Socks Cotton Quotes

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Sometimes I wonder, that one missing sock after doing laundry, is the smart one. After being unhappy for so long, it finally walks away from a frayed, worn-out relationship.
Anthony Liccione
Want your boat, Georgie?' Pennywise asked. 'I only repeat myself because you really do not seem that eager.' He held it up, smiling. He was wearing a baggy silk suit with great big orange buttons. A bright tie, electric-blue, flopped down his front, and on his hands were big white gloves, like the kind Mickey Mouse and Donald Duck always wore. Yes, sure,' George said, looking into the stormdrain. And a balloon? I’ve got red and green and yellow and blue...' Do they float?' Float?' The clown’s grin widened. 'Oh yes, indeed they do. They float! And there’s cotton candy...' George reached. The clown seized his arm. And George saw the clown’s face change. What he saw then was terrible enough to make his worst imaginings of the thing in the cellar look like sweet dreams; what he saw destroyed his sanity in one clawing stroke. They float,' the thing in the drain crooned in a clotted, chuckling voice. It held George’s arm in its thick and wormy grip, it pulled George toward that terrible darkness where the water rushed and roared and bellowed as it bore its cargo of storm debris toward the sea. George craned his neck away from that final blackness and began to scream into the rain, to scream mindlessly into the white autumn sky which curved above Derry on that day in the fall of 1957. His screams were shrill and piercing, and all up and down Witcham Street people came to their windows or bolted out onto their porches. They float,' it growled, 'they float, Georgie, and when you’re down here with me, you’ll float, too–' George's shoulder socked against the cement of the curb and Dave Gardener, who had stayed home from his job at The Shoeboat that day because of the flood, saw only a small boy in a yellow rain-slicker, a small boy who was screaming and writhing in the gutter with muddy water surfing over his face and making his screams sound bubbly. Everything down here floats,' that chuckling, rotten voice whispered, and suddenly there was a ripping noise and a flaring sheet of agony, and George Denbrough knew no more. Dave Gardener was the first to get there, and although he arrived only forty-five seconds after the first scream, George Denbrough was already dead. Gardener grabbed him by the back of the slicker, pulled him into the street...and began to scream himself as George's body turned over in his hands. The left side of George’s slicker was now bright red. Blood flowed into the stormdrain from the tattered hole where his left arm had been. A knob of bone, horribly bright, peeked through the torn cloth. The boy’s eyes stared up into the white sky, and as Dave staggered away toward the others already running pell-mell down the street, they began to fill with rain.
Stephen King (It)
Polly soaked for a long time, reading her book, until she was warm again from the inside out, then put on her oldest, softest cotton pajamas and woollen socks, and propped herself up at the window to look out at the storm.
Jenny Colgan (Little Beach Street Bakery)
Doc bought a package of yellow pads and two dozen pencils. He laid them out on his desk, the pencils sharpened to needle points and lined up like yellow soldiers. At the top of a page he printed: OBSERVATIONS AND SPECULATIONS. His pencil point broke. He took up another and drew lace around the O and the B, made a block letter of the S and put fish hooks on each end. His ankle itched. He rolled down his sock and scratched, and that made his ear itch. “Someone’s talking about me,” he said and looked at the yellow pad. He wondered whether he had fed the cotton rats. It is easy to forget when you’re thinking.
John Steinbeck (Sweet Thursday (Cannery Row, #2))
I'm sure glad socks are made out of cotton, and not ice-cube trays, because I don't like keeping my socks in the freezer. Because if I did that, then where would I keep my underwear?
Jarod Kintz (This Book is Not for Sale)
Henry: How does it feel? How does it feel? Sometimes it feels as though your attention has wandered for just an instant. Then, with a start, you realize that the book you were holding, the red plaid cotton shirt with white buttons, the favorite black jeans and the maroon socks with an almost-hole in one heel, the living room, the about-to-whistle tea kettle in the kitchen: all of these have vanished. You are standing, naked as a jaybird, up to your ankles in ice water in a ditch along an unidentified rural route. You wait a minute to see if maybe you will just snap right back to your book, your apartment, et cetera. After about five minutes of swearing and shivering and hoping to hell you can just disappear, you start walking in any direction, which will eventually yield a farmhouse, where you have the option of stealing or explaining. Stealing will sometimes land you in jail, but explaining is more tedious and time consuming and involves lying anyway, and also sometimes results in being hauled off to jail, so what the hell.
