Snow Philosophy Quotes

Champions never sleep, the eternal spirit keep them alert and awake.

She smiled. She knew she was dying. But it did not matter any longer. She had known something which no human words could ever tell and she knew it now. She had been awaiting it and she felt it, as if it had been, as if she had lived it. Life had been, if only because she had known it could be, and she felt it now as a hymn without sound, deep under the little whole that dripped red drops into the snow, deeper than that from which the red drops came. A moment or an eternity- did it matter? Life, undefeated, existed and could exist. She smiled, her last smile, to so much that had been possible.

Why it was that upon this beautiful feminine tissue, sensitive as gossamer, and practically blank as snow as yet, there should have been traced such a coarse pattern as it was doomed to receive; why so often the coarse appropriates the finer thus, the wrong man the woman, the wrong women the man, many years of analytical philosophy have failed to explain to our sense of order

It is not over. Champions extend their limits and make things happen.

Snow floated down every once in a while, but it was frail snow, like a memory fading into the distance.

One picture puzzle piece Lyin' on the sidewalk, One picture puzzle piece Soakin' in the rain. It might be a button of blue On the coat of the woman Who lived in a shoe. It might be a magical bean, Or a fold in the red Velvet robe of a queen. It might be the one little bite Of the apple her stepmother Gave to Snow White. It might be the veil of a bride Or a bottle with some evil genie inside. It might be a small tuft of hair On the big bouncy belly Of Bobo the Bear. It might be a bit of the cloak Of the Witch of the West As she melted to smoke. It might be a shadowy trace Of a tear that runs down an angel's face. Nothing has more possibilities Than one old wet picture puzzle piece.

In a city where men are killing each other like animals just to make it a happier place, who has the right to stop me from killing myself?

It is related that Sakyamuni [the historical Buddha] once dismissed as of small consequence a feat of levitation on the part of a disciple, and cried out in pity for a yogin by the river who had spent twenty years of his human existence learning to walk on water, when the ferryman might have taken him across for a small coin.

I tried to think the same thought in as many different religions as possible, so the thought itself wouldn't be limited by any particular way of reasoning, the way words restrict -- the whole eskimo-seventeen-words-for-snow idea.

He was footprints in the snow. Not all loves are meant to last. Some are meant to grace you briefly, before fading, somehow leaving the impression that the world is just a little bit better because you had been touched by something so beautiful it was impossible to grasp.

The trick was to refuse to allow your pain to prevent you from living honorably. In Japan, she said, a person learned not to complain or be distracted by suffering. To persevere was always a reflection of the state of one’s inner life, one’s philosophy, and one’s perspective. It was best to accept old age, death, injustice, hardship – all of these were part of living

If disaster, so be it, they said to themselves. There was nothing to be done except what could be done. The rest -- like the salt water around them, which swallowed the snow without effort, remaining what it was implacably -- was out of their hands, beyond.

What is your type of Magick ¿ Do you like theatre or puppetry

Everything, really, has this quality of sacredness, but we can desecrate it at a touch. How strange man is! His touch defiles and yet he contains the source of miracles.

Walpurgis Night, when, according to the belief of millions of people, the devil was abroad - when the graves were opened and the dead came forth and walked. When all evil things of earth and air and water held revel. This very place the driver had specially shunned. This was the depopulated village of centuries ago. This was where the suicide lay; and this was the place where I was, alone - unmanned, shivering with cold in a shroud of snow with a wild storm gathering again upon me! It took all my philosophy, all the religion I had been taught, all my courage, not to collapse in a paroxysm of fright. (Dracula's Guest)

How shallow is the stage on which this vast drama of human hates and joys and friendships is played! Whence do men draw this passion for eternity, flung by chance as they are upon a scarcely cooled bed of lava, threatened by the beginning by the deserts that are to be, under the constant menace of the snows? Their civilizations are but fragile gildings: a volcano can blot them out, a new sea, a sand-storm.

He is capable of turning everything into anything--snow into skin, skin into blossoms, blossoms into sugar, sugar into powder, and powder back into little drifts of snow--for all that matters to him, apparently, is to make things into what they are not, which is doubtless proof that he cannot stand being anywhere for long, wherever he happens to be.

It is yin and yang. Light is the left hand of darkness... how did it go? Light, dark. Fear, courage. Cold, warmth. Female, male. It is yourself, Therem. Both and one. A shadow on snow.

No utilitarian philosophy explains a snow crystal, no doctrine of use or disuse. Water has merely leapt out of vapor and thin nothingness in the night sky to array itself in form. There is no logical reason for the existence of a snow-flake any more than there is for evolution. It is an apparition from that mysterious shadow world beyond nature, that final world which contains—if anything contains—the explanation of men and catfish and green leaves.

Tell me something. Do you believe in God?' Snow darted an apprehensive glance in my direction. 'What? Who still believes nowadays?' 'It isn't that simple. I don't mean the traditional God of Earth religion. I'm no expert in the history of religions, and perhaps this is nothing new--do you happen to know if there was ever a belief in an...imperfect God?' 'What do you mean by imperfect?' Snow frowned. 'In a way all the gods of the old religions were imperfect, considered that their attributes were amplified human ones. The God of the Old Testament, for instance, required humble submission and sacrifices, and and was jealous of other gods. The Greek gods had fits of sulks and family quarrels, and they were just as imperfect as mortals...' 'No,' I interrupted. 'I'm not thinking of a god whose imperfection arises out of the candor of his human creators, but one whose imperfection represents his essential characteristic: a god limited in his omniscience and power, fallible, incapable of foreseeing the consequences of his acts, and creating things that lead to horror. He is a...sick god, whose ambitions exceed his powers and who does not realize it at first. A god who has created clocks, but not the time they measure. He has created systems or mechanisms that serves specific ends but have now overstepped and betrayed them. And he has created eternity, which was to have measured his power, and which measures his unending defeat.' Snow hesitated, but his attitude no longer showed any of the wary reserve of recent weeks: 'There was Manicheanism...' 'Nothing at all to do with the principles of Good and Evil,' I broke in immediately. 'This god has no existence outside of matter. He would like to free himself from matter, but he cannot...' Snow pondered for a while: 'I don't know of any religion that answers your description. That kind of religion has never been...necessary. If i understand you, and I'm afraid I do, what you have in mind is an evolving god, who develops in the course of time, grows, and keeps increasing in power while remaining aware of his powerlessness. For your god, the divine condition is a situation without a goal. And understanding that, he despairs. But isn't this despairing god of yours mankind, Kelvin? Is it man you are talking about, and that is a fallacy, not just philosophically but also mystically speaking.' I kept on: 'No, it's nothing to do with man. man may correspond to my provisional definition from some point of view, but that is because the definition has a lot of gaps. Man does not create gods, in spite of appearances. The times, the age, impose them on him. Man can serve is age or rebel against it, but the target of his cooperation or rebellion comes to him from outside. If there was only a since human being in existence, he would apparently be able to attempt the experiment of creating his own goals in complete freedom--apparently, because a man not brought up among other human beings cannot become a man. And the being--the being I have in mind--cannot exist in the plural, you see? ...Perhaps he has already been born somewhere, in some corner of the galaxy, and soon he will have some childish enthusiasm that will set him putting out one star and lighting another. We will notice him after a while...' 'We already have,' Snow said sarcastically. 'Novas and supernovas. According to you they are candles on his altar.' 'If you're going to take what I say literally...' ...Snow asked abruptly: 'What gave you this idea of an imperfect god?' 'I don't know. It seems quite feasible to me. That is the only god I could imagine believing in, a god whose passion is not a redemption, who saves nothing, fulfills no purpose--a god who simply is.

But if life were a mellow elementary school run by well-meaning education Ph.D.s, the Deliverator’s report card would say: "Hiro is so bright and creative but needs to work harder on his cooperation skills.

‎I love even to see the domestic animals reassert their native rights — any evidence that they have not wholly lost their original wild habits and vigor; as when my neighbor's cow breaks out of her pasture early in the Spring and boldly swims the river, a cold grey tide, twenty-five or thirty rods wide, swollen by the melted snow. It is the Buffalo crossing the Mississippi.

