Society Of Dead Poets Quotes

We've searched our database for all the quotes and captions related to Society Of Dead Poets. Here they are! All 100 of them:

So avoid using the word ‘very’ because it’s lazy. A man is not very tired, he is exhausted. Don’t use very sad, use morose. Language was invented for one reason, boys - to woo women - and, in that endeavor, laziness will not do. It also won’t do in your essays.
N.H. Kleinbaum (Dead Poets Society)
No matter what anybody tells you, words and ideas can change the world.
Tom Schulman (Dead Poets Society)
When you read, don't just consider what the author thinks, consider what you think
Tom Schulman (Dead Poets Society: The Screenplay)
If you listen real close, you can hear them whisper their legacy to you. Go on, lean in. Listen, you hear it? - Carpe - hear it? – Carpe, Carpe Diem, seize the day boys, make your lives extraordinary.
N.H. Kleinbaum (Dead Poets Society)
That the powerful play goes on, and you may contribute a verse.
N.H. Kleinbaum (Dead Poets Society)
Only in their dreams can men be truly free. 'Twas always thus, and always thus will be.
Tom Schulman (Dead Poets Society)
No matter what people tell you, words and ideas can change the world.
N.H. Kleinbaum (Dead Poets Society)
We don't read and write poetry because it's cute. We read and write poetry because we are members of the human race. And the human race is filled with passion. And medicine, law, business, engineering, these are noble pursuits and necessary to sustain life. But poetry, beauty, romance, love, these are what we stay alive for. To quote from Whitman, "O me! O life!... of the questions of these recurring; of the endless trains of the faithless... of cities filled with the foolish; what good amid these, O me, O life?" Answer. That you are here - that life exists, and identity; that the powerful play goes on and you may contribute a verse. That the powerful play *goes on* and you may contribute a verse. What will your verse be?
N.H. Kleinbaum (Dead Poets Society)
But poetry, romance, love, beauty? These are what we stay alive for!
N.H. Kleinbaum (Dead Poets Society)
We don't read and write poetry because its cute. We read and write poetry because we are members of the human race. And the human race is full of passion.
N.H. Kleinbaum (Dead Poets Society)
Carpe Diem,” Keating whispered loudly. “Seize the day. Make your lives extraordinary.
N.H. Kleinbaum (Dead Poets Society)
Sucking the marrow out of life doesn't mean choking on the bone.
Tom Schulman (Dead Poets Society)
And medecine, law, business, engineering, these are noble pursuits and necessary to sustain life. But poetry, beauty, romance, love: these are what we stay alive for.
Tom Schulman (Dead Poets Society)
Oh captain my captain
Walt Whitman
Medicine, law, business, engineering, these are all noble pursuits, and necessary to sustain life. But poetry, beauty, romance, love, these are what we stay alive for.
Tom Schulman
I stand upon my desk to remind myself that we must constantly look at things in a different way.
Tom Schulman (Dead Poets Society)
Please, don't worry so much. Because in the end, none of us have very long on this Earth. Life is fleeting. And if you're ever distressed, cast your eyes to the summer sky when the stars are strung across the velvety night. And when a shooting star streaks through the blackness, turning night into day... make a wish and think of me. Make your life spectacular.
Robin Williams
I close my eyes, and this image floats beside me. A sweaty toothed mad man with a stare that pounds my brain. His hands reach out and choke me, and all the time he's mumbling. “Truth, truth.” Like a blanket that always leaves your feet cold. You push it, stretch it, but it'll never be enough. You kick at it, beat it, it'll never cover any of us. From the moment we enter crying, to the moment we leave dying, it'll just cover your face, as you wail and cry and scream.
Tom Schulman (Dead Poets Society)
I sound my barbaric yawp over the rooftops of the world.
Tom Schulman (Dead Poets Society)
You must strive to find your own voice, boys, and the longer you wait to begin, the less likely you are to find it at all.
N.H. Kleinbaum (Dead Poets Society)
but only in their dreams can men be truly free. 'twas always thus and always thus will be.
N.H. Kleinbaum (Dead Poets Society)
Mr. Anderson thinks that everything inside of him is worthless and embarrassing. Isn't that right, Todd? And that's your worse fear.
