Snow Saturday Quotes

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Hiro is a talented drifter. This is the kind of lifestyle that sounded romantic to him as recently as five years ago. But in the bleak light of full adulthood, which is to one's early twenties as Sunday morning is to Saturday night, he can clearly see what it really amounts to: He's broke and unemployed.
Neal Stephenson (Snow Crash)
It snowed all week. Wheels and footsteps moved soundlessly on the street, as if the business of living continued secretly behind a pale but impenetrable curtain. In the falling quiet there was no sky or earth, only snow lifting in the wind, frosting the window glass, chilling the rooms, deadening and hushing the city. At all hours it was necessary to keep a lamp lighted, and Mrs. Miller lost track of the days: Friday was no different from Saturday and on Sunday she went to the grocery: closed, of course.
Truman Capote (American Fantastic Tales: Terror and the Uncanny from the 1940s to Now)
All I wanted was eighteen holes of golf on Saturday afternoon, and instead I turned into Snow White with hair on my chest.
Stephen King (Everything's Eventual)
Then he crossed his arms over his chest and began to listen to the radiant voices of the slaves singing the six o'clock Salve in the mills, and through the window he saw the diamond of Venus in the sky that was dying forever, the eternal snows, the new vine whose yellow bellflowers he would not see bloom on the following Saturday in the house closed in mourning, the final brilliance of life that would never, through all eternity, be repeated again.
Gabriel García Márquez (The General in His Labyrinth)
By Saturday, he almost looked forward to confronting Sejanus. He hoped it would come to blows. Someone should pay for the indignities of the Snow family, and who better than a Plinth?
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
But there were those nights—those cold, January Saturday nights—when I’d gaze at the snow-covered streets, contemplating this solitary life I didn’t chose. I didn’t need an invitation to a glittery party or reservations at a hot restaurant—
Sara Eckel (It's Not You: 27 (Wrong) Reasons You're Single)
didn’t want this. They didn’t want to populate this horrible land that was snow and rocks and skinny wolves. They spoke to their children through gritted teeth. That’s where the Québec accent came from. The nation crawled out from between their legs.
Heather O'Neill (The Girl Who Was Saturday Night: A Novel)
Jeb is going to grow up to be the kind of man who spends his Saturdays teaching his little boy to ride a bike. (...) Charlie, on the other hand, will be off playing golf while his kid kills people on his Xbox. Charlie will be dashing and debonair, and he'll buy his kid all kinds of crap, but he'll never actually be there.
John Green (Let it Snow)
Wedding Superstitions The Bridal Gown White - You have chosen right. Grey - You'll go far away. Black - You'll wish yourself back. Red - You'll wish yourself dead. Green - Ashamed to be seen. Blue - You'll always be true. Pearl - You'll live in a whirl. Peach - A love out of reach. Yellow - Ashamed of your fellow. Pink - Your Spirits will sink. The Wedding Day Monday for health, Tuesday for wealth, Wednesday best of all, Thursday for losses, Friday for crosses, Saturday for no luck at all. The Wedding Month Marry in May, and you'll rue the day, Marry in Lent, you'll live to repent. Married when the year is new, He'll be loving, kind and true. When February birds do mate, You wed nor dread your fate. If you wed when March winds blow, Joy and sorrow both you'll know. Marry in April when you can, Joy for maiden and the man. Marry in the month of May, And you'll surely rue the day. Marry when the June roses grow, Over land and sea you'll go. Those who in July do wed, Must labour for their daily bread. Whoever wed in August be, Many a change is sure to see. Marry in September's shine, Your living will be rich and fine. If in October you do marry, Love will come, but riches tarry. If you wed in bleak November, Only joys will come, remember, When December's snows fall fast, Marry and true love will last. Married in January's roar and rime, Widowed you'll be before your prime. Married in February's sleepy weather, Life you'll tread in time together. Married when March winds shrill and roar, Your home will lie on a distant shore. Married 'neath April's changeful skies, A checkered path before you lies. Married when bees o'er May blossoms flit, Strangers around your board will sit. Married in month of roses June, Life will be one long honeymoon. Married in July with flowers ablaze, Bitter-sweet memories in after days. Married in August's heat and drowse, Lover and friend in your chosen spouse. Married in September's golden glow, Smooth and serene your life will go. Married when leaves in October thin, Toil and hardships for you begin. Married in veils of November mist, Fortune your wedding ring has kissed. Married in days of December's cheer, Love's star shines brighter from year to year
New Zealand Proverb
Jeb is going to grow up to be the kind of man who spends his Saturdays teaching his little boy to ride a bike. “Or little girl,” I said. “Or twins! Maybe we’ll have twins!” “Charlie, on the other hand, will be off playing golf while his kid kills people on Xbox. Charlie will be dashing and debonair, and he’ll buy his kid all kinds of crap, but he’ll never actually be there.