After five years spent in retirement, he died of a chill caught while experimenting on refrigeration by stuffing a chicken full of snow. Bacon

Festivals and fasts are unhinged, traveling backward at a rate of ten days per year, attached to no season. Even Laylat ul Qadr, the holiest night in Ramadan, drifts--its precise date is unknown. The iconclasm laid down by Muhammed was absolute: you must resist attachment not only to painted images, but to natural ones. Ramadan, Muharram, the Eids; you associate no religious event with the tang of snow in the air, or spring thaw, or the advent of summer. God permeates these things--as the saying goes, Allah is beautiful, and He loves beauty--but they are transient. Forced to concentrate on the eternal, you begin to see, or think you see, the bones and sinews of the world beneath its seasonal flesh. The sun and moon become formidable clockwork. They are transient also, but hint at the dark planes that stretch beyond the earth in every direction, full of stars and dust, toward a retreating, incomprehensible edge

We all start from “naive realism,” i.e., the doctrine that things are what they seem. We think that grass is green, that stones are hard, and that snow is cold. But physics assures us that the greenness of grass, the hardness of stones, and the coldness of snow are not the greenness of grass, the hardness of stones, and the coldness of snow that we know in our own experience, but something very different

The first is to embrace—as a matter of philosophy and public policy—the insights of science, in particular the fields that descend from the great Darwinian revolution that began only a matter of years after Snow’s death: genetics, evolutionary theory, environmental science. Our safety depends on being able to predict the evolutionary path that viruses and bacteria will take in the coming decades, just as safety in Snow’s day depended on the rational application of the scientific method to public-health matters. Superstition, then and now, is not just a threat to the truth. It’s also a threat to national security.

I had travelled from Spain into Morocco and from there south to the Atlas Mountains, at the edge of the Sahara Desert…one night, in a youth hostel that was more like a stable, I woke and walked out into a snowstorm. But it wasn’t the snow I was used to in Minnesota, or anywhere else I had been. Standing bare chest to cool night, wearing flip-flops and shorts, I let a storm of stars swirl around me. I remember no light pollution, heck, I remember no lights. But I remember the light around me-the sense of being lit by starlight- and that I could see the ground to which the stars seemed to be floating down. I saw the sky that night in three dimensions- the sky had depth, some stars seemingly close and some much farther away, the Milky Way so well defined it had what astronomers call “structure”, that sense of its twisting depths. I remember stars from one horizon to another, making a night sky so plush it still seems like a dream. It was a time in my life when I was every day experiencing something new. I felt open to everything, as though I was made of clay, and the world was imprinting on me its breathtaking beauty (and terrible reality.) Standing nearly naked under that Moroccan sky, skin against the air, the dark, the stars, the night pressed its impression, and my lifelong connection was sealed.

Blinding, mineral, shattering silence. You hear nothing but the quiet crunch of stones underfoot. An implacable, definitive silence, like a transparent death. Sky of a perfectly detached blue. You advance with eyes down, reassuring yourself sometimes with a silent mumbling. Cloudless sky, limestone slabs filled with presence: silence nothing can sidestep. Silence fulfilled, vibrant immobility, tensed like a bow. There’s the silence of early morning. For long routes in autumn you have to start very early. Outside everything is violet, the dim light slanting through red and gold leaves. It is an expectant silence. You walk softly among huge dark trees, still swathed in traces of blue night. You are almost afraid of awakening. Everything whispering quietly. There’s the silence of walks through the snow, muffled footsteps under a white sky. All around you nothing moves. Things and even time itself are iced up, frozen solid in silent immobility. Everything is stopped, unified, thickly padded. A watching silence, white, fluffy, suspended as if in parentheses.

Do you want this ice cream?" he asked her, whisking the dish all around the tabletop. "I mean, do you truly want it? Would you fight for this ice cream? Would you bear a deep wound in order to possess this ice cream completely? How deep a wound? What if it was as deep as the grave? What does this ice cream really mean to you, Miss Cabrini?

Feelings that would not have disgraced a leader who, now that the snow has begun to fall and the mountain-top is covered in mist, knows that he must lay himself down and die before morning comes, stole upon him, paling the colour of his eyes, giving him, even in the two minutes of his turn on the terrace, the bleached look of withered old age. Yet he would not die lying down; he would find some crag of rock, and there, his eyes fixed on the storm, trying to the end to pierce the darkness, he would die standing. He would never reach R.

A pine tree’s branches are pliable, so they will flex downward rather than snap under the weight of accumulating snow. This is Strength through Flexibility.

This is why the origins of the minimalist art movement matter to the present day understanding of the minimalist philosophy. While the way in which people interact act with the idea of minimalism are categorically different from how the artists during this period used them, the basic ideas surrounding the movement as a whole certainly have influenced how minimalism is understood today.

Look, doctor, China, the country without religion. The Chinese have no religious ideas, only a kind of philosophy. In the Middle Kingdom no grain has been cultivated for thousands of years. Only rice.

Philosophy is a high mountain road...an isolated road and becomes even more desolate the higher we ascend. Whoever pursues this path should show no fear but must leave everything behind and confidently make his own way in the wintry snow.... He soon sees the world beneath him

And humans, who by my reasoning had less ground than I to think anything they did might matter in any real way, did far more. They traveled. They changed the landscape in large and small ways. They put plans in motion that they knew they would not see completed - plans that would benefit not them but their children and their grandchildren. When I - I had kept myself clear of dirt and leaves and snow. Perhaps the length of one's life was not important - except in the way it is to so many living beings, desperate to avoid death. Perhaps, long or short, it mattered how one spent that time.

Why it was that upon this beautiful feminine tissue, sensitive as gossamer, and practically blank as snow yet, there should have been traced such a coarse pattern as it was doomed to receive; why so often the coarse appropriates the finer thus, many thousands years of analytical philosophy have failed to explain to our sense of order. One may, indeed, admit the possibility of a retribution lurking in the catastrophe. Doubtless some of Tess D'Urberville's mailed ancestors rollicking home from a fray had dealt the same wrong even more ruthlessly upon peasant girls of their time. But though to visit the sins of the fathers upon the children may be a morality good enough for divinities, it is scorned by average human nature; and it therefore does not mend the matter.

Honda did not necessarily cling to the historical school of law, which was influenced by nineteenth-century romanticism, nor to the ethnic school. The Japan of the Meiji era, indeed, needed a nationalistic type of law, one that had its roots in the philosophy of the historical school. But Honda's concerns were quite different. He had first been intent on isolating the essential principle behind all law, a principle which he felt must exist.

Surely... the great mountains of the world are a present remedy if men did but know it against our modern discontent and ambitions. In the hills is wisdom's fount. They are deep in time. They know the ways of the sun and the wind, the lightning's fiery feet, the frost that shattereth, the rain that shroudeth, the snow that putteth about their nakedness a softer coverlet than fine lawn: which if their large philosophy question not if it be a bridal sheet or a shroud, hath not this unpolicied calm his justification ever in the returning year, and is it not an instance to laugh our carefulness out of fashion? Of us, little children of the dust, children of a day, who with so many burdens do burden us with taking thought and with fears and desires and devious schemings of the mind, so that we wax old before our time and fall weary ere the brief day be spent and one reaping-hook gather us home at last for all our pains.

Finer feeling, which we now wish to consider, is chiefly of two kinds: the feeling of the *sublime* and that of the *beautiful*. The stirring of each is pleasant, but in different ways. The sight of a mountain whose snow-covered peak rises above the clouds, the description of a raging storm, or Milton's portrayal of the infernal kingdom, arouse enjoyment but with horror; on the other hand, the sight of flower strewn meadows, valleys with winding brooks and covered with grazing flocks, the description of Elysium, or Homer's portrayal of the girdle of Venus, also occasion a pleasant sensation but one that is joyous and smiling. In order that the former impression could occur to us in due strength, we must have *a feeling of the sublime*, and, in order to enjoy the latter well, *a feeling of the beautiful*. Tall oaks and lonely shadows in a sacred grove are sublime; flower beds, low hedges and trees trimmed in figures are beautiful. Night is sublime; day is beautiful. Temperaments that possess a feeling for the sublime are drawn gradually, by the quiet stillness of a summer evening as the shimmering light of the stars breaks through the brown shadows of night and the lonely moon rises into view, into high feelings of friendship, of disdain for the world, of eternity. The shining day stimulates busy fervor and a feeling of gaiety. The sublime *moves*, the beautiful *charms*.

Philosophy is a high mountain road…an isolated road and becomes even more desolate the higher we ascend. Whoever pursues this pass should know no fear but must leave everything behind and confidently make his own way in the wintry snow…He soon sees the world beneath him; its uneven spot are leveled out, its jarring sounds no longer reach his ear. And its roundness is revealed to him. He himself is always in the pure cool mountain air and beholds the sun when all below is still engulfed in the dead of night.

And I sat there at the patio, while the whole of universe, was getting engulfed, in the whitest whiteness of snow. Down, near my rough paw, is soft snow, mannering a fidgeting embryo. I monitored the snow that plunged, on the soil of my backyard, and realized it melting fast. Was that the temperature or, my eyes on it overcast? While I think of this melted exalt, I am obliged to ask, What ought happens to the thoughts? Where do they get tossed? When they are forgot? Scorched? Scoffed? Deformed? Unadorned?

