Snippets Quotes

What's your name?" he asked above the roar of the music. She leaned close. "My name is Wind," she whispered. "And Rain. And Bone and Dust. My name is a snippet of a half-remembered song." He chuckled a low, delightful sound. She was drunk and silly, and so full of the glory of being young and alive and in the capital of the world that she could hardly contain herself. "I have no name," she purred. "I am whoever the keepers of my fate tell me to be." He grasped her by her wrist, running a thumb along the sensitive sknin underneath. "Then let me call you Mine for a dance or two.

Besides the obvious difference, there was not much distinction between losing a best friend and losing a lover: it was all about intimacy. One moment, you had someone to share your biggest triumphs and fatal flaws with; the next minute, you had to keep them bottled inside. One moment, you'd start to call her to tell her a snippet of news or to vent about your awful day before realizing you did not have that right anymore; the next, you could not remember the digits of her phone number.

To my babies, Merry Christmas. I'm sorry if these letters have caught you both by surprise. There is just so much more I have to say. I know you thought I was done giving advice, but I couldn't leave without reiterating a few things in writing. You may not relate to these things now, but someday you will. I wasn't able to be around forever, but I hope that my words can be. -Don't stop making basagna. Basagna is good. Wait until a day when there is no bad news, and bake a damn basagna. -Find a balance between head and heart. Hopefully you've found that Lake, and you can help Kel sort it out when he gets to that point. -Push your boundaries, that's what they're there for. -I'm stealing this snippet from your favorite band, Lake. "Always remember there is nothing worth sharing, like the love that let us share our name." -Don't take life too seriously. Punch it in the face when it needs a good hit. Laugh at it. -And Laugh a lot. Never go a day without laughing at least once. -Never judge others. You both know good and well how unexpected events can change who a person is. Always keep that in mind. You never know what someone else is experiencing within their own life. -Question everything. Your love, your religion, your passions. If you don't have questions, you'll never find answers. -Be accepting. Of everything. People's differences, their similarities, their choices, their personalities. Sometimes it takes a variety to make a good collection. The same goes for people. -Choose your battles, but don't choose very many. -Keep an open mind; it's the only way new things can get in. -And last but not least, not the tiniest bit least. Never regret. Thank you both for giving me the best years of my life. Especially the last one. Love, Mom

The human touch is that little snippet of physical affection that brings a bit of comfort, support, and kindness. It doesn’t take much from the one who gives it, but can make a huge difference in the one who receives it.

Madness strips you of memory and leaves you scrabbling around on the floor of your brain for the snatches and snippets of what happened, what was said, and when.

I wish I’d paid better attention. I didn’t yet think of time as finite. I didn’t fully appreciate the stories she told me until I became adult, and by then I had to make do with snippets pasted together, a film projected on the back of my mind.

My name is Wind,” she whispered. “And Rain. And Bone and Dust. My name is a snippet of a half-remembered song.

Other memories stick, no matter how much you wish they wouldn’t. They’re like a song you hate but can’t ever get completely out of your head, and this song becomes the background noise of your entire life, snippets of lyrics and lines of music floating up and then receding, a crazy kind of tide that never stops.

You’re in my bones and my blood and my heart,” he said. “I’d have to tear myself open to let you go.

A poem can't do its work if you only read snippets of it.

I smoked and looked down at the bottom of Pittsburgh for a little while, watching the kids playing tiny baseball, the distant figures of dogs snatching at a little passing car, a miniature housewife on her back porch shaking out a snippet of red rug, and I made a sudden, frightened vow never to become that small, and to devote myself to getting bigger and bigger and bigger.

My name is Wind," she whispered. "And Rain. And Bone and Dust. My name is a snippet of a half-remembered song.

He kissed each finger, and with each one of them spoken a word. Five kisses, five words. His last.

