken tentatively, but easily discerned by vampire ears. Slowly, he turned around and found Jill Mastrano standing shyly before him.
”
”
Richelle Mead (Adrian's Lost Chapter (Bloodlines, #0.5))
“
Draco, do it, or stand aside so one of us -" screeched the woman, but at that precise moment the door to the ramparts burst open once more and there stood Snape, his wand clutched in his hand as his black eyes swept the scene, from Dumbledore slumped against the wall, to the four Death Eaters, including the enraged werewolf, and Malfoy.
"We've got a problem, Snape," said the lumpy Amycus, whose eyes and wand were fixed alike upon Dumbledore, "the boy doesn't seem able -"
But somebody else had spoken Snape's name, quite softly.
"Severus ..."
The sound frightened Harry beyond anything he had experienced all evening. For the first time, Dumbledore was pleading.
Snape said nothing, but walked forwards and pushed Malfoy roughly out of the way. The three Death Eaters fell back without a word. Even the werewolf seemed cowed.
Snape gazed for a moment at Dumbledore, and there was revulsion and hatred etched in the harsh lines of his face.
"Severus ... please ..."
Snape raised his wand and pointed it directly at Dumbledore. "Avada Kedavra!
”
”
J.K. Rowling (Harry Potter and the Half-Blood Prince (Harry Potter, #6))
“
Jacob made me feel safe. He was like a living lullaby. A softly spoken word. The smell of coffee and toast in the morning or a cozy fleece blanket. The rain pattering on the roof on a day where you don’t have to go anywhere or do anything.
”
”
Abby Jimenez (Yours Truly (Part of Your World, #2))
“
But more than that, no unloving words were ever spoken, and everything was held up as another small piece of proof that it can be this way, it doesn't have to be that way; if there is no love in the world, we will make a new world, and we will give it heavy walls, and we will furnish it with soft red interiors, from the inside out, and give it a knocker that resonates like a diamond falling to a jeweler's felt so that we should never hear it.
Love me, because love doesn't exist, and I have tried everything that does.
”
”
Jonathan Safran Foer (Everything Is Illuminated)
“
So I feared not just the violence of this world but the rules designed to protect you from it, the rules that would have you contort your body to address the block, and contort again to be taken seriously by colleagues, and contort again so as not to give the police a reason. All my life I’d heard people tell their black boys and black girls to “be twice as good,” which is to say “accept half as much.” These words would be spoken with a veneer of religious nobility, as though they evidenced some unspoken quality, some undetected courage, when in fact all they evidenced was the gun to our head and the hand in our pocket. This is how we lose our softness. This is how they steal our right to smile.
”
”
Ta-Nehisi Coates (Between the World and Me (One World Essentials))
“
She used to place her pretty arms about my neck, draw me to her, and laying her cheek to mine, murmur with her lips near my ear, “Dearest, your little heart is wounded; think me not cruel because I obey the irresistible law of my strength and weakness; if your dear heart is wounded, my wild heart bleeds with yours. In the rapture of my enormous humiliation I live in your warm life, and you shall die—die, sweetly die—into mine. I cannot help it; as I draw near to you, you, in your turn, will draw near to others, and learn the rapture of that cruelty, which yet is love; so, for a while, seek to know no more of me and mine, but trust me with all your loving spirit.”
And when she had spoken such a rhapsody, she would press me more closely in her trembling embrace, and her lips in soft kisses gently glow upon my cheek.
”
”
J. Sheridan Le Fanu
“
I have spoken softly, gone my ways softly, all my days, as behoves one who has nothing to say, nowhere to go, and so nothing to gain by being seen or heard.
”
”
Samuel Beckett (Malone Dies)
“
I almost miss the sound of your voice but know that the rain
outside my window will suffice for tonight.
I’m not drunk yet, but we haven’t spoken in months now
and I wanted to tell you that someone threw a bouquet of roses
in the trash bin on the corner of my street, and I wanted to cry
because, because —
well,
you know exactly why.
And, I guess I’m calling because only you understand
how that would break my heart.
I’m running out of things to say. My gas is running on empty.
I’ve stopped stealing pages out of poetry books, but last week I pocketed a thesaurus
and looked for synonyms for you but could only find rain and more rain
and a thunderstorm that sounded like glass, like crystal, like an orchestra.
I wanted to tell you that I’m not afraid of being moved anymore;
Not afraid of this heart packing up its things and flying transcontinental
with only a wool coat and a pocket with a folded-up address inside.
I’ve saved up enough money to disappear.
I know you never thought the day would come.
Do you remember when we said goodbye and promised that
it was only for then? It’s been years since I last saw you, years
since we last have spoken.
Sometimes, it gets quiet enough that I can hear the cicadas rubbing their thighs
against each other’s.
I’ve forgotten almost everything about you already, except that
your skin was soft, like the belly of a peach, and
how you would laugh,
making fun of me for the way I pronounced almonds
like I was falling in love
with language.
”
”
Shinji Moon
“
Aiden moved so quickly that one second I was in his lap, and the next I was on my back and he was hovering above me. He lowered his head so that his lips brushed mine softly. That one all-too-wuick touch nearly undid me.
"I love you," he said, and those were the last words spoken for quite some time.
”
”
Jennifer L. Armentrout (Apollyon (Covenant, #4))
“
But somebody else had spoken Snape’s name, quite softly.
“Severus . . .”
The sound frightened Harry beyond anything he had experienced all evening. For the first time, Dumbledore was pleading.
Snape gazed for a moment at Dumbledore, and there was revulsion and hatred etched in the harsh lines of his face.
“Severus . . . please . . .”
Snape raised his wand and pointed it directly at Dumbledore.
“Avada Kedavra!”
A jet of green light shot from the end of Snape’s wand and hit Dumbledore squarely in the chest. Harry’s scream of horror never left him; silent and unmoving, he was forced to watch as Dumbledore was blasted into the air. For a split second, he seemed to hang suspended beneath the shining skull, and then he fell slowly backward, like a great rag doll, over the battlements and out of sight.
”
”
J.K. Rowling (Harry Potter and the Half-Blood Prince (Harry Potter, #6))
“
He had been thinking of how landscape moulds a language. It was impossible to imagine these hills giving forth anything but the soft syllables of Irish, just as only certain forms of German could be spoken on the high crags of Europe; or Dutch in the muddy, guttural, phlegmish lowlands.
”
”
Alexander McCall Smith (Portuguese Irregular Verbs (Portuguese Irregular Verbs, #1))
“
Sometimes, when we lose ourselves in fear and despair, in routine and constancy, in hopelessness and tragedy, we can thank God for Bavarian sugar cookies. And, fortunately, when there aren't any cookies, we can still find reassurance in a familiar hand on our skin, or a kind and loving gesture, or subtle encouragement, or a loving embrace, or an offer of comfort, not to mention hospital gurneys and nose plugs, an uneaten Danish, soft-spoken secrets, and Fender Stratocasters, and maybe the occasional piece of fiction. And we must remember that all these things, the nuances, the anomalies, the subtleties, which we assume only accessorize our days, are effective for a much larger and nobler cause. They are here to save our lives. I know the idea seems strange, but I also know that it just so happens to be true.
”
”
Zach Helm (Stranger Than Fiction: The Shooting Script)
“
And were you being good to yourself?
i don’t think so. but, i forgive you, girl, who tallied stretch marks into reasons why no one should get close. i forgive you, silly girl, sweet breath, decent by default. i forgive you for being afraid. did everything betray you? even the rain you love so much made rust out of your jewelry? i forgive you, soft spoken girl speaking with fake brash voice, fooling no one. i see you, tender even on your hardest days. i forgive you, waiting for him to call, i forgive you, the diets and the cruel friends. especially for that one time you said ‘i fucking give up on love, it’s not worth it, i’d rather be alone forever’. you were just pretending, weren’t you? i know you didn’t mean that. your body, your mouth, your heart, made specifically for loving. sometimes the things we love, will kill us, but weren’t we dying anyway? i forgive you for being something that will eventually die. perishable goods, fading out slowly, little human, i wouldn’t want to be in a world where you don’t exist.
”
”
Warsan Shire
“
Help me,' Allison says, but she is soft-spoken, and everyone she loves is so far away.
”
”
Daniel Handler (Adverbs)
“
The Summer had died peacefully in its sleep, and Autumn, as soft-spoken executrix, was locking life up safely until Spring came to claim it.
”
”
Kurt Vonnegut Jr. (Look at the Birdie: Unpublished Short Fiction)
“
How about I show you what the inside of your ass looks like?
”
”
Gabrielle Evans (Softly Spoken Lies (Moonlight Breed #4))
“
It has been my experience that the "hardest" people in the world are actually the most fragile and the most soft-spoken are the strongest...
”
”
Charles M. Blow
“
The soft-spoken words fell off the side of the bed, emptying to the floor like powder.
”
”
Markus Zusak (The Book Thief)
“
I don’t love to hate you.” The words, spoken softly, brought me to a halt.
”
”
Lucy Score (Things We Left Behind (Knockemout, #3))
“
Those deep set eyes that look like they could tell stories for days, and that wavy brown hair that feels soft between my fingers. I try to memorize the angles of his jaw and the lines of his lips, because I know.
I know this may be the last time I ever see him.
Breathe fills my lungs, my throat relaxes, and I can't help but smile. Because I can see what he's thinking as clearly as if he'd spoken.
He doesn't want to leave - he doesn't want to go home.
He's going to choose me instead.
”
”
Elizabeth Norris (Unraveling (Unraveling, #1))
“
The child-like, gum-chewing naïveté , the glamour rooted in despair, the self admiring carelessness, the perfected otherness, the wispiness, the shadowy, voyeuristic, vaguely sinister aura, the pale, soft-spoken magical presence, the skin and bones…
”
”
Andy Warhol (The Philosophy of Andy Warhol (From A to B and Back Again))
“
When I use the word rebel for the artist, I do not refer to revolutionary or to such things as taking over the dean’s office; that is a different matter. Artists are generally soft-spoken persons who are concerned with their inner visions and images. But that is precisely what makes them feared by any coercive society. For they are the bearers of the human being’s age-old capacity to be insurgent.
”
”
Rollo May (The Courage to Create)
“
This was the world in which she grew and he aged. They made for themselves a sanctuary from Trachimbrod, a habitat completely unlike the rest of the world. No hateful words were ever spoken, and no hands raised. More than that, no angry words were ever spoken, and nothing was denied. But more than that, no unloving words were ever spoken, and everything was held up as another small piece of proof that it can be this way, it doesn’t have to be that way; if there is no love in the world, we will make a new world, and we will give it heavy walls, and we will furnish it with soft red interiors, from the inside out, and give it a knocker that resonates like a diamond falling to a jeweler’s felt so that we should never hear it. Love me, because love doesn’t exist, and I have tried everything that does.