Tom Schulman (Dead Poets Society)
Show me the heart unfettered by foolish dreams, and I'll show you a happy man." Keating: "But only in their dreams can men be truly free. 'Twas always thus, and always thus will be.
Tom Schulman (Dead Poets Society)
... there is a great need in all of us to be accepted, but you must trust what is unique or different about yourself, even if it is odd or unpopular.
N.H. Kleinbaum (Dead Poets Society)
Carpe Diem, seize the day boys, make your lives extraordinary.
N.H. Kleinbaum (Dead Poets Society)
Chaos screaming, chaos dreaming, gotta do more, gotta be more!
N.H. Kleinbaum (Dead Poets Society)
No, I've been calm all my life! If I don't do something, it's gonna kill me!
N.H. Kleinbaum (Dead Poets Society)
When you read, don't consider only what the author thinks, but take time to consider what you think.
N.H. Kleinbaum
I went to the woods because I wished to live deliberately... I wanted to live deep and suck out all the marrow of life... to put rout all that was not life; and not, when I came to die, discover that I had not lived.
N.H. Kleinbaum, Dead Poets Society
Truth is like a blanket that always leaves your feet cold. You push at it, stretch it, it will never be enough. You kick at it, beat at it, it will never cover any of us. From the moment we enter crying to the moment you leave dying.
Tom Schulman
They're not that different from you, are they? Same haircuts. Full of hormones, just like you. Invincible, just like you feel. The world is their oyster. They believe they're destined for great things, just like many of you, their eyes are full of hope, just like you. Did they wait until it was too late to make from their lives even one iota of what they were capable? Because, you see gentlemen, these boys are now fertilizing daffodils. But if you listen real close, you can hear them whisper their legacy to you. Go on, lean in. Listen, you hear it? - - Carpe - - hear it? - - Carpe, carpe diem, seize the day boys, make your lives extraordinary.
N.H. Kleinbaum (Dead Poets Society)
Truth is like a blanket that always leaves your feet cold!
N.H. Kleinbaum (Dead Poets Society)
TODD: Well, listen, Neil. I-I appreciate this concern, but I-I'm not like you.All right? You, you, you say things and people listen. I'm, I'm not like that. NEIL: Don't you think you could be? TODD: No! I--I, I don't know, but that's not the point. The, the, the point is that there's nothing you can do about it, so you can just butt out. I can take care of myself just fine. All right? NEIL: No. TODD: What do you mean, "no"? NEIL: No.
Tom Schulman (Dead Poets Society)
I brought them up here to illustrate the point of conformity: the difficulty in maintaining your own beliefs in the face of others. Now, those of you -- I see the look in your eyes like, "I would've walked differently." Well, ask yourselves why you were clapping. Now, we all have a great need for acceptance. But you must trust that your beliefs are unique, your own, even though others may think them odd or unpopular, even though the herd may go, "That's baaaaad." Robert Frost said, "Two roads diverged in a wood and I, I took the one less traveled by, and that has made all the difference.
Tom Schulman (Dead Poets Society)
College will probably destroy your love for poetry. Hours of boring analysis, dissection, and criticism will see to that. College will also expose you to all manner of literature—much of it transcendent works of magic that you must devour; some of it utter dreck that you must avoid like the plague.
N.H. Kleinbaum (Dead Poets Society)
Carpe Diem
Tom Schulman (Dead Poets Society)
You can't expect everybody to think of you all the time. Nobody knows you. And you never talk to anyone!
N.H. Kleinbaum (Dead Poets Society)
We don't read and write poetry because it's cute. We read and write poetry because we are members of the human race. And the human race is filled with passion. And medicine, law, business, engineering, these are noble pursuits and necessary to sustain life. But poetry, beauty, romance, love, these are what we stay alive for. To quote from Whitman, "O me! O life!... of the questions of these recurring; of the endless trains of the faithless... of cities filled with the foolish; what good amid these, O me, O life?" Answer. That you are here - that life exists, and identity; that the powerful play goes on and you may contribute a verse. That the powerful play *goes on* and you may contribute a verse. What will your verse be?
John Keating
How do we, like Walt, permit our own true natures to speak? How do we strip ourselves of prejudices, habits, influences? The answer, my dear lads, is that we must constantly endeavor to find a new point of view.