Audrey Niffenegger (The Time Traveler's Wife)
The room smells of lemon oil, heavy cloth, fading daffodils, the leftover smells of cooking that have made their way from the kitchen or the dining room, and of Serena Joy's perfume: Lily of the Valley. Perfume is a luxury, she must have some private source. I breathe it in, thinking I should appreciate it. It's the scent of pre-pubescent girls, of the gifts young children used to give their mothers, for Mother's Day; the smell of white cotton socks and white cotton petticoats, of dusting powder, of the innocence of female flesh not yet given over to hairiness and blood. It makes me feel slightly ill, as it I'm in a closed car on a hot muggy day with an older woman wearing too much face powder. This is what the sitting room is like, despite its elegance.
Margaret Atwood (The Handmaid’s Tale (The Handmaid's Tale, #1))
I had opened the obvious drawer, the top drawer of the room's only dresser, and found myself gazing into a masculine cache of compressed, crumpled things. Wash-worn Brooks Brothers white cotton shorts now a pale shade of gray. Snake-tangled, unpaired argyle socks, all in bright Easter colors like clover ad mauve which still showed fairly crisp near the tops, but down toward the heels were marred by thread pills and snags, and at the toes by the outright abjection of holes. To see laid bare in their entirety those socks, of which I'd heretofore glimpsed only brief merry stripes, when a pant cuff rose up from the rim of a shoe, was like seeing the man himself fully exposed to me--naked.
Susan Choi (My Education)
At the sound of his voice, down went the arm, and Mrs. Podgers saw a boy of nine or ten, arrayed in a flannel garment that evidently belonged to Mr. ’Rusalem; for though none too long, it was immensely broad, and the voluminous sleeves were pinned up, showing a pair of wasted arms, chapped with cold and mottled with bruises. A large blue sock still covered one foot. The other was bound up as if hurt. A tall cotton nightcap, garnished with a red tassel, looked like a big extinguisher on a small candle; and from under it, a pair of dark, hollow eyes glanced sharply with a shrewd, suspicious look that made the little face more pathetic than the marks of suffering, neglect, and abuse, which told the child’s story without words. As if quite reassured by ’Rusalem’s presence, the boy shuffled out of his corner, saying coolly, as he prepared to climb into his nest again:
Louisa May Alcott (A Merry Christmas: And Other Christmas Stories)
Devin was the most gorgeous, unique creature Kate had ever known. She'd come out of the womb an individual, refusing to be defined by anyone. She didn't even look like anyone on either side of their families. Matt's family was so proud of their dark hair, a blue-black that had been the envy of generations, the way it caught the sun like a spiderweb. From Kate's own side of the family, there was a gene that made their eyes so green that they could trick people into thinking that even the most unattractive Morris woman was pretty. And yet here was Devin, with fine cotton-yellow hair and light blue eyes, the left of which was a lazy eye. She'd had to wear an eye patch when she was three. And she'd loved it. She loved her knotted yellow hair. She loved wearing stripes with polka dots, and tutus, and pink and green socks with orange patent-leather shoes. Devin could care less what other people thought about her.