”
”
Jonathan Safran Foer
“
All my life I'd heard people tell their black boys and black girls to be "twice as good," which is to say "accept half as much." These words would be spoken with a veneer of religious nobility, as though they evidenced some unspoken quality, some undetected courage, when in fact all they evidenced was the gun to our head and the hand in our pocket. This is how we lose our softness. This is how they steal our right to smile. No one told those little white children, with their tricycles, to be twice as good. I imagined their parents telling them to take twice as much. It seemed to me that our own rules redoubled plunder. It struck me that perhaps the defining feature of being drafted into the black race was the inescapable robbery of time, because the moments we spent readying the mask, or readying ourselves to accept half as much, could not be recovered. The robbery of time is not measured in lifespans but in moments. It is the last bottle of wine that you have just uncorked but do not have time to drink. It is the kiss that you do not have time to share, before she walks out of your life. It is the raft of second chances for them, and the twenty-three-hour days for us.
”
”
Ta-Nehisi Coates (Between the World and Me)
“
RBG’s longtime friend Cynthia Fuchs Epstein says, “I think had she not had this persona as this very soft-spoken, neat, and tidy person, with a conventional life, she would have been considered a flaming radical.
”
”
Irin Carmon (Notorious RBG: The Life and Times of Ruth Bader Ginsburg)
“
There is one thing I like about the Poles—their language. Polish, when it is spoken by intelligent people, puts me in ecstasy. The sound of the language evokes strange images in which there is always a greensward of fine spiked grass in which hornets and snakes play a great part. I remember days long back when Stanley would invite me to visit his relatives; he used to make me carry a roll of music because he wanted to show me off to these rich relatives. I remember this atmosphere well because in the presence of these smooth−tongued, overly polite, pretentious and thoroughly false Poles I always felt miserably uncomfortable. But when they spoke to one another, sometimes in French, sometimes in Polish, I sat back and watched them fascinatedly. They made strange Polish grimaces, altogether unlike our relatives who were stupid barbarians at bottom. The Poles were like standing snakes fitted up with collars of hornets. I never knew what they were talking about but it always seemed to me as if they were politely assassinating some one. They were all fitted up with sabres and broad−swords which they held in their teeth or brandished fiercely in a thundering charge. They never swerved from the path but rode rough−shod over women and children, spiking them with long pikes beribboned with blood−red pennants. All this, of course, in the drawing−room over a glass of strong tea, the men in butter−colored gloves, the women dangling their silly lorgnettes. The women were always ravishingly beautiful, the blonde houri type garnered centuries ago during the Crusades. They hissed their long polychromatic words through tiny, sensual mouths whose lips were soft as geraniums. These furious sorties with adders and rose petals made an intoxicating sort of music, a steel−stringed zithery slipper−gibber which could also register anomalous sounds like sobs and falling jets of water.
”
”
Henry Miller (Sexus (The Rosy Crucifixion, #1))
“
As Harold took a bite of Bavarian sugar cookie, he finally felt as if everything was going to be ok. Sometimes, when we lose ourselves in fear and despair, in routine and constancy, in hopelessness and tragedy, we can thank God for Bavarian sugar cookies. And, fortunately, when there aren't any cookies, we can still find reassurance in a familiar hand on our skin, or a kind and loving gesture, or subtle encouragement, or a loving embrace, or an offer of comfort, not to mention hospital gurneys and nose plugs, an uneaten Danish, soft-spoken secrets, and Fender Stratocasters, and maybe the occasional piece of fiction. And we must remember that all these things, the nuances, the anomalies, the subtleties, which we assume only accessorize our days, are effective for a much larger and nobler cause. They are here to save our lives. I know the idea seems strange, but I also know that it just so happens to be true.
”
”
Zach Helm (Stranger Than Fiction: The Shooting Script)
“
She's in the Catskill," Shopie began, but Scathach reached over and pinched her hand. "Ouch!"
I just wanted to distract you," Scathach explained. "Don't even think about Black Annis. There are some names that should never be spoken aloud."
That like saying don't think of elephants, Josh said, "and then all you can think about is elephants."
Then let me give you something else to think about," Scathach said softly. "There are two police officers in the window staring at us. Don't look," she added urgently.
Too late. Josh turned to look and whatever crossed his face--shock, horror, guilt or fear--bought both officers racing into the cafe, one pulling his automatic from its holster, the other speaking urgently into his radio as he drew his baton.
”
”
Michael Scott
“
The thought that human beings are considering saving lives by killing millions of their fellow human beings is so preposterous that the words 'saving life' have lost all of their meaning. One of the most tragic facts of our century is that this 'No' to nuclear weapons has been spoken so seldom, so softly, and by so few.
”
”
Henri J.M. Nouwen
“
No matter what I do, I really do love you Celaena."
The word hit her like a stone to the head. He'd never said that word to her before. Ever.
A long silence fell between them.
Arobynn's neck shifted as he swallowed. "I do the things that I do because I'm sacred ... and because I don't know how to express what I feel." He said it so quietly that she barely heard it. "I did all of those things because I was angry with you for picking Sam."
Arobynn's carefully cultivated mask fell, and the wound she'd given him flickered in those magnificent eyes. "Stay with me," he whispered. "Stay in Rifthold."
She swallowed, and found it particularly hard to do so. "I'm going."
"No," he said softly. "Don't go."
No.
That was what she'd said to him that night he'd beaten her, in the moment before he'd struck her, when she thought he was going to hurt Sam instead. And then he'd beaten her so badly she'd been knocked unconscious. Then he'd beaten Sam, too.
Don't.
That was what Ansel had said to her in the desert when Celaena had pressed the sword into the back of her neck, when the agony of Ansel's betrayal had been almost enough to make Celaena kill the girl she'd called a friend. But that betrayal had paled in comparison to what Arobynn had done to her when he'd tricked her into killing Doneval, a man who could have freed countless slaves.
He was using word as chains to bind her again. He'd had so many chances over the year to tell her that he loved her--he'd known how much she craved those words. But he hadn't spoken them until he needed to use them as weapons.
And now that she had Sam, Sam who said those words without expecting anything in return, Sam who loved her for reasons she still didn't understand...
Celaena tilted her head to the side, the only warning she gave that she was still ready to attack him.
"Get out of my house.
”
”
Sarah J. Maas (The Assassin and the Empire (Throne of Glass, #0.5))
“
It’s one of the secrets of strength: We’re so much more likely to find it in the service of others than we are to find it in service to ourselves. We have no idea why this is. It’s not just the mother who lifts the car to free her child, or the guy who shields his girlfriend when the gunman starts to fire. Those are extremes, brave extremes, which life rarely calls on us to offer. No, it is the less extreme strength—a strength that is not so much situational as it is constitutional—that we will find in order to give. How often did we see this, as we were dying? How many soft-spoken lovers turned into fierce watchdogs over our care? How many reticent parents shed that reticence to be there with us? Not all. Certainly, not everyone showed strength. Some supposedly strong people in our lives showed that their strength was actually made of straw. But so many held us up in ways they would not have held themselves. They saw us through, even as their worlds crumbled through their fingers. They kept fighting, even after we were gone. Or especially because we were gone. They kept fighting for us.
”
”
David Levithan (Two Boys Kissing)
“
I lay awake listening to the rain, and at first it was as pleasant to my ear and my mind as it had long been desired; but before I fell asleep it had become a majestic and finally a terrible thing, instead of a sweet sound and symbol. It was accusing and trying me and passing judgment. Long I lay still under the sentence, listening to the rain, and then at last listening to words which seemed to be spoken by a ghostly double beside me. He was muttering: The all-night rain puts out summer like a torch. In the heavy, black rain falling straight from invisible, dark sky to invisible, dark earth the heat of summer is annihilated, the splendour is dead, the summer is gone. The midnight rain buries it away where it has buried all sound but its own. I am alone in the dark still night, and my ear listens to the rain piping in the gutters and roaring softly in the trees of the world. Even so will the rain fall darkly upon the grass over the grave when my ears can hear it no more…
The summer is gone, and never can it return. There will never be any summer any more, and I am weary of everything… I am alone.
The truth is that the rain falls for ever and I am melting into it. Black and monotonously sounding is the midnight and solitude of the rain. In a little while or in an age – for it is all one – I shall know the full truth of the words I used to love, I knew not why, in my days of nature, in the days before the rain: ‘Blessed are the dead that the rain rains on.
”
”
Edward Thomas
“
I was at this guy's house. I met this girl who was hanging out there. She was real pretty, she had brown eyes and dark hair. She was soft-spoken and real nice. I know that everyone has their own life and they can do what they want and you shouldn't think anything of it or anything. But man, I couldn't help but flinch a little when I saw all those needle marks in her arm, they looked so sore. Hateful little holes. I wanted to say something, but I didn't.
”
”
Henry Rollins (The First Five (Henry Rollins))
“
Sharply etched against the black velvet canopy, the lady in white watches as her husband awakens, his deep orange smile lighting up the ebony darkness. Casting her alabaster glow across the dark firmament, she blows a kiss to her beloved solar mate as she prepares for her own descent into sleep. “Remember,” she whispers, “remember the sweet fragrance of my words. Soft, cherishing words spoken on the currents of timelessness as one life morphs into the next. Words of love and remembrance.” Smiling contentedly, her light dims into the erupting color of the daytime sky.
”
”
Kathy Martone (Victorian Songlight: The Birthings of Magic & Mystery)
“
With us he spoke freely enough. We were, in some subtle way, his folks. Though we had taken him in, you had the feeling that he had adopted us. But with others he was reserved; courteous and soft-spoken, yet withdrawn beyond a line of his own making.
”
”
Jack Schaefer (Shane)
“
The most spiritually credible people I know are humble and soft-spoken. They don’t strut around like peacocks, enchanted by how wonderful they are. My heroes are the Dalai Lama, Nelson Mandela, and Rosa Parks—gentle persuaders to a more noble path, not power-hungry egomaniacs. Don’t get me wrong. I advocate a healthy ego. It’s our conscious sense of self, the “I” of the human equation. However, egotism is having an inflated identity, a strain of negativity that infects spirituality and the liberation it brings.
”
”
Judith Orloff (Emotional Freedom: Liberate Yourself from Negative Emotions and Transform Your Life)
“
Those who speak of harmony and consensus should beware of what one might call the industrial chaplain view of reality. The idea, roughly speaking, is that there are greedy bosses on one side and belligerent workers on the other, while in the middle, as the very incarnation of reason, equity and moderation, stands the decent, soft-spoken, liberal-minded chaplain who tries selflessly to bring the two warring parties together. But why should the middle always be the most sensible place to stand? Why do we tend to see ourselves as in the middle and other people as on the extremes? After all, one person’s moderation is another’s extremism. People don’t go around calling themselves a fanatic, any more than they go around calling themselves Pimply. Would one also seek to reconcile slaves and slave masters, or persuade native peoples to complain only moderately about those who are plotting their extermination? What is the middle ground between racism and anti-racism?
”
”
Terry Eagleton (Why Marx Was Right)
“
dropped peacefully into sleep, to dream of kilted Highland men, and the sound of soft-spoken Scots, burring round a fire like the sound of bees in the heather.