Lauren Myracle (Let it Snow)
Once, on a walk by a river- Eskdale in low reddish sunlight, with a dusting of snow- his daughter quoted to him an opening verse by her favourite poet. Apparently, not many young women loved Phillip Larkin the way she did. 'If I were to construct a religion/ I should make use of water.' She said she liked the laconic use of 'called in'- as if he would be, as if anyone ever is. They stopped to drink coffee from a flask, and Perowne, tracing a line of lichen with a finger, said that if he ever got the call, he'd make us of evolution. What better creation myth? An unimaginable sweep of time, numberless generations spawning by infinitesimal steps complex living beauty out of inert matter, driven on by the blind furies of random mutation, natural selection and environmental change, with the tragedy of forms continually dying, and lately the wonder of minds emerging and with them morality, love, art, cities- and the unprecedented bonus of this story happening to be demonstrably true.
Ian McEwan (Saturday)
The scene strongly brings to mind a stack of magazines tied up with string in an attic. It strongly brings to mind that medical superman of yesteryear, the old doc on the cover of The Saturday Evening Post with his stethoscope planted on the chest of a child's doll, the old doc who rode from house to house through deep snows with his black bag beside him and his roan gelding pulling the sleigh, the old doc who did appendectomies on the kitchen table, the old doc who worked nine days a week and rested on the tenth.
John McPhee (Table of Contents)
A fool’s errand . . . but so is chipping at a blank concrete wall for twenty-seven years. And when you’re no longer the man who can get it for you and just an old bag-boy, it’s nice to have a hobby to take your mind off your new life. My hobby was looking for Andy’s rock. So I’d hitchhike to Buxton and walk the roads. I’d listen to the birds, to the spring runoff in the culverts, examine the bottles the retreating snows had revealed—all useless non-returnables, I am sorry to say; the world seems to have gotten awfully spendthrift since I went into the slam—and look for hayfields. Most of them could be eliminated right off. No rock walls. Others had rock walls, but my compass told me they were facing the wrong direction. I walked these wrong ones anyway. It was a comfortable thing to be doing, and on those outings I really felt free, at peace. An old dog walked with me one Saturday. And one day I saw a winter-skinny deer. Then came April 23rd, a day I’ll not forget even if I live another fifty-eight years.
Stephen King (Different Seasons: Four Novellas)
Inching into the room, it’s clear something is wrong here. There’s a tingling sensation up my legs and back before I can even really focus on the parlor’s details. There are silhouettes of people, but I can see through them. It’s like shadows were cast and left behind to do as they please. Lost in the surreal sight of them for a moment, I inch further into the room without noticing that some were now moving behind me. There is no warning. I’m suddenly in the air, and moving backward rapidly toward the wall. It’s almost a full second before my body registers the actual pain of the blow my stomach just took. Being hit by a car doesn't even compare to this, and I didn't even see it coming. “For a shadow, you hit like a sledgehammer!” The words barely escape before something else slams into the base of my skull embedding most of my upper body in the wall and all but removing my head. These things are like Lucy; the disembodied dead who haven’t moved on. I've never met others that can actually touch things physically, they must be fairly potent. I pull my face out of the hole it had been planted in, letting plaster dust fall, coating my chest and legs like snow. Looking around quickly I try to gauge my surroundings. I can’t see them, but I know they’re there. Is one easy night, without a huge dry-cleaning bill, too much to ask for these days? I only have time to dwell on it a moment before my head is bouncing off the hardwood floor; once, twice, and then a third time in quick succession. Now ‘pick splinters out of my forehead’ can be added to my Saturday night to-do list. Damn it, this is not going as planned.