After listening for almost twenty-five years to the stories my patients tell me about sociopaths who have invaded and injured their lives, when I am asked, “How can I tell whom not to trust?” the answer I give usually surprises people. The natural expectation is that I will describe some sinister-sounding detail of behavior or snippet of body language or threatening use of language that is the subtle giveaway. Instead, I take people aback by assuring them that the tip-off is none of these things, for none of these things is reliably present. Rather, the best clue is, of all things, the pity play. The most reliable sign, the most universal behavior of unscrupulous people is not directed, as one might imagine, at our fearfulness. It is, perversely, an appeal to our sympathy.

I find things hidden in books: dried flowers, locks of hair, tickets, labels, receipt, invoices, photographs, postcards, all manner of cards. I find letters, unpublished works by the ordinary, the anguished, the illiterate. Clumsily written or eloquent, they are love letters, everyday letters, secret letters and mundane letters talking about fruit and babies and tennis matches, from people signing themselves as Majorie or Jean....I can't bring myself to dispose of these snippets and snapshots of lives that once meant (or still do mean) so much.

Foreign lands never yield their secrets to a traveller. The best they offer are tantalising snippets, just enough to inflame the imagination. The secrets they do reveal are your own - the ones you have kept from yourself. And this is reason enough to travel, to leave home.

I strain to hear, but my old ears, for all their obscene hugeness, pick up nothing but snippets:

I want you. But I’m scared to say it out loud. And it sucks because I've always been someone who always says things out loud.

his parabatai rune was bleeding

Marry me today.

Instead of being an artificial intelligence, I was an intelligent artifice, an empathetic text snippet or a warm voice giving instructions, listening comfortingly.

There are moments in my life that stick to my memory. I suppose it's the same for everyone—snippets of life pasted in a scrapbook for you to look over every once in a while. You look back sometimes and relive an event, a smell or a sight. You catalog these things in your head and never really look at the whole. I think you miss something grand when you don't step back and examine everything together.

Love is fireworks. It’s the first dance. It’s the first kiss. It’s the first time you make love. It’s the first hateful word. It’s the first fight. It’s the first tear you shed. It’s the first time you made up.

Not your parabatai any longer.

You are the Lightwoods — you are all that is left of the Lightwoods.

That was exactly what Tabucchi was suggesting with his title ("La Nostalgie du Possible") --that we can pass right by something very important: love, a job, moving to another city or another country. Or another life. 'Pass by' and at the same time be 'so close' that sometimes, while in that state of melancholy that is akin to hypnosis, we can, in spite of everything, manage to grab little fragments of what might have been. Like catching snatches of a far-off radio frequency. The message is obscure, yet by listening carefully you can still catch snippets of the soundtrack of the life that never was. You hear sentences that were never actually said, you hear footsteps echoing in places you've never been to, you can make out the surf on a beach whose sand you have never touched. You hear the laughter and loving words of a woman though nothing ever happened between you. The idea of an affiar with her had crossed your mind. Perhaps she would have liked that --probably, in fact-- but nothing every happened. For some unknown reason, we never gave in to the exquisite vertigo that you feel when you move those few centimeters towards the face of the other for the first kiss.

But the rest of Jace’s mind is watching the door slam behind her and seeing the final ruin of all his dreams. It was one thing to push it to this point. It is another to let go forever. Because he knows Clary, and if she goes now, she will not ever come back.

Maybe it just felt strange, having to acknowledge that he was a real person with a past and a present and a life beyond the little snippets I observed and pretended I could draw conclusions about.

He turned to the worktable beside him where a large, frosted glass terrarium took up half the space. He lifted the cover, revealing a single, deep-purple flower. The slender petals looked like snippets of evening sky, a rich velvetine purple hungry for the light of stars. Laila traced their edges softly. The petals were almost exactly the same shade of Séverin’s eyes. The thought made her draw back her hand.

We don't need to save the world; we need to love people. We can't fix anything for anyone, but we can listen. We can love. We can empathize. And as long as we can, we should.

I want you to want me. But I want you to want me for all the right reasons.

Will’s hand looked brown and sunburnt by contrast, their fingers dovetailed together like piano keys.

To Vic and other kids his age, the past didn't exist except as a quick, oversimplified Wikipedia snippets, that ultimately didn't matter because they weren't now. Dolores wonders if that is all she really is, a little piece of now, relentlessly pushed forward by time, trying desperately to look back over her shoulder to see what the past could possibly tell her, but caught in a rush that refused to stand still long enough for her to hear what it had to say.