”
”
Diana Gabaldon (Outlander, Dragonfly in Amber, Voyager, Drums of Autumn (Outlander #1-4))
“
I wonder if there are soft-spoken voices who deliver assignments to all of us in various times ... It is nice to think I have company-that others dance to the muted music I hear.
”
”
W.P. Kinsella (Shoeless Joe)
“
Cat?"
It was softly spoken but she heard it clearly over the music. Her head turned to see Rhys leaning against the wall waiting for her.
"Dog?"
He grinned at her, "Touché.
”
”
Leanne Crabtree (Cat's Wolf (A Shifter Romance Novella, #1))
“
My mother is the antithesis of a typical Jewish mother, she is very soft-spoken and takes more naps that a cat. As a result, I've always longed for someone to really annoy the shit out of me.
”
”
Chelsea Handler (My Horizontal Life: A Collection of One-Night Stands)
“
I had grown up in the margins; in the media Asian Americans were assigned side roles, submissive, soft-spoken secondary characters. I had grown used to being unseen, to never being fully known.
”
”
Chanel Miller (Know My Name)
“
Madame Ratignolle hoped that Robert would exercise extreme caution in dealing with the Mexicans, who, she considered, were a treacherous people, unscrupulous and revengeful. She trusted she did them no injustice in thus condemning them as a race. She had known personally but one Mexican, who made and sold excellent tamales, and whom she would have trusted implicitly, so soft-spoken was he. One day he was arrested for stabbing his wife. She never knew whether he had been hanged or not.
”
”
Kate Chopin (The Awakening)
“
When Ronan was young and didn’t know any better, he thought everyone was like him. He made rules for humanity based upon observation, his idea of the truth only as broad as his world was. Everyone must sleep and eat. Everyone has hands, feet. Everyone’s skin is sensitive; no one’s hair is. Everyone whispers to hide and shouts to be heard. Everyone has pale skin and blue eyes, every man has long dark hair, every woman has long golden hair. Every child knows the stories of Irish heroes, every mother knows songs about weaver women and lonely boatmen. Every house is surrounded by secret fields and ancient barns, every pasture is watched by blue mountains, every narrow drive leads to a hidden world. Everyone sometimes wakes with their dreams still gripped in their hands. Then he crept out of childhood, and suddenly the uniqueness of experience unveiled itself. Not all fathers are wild, charming schemers, wiry, far-eyed gods; and not all mothers are dulcet, soft-spoken friends, patient as buds in spring. There are people who don’t care about cars and there are people who like to live in cities. Some families do not have older and younger brothers; some families don’t have brothers at all. Most men do not go to Mass every Sunday and most men do not fall in love with other men. And no one brings dreams to life. No one brings dreams to life. No one brings dreams to life.
”
”
Maggie Stiefvater (Call Down the Hawk (Dreamer Trilogy, #1))
“
Therefore, he sat before his dying fire, sorrowful to think upon
the way by which he had come to that night, yet not strewing poison
on the way by which other men had come to it. That he should have
missed so much, and at his time of life should look so far about
him for any staff to bear him company upon his downward journey and
cheer it, was a just regret. He looked at the fire from which the
blaze departed, from which the afterglow subsided, in which the
ashes turned grey, from which they dropped to dust, and thought,
'How soon I too shall pass through such changes, and be gone!'
To review his life was like descending a green tree in fruit and
flower, and seeing all the branches wither and drop off, one by
one, as he came down towards them.
'From the unhappy suppression of my youngest days, through the
rigid and unloving home that followed them, through my departure,
my long exile, my return, my mother's welcome, my intercourse with
her since, down to the afternoon of this day with poor Flora,' said
Arthur Clennam, 'what have I found!'
His door was softly opened, and these spoken words startled him,
and came as if they were an answer:
'Little Dorrit.
”
”
Charles Dickens (Little Dorrit)
“
Somebody comin'," he said softly. "Five or six, maybe." His words were spoken over an empty fire, for each of us vanished ghostlike into the surrounding darkness. I, fortunately, had the presence of mind to retain my coffee. With the Ferguson rifle in my right hand, I drank coffee from the cup in my left.
”
”
Louis L'Amour (The Ferguson Rifle)
“
What's the first word that comes to mind when you think of him?"
"Soft." It was out of my mouth before I could reign the thought back in, and I felt the heat of embarrassment creep up my neck.
She cocked her head and gave me a puzzled look. "Soft?"
"I didn't mean soft." I bet Jamie did feel soft, thought. His long, coffee colored hair looked like silk. I bet it felt like silk, too. "I meant soft-spoken.
”
”
Madison Parker (Sock it to Me, Santa!)
“
Xander wears a lazy smile—looks bored. As if he sensed me watching, his gaze cuts to me, the smile vanishing from his face. His dark eyes seize hold of me.
“Turn around.”
My pulse jackknifes against my throat at the deep voice. I look back at Will.
His lips barely moved as he speaks. “Trust me. You don’t want to be one of the girls Xander notices. It never goes well for them.”
“I’ve hardly spoken to him. I don’t think he—”
“I noticed you.”
A dark thrill races through me. I wipe damp palms on my jeans.
He laughs then. Low and soft. An unhappy sound. “So, yeah. He noticed you.” His lips twist. “Sorry about that.
”
”
Sophie Jordan (Firelight (Firelight, #1))
“
Out of class, Elxa Dal was charming, soft-spoken, and even a little ridiculous when the mood was on him. But when he taught, his personality strode back and forth between mad prophet and galley-slave drummer.
”
”
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
“
With only those soft, secret night sounds as witness, he moved over her, kissed her deeply, then slid home.
And news sounds filled the dark.
Sharp breaths of stunning urgency.
Long sighs of immeasurable pleasure.
Humming beats of awareness of an unbreakable bond being forged.¸
In the heat of the night, without a single word spoken, she felt everything change between them. Until this moment, they'd only played at love, danced cautiously around the prospect of commitment. But as he sank in and out of her body, immersing them in sensation and a profound stream of consciousness, he sough her gaze in the dark. What she saw in his eyes brought tears to hers as it became achingly, wonderfully clear.
The biggest player of them all wasn't playing anymore.
”
”
Cindy Gerard (Whisper No Lies (Black Ops Inc., #3))
“
There was a barber and his wife
and she was beautiful...
a foolish barber and his wife.
She was his reason for his life...
and she was beautiful, and she was virtuous.
And he was naive.
There was another man who saw
that she was beautiful...
A biased vulture of the law
who, with a gesture of his claw
removed the barber from his plate!
And there was nothing but to wait!
And she would fall!
So soft!
So young!
So lost and oh so beautiful!
Antony (spoken)
The lady, sir...did she succumb?
Sweeney Todd (sung)
Ah, that was many years ago...
I doubt if anyone would know.
(spoken)
Now leave me, Antony.
There is somewhere I must go,
something i must find out.
Now, and alone.
Antony (spoken)
But surely we will meet again before I am off to Plymouth?
Sweeney Todd (spoken)
If you want you may well find me around Fleet Street. I wouldn't wander.
(sung)
There's a hole in the world like a great black pit
and it's filled with people who are filled with shit!
And the vermin of the world inhabit it!
”
”
Stephen Sondheim (Sweeney Todd: The Demon Barber of Fleet Street)
“
She looked down at him, smiling with exasperated amusement. *Stubborn, snarly male.*
*Stubbornness is a much-maligned quality,* he panted as he climbed toward her. Her silvery, velvet-coated laugh filled the land. Then he finally got a good look at her. He sank to his knees. *I owe you a debt, Lady.*
She shook her head. *The debt is mine, not yours.*
*I failed you,* he said bitterly, looking at her wasted body.
*No, Daemon,* Jaenelle replied softly. *I failed you. You asked me to heal the crystal chalice and return to the living world. And I did. But I don’t think I ever forgave my body for being the instrument that was used to try to destroy me, and I became its cruelest torturer. For that I’m sorry because you treasured that part of me.*
*No, I treasured all of you. I love you, Witch. I always will. You’re everything I’d dreamed you would be.*
She smiled at him. *And I—* She shuddered, pressed her hand against her chest. *Come. There’s little time left.* She fled through the rocks, out of sight before he could move. He hurried after her, following the glittering trail, gasping as he felt a crushing weight descend on him. *Daemon.* Her voice came back to him, faint and pain-filled. *If the body is going to survive, I can’t stay any longer.* He fought against the weight.
*Jaenelle!*
*You have to take this in slow stages. Rest there now. Rest, Daemon. I’ll mark the trail for you. Please follow it. I’ll be waiting for you at the end.*
*JAENELLE!* A wordless whisper. His name spoken like a caress. Then silence.
”
”
Anne Bishop (Heir to the Shadows (The Black Jewels, #2))
“
I hadn’t even spoken to him, other than to breathe his name, and I was suddenly wrapped around him in a rainstorm, in the middle of the road. Slowly, I felt his strong arms come up around me, holding me, enfolding me. I was enveloped in warmth. The pleasure of the embrace was so intense I shuddered with it. I felt his hand in my hair, and he made those soft shushing noises. I realized I was crying. We stood in the rain, and he held me up, letting me hold him in return. No comments, no questions, just comfort.
”
”
Amy Harmon (Running Barefoot)
“
There was a danger that the words might become unravelled and rewoven into something new after so many softly spoken passes, but anger had bred an engineered precision into the swell of vowels and consonants, and there was no confusion at all in the message.
”
”
Natalie Fergie (The Sewing Machine)
“
I hated Tennessee Williams's Laura. She reminded me too much of a fairy-tale character. Not the ones my grandmother wrote, allegedly-- those women drew blood. No, she was the worst type of Grimm Brothers beauty: isolated, soft-spoken, waiting for a man to save her. She probably look like me.
”
”
Melissa Albert (The Hazel Wood (The Hazel Wood, #1))
“
Rake,” came the succinct reply. “Oh, all right,” Lillian grumbled. “I suppose he is a rake. But that may not be an impediment to his courtship of Lady Natalie. Some women like rakes. Look at Evie.” Evie continued to snip doggedly through the brocade ribbon, while a smile curved her lips. “I don’t l-like all rakes,” she said, her gaze on her work. “Just one.” Evie, the gentlest and most soft-spoken of them all, had been the one least likely to capture the heart of the notorious Lord St. Vincent, who had been the definitive rake. Although Evie, with her round blue eyes and blazing red hair, possessed a rare and unconventional beauty, she was unbearably shy. And there was the stammer. But Evie also had a reserve of quiet strength and a gallant spirit that seemed to have seduced her husband utterly. “And that former rake obviously adores you beyond reason,” Annabelle said.
”
”
Lisa Kleypas (A Wallflower Christmas (Wallflowers, #4.5))
“
Let me tell you a story,” I say instead. “Once upon a time, there was a girl whose life was saved by the faery king—”
“This story sounds distinctly familiar. I think I might have heard it somewhere before.”
I shush him and say not to interrupt. “If anyone asked her how she felt about the king, she would have said she loathed him. He ruthlessly trained her to fight his own kind. He taught her to kill. She learned from his lessons how to quiet the rage that burned inside her. But she had already decided that one day, when she had grown strong enough and learned everything she could about battle, she was going to murder him.”
