Snow Capped Mountains Quotes

After Bajju delivered a few beaming salutations, we walked northward up the makeshift, winding path through protruding brush, not much but a few stones placed here and there for balance and leverage upon ascending or descending. Having advanced about hundred steps from the street below, a sharp left leads to Bajju’s property, which begins with his family’s miniature garden – at the time any signs of fertility were mangled by dried roots which flailed like wheat straw, but within the day Bajju’s children vehemently delivered blows with miniature hoes in preparation for transforming such a plot into a no-longer-neglected vegetable garden. A few steps through the produce, or preferably circumventing all of it by taking a few extra steps around the perimeter, leads to the sky-blue painted home. Twisting left, hundreds of miles of rolling hills and the occasional home peeps out, bound below by demarcated farming steppes. If you’re lucky on a clear day and twist to the right, the monstrous, perpetually snow-capped Chaukhamba mountain monopolizes the distance just fifteen miles toward the direction of Tibet in the north.

Idris had been green and gold and russet in the autumn, when Clary had first been there. It had a stark grandeur in the winter: the mountains rose in the distance, capped white with snow, and the trees along the side of the road that led back to Alicante from the lake were stripped bare, their leafless branches making lace-like patterns against the bright sky. Sometimes Jace would slow the horse to point out the manor houses of the richer Shadowhunter families, hidden from the road when the trees were full but revealed now. She felt his shoulders tense as they passed one that nearly melded with the forest around it: it had clearly been burned and rebuilt. Some of the stones still bore the black marks of smoke and fire. “The Blackthorn manor,” he said. “Which means that around this bend in the road is …” He paused as Wayfarer summited a small hill, and reined him in so they could look down to where the road split in two. One direction led back toward Alicante — Clary could see the demon towers in the distance — while the other curled down toward a large building of mellow golden stone, surrounded by a low wall. “ … the Herondale manor,” Jace finished. The wind picked up; icy, it ruffled Jace’s hair. Clary had her hood up, but he was bare-headed and bare-handed, having said he hated wearing gloves when horseback riding. He liked to feel the reins in his hands. “Did you want to go and look at it?” she asked. His breath came out in a white cloud. “I’m not sure.

An amber sunset, a flowing river, a snow capped mountain, a beautiful heart, a calm mind, deep eyes, the moon, the earth and the sky - they are all silent. It's the words that give them meaning, decipher their essence and share their message.

Purple snow capped mountains marched off in either direction, with clouds floating around their middles like fluffy belts. In a massive valley between two of the largest peaks, a ragged wall of ice rose out of the sea, filling the entire gorge. The glacier was blue and white with streaks of black, so that it looked a hedge of dirty snow left behind on a sidewalk after a snowplow had gone by, only four million times as large.

Whatever form each of our own intimate adventures has taken in our fantasies, or in "real life," this Sacred Romance is set within all our hearts and will not go away. It is the core of our spiritual journey. Any religion that ignores it survives only as a guilt induced legalism, a set of propositions to be memorized and rules to be obeyed. Someone or something has romances us from the beginning with creek-side singers and pastel sunsets, with the austere majesty of snow capped mountains and the poignant flames of autumn colors telling us of something - or someone - leaving with a promise to return. These things can, in an unguarded moment, bring us to our knees with longing for this something or someone who is lost; someone or something only our hearts recognizes.

Suppression also played another tragic role. By burying my pain, by avoiding my heartaches, I lost touch with knowing and owning what was important to me. I no longer went within, which was a scary road. If you were once attacked on a road, you make sure to avoid it. But the avoidance means you also miss out on the wild flowers when they’re blooming, the snow-capped mountains in winter, the waterfall, the deer, the beautiful people, like Tony, who walk there every day. You also miss out on knowing yourself better, on understanding what is important to you.

Thingumy and Bob sighed contentedly and settled down to contemplate the precious stone. They stared in silent rapture at it. The ruby changed colour all the time. At first it was quite pale, and then suddenly a pink glow would flow over it like sunrise on a snow capped mountain -- and then again crimson flames shot out of its heart and it seemed like a great black tulip with stamens on fire.

When she slowly straightened, the land was vast before her. The sun was setting down the river, casting a cold pink hue along the white-capped mountains that framed both sides of the valley. Upriver, the willow shrubs and gravel bars, the spruce forests and low-lying poplar stands, swelled to the mountains in steely blue. No fields or fences, homes or roads; not a single living soul as far as she could see in any direction. Only wilderness.

