Sofa Sunday Quotes

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Until I realized: this long expanse of free time to rekindle friendships is not real. We will never come home to each other again and we will never again have each other’s undivided attention. That version of our friendship is over forever. And when I remember this, and it usually happens in those awful, quiet evening hours on Sunday nights, after dinner but before bed, I just lie on my sofa and cry for half an hour.
Mindy Kaling (Why Not Me?)
The room I entered was a dream of this room. Surely all those feet on the sofa were mine. The oval portrait of a dog was me at an early age. Something shimmers, something is hushed up. We had macaroni for lunch every day except Sunday, when a small quail was induced to be served to us. Why do I tell you these things? You are not even here.
John Ashbery
This was the last time I ever saw my mother alive. Just the same, this picture gets all mixed up in my mind with pictures I had of her when she was younger. The way I always see her is the way she used to be on Sunday afternoon, say, when the old folks were talking after the big Sunday dinner. I always see her wearing pale blue. She'd be sitting on the sofa. And my father would be sitting in the easy chair, not far from her. And the living room would be full of church folks and relatives. There they sit, in chairs all around the living room, and the night is creeping up outside, but nobody knows it yet. You can see the darkness growing against the windowpanes and you hear the street noises every now and again, or maybe the jangling beat of a tambourine from one of the churches close by, but it's real quiet in the room. For a moment nobody's talking, but every face looks darkening, like the sky outside. And my mother rocks a little from the waist, and my father's eyes are closed. Everyone is looking at something a child can't see. For a minute they've forgotten the children. Maybe a kid is lying on the rug, half asleep. Maybe somebody's got a kid in his lap and is absent-mindedly stroking the kid's head. Maybe there's a kid, quiet and big-eyed, curled up in a big chair in the corner. The silence, the darkness coming, and the darkness in the faces frighten the child obscurely. He hopes that the hand which strokes his forehead will never stop-- will never die. He hopes that there will never come a time when the old folks won't be sitting around the living room, talking about where they've come from, and what they've seen, and what's happened to them and their kinfolk. But something deep and watchful in the child knows that this is bound to end, is already ending. In a moment someone will get up and turn on the light. Then the old folks will remember the children and they won't talk anymore that day. And when light fills the room, the child is filled with darkness. He knows that every time this happens he's moved just a little closer to that darkness outside. The darkness outside is what the old folks have been talking about. It's what they've come from. It's what they endure. The child knows that they won't talk anymore because if he knows too much about what's happened to them, he'll know too much too soon, about what's going to happen to him.
James Baldwin
I turn sentences around. That’s my life. I write a sentence and then I turn it around. Then I look at it and I turn it around again. Then I have lunch. Then I come back in and write another sentence. Then I have tea and turn the new sentence around. Then I read the two sentences over and turn them both around. Then I lie down on my sofa and think. Then I get up and throw them out and start from the beginning. And if I knock off from this routine for as long as a day, I’m frantic with boredom and a sense of waste. Sundays I have breakfast late and read the papers with Hope. Then we go for a walk in the hills, and I'm haunted by the loss of all that good time. I wake up Sunday mornings and I'm nearly crazy at the prospect of all those unusable hours. I'm restless, I'm bad-tempered, but she's a human being too, you see, so I go. To avoid trouble she makes me leave my watch at home. The result is that I look at my wrist instead. We're walking, she's talking, then I look at my wrist - and that generally does it, if my foul mood hasn't already. She throws in the sponge and we come home. And at home what is there to distinguish Sunday from Thursday? I sit back down at my little Olivetti and start looking at sentences and turning them around. And I ask myself, Why is there no way but this for me to fill my hours?
Philip Roth
It is Sunday afternoon, preferably before the war. The wife is already asleep in the armchair, and the children have been sent out for a nice long walk. You put your feet up on the sofa, settle your spectacles on your nose, and open the News of the World. Roast beef and Yorkshire, or roast pork and apple sauce, followed up by suet pudding and driven home, as it were, by a cup of mahogany-brown tea, have put you in just the right mood. Your pipe is drawing sweetly, the sofa cushions are soft underneath you, the fire is well alight, the air is warm and stagnant. In these blissful circumstances, what is it that you want to read about? Naturally, about a murder.