Dennis Sharpe (Blood & Spirits (The Coming Storm, #1))
Where were you on the night of March 7?" Typical detective stuff you hear on television all the time. It's so phony. I hate it. Most people can't remember where they were three nights ago much less on a particular date. I know I can't. The times you remember are the ones you're supposed to: Christmas Day, the Fourth of July, your birthday. As you get older and occasionally look back, even those days drift together into one small blob of memories. But you always remember the first time and the last. You remember your first day of school and the last. You remember the first time you went to the show by yourself and the last time you saw your grandfather. The first time you made love. Most of the nights of my life have passed by barely noticed, like the black squares of rosary beads slipping through the wrinkled fingers in the last pew. But later, when I've looked back, I've realized that a few ink colored seeds have taken root in my mind and have grown into oaken strength. My dreams drift back and nestle in their branches. If those nights were suddenly not to be, I, who had come to lean on them, to relish those few surviving leaves of a young autumn that has passed and will not come again, would not know where I'd been. And I'd wonder, even more so, if there was anywhere to go. Every Chicago winter delivers four gray weeks, with rare spots of sunshine that are apparently the flipside of hell. Teeth bared, the wind comes snarling off the lake with every intention of shredding the skin off your face. Numb since November, hands can no longer tell or care if they are wearing gloves. Snowmen, offsprings of childhood enthusiasm, are rarely born during these weeks. Along with the human spirit, the temperature continues to plummet. The ground is smothered by aging layers of ice and snow. Looking at a magazine ad, you see a vaguely familiar blanket of green. Squinting back through months of brown snow, salt-marked shoes, running noses, icy railings, slippery sidewalks, and smoking sewers, you try to recall the feeling of grass. February is four weeks of hanging onto the ropes, waiting to be saved from a knockout by the bell of spring. One year, I was invited to Engrim University's President's Ball, which was to be held on the first Saturday in February. I don't know why I was invited. Most of the students who received invitations were involved in a number of extracurricular activities; they participated in student government, belonged to various clubs, were presidents of fraternities or sororities, were doing extremely well academically or were, in some other way, pleasing the gods. I was never late with my tuition payments. Maybe that was it. Regardless, the President's Ball was to be held in the main ballroom of one of Chicago's swankiest hotels. I thought it was an excellent opportunity to impress Sarah with my importance. A light snowfall was dotting the night air when
John R. Powers (The Unoriginal Sinner and the Ice-Cream God (Loyola Classics))
The next day was Saturday and it had snowed overnight, covering the ground in a crisp white blanket. Staring out of my window, I
Kathryn Croft (The Girl With No Past)
day was Saturday and it had snowed overnight, covering the ground in a crisp
Kathryn Croft (The Girl With No Past)
The next day was Saturday and it had snowed overnight, covering the ground in a crisp white blanket. Staring out of my window,
Kathryn Croft (The Girl With No Past)
Etymologically, paroikia (a compound word from para and oikos) literally means “next to” or “alongside of the house” and, in a technical sense, meant a group of resident aliens. This sense of “parish” carried a theological context into the life of the Early Church and meant a “Christian society of strangers or aliens whose true state or citizenship is in heaven.” So whether one’s flock consists of fifty people in a church which can financially sustain a priest or if it is merely a few people in a living room whose priest must find secular employment, it is a parish. This original meaning of parish also implies the kind of evangelism that accompanies the call of a true parish priest. A parish is a geographical distinction rather than a member-oriented distinction. A priest’s duties do not pertain only to the people who fill the pews of his church on a Sunday morning. He is a priest to everyone who fills the houses in the “cure” where God as placed him. This ministry might not look like choir rehearsals, rector’s meetings, midweek “extreme” youth nights, or Saturday weddings. Instead, it looks like helping a battered wife find shelter from her abusive husband, discretely paying a poor neighbor’s heating oil bill when their tank runs empty in the middle of a bitter snow storm, providing an extra set of hands to a farmer who needs to get all of his freshly-baled hay in the barn before it rains that night, taking food from his own pantry or freezer to help feed a neighbor’s family, or offering his home for emergency foster care. This kind of “parochial” ministry was best modeled by the old Russian staretzi (holy men) who found every opportunity to incarnate the hands and feet of Christ to the communities