N.H. Kleinbaum (Dead Poets Society)
This is a battle, boys,' he cried. 'War! You are souls at a critical juncture. Either you will succumb to the will of academic hoi polloi, and the fruit will die on the vine— or you will triumph as individuals.
N.H. Kleinbaum (Dead Poets Society)
Because no matter what anyone tells you, words and ideas have the power to change the world.
N.H. Kleinbaum (Dead Poets Society)
Jeśli chcesz wychować zagorzałego ateistę, musisz udzielać mu surowych lekcji religii. To zawsze owocuje dobrymi skutkami.
N.H. Kleinbaum (Dead Poets Society)
savor language and words because no matter what anyone tells you, words and ideas have the power to change the world.
N.H. Kleinbaum (Dead Poets Society)
Ah," McAllister laughed, "free thinkers at seventeen!
N.H. Kleinbaum (Dead Poets Society)
Doğrular, her zaman insanın ayaklarını açıkta bırakan bir battaniye gibidir.
N.H. Kleinbaum (Dead Poets Society)
One reads poetry because he is a member of the human race, and the human race is filled with passion! Medicine, law, banking- these are necessary to sustain life. But poetry, romance, love, beauty? These are what we stay alive for!
N.H. Kleinbaum (Dead Poets Society)
They danced wildly in the forest, swaying with the tall trees and the howling wind.
Tom Schulman (Dead Poets Society)
Kopar goncaları henüz vakit varken bugün Anlamazsın zaman nasıl kanatlanır, uçar gider O gonca sana gülücükler saçarken bugün Gelince yarın, sararır solar, boynunu büker.
N.H. Kleinbaum (Dead Poets Society)
How difficult it is for any of us to listen to our own voice or maintain our own beliefs in the presence of others.
Tom Schulman (Dead Poets Society)
One reads poetry because he is a member of the human race, and the human race is filled with passion!
N.H. Kleinbaum (Dead Poets Society)
Beni örten geceden, Bir uçtan diğerine uzanan zifiri karanlıktan Teşekkür ediyorum tanrı denene Asla zaptedilemeyen ruhum için!
N.H. Kleinbaum (Dead Poets Society)
Teaching is seeing the world. The new world. Seeing a student like you take root, ready to flower and bloom any day.
Tom Schulman (Dead Poets Society)
But we'll get through. Somehow we always do.
N.H. Kleinbaum (Dead Poets Society)
His resolve always crumbled under the threats of guilt and punishment.
N.H. Kleinbaum (Dead Poets Society)
medicine, law, banking- these are necessary to sustain life. but poetry, romance, love, beauty? these are what we stay alive for!
N.H. Kleinbaum (Dead Poets Society)
We are dreaming of tomorrow, and tomorrow isn’t coming; we are dreaming of a glory that we don’t really want. We are dreaming of a new day when the new day’s here already. We are running from the battle when it’s one that must be fought.
N.H. Kleinbaum (Dead Poets Society)
The world is a beautiful place to be born into if you don't mind happiness not always being so very much fun if you don't mind a touch of hell now and then just when everything is fine because even in heaven they don't sing all the time The world is a beautiful place to be born into if you don't mind some people dying all the time or maybe only starving some of the time which isn't half bad if it isn't you Oh the world is a beautiful place to be born into if you don't much mind a few dead minds in the higher places or a bomb or two now and then in your upturned faces or such other improprieties as our Name Brand society is prey to with its men of distinction and its men of extinction and its priests and other patrolmen and its various segregations and congressional investigations and other constipations that our fool flesh is heir to Yes the world is the best place of all for a lot of such things as making the fun scene and making the love scene and making the sad scene and singing low songs and having inspirations and walking around looking at everything and smelling flowers and goosing statues and even thinking and kissing people and making babies and wearing pants and waving hats and dancing and going swimming in rivers on picnics in the middle of the summer and just generally 'living it up' Yes but then right in the middle of it comes the smiling mortician
Lawrence Ferlinghetti (City Lights Pocket Poets Anthology)
They danced wildly in the forest, swaying with the tall trees and the howling wind.
N.H. Kleinbaum (le cercle des poetes disparus"")
But there must be poetry and we must stop to notice it in even the simplest acts of living or we will have wasted much of what life has to offer.
N.H. Kleinbaum (Dead Poets Society)
El hombre nunca ha sido tan libre como cuando sueña.
