“
If I had my life to live over...
Someone asked me the other day if I had my life to live over would I change anything.
My answer was no, but then I thought about it and changed my mind.
If I had my life to live over again I would have waxed less and listened more.
Instead of wishing away nine months of pregnancy and complaining about the shadow over my feet, I'd have cherished every minute of it and realized that the wonderment growing inside me was to be my only chance in life to assist God in a miracle.
I would never have insisted the car windows be rolled up on a summer day because my hair had just been teased and sprayed.
I would have invited friends over to dinner even if the carpet was stained and the sofa faded.
I would have eaten popcorn in the "good" living room and worried less about the dirt when you lit the fireplace.
I would have taken the time to listen to my grandfather ramble about his youth.
I would have burnt the pink candle that was sculptured like a rose before it melted while being stored.
I would have sat cross-legged on the lawn with my children and never worried about grass stains.
I would have cried and laughed less while watching television ... and more while watching real life.
I would have shared more of the responsibility carried by my husband which I took for granted.
I would have eaten less cottage cheese and more ice cream.
I would have gone to bed when I was sick, instead of pretending the Earth would go into a holding pattern if I weren't there for a day.
I would never have bought ANYTHING just because it was practical/wouldn't show soil/ guaranteed to last a lifetime.
When my child kissed me impetuously, I would never have said, "Later. Now, go get washed up for dinner."
There would have been more I love yous ... more I'm sorrys ... more I'm listenings ... but mostly, given another shot at life, I would seize every minute of it ... look at it and really see it ... try it on ... live it ... exhaust it ... and never give that minute back until there was nothing left of it.
”
”
Erma Bombeck (Eat Less Cottage Cheese And More Ice Cream Thoughts On Life From Erma Bombeck)
“
Arthur felt happy. He was terribly pleased that the day was for once working out so much according to plan. Only twenty minutes ago he had decided he would go mad, and now here he was already chasing a Chesterfield sofa across the fields of prehistoric Earth.
”
”
Douglas Adams (Life, the Universe and Everything (The Hitchhiker's Guide to the Galaxy, #3))
“
When I open my eyes, the morning light makes me wish I hadn’t. Raffe lies on his sofa, watching me with those dark blue eyes. I swallow, suddenly feeling awkward and unkempt. Great. The world has come to an end, my mother is out there with the street gangs, crazier than ever, my sister has been kidnapped by vengeful angels, and I'm concerned that my hair is greasy and my breath smells bad.
”
”
Susan Ee (Angelfall (Penryn & the End of Days, #1))
“
Like a domestic cat, purring on the sofa by day, but by night, a strutting queen, a natural killer, disdainful of her other life.
”
”
Joanne Harris (The Girl with No Shadow (Chocolat, #2))
“
RECIPE FOR HAPPINESS
As devised by frantastica:
dvds with Johnny Depp in them
white chocolate chip cookies
peanut m&ms
popcorn
pillows X 17
Method:
put all on sofa and mix till cheerful.
”
”
Susie Day (serafina67 *urgently requires life*)
“
I missed her so much I wanted to die: a hard, physical longing, like a craving for air underwater. Lying awake, I tried to recall all my best memories of her—to freeze her in my mind so I wouldn’t forget her—but instead of birthdays and happy times I kept remembering things like how a few days before she was killed she’d stopped me halfway out the door to pick a thread off my school jacket. For some reason, it was one of the clearest memories I had of her: her knitted eyebrows, the precise gesture of her reaching out to me, everything. Several times too—drifting uneasily between dreaming and sleep—I sat up suddenly in bed at the sound of her voice speaking clearly in my head, remarks she might conceivably have made at some point but that I didn’t actually remember, things like Throw me an apple, would you? and I wonder if this buttons up the front or the back? and This sofa is in a terrible state of disreputableness.
”
”
Donna Tartt (The Goldfinch)
“
Friday is a purple-velvet-sofa day for some poor woman who's finally reclaimed her life. A purple velvet sofa is a gal's symbol of freedom.
”
”
Beth Hoffman (Saving CeeCee Honeycutt)
“
After this, I sat on the floor of the kitchen and thought about Leah, about the shape of her feet and the way she spoke about her father, the special voice she used to talk to cats, her kind frown, her intonation, her fingernails. ... I thought about the day it first occurred to me that, should she die, there would be no one in the world I truly loved. ... Are you just now realising that people die, Leah had said to me when I voiced this thought, tucked up beside her on the sofa with my knees pressed tight into the backs of hers. Not people, I had said, just you.
”
”
Julia Armfield (Our Wives Under the Sea)
“
If I can get on to my sofa and occupy myself for four hours, at intervals through the day, scribbling my notes, and able to read the books that belong to me, in that they clarify the density, and shape the formless mass within, life seems inconceivably rich...
”
”
Alice James
“
...But he was a good landlord. When my heater stopped working in mid-December, it took him only two weeks to get it fixed. Of course, it took me knocking on his door in need of a warm place to sleep to get it that way, but one night on his sofa, where I’d suddenly developed night terrors and epilepsy, and that puppy was running like a Mercedes the next day. It was awesome.
”
”
Darynda Jones (Fourth Grave Beneath My Feet (Charley Davidson, #4))
“
I turn sentences around. That’s my life. I write a sentence and then I turn it around. Then I look at it and I turn it around again. Then I have lunch. Then I come back in and write another sentence. Then I have tea and turn the new sentence around. Then I read the two sentences over and turn them both around. Then I lie down on my sofa and think. Then I get up and throw them out and start from the beginning. And if I knock off from this routine for as long as a day, I’m frantic with boredom and a sense of waste.
”
”
Philip Roth (The Ghost Writer)
“
Ready?" Jaime echoed. "Yes, yes, I am ready. I am ready to drink a lot of liquids and lie on the sofa moaning faintly all day long. That is what I am ready for. I cannot engage in physical activity of any sort or my head will fall right off. Is that what you want Nick? Because if so, I find that hurtful.
”
”
Sarah Rees Brennan (The Demon's Covenant)
“
I had had a feeling of freedom because of the sudden change in my life. By comparison to what had come before, I felt immensely free. But then, once I became used to that freedom, even small tasks became more difficult. I placed constraints on myself, and filled the hours of the day. Or perhaps it was even more complicated than that. Sometimes I did exactly what I wanted to do all day—I lay on the sofa and read a book, or I typed up an old diary—and then the most terrifying sort of despair would descend on me: the very freedom I was enjoying seemed to say that what I did in my day was arbitrary, and that therefore my whole life and how I spent it was arbitrary.
”
”
Lydia Davis (Can't and Won't)
“
On their sofas of spice and feathers, the concubines also slept fretfully. In those days the Earth was still flat, and people dreamed often of falling over edges.
”
”
Tom Robbins (Jitterbug Perfume)
“
My apartment's only about a block away."
"Isn't that handy."
"Fate," he countered as he took a seat on the sofa and made himself at home. "Fantasic, isn't it?"
"One day very soon, I'm going to tell you what you can do with that fate of yours.
”
”
Nora Roberts (The MacGregors: Serena & Caine (The MacGregors, #1 -2))
“
You need to be healthy. You don’t need to be thin. You don’t need to be a certain size or shape or look good in a bikini. You need to be able to run without feeling like you’re going to puke. You need to be able to walk up a flight of stairs without getting winded. You need to drink half your body weight in ounces of water every single day. You need to stretch and get good sleep and stop medicating every ache and pain. You need to stop filling your body with garbage like Diet Coke and fast food and lattes that are a million and a half calories. You need to take in fuel for you body that hasn't been processed and fuel for you mind that is positive and encouraging. You need to get up off the sofa or out of the bed and move around. Get out of the fog that you have been living in and see your life for what it is.
”
”
Rachel Hollis (Girl Wash your Face)
“
I know that without being touched I will die. I have known it for some time. It has always felt like I need more touch than the others anyway, my hands brushing over their shoulders or the tops of their heads as they shy away, because nobody is assigned to me. I am not anybody’s loved-most, have not been for some time. I have gone days, weeks, without touch and when that happens I can feel my skin thinning, I have to lay my body against grass and velvet and the corner of the sofa and rub my hands and elbows and thighs against anything until they are raw.
”
”
Sophie Mackintosh (The Water Cure)
“
It’s my husband. I think— I think he’s a zombie.”
I smiled. “Believe it or not, I get this one a lot. Can you describe his behavior? Why do you think he’s a zombie?”
She huffed. “He doesn’t do anything! He sits on the sofa all day watching TV and that’s it.
”
”
Carrie Vaughn (Kitty Rocks the House (Kitty Norville, #11))
“
What, you don’t have a sofa gun? I thought everyone did.
”
”
Tad Williams (Sleeping Late On Judgement Day (Bobby Dollar, #3))
“
How am I supposed to know?” she asked instead. “What’s it supposed to be like?”
Lana and Claire traded tiny smiles, and Claire asked gently, “What’s what supposed to be like?”
Lily slumped back against the sofa, feeling boneless and muddled. “Falling in love, I guess.”
“You’ll know,” Claire said. “It’s unmistakable.”
(How she could recognize Kath at the other end of a crowded Galileo hallway by the way she walked.)
“It’s like . . . well, it’s like falling,” Lana said. “Falling, or floating, or sinking.”
(Every time they kissed.)
“You won’t know which way is up.”
“It’s like having a fever.”
(The way the world seemed to narrow down to the tips of Kath’s fingers.)
“It’s like being drunk—drunk for days.
”
”
Malinda Lo (Last Night at the Telegraph Club)
“
The room I entered was a dream of this room.
Surely all those feet on the sofa were mine.
The oval portrait
of a dog was me at an early age.
Something shimmers, something is hushed up.
We had macaroni for lunch every day
except Sunday, when a small quail was induced
to be served to us. Why do I tell you these things?
You are not even here.
”
”
John Ashbery
“
I am a human, and we humans arrive with "screwed up" on our foreheads. We come that way, but somewhere between toddlerhood and being a grown-up we learn to wipe off our forehead signs. Sit up straight. To be good. But before God I am no different from these men. My forehead is clean my soul certainly is not. That day on an old, beat-up sofa with some old, beat up guys, I rethought the things of value to people and the types of people I've valued, and I realized that God shown more through those accused and hurting men then than in me.
”
”
Jennie Allen (Anything: The Prayer That Unlocked My God and My Soul)
“
When Jess had Tanzie, young and daft as she had been, she'd had enough wisdom to know she was going to tell her how much she loved her every day. She would hug her and wipe her tears and flop with her on the sofa with their legs entwined like spaghetti. She would cocoon her in love.
”
”
Jojo Moyes (One Plus One)
“
Nothing could exceed his energy when the working fit was upon him: but now and again a reaction would seize him, and for days on end he would lie upon the sofa in the sitting- room, hardly uttering a word or moving a muscle from morning to night. On these occasions I have noticed such a dreamy, vacant expression in his eyes, that I might have suspected him of being addicted to the use of some narcotic, had not the temperance and cleanliness of his whole life forbidden such a notion.
”
”
Arthur Conan Doyle (A Study in Scarlet)
“
The days shuffled by like bland schoolgirls. I didn’t notice their individual faces, only their basic uniform: day and night, day and night.
I had no patience for showers or balanced meals. I did a lot of lying on floors — childish certainly, but when one can lie on floors without anyone seeing one, trust me, one will lie on a floor. I discovered, too, the fleeting yet discernible joy of biting into a Whitman’s chocolate and throwing the remaining half behind the sofa in the library. I could read, read, read until my eyes burned and the words floating like noodles in soup.
”
”
Marisha Pessl (Special Topics in Calamity Physics)
“
Three days after the quarrel, Prince Stepan Arkadyevitch Oblonsky—Stiva, as he was called in the fashionable world— woke up at his usual hour, that is, at eight o'clock in the morning, not in his wife's bedroom, but on the leather-covered sofa in his study.
”
”
Leo Tolstoy (Anna Karenina)
“
Charity knew she had to begin looking for a job soon. Definitely tomorrow, or the next day. Or perhaps the day after that. Charity didn't believe in procrastination. She just needed to plan her strategy. She was sound asleep on the sofa when Lady Margaret got back from London.