Before coming to the Black Wood, I had read as widely in tree lore as possible. As well as the many accounts I encountered of damage to trees and woodland -- of what in German is called Waldsterben, or 'forest-death' -- I also met with and noted down stories of astonishment at woods and trees. Stories of how Chinese woodsmen in the T'ang and S'ung dynasties -- in obedience to the Taoist philosophy of a continuity of nature between humans and other species -- would bow to the trees which they felled, and offer a promise that the tree would be used well, in buildings that would dignify the wood once it had become timber. The story of Xerxes, the Persian king who so loved sycamores that, when marching to war with the Greeks, he halted his army of many thousands of men in order that they might contemplate and admire one outstanding specimen. Thoreau's story of how he felt so attached to the trees in the woods around his home-town of Concord, Massachusetts, that he would call regularly on them, gladly tramping 'eight or ten miles through the deepest snow to keep an appointment with a beech-tree, or yellow-birch, or an old acquaintance among the pines. When Willa Cather moved to the prairies of Nebraska, she missed the wooded hills of her native Virginia. Pining for trees, she would sometimes travel south 'to our German neighbors, to admire their catalpa grove, or to see the big elm tree that grew out of a crack in the earth. Trees were so rare in that country that we used to feel anxious about them, and visit them as if they were persons'....

A shark does not ask for permission to rule the waters. A bear does not ask for permission to rule the woods. A wolf does not ask for permission to rule the forest. A camel does not ask for permission to rule the desert. A lion does not ask for permission to rule the jungle. Trees do not ask for permission to rule woodlands. Gravel does not ask for permission to rule mountains. Light does not ask for permission to rule summer. Wind does not ask for permission to rule autumn. Snow does not ask for permission to rule winter. Water does not ask for permission to rule the sea. Plants do not ask for permission to rule rainforests. Animals do not ask for permission to rule wildernesses. Stars do not ask for permission to rule the sky. Nature does not ask for permission to rule the world. An eagle achieves more than a turkey in a lifetime. A leopard achieves more than a hyena in a lifetime. A fox achieves more than a rabbit in a lifetime. A falcon achieves more than a vulture in a lifetime. A lion achieves more than a sheep in a lifetime. A leader achieves more than a student in a lifetime. A saint achieves more than a sinner in a lifetime. A prophet achieves more than a priest in a lifetime. A master achieves more than a disciple in a lifetime. A conqueror achieves more than a warrior in a lifetime. A hero achieves more than a villain in a lifetime. A maestro achieves more than an apprentice in a lifetime. A genius achieves more than a talent in a lifetime. A star achieves more than a critic in a lifetime. A legend achieves more than a champion in a lifetime.

The differences between religions are reflected very clearly in the different forms of sacred art: compared with Gothic art, above all in its “flamboyant” style, Islamic art is contemplative rather than volitive: it is “intellectual” and not “dramatic”, and it opposes the cold beauty of geometrical design to the mystical heroism of cathedrals. Islam is the perspective of “omnipresence” (“God is everywhere”), which coincides with that of “simultaneity” (“Truth has always been”); it aims at avoiding any “particularization” or “condensation”, any “unique fact” in time and space, although as a religion it necessarily includes an aspect of “unique fact”, without which it would be ineffective or even absurd. In other words Islam aims at what is “everywhere center”, and this is why, symbolically speaking, it replaces the cross with the cube or the woven fabric: it “decentralizes” and “universalizes” to the greatest possible extent, in the realm of art as in that of doctrine; it is opposed to any individualist mode and hence to any “personalist” mysticism. To express ourselves in geometrical terms, we could say that a point which seeks to be unique, and which thus becomes an absolute center, appears to Islam—in art as in theology—as a usurpation of the divine absoluteness and therefore as an “association” (shirk); there is only one single center, God, whence the prohibition against “centralizing” images, especially statues; even the Prophet, the human center of the tradition, has no right to a “Christic uniqueness” and is “decentralized” by the series of other Prophets; the same is true of Islam—or the Koran—which is similarly integrated in a universal “fabric” and a cosmic “rhythm”, having been preceded by other religions—or other “Books”—which it merely restores. The Kaaba, center of the Muslim world, becomes space as soon as one is inside the building: the ritual direction of prayer is then projected toward the four cardinal points. If Christianity is like a central fire, Islam on the contrary resembles a blanket of snow, at once unifying and leveling and having its center everywhere.

Very Like a Whale One thing that literature would be greatly the better for Would be a more restricted employment by authors of simile and metaphor. Authors of all races, be they Greeks, Romans, Teutons or Celts, Can'ts seem just to say that anything is the thing it is but have to go out of their way to say that it is like something else. What foes it mean when we are told That the Assyrian came down like a wolf on the fold? In the first place, George Gordon Byron had had enough experience To know that it probably wasn't just one Assyrian, it was a lot of Assyrians. However, as too many arguments are apt to induce apoplexy and thus hinder longevity, We'll let it pass as one Assyrian for the sake of brevity. Now then, this particular Assyrian, the one whose cohorts were gleaming in purple and gold, Just what does the poet mean when he says he came down like a wolf on the fold? In heaven and earth more than is dreamed of in our philosophy there are a great many things, But i don't imagine that among then there is a wolf with purple and gold cohorts or purple and gold anythings. No, no, Lord Byron, before I'll believe that this Assyrian was actually like a wolf I must have some kind of proof; Did he run on all fours and did he have a hairy tail and a big red mouth and big white teeth and did he say Woof woof? Frankly I think it very unlikely, and all you were entitled to say, at the very most, Was that the Assyrian cohorts came down like a lot of Assyrian cohorts about to destroy the Hebrew host. But that wasn't fancy enough for Lord Byron, oh dear me no, he had to invent a lot of figures of speech and then interpolate them, With the result that whenever you mention Old Testament soldiers to people they say Oh yes, they're the ones that a lot of wolves dressed up in gold and purple ate them. That's the kind of thing that's being done all the time by poets, from Homer to Tennyson; They're always comparing ladies to lilies and veal to venison, And they always say things like that the snow is a white blanket after a winter storm. Oh it is, is it, all right then, you sleep under a six-inch blanket of snow and I'll sleep under a half-inch blanket of unpoetical blanket material and we'll see which one keeps warm, And after that maybe you'll begin to comprehend dimly, What I mean by too much metaphor and simile.

What is important to the historian of the world is not the petty wars between Greek cities, or the sordid squabbles for party ascendancy, but the memories retained by mankind when the brief episode was ended—like the recollection of a brilliant sunrise in the Alps, while the mountaineer struggles through an arduous day of wind and snow. These memories, as they gradually faded, left in men's minds the images of certain peaks that had shone with peculiar brightness in the early light, keeping alive the knowledge that behind the clouds a splendour still survived, and might at any moment become manifest.

Connected with this is another curious view of Plato's, that knowledge and opinion must be concerned with different subject-matters. We should say: If I think it is going to snow, that is opinion; if later I see it snowing, that is knowledge; but the subject-matter is the same on both occasions. Plato, however, thinks that what can at any time be a matter of opinion can never be a matter of knowledge. Knowledge is certain and infallible; opinion is not merely fallible, but is necessarily mistaken, since it assumes the reality of what is only appearance. All this repeats what had been said by Parmenides.

I Should Have Told You Child, I love you I wished to be with you longer But I had to go to a place up yonder My time on Earth was over There is something I should tell I hope you receive it well Here is a vital fact Not every parent might share Please lend me an ear Learn while you can I want you to know That life comes with its highs and lows Stand for yourself, whether or not it snows Pray more and fast more Trust the Lord your God When storms come your way Do not doubt your faith Put on a brave face Run in the right lane You shall win the race Be a good learner Always be eager To become an achiever Keep being a dreamer Never fear to be a leader Because you were born to prosper And that my adorable one Is what I should have told you

And under the cicadas, deeper down that the longest taproot, between and beneath the rounded black rocks and slanting slabs of sandstone in the earth, ground water is creeping. Ground water seeps and slides, across and down, across and down, leaking from here to there, minutely at a rate of a mile a year. What a tug of waters goes on! There are flings and pulls in every direction at every moment. The world is a wild wrestle under the grass; earth shall be moved. What else is going on right this minute while ground water creeps under my feet? The galaxy is careening in a slow, muffled widening. If a million solar systems are born every hour, then surely hundreds burst into being as I shift my weight to the other elbow. The sun’s surface is now exploding; other stars implode and vanish, heavy and black, out of sight. Meteorites are arcing to earth invisibly all day long. On the planet, the winds are blowing: the polar easterlies, the westerlies, the northeast and southeast trades. Somewhere, someone under full sail is becalmed, in the horse latitudes, in the doldrums; in the northland, a trapper is maddened, crazed, by the eerie scent of the chinook, the sweater, a wind that can melt two feet of snow in a day. The pampero blows, and the tramontane, and the Boro, sirocco, levanter, mistral. Lick a finger; feel the now. Spring is seeping north, towards me and away from me, at sixteen miles a day. Along estuary banks of tidal rivers all over the world, snails in black clusters like currants are gliding up and down the stems of reed and sedge, migrating every moment with the dip and swing of tides. Behind me, Tinker Mountain is eroding one thousandth of an inch a year. The sharks I saw are roving up and down the coast. If the sharks cease roving, if they still their twist and rest for a moment, they die. They need new water pushed into their gills; they need dance. Somewhere east of me, on another continent, it is sunset, and starlings in breathtaking bands are winding high in the sky to their evening roost. The mantis egg cases are tied to the mock-orange hedge; within each case, within each egg, cells elongate, narrow, and split; cells bubble and curve inward, align, harden or hollow or stretch. And where are you now?