N.H. Kleinbaum (Dead Poets Society)
Medicine, law, banking--these are necessary to sustain life. But poetry, romance, love, beauty? These are what we stay alive for! - Mr. Keating, Dead Poet’s Society.
N.H. Kleinbaum
Gather ye rosebuds while ye may, Old time is still a flying: And this same flower that smiles today, Tomorrow will be dying.
N.H. Kleinbaum (Dead Poets Society)
You must strive for your own voice, boys, and the longer you wait to begin, the less likely you are to find it at all. Thoreau said, 'Most men lead lives of quiet desperation.' Why be resigned to that? Risk walking new ground.
N.H. Kleinbaum (Dead Poets Society)
La verdad es como una manta que nos deja los pies fríos. Ya puede uno tirar de ella hacia sí en todos los sentidos, que nunca nos cubrirá del todo. Sacudidla, tirad de ella, mas nunca será suficiente. Desde el día en que se viene al mundo, llorando, a aquel a quien se le entrega, agonizante, no puede hacer más que cubrirse con ella la cabeza y gemir, llorar o aullar.
N.H. Kleinbaum (Dead Poets Society)
Hey, everybody, I got the part! I'm going to play Puck." He opened the door to the room and saw Todd sitting there. "Hey, I'm Puck!" "Puck you! Pipe down," yelled a voice down the hall.
Tom Schulman (Dead Poets Society)
I always thought education was learning to think for yourself," Keating said. Nolan laughed. "At these boys' ages? Not on your life! Tradition John! Discipline." He patted Keating on the shoulder patronizingly. "Prepare them for college, and the rest will take care of itself.
N.H. Kleinbaum (Dead Poets Society)
One reads poetry because he is a member of the human race, and the human race is filled with passion! Medicine, law, banking - these are necesseary to sustain life. But poetry, romance, love, beauty? These are what we stay alive for!
N.H. Kleinbaum (Der Club der toten Dichter / Deads Poets Society)
If one advances confidently in the direction of his dreams, he will meet with a success unexpected in common hours
Tom Schulman (Dead Poets Society)
La poesía puede estar oculta en los objetos o las acciones más cotidianas, pero nunca, nunca deber ser común.
N.H. Kleinbaum (Dead Poets Society)
Oh Captain, My Captain!
Tom Schulman (Dead Poets Society)
We don’t read and write poetry because it’s cute. We read and write poetry because we are members of the human race. And the human race is filled with passion. Medicine, law, business, engineering, these are noble pursuits and necessary to sustain life. But poetry, beauty, romance, love, these are what we stay alive for. To quote from Whitman, ‘O me! O life!… of the questions of these recurring; of the endless trains of the faithless… of cities filled with the foolish; what good amid these, O me, O life?’ Answer. That you are here - that life exists, and identity; that the powerful play goes on and you may contribute a verse. That the powerful play goes on and you may contribute a verse. What will your verse be?
N.H. Kleinbaum (Dead Poets Society)
The boys had seized the cave, and in it they’d found a home away from Welton, away from parents, teachers, and friends—a place where they could be people they never dreamed they’d be. The Dead Poets Society was alive and thriving and ready to seize the day.
N.H. Kleinbaum (Dead Poets Society)
Cuando era niño, creía que los padres querían a sus hijos instintivamente. Era lo que me enseñaban en el colegio; y yo acabé creyéndomelo. Pero mis padres parecen reservar todo su amor a mi hermano.
N.H. Kleinbaum (Dead Poets Society)
don’t limit poetry to the word. Poetry can be found in music, a photograph, in the way a meal is prepared—anything with the stuff of revelation in it. It can exist in the most everyday things but it must never, never be ordinary. By all means, write about the sky or a girl’s smile, but when you do, let your poetry conjure up salvation day, doomsday, any day. I don’t care, as long as it enlightens us, thrills us and—if it’s inspired— makes us feel a bit immortal.
N.H. Kleinbaum (Dead Poets Society)
It is not certain whether the effects of totalitarianism upon verse need be so deadly as its effects on prose. There is a whole series of converging reasons why it is somewhat easier for a poet than a prose writer to feel at home in an authoritarian society.[...]what the poet is saying- that is, what his poem "means" if translated into prose- is relatively unimportant, even to himself. The thought contained in a poem is always simple, and is no more the primary purpose of the poem than the anecdote is the primary purpose of the picture. A poem is an arrangement of sounds and associations, as a painting is an arrangement of brushmarks. For short snatches, indeed, as in the refrain of a song, poetry can even dispense with meaning altogether.