”
”
Elizabeth Jane Howard
“
Cole and I spent the whole day together, wanting to be close, whether we were watching TV on the sofa or reading side by side. I wasn’t sure if it was the incident with Jake or the pregnancy, but either way I welcomed the contact. I felt more connected to Cole than ever. We were seated side by side on the couch as he worked on his laptop and I watched some guilty pleasure reality TV. “What
”
”
Megan O'Brien (Cole (The Ride, #1))
“
You have never felt like my other half.” It is only once David gets up off the sofa that I realize I assumed we would be sitting here talking for a long time. And it is only once he puts on his jacket that I realize he probably assumed he would sleep here tonight. But once he has his hand on the doorknob, I realize that I have put into motion the end of a lackluster life in the interest of eventually finding a great one. “I hope one day you find someone who feels like the other half of you, I guess,” David says. Like Celia. “Thank you,” I say. “I hope you find it, too.” David smiles in a way that is more of a frown. And then he leaves. When you end a marriage, you’re supposed to lose sleep over it, aren’t you? But I don’t. I sleep free.
”
”
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
“
Oh- hey, there," he said. He was shorter than me, pudgy with salt-and-pepper hair that always seemed to be in need of a good conditioning. And he always wore sweatpants and T-shirts that had seen more abuse than narcotics. But he was a good landlord. When my heater stopped working in mid-December, it took him only two weeks to get it fixed. Of course, it took me knocking on his door in need of a warm place to sleep to get it that way, but one night on his sofa, where I'd suddenly developed night terrors and epilepsy, and that puppy was running like a Mercedes the next day. It was awesome.
”
”
Darynda Jones (Fourth Grave Beneath My Feet (Charley Davidson, #4))
“
But after all the years, her husband and children have come to accept that, once every few weeks, their usually warmhearted and approachable Camisha will get into her Honda Accord at the beginning of a seemingly random day, and disppear until well after supper, when she will return home and go directly to bed. Her family has learned never top ask her where she had been on such a day, because the most she will ever say is, "Out. I just went out for a bit."
Also, they learned long ago never to express irritation or anger of any kind against Camisha, because when they do, her reaction is to become mute and exit to the garden, where for several hours she will sit cross-legged on a favourite flat stone, her back to the house. Slender, straight-backed, and unmoving, at these times she resembles nothing so much as an elegant ebony carving, exquisite but not quite alive. Watching her is almost unberable, and so is the guilt. Or if the weather is not suitable for the garden, she will simpily go to her bedroom and lock the door. Then as a matter of course, without comment during or after, her husband sleeps on the sofa in the den. In the morning, Camisha is usually her old self again, just as if nothing had happened.
”
”
Martha Stout (The Myth of Sanity: Divided Consciousness and the Promise of Awareness)
“
My favorite days were the ones that barely registered. I'd catch myself not breathing, slumped on the sofa, staring at an eddy of dust tumbling across the hardwood floor in the draft, and I'd remember that I was alive for a second, then fade back out.
”
”
Ottessa Moshfegh (My Year of Rest and Relaxation)
“
I would like to be able to say that I came back from this by just simply getting up from the sofa and rolling up my sleeves… but I didn’t. I could not even take things days by day. In realistic terms I fought to make it through the day - 5 minutes at a time.
”
”
Gisela Hausmann "Naked Determination 41 Stories About Overcoming Fear"
“
He looked at her amiably, as though she were a nice sofa. That must be the penalty of the grey hairs, the tired shadows under the eyes, that must be the beginning of getting old. She had noticed it. Young men looked at you as though you were a nice sofa, an article of furniture which they would never be desirous of acquiring.
”
”
Mollie Panter-Downes (One Fine Day)
“
Progress is hardly ever dramatic; in fact, it is usually very slow. As every parent and teacher knows, education is never a matter of ten-step plans or quick formulas, but of faithful commitment to the mundane challenges of daily life: getting up from the sofa to spend time with our children, loving them and disciplining them, becoming involved in their lives at school and, most important, making sure they have a wholesome family life to return to at home. Maybe that is why Jesus teaches us to ask for strength little by little, on a daily basis - "Give us this day our daily bread" - and why he stresses the significance of even the smallest, humblest beginnings: "Wherever two of you agree about anything you ask for, it shall be done for you... For where two or three come together in my name, I shall be with them" (Mt. 18:19-20).
”
”
Johann Christoph Arnold (A Little Child Shall Lead Them: Hopeful Parenting in a Confused World)
“
She'd learned since rescuing it a couple of days ago that this particular cat was not like most others; it lacked all grace and spatial awareness, as evident by its current path of evacuation. Streaking off in the direction of the bedroom, it managed to hit the sofa, the base of a standing lamp, and the door frame before making good its escape. Chloe had decided that this nervous clumsiness marked the two of them as a fated pair.
”
”
Talia Hibbert (Get a Life, Chloe Brown (The Brown Sisters, #1))
“
The man who is possessed of wealth, who lolls on his sofa, or rolls in his carriage, cannot judge of the wants or feelings of the day laborer. The government we mean to erect is intended to last for ages. ... unless wisely provided against, what will become of your government? In England, at this day, if elections were open to all classes of people, the property of the landed proprietors would be insecure. An agrarian law would soon take place. If these observations be just, our government ought to secure the permanent interests of the country against innovation. Landholders ought to have a share in the government, to support these invaluable interests, and to balance and check the other. They ought to be so constituted as to protect the minority of the opulent against the majority. The senate, therefore, ought to be this body; and to answer these purposes...
”
”
James Madison
“
Riley swings the door open and grins at me. "G'day mate!"
I frown at him. "What the hell was that?"
"Me," he says, "trying to speak your language."
I push past him and plonk myself down on his sofa. "That was Australian.
”
”
Beckie Stevenson (Existing (Existing, #1))
“
Max: Okay. One day a little boy is sitting on the floor of his living room, playing with some toy trucks. Voom!He shoots one across the carpet, but it goes too far, to the other side of the sofa. And then miraculously, it shoots right back. Surprised, the little boy peers around the sofa to find a girl around his age with a very attractive bowl cut, building a giant Lego castle. She asks him if he wants to play, before popping one of the Legos in her mouth, informing him that if he's hungry, they are made out of chocolate. And the boy had never felt happy in his whole life. They build the most incredible chocolate castle, with dragons and soldiers and moat made of milk. And then they fell asleep side by side. The boy wakes up in his living room, and even though there is no castle or no little girl, he still feels just as happy. And he knows he will see her again.
Alice: Was that me?
Max: That was you. The first time we met.
”
”
Lucy Keating (Dreamology)
“
It's too hard to explain,' he said in a petulant mutter.
'If you want a new direction for your life,' she said, 'then for heaven's sake, just pick something out and do it. The world is your oyster, Colin. You're young, wealthy, and you're a *man*.' Penelope's voice turned bitter, resentful. 'You can do anything you want.'
He scowled, which didn't surprise her. When people were convinced they had problems, the last thing they wanted to hear was a simple, straightforward solution.
'It's not that simple,' he said.
'It's exactly that simple.' ...
She stood, smoothing out her skirts in an awkward, defensive gesture. 'Next time you want to complain about the trials and tribulations of universal adoration, try being an on-the-shelf spinster for a day. See how that feels and then let me know what you want to complain about.'
And then, while Colin was still sprawled on the sofa, gaping at her as if she were some bizarre creature with three heads, twelve fingers, and a tail, she swept out of the room.
It was, she thought as she descended the outer steps to Bruton Street, quite the most splendid exit of her existence.
”
”
Julia Quinn (Romancing Mister Bridgerton (Bridgertons, #4))
“
I turn sentences around. That’s my life. I write a sentence and then I turn it around. Then I look at it and I turn it around again. Then I have lunch. Then I come back in and write another sentence. Then I have tea and turn the new sentence around. Then I read the two sentences over and turn them both around. Then I lie down on my sofa and think. Then I get up and throw them out and start from the beginning. And if I knock off from this routine for as long as a day, I’m frantic with boredom and a sense of waste. Sundays I have breakfast late and read the papers with Hope. Then we go for a walk in the hills, and I'm haunted by the loss of all that good time. I wake up Sunday mornings and I'm nearly crazy at the prospect of all those unusable hours. I'm restless, I'm bad-tempered, but she's a human being too, you see, so I go. To avoid trouble she makes me leave my watch at home. The result is that I look at my wrist instead. We're walking, she's talking, then I look at my wrist - and that generally does it, if my foul mood hasn't already. She throws in the sponge and we come home. And at home what is there to distinguish Sunday from Thursday? I sit back down at my little Olivetti and start looking at sentences and turning them around. And I ask myself, Why is there no way but this for me to fill my hours?
”
”
Philip Roth
“
The real problem here is that we’re all dying. All of us. Every day the cells weaken and the fibres stretch and the heart gets closer to its last beat. The real cost of living is dying, and we’re spending days like millionaires: a week here, a month there, casually spunked until all you have left are the two pennies on your eyes.
Personally, I like the fact we’re going to die. There’s nothing more exhilarating than waking up every morning and going ‘WOW! THIS IS IT! THIS IS REALLY IT!’ It focuses the mind wonderfully. It makes you love vividly, work intensely, and realise that, in the scheme of things, you really don’t have time to sit on the sofa in your pants watching Homes Under the Hammer.
Death is not a release, but an incentive. The more focused you are on your death, the more righteously you live your life. My traditional closing-time rant – after the one where I cry that they closed that amazing chippy on Tollington Road; the one that did the pickled eggs – is that humans still believe in an afterlife. I genuinely think it’s the biggest philosophical problem the earth faces. Even avowedly non-religious people think they’ll be meeting up with nana and their dead dog, Crackers, when they finally keel over. Everyone thinks they’re getting a harp.
But believing in an afterlife totally negates your current existence. It’s like an insidious and destabilising mental illness. Underneath every day – every action, every word – you think it doesn’t really matter if you screw up this time around because you can just sort it all out in paradise. You make it up with your parents, and become a better person and lose that final stone in heaven. And learn how to speak French. You’ll have time, after all! It’s eternity! And you’ll have wings, and it’ll be sunny! So, really, who cares what you do now? This is really just some lacklustre waiting room you’re only going to be in for 20 minutes, during which you will have no wings at all, and are forced to walk around, on your feet, like pigs do.
If we wonder why people are so apathetic and casual about every eminently avoidable horror in the world – famine, war, disease, the seas gradually turning piss-yellow and filling with ringpulls and shattered fax machines – it’s right there. Heaven. The biggest waste of our time we ever invented, outside of jigsaws.
Only when the majority of the people on this planet believe – absolutely – that they are dying, minute by minute, will we actually start behaving like fully sentient, rational and compassionate beings. For whilst the appeal of ‘being good’ is strong, the terror of hurtling, unstoppably, into unending nullity is a lot more effective. I’m really holding out for us all to get The Fear. The Fear is my Second Coming. When everyone in the world admits they’re going to die, we’ll really start getting some stuff done.
”
”
Caitlin Moran
“
Hush. Shhh,” a soothing voice whispers in my ear. I feel the sofa cushions being pulled out from against my back. Then warmth envelops me. Firm muscles embrace me from the space where the cushions used to be. I’m groggily aware of masculine arms wrapping themselves around me, their skin soft as a feather, their muscles steel velvet. Chasing away the ice in my veins and the nightmare. “Shhh.” A husky whisper in my ear. I relax into the cocoon of warmth and let the sound of the rain on the roof lull me back to sleep.
”
”
Susan Ee (Angelfall (Penryn & the End of Days, #1))
“
I feel insufficient as an adult. I look around at the office and see everyone typing, taking calls, making bookings, editing documents, and I know they’re all dealing with at least as much as I am, which only makes me feel worse about how hard everything feels to me.
Living, being responsible for myself, seems like an insurmountable challenge lately.
Sometimes I scrape myself off my sofa, stuff a frozen meal in the microwave, and as I wait for the timer to go off, I just think, I will have to do this again tomorrow and the next day and the next day. Every day for the rest of my life, I’m going to have to figure out what to eat, and make it for myself, no matter how bad I feel or tired I am, or how horrible the pounding in my head is. Even if I have a one-hundred-and-two-degree fever, I will have to pull myself up and make a very mediocre meal to go on living.
”
”
Emily Henry (People We Meet on Vacation)
“
The majority of things in life are about picking your battles. You'll learn that too. And that will never be clearer than when you're at IKEA. You'd have to visit a Danish vacation village after two weeks of pouring rain and no beer to come across as many couples arguing as you'll hear in the IKEA section for changeable sofa covers on any given Tuesday. People take this whole interior design thing really seriously these days. It's become a national pastime to over interpret the symbolism of the fact that "he wants frosted glass, that just proves he never listens to my FEELINGS." "Ahhhhh! She wants beech veneer. Do you hear me? Beech veneer! Sometimes, it feels like I've woken up next to a stranger!" That's how it is, every single time you go there. And I'm not going to lecture you, but if there's just one thing I can get across then let it be this: no one has ever, in the history of the world, had an argument in IKEA that really is about IKEA. People can say whatever they life, but when a couple who has been married for ten years walks around the bookshelves section calling one another words normally only used by alcoholic crime fiction detectives, they might be arguing about a number of things, but trust me: cupboard doors is not one of them. Believe me. You're a Backman. Regardless of how many shortcomings the person you fall in love with might have, I can guarantee that you still come out on top of that bargain. So find someone who doesn't love you for the person you are, but despite the person you are. And when you're standing there, in the storage section at IKEA, don't focus too much on the furniture. Focus on the fact that you've actually found someone who can see themselves storing their crap in the same place as your crap. Because, hand on heart: you have a lot of crap.