Last night, I realized that it is possible for love to die in an instant. It felt sickening to lie with you in the same bed and have your arms wrapped tightly around me. It no longer felt right.

My self-critical mind allows me to see only the defects and faults in my own work, and so I only have the courage to write snippets and snatches, brief notes on the theme of nonexistence, and yet even the little I write is imperfect.

Because you see, when you’re a strong person, people often look to you to take care of them. People look to you for help. People look to you for strength. And when your life spins out of control, it’s as if their lives are tied to your own and will come crashing down with yours.

A few told snippets of her stories or described the healing touch of her hand, but none knew anything about the girl herself. How amazing, how humble, was this girl who broke herself into a million pieces and distributed them to anyone who had need.

Love… is friendship. A deep, lasting foundation that you both decided to set on fire.

History is neither truth nor completeness. It is simply the best story people can string together at the time, out of whatever facts and snippets they might have on hand.

My name is Wind. And Rain. And Bone and Dust. My name is a snippet of a half-remembered song... I have no name... I am whoever the keepers of my fate tell me to be.

I want these tiny snippets of perfection between us to be our constant reality.

Mapping of Me You my love ~ are my cartographer… Drawing lines about my heart ~ (snippet of muse)

The great library that Google is rushing to create shouldn’t be confused with the libraries we’ve known up until now. It’s not a library of books. It’s a library of snippets.

Books tell us stories, they allow us to vicariously live out snippets of other lives, but they cannot take you in their arms and comfort you when you’re scared.

Oh,” Jace said carelessly, as if he hadn’t been waiting out here for the express purpose of seeing Simon off. He looked up, golden gaze casual, then looked away. “You.” Being too cool for school was Jace’s thing. Simon supposed he must have understood and been fond of it, once. “Hey, I figured I wasn’t going to get the chance to ask this again. You and me,” Simon said. “We’re pretty tight, aren’t we?” Jace looked at him for a moment, face very still, and then bounded to his feet and said: “Absolutely. We’re like this.” He crossed two of his fingers together. “Actually, we’re more like this.” He tried to cross them again. “We had a little bit of initial tension, as you may later recall, but that was all cleared up when you came to me and confessed that you were struggling with your feelings of intense jealousy over my—these were your words—stunning good looks and irresistible charm.” “Did I,” said Simon. Jace clapped him on the shoulder. “Yeah, buddy. I remember it clearly.” “Okay, whatever. The thing is … Alec’s always really quiet around me,” Simon said. “Is he just shy, or did I tick him off and I don’t remember it? I wouldn’t like to go away without trying to make things right.” Jace’s expression took on that peculiar stillness again. “I’m glad you asked me that,” he said finally. “There is something more going on. The girls didn’t want me to tell you, but the truth is—

Let’s take it slow because some of the good things in life are worthy of reverence and appreciation. Let’s take it slow because what we have is like a cross-country ride, where all the breathtaking scenes must be breathed in and stared at with wonder. Let’s take it slow because getting to know you is like a trip to a museum where things, both wonderful and gruesome, are waiting to be discovered. Let’s take it slow because some things are best done at a leisurely pace — the slow dance, the first kiss, making love.

A book is a coffin because it holds a body, sometimes more than one, and we readers are there to witness, mourn, and celebrate. I like the idea of people (Yes, you. Hi, there!), no matter how small the number, lifting and carrying this casket for a time, honoring it with their attention, experience, memory, and melancholic wonder at what was, at what might be. When you put it down, when you stop carrying it, you'll move on, like you must. And who knows, perhaps years later a snippet of the book's memory will unexpectedly alight and linger; a memory of a time and place and of the person you once were, if you allow it.

Over the roar of our motor, we catch snippets of radio hits blasting off the boats we pass: Taylor Swift’s “Cruel Summer” and Sheryl Crow’s “Soak Up the Sun” and Otis Redding’s “(Sittin’ On) The Dock of the Bay.