George Orwell (50 Essays)
One reads poetry because he is a member of the human race, and the human race is filled with passion! Medicine, law, banking- these are necessary to sustain life. But poetry, romance, love, beauty? These are what we stay alive for!
N.H. Kleinbaum, Dead Poets Society
We don't read and write poetry because it's cute. We read and write poetry because we are members of the human race. And the human race is filled with passion. And medicine, law, business, engineering, these are noble pursuits and necessary to sustain life. But poetry, beauty, romance, love, these are what we stay alive for.
N.H. Kleinbaum
It's god! He says we should have girls at Welton.
Charlie Dalton, Dead Poets Society
Carpe Diem. Seize the day. Make your lives extraordinary.
N.H. Kleinbaum (Dead Poets Society)
Carpe diem, Todd!
N.H. Kleinbaum (Dead Poets Society)
Seize the day. Make your lives extraordinary.
N.H. Kleinbaum (Dead Poets Society)
The vitality of the ordinary members of society is dependent on its Outsiders. Many Outsiders unify themselves, realize themselves as poets or saints. Others remain tragically divided and unproductive, but even they supply soul-energy to society; it is their strenuousness that purifies thought and prevents the bourgeois world from foundering under its own dead-weight; they are society’s spiritual dynamos.
Colin Wilson (The Outsider)
because he is a member of the human race, and the human race is filled with passion! Medicine, law, banking—these are necessary to sustain life. But poetry, romance, love, beauty? These are what we stay alive for!
N.H. Kleinbaum (Dead Poets Society)
What happened? It took Gibbon six volumes to describe the decline and fall of the Roman Empire, so I shan’t embark on that. But thinking about this almost incredible episode does tell one something about the nature of civilisation. It shows that however complex and solid it seems, it is actually quite fragile. It can be destroyed. 

What are its enemies?
 
Well, first of all fear — fear of war, fear of invasion, fear of plague and famine, that make it simply not worthwhile constructing things, or planting trees or even planning next year’s crops. And fear of the supernatural, which means that you daren’t question anything or change anything. The late antique world was full of meaningless rituals, mystery religions, that destroyed self-confidence. And then exhaustion, the feeling of hopelessness which can overtake people even with a high degree of material prosperity. 

There is a poem by the modern Greek poet, Cavafy, in which he imagines the people of an antique town like Alexandria waiting every day for the barbarians to come and sack the city. Finally the barbarians move off somewhere else and the city is saved; but the people are disappointed — it would have been better than nothing. Of course, civilisation requires a modicum of material prosperity—

What civilization needs:

confidence in the society in which one lives, belief in its philosophy, belief in its laws, and confidence in one’s own mental powers. The way in which the stones of the Pont du Gard are laid is not only a triumph of technical skill, but shows a vigorous belief in law and discipline. Vigour, energy, vitality: all the civilisations—or civilising epochs—have had a weight of energy behind them. People sometimes think that civilisation consists in fine sensibilities and good conversations and all that. These can be among the agreeable results of civilisation, but they are not what make a civilisation, and a society can have these amenities and yet be dead and rigid.
Kenneth Clark (Civilisation)
Carpe Diem
N.H. Kleinbaum, Dead Poets Society
The powerful play goes on and you may contribute a verse. What will your verse be?
N.H Kleinbaum
Todd murmelte stumm seine Verse mit, als ob er damit Neil helfen könnte. Aber Neil brauchte gar keine Hilfe.
Tom Schulman (Dead Poets Society)
We are the music makers
N.H. Kleinbaum (Dead Poets Society)
Oh, come on, Cameron,” Charlie laughed, “don’t you get anything?
N.H. Kleinbaum (Dead Poets Society)
One reads poetry because he is the member of the human race and the human race is filled with passion! Medicine, law, banking- these are the necessary components to sustain life. But poetry, romance, love, beauty? These are what we stay alive for!