where they lived. Perhaps Geoffrey Chaucer caught a glimpse of the true nature of parish life through his introduction of the “Parson” in the Prologue of The Canterbury Tales. Note how the issues of sacrifice, humility, and community mentioned above characterize this Parson’s cure even when opportunities were available for “greater” things: "There was a good man of religion, a poor Parson, but rich in holy thought and deed. He was also a learned man, a clerk, and would faithfully preach Christ’s gospel and devoutly instruct his parishioners. He was benign, wonderfully diligent, and patient in adversity, as he was often tested. He was loath to excommunicate for unpaid tithes, but rather would give to his poor parishioners out of the church alms and also of his own substance; in little he found sufficiency. His parish was wide and the houses far apart, but not even for thunder or rain did he neglect to visit the farthest, great or small, in sickness or misfortune, going on foot, a staff in his hand… He would not farm out his benefice, nor leave his sheep stuck fast in the mire, while he ran to London to St. Paul’s, to get an easy appointment as a chantry-priest, or to be retained by some guild, but dwelled at home and guarded his fold well, so that the wolf would not make it miscarry… There was nowhere a better priest than he. He looked for no pomp and reverence, nor yet was his conscience too particular; but the teaching of Christ and his apostles he taught, and first he followed it himself." As we can see, the distinction between the work of worship and the work of ministry becomes clear. We worship God via the Eucharist. We serve God via our ministry to others. Large congregations make it possible for clergy and congregation to worship anonymously (even with strangers) while often omitting ministry altogether. No wonder Satan wants to discredit house churches and make them “odd things”! Thus, while the actual house church may only boast a membership in the single digits, the house church parish is much larger—perhaps into the hundreds as is the case with my own—and the overall ministry is more like that of Christ’s own—feeding, healing, forgiving, engaging in all the cycles of community life, whether the people attend
Alan L. Andraeas (Sacred House: What Do You Need for a Liturgical, Sacramental House Church?)
The envelope he was carrying was dated January 15, 1965, a Saturday—and it had snowed then too.
Patrick Taylor (An Irish Country Yuletide: An Irish Country Novella (Irish Country Books Book 16))
Crispy leaves, sufferings, but senescence It maybe fall, but it's more than just a fall Not snowing outside, but the cold dry wails The spilled maple syrup, slowly adsorbing in soil I've problems and circumstances, with the winds of west The blood, i can't resist it's flow The thoughts, i can't see without The ambition, I'm breathing I'd lift my eyes, but the sky won't forgive me Earth, mortal things don't own such pride Eyes carry a million thousand answers Music is a lie, listen to the silence This prolonged Saturday war, how would i bear my ink November, why would you leave me this Tuesday? Muscles carry nerves, there's such poetry within And here's a panalty, to live until next November
Mohammad Hafiz Ganie (No Book: Some Forsaken Words)
The storm relented on the morning of the eleventh. The winds dropped to about thirty knots. Stuart Hutchison and three Sherpas went in search of Yasuko and me. They found us lying next to each other, largely buried in snow and ice. First to Yasuko. Hutchison reached down and pulled her up by her coat. She had a three-inch-thick layer of ice across her face, a mask that he peeled back. Her skin was porcelain. Her eyes were dilated. But she was still breathing. He moved to me, pulled me up, and cleaned the ice out of my eyes and off my beard so he could look into my face. I, like Yasuko, was barely clinging to life. Hutchison would later say he had never seen a human being so close to death and still breathing. Coming from a cardiologist, I’ll accept that at face value. What do you do? The superstitious Sherpas, uneasy around the dead and dying, were hesitant to approach us. But Hutchison didn’t really need a second opinion here. The answer was, you leave them. Every mountaineer knows that once you go into hypothermic coma in the high mountains, you never, ever wake up. Yasuko and I were going to die anyway. It would only endanger more lives to bring us back. I don’t begrudge that decision for my own sake. But how much strain would be entailed in carrying Yasuko back? She was so tiny. At least she could have died in the tent, surrounded by people, and not alone on that ice. Hutchison and the Sherpas got back to camp and told everyone that we were dead. They called down to Base Camp, which notified Rob’s office in Christchurch, which relayed the news to Dallas. On a warm, sunny Saturday morning the phone rang in our house. Peach answered and was told by Madeleine David, office manager for Hall’s company, Adventure Consultants, that I had been killed descending from the summit ridge. “Is there any hope?” Peach asked. “No,” David replied. “There’s been a positive body identification. I’m sorry.