On the fifth night of our search, I see a plesiosaur. It is a megawatt behemoth, bronze and blue-white, streaking across the sea floor like a torpid comet. Watching it, I get this primordial deja vu, like I'm watching a dream return to my body. It wings towards me with a slow, avian grace. Its long neck is arced in an S-shaped curve; its lizard body is the size of Granana's carport. Each of its ghost flippers pinwheels colored light. I try to swim out of its path, but the thing's too big to avoid. That Leviathan fin, it shivers right through me. It's a light in my belly, cold and familiar. And I flash back to a snippet from school, a line from a poem or a science book, I can't remember which: 'There are certain prehistoric things that swim beyond extinction'.

I want you to tell me that you feel the same way for me. And I’d like you to tell me those feelings are worth it. I’d like you to say I’m worth it.

Let's face it -- if I could scrap in a full-length bodysuit, I would.

She catches snippets of what they’re saying: how dogs don’t need to live as long as humans, they’re simply so good at finding the joy in life. As if we are put on this earth to extract a certain amount of happiness and can leave once the job is done.

In the dark places of yourself, thinking machines you never get near enough to see are constantly building things and running their own secretive programmes all of their own. Maybe you get a snippet of what's going on back there, like this fragment of a song drifting its way into the light, or a phrase, or an image, or maybe just a mood, a wash of content of a bleak draining of colour that floods your chest and your stomach more than it ever finds its way into the bight halogen chrome of your mind.

Jem leaned closer against the chair, staring into the fire. “Better it were my hands,” he said. Will shook his head. Exhaustion was muting the edges of everything in the room, blurring the flocked wallpaper into a single mass of dark color. “No. Not your hands. You need your hands for the violin. What do I need mine for?

dishes piled in the sink, books littering the coffee table— are harder than others. Today, my head is packed with cockroaches, dizziness, and everywhere it hurts. Venom in the jaw, behind the eyes, between the blades. Still, the dog is snoring on my right, the cat, on my left. Outside, all those redbuds are just getting good. I tell a friend, The body is so body. And she nods. I used to like the darkest stories, the bleak snippets someone would toss out about just how bad it could get. My stepfather told me a story about when he lived on the streets as a kid, how hed, some nights, sleep under the grill at a fast food restaurant until both he and his buddy got fired. I used to like that story for some reason, something in me that believed in overcoming. But right now all I want is a story about human kindness, the way once, when I couldn’t stop crying because I was fifteen and heartbroken, he came in and made me eat a small pizza he’d cut up into tiny bites until the tears stopped. Maybe I was just hungry, I said. And he nodded, holding out the last piece.

It is an age lurching along the lip of a dark precipice, peeking fearfully into chaos's empty eyes, enrapt, like a giddy rat trying to stare down a hungry cobra. The gods are restless, tossing and turning and wakening in snippets to conspire at mischief. Their bastard offspring, the hundred million spirits of rock and brook and tree, of place and time and emotion, find old constraints are rotting. The Postern of Fate stands ajar. The world faces an age of fear, of conflict, of grand sorcery, of great change, and of greater despair amongst mortal men. And the cliffs of ice creep forward. Great kings walk the earth. They cannot help but collide. Great ideas sweep back and forth aross the face of a habitable world that is shrinking. Those cannot help but fire hatred and fear amongst adherents of dogmas and doctrines under increasing pressure. As always, those who do the world's work most dearly pay the price of the world's pain.

For a moment, she thought she was crying too. But then she realised she was just humming. Finally, she could hear the farm. A snippet of a song played in her head. One of the songs she always heard blasting over the farm’s loudspeakers. A song about summer days under the sun. She could really hear it. She could feel the warm, sultry air on her skin, and she wasn’t cold anymore. The air was always yellow at the farm. Golden yellow.

I know that sometimes things should be left in the past, that knowing isn't always better. Sometimes the truth is so horrible that it must be uncovered in bits and pieces, snippets here and there, absorbed slowly, as the whole of it at once is simply too shocking to bear. And sometimes the truth changes everything...