Sarah Addison Allen (Lost Lake (Lost Lake, #1))
Frankie turned back and forth in front of the three-way mirror. "I have absolutely no ass whatsoever." A few feet away,a woman whose designer velour fit her like a sausage casing, gave an amused snort. "Honey," she said over a display of two-hundred-dollar T-shirts. "I have been waiting forty years to say those words." Frankie padded toward her in his socks and Alexander McQuenn pants.He thrust his hands into the pockets, pulling the fabric tighter, and presented her with his outthrust bottom. "Honestly. This is what you want?" She lasted about five seconds before grinning-and sighing at the same time. "No,I guess not." He turned around, leaned in, and informed her conspiratorially, "There is not a T-shirt on earth worth that much." She looked down at the plain blue cotton in her hands. "You are so right." She put it back. "And with that face, sweetie, you could have the ass of a rhino and no one would notice.I'm just saying." "What does she know?" he muttered when she'd gone. "What good has this face done me?" Apparently, Connor hadn't been quite as available as he'd let on. Apparently, along with dancing, juggling was one of his talents. "You couldn't have known," Sadie said gently. "Oh,yes,I could.I mean, he's a guy,isn't he?" There's not much you can say to a boy when he makes a statement like that. So we just scooted in until we were up against Frankie's thin shoulders, bookending him.
Melissa Jensen (The Fine Art of Truth or Dare)
My Father Comes Home From Work" My father comes home from work sweating through layers of bleached cotton t-shirts sweating through his wool plaid shirt. He kisses my mother starching our school dresses at the ironing board, swings his metal lunchbox onto the formica kitchen table rattling the remnants of the lunch she packed that morning before daylight: crumbs of baloney sandwiches, empty metal thermos of coffee, cores of hard red apples that fueled his body through the packing and unpacking of sides of beef into the walk-in refrigerators at James Allen and Sons Meat Packers. He is twenty-six. Duty propels him each day through the dark to Butcher Town where steers walk streets from pen to slaughterhouse. He whispers Jesus Christ to no one in particular. We hear him-- me, my sister Linda, my baby brother Willy, and Mercedes la cubana’s daughter who my mother babysits. When he comes home we have to be quiet. He comes into the dark living room. Dick Clark’s American Bandstand lights my father’s face white and unlined like a movie star’s. His black hair is combed into a wavy pompadour. He sinks into the couch, takes off work boots thick damp socks, rises to carry them to the porch. Leaving the room he jerks his chin toward the teen gyrations on the screen, says, I guess it beats carrying a brown bag. He pauses, for a moment to watch.
Barbara Brinson Curiel
You’re…you’re what? Where?” I stood up and glimpsed myself in the mirror. I was a vision, having changed into satin pajama pants, a torn USC sweatshirt, and polka-dotted toe socks, and to top it off, my hair was fastened in a haphazard knot on the top of my head with a no. 2 Ticonderoga pencil. Who wouldn’t want me? “I’m outside,” he repeated, throwing in a trademark chuckle just to be extra mean. “Get out here.” “But…but…,” I stalled, hurriedly sliding the pencil out of my hair and running around the room, stripping off my pathetic house clothes and searching in vain for my favorite faded jeans. “But…but…I’m in my pajamas.” Another trademark chuckle. “So?” he asked. “You’d better get out here or I’m comin’ in…” “Okay, okay…,” I replied. “I’ll be right down.” Panting, I settled for my second-favorite jeans and my favorite sweater of all time, a faded light blue turtleneck I’d worn so much, it was almost part of my anatomy. Brushing my teeth in ten seconds flat, I scurried down the stairs and out the front door. Marlboro Man was standing outside his pickup, hands inside his pockets, his back resting against the driver-side door. He grinned, and as I walked toward him, he stood up and walked toward me, too. We met in the middle--in between his vehicle and the front door--and without a moment of hesitation, greeted each other with a long, emotional kiss. There was nothing funny or lighthearted about it. That kiss meant business. Our lips separated for a short moment. “I like your sweater,” he said, looking at the light blue cotton rib as if he’d seen it before. I’d hurriedly thrown it on the night we’d met a few months earlier. “I think I wore this to the J-bar that night…,” I said. “Do you remember?” “Ummm, yeah,” he said, pulling me even closer. “I remember.” Maybe the sweater had magical powers. I’d have to be sure to hold on to it. We kissed again, and I shivered in the cold night air. Wanting to get me out of the cold, he led me to his pickup and opened the door so we could both climb in. The pickup was still warm and toasty, like a campfire was