Snow Capped Trees Quotes

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Idris had been green and gold and russet in the autumn, when Clary had first been there. It had a stark grandeur in the winter: the mountains rose in the distance, capped white with snow, and the trees along the side of the road that led back to Alicante from the lake were stripped bare, their leafless branches making lace-like patterns against the bright sky. Sometimes Jace would slow the horse to point out the manor houses of the richer Shadowhunter families, hidden from the road when the trees were full but revealed now. She felt his shoulders tense as they passed one that nearly melded with the forest around it: it had clearly been burned and rebuilt. Some of the stones still bore the black marks of smoke and fire. “The Blackthorn manor,” he said. “Which means that around this bend in the road is …” He paused as Wayfarer summited a small hill, and reined him in so they could look down to where the road split in two. One direction led back toward Alicante — Clary could see the demon towers in the distance — while the other curled down toward a large building of mellow golden stone, surrounded by a low wall. “ … the Herondale manor,” Jace finished. The wind picked up; icy, it ruffled Jace’s hair. Clary had her hood up, but he was bare-headed and bare-handed, having said he hated wearing gloves when horseback riding. He liked to feel the reins in his hands. “Did you want to go and look at it?” she asked. His breath came out in a white cloud. “I’m not sure.
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
Often, while the others were sleeping, I’d look out the window and watch the land flow by. Some nights there would be a moon, and the shadows it created were spectacular. Trees became many-armed creatures looming across the road. Lakes were shining phosphorescent platters. Ridges and scarps were fortresses capped with snow. Rivers were serpentine swaths of a deeper black. I loved every inch of it. I’d largely given up mourning the loss of my early life, those days on the land with my family. But the sadness filled me at times as we drove through the night.
Richard Wagamese (Indian Horse)
In the deep woods of the far North, under feathery leaves of fern, was a great fairyland of merry elves, sometimes called forest brownies. These elves lived joyfully. They had everything at hand and did not need to worry much about living. Berries and nuts grew plentiful in the forest. Rivers and springs provided the elves with crystal water. Flowers prepared them drink from their flavorful juices, which the munchkins loved greatly. At midnight the elves climbed into flower cups and drank drops of their sweet water with much delight. Every elf would tell a wonderful fairy tale to the flower to thank it for the treat. Despite this abundance, the pixies did not sit back and do nothing. They tinkered with their tasks all day long. They cleaned their houses. They swung on tree branches and swam in forested streams. Together with the early birds, they welcomed the sunrise, listened to the thunder growling, the whispering of leaves and blades of grass, and the conversations of the animals. The birds told them about warm countries, sunbeams whispered of distant seas, and the moon spoke of treasures hidden deeply in the earth. In winter, the elves lived in abandoned nests and hollows. Every sunny day they came out of their burrows and made the forest ring with their happy shouts, throwing tiny snowballs in all directions and building snowmen as small as the pinky finger of a little girl. The munchkins thought they were giants five times as large as them. With the first breath of spring, the elves left their winter residences and moved to the cups of the snowdrop flowers. Looking around, they watched the snow as it turned black and melted. They kept an eye on the blossoming of hazel trees while the leaves were still sleeping in their warm buds. They observed squirrels moving their last winter supplies from storage back to their homes. Gnomes welcomed the birds coming back to their old nests, where the elves lived during winters. Little by little, the forest once more grew green. One moonlight night, elves were sitting at an old willow tree and listening to mermaids singing about their underwater kingdom. “Brothers! Where is Murzilka? He has not been around for a long time!” said one of the elves, Father Beardie, who had a long white beard. He was older than others and well respected in his striped stocking cap. “I’m here,” a snotty voice arose, and Murzilka himself, nicknamed Feather Head, jumped from the top of the tree. All the brothers loved Murzilka, but thought he was lazy, as he actually was. Also, he loved to dress in a tailcoat, tall black hat, boots with narrow toes, a cane and a single eyeglass, being very proud of that look. “Do you know where I’m coming from? The very Arctic Ocean!” roared he. Usually, his words were hard to believe. That time, though, his announcement sounded so marvelous that all elves around him were agape with wonder. “You were there, really? Were you? How did you get there?” asked the sprites. “As easy as ABC! I came by the fox one day and caught her packing her things to visit her cousin, a silver fox who lives by the Arctic Ocean. “Take me with you,” I said to the fox. “Oh, no, you’ll freeze there! You know, it’s cold there!” she said. “Come on.” I said. “What are you talking about? What cold? Summer is here.” “Here we have summer, but there they have winter,” she answered. “No,” I thought. “She must be lying because she does not want to give me a ride.” Without telling her a word, I jumped upon her back and hid in her bushy fur, so even Father Frost could not find me. Like it or not, she had to take me with her. We ran for a long time. Another forest followed our woods, and then a boundless plain opened, a swamp covered with lichen and moss. Despite the intense heat, it had not entirely thawed. “This is tundra,” said my fellow traveler. “Tundra? What is tundra?” asked I. “Tundra is a huge, forever frozen wetland covering the entire coast of the Arctic Ocean.