Kiaran goes still, his eyes glittering in the darkness. He says nothing.
“Her opportunity came one night when he decided she was ready to hunt her first faery. It was a skriker that had been terrorizing a nearby village, slaughtering children in the night. The king handed the girl his sword and ordered her to kill the goblin-like creature.
“She barely won. But in the end, as she thrust the sword deep into the monster’s gut, she felt something so profoundly that she thought it would consume her. So she told the king. She whispered the words and meant them with every part of her rage-filled soul: ‘I hate you. I hate all of you.’ When she lifted the sword again, she intended to pierce it right through his heart.
“That was the first time the girl had ever seen the faery king smile.”
I lift my hand and press my palm to Kiaran’s cheek. “You’ll have to finish the story. She never knew why he smiled. Just that one day, she wanted to see him do it again. So she dropped the sword and spared his life. And she never told the king what really happened that night.”
Kiaran looks amused. “The king knew the girl’s plan all along. He smiled because he decided he liked her. She kept things interesting.”
I stare at him. “So the faery king is a deranged sort. As the girl always suspected.”
“How about his side of this story?” He pulls me close, his lips soft on my shoulder. “He never told the girl that during a hunt, when she ran alongside him with the wind in her hair and the moonlight behind her, that she was the most magnificent thing he had ever seen and he wanted her.”
Then Kiaran’s hands are in my hair, lips brushing mine. “And when the king watched her in battle, she’d look over at him with a smile and he desired her.
“It was never at once,” he continued. “It was after everything they had gone through and then it was the king and the girl facing an entire army together. And he knew the truth. His heart was hers. It always was. It always will be.”
A shadow crosses Kiaran’s irises. A reminder that he’s still fighting. Just to be here. With me. He shuts his eyes, expression strained. Before I can ask if he’s all right, he pulls me against him and holds me close.
His next words are spoken under his breath, so low I wonder if I heard them at all. “The girl helps the king keep his darkness at bay.
”
”
Elizabeth May (The Fallen Kingdom (The Falconer, #3))
“
I set my face toward the sun again, and I think about my old life—the one I feel as though I’ve abandoned somehow. It hurts to think of it that way. And even though I know it wasn’t perfect, I look back now, and all I see is perfection. Every soft whisper, every spoken word, every gentle touch—it’s all perfect. Time won’t let me see it otherwise. They’re all just perfect memories—perfect, untouchable moments that came and went so softly that they almost feel as if they were always just a dream.
”
”
Laura Miller (For All You Have Left)
“
But I found steel beneath his soft-spoken manner. I could not break him. Despite his struggles with the tasks I set him, he lived with everything of gentleness and grace.
”
”
Carol Berg (Song of the Beast)
“
In The Shadow Of The Night
All the clouds are gray, and the sky is dark as night. Soft words are spoken, and there's a twinkle, of a flicker of light. The presence of a Man walks by, and Mighty and Powerful is He. Kneeling down to pray, He says a prayer for me. The sky becomes brighter, and the leaves of the trees turn green. The flowers begin to bloom, and there's a warm gentle breeze. Thank you Lord for setting me free...
”
”
Jerrel C. Thomas
“
And we never used the lights again. Except the flashlight. Dick carried the flashlight when we went to tape Mr. Clutter and the boy. Just before I taped him, Mr. Clutter asked me—and these were his last words—wanted to know how his wife was, if she was all right, and I said she was fine, she was ready to go to sleep, and I told him it wasn’t long till morning, and how in the morning somebody would find them, and then all of it, me and Dick and all, would seem like something they dreamed. I wasn’t kidding him. I didn’t want to harm the man. I thought he was a very nice gentleman. Soft-spoken. I thought so right up to the moment I cut his throat. “Wait. I’m not
”
”
Truman Capote (In Cold Blood)
“
Actually the city editor was one of the gentlest, most soft-spoken men I have ever encountered, and he did me a service I have always been grateful for. I got stuck one day on a story and finally, with the desperation of youth, I took my problem to him, although it seemed cheeky to bother him. How was I to express a certain thing? … I asked him how I could get around my difficulty.
He thought for a minute. Then he said, ‘Just say the words’.
”
”
E.B. White (The Second Tree from the Corner)
“
We drive and drive, and it's like I'm teetering on the edge of something. Now it's been ten minutes since we've spoken. The music feels too loud and too soft all at once, and underneath its bass line, I can hear Abby breathing.
”
”
Becky Albertalli (Leah on the Offbeat (Simonverse, #3))
“
All peoples think they are forever," he growled softly. "They do not believe they will ever not be. The Sinnissippi were that way. They did not think they would be eradicated. But that is what happened. Your people, Nest, believe this of themselves. They will survive forever, they think. Nothing can destroy them, can wipe them so completely from the earth and from history that all that will remain is their name and not even that will be known with certainty. They have such faith in their invulnerability.
Yet already their destruction begins. It comes upon them gradually, in little ways. Bit by bit their belief in themselves erodes. A growing cynicism pervades their lives. Small acts of kindness and charity are abandoned as pointless and somehow indicative of weakness. Little failures of behavior lead to bigger ones. It is not enough to ignore the discourtesies of others; discourtesies must be repaid in kind. Men are intolerant and judgmental . They are without grace. If one man proclaims that God has spoken to him, another quickly proclaims that his God is false. If the homeless cannot find shelter, then surely they are to blame for their condition. If the poor do not have jobs, then surely it is because they will not work. If sickness strikes down those whose lifestyle differs from our own, then surely they have brought it on themselves.
Look at your people, Nest Freemark. They abandon their old. They shun their sick. They cast off their children. They decry any who are different. They commit acts of unfaithfulness, betrayal, and depravity every day. They foster lies that undermine beliefs. Each small darkness breeds another. Each small incident of anger, bitterness, pettiness, and greed breeds others. A sense of futility consumes them. They feel helpless to effect even the smallest change. Their madness is of their own making, and yet they are powerless against it because they refuse to acknowledge its source. They are at war with themselves, but they do not begin to understand the nature of the battle being fought."
-pages 96-97
”
”
Terry Brooks (Running with the Demon (Word & Void, #1))
“
Tatyana’s Letter to Onegin I’m writing you this declaration— What more can I in candour say? It may be now your inclination To scorn me and to turn away; But if my hapless situation Evokes some pity for my woe, You won’t abandon me, I know. I first tried silence and evasion; Believe me, you‘d have never learned My secret shame, had I discerned The slightest hope that on occasion— But once a week—I’d see your face, Behold you at our country place, Might hear you speak a friendly greeting, Could say a word to you; and then, Could dream both day and night again Of but one thing, till our next meeting. They say you like to be alone And find the country unappealing; We lack, I know, a worldly tone, But still, we welcome you with feeling. Why did you ever come to call? In this forgotten country dwelling I’d not have known you then at all, Nor known this bitter heartache’s swelling. Perhaps, when time had helped in quelling The girlish hopes on which I fed, I might have found (who knows?) another And been a faithful wife and mother, Contented with the life I led. Another! No! In all creation There’s no one else whom I’d adore; The heavens chose my destination And made me thine for evermore! My life till now has been a token In pledge of meeting you, my friend; And in your coming, God has spoken, You‘ll be my guardian till the end…. You filled my dreams and sweetest trances; As yet unseen, and yet so dear, You stirred me with your wondrous glances, Your voice within my soul rang clear…. And then the dream came true for me! When you came in, I seemed to waken, I turned to flame, I felt all shaken, And in my heart I cried: It’s he! And was it you I heard replying Amid the stillness of the night, Or when I helped the poor and dying, Or turned to heaven, softly crying, And said a prayer to soothe my plight? And even now, my dearest vision, Did I not see your apparition Flit softly through this lucent night? Was it not you who seemed to hover Above my bed, a gentle lover, To whisper hope and sweet delight? Are you my angel of salvation Or hell’s own demon of temptation? Be kind and send my doubts away; For this may all be mere illusion, The things a simple girl would say, While Fate intends no grand conclusion…. So be it then! Henceforth I place My faith in you and your affection; I plead with tears upon my face And beg you for your kind protection. You cannot know: I’m so alone, There’s no one here to whom I’ve spoken, My mind and will are almost broken, And I must die without a moan. I wait for you … and your decision: Revive my hopes with but a sign, Or halt this heavy dream of mine— Alas, with well-deserved derision! I close. I dare not now reread…. I shrink with shame and fear. But surely, Your honour’s all the pledge I need, And I submit to it securely.
”
”
Alexander Pushkin (Eugene Onegin)
“
Captain Piltchard and Captain Wren, the inoffensive joint squadron operations officers, were both mild, soft-spoken men of less than middle height who enjoyed flying combat missions and begged nothing more of life and Colonel Cathcart than the opportunity to continue flying them. They had flown hundreds of combat missions and wanted to fly hundreds more. They assigned themselves to every one. Nothing so wonderful as war had ever happened to them before; and they were afraid it might never happen to them again.
”
”
Joseph Heller (Catch-22)
“
My own walls caved. Tears trickled from the corner of my eyes.
Then strong arms enveloped me.
“Don’t cry.” Ben’s hot breath on my cheek. “We’ll find her. And the twins. I promise.”
“Don’t make promises you can’t keep,” I hiccupped. “People always do that.”
“I mean it.” Firmly spoken. “I won’t let us fail. Not at this.”
The sobs broke free. I burrowed into Ben’s chest, letting everything go. I cried and cried and cried, unthinking, releasing a week’s worth of pent-up emotion in a few hot seconds.
Ben held me, silent, softly rubbing my back.
A thought floated from somewhere far away.
This isn’t so bad.
I pushed away, gently breaking Ben’s embrace. Looked into his eyes. His face was a whisper from mine.
I thought of Ben’s confession during the hurricane. How he’d wanted to be more than just packmates. Emotions swirled in my chest, making me dizzy. Off balance.
“Ben . . . I . . .”
“Tory?”
My father’s voice sent us flying apart as if electroshocked.
Kit was descending the steps, an odd look on his face.
“Yes?” Discreetly wiping away tears.
I saw a thousand questions fill Kitt’s eyes, but, thankfully, he kept them shelved.
“I hate to do this, kiddo, but Whitney’s party starts in an hour. She’s trying to be patient, but, frankly, that isn’t her strong suit.”
“No. Right.” I stood, smoothing clothes and hair. “Mustn’t keep the Duchess waiting.”
Kit frowned. “Say the word, and we cancel right now. No question.”
“No, sorry. I was just being flip. It’s really fine.” Forced smile. “Might be just the thing.”
“All right, then. We need to get moving.”
Kit glanced at Ben, still sitting on the bench, striving for invisible.
A smile quirked my father’s lips. “And you, Mr. Blue? Ready for a good ol’-fashioned backyard barbeque? My daughter will be there.”
Ben’s uneasy smile was his only response.