To sit in Meditation is not the only method of practising Zazen. "We practise Dhyana in sitting, in standing, and in walking," says one of the Japanese Zenists. Lin Tsi (Rin-Zai) also says: "To concentrate one's mind, or to dislike noisy places, and seek only for stillness, is the characteristic of heterodox Dhyana." It is easy to keep self-possession in a place of tranquillity, yet it is by no means easy to keep mind undisturbed amid the bivouac of actual life. It is true Dhyana that makes our mind sunny while the storms of strife rage around us. It is true Dhyana that secures the harmony of heart, while the surges of struggle toss us violently. It is true Dhyana that makes us bloom and smile, while the winter of life covets us with frost and snow. "Idle

...if we are to keep alive the model of sustainable metropolitan life that Snow and Whitehead helped make possible 150 years ago, it is incumbent on us to do, at the very least, two things. The first is to embrace—as a matter of philosophy and public policy—the insights of science... The second is to commit ourselves anew to the kinds of public health systems that developed in the wake of the Broad Street outbreak, both in the developed world and the developing: clean water supplies, sanitary waste-removal and recycling systems, early vaccination programs, disease detection and mapping programs. Cholera demonstrated that the nineteenth-century world was more connected than ever before; that local public-health problems could quickly reverberate around the globe.

Shadow is the blue patch where the light doesn’t hit. It is mystery itself, and mystery is the ancients’ ultima Thule, the modern explorer’s Point of Relative Inaccessibility, that boreal point most distant from all known lands. There the twin oceans of beauty and horror meet. The great glaciers are calving. Ice that sifted to earth as snow in the time of Christ shears from the pack with a roar and crumbles to water. It could be that our instruments have not looked deeply enough. The RNA deep in the mantis’s jaw is a beautiful ribbon. Did the crawling Polyphemus moth have in its watery heart one cell, and in that cell one special molecule, and that molecule one hydrogen atom, and round that atom’s nucleus one wild, distant electron that split showed a forest, swaying?

It will be long before everyone is wiped out. People live in war time, they always have. There was terror down through history - and the men who saw the Spanish Armada sail over the rim of the world, who saw the Black death wipe out half of Europe, those men were frightened, terrified. But though they lived and died in fear, I am here; we have built again. And so I will belong to a dark age, and historians will say "We have few documents to show how the common people lived at this time. Records lead us to believe that a majority were killed. But there were glorious men." And school children will sigh and learn the names of Truman and Senator McCarthy. Oh, it is hard for me to reconcile myself to this. But maybe this is why I am a girl - - - so I can live more safely than the boys I have known and envied, so I can bear children, and instill in them the biting eating desire to learn and love life which I will never quite fulfill, because there isn't time, because there isn't time at all, but instead the quick desperate fear, the ticking clock, and the snow which comes too suddenly upon the summer. Sure, I'm dramatic and sloppily semi-cynical and semi-sentimental. But in leisure years I could grow and choose my way. Now I am living on the edge. We all are on the brink, and it takes a lot of nerve, a lot of energy, to teeter on the edge, looking over, looking down into the windy blackness and not being quite able to make out, through the yellow, stinking mist, just what lies below in the slime, in the oozing, vomit-streaked slime; and so I could go on, into my thoughts, writing much, trying to find the core, the meaning for myself. Perhaps that would help, to synthesize my ideas into a philosophy for me, now, at the age of eighteen, but the clock ticks, ah yes, "At my back I hear, time's winged chariot hovering near." And I have too much conscience, too much habit to sit and stare at snow, thick now, and evenly white and muffling on the ground. God, I scream for time to let go, to write, to think. But no. I have to exercise my memory in little feats just so I can stay in this damn wonderful place which I love and hate with all my heart. And so the snow slows and swirls, and melts along the edges. The first snow isn't good for much. It makes a few people write poetry, a few wonder if the Christmas shopping is done, a few make reservations at the skiing lodge. It's a sentimental prelude to the real thing. It's picturesque & quaint.

The great minds, which from time to time have existed in this world, were like doors thrown wide to understanding. I don't mean just their brilliance or philosophy or even psychology. I mean that the spoken words that have endured are those uttered by men who understood with their hearts. No one on earth understands everything; that all-comprehensive function belongs to God alone. But we all try to understand a little. Most of us realize that too late. We look back and think: If only I'd tried to understand. Many failures in human relationships derive from this common failure. Watching the birds flock to discuss their travels among the brilliant leaves, listening to the slow turning of the earth upon her axis, meditating on Nature herself, never uncertain no matter how uncertain her manifestations may be, I think of the instinct that sends the birds from one locality to another, of the lengthening shadows as we face toward autumn, and of the marvelous system that encourages the leaf to fall and nurture the soil. In the single flame of October it begins the lullaby that will put the roots of grass and flowers to sleep. This system, in the four seasons of my little world, will cover the ground with silent snow, and at a later date will shout that spring is coming and awaken sleepers to new life. The sun in his glory, the moon in her phases, the stars in their courses, all these are part of the system; and Nature, turning the wheel of the seasons, understands what she must accomplish. Each in our own way, I suppose, we try to understand what we must accomplish. Perhaps the most important thing of all is the attempt to understand others.

But what about the other side? They are impoverished too—perhaps more seriously, because they are vainer about it. They still like to pretend that the traditional culture is the whole of ‘culture’, as though the natural order didn’t exist. As though the exploration of the natural order was of no interest either in its own value or its consequences. As though the scientific edifice of the physical world was not, in its intellectual depth, complexity and articulation, the most beautiful and wonderful collective work of the mind of man. Yet most non-scientists have no conception of that edifice at all. Even if they want to have it, they can’t. It is rather as though, over an immense range of intellectual experience, a whole group was tone deaf. Except that this tone-deafness doesn’t come by nature, but by training, or rather the absence of training.

Philosophy is a high mountain road which is reached only by a steep path covered with sharp stones and prickly thorns. It is an isolated road and becomes ever more desolate the higher we ascend. Whoever pursues this path must show no fear, but must leave everything behind and confidently make his own way in the wintry snow. Often he suddenly comes to a precipice and looks down upon the verdant valley. A violent attack of dizziness draws him over the edge, but he must control himself and cling to the rocks with might and main. In return to this, he soon sees the world beneath him; its sandy deserts and morasses vanish from his view, its uneven spots are leveled out, its jarring sounds no longer reach his ear, and its roundness is revealed to him. He himself is always in the pure cool mountain air and now beholds the sun when all below is still engulfed in dead of night.

Of books, though, very little. And of the books which to most literary persons are bread and butter, novels, history, poetry, plays, almost nothing at all. It isn’t that they’re not interested in the psychological or moral or social life. In the social life, they certainly are, more than most of us. In the moral, they are by and large the soundest group of intellectuals we have; there is a moral component right in the grain of science itself, and almost all scientists form their own judgments of the moral life. In the psychological they have as much interest as most of us, though occasionally I fancy they come to it rather late. It isn’t that they lack the interests. It is much more that the whole literature of the traditional culture doesn’t seem to them relevant to those interests. They are, of course, dead wrong. As a result, their imaginative understanding is less than it could be. They are self-impoverished.