George Orwell (Decline of the English Murder)
Caddy came home on Friday evening. Perfectly Harmless Patrick brought her in his battered old car... "Crikey, Caddy!" said Indigo, and he disappeared upstairs to tell Rose. Eve murmured, "Sweet," rather doubtfully. Sarah said, not doubtfully at all, "Horrendous! The worst yet. Rock bottom." "He had a very difficult childhood," said Caddy.... "Who didn't?" asked Saffron unsympathetically. "Gosh, he's ancient, Caddy! Look, he's going bald! All that long trailing stuff is just a disguise!" "If I was going bald," said Sarah, "I would face the fact and have it all shaved off." "Well, I thought Mummy would like him," said Caddy defensively. "...Anyway, I can always take him back." "I think you're going to have to, Caddy darling," said Eve... "Hello, Rose darling! Come in and see what Caddy has brought home to show us!" She escaped, and Rose, who had already heard the news from Indigo, glanced at Patrick and began laughing. "See?" said Sarah. "Rose knows! Absolutely rock bottom! You cannot be serious, Caddy!" "Oh, stop looking at him!" said Caddy, uncomfortably. "I'll find something to cover him up with in a minute!" "How long are you leaving him there for?" asked Rose. "Just until Sunday," said Caddy, trying to sound casual. "Till Sunday!" repeated Saffron. "So is Micheal dumped?" "Of course he isn't!" said Caddy indignantly. "I've never dumped anyone!" "Start!" said Saffron. "Otherwise they just pile up, taking up the sofas...
Hilary McKay (Indigo's Star (Casson Family, #2))
Suttree eased himself down on the arm of the sofa and sipped his beer. He patted J-Bone on the back. The voices seemed to fade. He waved away the whiskeybottle with a smile. In this tall room, the cracked plaster sootstreaked with the shapes of laths beneath, this barrenness, this fellowship of the doomed. Where life pulsed obscenely fecund. in the drift of voices and the laughter and the reek of stale beer the Sunday loneliness seeped away.
Cormac McCarthy (Suttree)
They ate dinners in drugstores. She hung a reproduction of van Gogh’s “Sunflowers” above the sofa she had bought with some of the small sum of money her parents had left her. When their aunts and uncles came to town—their parents were dead—they had dinner at the Ritz and went to the theatre. She sewed curtains and shined his shoes, and on Sundays they stayed in bed until noon. They seemed to be standing at the threshold of plenty; and Laura often told people that she was terribly excited because of this wonderful job that Ralph had lined up.
John Cheever (The Stories of John Cheever)
Patricia kept her distance while Blue and Korey hung all over Ragtag that weekend, soothing him when he barked at things that weren't there, driving to the store and getting him wet food when he wouldn't eat dry, sitting with him in the backyard or on the sofa in the sun. And on Sunday night, when things got bad, and Dr. Grouse's office was closed, the two of them sat up with Ragtag as he walked around the den in circles, barking and snapping at things they couldn't see, and they talked to him in low voices, and told him he was a good dog, and a brave dog, and they weren't going to leave him alone. When Patricia went to bed around one, both kids were still sitting up with Ragtag, patting him when his wanderings brought him close, speaking to him, showing him patience that Patricia had never seen in them before. Around four in the morning she woke up with a start and crept downstairs. The three of them lay on the den sofa. Korey and Blue were on either end, asleep. Ragtag lay between them, dead.