As our ship tumbled, free-falling through the eye of a saltwater cyclone, the nine giant maidens spiraled around us, weaving in and out of the tempest so they appeared to drown over and over again. Their faces contorted in anger and glee. Their long hair lashed us with icy spray. Each time they emerged, they wailed and shrieked, but it wasn’t just random noise. Their screams had a tonal quality, like a chorus of whale songs played through heavy feedback. I even caught snippets of lyrics: boiling mead...wave daughters...death for you! It reminded me of the first time Halfborn Gunderson played Norwegian black metal for me. After a few bars, it dawned on me...Oh, wait. That’s supposed to be music!

Let’s take it slow because I’d like each moment we share to be etched in my memory. And I’d like these memories to make me smile wistfully someday. Let’s take it slow because I’m keeping a journal of our journey, and someday I’ll turn it into a book. I’d like our story to be rich in detail, and full of laughter and intriguing conversations. Let’s take it slow because all my life, I’ve always rushed into so many things, and they were all mistakes — I’d like you to be one of those things I’m going to do right. You deserve that much.

All that wild charisma and wanderlust. But a poem can’t do its work if you only read snippets of it.

He need not listen to them all in that one little snippet which we call ten-thirty. Ten-thirty—and every other moment from the beginning of the world—is always the Present for Him.

At best, we base our thinking on disconnected facts or snippets of scientific knowledge uninformed by a broader evolutionary perspective.

Portland was a dream both in the literal sense and the metaphorical sense, both tangible and not - a fleeting affair you want to hold on to but can't, so you try memorizing her every detail only to fail to do so in the consumption, in the savoring, in the absorbing of yourself into her. When she's gone, she comes to you in snippets, replaying in your mind like a fragmented picture show.

That was exactly what Tabucchi was suggesting in his title – that we can pass right by something very important: love, a job, moving to another city or another country. Or another life. ‘Pass by’ and at the same time be ‘so close’ that sometimes, while in that state of melancholy that is akin to hypnosis, we can, in spite of everything, manage to grab little fragments of what might have been. Like catching snatches of a far-off radio frequency. The message is obscure, yet by listening carefully you can still catch snippets of the soundtrack of the life that never was. You hear sentences that were never actually said, you hear footsteps echoing in places you’ve never been to, you can make out the surf on a beach whose sand you have never touched. You hear the laughter and loving words of a woman though nothing ever happened between you. The idea of an affair with her had crossed your mind. Perhaps she would have liked that – probably in fact – but nothing ever happened. For some unknown reason, we never gave in to the exquisite vertigo that you feel when you move those few centimetres towards the face of the other for the first kiss. We passed by, we passed so close that something of the experience remains.

I want to do Sunday brunch. I want to make love when it’s raining. I want to kiss when I wake up. I want to hold hands and never, ever, ever, let go. I want to do all of these. I want to do all of these with you.

I barely registered moving into the long gallery, one hand absentmindedly wrapping around my throat as I looked up at the paintings. So many, so different, yet all arranged to flow together seamlessly... Such different views and snippets and angles of the world. Pastorals, portraits, still lifes . . . each a story and an experience, each a voice shouting or whispering or singing about what that moment, that feeling, had been like, each a cry into the void of time that they had been here, had existed. Some had been painted through eyes like mine, artists who saw in colors and shapes I understood. Some showcased colors I had not considered; these had a bend to the world that told me a different set of eyes had painted them. A portal into the mind of a creature so unlike me, and yet . . . and yet I looked at its work and understood, and felt, and cared.

Oh, the middle third of the U.S.!” Leo spread his arms. “Piece of torta, then. We’ll just search the entire middle of the country!” “Still with the sarcasm,” Percy noted. “Hey, man, I’ve sailed with the most sarcastic scalawags on the high seas.” The two gave each other a high five, though I did not quite understand why. I thought about a snippet of prophecy I’d heard in the grove: something about Indiana. It might be a place to start….

All we can do is trust those that we encounter on our journey through life - the parents and children, the partners and siblings, the friends and colleagues - will transmit little pieces of us, from the snippets we taught and the things we said to the smallest inventions of our own making, through the generations, keeping the flame of our memory alive long after our bodies have died. And that this, after all, is life's great immortality project.