The devotional came on. A minister talked about beating swords into plowshares. Then the “Star Spangled Banner” played over scenes of majestic snow-capped mountains, wide, waving fields of wheat and corn, running streams, verdant forests and mighty cities; it ended with an image of the American flag, stretched out and immobile on a pole sunk into the surface of the moon. The picture froze, lingered for a few seconds, and then static filled the screen as the local station signed off.

Back then, come July, and the blazers would again make their way out of the steel trunks and evenings would be spent looking at snow-capped mountains from our terrace and spotting the first few lights on the hills above. It was the time for radishes and mulberries in the garden and violets on the slopes. The wind carried with it the comforting fragrance of eucalyptus. It was in fact all about the fragrances, like you know, in a Sherlock Holmes story. Even if you walked with your eyes closed, you could tell at a whiff, when you had arrived at the place, deduce it just by its scent. So, the oranges denoted the start of the fruit-bazaar near Prakash ji’s book shop, and the smell of freshly baked plum cake meant you had arrived opposite Air Force school and the burnt lingering aroma of coffee connoted Mayfair. But when they carved a new state out of the land and Dehra was made its capital, we watched besotted as that little town sprouted new buildings, high-rise apartments, restaurant chains, shopping malls and traffic jams, and eventually it spilled over here. I can’t help noticing now that the fragrances have changed; the Mogra is tinged with a hint of smoke and will be on the market tomorrow. The Church has remained and so has everything old that was cast in brick and stone, but they seem so much more alien that I almost wish they had been ruined.’ ('Left from Dhakeshwari')

A snow-capped mountain in Switzerland, seen from the comfort of an cabin, can set off a profound chain of thought about ice and ancient history; a gentle snow in the Paris suburbs can create images that show the transience of beauty. The winter window has two sides, one for the watcher and one for the white drifts, and the experience of winter is often not one or the other but both at once.

They reached for her, faces shadowed and twisted. Yet—yet even those faces, so warped with hatred … she still loved them—even if they loathed her, even if it ached; loved them until their hissing faded, until they vanished like smoke, leaving only Aelin lying beside her, as she had been all along. She looked at Aelin’s face—the face she’d once worn—and at her still outstretched hand, so small and unscarred. The darkness of the Valg princes flickered. There was solid ground beneath her. Moss and grass. Not hell—earth. The earth on which her kingdom lay, green and mountainous and as unyielding as its people. Her people. Her people, waiting for ten years, but no longer. She could see the snow-capped Staghorns, the wild tangle of Oakwald at their feet, and … and Orynth, that city of light and learning, once a pillar of strength—and her home. It would be both again. She would not let that light go out. She would fill the world with it, with her light—her gift. She would light up the darkness, so brightly that all who were lost or wounded or broken would find their way to it, a beacon for those who still dwelled in that abyss. It would not take a monster to destroy a monster—but light, light to drive out darkness. She was not afraid.

From his corner office on the ground floor of the St. Cyril station house, Inspector Dick has a fine view of the parking lot. Six Dumpsters plated and hooped like iron maidens against bears. Beyond the Dumpsters a subalpine meadow, and then the snow¬ capped ghetto wall that keeps the Jews at bay. Dick is slouched against the back of his two-thirds-scale desk chair, arms crossed, chin sunk to his chest, star¬ing out the casement window. Not at the mountains or the meadow, grayish green in the late light, tufted with wisps of fog, or even at the armored Dumpsters. His gaze travels no farther than the parking lot—no farther than his 1961 Royal Enfield Crusader. Lands¬man recognizes the expression on Dick's face. It's the expression that goes with the feeling Landsman gets when he looks at his Chevelle Super Sport, or at the face of Bina Gelbfish. The face of a man who feels he was born into the wrong world. A mistake has been made; he is not where he belongs. Every so often he feels his heart catch, like a kite on a telephone wire, on something that seems to promise him a home in the world or a means of getting there. An American car manufactured in his far-off boyhood, say, or a motor¬cycle that once belonged to the future king of England, or the face of a woman worthier than himself of being loved.