”
”
Fredrik Backman (Saker min son behöver veta om världen)
“
This was the last time I ever saw my mother alive. Just the same, this picture gets all mixed up in my mind with pictures I had of her when she was younger. The way I always see her is the way she used to be on Sunday afternoon, say, when the old folks were talking after the big Sunday dinner. I always see her wearing pale blue. She'd be sitting on the sofa. And my father would be sitting in the easy chair, not far from her. And the living room would be full of church folks and relatives. There they sit, in chairs all around the living room, and the night is creeping up outside, but nobody knows it yet. You can see the darkness growing against the windowpanes and you hear the street noises every now and again, or maybe the jangling beat of a tambourine from one of the churches close by, but it's real quiet in the room. For a moment nobody's talking, but every face looks darkening, like the sky outside. And my mother rocks a little from the waist, and my father's eyes are closed. Everyone is looking at something a child can't see. For a minute they've forgotten the children. Maybe a kid is lying on the rug, half asleep. Maybe somebody's got a kid in his lap and is absent-mindedly stroking the kid's head. Maybe there's a kid, quiet and big-eyed, curled up in a big chair in the corner. The silence, the darkness coming, and the darkness in the faces frighten the child obscurely. He hopes that the hand which strokes his forehead will never stop-- will never die. He hopes that there will never come a time when the old folks won't be sitting around the living room, talking about where they've come from, and what they've seen, and what's happened to them and their kinfolk.
But something deep and watchful in the child knows that this is bound to end, is already ending. In a moment someone will get up and turn on the light. Then the old folks will remember the children and they won't talk anymore that day. And when light fills the room, the child is filled with darkness. He knows that every time this happens he's moved just a little closer to that darkness outside. The darkness outside is what the old folks have been talking about. It's what they've come from. It's what they endure. The child knows that they won't talk anymore because if he knows too much about what's happened to them, he'll know too much too soon, about what's going to happen to him.
”
”
James Baldwin
“
Through these days Bunny made increasingly frequent and protracted visits to the bathroom, beating off with a single-minded savagery intense even by Bunny's standards. Now, sitting on the sofa with a large Scotch, his cock feels and looks like something that has been involved in a terrible accident - a cartoon hotdog, maybe, that has made an unsuccessful attempt to cross a busy road.
The boy sits beside him and the two of them are locked in a parenthesis of mutual zonkedness. Bunny Junior stares blankly at the encyclopedia open in his lap. His father watches the television, smokes his fag and drinks his whisky, like an automaton.
After a time, Bunny turns his head and looks at his son and clocks the way he stares at his weird encyclopedia. He sees him but he can't really believe he is there. What does this kid want? What is he supposed to do with him? Who is he? Bunny feels like an extinct volcano, lifeless and paralysed. Yeah, he thinks, I feel like an extinct volcano - with a weird little kid to look after and a mangled sausage for a dick.
”
”
Nick Cave (The Death of Bunny Munro)
“
I knew that the return trip is the real journey, when it floods the days that follow, so much so that it creates the prolonged sensation of one time getting lost in another, of one space losing itself in another.
”
”
Michèle Lesbre (The Red Sofa (The French List))
“
But maybe this is what Hannah has always wanted: a man who will deny her. A man of her own who isn't hers. Isn't it the real reason she broke up with Mike--not because he moved to North Carolina for law school (he wanted her to go with him, and she said no) but because he adored her? If she asked him to get out of bed and bring her a glass of water, he did. If she was in a bad mood, he tried to soothe her. It didn't bother him if she cried, or if she didn't wash her hair or shave her legs or have anything interesting to say. He forgave it all, he always thought she was beautiful, he always wanted to be around her. It became so boring! She'd been raised, after all, not to be accommodated but to accommodate, and if she was his world, then his world was small, he was easily satisfied. After a while, when he parted her lips with his tongue, she'd think, Thrash, thrash, here we go. She wanted to feel like she was striving cleanly forward, walking into a bracing wind and learning from her mistakes, and she felt instead like she was sitting in a deep, squishy sofa, eating Cheetos, in an overheated room. With Oliver, there is always contrast to shape their days, tension to keep them on their toes: You are far form me, you are close to me. We are fighting, we are getting along.
”
”
Curtis Sittenfeld (The Man of My Dreams)
“
But, as Margaret half suspected, Edith had fallen asleep. She lay curled up on the sofa in the back drawing-room in Harley Street, looking very lovely in her white muslin and blue ribbons. If Titania had ever been dressed in white muslin and blue ribbons, and had fallen asleep on a crimson damask sofa in a back drawing-room, Edith might have been taken for her. Margaret was struck afresh by her cousin's beauty. They had grown up together from childhood, and all along Edith had been remarked upon by every one, except Margaret, for her prettiness; but Margaret had never thought about it until the last few days, when the prospect of soon losing her companion seemed to give force to every sweet quality and charm which Edith possessed. They had been talking about wedding dresses, and wedding ceremonies; and Captain Lennox, and what he had told Edith about her future life at Corfu, where his regiment was stationed; and the difficulty of keeping a piano in good tune (a difficulty which Edith seemed to consider as one of the most formidable that could befall her in her married life), and what gowns she should want in the visits to Scotland, which would immediately succeed her marriage; but the whispered tone had latterly become more drowsy; and Margaret, after a pause of a few minutes, found, as she fancied, that in spite of the buzz in the next room, Edith had rolled herself up into a soft ball of muslin and ribbon, and silken curls, and gone off into a peaceful little after-dinner nap.
”
”
Elizabeth Gaskell (North and South)
“
I turn sentences around. That’s my life. I write a sentence and then I turn it around. Then I look at it and I turn it around again. Then I have lunch. Then I come back in and write another sentence. Then I have tea and turn the new sentence around. Then I read the two sentences over and turn them both around. Then I lie down on my sofa and think. Then I get up and throw them out and start from the beginning. And if I knock off from this routine for as long as a day, I’m frantic with boredom . . .
”
”
Philip Roth
“
Love is how the other person likes their coffee on a morning. How long they put their toast in the toaster for. How they like their throw pillows on the sofa to be arranged. How hot they have their shower water. How many bubbles in the bath. How they always leave empty glasses on the bar in the kitchen, and how they know exactly how you take your coffee. How they know how many candles to light around a bathtub before you get in, and how chilled your wine has to be before it’s an acceptable drinking temperature. We still have so much to learn about each other, and while I know there’s no rush, I want to know these things. I want to know if he prefers butter or jelly on his toast on a morning and if really he prefers tea over coffee, which I suspect he does. I want to know if he changes the temperature of the shower water to my preference of red hot instead of a normal hot. I want to know every little thing I don’t. Because at the end of the day, when it gets hard and you’re in the middle of the room shouting at each other over something trivial, you won’t remember the huge declarations of love. When you’re sitting against your bedroom door crying because you hate fighting, you’ll remember the way he smiles at you over breakfast and the way he trails his thumb down your spine to make you shiver. You’ll remember all the crazy little things that remind you that, no matter what, no matter how difficult or impossible it may seem, there’s no one else in this world more perfect for you than he is.
”
”
Emma Hart (Final Call (Call, #2))
“
Remember when you were little and your imagination ran free. The dragon under the stairs and the boiling lava between the sofas. At night, you were an astronaut jumping on your bed under glow-in-the-dark stars. By day, you were climbing mountains, running through jungles, and racing cars. Now you are a little older and you wonder if the imagination will disappear. But hold on to your dreams. Without imagination, the excitement of possibility is lost. There is so much wonder in dreaming. Hold on to your imagination.
”
”
Courtney Peppernell (Mending the Mind (Pillow Thoughts, #3))
“
Author and counselor Dennis Rainey of FamilyLife explains that women are traditionally more verbal than men. I’ve heard him say men usually speak about 10,000–20,000 words a day, while women speak 30,000–50,000 words per day—with gusts up to 125,000! That’s why a lot of guys come home from a busy day at work, hit the sofa, and don’t say a word. They can’t. They’ve already used up their quota.
”
”
Dave Ramsey (Dave Ramsey's Complete Guide To Money: The Handbook of Financial Peace University)
“
She looked now at the drawing-room step. She saw, through William’s eyes, the shape of a woman, peaceful and silent, with downcast eyes. She sat musing, pondering (she was in grey that day, Lily thought). Her eyes were bent. She would never lift them. . . . [N]o, she thought, one could say nothing to nobody. The urgency of the moment always missed its mark. Words fluttered sideways and struck the object inches too low. Then one gave it up; then the idea sunk back again; then one became like most middle-aged people, cautious, furtive, with wrinkles between the eyes and a look of perpetual apprehension. For how could one express in words these emotions of the body? Express that emptiness there? (She was looking at the drawing-room steps; they looked extraordinarily empty.) It was one’s body feeling, not one’s mind. The physical sensations that went with the bare look of the steps had become suddenly extremely unpleasant. To want and not to have, sent all up her body a hardness, a hollowness, a strain. And then to want and not to have – to want and want – how that wrung the heart, and wrung again and again! Oh, Mrs. Ramsay! she called out silently, to that essence which sat by the boat, that abstract one made of her, that woman in grey, as if to abuse her for having gone, and then having gone, come back again. It had seemed so safe, thinking of her. Ghost, air, nothingness, a thing you could play with easily and safely at any time of day or night, she had been that, and then suddenly she put her hand out and wrung the heart thus. Suddenly, the empty drawing-room steps, the frill of the chair inside, the puppy tumbling on the terrace, the whole wave and whisper of the garden became like curves and arabesques flourishing round a centre of complete emptiness. . . . A curious notion came to her that he did after all hear the things she could not say. . . . She looked at her picture. That would have been his answer, presumably – how “you” and “I” and “she” pass and vanish; nothing stays; all changes; but not words, not paint. Yet it would be hung in the attics, she thought; it would be rolled up and flung under a sofa; yet even so, even of a picture like that, it was true. One might say, even of this scrawl, not of that actual picture, perhaps, but of what it attempted, that it “remained for ever,” she was going to say, or, for the words spoken sounded even to herself, too boastful, to hint, wordlessly; when, looking at the picture, she was surprised to find that she could not see it. Her eyes were full of a hot liquid (she did not think of tears at first) which, without disturbing the firmness of her lips, made the air thick, rolled down her cheeks. She had perfect control of herself – Oh, yes! – in every other way. Was she crying then for Mrs. Ramsay, without being aware of any unhappiness? She addressed old Mr. Carmichael again. What was it then? What did it mean? Could things thrust their hands up and grip one; could the blade cut; the fist grasp? Was there no safety? No learning by heart of the ways of the world? No guide, no shelter, but all was miracle, and leaping from the pinnacle of a tower into the air? Could it be, even for elderly people, that this was life? – startling, unexpected, unknown? For one moment she felt that if they both got up, here, now on the lawn, and demanded an explanation, why was it so short, why was it so inexplicable, said it with violence, as two fully equipped human beings from whom nothing should be hid might speak, then, beauty would roll itself up; the space would fill; those empty flourishes would form into shape; if they shouted loud enough Mrs. Ramsay would return. “Mrs. Ramsay!” she said aloud, “Mrs. Ramsay!” The tears ran down her face.
”
”
Virginia Woolf
“
There was no possibility of taking a walk that day. We had been wandering, indeed, in the leafless shrubbery an hour in the morning; but since dinner (Mrs. Reed, when there was no company, dined early) the cold winter wind had brought with it clouds so sombre, and a rain so penetrating, that further out-door exercise was now out of the question.
I was glad of it: I never liked long walks, especially on chilly afternoons: dreadful to me was the coming home in the raw twilight, with nipped fingers and toes, and a heart saddened by the chidings of Bessie, the nurse, and humbled by the consciousness of my physical inferiority to Eliza, John, and Georgiana Reed.