All at once, something wonderful happened, although at first, it seemed perfectly ordinary. A female goldfinch suddenly hove into view. She lighted weightlessly on the head of a bankside purple thistle and began emptying the seedcase, sowing the air with down. The lighted frame of my window filled. The down rose and spread in all directions, wafting over the dam’s waterfall and wavering between the tulip trunks and into the meadow. It vaulted towards the orchard in a puff; it hovered over the ripening pawpaw fruit and staggered up the steep faced terrace. It jerked, floated, rolled, veered, swayed. The thistle down faltered down toward the cottage and gusted clear to the woods; it rose and entered the shaggy arms of pecans. At last it strayed like snow, blind and sweet, into the pool of the creek upstream, and into the race of the creek over rocks down. It shuddered onto the tips of growing grasses, where it poised, light, still wracked by errant quivers. I was holding my breath. Is this where we live, I thought, in this place in this moment, with the air so light and wild? The same fixity that collapses stars and drives the mantis to devour her mate eased these creatures together before my eyes: the thick adept bill of the goldfinch, and the feathery coded down. How could anything be amiss? If I myself were lighter and frayed, I could ride these small winds, too, taking my chances, for the pleasure of being so purely played. The thistle is part of Adam’s curse. “Cursed is the ground for thy sake, in sorrow shalt thou eat of it; thorns also and thistles shall it bring forth to thee.” A terrible curse: But does the goldfinch eat thorny sorrow with the thistle or do I? If this furling air is fallen, then the fall was happy indeed. If this creekside garden is sorrow, then I seek martyrdom. I was weightless; my bones were taut skins blown with buoyant gas; it seemed that if I inhaled too deeply, my shoulders and head would waft off. Alleluia.

Love has many positionings. Cordelia makes good progress. She is sitting on my lap, her arm twines, soft and warm, round my neck; she leans upon my breast, light, without gravity; the soft contours scarcely touch me; like a flower her lovely figure twines about me, freely as a ribbon. Her eyes are hidden beneath her lashes, her bosom is dazzling white like snow, so smooth that my eye cannot rest, it would glance off if her bosom were not moving. What does this movement mean? Is it love? Perhaps. It is a presentiment of it, its dream. It still lacks energy. Her embrace is comprehensive, as the cloud enfolding the transfigured one, detached as a breeze, soft as the fondling of a flower; she kisses me unspecifically, as the sky kisses the sea, gently and quietly, as the dew kisses a flower, solemnly as the sea kisses the image of the moon. I would call her passion at this moment a naive passion. When the change has been made and I begin to draw back in earnest, she will call on everything she has to captivate me. She has no other means for this purpose than the erotic itself, except that this will now appear on a quite different scale. It then becomes a weapon in her hand which she wields against me. I then have the reflected passion. She fights for her own sake because she knows I possess the erotic; she fights for her own sake so as to overcome me. She herself is in need of a higher form of the erotic. What I taught her to suspect by arousing her, my coldness now teaches her to understand but in such a way that she thinks it is she herself who discovers it. So she wants to take me by surprise; she wants to believe that she has outstripped me in audacity, and that makes me her prisoner. Her passion then becomes specific, energetic, conclusive, dialectical; her kiss total, her embrace without hesitation.—In me she seeks her freedom and finds it the better the more firmly I encompass her. The engagement bursts. When that has happened she needs a little rest, so that nothing unseemly will emerge from this wild tumult. Her passion then composes itself once more and she is mine.” —from_Either/Or: A Fragment of Life_, (as written by his pseudonym Johannes the Seducer)

Why it was that upon this beautiful feminine tissue, sensitive as gossamer, and practically blank as snow as yet, there should have been traced such a coarse pattern as it was doomed to receive; why so often the coarse appropriates the finer thus, the wrong man the woman, the wrong woman the man, many thousand years of analytical philosophy have failed to explain to our sense of order. One may, indeed, admit the possibility of a retribution lurking in the present catastrophe. Doubtless some of Tess d'Urberville's mailed ancestors rollicking home from a fray had dealt the same measure even more ruthlessly towards peasant girls of their time. But though to visit the sins of the fathers upon the children may be a morality good enough for divinities, it is scorned by average human nature; and it therefore does not mend the matter. As Tess's own people down in those retreats are never tired of saying among each other in their fatalistic way: "It was to be." There lay the pity of it. An immeasurable social chasm was to divide our heroine's personality thereafter from that previous self of hers who stepped from her mother's door to try her fortune at Trantridge poultry-farm.

She Is Remarkable Salute to the woman who knows who she is And why she is who she is A powerful being Once thrown into the deep end of the ocean But swam her way back to shore She never stops moving forward Nothing can ever pull her backwards Such a brave warrior Shout out to the superwoman Determined to change the status quo Because she feels the need to do so Just like an eagle She soars higher and higher As the wind blows stronger She does not let anything deter her From reaching another level in life Thumbs up to an amazing woman A great force to be reckoned with That committed Mother on the street Who trades from sunrise to sunset Trying to make ends meet Oh, she has a heart so big Being mindful that come snow or sunshine She has mouths to feed I revere this gifted woman Who uses her creativity To make an impact in society Despite the uniqueness of her talent She remains a trendsetter It could be the potter in whose hands clay becomes magic The miner who touches gold, before it even gets sold to the markets Or the strategist who sits in high-level meetings, making sure organisations do not collapse A special mention to the special woman Who chooses not to give up She understands that others look up to her The smart lady out there, with a clear vision She makes things happen for her family, community, and the world at large She deserves a badge of honour Because she is remarkable!

On his journey home from delivering his acceptance speech in Sweden the following summer, Einstein stopped in Copenhagen to see Bohr, who met him at the train station to take him home by streetcar. On the ride, they got into a debate. “We took the streetcar and talked so animatedly that we went much too far,” Bohr recalled. “We got off and traveled back, but again rode too far.” Neither seemed to mind, for the conversation was so engrossing. “We rode to and fro,” according to Bohr, “and I can well imagine what the people thought about us.”43 More than just a friendship, their relationship became an intellectual entanglement that began with divergent views about quantum mechanics but then expanded into related issues of science, knowledge, and philosophy. “In all the history of human thought, there is no greater dialogue than that which took place over the years between Niels Bohr and Albert Einstein about the meaning of the quantum,” says the physicist John Wheeler, who studied under Bohr. The social philosopher C. P. Snow went further. “No more profound intellectual debate has ever been conducted,” he proclaimed.44 Their dispute went to the fundamental heart of the design of the cosmos: Was there an objective reality that existed whether or not we could ever observe it? Were there laws that restored strict causality to phenomena that seemed inherently random? Was everything in the universe predetermined?

The natural world gives us many examples of the great effectiveness of this way. The Chinese philosophy of which judo itself is an expression—Taoism—drew attention to the power of water to overcome all obstacles by its gentleness and pliability. It showed how the supple willow survives the tough pine in a snowstorm, for whereas the unyielding branches of the pine accumulate snow until they crack, the springy boughs of the willow bend under its weight, drop the snow, and jump back again. If, when swimming, you are caught in a strong current, it is fatal to resist. You must swim with it and gradually edge to the side. One who falls from a height with stiff limbs will break them, but if he relaxes like a cat he will fall safely. A building without 'give' in its structure will easily collapse in storm or earthquake, and a car without the cushioning of tires and springs will soon come apart on the road. The mind has just the same powers, for it has give and can absorb shocks like water or a cushion. But this giving way to an opposing force is not at all the same thing as running away. A body of water does not run away when you push it; it simply gives at the point of the push and encloses your hand. A shock absorber does not fall down like a bowling-pin when struck; it gives, and yet stays in the same place. To run away is the only defense of something rigid against an overwhelming force. Therefore the good shock absorber has not only 'give,' but also stability or 'weight.

Toward an Organic Philosophy SPRING, COAST RANGE The glow of my campfire is dark red and flameless, The circle of white ash widens around it. I get up and walk off in the moonlight and each time I look back the red is deeper and the light smaller. Scorpio rises late with Mars caught in his claw; The moon has come before them, the light Like a choir of children in the young laurel trees. It is April; the shad, the hot headed fish, Climbs the rivers; there is trillium in the damp canyons; The foetid adder’s tongue lolls by the waterfall. There was a farm at this campsite once, it is almost gone now. There were sheep here after the farm, and fire Long ago burned the redwoods out of the gulch, The Douglas fir off the ridge; today the soil Is stony and incoherent, the small stones lie flat And plate the surface like scales. Twenty years ago the spreading gully Toppled the big oak over onto the house. Now there is nothing left but the foundations Hidden in poison oak, and above on the ridge, Six lonely, ominous fenceposts; The redwood beams of the barn make a footbridge Over the deep waterless creek bed; The hills are covered with wild oats Dry and white by midsummer. I walk in the random survivals of the orchard. In a patch of moonlight a mole Shakes his tunnel like an angry vein; Orion walks waist deep in the fog coming in from the ocean; Leo crouches under the zenith. There are tiny hard fruits already on the plum trees. The purity of the apple blossoms is incredible. As the wind dies down their fragrance Clusters around them like thick smoke. All the day they roared with bees, in the moonlight They are silent and immaculate. SPRING, SIERRA NEVADA Once more golden Scorpio glows over the col Above Deadman Canyon, orderly and brilliant, Like an inspiration in the brain of Archimedes. I have seen its light over the warm sea, Over the coconut beaches, phosphorescent and pulsing; And the living light in the water Shivering away from the swimming hand, Creeping against the lips, filling the floating hair. Here where the glaciers have been and the snow stays late, The stone is clean as light, the light steady as stone. The relationship of stone, ice and stars is systematic and enduring: Novelty emerges after centuries, a rock spalls from the cliffs, The glacier contracts and turns grayer, The stream cuts new sinuosities in the meadow, The sun moves through space and the earth with it, The stars change places. The snow has lasted longer this year, Than anyone can remember. The lowest meadow is a lake, The next two are snowfields, the pass is covered with snow, Only the steepest rocks are bare. Between the pass And the last meadow the snowfield gapes for a hundred feet, In a narrow blue chasm through which a waterfall drops, Spangled with sunset at the top, black and muscular Where it disappears again in the snow. The world is filled with hidden running water That pounds in the ears like ether; The granite needles rise from the snow, pale as steel; Above the copper mine the cliff is blood red, The white snow breaks at the edge of it; The sky comes close to my eyes like the blue eyes Of someone kissed in sleep. I descend to camp, To the young, sticky, wrinkled aspen leaves, To the first violets and wild cyclamen, And cook supper in the blue twilight. All night deer pass over the snow on sharp hooves, In the darkness their cold muzzles find the new grass At the edge of the snow.