Yes, you do hate Switzerland. And," doctor Messerli paused for effect, "you love it. You love it and you hate it. What you don't feel is apathy. You're not indifferent. You're ambivalent." Anna had thought about this before, when nights came during which she could do nothing but wander Dietlikon's sleeping streets or hike the hill behind her house to sit upon the bench where most often she went to weep. She'd considered her ambivalence many, many times, and in the end, she's diagnosed herself with a disease that she'd also invented. Switzerland syndrome. Like Stockholm syndrome. But instead of my captors, I'm attached to the room in which I'm held captive. It's the prison I'm bound to, not the warden. Anna was absolutely right. It was the landscape. it was the geography. The fields, the streams, the lakes, the forests. And the mountains. On exceptionally clear days when the weather was right, if you walked south on Dietlikon's Bahnhofstrasse you could see the crisp outlines of snow-capped Alps against a blazing blue horizon eighty kilometers away. On these certain days it was something in the magic of the atmosphere that made them tangible and moved them close. The mutability of those particular mountains reminded Anna of herself. And it wasn't simply the natural landscape that she attached herself to emotionally. It was the cobblestone roads of Zürich's old town and the spires of this church and the towers of that one. And the trains, the trains, the goddamn trains. She could take the train anywhere she wanted to go.

And in front of it all are the pearly gates: the proverbial entrance to Heaven that she, in earthly life, thought might not exist. But they are real, not myth or fantasy. As she passes through them, several people greet her. In foreign tongues even, but she understands. Language no longer matter. There are no barriers between herself and others, just love. The gorgeous views seem to go on forever. Ornate structures, mansions, banquet halls, and natural beauty, orchards, gardens. People congregate around huge marble fountains. In the distance are snow-capped mountains of the purist white. She can hear the sounds of rushing rivers and the surf of the ocean at once. Everyone around her is happy, loving, thankful. A choir sings songs of joy and peace while others play musical instruments of every kind in perfect harmony. Children laugh and play in the streets as well as in the clouds above her head.

In order to fulfill your quest -" "Would you please not use that word? It's so Robert E. Howard." "Fine. Your mission, should you choose to accept it, is to travel to the far ends of the earth...?" "What? In these shoes? You must be joking." "Crossing arid desserts and steaming jungles," the unicorn continued grimly, "fording mighty rivers and climbing snow-capped mountains-" "I take it scheduled public transport isn't an option." "Until you reach the Cradle of All Goblins, interrupt just once more and I wash my hooves of you, where you will encounter three trials. You must uncover the great truth that was hidden, you must right the ancestral wrong, and you must throw the fire into the ring of power. Only when you have done that -" "Excuse me-" "I warned you. Only when you have done that will you -" "Excuse me," Benny said firmly, "but I think you may have got the last one a bit turned round. Surely it should be throw the ring-

Mathilde watched as down the street came a little girl in a red snowsuit with purple racing stripes. Mittens, a cap too big for her head. Disoriented, the girl turned around and around and around. She began to climb the snow mountain that blocked her from the street. But she was so weak. Halfway up, she’d slip back down. She’d try again, digging her feet deeper into the drift. Mathilde held her breath each time, let it out when the girl fell. She thought of a cockroach in a wineglass, trying to climb up the smooth sides. When Mathilde looked across the street at a long brick apartment complex taking up the whole block, ornate in its 1920s style, she saw, in scattered windows, three women watching the little girl’s struggles. Mathilde watched the women as they watched the girl. One was laughing over her bare shoulder at someone in the room, flushed with sex. One was elderly, drinking her tea. The third, sallow and pinched, had crossed her skinny arms and was pursing her lips. At last, the girl, exhausted, slid down and rested, her face against the snow. Mathilde was sure she was crying. When Mathilde looked up again, the woman with crossed arms was staring angrily through all the glass and cold and snow directly at her. Mathilde startled, sure she’d been invisible. The woman disappeared. She reappeared on the sidewalk in inside clothes, tweedy and thin. She chucked her body into the snowdrift in front of the apartment building, crossed the street, grabbed the girl by the mittens and swung her over the mountain. Carried her across the street and did it again. Both mother and daughter were powdered with white when they went inside. Long after they were gone, Mathilde thought of the woman. What she was imagining when she saw her little girl fall and fall and fall. She wondered at the kind of anger that would crumple your heart up so hard that you could watch a child struggle and fail and weep for so long, without moving to help. Mothers, Mathilde had always known, were people who abandoned you to struggle alone. It occurred to her then that life was conical in shape, the past broadening beyond the sharp point of the lived moment. The more life you had, the more the base expanded, so that the wounds and treasons that were nearly imperceptible when they happened stretched like tiny dots on a balloon slowly blown up. A speck on the slender child grows into a gross deformity in the adult, inescapable, ragged at the edges. A