The said Eliza, John, and Georgiana were now clustered round their mama in the drawing-room: she lay reclined on a sofa by the fireside, and with her darlings about her (for the time neither quarrelling nor crying) looked perfectly happy. Me, she had dispensed from joining the group; saying, “She regretted to be under the necessity of keeping me at a distance; but that until she heard from Bessie, and could discover by her own observation, that I was endeavouring in good earnest to acquire a more sociable and childlike disposition, a more attractive and sprightly manner— something lighter, franker, more natural, as it were—she really must exclude me from privileges intended only for contented, happy, little children.”
What does Bessie say I have done?” I asked.
Jane, I don’t like cavillers or questioners; besides, there is something truly forbidding in a child taking up her elders in that manner. Be seated somewhere; and until you can speak pleasantly, remain silent.
”
”
Charlotte Brontë (Jane Eyre)
“
He lay down near the locust trees. They bloomed with a light, tiny but delicious flower—he was sorry to have missed that. He recognized that with his arms behind him and his legs extended any way, he was lying as he had lain less than a week ago on his dirty little sofa in New York. But was it only a week—five days? Unbelievable! How different he felt! Confident, even happy in his excitement, stable. The bitter cup would come round again, by and by. This rest and well-being were only a momentary difference in the strange lining or variable silk between life and void.
”
”
Saul Bellow (Herzog)
“
Fog rolls between the blackened trees.
Reminds me of hell, actually.
I pull away from Tucker, shivering.
God, I need therapy, I think.
Right. As if I can picture telling my story to a shrink, stretched out on a sofa talking about how I'm part angel, how all angel-bloods have this purpose we're put on earth to fulfill, how on the day of my purpose I happened to bump into a fallen angel. Who literally took me to hell for about five minutes. Who tried to kill my mother. And how I fought him with a type of holy light. Then I had to fly off to save a boy from a forest fire, only I didn't save him. I saved my boyfriend instead, but it turns out that the original boy didn't need saving, anyway, because he's part angel, too.
Yeah, somehow I have a feeling that my first visit to a therapist would end up with me in a straitjacket getting comfy in my new padded cell.
”
”
Cynthia Hand (Hallowed (Unearthly, #2))
“
When your mama was the geek, my dreamlets,' Papa would say, 'she made the nipping off of noggins such a crystal mystery that the hens themselves yearned toward her, waltzing around her, hypnotized with longing. "Spread your lips, sweet Lil," they'd cluck, "and show us your choppers!"'
This same Crystal Lil, our star-haired mama, sitting snug on the built-in sofa that was Arty's bed at night, would chuckle at the sewing in her lap and shake her head. 'Don't piffle to the children, Al. Those hens ran like whiteheads.'
Nights on the road this would be, between shows and towns in some campground or pull-off, with the other vans and trucks and trailers of Binewski's Carnival Fabulon ranged up around us, safe in our portable village.
After supper, sitting with full bellies in the lamp glow, we Binewskis were supposed to read and study. But if it rained the story mood would sneak up on Papa. The hiss and tick on the metal of our big living van distracted him from his papers. Rain on a show night was catastrophe. Rain on the road meant talk, which, for Papa, was pure pleasure.
'It's a shame and a pity, Lil,' he'd say, 'that these offspring of yours should only know the slumming summer geeks from Yale.'
'Princeton, dear,' Mama would correct him mildly. 'Randall will be a sophomore this fall. I believe he's our first Princeton boy.'
We children would sense our story slipping away to trivia. Arty would nudge me and I'd pipe up with, 'Tell about the time when Mama was the geek!' and Arty and Elly and Iphy and Chick would all slide into line with me on the floor between Papa's chair and Mama.
Mama would pretend to be fascinated by her sewing and Papa would tweak his swooping mustache and vibrate his tangled eyebrows, pretending reluctance. 'WellIll . . .' he'd begin, 'it was a long time ago . . .'
'Before we were born!'
'Before . . .' he'd proclaim, waving an arm in his grandest ringmaster style, 'before I even dreamed you, my dreamlets!'
'I was still Lillian Hinchcliff in those days,' mused Mama. 'And when your father spoke to me, which was seldom and reluctantly, he called me "Miss." '
'Miss!' we would giggle. Papa would whisper to us loudly, as though Mama couldn't hear, 'Terrified! I was so smitten I'd stutter when I tried to talk to her. "M-M-M-Miss . . ." I'd say.'
We'd giggle helplessly at the idea of Papa, the GREAT TALKER, so flummoxed.
'I, of course, addressed your father as Mister Binewski.
”
”
Katherine Dunn (Geek Love)
“
How to be there for someone with depression or anxiety 1. Know that you are needed, and appreciated, even if it seems you are not. 2. Listen. 3. Never say ‘pull yourself together’ or ‘cheer up’ unless you’re also going to provide detailed, foolproof instructions. (Tough love doesn’t work. Turns out that just good old ‘love’ is enough.) 4. Appreciate that it is an illness. Things will be said that aren’t meant. 5. Educate yourself. Understand, above all, that what might seem easy to you –going to a shop, for instance –might be an impossible challenge for a depressive. 6. Don’t take anything personally, any more than you would take someone suffering with the flu or chronic fatigue syndrome or arthritis personally. None of this is your fault. 7. Be patient. Understand it isn’t going to be easy. Depression ebbs and flows and moves up and down. It doesn’t stay still. Do not take one happy/ bad moment as proof of recovery/ relapse. Play the long game. 8. Meet them where they are. Ask what you can do. The main thing you can do is just be there. 9. Relieve any work/ life pressure if that is doable. 10. Where possible, don’t make the depressive feel weirder than they already feel. Three days on the sofa? Haven’t opened the curtains? Crying over difficult decisions like which pair of socks to wear? So what. No biggie. There is no standard normal. Normal is subjective. There are seven billion versions of normal on this planet.
”
”
Matt Haig (Reasons To Stay Alive)
“
He had spent forty-eight hours more or less awake and restless and then, on the third day, he had bought a side-scan sonar device, two window air-conditioners, a leather sofa and a pool table.
"Now do you feel better?" Adam had asked drily.
Gansey had replied, "I have no idea what you're talking about."
"Hey, man," Ronan said, "I like the pool table."
The entire situation made Blue apoplectic.
"There are children starving in the streets of Chicago," she said, her hair bristling with indignation. "Three species go extinct every hour because there's no funding to protect them. You are still wearing those incredibly stupid boat shoes, and of all the things that you have bought, you still haven't replaced them!"
Gansey, bewildered, observed his feet. The movement of his toes was barely visible through the tops of his boat shoes. Really, in light of recent events, these shoes were the only things that were right in the world. "I like these shoes."
"Sometimes I hate you," Blue said.
”
”
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
“
Even his sleep was full of dreams. He dreamt as he had not dreamt since the old days at Three Mile Cross — of hares starting from the long grass; of pheasants rocketing up with long tails streaming, of partridges rising with a whirr from the stubble. He dreamt that he was hunting, that he was chasing some spotted spaniel, who fled, who escaped him. He was in Spain; he was in Wales; he was in Berkshire; he was flying before park-keepers’ truncheons in Regent’s Park. Then he opened his eyes. There were no hares, and no partridges; no whips cracking and no black men crying “Span! Span!”
There was only Mr. Browning in the armchair talking to Miss Barrett on the sofa.
”
”
Virginia Woolf (Flush)
“
I am always drawn back to places where I have lived, the houses and their neighborhoods. For instance,there is a brownstone in the East Seventies where, during the early years of the war, I had my first apartment. It was one room crowded with attic furniture, a sofa and fat chairs, upholstered in that itchy particular red velvet that one associates with hot days on a tram. The walls were stucco, and a color rather like tobacco-spit. Everywhere, in the bathroom too, there were prints of Roman ruins, freckled brown with age. The single window looked out on a fire escape. Even so, my spirits heightened whenever I felt in my pocket the key to this apartment; with all its gloom, it was still a place of my own, the first, and my books were there, and jars of pencils to sharpen, everything I needed, so I felt, to become the writer I wanted to be. It never occurred to me in those days to write about Holly Golightly, and probably it would not now except for a conversation with Joe Bell that set the whole memory of her in motion again.
”
”
Truman Capote (Breakfast at Tiffany’s and Three Stories)
“
I would have given a fortune to know what the people sitting there were thinking. What the world looked like to them. Imagine if it was radically different from what I saw. If it was full of pleasure at the dark leather of the sofa, the black surface of the coffee and its bitter taste, not to mention the yellow eye of custard in the center of the puff pastry’s winding and cracked terrain. What if the whole of this world sang inside them? What if they were full to bursting with the many delights the day had bestowed on them?
”
”
Karl Ove Knausgård (A Man in Love)
“
She lived upstairs in the farmhouse; guests and visitors occupied the B&B rooms downstairs. She kept crates tucked all over the house, in which herding dogs-border collies and shepherds-slept while waiting to work, exercise, or play.
These working dogs, I'd come to learn, led lives very different from my dogs'. Carolyn let them out several times a day to exercise and eliminate, but generally, they were out of crates only to train or herd sheep. While they were out, Carolyn tossed a cup of kibble into their crates for them to eat when they returned. I asked her once if she left the lights on for the dogs when she went out, and she looked at me curiously. "Why? They don't read...
Still, they were everywhere. If you bumped into a sofa it might growl or thump. Some of her crew were puppies; some were strange rescue dogs.
”
”
Jon Katz (A Good Dog: The Story of Orson, Who Changed My Life)
“
I wish you’d told me this before.”
“It wouldn’t have changed anything.”
“Maybe not. But talking about wounds can help heal them.”
“You don’t talk about yours,” she pointed out.
He sat down on the sofa facing her and leaned forward. “But I do,” he said seriously. “I talk to you. I’ve never told anyone else about the way my father treated us. That’s a deeply personal thing. I don’t share it. I can’t share it with anyone but you.”
“I’m part of your life,” she said heavily, smoothing her hair back again. “Neither of us can help that. You were my comfort when Mama died, my very salvation when my stepfather hurt me. But I can’t expect you to go on taking care of me. I’m twenty-five years old, Tate. I have to let you go.”
“No, you don’t.” He caught her wrists and pulled her closer. He was more solemn than she’d ever seen him. “I’m tired of fighting it. Let’s find out how deep your scars ago. Come to bed with me, Cecily. I know enough to make it easy for you.”
She stared at him blankly. “Tate…” She touched his lean cheek hesitantly. He was offering her paradise, if she could face her own demons in bed with him. “This will only make things worse, whatever happens.”
“You want me,” he said gently. “And I want you. Let’s get rid of the ghosts. If you can get past the fear, I won’t have anyone else from now on except you. I’ll come to you when I’m happy, when I’m sad, when the world falls on me. I’ll lie in your arms and comfort you when you’re sad, when you’re frightened. You can come to me when you need to be held, when you need me. I’ll cherish you.”
“And you’ll make sure I never get pregnant.”
His face tautened. “You know how I feel about. I’ve never made a secret of it. I won’t compromise on that issue, ever.”
She touched his long hair, thinking how beautiful he was, how beloved. Could she live with only a part of him, watch him leave her one day to marry another woman? If he never knew the truth about his father, he might do that. She couldn’t tell him about Matt Holden, even to insure her own happiness.
He glanced at her, puzzled by the expression on her face. “I’ll be careful,” he said. “And very slow. I won’t hurt you, in any way.”
“Colby might come back…”
He shook his head. “No. He won’t.” He stood up, pulling her with him. He saw the faint indecision in her face. “I won’t ask for more than you can give me,” he said quietly. “If you only want to lie in my arms and be kissed, that’s what we’ll do.”
She looked up into his dark eyes and an unsteady sigh passed her lips. “I would give…anything…to let you love me,” she said huskily. “For eight long years…!”
His mouth covered the painful words, stilling them.
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
Before every elementary school classroom had a 'Drop Everything and Read' period, before parents and educators agonized more about children being glued to Call of Duty or getting sucked into the vortex of the Internet, reading as a childhood activity was not always revered. Maybe it was in some families, in some towns, in some magical places that seemed to exist only in stories, but not where I was. Nobody trotted out the kid who read all the time as someone to be admired like the ones who did tennis and ballet and other feats requiring basic coordination.
While those other kids pursued their after-school activities in earnest, I failed at art, gymnastics, ice skating, soccer, and ballet with a lethal mix of inability, fear and boredom. Coerced into any group endeavor, I wished I could just be home already. Rainy days were a godsend because you could curl up on a sofa without being banished into the outdoors with an ominous 'Go play outside.'