Grady Hendrix (The Southern Book Club's Guide to Slaying Vampires)
more than anything.” He turned to Jean Louise. “Seven-thirty tonight and no Landing. We’ll go to the show.” “Okay. Where’re you all going?” “Courthouse. Meeting.” “On Sunday?” “Yep.” “That’s right, I keep forgetting all the politicking’s done on Sunday in these parts.” Atticus called for Henry to come on. “Bye, baby,” he said. Jean Louise followed him into the livingroom. When the front door slammed behind her father and Henry, she went to her father’s chair to tidy up the papers he had left on the floor beside it. She picked them up, arranged them in sectional order, and put them on the sofa in a neat pile. She crossed the room again to straighten the stack of books on his lamp table, and was doing so when a pamphlet the size of a business envelope caught her eye. On its cover was a drawing of an anthropophagous Negro; above the drawing was printed The Black Plague. Its author was somebody with several academic degrees after his name. She opened the pamphlet, sat down in her father’s chair, and began reading. When she had finished, she took the pamphlet by one of its corners, held it like she would hold a dead rat by the tail, and walked into the kitchen. She held the pamphlet in front of her aunt. “What is this thing?” she said. Alexandra looked over her glasses at it. “Something of your father’s.” Jean Louise stepped on the garbage can trigger and threw the pamphlet in. “Don’t do that,” said Alexandra. “They’re hard to come by these days.” Jean Louise opened her mouth, shut it, and opened it again. “Aunty, have you read that thing? Do you know what’s in it?” “Certainly.” If Alexandra had uttered an obscenity in her face, Jean Louise would have been less surprised. “You—Aunty, do you know the stuff in that thing makes Dr. Goebbels look like a naive little country boy?” “I don’t know what you’re talking about, Jean Louise. There are a lot of truths in that book.” “Yes indeedy,” said Jean Louise wryly. “I especially liked the part where the Negroes, bless their hearts, couldn’t help being inferior to the white race because their skulls are thicker and their brain-pans shallower—whatever that means—so we must all be very kind to them and not let them do anything to hurt themselves and keep them in their places. Good God, Aunty—” Alexandra was ramrod straight. “Well?” she said. Jean Louise said, “It’s just that I never knew you went in for salacious reading material, Aunty.” Her aunt was silent, and Jean Louise continued: “I was real impressed with the parable where since the dawn of history the rulers of the world have always been white, except Genghis Khan or somebody—the author was real fair about that—and he made a killin’ point about even the Pharaohs were white and their subjects were either black or Jews—” “That’s true, isn’t it?” “Sure, but what’s that got to do with the case?” When Jean Louise felt apprehensive, expectant, or on edge, especially when confronting her aunt, her brain clicked to the meter of Gilbertian tomfoolery. Three sprightly figures
Harper Lee (Go Set a Watchman)
What if she had already done it to herself? What if she had shaved away from the surface of her brain whatever synaptic interlacings had formed her gift? She remembered reading somewhere that some pop artist once bought an original drawing by Michelangelo—and had taken a piece of art gum and erased it, leaving blank paper. The waste had shocked her. Now she felt a similar shock as she imagined the surface of her own brain with the talent for chess wiped away. At home she tried a Russian game book, but she couldn’t concentrate. She started going through her game with Foster, setting the board up in the kitchen, but the moves of it were too painful. That damned Stonewall, and the hastily pushed pawn. A patzer’s move. Bad chess. Hungover chess. The telephone rang, but she didn’t answer. She sat at the board and wished for a moment, painfully, that she had someone to call. Harry Beltik would be back in Louisville. And she didn’t want to tell him about the game with Foster. He would find out soon enough. She could call Benny. But Benny had been icy after Paris, and she did not want to talk to him. There was no one else. She got up wearily and opened the cabinet next to the refrigerator, took down a bottle of white wine and poured herself a glassful. A voice inside her cried out at the outrage, but she ignored it. She drank half of it in one long swallow and stood waiting until she could feel it. Then she finished the glass and poured another. A person could live without chess. Most people did. When she awoke on the sofa the next morning, still wearing the Paris clothes she had worn when losing the game to Foster, she was frightened in a new way. She could sense her brain being physically blurred by alcohol, its positional grasp gone clumsy, its penetration clouded. But after breakfast she showered and changed and then poured herself a glass of wine. It was almost mechanical; she had learned to cut off thought as she did it. The main thing was to eat some toast first, so the wine wouldn’t burn her stomach. She kept drinking for days, but the memory of the game she had lost and the fear of what she was doing to the sharp edge of her gift would not go away, except when she was so drunk that she could not even think. There was a piece in the Sunday paper about her, with one of the pictures taken that morning at the high school, and a headline reading CHESS CHAMP DROPS FROM TOURNEY. She threw the paper away without reading the article. Then one morning after a night of dark and confusing dreams she awoke with an unaccustomed clarity: if she did not stop drinking immediately she would ruin what she had. She had allowed herself to sink into this frightening murk. She had to find a foothold somewhere to push herself free of it. She would have to get help.