burning in the backseat. I looked at him, giggled like a schoolgirl, and asked, “What have you been doing all this time?” “Oh, I was headed home,” he said, fiddling with my fingers. “But then I just turned around; I couldn’t help it.” His hand found my upper back and pulled me closer. The windows were getting foggy. I felt like I was seventeen. “I’ve got this problem,” he continued, in between kisses. “Yeah?” I asked, playing dumb. My hand rested on his left bicep. My attraction soared to the heavens. He caressed the back of my head, messing up my hair…but I didn’t care; I had other things on my mind. “I’m crazy about you,” he said. By now I was on his lap, right in the front seat of his Diesel Ford F250, making out with him as if I’d just discovered the concept. I had no idea how I’d gotten there--the diesel pickup or his lap. But I was there. And, burying my face in his neck, I quietly repeated his sentiments. “I’m crazy about you, too.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
In my youth . . . my sacred youth . . . in eaves sole sparowe sat not more alone than I . . . in my youth, my saucer-deep youth, when I possessed a mirror and both a morning and an evening comb . . . in my youth, my pimpled, shame-faced, sugared youth, when I dreamed myself a fornicator and a poet; when life seemed to be ahead somewhere like a land o’ lakes vacation cottage, and I was pure tumescence, all seed, afloat like fuzz among the butterflies and bees; when I was the bursting pod of a fall weed; when I was the hum of sperm in the autumn air, the blue of it like watered silk, vellum to which I came in a soft cloud; O minstrel galleons of Carib fire, I sang then, knowing naught, clinging to the tall slim wheatweed which lay in a purple haze along the highway like a cotton star . . . in my fumbling, lubricious, my uticated youth, when a full bosom and a fine round line of Keats, Hart Crane, or Yeats produced in me the same effect—a moan throughout my molecules—in my limeade time, my uncorked innocence, my jellybelly days, when I repeated Olio de Oliva like a tenor; then I would touch the page in wonder as though it were a woman, as though I were blind in my bed, in the black backseat, behind the dark barn, the dim weekend tent, last dance, date's door, reaching the knee by the second feature, possibly the thigh, my finger an urgent emissary from my penis, alas as far away as Peking or Bangkok, so I took my heart in my hand, O my love, O my love, I sighed, O Christina, Italian rose; my inflated flesh yearning to press against that flesh becoming Word—a word—words which were wet and warm and responsive as a roaming tongue; and her hair was red, long, in ringlets, kiss me, love me up, she said in my anxious oral ear; I read: Milton! thou shouldst be living at this hour; for I had oodles of needs, if England didn't; I was nothing but skin, pulp, and pit, in my grapevine time, during the hard-on priesthood of the poet; because then—in my unclean, foreskinned, and prurient youth—I devoutly believed in Later Life, in Passion, in Poetry, the way I thought only fools felt about God, prayer, heaven, foreknowledge, sin; for what was a poem if not a divine petition, a holy plea, a prophecy: [...] a stranger among strangers, myself the strangest because I could never bring myself to enter adolescence, but kept it about like a bit of lunch you think you may eat later, and later come upon at the bottom of a bag, dry as dust, at the back of the refrigerator, bearded with mold, or caked like sperm in the sock you've fucked, so that gingerly, then, you throw the mess out, averting your eyes, just as Rainer complained he never had a childhood—what luck!—never to have suffered birthpang, nightfear, cradlecap, lake in your lung; never to have practiced scales or sat numb before the dentist's hum or picked your mother up from the floor she's bled and wept and puked on; never to have been invaded by a tick, sucked by a leech, bitten by a spider, stung by a bee, slimed on by a slug, seared by a hot pan, or by paper or acquaintance cut, by father cuffed; never to have been lost in a crowd or store or parking lot or left by a lover without a word or arrogantly lied to or outrageously betrayed—really what luck!—never to have had a nickel roll with slow deliberation down a grate, a balloon burst, toy break; never to have skinned a knee, bruised a friendship, broken trust; never to have had to conjugate, keep quiet, tidy, bathe; to have lost the chance to be hollered at, bullied, beat up (being nothing, indeed, to have no death), and not to have had an earache, life's lessons to learn, or sums to add reluctantly right up to their bitter miscalculated end—what sublime good fortune, the Greek poet suggested—because Nature is not accustomed to life yet; it is too new, too incidental, this shiver in the stone, never altogether, and would just as soon (as Culp prefers to say) cancer it; erase, strike, stamp it out— [...]