...literature does its best to maintain that its concern is with the mind ; that the body is a sheet of plain glass through which the soul looks straight and clear, and, save for one or two passions such as desire and greed, is null , negligible and nonexistent. On the contrary, the very opposite is true. All day, all night the body intervenes; blunts or sharpens, colours or discolours, turns to wax in the warmth of June, hardens to tallow in the murk of February. The creature within can only gaze through the pane—smudged or rosy; it cannot separate off from the body like the sheath of a knife or the pod of a pea for a single instant; it must go through the whole unending procession of changes, heat and cold, comfort and discomfort, hunger and satisfaction, health and illness, until there comes the inevitable catastrophe; the body smashes itself to smithereens, and the soul (it is said) escapes. But of all this daily drama of the body there is no record. People write always about the doings of the mind; the thoughts that come to it; its noble plans; how it has civilised the universe. They show it ignoring the body in the philosopher's turret; or kicking the body, like an old leather football, across leagues of snow and desert in the pursuit of conquest or discovery. Those great wars which it wages by itself, with the mind a slave to it, in the solitude of the bedroom against the assault of fever or the oncome of melancholia, are neglected. Nor is the reason far to seek. To look these things squarely in the face would need the courage of a lion tamer; a robust philosophy; a reason rooted in the bowels of the earth. Short of these, this monster, the body, this miracle, its pain, will soon make us taper into mysticism, or rise, with rapid beats of the wings, into the raptures of transcendentalism. More practically speaking, the public would say that a novel devoted to influenza lacked plot; they would complain that there was no love in it—wrongly however, for illness often takes on the disguise of love, and plays the same odd tricks, investing certain faces with divinity, setting us to wait, hour after hour, with pricked ears for the creaking of a stair, and wreathing the faces of the absent (plain enough in health, Heaven knows) with a new significance, while the mind concocts a thousand legends and romances about them for which it has neither time nor liberty in health.

literature does itsnbest to maintain that its concern is with the mind ; that the body is a sheet of plain glass through which the soul looks straight and clear, and, save for one or two passions such as desire and greed, is null , negligible and nonexistent. On the contrary, the very opposite is true. All day, all night the body intervenes; blunts or sharpens, colours or discolours, turns to wax in the warmth of June, hardens to tallow in the murk of February. The creature within can only gaze through the pane—smudged or rosy; it cannot separate off from the body like the sheath of a knife or the pod of a pea for a single instant; it must go through the whole unending procession of changes, heat and cold, comfort and discomfort, hunger and satisfaction, health and illness, until there comes the inevitable catastrophe; the body smashes itself to smithereens, and the soul (it is said) escapes. But of all this daily drama of the body there is no record. People write always about the doings of the mind; the thoughts that come to it; its noble plans; how it has civilised the universe. They show it ignoring the body in the philosopher's turret; or kicking the body, like an old leather football, across leagues of snow and desert in the pursuit of conquest or discovery. Those great wars which it wages by itself, with the mind a slave to it, in the solitude of the bedroom against the assault of fever or the oncome of melancholia, are neglected. Nor is the reason far to seek. To look these things squarely in the face would need the courage of a lion tamer; a robust philosophy; a reason rooted in the bowels of the earth. Short of these, this monster, the body, this miracle, its pain, will soon make us taper into mysticism, or rise, with rapid beats of the wings, into the raptures of transcendentalism. More practically speaking, the public would say that a novel devoted to influenza lacked plot; they would complain that there was no love in it—wrongly however, for illness often takes on the disguise of love, and plays the same odd tricks, investing certain faces with divinity, setting us to wait, hour after hour, with pricked ears for the creaking of a stair, and wreathing the faces of the absent (plain enough in health, Heaven knows) with a new significance, while the mind concocts a thousand legends and romances about them for which it has neither time nor liberty in health.

experience, and to our consequent estrangement from the earthly world around us. So the ancient Hebrews, on the one hand, and the ancient Greeks on the other, are variously taken to task for providing the mental context that would foster civilization’s mistreatment of nonhuman nature. Each of these two ancient cultures seems to have sown the seeds of our contemporary estrangement—one seeming to establish the spiritual or religious ascendancy of humankind over nature, the other effecting a more philosophical or rational dissociation of the human intellect from the organic world. Long before the historical amalgamation of Hebraic religion and Hellenistic philosophy in the Christian New Testament, these two bodies of belief already shared—or seem to have shared—a similar intellectual distance from the nonhuman environment. In every other respect these two traditions, each one originating out of its own specific antecedents, and in its own terrain and time, were vastly different. In every other respect, that is, but one: they were both, from the start, profoundly informed by writing. Indeed, they both made use of the strange and potent technology which we have come to call “the alphabet.” — WRITING, LIKE HUMAN LANGUAGE, IS ENGENDERED NOT ONLY within the human community but between the human community and the animate landscape, born of the interplay and contact between the human and the more-than-human world. The earthly terrain in which we find ourselves, and upon which we depend for all our nourishment, is shot through with suggestive scrawls and traces, from the sinuous calligraphy of rivers winding across the land, inscribing arroyos and canyons into the parched earth of the desert, to the black slash burned by lightning into the trunk of an old elm. The swooping flight of birds is a kind of cursive script written on the wind; it is this script that was studied by the ancient “augurs,” who could read therein the course of the future. Leaf-miner insects make strange hieroglyphic tabloids of the leaves they consume. Wolves urinate on specific stumps and stones to mark off their territory. And today you read these printed words as tribal hunters once read the tracks of deer, moose, and bear printed in the soil of the forest floor. Archaeological evidence suggests that for more than a million years the subsistence of humankind has depended upon the acuity of such hunters, upon their ability to read the traces—a bit of scat here, a broken twig there—of these animal Others. These letters I print across the page, the scratches and scrawls you now focus upon, trailing off across the white surface, are hardly different from the footprints of prey left in the snow. We read these traces with organs honed over millennia by our tribal ancestors, moving instinctively from one track to the next, picking up the trail afresh whenever it leaves off, hunting the meaning, which would be the meeting with the Other.2

All philosophies are either monist or dualist. Monists believe that the material world is the only world -- hence, materialists. Dualists believe in a binary universe, that there is a spiritual world in addition to the material world." "Well, as a computer geek, I have to believe in the binary universe." The Librarian raises his eyebrows. "How does that follow?" "Sorry. It's a joke. A bad pun. See, computers use binary code to represent information. So I was joking that I have to believe in the binary universe, that I have to be a dualist." "How droll," the Librarian says, not sounding very amused. "Your joke may not be without genuine merit, however." "How's that? I was just kidding, really." "Computers rely on the one and the zero to represent all things. This distinction between something and nothing -- this pivotal separation between being and nonbeing -- is quite fundamental and underlies many Creation myths." Hiro feels his face getting slightly warm, feels himself getting annoyed. He suspects that the Librarian may be pulling his leg, playing him for a fool. But he knows that the Librarian, however convincingly rendered he may be, is just a piece of software and cannot actually do such things. "Even the word 'science' comes from an Indo-European root meaning 'to cut' or 'to separate.' The same root led to the word 'shit,' which of course means to separate living flesh from nonliving waste. The same root gave us 'scythe' and 'scissors' and 'schism,' which have obvious connections to the concept of separation." "How about 'sword'?" "From a root with several meanings. One of those meanings is 'to cut or pierce.' One of them is 'post' or 'rod.' And the other is, simply, 'to speak.'" "Let's stay on track," Hiro says. "Fine. I can return to this potential conversation fork at a later time, if you desire." "I don't want to get all forked up at this point.