Anna Khvolson
Arianna simply wasn’t up to it. She had a pretty voice, she could carry a tune—that was never a problem. But she had no depth. She couldn’t interpret a song, place her stamp on it. Unlike Lesley, who fairly stomped on it! And that’s what you need in folk music. These are songs that have been around for hundreds, maybe thousands of years. They existed for centuries before any kind of recording was possible, even before people could write, for god’s sake! So the only way those songs lived and got passed on was by singers. The better singer you were, the more likely it was people were going to turn out to hear you and remember you—and remember the song—whether it was at a pub or wedding or ceilidh or just a knot of people seeking shelter under a tree during a storm. It’s a kind of time machine, really, the way you can trace a song from whoever’s singing it now back through the years—Dylan or Johnny Cash, Joanna Newsom or Vashti Bunyan—on through all those nameless folk who kept it alive a thousand years ago. People talk about carrying the torch, but I always think of that man they found in the ice up in the Alps. He’d been under the snow for 1,200 years, and when they discovered him, he was still wearing his clothes, a cloak of woven grass and a bearskin cap, and in his pocket they found a little bag of grass and tinder and a bit of dead coal. That was the live spark he’d been carrying, the bright ember he kept in his pocket to start a fire whenever he stopped. You’d have to be so careful, more careful than we can even imagine, to keep that one spark alive. Because that’s what kept you alive, in the cold and the dark. Folk music is like that. And by folk I mean whatever music it is that you love, whatever music it is that sustains you. It’s the spark that keeps us alive in the cold and night, the fire we all gather in front of so we know we’re not alone in the dark. And the longer I live, the colder and darker it gets. A song like “Windhover Morn” can keep your heart beating when the doctors can’t. You might laugh at that, but it’s true.
Elizabeth Hand (Wylding Hall)
The first green leaf daring to live among the gloom felt like a trick, a delusion of her breaking mind. But then there was another and another. A canopy of gorgeous green. Everywhere she looked now, there was sunlight, snow-dusted trees, and chirping blue birds, and she was half-afraid she'd lost her mind. The flowers came next, in delirious shades of yellow and mind and mermaid teal. They lined a sloping road that let down in to a valley with an inn and a lake and an aged sign that read Welcome to the Hollow! ... ...finally they stopped at an inn that couldn't be real. It had to be part of a dream. The rooftop was covered in enormous cheery mushrooms with red caps that had tiny dragons dozing upon them. Then there were the flowers, so large they were the size of small children, with bright-coloured petals in every shade, which seemed to perk up as the two of them arrived.
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
The first green leaf daring to live among the gloom felt like a trick, a delusion of her breaking mind. But then there was another and another. A canopy of gorgeous green. Everywhere she looked now, there was sunlight, snow-dusted trees, and chirping blue birds, and she was half-afraid she'd lost her mind. The flowers came next, in delirious shades of yellow and pink and mermaid teal. They lined a sloping road that let down in to a valley with an inn and a lake and an aged sign that read Welcome to the Hollow! ...finally they stopped at an inn that couldn't be real. It had to be part of a dream. The rooftop was covered in enormous cheery mushrooms with red caps that had tiny dragons dozing upon them. Then there were the flowers, so large they were the size of small children, with bright-coloured petals in every shade, which seemed to perk up as the two of them arrived.