William H. Gass (The Tunnel)
I regarded Novac a moment. He had on an awful gray poplin cotton suit, the sort of thing that prisons issue when they set you free. He wore shoes that actually had gum soles, and the uppers were made of a miracle synthetic that could be safely cleaned with Brillo. His shirt, his tie, socks, watch, even his haircut, were all bargain basement, and I found myself irrationally offended by the man because of the air of sensible frugality about him. Actually, I hate a man who won’t splurge on a good suit.
Nelson DeMille (The Gold Coast)
I left my car on the street, walked up across the dead yard, and a guy I took to be James Lester opened the door. He was average-sized in dark gray cotton work pants, dirty white socks, and a dingy undershirt. His hair was cut short on the sides and on top, but had been left long and shaggy in back, and he looked at me with a squint. He was thin, with knobby, grease-embedded hands and pale skin sporting Bic-pen tattoos on his arms and shoulders and chest. Work farm stuff. I made him for thirty, but he could’ve been younger. He said, “You’re the guy who called. You’re from the lawyer, right?” A quarter to eleven in the morning and he smelled of beer.
Robert Crais (Sunset Express (Elvis Cole and Joe Pike, #6))
When he was taking his coat off I had to stand back so as not to get socked in the eye with his arms swinging around, and I don’t cotton to a guy with that sort of an attitude towards his fellowmen in confined spaces. Particularly I think they ought to be kept out of elevators, but I’m not fond of them anywhere.
Rex Stout (The League of Frightened Men (Nero Wolfe, #2))
Army veteran Semyon Zolotaryov wore two hats, a scarf, a short-sleeved shirt, a long-sleeved shirt, a black cotton sweater, a flannel jacket, a sheepskin fur vest, long johns, two pairs of pants, ski pants, woolen socks, and burkas, or warm leather shoes—in other words, the guy didn’t die from the cold.
Jeremy Bates (Mountain of the Dead (World's Scariest Places #5))
management, bless their little cotton socks, decided that we needed to be Creative and Innovative and endowed with Silicon Valley start-up style va-va-voom.
Charles Stross (The Rhesus Chart (Laundry Files, #5))
decide the middle one isn’t necessary. Tickling his tiny, sock-covered feet, I grab ahold, wiggling them back and forth with a big smile to pretend we’re playing a game. It works like a charm, and he stops flailing for half a second, just long enough for me to quickly slide on his cotton shorts. He screams then, his arms stretched out, fists opening and closing over and over, making grabby hands to let me know he wants me to pick him back up. “One second, mister.” I turn to my own mess of a wardrobe in search of another clean top, but my drawer is empty aside from the T-shirts I wear to bed, and when I look in my closet, bare hangers stare back. That is, on the side dedicated to the clothes that actually fit. My eyes
Meagan Brandy (Promise Me Not)
In the crook of Ashley’s arm was Prince HopperFluffyMarshmallowCottonTailSocks.
Zathyn Priest
Bless your little cotton socks,” he said. He threw me a kiss and handed me the case file.
Clifford Irving (Final Argument)
He’s still there. Kay diligently avoided eye contact—not that she could even make out the stranger’s eyes by moonlight from thirty yards away. She’d assumed she’d have the beach to herself on this brisk Tuesday night in late May. Didn’t everyone else have a life? The wet sand at the water’s edge was smooth and frigid under her bare toes—her sandals dangled from her fingers. The crisp, salt-scented breeze billowed her calf-length skirt and open cotton blazer, and whipped strands of pale blonde hair across her face. She planted her feet as the next icy wave surged ashore, leaving her toes buried in sand. After two more waves, only the insteps showed. A flash of silver drew her eye down the beach. Not silver, she saw now, but a white dress shirt being balled up and tossed to the sand. The shirt belonging to the stranger she mustn’t make eye contact with because you never know. He wasn’t looking her way, so she watched him. She watched him pull off his black shoes and socks. She watched him unzip his dark slacks and step out of them. She watched him drop his briefs and kick them away. Her head snapped forward. That’s why you never make eye contact! Because you never know! Because the most normal-looking man can turn out to be some nut job who thinks nothing of stripping in front of a strange woman and—and— She sneaked a peek. And running into the ocean full-tilt.