Well into adulthood, I would chastise myself over not settling on a hobby—knitting or yoga or swing dancing or crosswords—and just reading instead. The default position. Everyone else had a passion; where was mine? How much happier I would have been to know that reading was itself a passion. Nobody treated it that way, and it didn't occur to me to think otherwise.
”
”
Pamela Paul (My Life with Bob: Flawed Heroine Keeps Book of Books, Plot Ensues)
“
I hope I shall never marry. Though the most beautiful Creature were waiting for me at the end of a Journey or a Walk; though the Carpet were of Silk, the Curtains of the morning Clouds; the chairs and Sofa stuffed with Cygnet's down; the food Manna, the Wine beyond Claret, the Window opening on Winander mere, I should not feel - or rather my Happiness would not be so fine, as my Solitude is sublime. Then instead of what I have described, there is a sublimity to welcome me home - The roaring of the wind is my wife and the Stars through the window pane are my Children. The mighty abstract Idea I have of Beauty in all things stifles the more divided and minute domestic happiness - an amiable wife and sweet Children I contemplate as a part of that Beauty, but I must have a thousand of those beautiful particles to fill up my heart. I feel more and more every day, as my imagination strengthens, that I do not live in this world alone but in a thousand worlds
”
”
John Keats (The Letters of John Keats, 1814-1818, Volume One)
“
Stop it. Right now. Why torture yourself Layla? It’s not
as many as you think. If I had to give you a number, which by the way I find a little unsettling, it would be…sixty, approximately. I started having sex
when I was sixteen Layla. So when you think about it, that’s ten women per year. Not that many is it? And that’s including you. But none of them even
matter because I’m with you. You’re the only woman I want in my bed, shower, tub, dining table, counter top, sofa and anywhere else I can throw you
over. You, Layla Jennings are the only woman I will sleep with from now till the day I die. And I bet I know the next question and the answer is no. I
didn’t love them. I never knew what love was. I cared about them sure and I wanted to make them happy but I didn’t love them. I love you. I’ve never
met anyone that affects me the way you do. I feel like I could conquer the world, bench press a bus and run a marathon when I’m with you. You make
me feel alive and so happy I can’t even think straight.
”
”
Marie Coulson (Bound Together (Bound Together, #1))
“
Lately in that loneliness in which he found himself, laying with his face to the back of the sofa, that loneliness in the middle of a bustling town, among his many friends and his family—that loneliness more profound than could be found anywhere, any spot on the seafloor, or any stretch of land—in these late days of horrific loneliness Ivan Ilych lived only by his memories of the past. One after another he imagined scenes from his life. He would always begin with the most recent and proceed to the earliest, to his childhood, and settle there.
”
”
Leo Tolstoy (The Death of Ivan Ilych)
“
Arriving home, each man finds a woman and children waiting at the door, introduces himself, helps with the evening meal, reads stories to his children. Likewise, each woman returning from her job meets a husband, children, sofas, lamps, wallpaper, china patterns. Late at night, the wife and husband do not linger at the table to discuss the day’s activities, their children’s school, the bank account. Instead, they smile at one another, feel the warming blood, the ache between the legs as when they met the first time fifteen years ago. They find their bedroom, stumble past family photographs they do not recognize, and pass the night in lust. For it is only habit and memory that dulls the physical passion. Without memory, each night is the first night, each morning is the first morning, each kiss and touch are the first.
”
”
Alan Lightman (Einstein's Dreams)
“
Stepan Arkadyevitch's eyes twinkled gaily, and he pondered with a smile. "Yes, it was nice, very nice. There was a great deal more that was delightful, only there's no putting it into words, or even expressing it in one's thoughts awake." And noticing a gleam of light peeping in beside one of the serge curtains, he cheerfully dropped his feet over the edge of the sofa, and felt about with them for his slippers, a present on his last birthday, worked for him by his wife on gold-colored morocco. And, as he had done every day for the last nine years, he stretched out his hand, without getting up, towards the place where his dressing-gown always hung in his bedroom. And thereupon he suddenly remembered that he was not sleeping in his wife's room, but in his study, and why: the smile vanished from his face, he knitted his brows.
”
”
Leo Tolstoy (Anna Karenina)
“
A large and comfortable double-bedded room had been placed at our disposal, and I was quickly between the sheets, for I was weary after my night of adventure. Sherlock Holmes was a man, however, who when he had an unsolved problem upon his mind would go for days, and even for a week, without rest, turning it over, rearranging his facts, looking at it from every point of view, until he had either fathomed it, or convinced himself that his data were insufficient. It was soon evident to me that he was now preparing for an all-night sitting. He took off his coat and waistcoat, put on a large blue dressing-gown, and then wandered about the room collecting pillows from his bed, and cusions from the sofa and armchairs. With these he constructed a sort of Eastern divan, upon which he perched himself cross-legged, with an ounce of shag tobacco and a box of matches laid out in front of him. In the dim light of the lamp I saw him sitting there, an old brier pipe between his lips, his eyes fixed vacantly upon the corner of the ceiling, the blue smoke curling up from him, silent, motionless, with the light shining upon his strong-set aquiline features. So he sat as I dropped off to sleep, and so he sat when a sudden ejaculation caused me to wake up, and I found the summer sun shining into the apartment. The pipe was still between his lips, the smoke still curled upwards, and the room was full of a dense tobacco haze, but nothing remained of the heap of shag which I had seen upon the previous night.
'Awake, Watson?' he asked.
'Yes.'
'Game for a morning drive?'
'Certainly.'
'Then dress. No one is stirring yet, but I know where the stable-boy sleeps, and we shall soon have the trap out.
”
”
Arthur Conan Doyle (The Man with the Twisted Lip - a Sherlock Holmes Short Story (The Adventures of Sherlock Holmes, #6))
“
He waked up late next day after a broken sleep. But his sleep had not refreshed him; he waked up bilious, irritable, ill-tempered, and looked with hatred at his room. It was a tiny cupboard of a room about six paces in length. It had a poverty-stricken appearance with its dusty yellow paper peeling off the walls, and it was so low-pitched that a man of more than average height was ill at ease in it and felt every moment that he would knock his head against the ceiling. The furniture was in keeping with the room: there were three old chairs, rather rickety; a painted table in the corner on which lay a few manuscripts and books; the dust that lay thick upon them showed that they had been long untouched. A big clumsy sofa occupied almost the whole of one wall and half the floor space of the room; it was once covered with chintz, but was now in rags and served Raskolnikov as a bed. Often he went to sleep on it, as he was, without undressing, without sheets, wrapped in his old student's overcoat, with his head on one little pillow, under which he heaped up all the linen he had, clean and dirty, by way of a bolster. A little table stood in front of the sofa.
”
”
Fyodor Dostoevsky (Crime and Punishment)
“
Bagpipe Music'
It's no go the merrygoround, it's no go the rickshaw,
All we want is a limousine and a ticket for the peepshow.
Their knickers are made of crêpe-de-chine, their shoes are made of python,
Their halls are lined with tiger rugs and their walls with heads of bison.
John MacDonald found a corpse, put it under the sofa,
Waited till it came to life and hit it with a poker,
Sold its eyes for souvenirs, sold its blood for whiskey,
Kept its bones for dumb-bells to use when he was fifty.
It's no go the Yogi-Man, it's no go Blavatsky,
All we want is a bank balance and a bit of skirt in a taxi.
Annie MacDougall went to milk, caught her foot in the heather,
Woke to hear a dance record playing of Old Vienna.
It's no go your maidenheads, it's no go your culture,
All we want is a Dunlop tyre and the devil mend the puncture.
The Laird o' Phelps spent Hogmanay declaring he was sober,
Counted his feet to prove the fact and found he had one foot over.
Mrs Carmichael had her fifth, looked at the job with repulsion,
Said to the midwife 'Take it away; I'm through with overproduction'.
It's no go the gossip column, it's no go the Ceilidh,
All we want is a mother's help and a sugar-stick for the baby.
Willie Murray cut his thumb, couldn't count the damage,
Took the hide of an Ayrshire cow and used it for a bandage.
His brother caught three hundred cran when the seas were lavish,
Threw the bleeders back in the sea and went upon the parish.
It's no go the Herring Board, it's no go the Bible,
All we want is a packet of fags when our hands are idle.
It's no go the picture palace, it's no go the stadium,
It's no go the country cot with a pot of pink geraniums,
It's no go the Government grants, it's no go the elections,
Sit on your arse for fifty years and hang your hat on a pension.
It's no go my honey love, it's no go my poppet;
Work your hands from day to day, the winds will blow the profit.
The glass is falling hour by hour, the glass will fall for ever,
But if you break the bloody glass you won't hold up the weather.
”
”
Louis MacNeice
“
If I set as my goal to remain alive while sitting on the living-room sofa, I also could spend days knowing that I was achieving it, just as the rock climber does. But this realization would not make me particularly happy, whereas the climber's knowledge brings exhilaration to his dangerous ascent.
”
”
Mihály Csíkszentmihályi (Flow: The Psychology of Optimal Experience)
“
There,” she said, smiling, her eyes soft and warm. “It’s perfect. Ada. You’re beautiful.” She was lying. She was lying, and I couldn’t bear it. I heard Mam’s voice shrieking in my head. “You ugly piece of rubbish! Filth and trash! No one wants you, with that ugly foot!” My hands started to shake. Rubbish. Filth. Trash. I could wear Maggie’s discards, or plain clothes from the shops, but not this, not this beautiful dress. I could listen to Susan say she never wanted children all day long. I couldn’t bear to hear her call me beautiful. “What’s the matter?” Susan asked, perplexed. “It’s a Christmas present. I made it for you. Bottle green velvet, just like I said.” Bottle green velvet. “I can’t wear this,” I said. I pulled at the bodice, fumbling for the buttons. “I can’t wear it. I can’t.” “Ada.” Susan grabbed my hands. She pulled me to the sofa and set me down hard beside her, still restraining me. “Ada. What would you say to Jamie, if I gave him something nice and he said he couldn’t have it? Think. What would you say?” Tears were running down my face now. I started to panic. I fought Susan’s grasp. “I’m not Jamie!” I said. “I’m different, I’ve got the ugly foot, I’m—” My throat closed over the word rubbish.
”
”
Kimberly Brubaker Bradley (The War That Saved My Life (The War That Saved My Life, #1))
“
She knew what bothered her at the store. It was the sort of thing she wouldn’t try to tell Richard. It was that the store intensified things that had always bothered her, as long as she could remember. It was the waste actions, the meaningless chores that seemed to keep her from doing what she wanted to do, might have done—and here it was the complicated procedures with money bags, coat checkings, and time clocks that kept people even from serving the store as efficiently as they might—the sense that everyone was incommunicado with everyone else and living on an entirely wrong plane, so that the meaning, the message, the love, or whatever it was that each life contained, never could find its expression. It reminded her of conversations at tables, on sofas, with people whose words seemed to hover over dead, unstirrable things, who never touched a string that played. And when one tried to touch a live string, looked at one with faces as masked as ever, making a remark so perfect in its banality that one could not even believe it might be subterfuge. And the loneliness, augmented by the fact one saw within the store the same faces day after day, the few faces one might have spoken to and never did, or never could. Not like the face on the passing bus that seems to speak, that is seen once and at least is gone forever.
”
”
Patricia Highsmith (The Price of Salt)
“
A cell phone rang from the end table to my right and Kristen bolted up straight. She put her beer on the coffee table and dove across my lap for her phone, sprawling over me.
My eyes flew wide. I’d never been that close to her before. I’d only ever touched her hand.
If I pushed her down across my knees, I could spank her ass.
She grabbed her phone and whirled off my lap. “It’s Sloan. I’ve been waiting for this call all day.” She put a finger to her lips for me to be quiet, hit the Talk button, and put her on speaker. “Hey, Sloan, what’s up?”
“Did you send me a potato?”
Kristen covered her mouth with her hand and I had to stifle a snort. “Why? Did you get an anonymous potato in the mail?”
“Something is seriously wrong with you,” Sloan said. “Congratulations, he put a ring on it. PotatoParcel.com.” She seemed to be reading a message. “You found a company that mails potatoes with messages on them? Where do you find this stuff?”
Kristen’s eyes danced. “I don’t know what you’re talking about. Do you have the other thing though?”
“Yeeeess. The note says to call you before I open it. Why am I afraid?”
Kristen giggled. “Open it now. Is Brandon with you?”
“Yes, he’s with me. He’s shaking his head.”
I could picture his face, that easy smile on his lips.
“Okay, I’m opening it. It looks like a paper towel tube. There’s tape on the—AHHHHHH! Are you kidding me, Kristen?! What the hell!”