”
”
Kathy Reichs (Exposure (Virals, #4))
“
when she died in 2005 at the age of ninety-two, the flood of obituaries recalled her as soft-spoken, sweet, and small in stature. They said she was “timid and shy” but had “the courage of a lion.” They were full of phrases like “radical humility” and “quiet fortitude.
”
”
Susan Cain (Quiet: The Power of Introverts in a World That Can't Stop Talking)
“
It tastes good, garlic and salt in it,
with the half-sweet white wine of Orvieto
on scanty grass under great trees
where the ramparts cuddle Lucca.
It sounds right, spoken on the ridge
between marine olives and hillside
blue figs, under the breeze fresh
with pollen of Apennine sage.
It feels soft, weed thick in the cave
and the smooth wet riddance of Antonietta’s
bathing suit, mouth ajar for
submarine Amalfitan kisses.
It looks well on the page, but never
well enough. Something is lost
when wind, sun, sea upbraid
justly an unconvinced deserter.
”
”
Basil Bunting (Briggflatts)
“
All my life I’d heard people tell their black boys and black girls to “be twice as good,” which is to say “accept half as much.” These words would be spoken with a veneer of religious nobility, as though they evidenced some unspoken quality, some undetected courage, when in fact all they evidenced was the gun to our head and the hand in our pocket. This is how we lose our softness. This is how they steal our right to smile. No one told those little white children, with their tricycles, to be twice as good. I imagined their parents telling them to take twice as much.
”
”
Ta-Nehisi Coates (Between the World and Me (One World Essentials))
“
Greg and Emily are an example of an introvert-extrovert couple who love and madden each other in equal measure. Greg, who just turned thirty, has a bounding gait, a mop of dark hair continually falling over his eyes, and an easy laugh. Most people would describe him as gregarious. Emily, a mature twenty-seven, is as self-contained as Greg is expansive. Graceful and soft-spoken, she keeps her auburn hair tied in a chignon, and often gazes at people from under lowered lashes. Greg and Emily complement each other beautifully. Without Greg, Emily might forget to leave the house, except to go to work.
”
”
Susan Cain (Quiet: The Power of Introverts in a World That Can't Stop Talking)
“
Thoreau’s writings feel more alive to me than any thing that I’ve ever read. When I read anything by Thoreau, I see his subject. I feel it. I taste it. I smell it. I feel as though he’s walking beside me, showing me with gestures and soft-spoken words the marvelous natural wonders that he’s written about.
”
”
Nicholas Trandahl
“
Rehvenge bowed his head. “I’m just glad you’ll have me.”
The words were so quiet and humble, at odds with the incredible breadth of his shoulders.
“How could I not?”
He shook his head back and forth slowly. “Ehlena…”
Her name was spoken roughly, as if there were a lot more words behind it, words he couldn’t bear to speak.
She didn’t understand, but she knew what she wanted to do.
Ehlena took her foot from him, got down on her own knees, and wrapped her arms around him.
She held him as he leaned into her, running one hand up the back of his neck to his mohawk’s stripe of soft hair.
He seemed so fragile as he gave himself up to her, and she realized that if anyone tried to hurt him, even though he could more than take care of himself, she would commit murder.
To protect him, she would kill.
The conviction was as solid as the bones beneath her skin: Even the powerful needed protection sometimes.
-Rehv & Ehlena
”
”
J.R. Ward (Lover Avenged (Black Dagger Brotherhood, #7))
“
His voice was reassuring and calm, his expression soft, his eyes brighter than ever. Oh Ahura Mazda, she’d never wanted any man so intently in all her life. She ached to have him touch her, kiss her, taste her. And Ivar did as she wished. He put her hand to his nose to smell her skin, kissed her inner wrist to taste her, his lips lingered over her racing pulse. Finally, it was confirmed in actions and direct words, spoken aloud and repeated seven times… She felt the rush of desire ripping through her body, an intense sensation of warmth upon her skin, the blissful waves of uneasiness swamped through her, tingling her nerves.
”
”
Widad Akreyi (The Viking's Kurdish Love: A True Story of Zoroastrians' Fight for Survival)
“
One," said the recording secretary.
"Jesus wept," answered Leon promptly.
There was not a sound in the church. You could almost hear the butterflies pass. Father looked down and laid his lower lip in folds with his fingers, like he did sometimes when it wouldn't behave to suit him.
"Two," said the secretary after just a breath of pause.
Leon looked over the congregation easily and then fastened his eyes on Abram Saunders, the father of Absalom, and said reprovingly: "Give not sleep to thine eyes nor slumber to thine eyelids."
Abram straightened up suddenly and blinked in astonishment, while father held fast to his lip.
"Three," called the secretary hurriedly.
Leon shifted his gaze to Betsy Alton, who hadn't spoken to her next door neighbour in five years.
"Hatred stirreth up strife," he told her softly, "but love covereth all sins."
Things were so quiet it seemed as if the air would snap.
"Four."
The mild blue eyes travelled back to the men's side and settled on Isaac Thomas, a man too lazy to plow and sow land his father had left him. They were not so mild, and the voice was touched with command: "Go to the ant, thou sluggard, consider her ways and be wise."
Still that silence.
"Five," said the secretary hurriedly, as if he wished it were over. Back came the eyes to the women's side and past all question looked straight at Hannah Dover.
"As a jewel of gold in a swine's snout, so is a fair woman without discretion."
"Six," said the secretary and looked appealingly at father, whose face was filled with dismay.
Again Leon's eyes crossed the aisle and he looked directly at the man whom everybody in the community called "Stiff-necked Johnny."
I think he was rather proud of it, he worked so hard to keep them doing it.
"Lift not up your horn on high: speak not with a stiff neck," Leon commanded him.
Toward the door some one tittered.
"Seven," called the secretary hastily.
Leon glanced around the room.
"But how good and how pleasant it is for brethren to dwell together in unity," he announced in delighted tones as if he had found it out by himself.
"Eight," called the secretary with something like a breath of relief.
Our angel boy never had looked so angelic, and he was beaming on the Princess.
"Thou art all fair, my love; there is no spot in thee," he told her.
Laddie would thrash him for that.
Instantly after, "Nine," he recited straight at Laddie: "I made a covenant with mine eyes; why then should I think upon a maid?"
More than one giggled that time.
"Ten!" came almost sharply.
Leon looked scared for the first time. He actually seemed to shiver. Maybe he realized at last that it was a pretty serious thing he was doing. When he spoke he said these words in the most surprised voice you ever heard: "I was almost in all evil in the midst of the congregation and assembly."
"Eleven."
Perhaps these words are in the Bible. They are not there to read the way Leon repeated them, for he put a short pause after the first name, and he glanced toward our father: "Jesus Christ, the SAME, yesterday, and to-day, and forever!"
Sure as you live my mother's shoulders shook.
"Twelve."
Suddenly Leon seemed to be forsaken. He surely shrank in size and appeared abused.
"When my father and my mother forsake me, then the Lord will take me up," he announced, and looked as happy over the ending as he had seemed forlorn at the beginning.
"Thirteen."
"The Lord is on my side; I will not fear; what can man do unto me?" inquired Leon of every one in the church. Then he soberly made a bow and walked to his seat.
”
”
Gene Stratton-Porter (Laddie: A True Blue Story (Library of Indiana Classics))
“
The Forty-fifth Division was originally made up largely of men from Oklahoma and West Texas. I didn’t realize how different certain parts of our country are from others until I saw those men set off in a frame, as it were, in a strange, faraway place. The men of Oklahoma are drawling and soft-spoken. They are not smart alecks. Something of the purity of the soil seems to be in them. Even their cussing is simpler and more profound than the torrential obscenities of Eastern city men. An Oklahoman of the plains is straight and direct. He is slow to criticize and hard to anger, but once he is convinced of the wrong of something, brother, watch out. Those
”
”
Ernie Pyle (Brave Men)
“
Billos ran. He tore down the shore, bounded up on the rock, and dove into the air.
The warm water engulfed him. A boiling heat knocked the wind from his lungs. The shock alone might kill him.
But it was pleasure that surged through his body, not pain. The sensations coursed through his bones in great unrelenting waves.
Elyon.
How he was certain, he did not know. But he knew. Elyon was in this lake with him.
Billos opened his eyes. Gold light drifted by. He lost all sense of direction. The water pressed in on every inch of his body, as intense as any acid, but one that burned with pleasure instead of pain.
He sank into the water, opened his mouth and laughed. He wanted more, much more. He wanted to suck the water in and drink it.
Without thinking, he did just that. The liquid hit his lungs. Billos pulled up, panicked. He tried to hack the water from his lungs, but inhaled more instead. No pain. He carefully sucked more water and breathed it out slowly. Then again, deep and hard. Out with a soft whoosh. He was breathing the water!
Billos shrieked with laughter. He swam into the lake, deeper and deeper. The power contained in this lake was far greater than anything he'd ever imagined.
"I made this, Billos."
Billos whipped his body around, searching for the words' source. "Elyon?" His voice was muffled, hardly a voice at all.
"Do you like it?"
"Yes!" Billos said. He might have spoken; he might have shouted--he didn't know. He only knew that his whole body screamed it.
Billos looked around. "Elyon?"
"Why do you doubt me, Billos?"
In that single moment the full weight of Billos's foolishness crashed on him like a sledgehammer.
"I see you, Billos."
"I made you."
"I love you."
The words crashed over him, reaching into the deepest folds of his flesh, caressing each hidden synapse, flowing through every vein, as though he had been given a transfusion.
"I choose you, Billos."
Billos began to weep. The feeling was more intense than any pain he had ever felt.
The current pulled at him, tugging him up through the colors. His body trembled with pleasure. He wanted to speak, to yell, to tell the whole world that he was the most fortunate person in the universe. That he was loved by Elyon. Elyon himself.
"Never leave me, Billos."
"Never! I will never leave you."
The current pushed him through the water and then above the surface not ten meters from the shore. He stood on the sandy bottom. For a moment he had such clarity of mind that he was sure he could understand the very fabric of space if he put his mind to it.
He was chosen.
He was loved.
”
”
Ted Dekker (Renegade (The Lost Books, #3))
“
You know what they say about air and water when it comes to fire, don’t you?” she asks.
Now, I’m curious. She hasn’t spoken for the last ten minutes of the drive. “What?”
“Too much air blows out the fire. Too much water destroys it.”
I nod trying to determine what she’s really comparing us to. “The idea would be to keep the flame going, right. For years?” She nods. “Like a relationship. Like a marriage.” She cringes at the word marriage. Noted. “So you need the air—to stay constant—to fan the flames of the fire, and you know, grasshopper,” I smile at her and catch sight of the corners of her mouth turning slightly upward in response to the endearment, “a hot enough fire will burn water, so you have to be careful with the water too.”
“That I do know,” she says softly. “So that’s the truth about air and water.” She sighs deep.
“Which is?”
“It’s hard to maintain the balance to keep the fire going. You have to fan the flames without putting it out with too much water. But too little water will burn the fire right up. Too much fire. Too much destruction. We’re out of control.”
“You’re talking in circles,” I say.
“No. That’s us,” she says with certainty.