Pam McKenna, Binding Agreement
I am SAM, and this is my first mission. Wish me luck. Actually, don’t bother. I’m that good. I need to move fast, but I have to be careful too.This high-tech fortress disguised as a middle school has security systems like Hershey, Pennsylvania, has chocolate. My biggest concern (and archnemesis) is Jan I. Tor. He’s the half-human, half-cyborg “cleaning service” they use for “light security” around here. Yeah, right. Tor’s definition of “light security” is that he only kills you once if he finds you. So I wait in super-stealthy silence while Tor hovers past my hiding spot with his motion detectors running, laser cannons loaded, and a big dust mop attachment on his robotic arm. He’s cleaning that floor to within an inch of its life, but it could be me next. As soon as Tor’s out of range, I slip off my tungsten gripper shoes. Believe me, once he’s been through here, you do not want to leave footprints behind. That would be like leaving a business card in Sergeant Stricker’s in-box. Stricker is the big cheese who runs this place, and she’s all human, but just as scary as Tor. I don’t want to rumble with either one of those two. So I program the shoes to self-destruct and drop them in the trash. FWOOM! The coast is clear now, and I sneak back into action. I work my way up the corridor in my spy socks, quiet as a ghost walking on cotton balls. Very, very puffy cotton balls—I’m that quiet. What I need is the perfect place to leave the package I came here to deliver. That’s the mission, but I can’t just do it anywhere. I have to choose wisely. Bathroom? Nah. Too echoey. Library? Nah. Only one exit, and I can’t take that risk. Main lobby? Hmm… maybe so. In fact, I wish I’d thought of that on my way in. I could have saved myself one very expensive pair of tungsten gripper shoes. Once my radar-enabled Rolex watch tells me the main lobby is clear, I slide in there and get right to work. I enter the access code on my briefcase, confirm with my thumbprint, and then pop the case open. After that, it takes exactly seven seconds and one ordinary roll of masking tape to secure my package to the wall. That’s it. Package delivered. Mission accomplished. Catch you next time—because there’s no way you’ll ever catch me. SAM out!
James Patterson (Just My Rotten Luck (Middle School #7))
I went to bed wearing my oldest, most faded flannel shirt, the bra that had looked all right in the catalog but was obviously an escapee from a downmarket nursing home when it arrived, white cotton panties that had had pansies on them about seven hundred washings ago and were now a kind of mottled gray, and the jeans I usually wore for housecleaning or raking Yolande’s garden because they were too shabby for work even if I never came out of the bakery. Food inspector arrest-on-sight jeans. Oh, and fuzzy green plaid socks. It was a cool night for summer. Relatively. I lay down on top of the bedspread. And slept through till the alarm at three-forty-five. He hadn’t come. T
Robin McKinley (Sunshine)
Her hair was in two French braids, and she was wearing a blue-and-white flowered cotton pajama top, a necklace of large red beads, yellow denim shorts, yellow-and-mint green argyle socks, and pink flip-flops.
Carleen Brice (Orange Mint and Honey)
We sometimes went on long hikes, to the woods around Czernovitz, a day's outing. Everyone carried a knapsack on the back, wore shoes with heavy soles and white, knee-high cotton socks. The girls wore a "dirndl" which consisted of a white blouse, a flowered skirt and a little apron, adorned with lace. It was the way the Tyrolians dressed, an old Austrian custom. Sometimes, we would sit in a meadow and one or another would read aloud. Paul Antschel, who later changed his name to Celan, loved to read to the group poems by Rainer Maria Rilke, in German, of course. Sometimes we'd read aloud H. Heine poems and sometimes we'd sing.