Kristen rolled forward, putting her forehead to my shoulder in laughter.
“I’m covered in glitter! You sent me a glitter bomb? Brandon has it all over him! It’s all over the sofa!”
Now I was dying. I covered my mouth, trying to keep quiet, and I leaned into Kristen, who was howling, our bodies shaking with laughter. I must not have been quiet enough though.
“Wait, who’s with you?” Sloan asked.
Kristen wiped at her eyes. “Josh is here.”
“Didn’t he have a date tonight? Brandon told me he had a date.”
“He did, but he came back over after.”
“He came back over?” Her voice changed instantly. “And what are you two doing? Remember what we talked about, Kristen…” Her tone was taunting.
Kristen glanced at me. Sloan didn’t seem to realize she was on speaker. Kristen hit the Talk button and pressed the phone to her ear. “I’ll call you tomorrow. I love you!” She hung up on her and set her phone down on the coffee table, still tittering.
“And what did you two talk about?” I asked, arching an eyebrow.
I liked that she’d talked about me. Liked it a lot.
“Just sexually objectifying you. The usual,” she said, shrugging. “Nothing a hot fireman like you can’t handle.”
A hot fireman like you.I did my best to hide my smirk.
“So do you do this to Sloan a lot?” I asked.
“All the time. I love messing with her. She’s so easily worked up.” She reached for her beer.
I chuckled. “How do you sleep at night knowing she’ll be finding glitter in her couch for the next month?”
She took a swig of her beer. “With the fan on medium.”
My laugh came so hard Stuntman Mike looked up and cocked his head at me.
She changed the channel and stopped on HBO. Some show. There was a scene with rose petals down a hallway into a bedroom full of candles. She shook her head at the TV. “See, I just don’t get why that’s romantic. You want flower petals stuck to your ass? And who’s gonna clean all that shit up? Me? Like, thanks for the flower sex, let’s spend the next half an hour sweeping?”
“Those candles are a huge fire hazard.” I tipped my beer toward the screen.
“Right? And try getting wax out of the carpet. Good luck with that.”
I looked at the side of her face. “So what do you think is romantic?”
“Common sense,” she answered without thinking about it. “My wedding wouldn’t be romantic. It would be entertaining. You know what I want at my wedding?” she said, looking at me. “I want the priest from The Princess Bride. The mawage guy.
”
”
Abby Jimenez (The Friend Zone (The Friend Zone, #1))
“
The Never Unfriended Promise
I promise I will never unfriend you.
Not with the swipe of my finger, not with the roll of my eyes, not with a mean word said behind your back, or a circle too small to pull up one more chair.
I choose to like you.
I choose to choose you. To include you. To invite you.
Even on the days we hit road bumps. I don’t want another friendship break up. I want a friendship that won’t give up.
So, I give you my too-loud laughter and my awkward tears.
I give you my sofa for the days you just can’t even. And the nights you need a safe place to feel heard without saying a word.
Let there be coffee and long conversations.
Let there be messy, ordinary Tuesdays where neither of us is embarrassed by our dust bunnies.
I won't try to force our friendship into jeans that won't fit.
I won't treat you like a quick fix.
I will like you just the way you are.
Because I believe in guilt-free friendship.
And on the days we’re tangled up in our own insecurities let’s agree to give each other the gift of the benefit of the doubt. Wrapped up with the giant bow of believing the best about each other, even when we don’t feel like it.
I'm sure I won't always get it right.
But I'll keep showing up.
With encouragement instead of competition. With Kleenex, big news or sad news on the bad hair days and the Mondays and all the in between days with their ordinary news too.
Friendship on purpose.
Here's to me and you.
”
”
Lisa-Jo Baker (Never Unfriended: The Secret to Finding and Keeping Lasting Friendships)
“
It was the pointless actions, the meaningless chores that seemed to keep her from doing what she wanted to do, might have done – and here it was the complicated procedures with moneybags, coat checkings, and time clocks that kept people even from serving the store as efficiently as they might – the sense that everyone was incommunicado with everyone else and living on an entirely wrong plane, so that the meaning, the message, the love, or whatever it was that each life contained, never could find its expression. It reminded her of conversations at tables, on sofas, with people whose words seemed to hover over dead, unstirrable things, who never touched a string that played. And when one tried to touch a live string, looked at one with faces as masked as ever, making a remark so perfect in its banality that one could not even believe it might be subterfuge. And the loneliness, augmented by the fact one saw within the store the same faces day after day, the few faces one might have spoken to and never did, or never could. Not like the face on the passing bus that seems to speak, that is seen once and at least is gone for ever. She
”
”
Patricia Highsmith (Carol)
“
I’ve always enjoyed sherry at room temperature on a summer afternoon. I’m not fond of cold drinks on hot days. I’ll take a drink of sherry and, a little later, lie down for a nap, and fall asleep before I know it. When I wake up, some of the day’s heat is gone. I hope I can die that way—drink a little sherry on a summer afternoon, stretch out on a sofa, drop off to sleep, and never wake up.
”
”
Haruki Murakami (1Q84 (1Q84, #1-3))
“
It was in a swampy village on the lagoon river behind the Turner Peninsula that Pollock's first encounter with the Porroh man occurred. The women of that country are famous for their good looks - they are Gallinas with a dash of European blood that dates from the days of Vasco da Gama and the English slave-traders, and the Porroh man, too, was possibly inspired by a faint Caucasian taint in his composition. (It's a curious thing to think that some of us may have distant cousins eating men on Sherboro Island or raiding with the Sofas.) At any rate, the Porroh man stabbed the woman to the heart as though he had been a mere low-class Italian, and very narrowly missed Pollock. But Pollock, using his revolver to parry the lightning stab which was aimed at his deltoid muscle, sent the iron dagger flying, and, firing, hit the man in the hand.
He fired again and missed, knocking a sudden window out of the wall of the hut. The Porroh man stooped in the doorway, glancing under his arm at Pollock. Pollock caught a glimpse of his inverted face in the sunlight, and then the Englishman was alone, sick and trembling with the excitement of the affair, in the twilight of the place. It had all happened in less time than it takes to read about it.
("Pollock And The Porroh Man")
”
”
H.G. Wells (Great Tales of Horror and the Supernatural)
“
I thought of what Cameron said about the day I came across the yard to him to ask him to be in my club. About how I had guts. About how I was brave and strong. He was around to tell me these things now, to remind me, but I was going to have to learn to remember them myself, and believe them.
I got up, crept to Alan's office, and went in.
"Cameron? Cam?"
He didn't move, and appeared to be fast asleep.
I'm not sure what I wanted. To look at him, I guess, and talk. I sat on the floor by the sofa bed so that my face was level with his. His breath came in short, toothpaste-minty sighs.
"Cameron Quick," I whispered, just wanting to hear his name. He still didn't move. I touched his face, following the curve of his jaw, the bow of his lips. This was the boy who made my childhood less lonely, who made me feel loved. And known. And accepted. Who had stared into my most terrifying moment right beside me, while my most terrifying moment was his everyday life. And I pictured him patting that baby doll by a cold window, showing it comfort by instinct. I felt overwhelmed with sadness for his life and what it could have been, even though I knew he wouldn't want me to feel that way. He'd say it was all right, that he'd get by, that he could take care of himself. That he didn't need anyone to fix it. But I still wanted to, to somehow make up for that infinite, infinite well of helplessness that I'd spent most of my life believing had swallowed us up.
It hadn't, though, because we were here, weren't we? Wiser and braver and more ready for life than our friends or parents or anyone we knew, than even I had realized until he came back to show me.
I touched his wrist lightly, his elbow. I tucked the blanket up around his shoulder.
"I love you, Cameron," I whispered.
”
”
Sara Zarr (Sweethearts)
“
He heard a dresser drawer slide shut in the bedroom.
She came out dressed all in black, as she almost always did, and carrying the three pieces of a plate that had fallen off the bed the night before; it was a light shade of blue, and sticky with pomegranate juice. He heard her dropping it into the kitchen trash can before she wandered past him into the living room. She stood in front of his sofa, running her fingers through her hair to test for dampness, her expression a little blank when he glanced up at her, and it seemed to him later that she’d been considering something, perhaps making up her mind. But then, he played the morning back so many times that the tape was ruined—later it seemed possible that she’d simply been thinking about the weather, and later still he was even willing to consider the possibility that she hadn’t stood in front of the sofa at all—had merely paused there, perhaps, for an instant that the stretched-out reel extended into a moment, a scene, and finally a major plot point.
Later he was certain that the first few playbacks of that last morning were reasonably accurate, but after a few too many nights of lying awake and considering things, the quality began to erode. In retrospect the sequence of events is a little hazy, images running into each other and becoming slightly confused: she’s across the room, she’s kissing him for a third time—and why doesn’t he look up and kiss her? Her last kiss lands on his head—and putting on her shoes; does she kiss him before she puts on her shoes, or afterward? He can’t swear to it one way or the other. Later on he examined his memory for signs until every detail seemed ominous, but eventually he had to conclude that there was nothing strange about her that day. It was a morning like any other, exquisitely ordinary in every respect.
”
”
Emily St. John Mandel (Last Night in Montreal)
“
Lane,” it said curtly.
“I was afraid you were still out of the country,” Cecily said with relief. “Are you all right?”
“A few new scars,” he said, with lightness in his tone. “How about a pizza? I’ll pic you up…”
“I’m in South Dakota.”
“What?”
“It’s a long story. Leta has a comfortable sofa. Can you come out here right away?”
There was a pause. “If you miss me that much, maybe we’d better get married,” he pointed out.
“I’m not marrying a man who shoots people for a living,” she replied with a girn.
“I only shoot bad people,” he protested. “Besides…I know what a foramen magnum is.”
“Darling!” she exclaimed theatrically. “Get the license!”
He chuckled. “That’ll be the day, when you take me on. What sort of mischief are you up to, Cecily?”
“No mischief. Just an artifact-buying trip. But I need you.”
“In that case, I’m on the way. I’ll rent a car at the airport. See you soon.”
He hung up.
“You’re not going to marry Colby Lane,” Leta said like a disapproving parent.
“But he knows what a foramen magnum is,” she said teasingly.
“A who?”
“It’s the large opening at the back of the skull,” Cecily said.
“Gory stuff.”
“Not to an archaeologist,” Cecily said. “Did you know that we can identify at least one race by the dentition of a skull? Native Americans are mongoloid and they have shovel-shaped incisors.”
This caused Leta to feel her teeth and ask more questions, which kept her from thinking too much about Colby’s mock proposal.
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
The police think maybe it was the gas. Maybe the pilot light on the stove went out or a burner was left on, leaking gas, and the gas rose to the ceiling, and the gas filled the condo from ceiling to floor in every room. The condo was seventeen hundred square feet with high ceilings and for days and days, the gas must’ve leaked until every room was full. When the rooms were filled to the floor, the compressor at the base of the refrigerator clicked on. Detonation. The floor-to-ceiling windows in their aluminum frames went out and the sofas and the lamps and dishes and sheet sets in flames, and the high school annuals and the diplomas and telephone. Everything blasting out from the fifteenth floor in a sort of solar flare. Oh, not my refrigerator. I’d collected shelves full of different mustards, some stone-ground, some English pub style. There were fourteen different flavors of fat-free salad dressing, and seven kinds of capers. I know, I know, a house full of condiments and no real food.
”
”
Chuck Palahniuk (Fight Club)
“
I am having a hard time, I think desperately a thousand times a day, and when I try to probe for more information—A hard time with what?—the voice replies, Everything.
I feel insufficient as an adult. I look around at the office and see everyone typing, taking calls, making bookings, editing documents, and I know they’re all dealing with at least as much as I am, which only makes me feel worse about how hard everything feels to me.
Living, being responsible for myself, seems like an insurmountable challenge lately.
Sometimes I scrape myself off my sofa, stuff a frozen meal in the microwave, and as I wait for the timer to go off, I just think, I will have to do this again tomorrow and the next day and the next day. Every day for the rest of my life, I’m going to have to figure out what to eat, and make it for myself, no matter how bad I feel or tired I am, or how horrible the pounding in my head is. Even if I have a one-hundred-and-two-degree fever, I will have to pull myself up and make a very mediocre meal to go on living.
”
”
Emily Henry (People We Meet on Vacation)
“
Rhoda moved off slowly, an expression of patient bafflement in her eyes; then, throwing herself on the sofa, she buried her face in a pillow and wept plaintively, peering up at her mother through her laced fingers. But the performance was not at all convincing, and Christine looked back at her child with a new, dispassionate interest, and thought: She’s an amateur so far; but she’s improving day by day. She’s perfecting her act. In a few years, her act won’t seem corny at all. It’ll be most convincing then, I’m sure.