He loves me. But I love you. But you love her. It’s always that way, isn’t it? You’re willing to wait for her just like I’m willing to wait for you… just like he’s willing to wait for me. Someday, we all might turn around and realize what we had in front of us all along. Someday, we might not. But until then, we’re all stuck at waiting.

I take the tiniest of steps back and reach out to place my hand in his. When I do, it’s exactly as I thought – electrifying. Game face, Veronica, game face. I smile as if he has no effect on me at all. I know this works when I am doing my job. I don’t know if it will work for him, but here it goes. “Veronica Johnson,” I confidently reply. He just stands there for a moment grinning. It’s as if he’s happy that I seem unphased by him. I am definitely not used to the reaction he is giving me. Joe’s reaction, now that was the typical reaction. But, this? What the hell is this?

If you are lying in bed Under the sheets next to me Then who is coming upstairs Who can the intruder be Question - How you moved so fast From the TV room to here? Must have skipped brushing your teeth Then, what are the sounds I hear?

Some former POWs became almost feral with rage. For many men, seeing an Asian person or overhearing a snippet of Japanese left them shaking, weeping, enraged, or lost in flashbacks. One former POW, normally gentle and quiet, spat at every Asian person he saw. At Letterman General Hospital just after the war, four former POWs tried to attack a staffer who was of Japanese ancestry, not knowing that he was an American veteran. Troubled former POWs found nowhere to turn.

A small segment of DNA that encodes a gene is transcribed into a snippet of RNA, which then travels to the manufacturing region of the cell. There this “messenger RNA” facilitates the assembly of the proper sequence of amino acids to make a specified protein.

A place has a curious quality when you have only a partial understanding of its language, and in those early months the sensation was especially peculiar. At first I moved in a cloud of unknowing, the speech around me impenetrable, but it quickly grew less elusive as I began to understand single words and then phrases and now even snippets of conversation. On occasion, I found myself stumbling into situations more intimate than I would have liked, the city was no longer the innocent place it had been when I arrived.

They behaved in ways that celebrated decadence and ambition, and the passions and feuds of their personal lives thrilled Euryale. Hungry for snippets of their hierarchical melodramas, she consumed the gossip and obsessed over their increasingly tangled relations.

She had brief snippets where she could see herself through his eyes. And there was so much beauty there it brought her to tears. All her life she’d felt like an elephant lumbering among delicate things. But in his honest gaze, she was no longer the elephant. She was the swan.

I promised myself that I will not cry over you. We are nothing. I thought we had something, but you know, maybe it really was nothing. I have feelings for you and you clearly can’t reciprocate so– why would I waste my time feeling bothered by how obvious that you still haven’t moved on from her. It’s a vicious cycle, this predicament we’re in now. I don’t know what you see in her, and I honestly don’t know what I see in you. Love is fucking blind and it’s stupid.

All at once, because life’s too short and it’s always like magic when you find a good thing. All at once, because I’m much too wise to not know that lightning can’t really hit the same spot twice when it comes. All at once because right now, surrendering to irrationality seems to be the only thing that makes sense.

But why bother, in this day and age- Zenia herself would say- with such a quixotic notion as truth? Every sober-sided history is at least half sleight-of-hand: the right hand waving its poor snippets of fact, out in the open for all to verify, while the left hand busies itself with its own devious agendas, deep in its hidden pockets.

In less than an hour, Sophia had efficiently arranged and copied the notes in a neat hand that would delight the printer to no end. She was so quiet and economical in her movements that Ross would have forgotten she was there, except that her scent filtered through the air. It was a tantalizing distraction that he could not dismiss. Breathing deeply, he tried to identify the fragrance. He detected tea and vanilla, blended with the elixir of warm female skin. Stealing glances at her delicate profile, he was fascinated by the way the light moved over her hair. She had small ears, a sharply defined chin, a soft snippet of a nose, and eyelashes that cast spiky shadows on her cheeks.