OH, NIETZSCHE The last Christmas Eve of the nineteenth century was very cold Piercing winds and snow stuffed themselves into the cracks of every door and window As professors of philosophy gathered in the Golden Hall Their nonsense and hollow academic jargon were winning applause Feeling a chill, professors furrowed their brows And refined ladies unconsciously pulled their collars closed No one paid attention to the chill, no one even responded But the howling wind outside the window Swept across Europe’s wide sky Outside, Nietzsche was wandering around in the wilderness His thoughts were accompanied by the snowy winds and howls of wolves In this frozen world his thoughts shed their skin again and again Like a bloody struggle to be free of incorporeal chains He relentlessly pursued the truth No one could understand his eccentric and arrogant disposition No one could answer his disdain for this world For only a blizzard of manuscripts accompanied him Weathered by a tormenting disease Nietzsche bitterly suffered from his solitary meditation His discontent with thoughts surged like gales blowing the heavy snow Sweeping the sky and earth with a wild fervor What a pure yet brutal world At that moment the bells of a new century were ringing The generation of heroes Nietzsche called “supermen” From “Martin Eden” penned by Jack London To the old man who went fishing with Hemingway Have already shocked the whole world Through so many sleepless nights he endured the torture of disease Yet nurtured the poetic longing of solitude and indifference An infant thought undergoes the trauma of birth To finally cry out in an earth-shattering voice Nietzsche, before the sunrise changed the world The entire sky shimmered with your incandescent thoughts The nearly extinguished candle was burning your final passion Nietzsche, oh Nietzsche, let us walk on together

The happy writer and the speaking man are neither so greatly nor so little conscientious. They do not wonder, before speaking, whether speech is possible. They do not contemplate the sorrow of language which is the necessity of not saying everything if one is to say something. They sit happily in the shade of a great tree and continue aloud the internal monologue. Their thought germinates in speech and, without seeking it, they are understood, making themselves other, while saying what is most singular to them. They truly abide in themselves, without feeling exiled from the other. And because they are fully convinced that what seems evident to them is true, they say it quite simply. They cross bridges of snow without seeing how fragile those are, using to the very limit that extraordinary power given to every mind of convincing others and entering into their little corner when it believes itself to be coextensive with the truth.

At present we’re snowed under with an irrational expansion of blind data-gathering in the sciences because there’s no rational format for any understanding of scientific creativity. At present we are also snowed under with a lot of stylishness in the arts … thin art … because there’s very little assimilation or extension into underlying form. We have artists with no scientific knowledge and scientists with no artistic knowledge, and both with no spiritual sense of gravity at all. And the result is not just bad, it is ghastly. The time for real reunification of art and technology is really long overdue.

We’re diamonds: “Some are in the rough, though; others already buffed to a nice glow.” To shine, wait for no one to give you glow, lest you’re in the tropics waiting for snow. Yet, if you do choose to polish yourself, see that you have the will to drive yourself. For if you don’t have the will to do so, just the same—you’re also waiting for snow!

Life is like an ocean Snow floats Stone sinks Learn to be soft as a snow Otherwise you'll sink as a stone.

The Scripture of Zen is written with facts simple and familiar, so simple and familiar with everyday life that they escape observation on that very account. The sun rises in the east. The moon sets in the west. High is the mountain. Deep is the sea. Spring comes with flowers; summer with the cool breeze; autumn with the bright moon; winter with the fakes of snow. These things, perhaps too simple and too familiar for ordinary observers to pay attention to, have had profound significance for Zen.

The believer in Buddha is thankful to him, not only for the sunshine of life, but also for its wind, rain, snow, thunder, and lightning, because He gives us nothing in vain. Hisa-nobu (Ko-yama) was, perhaps, one of the happiest persons that Japan ever produced, simply because he was ever thankful to the Merciful One. One day he went out without an umbrella and met with a shower. Hurrying up to go home, he stumbled and fell, wounding both his legs. As he rose up, he was overheard to say: "Thank heaven." And being asked why he was so thankful, replied: "I got both my legs hurt, but, thank heaven, they were not broken." On another occasion he lost consciousness, having been kicked violently by a wild horse. When he came to himself, he exclaimed: "Thank heaven," in hearty joy. Being asked the reason why he was so joyful, he answered: "I have really given up my ghost, but, thank heaven, I have escaped death after all."[FN#279] A person in such a state of mind can do anything with heart and might. Whatever he does is an act of thanks for the grace of Buddha, and he does it, not as his duty, but as the overflowing of his gratitude which lie himself cannot check. Here exists the formation of character. Here exist real happiness and joy. Here exists the realization of Nirvana. [FN#279]

When the superior man has free course with his principles, that is what we call his success; when such course is denied, that is what we call his failure. Now I hold in my embrace the principles of righteousness and benevolence, and with them meet the evils of a disordered age; where is the proof of my being in extreme distress? Therefore, looking inwards and examining myself, I have no difficulties about my principles; though I encounter such difficulties (as the present), I do not lose my virtue. It is when winter's cold is come, and the hoar-frost and snow are falling, that we know the vegetative power of the pine and cypress.

11. Life in the Concrete. Life in the concrete, which we are living, greatly differs from life in the abstract, which exists only in the class-room. It is not eternal; it is fleeting; it is full of anxieties, pains, struggles, brutalities, disappointments, and calamities. We love life, however, -not only for its smoothness, but for its roughness; not only for its pleasure, but for its pain; not only for its hope, but for its fear; not only for its flowers, but for its frost and snow. As Issai[FN#224] (Sato) has aptly put it: "Prosperity is like spring, in which we have green leaves and flowers wherever we go; while adversity is like winter, in which we have snow and ice. Spring, of course, pleases us; winter, too, displeases us not." Adversity is salt to our lives, as it keeps them from corruption, no matter how bitter to taste it way be. It is the best stimulus to body and mind, since it brings forth latent energy that may remain dormant but for it.

You can't hide a snowflake in the ovens of desire.

Christmas should be a snow globe of fun.

I said, ‘I’m not going to be here for long.’ ‘The lending desk closes in five,’ she said. And she wheeled on towards a door with a poster on it saying Enter a World Of Adventure, and disappeared through it. For a while I couldn’t locate the Poetry shelves at all. I walked past Pottery and Ceramics, past Parenting Skills, Personal Development, Philosophy, Psychology and Pet Care, but there was no Poetry. I walked past an old man sitting beside a shelf that said Withdrawn Fiction: 10p, and a big woman in Scholl sandals and beige socks, reading a book called Bring Me My Arrows of Desire. I walked past a carousel displaying off-the-peg reading glasses – See Clearly Again for only £3.99! said a sign – a claim which seemed improbable to me, like one of Jesus’s miracles. Pinned to a cork noticeboard beside the carousel was another poster I hadn’t noticed the last time I’d gone there. It said: THE WORLD ENDS TOMORROW! (according to Nostradamus) So please make sure you return your overdue books

The nail in the coffin of my brief career as a linguist was probably a seminar I took that winter about the philosophy of language. The aim of this seminar was to formulate a theory that would explain to a Martian "what it is that we know when we know a language." I could not imagine a more objectless, melancholy project. The solution turned out to consist of a series of propositions having the form "'Snow is white' is true iff snow is white." The professor, a gaunt logician with a wild mane of red hair and a deep concern about Martians, wrote this sentence on the board during nearly every class, and we would discuss why it wasn't trivial. Outside the window, snow piled deeper and deeper. (...) I had expected linguistics (the general study of language) to resemble a story, and Russian (the study of a particular language) to resemble a set of rules, but the reality was just the opposite.

In spring, hundred of flowers; In autumn, a harvest moon In summer, a refreshing breeze; In winter, snow will you accompany you. If useless things do not hang in your mind, Any season is good season for you.