”
”
Katherine Owen (The Truth About Air & Water (Truth in Lies, #2))
“
He broke the kiss. "Say my name, Martise." He snarled the command, but she wasn't afraid. His hips rocked against hers, and she was impaled on his cock, reveling in his fierce possession. For a few brief hours, he was as much hers as she was his, and she could tell him how much he meant to her in a softly spoken name. Every desire, every craving, every forbidden wish—she infused into her voice. “Silhara.” He gasped, a tortured sound, and his eyes rolled back. Martise clutched him to her as he shuddered, felt the sudden pulse of his shaft, his release followed by a wet heat as he came inside her. He hunched over her, chest heaving as he strove to breathe. She clasped his hips with her legs to maintain their connection, reluctant to give him up. He slowly lowered his weight onto her, careful not to crush her.
”
”
Grace Draven (Master of Crows (Master of Crows, #1))
“
She sat back again, a gentle loosening that made her straight spine seem effortless and restful. Again she did nothing. She simply sat across from me and unfurled herself. I felt her life brush up against me and flow around me. It was but the faintest touching, and had I not experienced both the Skill and the Wit, I do not think I would have sensed it. Cautiously, as softly as if I assayed a bridge made of cobweb, I overlay my senses on hers.
She quested. Not as I did, toward a specific beast, or to read what might be close by. I discarded the word I had always given to my sensing. Kettricken did not seek after anything with her Wit. It was as she said, simply a being, but it was being a part of the whole. She composed herself and considered all the ways the great web touched her, and was content. It was a delicate and tenuous thing and I marveled at it. For an instant I, too, relaxed. I breathed out. I opened myself, Wit wide to all. I discarded all caution, all worry that Burrich would sense me. I had never done anything to compare it with before. Kettricken's reaching was as delicate as droplets of dew sliding down a strand of spiderweb. I was like a dammed flood, suddenly released, to rush out to fill old channels to overflowing and to send fingers of water investigating the lowlands.
Let us hunt! The Wolf, joyfully.
In the stables, Burrich straightened from cleaning a hoof, to frown at no one. Sooty stamped in her stall. Molly shrugged away and shook out her hair. Across from me, Kettricken started and looked at me as if I had spoken aloud. A moment more I was held, seized from a thousand sides, stretched and expanded, illuminated pitilessly. I felt it all, not just the human folk with their comings and goings, but every pigeon that fluttered in the eaves, every mouse that crept unnoticed behind the wine kegs, every speck of life, that was not and never had been a speck, but had always been a node on the web of life. Nothing alone, nothing forsaken, nothing without meaning, nothing of no significance, and nothing of importance.
”
”
Robin Hobb (Royal Assassin (Farseer Trilogy, #2))
“
Rather than pulling away to walk back to the counter, he brings both his hands to my face and holds me still while he looks at me in silence for several seconds. His thumbs brush lightly across my jaw, and he releases a soft breath. His brows furrow, and his eyes close. He presses his forehead to mine, still holding on to my face, and I can feel his internal struggle.
Tate.
He says my name so quietly I can feel his regret in the words he hasnt even spoken yet. I like… He opens his eyes and looks at me. I like kissing you, Tate.
I dont know why that sentence seemed hard for him to say, but his voice trailed off toward the end as though he was attempting to stop himself from finishing his words.
As soon as the sentence leaves his mouth, he releases me and quickly steps around the partition as if hes trying to escape from his own confession.
I like kissing you, Tate.
”
”
Colleen Hoover (Ugly Love)
“
Orlando, who had just dipped her pen in the ink, and was about to indite some reflection upon the eternity of all things, was much annoyed to be impeded by a blot, which spread and meandered round her pen. . . . She dipped it again. The blot increased. She tried to go on with what she was saying but no words came. Next she began to decorate the blot with wings and whiskers, till it became a round-headed monster, something between a bat and a wombat. But as for writing poetry with Basket and Bartholemew in the room, it was impossible. No sooner had she said 'impossible' than, to her astonishment and alarm, the pen began to curve and caracole with the smoothest possible fluency. Her page was written in the neatest sloping Italian hand with the most insipid verses she had ever read in her life:
I am myself but a vile link Amid life's weary chain, But I have spoken hallowed words, Oh, do not say in vain!
. . . . .
She was so changed, the soft carnation cloud Once mantling o'er her cheek like that which eve Hangs o'er the sky, glowing with roseate hue, Had faded into paleness, broken by Bright burning blushes, torches of the tomb,
but here, by an abrupt movement she spilt the ink over the page and blotted it from human sight she hoped for ever. She was all of a quiver, all of a stew. Nothing more repulsive could be imagined than to feel the ink flowing thus in cascades of involuntary inspiration.
”
”
Virginia Woolf (Orlando)
“
You play with great skill," he said.
"Thank you."
"Is that your favorite piece?"
"It's my most difficult," Helen said, "but not my favorite."
"What do you play when there's no one to hear?"
The gentle question, spoken in that accent with vowels as broad as his shoulders, caused Helen's stomach to tighten pleasurably. Perturbed by the sensation, she was slow to reply. "I don't remember the name of it. A piano tutor taught it to me long ago. For years I've tried to find out what it is, but no one has ever recognized the melody."
"Play it for me."
Calling it up from memory, she played the sweetly haunting chords, her hands gentle on the keys. The mournful chords never failed to stir her, making her heart ache for things she couldn't name. At the conclusion, Helen looked up from the keys and found Winterborne staring at her as if transfixed. He masked his expression, but not before she saw a mixture of puzzlement, fascination, and a hint of something hot and unsettling.
"It's Welsh," he said.
Helen shook her head with a laugh of wondering disbelief. "You know it?"
"'A Ei Di'r Deryn Do.' Every Welshman is born knowing it."
"What is it about?"
"A lover who asks a blackbird to carry a message to his sweetheart."
"Why can't he go to her himself?" Helen realized they were both speaking in hushed tones, as if they were exchanging secrets.
"He can't find her. He's too deep in love- it keeps him from seeing clearly."
"Does the blackbird find her?"
"The song doesn't say," he said with a shrug.
"But I must know the ending to the story," Helen protested.
Winterborne laughed. It was an irresistible sound, rough-soft and sly. When he replied, his accent had thickened. "That's what comes o' reading novels, it is. The story needs no ending. That's not what matters."
"What matters, then?" she dared to ask.
His dark gaze held hers. "That he loves. That he's searching. Like the rest of us poor devils, he has no way of knowing if he'll ever have his heart's desire.
”
”
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
“
Any Justification that does not lead to Biblical sanctification and mortification of sinful desires is a false justification no matter how many Solas you attach to it”.
“See that your chief study be about the heart, that there God’s image may be planted, and his interest advanced, and the interest of the world and flesh subdued, and the love of every sin cast out, and the love of holiness succeed; and that you content not yourselves with seeming to do good in outward acts, when you are bad yourselves, and strangers to the great internal duties. The first and great work of a Christian is about his heart.” ~ Richard Baxter
Never forget that truth is more important to the church than peace ~ JC Ryle
"Truth demands confrontation. It must be loving confrontation, but there must be confrontation nonetheless.” ~ Francis Schaeffer
I am not permitted to let my love be so merciful as to tolerate and endure false doctrine. When faith and doctrine are concerned and endangered, neither love nor patience are in order...when these are concerned, (neither toleration nor mercy are in order, but only anger, dispute, and destruction - to be sure, only with the Word of God as our weapon. ~ Martin Luther
“Truth must be spoken, however it be taken.” ~ John Trapp
“Hard words, if they be true, are better than soft words if they be false.” – C.H. Spurgeon
“Oh my brethren, Bold hearted men are always called mean-spirited by cowards” – CH Spurgeon
“The Bible says Iron sharpens Iron, But if your words don't have any iron in them, you ain't sharpening anyone”.
“Peace often comes as a result of conflict!” ~ Don P Mt 18:15-17 Rom 12:18
“Peace if possible, truth at all costs.” ~ Martin Luther
“The Scriptures argue and debate and dispute; they are full of polemics… We should always regret the necessity; but though we regret it and bemoan it, when we feel that a vital matter is at stake we must engage in argument. We must earnestly contend for the truth, and we are all called upon to do that by the New Testament.” Martyn Lloyd-Jones (Romans – Atonement and Justification)
“It is one of the severest tests of friendship to tell your friend his faults. So to love a man that you cannot bear to see a stain upon him, and to speak painful truth through loving words, that is friendship.” ~ Henry Ward Beecher
“Truth bites and it stings and it has a blade on it.” ~ Paul Washer
Soft words produce hard hearts. Show me a church where soft words are preached and I will show you a church of hard hearts. Jeremiah said that the word of God is a hammer that shatters. Hard Preaching produces soft hearts. ~ J. MacArthur
Glory follows afflictions, not as the day follows the night but as the spring follows the winter; for the winter prepares the earth for the spring, so do afflictions sanctified, prepare the soul for glory. ~ Richard Sibbes
“Cowards never won heaven. Do not claim that you are begotten of God and have His royal blood running in your veins unless you can prove your lineage by this heroic spirit: to dare to be holy in spite of men and devils.” ~ William Gurnall
”
”
Various
“
She blushed softly as she viewed herself in the mirror, suddenly aware that he was once more behind her eyes, seeing her just as she did.
“You could at least warn me,” she said aloud, cocking a scolding brow at her reflection.
And deprive myself of this side of you? I would not dream of it.
Legna smiled, moving closer to her looking glass.
She gasped when she got a closer look at herself, her hand coming up to her cheek in shock as she looked into her eyes.
“My eyes!” she exclaimed.
My eyes, he said.
He couldn’t have spoken a clearer truth. It was his mercury-colored irises that had become part of her reflection, the multicolored gray and green gone from their familiar place. She sighed with resignation, supposing to herself that since it wasn’t likely she could do anything about it, she would have to get used to it.
“I do not suppose you will show up here suddenly sprouting coffee-colored hair?” she asked hopefully.
No, sweet, that is not likely.
“Well, this is a highly unfair situation!” she cried with exaggerated petulance. “An exchange historically indicates one thing being swapped for another. So far I only see you in me, but none of me in you. It feels terribly high-handed. How typical of you.”
He did not respond, only a soft impression of laughter flitting through her mind. Odd, but she realized then that she had hardly ever heard him laugh before. She was surprised by how comfortable it sounded on him. He had always been so serious, so . . .
Self-possessed.
“If you do not mind, do refrain from editing my personal thoughts,” she scolded, her arching tone taunting and haughty.
”
”
Jacquelyn Frank (Gideon (Nightwalkers, #2))
“
They came to Virginia City as soon as the true value of the Comstock was perceived. They constituted, no doubt, a deplorable source of gambling, pleasure and embroilment. They were not soft-spoken women, their desire was not visibly separate from the main chance, and they would have beheld Mr. Harte’s portrayal of them at Poker Flat with ribald mirth. But let them have a moment of respect. They civilized the Comstock. They drove through its streets reclining in lacquered broughams, displaying to male eyes fashions as close to Paris as any then current in New York. They were, in brick houses hung with tapestries, a glamour and a romance, after the superheated caverns of the mines. They enforced a code of behavior: one might be a hard-rock man outside their curtains but in their presence one was punctilious or one was hustled away. They brought Parisian cooking to the sagebrush of Sun Mountain and they taught the West to distinguish between tarantula juice and the bouquet of wines. An elegy for their passing. The West has neglected to mention them in bronze and its genealogies avoid comment on their marriages, conspicuous or obscure, but it owes them a here acknowledged debt for civilization.