Pearl Fichman (Before Memories Fade)
Jacinta and I shared a doll. I don’t know where it came from, but it wasn’t from a shop because by the time we adopted her, she was missing her shoes and socks. We named her Grace. She had long, curly hair until Jacinta cut it short and I cut it even shorter. We scribbled nonsense on her body with felt tips and tried to rub it off with cotton balls soaked in nail varnish. We fought over her so hard, Jacinta at one end, me at the other, we pulled her head clean off and agreed to play separately with the two parts of her until Mum found a way to reattach the decapitated head, saying, “You can forget about a hamster.
Sarah Crossan (Hey, Zoey)
At one time it was thought that cotton was the best choice in materials for socks. This is no longer true. Cotton socks can cause blisters, because of the friction of the material against the foot. It also holds in moisture. This can lead to fungus and bacterial infections. Cotton also doesn't hold its shape. After washing it can become stretched out and become abrasive.
dakotafootankle
I returned to shower and dress with particular care. I intended to dazzle Meg Trumble with sartorial splendor, which was why I selected a knitted shirt of plum-colored Sea Island cotton and a linen sport jacket of British racing green. Slacks of fawn silk. Cordovan loafers. No socks. I displayed this costume at the family cocktail hour. “Good God!” my father gasped. I prayed Meg would be more favorably impressed by my imitation of a male bower bird.
Lawrence Sanders (McNally's Luck (Archy McNally #2))
PACKING CHECKLIST Light, khaki, or neutral-color clothes are universally worn on safari and were first used in Africa as camouflage by the South African Boers, and then by the British Army that fought them during the South African War. Light colors also help to deflect the harsh sun and are less likely than dark colors to attract mosquitoes. Don’t wear camouflage gear. Do wear layers of clothing that you can strip off as the sun gets hotter and put back on as the sun goes down. Smartphone or tablet to check emails, send texts, and store photos (also handy as an alarm clock and flashlight), plus an adapter. If electricity will be limited, you may wish to bring a portable charger. Three cotton T-shirts Two long-sleeve cotton shirts preferably with collars Two pairs of shorts or two skirts in summer Two pairs of long pants (three pairs in winter)—trousers that zip off at the knees are worth considering Optional: sweatshirt and sweatpants, which can double as sleepwear One smart-casual dinner outfit Underwear and socks Walking shoes or sneakers Sandals/flip-flops Bathing suit and sarong to use as a cover-up Warm padded jacket and sweater/fleece in winter Windbreaker or rain poncho Camera equipment, extra batteries or charger, and memory cards; a photographer’s vest and cargo pants are great for storage Eyeglasses and/or contact lenses, plus extras Binoculars Small flashlight Personal toiletries Malaria tablets and prescription medication Sunscreen and lip balm with SPF 30 or higher Basic medication like antihistamine cream, eye drops, headache tablets, indigestion remedies, etc. Insect repellent that is at least 20% DEET and is sweat-resistant Tissues and/or premoistened wipes/hand sanitizer Warm hat, scarf, and gloves in winter Sun hat and sunglasses (Polaroid and UV-protected ones) Documents and money (cash, credit cards, etc.). A notebook/journal and pens Travel and field guide books A couple of large white plastic garbage bags Ziplock bags to keep documents dry and protect electronics from dust
Fodor's Travel Guides (Fodor's The Complete Guide to African Safaris: with South Africa, Kenya, Tanzania, Botswana, Namibia, Rwanda, Uganda, and Victoria Falls (Full-color Travel Guide))
A box of new boots was handed to me and I let out an evil laugh. “What is it?” Becca asked. “I am going to violate seventeen military laws. I am going to wear white cotton socks inside my boots!