In 1799, the poet Samuel Taylor Coleridge goes to Germany on a winter walking trip and writes home to his wife about the opposite sense: of winter as a mysterious magnetic season that the wanderer is expelled into for his own good, for the purification and improvement of his soul. “What sublime scenery I have beheld!” Coleridge’s’ words are one of those rare passages of prose that truly mark the arrival of an epoch. It would be impossible to find anything like it in European literature only twenty-five years before… This kind of love of the winter scene is not of the force outside pressing in on the window, bringing family together. Instead it is for the ice-spirit pulling us out. This winter window is wrenched open by the level of the sublime. The new idea (of winter’s beauty) is associated with Edmund Burke’s great essay on the sublime and beautiful from the middle of the eighteenth century. Burke’s was one of the three or four most powerful ideas in the history of thought, because he wrenched aesthetics away from the insipid idea of beauty (physical, manicured) towards recognition of the full span of human sympathy. Oceans and thunderstorms, precipices and abysses, towering volcanoes and, above all, snow-capped mountains- they rival and outdo the heritage of classical beauty exactly because they frighten us; they fill us with fear, with awe, with a sense of the inestimable mystery of the world.

I have many lovers. Where ever I look, I find them. There is no place devoid of them. They are everywhere: In the enchanting Cottonwood trees, The rivers, the rocky roads, the hills, the mystic trails, The snow capped mountains, The skies, the clouds, the soaring Eagles, The blackness of night, as black as the Raven, The absolute brave Cactus, Listening to me, and the whispers I breathe. Where ever I, look I find them. There is no place devoid of them. My lovers are everywhere. They are everywhere: In the rains, the freezing winds, The sun, the moonlight, The darkness of despair, The days of pain and sorrow, They never leave me, or betray me, Or ever forsake me, Even in my unfaithfulness, They remain mine. Am I blessed, crazy, or blind? However much I dare, Even in those careless moments; they care. Where ever I look, I find them, There is no place devoid of them, My lovers are everywhere. They are everywhere: I close my eye’s, I see them, They appear to me patiently, like some ancient melody, in my waking dreams, they are like wise prophets, twirling in compassionate dances of forgiveness. Allowing me my mistakes of existence, They give me, ‘me’, Reach for my fears, cradle and hold me. They are everywhere. I will regenerate, and shine through their presence. Through their guidance, from their quiet empowerment, I will gather myself, pick up my pride, Understand ‘life’, and remember reality. Finally, when my ‘being’ remains not with me, they will once again redefine, re-collect me, recreate the aura around me, find another place to replant me. They are everywhere. No place is devoid of them. Countless lovers. Their love: Omnipresent. Only if one can ‘see’, These lovers are everywhere .

the sight of the flat Utah plains giving way to the snow-capped Rocky Mountains was simply breathtaking.

The Himalayan salt spread out across the continental plate and climbed up the snow-capped mountains as if trying to dress them in its beautiful tapestry. It took his breath away.

The Himalayan pink salt spread out like tapestry across the continental plate and climbed up the snow capped mountains. He scooped up a handful of salt. As he spread his fingers apart the sparkling dots slid back to the ground. Crystals that flickered pink, white and translucent pearl bounced back at him. Is it magic? He wondered.

The gold and scarlet leaves that littered the countryside in great drifts whispered and chuckled among themselves, or took experimental runs from place to place, rolling like coloured hoops among the trees. It was as if they were practising something, preparing for something, and they would discuss it excitedly in rusty voices as they crowded round the tree-trunks. The birds, too, congregated in little groups, puffing out their feathers, twittering thoughtfully. The whole air was one of expectancy, like a vast audience waiting for the curtain to go up. Then one morning you threw back the shutters and looked down over the olive-trees, across the blue bay to the russet mountains of the mainland and became aware that winter had arrived, for each mountain peak would be wearing a tattered skull-cap of snow.

us—I looked at that beautiful snow-capped mountain and named it Eliza. Because it was warm, fertile, and beautiful below, while being a bit frosty and inaccessible at the top—yet possessing a volcanick profile foretelling explosions—

With my popped ears, I could only hear the muffled humming of the MI-17’s powerful blades, so I focused my attention on what I could see. As the chopper followed its regular flight path towards Tezpur, I saw snow-capped mountain peaks nestling azure water bodies between them. And since the water was just a few metres below us, there was no mistaking it for something else. Water for the gods– some might’ve said – and while the peaks were covered in snow, the small lakes had dazzling blue water. That sight, the kind which often appears in heavily photoshopped pictures on Instagram these days, was indescribable. Breathtaking would be an absolute understatement. I had never witnessed anything like that before or after, and from that summer on, I learnt to accept the mystifying miracles of nature and its inherent fury, in equal parts. And by the time the summer ended, I finally understood what a paradox truly meant.