”
”
William March (The Bad Seed)
“
For years, Britain operated a research facility called the Common Cold Unit, but it closed in 1989 without ever finding a cure. It did, however, conduct some interesting experiments. In one, a volunteer was fitted with a device that leaked a thin fluid at his nostrils at the same rate that a runny nose would. The volunteer then socialized with other volunteers, as if at a cocktail party. Unknown to any of them, the fluid contained a dye visible only under ultraviolet light. When that was switched on after they had been mingling for a while, the participants were astounded to discover that the dye was everywhere—on the hands, head, and upper body of every participant and on glasses, doorknobs, sofa cushions, bowls of nuts, you name it. The average adult touches his face sixteen times an hour, and each of those touches transferred the pretend pathogen from nose to snack bowl to innocent third party to doorknob to innocent fourth party and so on until pretty much everyone and everything bore a festive glow of imaginary snot. In a similar study at the University of Arizona, researchers infected the metal door handle to an office building and found it took only about four hours for the “virus” to spread through the entire building, infecting over half of employees and turning up on virtually every shared device like photocopiers and coffee machines. In the real world, such infestations can stay active for up to three days. Surprisingly, the least effective way to spread germs (according to yet another study) is kissing. It proved almost wholly ineffective among volunteers at the University of Wisconsin who had been successfully infected with cold virus. Sneezes and coughs weren’t much better. The only really reliable way to transfer cold germs is physically by touch. A survey of subway trains in Boston found that metal poles are a fairly hostile environment for microbes. Where microbes thrive is in the fabrics on seats and on plastic handgrips. The most efficient method of transfer for germs, it seems, is a combination of folding money and nasal mucus. A study in Switzerland in 2008 found that flu virus can survive on paper money for two and a half weeks if it is accompanied by a microdot of snot. Without snot, most cold viruses could survive on folding money for no more than a few hours.
”
”
Bill Bryson (The Body: A Guide for Occupants)
“
Miss Lucinda Throckmorton-Jones, former paid companion to several of the ton’s most successful debutantes of prior seasons, came to Havenhurst to fill the position of Elizabeth’s duenna. A woman of fifty with wiry gray hair she scraped back into a bun and the posture of a ramrod, she had a permanently pinched face, as if she smelled something disagreeable but was too well-bred to remark upon it. In addition to the duenna’s daunting physical appearance, Elizabeth observed shortly after their first meeting that Miss Throckmorton-Jones possessed an astonishing ability to sit serenely for hours without twitching so much as a finger.
Elizabeth refused to be put off by her stony demeanor and set about finding a way to thaw her. Teasingly, she called her “Lucy,” and when the casually affectionate nickname won a thunderous frown from the lady, Elizabeth tried to find a different means. She discovered it very soon: A few days after Lucinda came to live at Havenhurst the duenna discovered her curled up in a chair in Havenhurt’s huge library, engrossed in a book. “You enjoy reading?” Lucinda had said gruffly-and with surprise-as she noted the gold embossed title on the volume.
“Yes,” Elizabeth had assured her, smiling. “Do you?”
“Have you read Christopher Marlowe?”
“Yes, but I prefer Shakespeare.”
Thereafter it became their policy each night after supper to debate the merits of the individual books they’d read. Before long Elizabeth realized that she’d won the duenna’s reluctant respect. It was impossible to be certain she’d won Lucinda’s affection, for the only emotion the lady ever displayed was anger, and that only once, at a miscreant tradesman in the village. Even so, it was a display Elizabeth never forgot. Wielding her ever-present umbrella, Lucinda had advanced on the hapless man, backing him clear around his own shop, while from her lips in a icy voice poured the most amazing torrent of eloquent, biting fury Elizabeth had ever heard.
“My temper,” Lucinda had primly informed her-by way of apology, Elizabeth supposed-“is my only shortcoming.”
Privately, Elizabeth thought Lucy must bottle up all her emotions inside herself as she sat perfectly still on sofas and chairs, for years at a time, until it finally exploded like one of those mountains she’d read about that poured forth molten rock when the pressure finally reached a peak.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
Precedent forces us to suppose that later generations will one day walk around our houses with the same attitude of horror and amusement with which we now consider many of the possessions of the dead. They will marvel at our wallpapers and our sofas and laugh at aesthetic crimes to which we are impervious. This awareness can lend to our affections a fragile, nervous quality. Knowing that what we now love may in the future, for reasons beyond our current understanding, appear absurd is as hard to bear in the context of a piece of furniture in a shop as it is in the context of a prospective spouse at an altar.
”
”
Alain de Botton (The Architecture of Happiness)
“
In a dream I sometimes have, I am frantically trying to save as much as I can from my childhood home before I am forced to leave forever because of some disaster. In this dream, from which I awake with my jaw clenched like a fist, I grab whatever I can reach, take whatever I can carry. Always my childhood books and our family photo albums, but sometimes also the silver candlesticks, the things on my father's desk, the paintings on the walls. Maybe it comes from the speed with which my family changed shape one day, maybe it comes from moving, maybe it comes from my grandmother's hinted horror of losing everything in the Holocaust, but I cannot part with a dented pot that I remember my mother putting on the stove each week. Or the sofa my father bought with his first pay cheque, which was never comfortable when I was growing up and is not comfortable now. I cannot part with the lipstick I found softly rolling in an empty drawer months after my mother left. Or a shopping list on an envelope in her handwriting. In a world that changes so quickly, and where everyone eventually leaves, our stuff is the one thing we can trust. It testifies, through the mute medium of Things, that we were part of something greater than ourselves.
”
”
Sarah Krasnostein (The Trauma Cleaner: One Woman's Extraordinary Life in the Business of Death, Decay, and Disaster)
“
A Party for New Year (for Lily and Maisie, the ladies what lunch.)
Dear Lily,
I have bought something frilly,
to wear on New Year’s Eve.
You may think it sounds rather silly,
and, what I tell you, you will never believe.
I met a woman in Primark, I know,
not my normal shop.
Just heard so much about it
inside I had to pop.
Well, the top I purchased, sparkles.
The frills upon it abound.
This woman I met in the changing room.
On me, she said it looked sound.
It's very, very silver you know.
A little bit like Lametta.
Oh Lily, I feel quite aglow.
On no one could it look any better.
Dear Maisie,
Things are looking a bit hazy.
A silver top, for New Year.
Are you really, really that crazy?
My word, you batty old dear.
I'm wearing my old faithful.
The black dress, with the gold trim.
It's not like we’re doing anything special.
In fact proceedings sound quite grim.
Sitting on your old sofa
With a Baileys, if I'm lucky.
Watching the same old things on the box.
I'm not excited Ducky.
I want to be in the city
and feel the atmosphere.
It really is a pity
that you want to stay right here.
Dear Lily.
Now you are being silly.
What about your knees?
Standing about, feeling chilly,
and moaning you're going to freeze.
Much better to stay indoors
and watch a music show.
We'll get the bongs at midnight.
This you very well know.
I don't have any Baileys.
You drank it Christmas Day.
But I found some cooking sherry.
I want that out of the way.
I even have some nibbles,
so come on, what do you say?
We'll have us a little party.
Bring your nightie and then you can stay.
Dear Maisie,
Do you remember Daisy?
Her with the wart on her ear.
She thinks she'd like to join us
to celebrate New Year.
Do we really want her with us?
She's quite a moaning Minnie.
She always makes such a fuss.
I'd hoped she'd celebrate with Winnie.
I think I will come over Lil'.
I'll even bring the wine.
We really should start taking turns.
Next year, you can come to mine.
We'll have a great time, you and me.
Go out in the cold? No fear.
We'll be fine indoors, just you see.
Friends together, celebrating New Year.
”
”
Ann Perry (Flora, Fauna, Fairies and other Favourite Things)
“
more than anything.” He turned to Jean Louise. “Seven-thirty tonight and no Landing. We’ll go to the show.” “Okay. Where’re you all going?” “Courthouse. Meeting.” “On Sunday?” “Yep.” “That’s right, I keep forgetting all the politicking’s done on Sunday in these parts.” Atticus called for Henry to come on. “Bye, baby,” he said. Jean Louise followed him into the livingroom. When the front door slammed behind her father and Henry, she went to her father’s chair to tidy up the papers he had left on the floor beside it. She picked them up, arranged them in sectional order, and put them on the sofa in a neat pile. She crossed the room again to straighten the stack of books on his lamp table, and was doing so when a pamphlet the size of a business envelope caught her eye. On its cover was a drawing of an anthropophagous Negro; above the drawing was printed The Black Plague. Its author was somebody with several academic degrees after his name. She opened the pamphlet, sat down in her father’s chair, and began reading. When she had finished, she took the pamphlet by one of its corners, held it like she would hold a dead rat by the tail, and walked into the kitchen. She held the pamphlet in front of her aunt. “What is this thing?” she said. Alexandra looked over her glasses at it. “Something of your father’s.” Jean Louise stepped on the garbage can trigger and threw the pamphlet in. “Don’t do that,” said Alexandra. “They’re hard to come by these days.” Jean Louise opened her mouth, shut it, and opened it again. “Aunty, have you read that thing? Do you know what’s in it?” “Certainly.” If Alexandra had uttered an obscenity in her face, Jean Louise would have been less surprised. “You—Aunty, do you know the stuff in that thing makes Dr. Goebbels look like a naive little country boy?” “I don’t know what you’re talking about, Jean Louise. There are a lot of truths in that book.” “Yes indeedy,” said Jean Louise wryly. “I especially liked the part where the Negroes, bless their hearts, couldn’t help being inferior to the white race because their skulls are thicker and their brain-pans shallower—whatever that means—so we must all be very kind to them and not let them do anything to hurt themselves and keep them in their places. Good God, Aunty—” Alexandra was ramrod straight. “Well?” she said. Jean Louise said, “It’s just that I never knew you went in for salacious reading material, Aunty.” Her aunt was silent, and Jean Louise continued: “I was real impressed with the parable where since the dawn of history the rulers of the world have always been white, except Genghis Khan or somebody—the author was real fair about that—and he made a killin’ point about even the Pharaohs were white and their subjects were either black or Jews—” “That’s true, isn’t it?” “Sure, but what’s that got to do with the case?” When Jean Louise felt apprehensive, expectant, or on edge, especially when confronting her aunt, her brain clicked to the meter of Gilbertian tomfoolery. Three sprightly figures
”
”
Harper Lee (Go Set a Watchman)
“
He opened the door after letting me pound on it for almost five minutes. His truck was in the carport. I knew he was here.
He pulled the door open and walked back inside without looking at me or saying a word. I followed him in, and he dropped onto a sofa I’d never seen before.
His face was scruffy. I’d never seen him anything but clean-shaven. Not even in pictures. He had bags under his eyes. He’d aged ten years in three days.
The apartment was a mess. The boxes were gone. It looked like he had finally unpacked. But laundry was piled up in a basket so full it spilled out onto the floor. Empty food containers littered the kitchen countertops. The coffee table was full of empty beer bottles. His bed was unmade. The place smelled stagnant and dank.
A vicious urge to take care of him took hold. The velociraptor tapped its talon on the floor. Josh wasn’t okay.
Nobody was okay.
And that was what made me not okay.
“Hey,” I said, standing in front of him.
He didn’t look at me. “Oh, so you’re talking to me now,” he said bitterly, taking a long pull on a beer. “Great. What do you want?”
The coldness of his tone took me aback, but I kept my face still. “You haven’t been to the hospital.”
His bloodshot eyes dragged up to mine. “Why would I? He’s not there. He’s fucking gone.”
I stared at him.
He shook his head and looked away from me. “So what do you want? You wanted to see if I’m okay? I’m not fucking okay. My best friend is brain-dead. The woman I love won’t even fucking speak to me.”
He picked up a beer cap from the coffee table and threw it hard across the room. My OCD winced.
“I’m doing this for you,” I whispered.
“Well, don’t,” he snapped. “None of this is for me. Not any of it. I need you, and you abandoned me. Just go. Get out.”
I wanted to climb into his lap. Tell him how much I missed him and that I wouldn’t leave him again. I wanted to make love to him and never be away from him ever again in my life—and clean his fucking apartment.
But instead, I just stood there. “No. I’m not leaving. We need to talk about what’s happening at the hospital.”
He glared up at me. “There’s only one thing I want to talk about. I want to talk about how you and I can be in love with each other and you won’t be with me. Or how you can stand not seeing me or speaking to me for weeks. That’s what I want to talk about, Kristen.”