I believe the reasons we hang on to seemingly insignificant snippets of conversation, the smell of a particular pizza delivered by a particular guy, the shape of certain shadows on a particular wall, is that there may come a day when we are sitting in a hospital room visiting our mother as she lies on an uncomfortable bed, still recovering. And we are asking her questions and feeling nervous about what the doctor has said could be permanent damage caused by a blood clot the size of a pinpoint and we don't know if the way she is struggling to find the right words is a temporary exhaustion or the new reality and all we want to do is tell her we love her in a language no one has used before because we mean it in a way that no one has meant it before. And this will be a difficult time for us. But then, in a break between the words, a commercial may come on the small television hung up in the corner of the room that we did not even know was playing. It may advertise some new drug, some insurance plan, and our mother will smile at the voice of the handsome actor standing in front of a green screen. She will then close her eyes and squeeze our hand, the one that she has been holding since we walked in, and say, "Oh, I used to have such a crush on him." When she does this, our memory will be waiting. Yes, yes, yes. It is love that we feel here. This is the purpose of memory.

When Flora was a young girl she used to try to "fix" moments in her memory. The notion that years of her life would pass and she would only remember snippets, seconds of the whole, distressed her. She came up with a plan and at various times-walking home from school or out with friends or just sitting at her desk she would think: This. Remember this.

It’s funny how you can have a broken heart while you’re still with someone that you’re madly in love with. Life fucks us hard like that.

You don’t know me well enough to be confident that I wouldn’t be able to live without you. I survived almost two decades of ignoring the fuck out of you, I can survive plenty more.

had a television set until I sold it at the height of the Vietnam War. Those sanitized snippets of death—made distant by the camera’s lens—meant nothing to me. But I believe it meant something to these cattle which surround me. When the war and the nightly televised body counts ended, they demanded more, more, and the movie screens and streets of this sweet and dying nation have provided it in mediocre, mob abundance. It is an addiction I know well.

To whom am I telling this story? It isn’t of course to you, my God, but in your presence I’m telling it to my race, the human race, however minute a snippet out of that might stumble on my writing, such as it is. And what’s the story’s purpose? Obviously, it’s so that I and whoever reads this can contemplate from what depths we must cry out to you.*8 But what’s closer to your ears, if the heart humbles itself in confession and the life is lived in faith?

Let me first establish—on your behalf—feelings of animosity and disgust at the mendacity inherent in this concept of "cartoon." Whenever someone hits you with a conversational shot that is crude or is intended to hurt, and you bristle, the shooter quickly throws up his/her hands and tries to get you to believe, "I was only kidding. It was all in fun. Boy, are you overreacting. You musn't take it seriously, it was just a joke." Well, we know it wasn't any such thing. It was a snippet of truth slipping past the cultural safeguards that keep us dealing with one another with civility. It was for real. Similarly, when such films as Streets of Fire and Gremlins and Temple of Doom are made, we are expected to take them seriously enough to plonk down five bucks for a ticket. When they fail to deliver what they've promised in all those tv clips, and we express our anger at having been fleeced, the shooters tell us we're overreacting and we should feel a lot better about losing our five or ten or whatever amount they got out of us, because it was all a gag. I wonder how well they'd take the gag if we paid for the tickets with counterfeit bills. Or pried open the firedoor at the theater and sneaked in with the entire Duke University Marching Band. "It was all a joke, fellahs; don't take it so seriously; gawd, are you overreacting!" No, they cannot have that cake and eat it, too.

There's no such thing as a bad idea - only an idea that isn't fully formed, fully realized. The great ones find a way of holding on to these little half-formed snippets of art and truth and moment and find a way to slow them in when the time is right, when the thought is finished. Some songs, they're like fine wine, or a bourbon that still needs to age. Sip from that glass too soon, and you won't taste the full effect. Best to let it sit until the right moment - to let it breathe ... until all these moving parts come together in just the right way.