Beck Weathers (Left for Dead: My Journey Home from Everest)
But in the bleak light of full adulthood, which is to one’s early twenties as Sunday morning is to Saturday night, he can clearly see what it really amounts to: He’s broke and unemployed.
Neal Stephenson (Snow Crash)
Winter was her cathedral, and the snow-decked trees its endless pillars, and although it was quiet, it wasn't empty. The silence coaxed voices into her imagination, voices of the past and future, voices of animals and people both common and divine.
J. Ryan Stradal (Saturday Night at the Lakeside Supper Club)
Somebody who would go to Italy with you and get up on a Saturday morning and take you up in the mountains and get snowed on and come home and be filled up with it all.
Kent Haruf (Our Souls at Night)
answered, pulling on his overcoat. All the loneliness of the evening seemed to descend upon her at once then and she said with the suggestion of a whine in her voice, ‘Why don’t you take me with you some Saturday?’ ‘You?’ he said. ‘Take you? D’you think you’re fit to take anywhere? Look at yersen! An’ when I think of you as you used to be!’ She looked away. The abuse had little sting now. She could think of him too, as he used to be; but she did not do that too often now, for such memories had the power of evoking a misery which was stronger than the inertia that, over the years, had become her only defence. ‘What time will you be back?’ ‘Expect me when you see me,’ he said at the door. ‘Is’ll want a bite o’ supper, I expect.’ Expect him at whatever time his tipsy legs brought him home, she thought. If he lost he would drink to console himself. If he won he would drink to celebrate. Either way there was nothing in it for her but yet more ill temper, yet further abuse. She got up a few minutes after he had gone and went to the back door to look out. It was snowing again and the clean, gentle fall softened the stark and ugly outlines of the decaying outhouses on the patch of land behind the house and gently obliterated Scurridge’s footprints where they led away from the door, down the slope to the wood, through which ran a path to the main road, a mile distant. She shivered as the cold air touched her, and returned indoors, beginning, despite herself, to remember. Once the sheds had been sound and strong and housed poultry. The garden had flourished too, supplying them with sufficient vegetables for their own needs and some left to sell. Now it was overgrown with rampant grass and dock. And the house itself – they had bought it for a song because it was old and really too big for one woman to manage; but it too had been strong and sound and it had looked well under regular coats of paint and with the walls pointed and the windows properly hung. In the early days, seeing it all begin to slip from her grasp, she had tried to keep it going herself. But it was a thankless, hopeless struggle without support from Scurridge: a struggle which had beaten her in the end, driving her first into frustration and then finally apathy. Now everything was mouldering and dilapidated and its gradual decay was like a symbol of her own decline from the hopeful young wife and mother into the tired old woman she was now. Listlessly she washed up and put away the teapots. Then she took the coal-bucket from the hearth and went down into the dripping, dungeon-like darkness of the huge cellar. There she filled the bucket and lugged it back up the steps. Mending the fire, piling it high with the wet gleaming lumps of coal, she drew some comfort from the fact that this at least, with Scurridge’s miner’s allocation, was one thing of which they were never short. This job done, she switched on the battery-fed wireless set and stretched out her feet in their torn canvas shoes to the blaze. They were broadcasting a programme of old-time dance music: the Lancers, the Barn Dance, the Veleta. You are my honey-honey-suckle, I am the bee… Both she and
Stan Barstow (The Likes of Us: Stories of Five Decades)
This is the part where I tell you I took lessons.” I stare at him. “You took dance lessons?” “Every Saturday morning for two months.” “So you could dance with Mam?” “So I’d have the courage to ask her.