I found myself mostly gazing outside, to the interlocking spurs and the snow that capped it. I found myself gazing at the clouds that ever gently swayed above the mountains. I found myself falling in love with every flower that blossomed on my way home.

magical. With the still snow-capped mountains in the distance, it was picture perfect. The palace staff had lined the stairs to welcome me home and Lorraine led me through the lower level to my mother’s sanctuary. It had always been her favourite place in the whole of the palace and she said being surrounded by the exotic plants she bred gave her serenity. There was a breakfast table set and my mother sat in a chair with a cup of tea in her hand. She looked thinner and dark circles marred her still beautiful face. Queen Margot had been a French actress when she had captured my father’s heart. She had given up her life to marry him and I had never questioned just what that had cost her until now. She stood

It’s like a beautiful snow-capped mountain. Lies are the small cracks in the ice layer beneath the snow.

I navigated a couple of sharp curves and then saw another meaningless sign in Cyrillic, so I kept going. And then I was in the entrance of a tunnel. And then I was driving in the tunnel at fifty kilometers per hour and it was pitch-black all around. I was driving blind! I couldn’t see anything ahead or on either side of me. My stunned brain processed the fact that the first thing I had to do was to stop the bike, so I slowly braked while disengaging the gearbox. We passed the town of Katerini, where the road widened and had been improved with shoulders and guardrails along the waterside… I was just about to go to ninety kilometers per hour when we went around a curve and there, straight in front of us, was an enormous mountain with a snow cap. Charlie yelled, “Holy shit! Look at that!” I was awestruck. I knew it was Mt. Olympus, the tallest mountain in Greece and the home of the gods… “Where else could the gods have lived?” I asked.

The tram was mostly empty. It climbed steadily up a slope of tilted plain, stopping to pick up or drop off a few travellers. Those that saw Tefwe all stopped and stared at her for a few moments, then ignored her. Nobody chose to sit close to her. The sound built very slowly; it would have been hard to know when it first started to become distinct from the noises of the rattling, swaying tram and the wind moving over the surrounding fields of tall, bronze-coloured grasses and occasional thick-trunked coppery trees. She became aware of the sound when she realised that she’d been assuming for a while that somebody was humming monotonously just behind her, only there was nobody there. “Is that… the sound?” she sub-vocalised to the suit. “Yes.” The tram clattered to a stop at another station, and now she could hear the sound properly, distinctly; it was a low booming collection of tones like very distant and continuous thunder, all the individual claps rolled together and coming and going on the wind. She got up out of the uncomfortably tilted seat and went to the front of the tram’s middle carriage, heading upstairs to get a better view. There were more of the locals here; they parted as though to let her through to the front, but she bowed, gestured, hung back. She could see well enough. The mountains rose out of the hazy plain ahead like a dark storm of rock, the higher massifs draped with cloud, the highest peaks capped in orange-white ice and snow. The sound swelled and fell away with a sort of tantalising grace, its strength implicitly influenced not just by the light breezes circling round the tram but by mightier winds blowing tens of kilometres away towards the far horizon and kilometres further into the sky. The sound, she thought, was like something you might have heard from an enormous choir of basses singing a slow, sonorous hymn in a language you would never understand. The tram station in the foothills possessed a sort of modest, ordered busyness to it, full of the dark folds moving about it with their odd, side-to-side, flip-flopping walk. The station connected with a whole fan of cogged funicular lines, winding up into the mountains like something being unravelled. The sound here was a little louder, still coming and going on the wind.

It reminded me I could go anywhere when I got older, explore bottomless blue-green oceans, climb icy snow-capped mountains, drink tea with monks.