Walter Tevis (The Queen's Gambit)
Sitting on a sofa on a Sunday afternoon Going to the candidates' debate Laugh about it, shout about it When you've got to choose Every way you look at this you lose
Paul Simon
midday on Sunday. The men had milked the cows in the early morning and then had gone out rabbiting, without bothering to feed the animals. When Mr. Jones got back he immediately went to sleep on the drawing-room sofa with the News of the World over his face, so that when evening came, the animals were still unfed. At last they could stand it no longer. One of the cows broke in the door of the store-shed with her horn and all the animals began to help themselves from the bins. It was just then that Mr. Jones woke up. The next moment he and his four men were in the store-shed with whips in their hands, lashing out in all directions. This was more than the hungry animals could bear. With one accord, though nothing of the kind had been planned beforehand, they flung themselves upon their tormentors. Jones and his men suddenly found themselves being butted and kicked from all sides. The situation was quite out of their control. They had never seen animals behave like this before, and this sudden uprising of creatures whom they were used to thrashing and maltreating just as they chose, frightened them almost out of their wits. After only a moment or two they gave up trying to defend themselves and took to their heels. A minute later all five of them were in full flight down the cart-track that led to the main road, with the animals pursuing them in triumph. Mrs. Jones looked out of the bedroom window, saw what was happening, hurriedly flung a few possessions into a carpet bag, and slipped out of the farm by another way. Moses sprang off his perch and flapped after her, croaking loudly. Meanwhile the animals had chased Jones and his men out on to the road and slammed the five-barred gate behind them. And so, almost before they knew what was happening, the Rebellion had been successfully carried through: Jones was expelled, and the Manor Farm was theirs.
George Orwell (Animal Farm)
The way I always see her is the way she used to be on a Sunday afternoon, say, when the old folks were talking after the big Sunday dinner. I always see her wearing pale blue. She’d be sitting on the sofa. And my father would be sitting in the easy chair, not far from her. And the living room would be full of church folks and relatives. There they sit, in chairs all around the living room, and the night is creeping up outside, but nobody knows it yet. You can see the darkness growing against the windowpanes and you hear the street noises every now and again, or maybe the jangling beat of a tambourine from one of the churches close by, but it’s real quiet in the room. For a moment nobody’s talking, but every face looks darkening, like the sky outside. And my mother rocks a little from the waist, and my father’s eyes are closed. Everyone is looking at something a child can’t see. For a minute they’ve forgotten the children. Maybe a kid is lying on the rug, half asleep. Maybe somebody’s got a kid in his lap and is absent-mindedly stroking the kid’s head. Maybe there’s a kid, quiet and big-eyed, curled up in a big chair in the corner. The silence, the darkness coming, and the darkness in the faces frightens the child obscurely. He hopes that the hand which strokes his forehead will never stop—will never die. He hopes that there will never come a time when the old folks won’t be sitting around the living room, talking about where they’ve come from, and what they’ve seen, and what’s happened to them and their kinfolk. But something deep and watchful in the child knows that this is bound to end, is already ending. In a moment someone will get up and turn on the light. Then the old folks will remember the children and they won’t talk any more that day. And when light fills the room, the child is filled with darkness. He knows that every time this happens he’s moved just a little closer to that darkness outside. The darkness outside is what the old folks have been talking about. It’s what they’ve come from. It’s what they endure. The child knows that they won’t talk any more because if he knows too much about what’s happened to them, he’ll know too much too soon, about what’s going to happen to him.
Beverly Lawn (40 Short Stories: A Portable Anthology)
You may not be able to listen to the songs of past relationships in the first few years after the end, but soon the albums will find their way back to you. All those memories of Saturdays by the seas and Sunday-night spaghetti on the sofa will slowly unfurl from around the chords and lift, floating up out of the songs until they disappear. There will always be a faint recognition in somewhere deep in the tissue of your guts that tells you that for a week this song, that man, was at the centre of your universe, but at some point it wont make your heart burn.