N.H Kleinbaum, Tom Schulman
He paced in front of the class. "And don't limit poetry to the word. Poetry can be found in music, a photograph, in the way a meal is prepared—anything with the stuff of revelation in it. It can exist in the most everyday things but it must never, never be ordinary. By all means, write about the sky or a girl's smile, but when you do, let your poetry conjure up salvation day, doomsday, any day. I don't care, as long as it enlightens us, thrills us and—if it's inspired—makes us feel a bit immortal.
N.H. Kleinbaum, Dead Poets Society (Dead Poets Society)
هیگر پسرها را تماشا کرد و پس از لحظه ای پرسید: "آقایون میکس و اورستریت و اندرسن، شما اصولا چپ دست اید؟" "خیر، آقا" "پس چرا با دست چپ غذا می خورید؟" پسرها به یکدیگر نگاه کردند. ناکس از طرف جمع توضیح داد: "فکر کردیم بد نیست که عادت های قدیمی رو ترک کنیم آقا." "آقای اورستریت، مگه عادت های قدیمی چه عیبی دارند؟" ناکس تذکر داد: "زندگی بدون تفکر و ابتکار رو تثبیت می کنند. ذهن آدم رو هم محدود می کنند." هیگر کاملا جدی گفت: "آقای اورستریت، بهتون توصیه می کنم کمتر به فکر ترک عادت های قدیمی باشید و بیشتر به عادت های خوب برای درس خوندن فکر کنید. متوجه منظورم هستید که؟
Nancy H. Kleinbaum Tom Schulman
The art of fiction has not changed much since prehistoric times. The formula for telling a powerful story has remained the same: create a strong character, a person of great strengths, capable of deep emotions and decisive action. Give him a weakness. Set him in conflict with another powerful character -- or perhaps with nature. Let his exterior conflict be the mirror of the protagonist's own interior conflict, the clash of his desires, his own strength against his own weakness. And there you have a story. Whether it's Abraham offering his only son to God, or Paris bringing ruin to Troy over a woman, or Hamlet and Claudius playing their deadly game, Faust seeking the world's knowledge and power -- the stories that stand out in the minds of the reader are those whose characters are unforgettable. To show other worlds, to describe possible future societies and the problems lurking ahead, is not enough. The writer of science fiction must show how these worlds and these futures affect human beings. And something much more important: he must show how human beings can and do literally create these future worlds. For our future is largely in our own hands. It doesn't come blindly rolling out of the heavens; it is the joint product of the actions of billions of human beings. This is a point that's easily forgotten in the rush of headlines and the hectic badgering of everyday life. But it's a point that science fiction makes constantly: the future belongs to us -- whatever it is. We make it, our actions shape tomorrow. We have the brains and guts to build paradise (or at least try). Tragedy is when we fail, and the greatest crime of all is when we fail even to try. Thus science fiction stands as a bridge between science and art, between the engineers of technology and the poets of humanity.
Ben Bova
There was a restlessness between her ribs, itching and pulling at her heart. A feeling that she was meant to do much more. She and Roxy had gone to see Dead Poets Society a couple years ago, and afterward that quote from Robin Williams’s character had echoed endlessly in Luna’s head: “Make your lives extraordinary.
Emily X.R. Pan (An Arrow to the Moon)
But Horace’s most renowned phrase, quoted extensively in the movie Dead Poets Society, appears in Ode 1.11. ‘Carpe diem’, says Horace in the last line: pluck the day, trusting as little as possible in the next. Life is short, in other words, and don’t you forget it. His two-word phrase is almost invariably translated as ‘seize the day’.
Natalie Haynes (The Ancient Guide to Modern Life)
He paced in front of the class. "And don't limit poetry to the word. Poetry can be found in music, a photograph, in the way a meal is prepared---anything with the stuff of revelation in it. It can exist in the most everyday things but it must never, never be ordinary. By all means, write about the sky or a girl's smile, but when you do, let your poetry conjure up salvation day, doomsday, any day. I don't care, as long as it enlightens us, thrills us and---if it's inspired--makes us feel a bit immortal.