Catherine Walsh (Snowed In (Catherine Walsh Christmas Books, #2))
What was I saying? I was waxing poetic and working toward pretentious, if I recall. Oh, yes, the smell of a fine, fall football Saturday. Spring is such a girl. She gets credit for love, hope, renewal, and the dream of what might be. Summer is all, ‘Hey dude, it’s warm; let’s party.’ It’s truly the fraternity brother of the four seasons. Fall, to me, seems like the bad-ass who is about to hop on his Harley and drive off into the sunset because he’s not going to listen to that bitch winter go on and on about how nobody likes her and the snow drifts make her look fat.
Brian D. Meeks (Underwood, Scotch, and Wry)
Increasingly in today’s culture, “hacking” is something done not just by criminals and computer scientists, but by anyone who has the capability to approach a problem laterally. (This is the original usage of the term, in fact.) Can’t get that horrible plastic “blister pak” for those headphones open? Use a can opener. (It works!) Not enough seats for the four of you? Give yours up and weather the storm with the person of your dreams. The first section of this book discusses how some people use such “hacker” thinking to shorten paths to success. It’s how some people take a few years to become president while others spend 30. It’s how unknown comedians get on Saturday Night Live and Internet companies get to millions of users in months. Lateral thinking doesn’t replace hard work; it eliminates unnecessary cycles. Once they’ve shortened their path, overachievers tend to look for ways to do more with their effort,
Shane Snow (Smartcuts: The Breakthrough Power of Lateral Thinking)
Jimmy’s goal since childhood, he explained to Siegel, had been to join the cast of Saturday Night Live. He was endearing. After a two-hour call, Siegel offered to represent him. She had one question, however. “Why don’t you stay and graduate?” Jimmy was a semester shy of a degree. Siegel suggested that they get started in the summer, so he’d have a bachelor’s degree to fall back on, just in case. “No, no,” Jimmy insisted. “I need to get on Saturday Night Live, and you’re going to make it happen, because you know Adam Sandler! I don’t want to do anything else.” Siegel knew this was a long shot—and a long-term endeavor—especially for an out-of-town kid with zero acting credits. But for some reason, she couldn’t turn him down; she had never met someone as focused and passionate about a single dream as this grinning bumpkin from the tiny town of Saugerties, New York. And though his skills were rough, given some time in the industry, she thought he might just make it. “OK, let’s do this,” she said. So, in January 1996 Jimmy quit college and moved to Los Angeles. For six months, Siegel booked him gigs on small, local stand-up comedy stages. Then, without warning, SNL put a call out for auditions; three cast members would be leaving the show. Having worked with one of the departing actors, David Spade, Siegel pulled a few strings and arranged a Hail Mary for the young Jimmy Fallon: an audition at The Comic Strip. SO HERE HE WAS. Fresh-faced, sweating in his light shirt, holding his Troll doll. In front of Lorne Michaels and a phalanx of Hollywood shakers. When Jimmy ended his three-minute bit, the audience clapped politely. True to his reputation, Michaels didn’t laugh. Not once. Jimmy went home and awaited word. Finally, the results came: SNL had invited Tracy Morgan, Ana Gasteyer, and Chris Kattan, each of whom had hustled in the comedy scene for years, to join the cast. Jimmy—the newbie whose well-connected manager had finagled an invite—was crushed. “Was he completely raw? A hundred percent,” Siegel says. But, the SNL people said, “Let’s keep an eye on him.
Shane Snow (Smartcuts: The Breakthrough Power of Lateral Thinking)
March 1 FIRST EMBER SATURDAY IN LENT Last night it snowed again and there is a fairly thick blanket of snow on the ground and on the trees. The sky looks like lead and seems to promise more. It is about as dark as my own mind. I see nothing, I understand nothing. I am sorry for complaining and making a disturbance. All I want is to please God and to do His will.
Thomas Merton (The Sign of Jonas)
But in the bleak light of full adulthood, which is to one's early twenties as Sunday morning is to Saturday night, he can clearly see what it really amounts to: he's broke and unemployed.
Neal Stephenson (Snow Crash)
Monday, February 1. A snowstorm… Thursday, February 4. It snowed… Saturday, February 6. A very cold day… Sunday, February 7. Clear and excessive cold… Monday, February 8. Terrible, cold, and windy… “God, I hate winter,” I say,
Ariel Lawhon (The Frozen River)