Awe is not a lens through which to see the world but our sole path to seeing. Any other lens is not a lens but a veil. And I've come to believe that our beholding—seeing the veils of this world peeled back again and again, if only for a moment—is no small form of salvation. When I speak of wonder, I mean the practice of beholding the beautiful. Beholding the majestic—the snow-capped Himalayas, the sun setting on the sea—but also the perfectly mundane—that soap bubble reflecting your kitchen, the oxidized underbelly of that stainless steel pan. More than the grand beauties of our lives, wonder is about having the presence to pay attention to the commonplace. It could be said that to find beauty in the ordinary is a deeper exercise than climbing to the mountaintop. When people or groups become too enamoured with mountaintops, we should ask ourselves whether their euphoria comes from love or from the experience of supremacy. For example, whiteness, as a sociological force and practice, loves mountaintops. Being born of an appetite not for flourishing but for domination, it loves the ascent, the conquering. It will tell you about the view from there, but be assured that it is only its view of itself that rouses its spirit. It is about bravado and triumph. There is nothing wrong with climbing the mountain, but bravado tends to drown out the sound of wonder. Perhaps you've known that person who devours beauty as if it belongs to them. It is a possessive wonder. It eats not to delight but to collect, trade, and boast. It consumes beauty to grow in ego, not in love. It climbs mountains to gain ownership, not to gain freedom.

The Mardi Himal Trek is a hidden gem in the Annapurna region, offering a quieter and more intimate experience compared to the ABC Trek. The trek starts from Kande and takes you through lush forests, traditional villages, and picturesque ridges. The trail gradually climbs up to the Mardi Himal Base Camp, where you'll be rewarded with stunning views of the Annapurna and Machhapuchhre mountains. The highlight of the trek is the panoramic sunrise view from the viewpoint near the base camp, where the golden rays illuminate the snow-capped peaks. The Mardi Himal Trek is perfect for those seeking tranquility and off-the-beaten-path adventure.

We see the Tsaatan encampment of tepees in the far distance, sitting in a vast treeless plain surrounded by rolling hills and backdropped by high snow-capped mountains. We pause for a while to take in this spectacle. It took my breath away, and for a moment, everything was gone except the here and now.

My knuckles brushed one of his wings- smooth and cool like silk, but hard as stone with it stretched taut. Fascinating, I blindly reached again... and dared to run a fingertip along some inner edge. Rhysand shuddered, a soft groan slipping past my ear. 'That,' he said tightly, 'is very sensitive.' I snatched my finger back, pulling away far enough to see his face. With the wind, I had to squint, and my braided hair ripped this way and that, but- he was entirely focused on the mountains around us. 'Does it tickle?' He flicked his gaze to me, then to the snow and pine that went on forever. 'It feels like this,' he said, and leaned in so close that his lips brushed the shell of my ear as he sent a gentle breath into it. My back arched on instinct, my chin tipping up at the caress of that breath. 'Oh,' I managed to say, I felt him smile against my ear and pull away. 'If you want an Illyrian male's attention, you'd be better off grabbing him by the balls. We're trained to protect our wings at all costs. Some males attack first, ask questions later, if their wings are touched without invitation.' 'And during sex?' The question blurted out. Rhys's face was nothing but feline amusement as he monitored the mountains. 'During sex, an Illyrian male can find completion just by having someone touch his wings in the right spot.' My blood thrummed. Dangerous territory; more lethal than the drop below. 'Have you found that to be true?' His eyes stripped me bare. 'I've never allowed anyone to see or touch my wings during sex. It makes you vulnerable in a way that I'm not... comfortable with.' 'Too bad,' I said, staring out too casually toward the mighty mountain that now appeared on the horizon, towering over the others. And capped, I noted, with that glimmering palace of moonstone. 'Why?' he asked warily. I shrugged, fighting the upward tugging of my lips. 'Because I bet you could get into some interesting positions with those wings.' Rhys loosed a barking laugh, and his nose grazed my ear. I felt him open his mouth to whisper something, but- Something dark and fast and sleek shot for us, and he plunged down and away, swearing.

In order to fulfill your quest -" "Would you please not usw that word? It's so Robert E. Howard." "Fine. Your mission, should you choose to accept it, is to travel to the far ends of the earth...?" "What? In these shoes? You must be joking." "Crossing arid desserts and steaming jungles," the unicorn continued grimly, "fording mighty rivers and climbing snow-capped mountains-" "I take it scheduled public transport isn't an option." "Until you reach the Cradle of All Goblins, interrupt just once more and I wash my hooves of you, where you will encounter three trials. You must uncover the great truth that was hidden, you must right the ancestral wrong, and you must throw the fire into the ring of power. Only when you have done that -" "Excuse me-" "I warned you. Only when you have done that will you -" "Excuse me," Benny said firmly, "bit I think you may have got the last one a bit turned round. Surely it should be throw the ring-