”
”
Bernard DeVoto (Mark Twain's America)
“
1. _______ I prefer one-on-one conversations to group activities. 2. _______ I often prefer to express myself in writing. 3. _______ I enjoy solitude. 4. _______ I seem to care less than my peers about wealth, fame, and status. 5. _______ I dislike small talk, but I enjoy talking in depth about topics that matter to me. 6. _______ People tell me that I’m a good listener. 7. _______ I’m not a big risk-taker. 8. _______ I enjoy work that allows me to “dive in” with few interruptions. 9. _______ I like to celebrate birthdays on a small scale, with only one or two close friends or family members. 10. _______ People describe me as “soft-spoken” or “mellow.” 11. _______ I prefer not to show or discuss my work with others until it’s finished. 12. _______ I dislike conflict. 13. _______ I do my best work on my own. 14. _______ I tend to think before I speak. 15. _______ I feel drained after being out and about, even if I’ve enjoyed myself. 16. _______ I often let calls go through to voice mail. 17. _______ If I had to choose, I’d prefer a weekend with absolutely nothing to do to one with too many things scheduled. 18. _______ I don’t enjoy multitasking. 19. _______ I can concentrate easily. 20. _______ In classroom situations, I prefer lectures to seminars.
”
”
Susan Cain (Quiet: The Power of Introverts in a World That Can't Stop Talking)
“
We have to stop,” Harvard said, abrupt and desperate.
“Wait, why?” Aiden murmured, reaching to drag Harvard back when Harvard pulled away, barely seeming to understand the words Harvard had spoken. “I don’t want to. You said you didn’t want to…”
He trailed off, hands still grasping Harvard’s shirt, exerting pressure to bring Harvard back where he had been. Aiden’s eyes were heavy-lidded, almost as if he was drowsy, but it was an electric drowsiness.
For a terrifying moment, Harvard looked at Aiden and couldn’t remember why they should stop. Then he looked at Aiden and did remember.
“I don’t want to, but we have to,” Harvard tried to explain.
Aiden looked suddenly wide awake and affronted to be so, like a cat disturbed from his rest.
His voice as sharp this time as it had been soft before, he said, “Why?”
When Aiden had agreed to help Harvard with practice dating, Harvard remembered vividly the exact words he’d used. I know how dating works. It doesn’t matter, and this wouldn’t even be real dating. It doesn’t mean anything. It won’t change anything.
He looked at Aiden, his chest feeling cold and empty, bleak with despair. Harvard was just like all the rest of Aiden’s guys, only worse. He was the one who really knew Aiden, and he should know better.
Harvard said, “Because this means nothing.
”
”
Sarah Rees Brennan (Striking Distance (Fence, #1))
“
But how…how am I a dragon? How are you a starman?”
“I don’t think of myself as a starman, exactly,” he said soberly, though I sensed he wanted to smile. His hand released mine, the bridge broken; he moved to hang the lantern on a shiny new hook dug into the wall behind us. “I was born here, on earth. Not even far from here, in fact. Just over in Devon. My parents died young, when I was only five. Hastings is my great-uncle and he took me in, and I’ve lived here ever since. But I’ve always known what I am, as far back as I can remember. I’ve always been able to do the things I do. The stars have always spoken to me.”
“And you…speak back to them?”
“Yes,” he said simply.
“But not to people.”
“No. Just to Hastings, and to you.”
A shiver took me; I crossed my arms over my chest. “What do the stars say?”
“All manner of things. Amazing things. Secret things. Things great and small, things profound and insignificant. They told me that, throughout time, there’ve been only a scattering of people like me, folk of both flesh and star. That even the whisper of their magic in my blood could annihilate me if I didn’t learn to control it. That I’d crisp to ash without control. Or, worse, crisp someone else.” His smile broke through. “And they told me about you. That you were born and would come to me when the time was right.”
“Did you summon me here?” The muted echo of my voice rebounded against the firefly walls: here-here-here. “To Iverson, I mean?”
…mean-mean-mean…
He didn’t answer at first. He looked at his feet, then walked to the edge of the embankment and squatted down, raking his fingers through the bright water near the toes of his boots.
“We are such stuff as dreams are made on,” he said softly to the water. “Both infinite and finite, human and not. I’m of comet and clay and the sparks of sun across the ocean waves.” He sighed. “I know what it’s like to doubt yourself, to comprehend that you’re so unique you’re forced to wonder about…everything. But, yes, I called you to Iverson.
”
”
Shana Abe (The Sweetest Dark (The Sweetest Dark, #1))
“
Until my thirtieth year, I lived in a state of almost continuous anxiety interspersed with periods of suicidal depression. It feels now as if I am talking about some past lifetime or somebody else’s life.
One night not long after my twenty-ninth birthday, I woke up in the early hours with a feeling of absolute dread. I had woken up with such a feeling many times before, but this time it was more intense than it had ever been. The silence of the night, the vague outlines of the furniture in the dark room, the distant noise of a passing train – everything felt so alien, so hostile, and so utterly meaningless that it created in me a deep loathing of the world. The most loathsome thing of all, however, was my own existence. What was the point in continuing to live with this burden of misery? Why carry on with this continuous struggle? I could feel that a deep longing for annihilation, for nonexistence, was now becoming much stronger than the instinctive desire to continue to live.
‘I cannot live with myself any longer.’ This was the thought that kept repeating itself in my mind. Then suddenly I became aware of what a peculiar thought it was. ‘Am I one or two? If I cannot live with myself, there must be two of me: the ‘I’ and the ‘self’ that ‘I’ cannot live with.’ ‘Maybe,’ I thought, ‘only one of them is real.’
I was so stunned by this strange realization that my mind stopped. I was fully conscious, but there were no more thoughts. Then I felt drawn into what seemed like a vortex of energy. It was a slow movement at first and then accelerated. I was gripped by an intense fear, and my body started to shake. I heard the words ‘resist nothing,’ as if spoken inside my chest. I could feel myself being sucked into a void. It felt as if the void was inside myself rather than outside. Suddenly, there was no more fear, and I let myself fall into that void. I have no recollection of what happened after that.
I was awakened by the chirping of a bird outside the window. I had never heard such a sound before. My eyes were still closed, and I saw the image of a precious diamond. Yes, if a diamond could make a sound, this is what it would be like. I opened my eyes. The first light of dawn was filtering through the curtains. Without any thought, I felt, I knew, that there is infinitely more to light than we realize. That soft luminosity filtering through the curtains was love itself. Tears came into my eyes. I got up and walked around the room. I recognized the room, and yet I knew that I had never truly seen it before. Everything was fresh and pristine, as if it had just come into existence. I picked up things, a pencil, an empty bottle, marvelling at the beauty and aliveness of it all. That day I walked around the city in utter amazement at the miracle of life on earth, as if I had just been born into this world.
”
”
Eckhart Tolle (The Power of Now: A Guide to Spiritual Enlightenment)
“
Holding my breath, I lay as still as death and listened to Hannah walk toward the bed. She leaned over me and whispered Andrew’s name, my name, touching my skin with soft, warm fingers. She was no dream, no ghost.
“Mama,” she cried, “Mama, come quick!”
A door opened, and footsteps raced toward me.
“His fever’s gone, Mama. He’s still alive.” Hannah’s voice shook and she burst into tears.
“Praise be,” a woman whispered. “Open your eyes, Andrew, look at me.”
Dumb with fear, I stared at Mrs. Tyler. Even if I’d wanted to, I couldn’t have spoken. Suppose I didn’t sound like Andrew? Suppose I said the wrong thing? Surely they’d know I was an imposter.
Alarmed by my silence, Mrs. Tyler told Hannah to call Dr. Fulton. “His eyes, the way he looks at me--you’d think the boy had never seen me before.
”
”
Mary Downing Hahn (Time for Andrew: A Ghost Story)
“
Be angry with me if you wish. I suppose I deserve it. Be whatever you have to be with me. But stop this charade and be yourself. That’s all I ask.”
He stood silent for a moment, looking at me with haughty disapproval. And then he came to take the other chair. He poured himself more brandy without offering me any. I could smell that it was the apricot one we had shared in my cabin less than a year ago. He sipped it and then observed, “Be myself. And who would that be?” He set down the glass, leaned back in the chair, and then crossed his arms on his chest.
“I don’t know. I wish you were the Fool,” I said quietly. “But I think we have come too far to go back to that pretense. Yet if we could, I would. Willingly.” I looked away from him. I kicked at the end of a hearth log, pushing it farther into the fire and waking new flames in a gust of sparks. “When I think of you now, I do not even know how to name you to myself. You are not Lord Golden to me. You never truly were. Yet you are not the Fool anymore, either.” I steeled myself as the words came to me, unplanned but obvious. How can the truth be so difficult to say?
For a teetering instant, I feared he would misunderstand my words. Then I knew that he would know exactly what I meant by them. For years, he had understood my feelings, in the silences he kept. Before we parted company, I had to repair, somehow, the rift between us. The words were the only tool I had. They echoed of the old magic, of the power one gained when one knew someone’s true name. I was determined. And yet, the utterance still came awkward to my tongue.
“You said once that I might call you ‘Beloved,’ if I no longer wished to call you ‘Fool.’” I took a breath. “Beloved, I have missed your company.”
He lifted a hand and covered his mouth. Then he disguised the gesture by rubbing his chin as if he thought something through carefully. I do not know what expression he hid behind his palm. When he dropped his hand from his face, he was smiling wryly. “Don’t you think that might cause some talk about the keep?”
I let his comment pass for I had no answer to it. He had spoken to me in the Fool’s mocking voice. Even as it soothes my heart, I had to wonder if it was a sham for my benefit. Did he show me what I wished to see, or what he was?
“Well.” He sighed. “I suppose that if you were going to have an appropriate name for me, it would still be Fool. So let us leave it at that, Fitzy. To you, I am the Fool.” He looked into the fire and laughed softly. “It balances, I suppose. Whatever is to come for us, I will always have these words to recall now.” He looked at me and nodded gravely, as if thanking me for returning something precious to him.
There were so many things I wanted to discuss with him. I wanted to review the Prince’s mission and talk about Web and ask him why he now gambled so much and what his wild extravagances meant. But I suddenly wanted to add no more words to what we had said tonight. As he had said, it balanced now. It was a hovering scale between us; I would chance no word that might tip it awry again. I nodded to him and rose slowly. When I reached the door, I said quietly, “Then, good night, Fool.” I opened the door and went out into the corridor.
“Good night, beloved,” he said from his fireside chair. I shut the door softly behind myself.