Dolly Alderton (Everything I Know About Love)
To my surprise, when he arrived at my home, he was dressed in his Sunday best. He later told me that he had prepared himself as if he were going to church. I asked him to make himself comfortable on a chair while I settled down on a sofa opposite him. I began to explain to him how to relax the body as a precondition for meditation. I had barely uttered a few sentences when I felt a rush of psychophysical energy seemingly enter my body from behind and explode out toward him. My speech became slurred and my eyelids got heavy, but I kept my eyes focused on him. As the wave of energy hit him, he visibly jerked back, looking at me fearfully. Then a second wave passed through me to him, and again he startled. By the time a third rush of energy reached him, he was in deep meditation. I felt a force field connecting our bodies, and while I stayed in meditation, he too remained meditating. We talked about the experience later, and he confirmed my own sense of what had happened. At first he had felt terror at possibly being hypnotized by me; then when the second wave of energy penetrated him, he again felt pushed back by it but started to yield to it. The third time he simply let go, allowing the energy to do its work in his body-mind. He had never meditated before. I was as surprised about this effect as he was. The same energy transfer occurred subsequently every time we got together for meditation. At one point it became clear to me that he needed to make certain changes in his life before he could benefit from further sessions. Fortunately since I did not consider myself a guru or even a meditation teacher, I also did not interpret this experience as something I myself was generating. Rather, I regarded it as a gift (prasāda) and advised my neighbor to do the same. Having had this experience, however, and also having on numerous occasions been the recipient of such energy transmission, I can readily see why some teachers might attribute special significance to this ability. The same holds true of mystical experiences. It is all too easy to read into them more than is warranted. It is also easy to see how disciples can become addicted to the “hit” of spiritual transmission from a guru and how they might confuse that ability with enlightenment, wisdom, and compassion.
Georg Feuerstein (The Deeper Dimension of Yoga: Theory and Practice)
Mate. He’d told Hayden he would stick to his routine. That meant watching the game at her apartment on Sunday and maintaining their friendship. His logical mind fought against his growing urges. Last night, he couldn’t have a simple conversation without touching her. And she didn’t make things any easier. He could smell the desire pouring out of her. It took every ounce of his self-control to hold himself back. At times, it was painful. “I know what I’m doing. I’ve got the situation under control.” Cam laughed. “Like you did yesterday? Dude, we both know it’s only going to get worse. You’re like a ticking sex bomb.” Deep down, Kaden knew he was right. Annabelle would become an irresistible, unquenchable thirst. Ordinarily, she would feel the same pull, but there was no way to know how a human would react. “There’s no such thing as a sex bomb.” Cam spread himself flat across the sofa with his arms crossed behind his head. “Yeah, well, there definitely should be.” “Be serious.” He sat up. “I’m trying to tell you, it’s foolish to fight the bond between you. You’d be better off going with it and letting the panties drop where they may.” And what would happen if he did bond with her? There was no chance it would ever work out between them. He had to hide who he was from the world. A life with him meant Annabelle would have to lie to her friends and family about their relationship. He would never be able to marry her or give her the children she wanted. They’d talked about her dreams for a white picket fence and a family. Even if she were willing to give up those things, wouldn’t he be putting her life in danger? A dull ache formed in the pit of his chest. “You know that’s not possible.” If he could somehow push away these human emotions of his, maybe he stood a chance of keeping her in his life. Maybe someday he could actually be happy for her if she found a suitable mate. He dug his fingernails into the palms of his hands at the thought of her with a human. “I have to go. She’s waiting for me.” “Don’t forget the condoms,” Cam shouted out. “Matter of fact, you might want to double up. With all your pent-up frustration, there’s bound to be an explosion.” “Hilarious,” he replied, shutting the door behind him as he made his way toward his truck. Once inside, he slid his seat belt on and leaned back against the head cushion with his eyes closed. Filled with self-doubt, he worried that he wouldn’t be able to handle it. But he had to. For the sake of everyone he loved, he had to find a way.
Stacey O'Neale (Under His Skin (Alien Encounters, #1))
big sofas for a nap on Sunday afternoon; comfy reading chairs with good light and a view out the window for daydreaming
Ina Garten (Barefoot Contessa at Home: Everyday Recipes You'll Make Over and Over Again: A Cookbook)