Marcus Sloss (Cyber Viking 1 (DD Harem #1))
Yo momma is so fat… when a bus hit her she said, “Who threw the pebble?” Yo momma is so fat… when she puts on her yellow rain coat and walks down the street people shout out “taxi”! Yo momma is so fat… she uses the interstate as a slip and slide. Yo momma is so fat… you could use her bellybutton as a wishing well. Yo momma is so fat… the government forced her to wear taillights and blinkers so no one else would get hurt. Yo momma is so fat… she supplies 99% of the world’s gas. Yo momma is so fat… when she goes to Taco Bell, they run for the border! Yo momma is so fat… she rolled out of bed and everybody thought there was an earthquake. Yo momma is so fat… when God said, “Let there be light,” he had to ask her to move out of the way. Yo momma is so fat… she has more chins than a Chinese phone book. Yo momma is so fat… she jumped in the air and got stuck. Yo momma is so fat… she's got to wake up in sections. Yo momma is so skinny… Yo momma is so skinny… she can hang glide with a Dorito! Yo momma is so skinny… she swallowed a meatball and thought she was pregnant. Yo momma is so skinny… she turned sideways and disappeared. Yo momma is so skinny… she hula hoops with a cheerio. Yo momma is so skinny… she has to run around in the shower just to get wet. Yo momma is so skinny… she don’t get wet when it rains. Yo momma is so skinny… her nipples touch. Yo momma is so skinny… she has to wear a belt with her spandex pants. Yo momma is so skinny… she can see through peepholes with both eyes. Yo momma is so skinny… she can dive through a chain-linked fence. Yo momma is so skinny… she uses cotton balls for pillows. Yo momma is so old… Yo momma is so old… she knew the Great Wall of China when it was only good! Yo momma is so old… that her bus pass is in hieroglyphics! Yo momma is so old… she was wearing a Jesus starter jacket! Yo momma is so old… her birth certificate is in Roman numerals. Yo momma is so old… she ran track with dinosaurs. Yo momma is so old… she knew Burger King while he was still a prince. Yo momma is so old… her birth certificate says expired on it. Yo momma is so old… she has a picture of Moses in her yearbook. Yo momma is so old… that when she was in school there was no history class. Yo momma is so old… her social security number is 1! Yo momma is so old… I told her to act her own age, and she died. Yo momma is so short… Yo momma is so short… she does backflips under the bed. Yo momma is so short … she can play handball on the curb. Yo momma is so short… she can use a sock for a sleeping bag. Yo momma is so short… she can tie her shoes while standing up. Yo momma is so short… she can sit on a dime and swing her legs. Yo momma is so short … she has to use a ladder to pick up a dime. Yo momma is so short … she poses for trophies! Yo momma is so short… she has a job as a teller at a piggy bank. Yo momma is so short… she has to use rice to roll her hair up. Yo momma is so short… she uses a toothpick as pool stick. Yo momma is so short… she can surf on a popsicle stick.
Various (151+ Yo Momma Jokes)
Shirley's ghost haunts the ice cream section of your twenty-four-hour grocery store at three a.m., wearing cotton socks and noting human behavior on a little writing pad. She doesn't need help finding anything.
Taisia Kitaiskaia (Literary Witches: A Celebration of Magical Women Writers)
Through a chink in my fingers, I watched Mel react. She fished around in her sock, producing a switchblade. She clicked it open and whipped it through the air. The steel blade caught the sunlight, and flashed. Then she tore after the creature, squealing and hoofing as it had. It looked up at her in dismay, and I partially pitied it, pitied the terror on its homely face. She swiped the blade across its side as it attempted to turn around, its legs scrabbling, its pudgy body squirming and twitching, trying in vain to push through the dense tangle. Mel had a chance to knife it again—I could see her debating whether she should, but she wiped the bloody blade against her sock instead. The injured creature finally made headway into the creepers. Another squeal, and then its backside and tufted tail disappeared into the undergrowth. Shuddering, I moved my hands from my face. I stared at Mel. I tried to breathe. The pig’s blood looked bright and alarming against the grimy cotton of her sock. FROM DAMSELFLY “Will it die?” I whispered. “I didn’t get it very deep. I should have killed it. Killed it before it killed you.
Chandra Prasad
Ah, hell, V, you’re killing me.” Butch O’Neal mined through his sock drawer, looking for black silk, finding white cotton. No, wait. He pulled out one dress sock. Not exactly a triumph. “If I were killing you, cop, footwear’d be the last thing on your mind.
J.R. Ward (Lover Eternal (Black Dagger Brotherhood, #2))