My chin quivered. I turned and went to the kitchen and grabbed a trash bag from under the sink. I started tossing take-out containers and beer bottles.
I spoke over my shoulder. “Get up. Go take a shower. Shave. Or don’t if that’s the look you’re going for. But I need you to get your shit together.”
My hands were shaking. I wasn’t feeling well. I’d been light-headed and slightly overheated since I went to Josh’s fire station looking for him. But I focused on my task, shoving trash into my bag. “If Brandon is going to be able to donate his organs, he needs to come off life support within the next few days. His parents won’t do it, and Sloan doesn’t get a say. You need to go talk to them.”
Hands came up under my elbows, and his touch radiated through me.
“Kristen, stop.”
I spun on him. “Fuck you, Josh! You need help, and I need to help you!”
And then as fast as the anger surged, the sorrow took over. The chains on my mood swing snapped, and feelings broke through my walls like water breaching a crevice in a dam. I began to cry. I didn’t know what was wrong with me. The strength that drove me through my days just wasn’t available to me when it came to Josh.
I dropped the trash bag at his feet and put my hands over my face and sobbed. He wrapped his arms around me, and I completely lost it.
”
”
Abby Jimenez (The Friend Zone (The Friend Zone, #1))
“
I prop my guitar up against the nightstand. Then I turn toward the bed and fall into it face first. The mattress is soft but firm, like a sheet of steel wrapped in a cloud. I roll around, moaning loud and long.
“Oh, that’s good. Really, really good. What a grand bed!”
Sarah clears her throat. “Well. We should probably get to sleep, then. Big day tomorrow.”
The pillow smells sweet, like candy. I can only imagine it’s from her. I wonder if I pressed my nose to the crook of her neck, would her skin smell as delicious?
I brush away the thought as I watch her stiffly gather a pillow and blanket from the other side of the bed, dragging them to . . . the nook.
“What are you doing?”
She looks up, her doe eyes widening. “Getting ready for bed.”
“You’re going to sleep there?”
“Of course. The sofa’s very uncomfortable.”
“Why can’t we share the bed?”
She chokes . . . stutters. “I . . . I can’t sleep with you. I don’t even know you.”
I throw my arms out wide. “What do you want to know? Ask me anything—I’m an open book.”
“That’s not what I mean.”
“You’re being ridiculous! It’s a huge bed. You could let one rip and I wouldn’t hear it.”
And the blush is back. With a vengeance.
“I’m not . . . I don’t . . .”
“You don’t fart?” I scoff. “Really? Are you not human?”
She curses under her breath, but I’d love to hear it out loud. I bet uninhibited Sarah Von Titebottum would be a stunning sight. And very entertaining.
She shakes her head, pinning me with her eyes.
“There’s something wrong with you.”
“No.” I explain calmly, “I’m just free. Honest with myself and others. You should try it sometime.”
She folds her arms, all tight, trembling indignation. It’s adorable.
“I’m sleeping in the nook, Your Highness. And that’s that.”
I sit up, pinning her gaze right back at her.
“Henry.”
“What?”
“My name is not Highness, it’s fucking Henry, and I’d prefer you use it.”
And she snaps.
“Fine! Fucking Henry—happy?”
I smile.
“Yes. Yes, I am.” I flop back on the magnificent bed. “Sleep tight, Titebottum.”
I think she growls at me, but it’s muffled by the sound of rustling bed linens and pillows. And then . . . there’s silence. Beautiful, blessed silence.
I wiggle around, getting comfy.
I turn on my side and fluff the pillow.
I squeeze my eyes tight . . . but it’s hopeless.
“Fucking hell!” I sit up.
And Sarah springs to her feet. “What? What’s wrong?”
It’s the guilt. I’ve barged into this poor girl’s room, confiscated her bed, and have forced her to sleep in a cranny in the wall. I may not be the man my father was or the gentleman my brother is, but I’m not that much of a prick.
I stand up, rip my shirt over my head. and march toward the window seat. I feel Sarah’s eyes graze my bare chest, arms. and stomach, but she circles around me, keeping her distance.
“You take the bloody bed,” I tell her. “I’ll sleep in the bloody nook.”
“You don’t have to do that.”
I push my hand through my hair. “Yes, I do.” Then I stand up straight and proper, an impersonation of Hugh Grant in one of his classic royal roles. “Please, Lady Sarah.”
She blinks, her little mouth pursed. “Okay.”
Then she climbs onto the bed, under the covers. And I squeeze onto the window bench, knees bent, my elbow jammed against the icy windowpane, and my neck bent at an odd angle that I’m going to be feeling tomorrow.
The light is turned down to a very low dim, and for several moments all I hear is Sarah’s soft breaths.
But then, in the near darkness, her delicate voice floats out on a sigh.
“All right, we can sleep in the bed together.”
Music to my ears. I don’t make her tell me twice—I’ve fulfilled my noble quota for the evening. I stumble from the nook and crash onto the bed.
That’s better.
”
”
Emma Chase (Royally Matched (Royally, #2))
“
I can’t help thinking,” she confided when he finished answering her questions about women in India who covered their faces and hair in public, “that it is grossly unfair that I was born a female and so must never know such adventures, or see but a few of those places. Even if I were to journey there, I’d only be allowed to go where everything was as civilized as-as London!”
“There does seem to be a case of extreme disparity between the privileges accorded the sexes,” Ian agreed.
“Still, we each have our duty to perform,” she informed him with sham solemnity. “And there’s said to be great satisfaction in that.”
“How do you view your-er-duty?” he countered, responding to her teasing tone with a lazy white smile.
“That’s easy. It is a female’s duty to be a wife who is an asset to her husband in every way. It is a male’s duty to do whatever he wishes, whenever he wishes, so long as he is prepared to defend his country should the occasion demand it in his lifetime-which it very likely won’t. Men,” she informed him, “gain honor by sacrificing themselves on the field of battle while we sacrifice ourselves on the altar of matrimony.”
He laughed aloud then, and Elizabeth smiled back at him, enjoying herself hugely. “Which, when one considers it, only proves that our sacrifice is by far the greater and more noble.”
“How is that?” he asked, still chuckling.
“It’s perfectly obvious-battles last mere days or weeks, months at the very most. While matrimony lasts a lifetime! Which brings to mind something else I’ve often wondered about,” she continued gaily, giving full rein to her innermost thoughts.
“And that is?” he prompted, grinning, watching her as if he never wanted to stop.
“Why do you suppose, after all that, they call us the weaker sex?” Their laughing gazes held, and then Elizabeth realized how outrageous he must be finding some of her remarks. “I don’t usually go off on such tangents,” she said ruefully. “You must think I’m dreadfully ill-bred.”
“I think,” he softly said, “that you are magnificent.”
The husky sincerity in his deep voice snatched her breath away. She opened her mouth, thinking frantically for some light reply that could restore the easy camaraderie of a minute before, but instead of speaking she could only draw a long, shaky breath.
“And,” he continued quietly, “I think you know it.”
This was not, not the sort of foolish, flirtatious repartee she was accustomed to from her London beaux, and it terrified her as much as the sensual look in those golden eyes. Pressing imperceptibly back against the arm of the sofa, she told herself she was only overacting to what was nothing more than empty flattery. “I think,” she managed with a light laugh that stuck in her throat, “that you must find whatever female you’re with ‘magnificent.’”
“Why would you say a thing like that?”
Elizabeth shrugged. “Last night at supper, for one thing.” When he frowned at her as if she were speaking in a foreign language, she prodded, “You remember Lady Charise Dumont, our hostess, the same lovely brunette on whose every word you were hanging at supper last night?”
His frown became a grin. “Jealous?”
Elizabeth lifted her elegant little chin and shook her head. “No more than you were of Lord Howard.”
She felt a small bit of satisfaction as his amusement vanished. “The fellow who couldn’t seem to talk to you without touching your arm?” he inquired in a silky-soft voice. “That Lord Howard? As a matter of fact, my love, I spent most of my meal trying to decide whether I wanted to shove his nose under his right ear or his left.”
Startled, musical laughter erupted from her before she could stop it. “You did nothing of the sort,” she chuckled. “Besides, if you wouldn’t duel with Lord Everly when he called you a cheat, you certainly wouldn’t harm poor Lord Howard merely for touching my arm.”
“Wouldn’t I?” he asked softly. “Those are two very different issues.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
Archer arrived early the next morning. Grey was still asleep on the sofa in his study when he heard tapping on the window.
He opened his eyes and immediately regretted it as the sharp light of day pierced his brain. Squinting, he tried to focus on his brother, since he already knew who his visitor was. Only one person ever announced himself so annoyingly.
“Open the bloody window, Grey!”
Grumbling, Grey slowly rose into a full sitting position. His back and neck were stiff and his head felt as though someone had kicked it repeatedly from all sides. And his mouth! Christ, he didn’t want to even think about what might have died inside it.
He staggered to the window, unlatched it and swung it open. “What the hell do you want?”
Wide-eyed, Archer made a tsking noise. “Is that any way to greet your favorite brother?”
“You’re not my favorite,” Grey scowled.
Unaffected, Archer easily adapted. “Is that any way to greet your second-favorite brother?”
Grey grinned, he couldn’t help it. Archer had always had a knack for making him smile, just as he had a knack for pissing him off as well. “I’m hung over and feel like shite. What do you want?”
“You look like shite. What’s this I hear about you making an appearance at Saint’s Row last night?”
“Rose tell you that?”
“She did. I’m surprised you took such a risk just to see her.”
Grey thought of her in that teal gown, the lights illuminating the luster of her skin. “It was worth it.”
“Worth it, eh? So worth it you immediately came home and got sloshed.”
“Something like that. And then Rose came home and I got even more sloshed.”
Archer’s expression turned to concern as he leaned against the window frame. “What happened?”
Grey shrugged. He’d already revealed more than he’d wanted. “Suffice it to say she now knows what kind of man I am.”
His brother snorted. “That girl has always known exactly what kind of man you are.”
The words were plain enough, but there was a cryptic edge to them that had Grey puzzled. “What the hell does that mean?”
Arch shook his head. “Come to the stables with me. I want to show you something.”
He looked down at himself. He was wearing the same clothes he’d worn last night and he was wrinkled beyond hope. Not to mention that he smelled like a distillery-an unwashed one at that. And his mask was up in his room. What if someone happened by and saw him…
He wasn’t a coward. He just didn’t wish to be seen looking less than his best.
An oath punctuated the early morning air. Grey was grabbed by the front of the shirt and yanked-hard. His only course of action was to brace one booted foot on the bottom sill to keep from falling.
Of course, that action only succeeded in making it easier for Archer to haul him completely out onto the lawn. He landed hard on both feet, the impact going straight to his ready-to-implode skull.
“What the hell?” Fist cocked, Grey punched his brother in the shoulder. “Jesus, man! What are you about?”
Archer punched him back. It hurt, and oddly enough it seemed to wake him up-clear the fog and some of the pressure surrounding his brain. “I’m trying to help you, you bugger.”
“To do what?” Grey demanded. “Die?
”
”
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
“
Her skin was warm beneath his hand, and he could feel the ripe curves beneath the lawn nightdress. The material might be opaque, but it did little to disguise the feel of her.
He was not a man who resisted temptation. Nor was he a man who prided himself on honor, decency, or fair play. He thought of her eyes as she had listened to the opera, and he tilted his head and pressed his mouth against the base of her throat, beneath the ring of bruises.
The pulse leapt beneath his mouth, hammering wildly. In panic or in longing? He didn't care. He turned her in his arms, so that her front pressed up against his. She was a tall woman, taller than those he was used to, and he found she fit him quite nicely, her hips cradling his, her breasts against his chest, her neck within easy reach of his mouth as he traced his way along the abraded flesh. She shivered again, and he liked it. Releasing her face, he slid his hand down between their bodies, into the ripped-open front of her nightdress, and encountered soft female flesh, gently rounded, tantalizing, enchanting, mesmerizing. She was trembling in his arms, with fear, with longing, and the shiver that ran over her warm, scented flesh was irresistible.
He wanted her. Wanted to lose himself in her sweet body, wanted to kiss her mouth, her breasts. He wanted oblivion, hot and dark, but oblivion with her, and the hell with his plans, with waiting. He was going to swing her up in his arms and carry her over to the sofa, he was going to drag her upstairs to his bed and strip off her clothes, slowly, and then make love to her, making it last, over and over again, until they were both wet and shaking, and he wouldn't let her escape for days.
”
”
Anne Stuart (To Love a Dark Lord)