Our Mothers Your eyes see hope for tomorrow Your hearts are made of gold that many wish to borrow Your minds sharp enough for others follow Your hands ensure that children grow Your feet go places where some cannot know Your courage makes you stand where strong winds blow Your presence becomes warmth, regardless of the snow Your influence can be felt within a stone’s throw You hold nothing back for whom you protect You speak words with good intent You treat others with so much respect You fight and never retract You pursue a path that keeps your faith intact You fulfil dreams and make a significant impact You pass through tough times while remaining steadfast You conquer battles as you pray and fast You instil discipline that becomes a great shield You serve others until they succeed You give inspiration among those who bleed You understand that you are rearing a rare breed You plant and nurture the right seed You help attract breakthroughs with speed You care for those in need You touch lives, indeed You lead your own to be great every step of the way You play your role very well, even without a pay You smile as if every day is your pay day You exude wisdom and put it on full display You save generations from going astray You run your race just like in a relay You pass the baton with no delay You carry so much worth as you get to be gray Hence, we salute you, our Mothers

I navigated a couple of sharp curves and then saw another meaningless sign in Cyrillic, so I kept going. And then I was in the entrance of a tunnel. And then I was driving in the tunnel at fifty kilometers per hour and it was pitch-black all around. I was driving blind! I couldn’t see anything ahead or on either side of me. My stunned brain processed the fact that the first thing I had to do was to stop the bike, so I slowly braked while disengaging the gearbox. We passed the town of Katerini, where the road widened and had been improved with shoulders and guardrails along the waterside… I was just about to go to ninety kilometers per hour when we went around a curve and there, straight in front of us, was an enormous mountain with a snow cap. Charlie yelled, “Holy shit! Look at that!” I was awestruck. I knew it was Mt. Olympus, the tallest mountain in Greece and the home of the gods… “Where else could the gods have lived?” I asked.

• About the time I transitioned from being an emotionally disturbed teenager to a hardcore outlaw, I began to view the material world as a temporary illusion crippled by human boundaries. • Torn between the freewheeling lifestyle of a smuggler and being an austere spiritual seeker, there was a lot to sort out. • Being legal or illegal often depended upon what side of a border I was standing on. • A quiet disposition, warmth and imagination are prerequisites that moderate the chaos in a smuggler’s life, so I reciprocated with a beatific smile of my own. • As I became Americanized, the gap between my parents and me, even at such a tender age, had already grown to unmanageable proportions. • Kneeling at my side to check my attitude, he brushed the snow from my face. • God was some vague, powerful character that grown-ups harped on with varying degrees of reverent conviction. • He thought the man should have a cyclopean eye or some other distinguishing characteristic that would make the situation more discernible. • Mario made me feel like I belonged and I willfully flicked on the felonious switch. • It made perfect sense to view everyone as a cop so I wouldn’t end up in Bangkok’s Klong Prem Central prison on Ngamwongwan Road. • The pilot taxied us to the edge of the jungle where an old, dilapidated military jeep waited to take us to a place I was no longer sure I wanted to go. • Ancient and deadly, Asia would grow on me like the jungle that swallows everything in it. • He knew that I wasn’t being nurtured like other children, so he made it his personal mission to give me an edge. • I had only wanted to escape the sour halitosis of middle-class decay and the dead-end ramblings of my philosophy professors at the University of Wisconsin. • All the cells in my being were trying to shut their tiny little doors to keep out the sudden infestation of the dragon and his hordes of relentless devils. • Philip was like a shooting star whose spectacular tail burned across the financial sky for decades.

My guiding principles are: read everything that can be read. Put like with like, and keep everything you've read. Only write down facts, knowledge that can be verified. Wherever possible, keep phenomena separate from established rules and always start with the general and work towards the individual. Because what's on the outside always points to what's on the inside. You can deduce more about my essence from my room then from my lung or my heart. That's because the external an internal go together, just as the external sexual organs of the man and the internal ones of the woman are two variants of the same thing. And just as the garden is my domain, so the house will become yours. You'll see that sometimes the interior and exterior are out of balance. But in summer the shade of the chestnut trees and the findings of science can help with the heat, while in winter philosophy can help with the cold. Sometimes in winter I have to go outdoors to warm myself in the snow. A hot-water bottle can be a lifesaver. If you put it on the stove it saves you having to add hot water. I used to have a flat, curved metal water bottle to put by my feet. Nowadays I use a proper bottle and hold it to the sensitive place between my legs, as that's the best way to get the heat circulating.

And he said... ...snow shall melt in a pit full of lies.

There is whiteness in the snow, do you give in to it? Many come close to us with a white facade, which in their depth carries nothingness.

There is always time for tea and mistakes. That's my philosophy" -Mrs. Guzman

Don’t be a despairing Russian soldier. Never give up. Never lie down in the snow and wait for the end. Understand this – you are a perpetual motion machine. You will go on forever. You will never stop. There is no rest. You are a permanent becoming. You are trapped in Groundhog Day and you had better learn to love it since there’s no alternative. Once you fully understand that the purpose of Groundhog Day is to turn you into God an infinite number of times, how could you not find that the greatest news of all? No God could have whispered gladder tidings to you.

At its core, minimalism as a philosophy seeks to rid life of its excess. This means getting rid of the unimportant things that cloud both our immediate space and our minds with clutter and stress.

When you adopt the philosophy of minimalism, you are committing yourself to a lifestyle where you frequently find yourself appreciating everything that life has to offer, whether it is a sunny crisp afternoon or the

Perhaps the most famous and dramatic example of intellectual development in prison is that of Malcolm X.21 Malcolm Little (as he was born) entered prison immersed in drugs, sex, and petty crime. In prison he met a polymath named John Elton Bembry who was steeped in culture and history, able to hold forth on a wide variety of fascinating topics. On his advice Malcolm began to read—first the dictionary, then books on etymology and linguistics. He studied elementary Latin and German. He converted to Islam, a faith introduced to him by his brothers. In the following years he read the Bible and the Qur’an, Nietzsche, Schopenhauer, Spinoza, and Kant, as well as works of Asian philosophy. He pored over an especially loved book of the archaeological wonders of the East and the West. He learned the history of colonialism, of slavery, and of African peoples. He felt his old ways of thinking disappear “like snow off of a roof.”22 He filled his letters with verse, writing to his brother: “I’m a real bug for poetry. When you think back over all of our past lives, only poetry could best fit into the vast emptiness created by men.

We should follow the spirit of the Fhurer in every way. And one thing that would’ve made the Fhurer indignant, if he had known it, is that... mass massacre of seals on the coast of Canada... I’ve seen pictures of it. And it’s more than enough for me. Poor baby seals, so beautiful, such trusting creatures that you can tame them if you like. Just killed. And how killed? A knock on the head, and their skin pulled off while they’re... practically alive. Their skins stolen from them... Trusting creatures that do no harm to anybody... I can see their corpses skinned, lying on the snow in pools of blood. Take away that sight. That’s an awful thing. And what’s even more awful than that, is to think that some Aryan men do it for two and a half dollars each. How can they do it? They are disgracing their race. Every Aryan who does something horrid disgraces his race. Disgraces his children first.

When Coin proposes a new Hunger Games, the significance of her name becomes crystal clear: she may be female to Snow’s male, but they’re two sides of the same coin.

according to what we are and to how they appear to us. Now, since what appears to us is so uncertain and controversial, it is no longer a miracle if we are told that we can affirm that snow looks white to us, but that to establish if it is such in its essence and in truth is more than we are able to resolve; and, with this beginning shaken, all knowledge of the world must necessarily go to rack and ruin. What about our senses themselves contradicting one another? To the sight a painting seems embossed; when handled it seems fat. Shall we say that musk, which smells good and tastes bad, is agreeable or not?

a Nepali outlook, pace and philosophy had prevented us being swamped by our problems. In Nepal it was easier to take life day by day.

Vegetables are one of the few foods that every diet philosophy agrees are healthy. That said, vegetables (particularly nonstarchy vegetables) tend to be high in insoluble fiber, which can irritate an inflamed gut. If you have irritable bowel syndrome (IBS), inflammatory bowel disease (IBD), or other digestive disorders, you may benefit from reducing your intake of vegetables that are high in insoluble fiber. These include: •  Greens (spinach, lettuce, kale, mesclun, collards, arugula, watercress, and so on) •  Whole peas, snow peas, snap peas, pea pods •  Green beans •  Kernel corn •  Bell peppers •  Eggplant •  Celery •  Onions, shallots, leeks, scallions, garlic •  Cabbage, bok choy, Brussels sprouts •  Broccoli •  Cauliflower However, vegetables that are higher in soluble fiber and lower in insoluble fiber tend to have a soothing effect on the gut. These include: •  Carrots •  Winter squash •  Summer squash (especially peeled) •  Starchy tubers (yams, sweet potatoes, potatoes) •  Turnips •  Rutabagas •  Parsnips •  Beets •  Plantains •  Taro •  Yuca

It's lovely to think that snow can be special. we're always told it is. Of all those million million flakes that fall, no two are alike, forever and ever, amen. I've spent some time looking out the window of my cabin watching snowflakes fall like a shot dove's feathers fluttering slowly down to the ground. They all look the same to me.

Hardened, and kept jagged by the snow all I wished as I walked over the frosted dirt beneath my bare feet is that I would be able to tell the difference between good and evil.