”
”
Robin Hobb (Golden Fool (Tawny Man, #2))
“
Feyre,' he said- softly enough that I faced him again. 'Why?' He tilted his head to the side. 'You dislike our kind on a good day. And after Andras...' Even in the darkened hallway, his usually bright eyes were shadowed. 'So why?'
I took a step closer to him, my blood-covered feet sticking to the rug. I glanced down the stairs to where I could still see the prone form of the faerie and the stumps of his wings.
'Because I wouldn't want to die alone,' I said, and my voice wobbled as I looked at Tamlin again, forcing myself to meet his stare. 'Because I'd want someone to hold my hand until the end, and awhile after that. That's something everyone deserves, human or faerie.' I swallowed hard, my throat painfully tight. 'I regret what I did to Andras,' I said, the words so strangled they were no more than a whisper. 'I regret that there was... such hate in my heart. I wish I could undo it- and... I'm sorry. So very sorry.'
I couldn't remember the last time- if ever- I'd spoken to anyone like that. But he just nodded and turned away, and I wondered if I should say more, if I should kneel and beg for his forgiveness. If he felt such grief, such guilt, over a stranger, than Andras... By the time I opened my mouth, he was already down the steps.
I watched him- watched every movement he made, the muscles of his body visible through that blood-soaked tunic, watched that invisible weight bearing down on his shoulders. He didn't look at me as he scooped up the broken body and carried it to the garden doors beyond my line of sight. I went to the window at the top of the stairs, watching as Tamlin carried the faerie through the moonlit garden and into the rolling fields beyond. He never once glanced back.
”
”
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
“
The gods do not speak with everyone,” and so a way has to be devised to approach them: men must segregate themselves in the same way as the gods are segregated from men. Then perhaps the gods will pay attention. An initial separation from other men is achieved through the preliminary actions of the rite.
When setting up the gārhapatya fire, he first sweeps the chosen space with a palāśa branch and says: ‘Away from here! Away! Crawl away from here,’ then: ‘Go away, go and slip away from here,’ he says to those who slither on their bellies. ‘You who are here from ancient and recent times!’ and therefore both those who are here from a remote time as well as those who have settled here today.”
The ritual action is an imitation. Of other men, who lived in the beginning? Or of gods? During the building of the fire altar when certain bricks, known as dviyajus, “which require a double formula,” have to be arranged. At that moment the sacrificer thinks the following words: “I wish to go to the celestial world following the same form, celebrating the same rite that Indra and Agni used to enter the celestial world!” What the sacrificer is imitating is the act of the god himself making himself a god
Ritual serves above all to resolve through action what thought alone cannot resolve. For example: what do we do with the ash produced by the sacrificial fire? The ashes are thrown into water. And these words are spoken: “O divine waters, receive these ashes and place them in a soft and fragrant place!” And then: “May the consorts, married to a good lord, bow down to him.” The “consorts” here are the waters, who have found a “good lord” in Agni. The waters are chosen as a place for ashes, because Agni was born from the womb of the waters.So Agni will not be lost.
”
”
Roberto Calasso (L'ardore)
“
Consider a world in which cause and effect are erratic. Sometimes the first precedes the second, sometimes the second the first. Or perhaps cause lies forever in the past while effect in the future, but future and past are entwined. On the terrace of the Bundesterrasse is a striking view: the river Aare below and the Bernese Alps above. A man stands there just now, absently emptying his pockets and weeping. Without reason, his friends have abandoned him. No one calls any more, no one meets him for supper or beer at the tavern, no one invites him to their home. For twenty years he has been the ideal friend to his friends, generous, interested, soft-spoken, affectionate. What could have happened? A week from this moment on the terrace, the same man begins acting the goat, insulting everyone, wearing smelly clothes, stingy with money, allowing no one to come to his apartment on Laupenstrasse. Which was cause and which effect, which future and which past? In Zürich, strict laws have recently been approved by the Council. Pistols may not be sold to the public. Banks and trading houses must be audited. All visitors, whether entering Zürich by boat on the river Limmat or by rail on the Selnau line, must be searched for contraband. The civil military is doubled. One month after the crackdown, Zürich is ripped by the worst crimes in its history. In daylight, people are murdered in the Weinplatz, paintings are stolen from the Kunsthaus, liquor is drunk in the pews of the Münsterhof. Are these criminal acts not misplaced in time? Or perhaps the new laws were action rather than reaction? A young woman sits near a fountain in the Botanischer Garten. She comes here every Sunday to smell the white double violets, the musk rose, the matted pink gillyflowers. Suddenly, her heart soars, she blushes, she paces anxiously, she becomes happy for no reason. Days later, she meets a young man and is smitten with love. Are the two events not connected? But by what bizarre connection, by what twist in time, by what reversed logic? In this acausal world, scientists are helpless. Their predictions become postdictions. Their equations become justifications, their logic, illogic. Scientists turn reckless and mutter like gamblers who cannot stop betting. Scientists are buffoons, not because they are rational but because the cosmos is irrational. Or perhaps it is not because the cosmos is irrational but because they are rational. Who can say which, in an acausal world? In this world, artists are joyous. Unpredictability is the life of their paintings, their music, their novels. They delight in events not forecasted, happenings without explanation, retrospective. Most people have learned how to live in the moment. The argument goes that if the past has uncertain effect on the present, there is no need to dwell on the past. And if the present has little effect on the future, present actions need not be weighed for their consequence. Rather, each act is an island in time, to be judged on its own. Families comfort a dying uncle not because of a likely inheritance, but because he is loved at that moment. Employees are hired not because of their résumés, but because of their good sense in interviews. Clerks trampled by their bosses fight back at each insult, with no fear for their future. It is a world of impulse. It is a world of sincerity. It is a world in which every word spoken speaks just to that moment, every glance given has only one meaning, each touch has no past or no future, each kiss is a kiss of immediacy.
”
”
Alan Lightman (Einstein's Dreams)
“
Behind her, where Tony had been standing, shadows moved, then a hand gently grasped Elizabeth’s elbow, and a deep, husky voice said near her ear, “Dance with me, Elizabeth.”
Shock stiffened her body, slamming against the barricade of numbness that Elizabeth was trying to keep intact. Still gazing straight ahead, she said very calmly and politely, “Would you do me a great service?”
“Anything,” he agreed.
“Go away. And stay away.”
“Anything,” he amended with a solemn smile in his voice, “but that.”
She felt him move closer behind her, and the nervous quaking she’d conquered hours before jarred through her again, awakening her senses from their blissful anesthesia. His fingers lightly caressed her arm, and he bent his head closer to hers. “Dance with me.”
In the arbor two years ago, when he had spoken those words, Elizabeth had let him take her in his arms. Tonight, despite the fact that she was no longer being totally ostracized, she was still teetering on the edge of scandal, and she shook her head. “I don’t think that would be wise.”
“Nothing we’ve ever done has been wise. Let’s not spoil our score.”
Elizabeth shook her head, refusing to turn, but the pressure on her elbow increased until she had no choice. “I insist.”
Reluctantly she turned and looked at him. “Why?”
“Because,” he said, smiling tenderly into his eyes, “I’ve already danced seven dances, all of them with ugly women of unimpeachable reputations, so that I’d be able to ask you, without causing more gossip to hurt you.”
The words, as well as his softness, made her wary. “What do you mean by the last part of that?”
“I know what happened to you after the weekend we were together,” he said gently. “Your Lucinda laid it all out for Duncan. Don’t look so hurt-the only thing she did wrong was to tell Duncan rather than me.”
The Ian Thornton who was talking to her tonight was almost achingly familiar; he was the man she’d met two years ago.
“Come inside with me,” he urged, increasing the pressure on her elbow, “and I’ll begin making it up to you.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
Bailey,” I say, my voice carrying easily across the marble floor. “Wait.”
She turns back and rolls her eyes, clearly annoyed to see me coming her way. She quickly wipes at her cheeks then holds up her hand to wave me off. “I’m off the clock. I don’t want to talk to you right now. If you want to chew me out for what happened back there, you’ll have to do it on Monday. I’m going home.”
“How?”
Her pretty brown eyes, full of tears, narrow up at me in confusion. “How what?”
“How are you getting home? Did you park on the street or something?”
Her brows relax as she realizes I’m not about to scold her. “Oh.” She turns to the window. “I’m going to catch the bus.” The bus? “The stop is just down the street a little bit.”
“Don’t you have a car?”
She steels her spine. “No. I don’t.”
I’ll have to look into what we’re paying her—surely she should have no problem affording a car to get her to and from work.
“Okay, well then what about an Uber or something?”
Her tone doesn’t lighten as she replies, “I usually take the bus. It’s fine.”
I look for an umbrella and frown when I see her hands are empty. “You’re going to get drenched and it’s freezing out there.”
She laughs and starts to step back. “It’s not your concern. Don’t worry about me.”
Yes, well unfortunately, I do worry about her. For the last three weeks, all I’ve done is worry about her.
Cooper is to blame. He fuels my annoyance on a daily basis, updating me about their texts and bragging to me about how their relationship is developing. Relationship—I find that laughable. They haven’t gone on a date. They haven’t even spoken on the phone. If the metric for a “relationship” lies solely in the number of text messages exchanged then as of this week, I’m in a relationship with my tailor, my UberEats delivery guy, and my housekeeper. I’ve got my hands fucking full.
“Well I’m not going to let you wait out at the bus stop in this weather. C’mon, I’ll drive you.”
Her soft feminine laugh echoes around the lobby.
“Thank you, but I’d rather walk.”
What she really means is, Thank you, but I’d rather die.
“It’s really not a request. You’re no good to me if you have to call in sick on Monday because you caught pneumonia.”
Her gaze sheens with a new layer of hatred. “You of all people know you don’t catch pneumonia just from being cold and wet.”
She tries to step around me, but I catch her backpack and tug it off her shoulder. I can’t put it on because she has the shoulder straps set to fit a toddler, so I hold it in my hand and start walking. She can either follow me or not. I tell myself I don’t care either way.
“Dr. Russell—” she says behind me, her feet lightly tap-tap-tapping on the marble as she hurries to keep up.
“You’re clocked out, aren’t you? Call me Matt.”
“Doctor,” she says pointedly. “Please give me my backpack before I call security.”
I laugh because really, she’s hilarious. No one has ever threatened to call security on me before.
“It’s Matt, and if you’re going to call security, make sure you ask for Tommy. He’s younger and stands a decent chance of catching me before I hightail it out of here with your pink JanSport backpack. What do you have in here anyway?”
It weighs nothing.
“My lunchbox. A water bottle. Some empty Tupperware.”
Tupperware.
I glance behind me to check on her. She’s fast-walking as she trails behind me. Am I really that much taller than her?
“Did you bring more banana bread?”
She nods and nearly breaks out in a jog. “Patricia didn’t get any last time and I felt bad.”
“I didn’t get any last time either,” I point out.
She snorts. “Yeah well, I don’t feel bad about that.”
I face forward again so she can’t see my smile.
”
”
R.S. Grey (Hotshot Doc)