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
The tram was mostly empty. It climbed steadily up a slope of tilted plain, stopping to pick up or drop off a few travellers. Those that saw Tefwe all stopped and stared at her for a few moments, then ignored her. Nobody chose to sit close to her. The sound built very slowly; it would have been hard to know when it first started to become distinct from the noises of the rattling, swaying tram and the wind moving over the surrounding fields of tall, bronze-coloured grasses and occasional thick-trunked coppery trees. She became aware of the sound when she realised that she’d been assuming for a while that somebody was humming monotonously just behind her, only there was nobody there. “Is that… the sound?” she sub-vocalised to the suit. “Yes.” The tram clattered to a stop at another station, and now she could hear the sound properly, distinctly; it was a low booming collection of tones like very distant and continuous thunder, all the individual claps rolled together and coming and going on the wind. She got up out of the uncomfortably tilted seat and went to the front of the tram’s middle carriage, heading upstairs to get a better view. There were more of the locals here; they parted as though to let her through to the front, but she bowed, gestured, hung back. She could see well enough. The mountains rose out of the hazy plain ahead like a dark storm of rock, the higher massifs draped with cloud, the highest peaks capped in orange-white ice and snow. The sound swelled and fell away with a sort of tantalising grace, its strength implicitly influenced not just by the light breezes circling round the tram but by mightier winds blowing tens of kilometres away towards the far horizon and kilometres further into the sky. The sound, she thought, was like something you might have heard from an enormous choir of basses singing a slow, sonorous hymn in a language you would never understand. The tram station in the foothills possessed a sort of modest, ordered busyness to it, full of the dark folds moving about it with their odd, side-to-side, flip-flopping walk. The station connected with a whole fan of cogged funicular lines, winding up into the mountains like something being unravelled. The sound here was a little louder, still coming and going on the wind.
Iain M. Banks (The Hydrogen Sonata (Culture, #10))
The gold and scarlet leaves that littered the countryside in great drifts whispered and chuckled among themselves, or took experimental runs from place to place, rolling like coloured hoops among the trees. It was as if they were practising something, preparing for something, and they would discuss it excitedly in rusty voices as they crowded round the tree-trunks. The birds, too, congregated in little groups, puffing out their feathers, twittering thoughtfully. The whole air was one of expectancy, like a vast audience waiting for the curtain to go up. Then one morning you threw back the shutters and looked down over the olive-trees, across the blue bay to the russet mountains of the mainland and became aware that winter had arrived, for each mountain peak would be wearing a tattered skull-cap of snow.
Gerald Durrell (My Family and Other Animals: Abridged Version)
I have many lovers. Where ever I look, I find them. There is no place devoid of them. They are everywhere: In the enchanting Cottonwood trees, The rivers, the rocky roads, the hills, the mystic trails, The snow capped mountains, The skies, the clouds, the soaring Eagles, The blackness of night, as black as the Raven, The absolute brave Cactus, Listening to me, and the whispers I breathe. Where ever I, look I find them. There is no place devoid of them. My lovers are everywhere. They are everywhere: In the rains, the freezing winds, The sun, the moonlight, The darkness of despair, The days of pain and sorrow, They never leave me, or betray me, Or ever forsake me, Even in my unfaithfulness, They remain mine. Am I blessed, crazy, or blind? However much I dare, Even in those careless moments; they care. Where ever I look, I find them, There is no place devoid of them, My lovers are everywhere. They are everywhere: I close my eye’s, I see them, They appear to me patiently, like some ancient melody, in my waking dreams, they are like wise prophets, twirling in compassionate dances of forgiveness. Allowing me my mistakes of existence, They give me, ‘me’, Reach for my fears, cradle and hold me. They are everywhere. I will regenerate, and shine through their presence. Through their guidance, from their quiet empowerment, I will gather myself, pick up my pride, Understand ‘life’, and remember reality. Finally, when my ‘being’ remains not with me, they will once again redefine, re-collect me, recreate the aura around me, find another place to replant me. They are everywhere. No place is devoid of them. Countless lovers. Their love: Omnipresent. Only if one can ‘see’, These lovers are everywhere .
Ansul Noor (Soul Fire- A Mystical Journey through Poetry)
The tang of autumn was in the air and the leaves were falling from the plane trees which line the streets of the towns and villages; the sun shone dazzling bright, and the tops of the mountains glittered like scenes in a fairy-tale. Long after the sun had disappeared the snow-caps were changing from pale pink to lilac and then deep purple. Stop and watch them—for it’s no good being so wrapped up in pictures that you can’t enjoy the realities which the pictures attempt to portray!
Upton Sinclair (Between Two Worlds (The Lanny Budd Novels))