(The Big Horn Association was formed in Cheyenne, and its members believed in Manifest Destiny: “The rich and beautiful valleys of Wyoming are destined for the occupancy and sustenance of the Anglo-Saxon race. The wealth that for untold ages has lain hidden beneath the snow-capped summits of our mountains has been placed there by Providence to reward the brave spirits whose lot it is to compose the advance-guard of civilization. The Indians must stand aside or be overwhelmed by the ever advancing and ever increasing tide of emigration. The destiny of the aborigines is written in characters not to be mistaken. The same inscrutable Arbiter that decreed the downfall of Rome has pronounced the doom of extinction upon the red men of America.”)

Luz studied the mountains ahead, watched the sunset coloring them as the things gone from them: lilac, plum, lavender, orchid, mulberry, violet. Pomegranate, one of the last to go. John Muir had written how when we try to pick out anything by itself we find it hitched to everything else in the universe. Above those spoilt purple mountains materialized a glowing wedge of light, whiter than the sun, thin, blurred, and radiant. Snow, Luz thought, unable to stop herself. She’d seen snow only once, from a train skirting the Italian Alps, but she had never touched it and already she was zigging up there, ramming her fingers into the cool blue bank until they stung, crunching the puffs of sparkling crystals in her teeth, falling backward to make angels in the airy drifts. But there was nothing cool or blue or airy about this calcium-colored crust capping the range. It throbbed with heat, glowed radioactive with light. Luz said, “What is that?” just as the answer came to her. Ray said it. “The dune sea. The Amargosa.” “It’s that close?” They were barely beyond the city. Ray shook his head. “It’s that big.” This knocked Luz off balance: The dune was not atop the empurpled range before them but beyond it, beyond it by miles and miles. The white was not a rind of ice, not a snowcap, but sand piling up inland where the Mojave had been. They watched this sandsnow mirage, hypnotized by fertilizer dust and saline particulate and the pulverized bones of ancient sea creatures, though they did not know it. Did not know but felt this magnetic incandescence working the way the moon did, tugging at the iron in their blood. Knew only that it left them not breathless but with their breaths exactly synchronized. Ray reached for Luz, took her hand as though he’d never before touched her. They went on, silently transfixed by the immaculate flaxen range looming before them.

The tang of autumn was in the air and the leaves were falling from the plane trees which line the streets of the towns and villages; the sun shone dazzling bright, and the tops of the mountains glittered like scenes in a fairy-tale. Long after the sun had disappeared the snow-caps were changing from pale pink to lilac and then deep purple. Stop and watch them—for it’s no good being so wrapped up in pictures that you can’t enjoy the realities which the pictures attempt to portray!

Have you looked today? There are mountains capped with snow, stars lighting up the galaxy, meadows bursting with colour, and rolling deserts of fire. But when I opened my eyes I saw you, only you.

When we reached the prayer flags and a pile of rocks that marked the highest point on the pass, the view was brilliant. There was hardly a cloud in the sky. To the south we could see rolling foothills: the gentle ups and downs that we’d walked through. Some of the hillsides were red or purple with rhododendron blossoms. To the west and east there was a muddle of ridges and spurs. To the north, there were several mighty snow-capped himals. The real Himalayan giants were mostly east of where we stood. We were a very long way from anywhere. We were a very long way from help.

The Annapurna region, located in central Nepal, is renowned for its stunning mountain ranges, picturesque valleys, and diverse flora and fauna. The region is named after Annapurna, the tenth-highest mountain in the world. Trekking in the Annapurna region offers a blend of natural beauty, cultural encounters, and thrilling adventures. The trails in this region are well-developed and cater to trekkers of all experience levels. Highlights of the Annapurna region trek Trekking in the Annapurna region offers a multitude of highlights that will leave you awe-struck. One of the most popular treks in this region is the Annapurna Circuit, which takes you through lush green forests, quaint traditional villages, and high mountain passes. The trek offers breathtaking views of snow-capped peaks like Annapurna I, Dhaulagiri, and Machhapuchhre (Fishtail). Another highlight of this region is the Annapurna Base Camp trek, which takes you to the foot of the majestic Annapurna massif. The trek offers panoramic views of the surrounding peaks and a chance to immerse yourself in the unique culture of the local Gurung and Magar communities.