N.H. Kleinbaum, Dead Poets Society
در حالی که پسرها آهسته به سر جای شان بر می گشتند، کیتینگ گفت: "اگر درباره ی مسئله ای مطمئن هستید، خودتون رو وادارید که به یک نحو دیگه ای درباره اش فکر کنید، حتی اگه بدونید از دیدگاه تازه ی شما نادرست یا احمقانه است. وقتی مطلبی رو می خونید، تنها فکر نویسنده رو مدنظر قرار ندید؛ کمی درنگ کنید و ببینید نظر خودتون درباره ی اون موضوع چیه." "باید تلاش کنید بچه ها که صدای خودتون رو بازیابید و هر قدر دیرتر شروع کنید امکان دستیابی به این هدف رو کمتر می کنید. ثارو گفته که عمر اکثر انسان ها در یأسی خاموش سپری می شود. چرا باید به یک چنین زندگی ای تن در بدیم؟ خطر کنید و در راهی جدید قدم بگذارید. همین حالا!
Nancy H. Kleinbaum Tom Schulman
In his masterpiece, The Histories, the man often referred to as the Father of History wrote that the Persian king Darius asked some Greeks what it would take for them to eat their dead fathers. “No price in the world,” they cried (presumably in unison). Next, Darius summoned several Callatians, who lived in India and “who eat their dead fathers.” Darius asked them what price would make them burn their dead fathers upon a pyre, the preferred funerary method of the Greeks. “Don’t mention such horrors!” they shouted. Herodotus (writing as Darius) then demonstrated a degree of understanding that would have made modern anthropologists proud. “These are matters of settled custom,” he wrote, before paraphrasing the lyric poet Pindar, “And custom is King of all.” In other words, society defines what is right and what is wrong.
Bill Schutt (Cannibalism: A Perfectly Natural History)
Andai nei boschi perché desideravo vivere deliberatamente, affrontare solo i fatti essenziali della vita, e vedere se non potessi imparare cosa avesse da insegnare, senza scoprire, giunto alla morte, di non aver vissuto. Non desideravo vivere ciò che non era una vita, per quanto caro mi sia il vivere; né desideravo praticare la rassegnazione, a meno che non fosse necessaria. Volevo vivere in profondità e succhiare tutto il midollo della vita, vivere in modo così risoluto e spartano da sbaragliare tutto quanto non fosse vita; da aprirmi con la falce un varco ampio e raso terra, da spingere nell'angolo la vita e ridurla ai minimi termini; e, se si fosse dimostrata essere meschina, da arrivare, perché no?, alla sua completa e genuina meschinità, rendendola pubblica al mondo; o se fosse stata sublime, da conoscerla per esperienza; e da essere in grado di darne un resoconto sincero nella mia successiva escursione letteraria. Perché gran parte degli uomini, mi pare, ha una strana incertezza al riguardo, se sia del diavolo o di Dio, e ha _un po' frettolosamente_ concluso che il primo fine dell'uomo su questa terra è "rendere gloria a Dio e goderlo per l'eternità".
Henry David Thoreau (Walden)
Jobs later explained, “We discussed whether it was correct before we ran it. It’s grammatical, if you think about what we’re trying to say. It’s not think the same, it’s think different. Think a little different, think a lot different, think different. ‘Think differently’ wouldn’t hit the meaning for me.” In order to evoke the spirit of Dead Poets Society, Clow and Jobs wanted to get Robin Williams to read the narration. His agent said that Williams didn’t do ads, so Jobs tried to call him directly. He got through to Williams’s wife, who would not let him talk to the actor because she knew how persuasive he could be. They also considered Maya Angelou and Tom Hanks. At a fund-raising dinner featuring Bill Clinton that fall, Jobs pulled the president aside and asked him to telephone Hanks to talk him into it, but the president pocket-vetoed the request. They ended up with Richard Dreyfuss, who was a dedicated Apple fan. In addition to the television commercials, they created one of the most memorable print campaigns in history. Each ad featured a black-and-white portrait of an iconic historical figure with just the Apple logo and the words “Think Different” in the corner. Making it particularly engaging was that the faces were not captioned. Some of them—Einstein, Gandhi, Lennon, Dylan, Picasso, Edison, Chaplin, King—were easy to identify. But others caused people to pause, puzzle, and maybe ask a friend to put a name to the face: Martha Graham, Ansel Adams, Richard Feynman, Maria Callas, Frank Lloyd Wright, James Watson, Amelia Earhart. Most were Jobs’s personal heroes. They tended to be creative people who had taken risks, defied failure, and bet their career on doing things in a different way.
Walter Isaacson (Steve Jobs)