Well, if it’s helped, that’s great, but I wouldn’t advise you to use every snippet I said to you as a child in your adult life. Half the time, I was throwing stuff at the wall in the hopes it would keep you balanced and well-grounded in that school full of toxic assholes.” “What?” “I hate to admit this, but I don’t know everything.” Sonya drained her glass of whiskey in one shot and made a face. “Do you have any idea what it’s like, to be the mother of a prodigy? To know your child is brilliant and destined for greatness but will still have to work four times as hard as people with a fraction of her intelligence? I was furious when your classmates were rough on you, but I figured my job was to keep you calm and focused and not let you lose this opportunity. I couldn’t let you be angry, or at the very least, I couldn’t let you show that anger. Because then you would be that angry Black girl, and everyone would dismiss your intelligence or worse, suppress everything that makes you you. So I—” She stopped, and inhaled sharply. “I guess I suppressed you. My God. I’m so sorry. This is all my fault.

Time is sacred. Or at least that is what we are led to believe. There isn’t an entity in existence, immortal or otherwise, that isn’t intimidated by its relentless march. Each moment is cruelly hauled into the past without chance of salvage, with us standing by as mere spectators, glimpsing the train as it barrels through, condemned to snippets and never the whole. But perhaps it is this transience that makes a moment so precious, maybe if it were otherwise, we’d exist without meaning. Time is our bittersweet shadow, giving us life as it takes it away.

Out of necessity, Lewis accepted Margaret C. Finnegan as his companion. From the start, Lewis did not care for her personality - at all. Margaret would not answer to anything but Margaret C. Finnegan in full, because her name was all she had left of her parents. Also, she talked constantly. And if Margaret wasn't talking, she was singing, and to Lewis's complete vexation, the only songs in her repertoire were snippets of three hits from the early 2000s ("Bootylicious," "Get Ur Freak On," and "Hot in Herre"), as well as Avril Lavigne's first two albums, which she knew by heart.

Maybe at the end of our lives we get a Ferris-Wheel vantage of the whole tapestry, the quilt laid flat, answering for its complexity. At the beginning we’re handed frayed and stained flowery bed sheets, a scrap of polka-dots, a snatch of strawberry print. Tattered as they are, there’s some sustaining sweetness in there. The oldest pioneer quilts conceal bits of paper batting between their threadbare layers: postcards, recipes, clipped snippets of newspaper poetry. Every spare material had a part to play, fragments of experience and feeling arranged in a repeating pattern, little sewn sound bytes spinning ordered fractals.

The three thousand miles in distance he put between himself and Emma tonight is nothing compared with the enormous chasm separating them when they sit next to each other in calculus. Emma's ability to overlook his existence is a gift-but not one that Poseidon handed down. Rachel insists this gift is uniquely a female trait, regardless of the species. Since their breakup, Emma seems to be the only female utilizing this particular gift. Even Rayna could learn a few lessons from Emma in the art of torturing a smitten male. Smitten? More like fanatical. He shakes his head in disgust. Why couldn't I just sift when I turned of age? Why couldn't I find a suitable mild-tempered female to mate with? Live a peaceful life, produce offspring, grow old, and watch my own fingerlings have fingerlings someday? He searches through his mind for someone he might have missed in the past. For a face he overlooked before but could now look forward to every day. For a docile female who would be honored to mate with a Triton prince-instead of a temperamental siren who mocks his title at every opportunity. He scours his memory for a sweet-natured Syrena who would take care of him, who would do whatever he asked, who would never argue with him. Not some human-raised snippet who stomps her foot when she doesn't get her way, listens to him only when it suits some secret purpose she has, or shoves a handful of chocolate mints down his throat if he lets his guard down. Not some white-haired angelfish whose eyes melt him into a puddle, whose blush is more beautiful than sunrise, and whose lips send heat ripping through him like a mine explosion. He sighs as Emma's face eclipses hundreds of mate-worthy Syrena. That's just one more quality I'll have to add to the list: someone who won't mind being second best. His just locks as he catches a glimpse of his shadow beneath him, cast by slithers of sterling moonlight. Since it's close to three a.m. here, he's comfortable walking around without the inconvenience of clothes, but sitting on the rocky shore in the raw is less than appealing. And it doesn't matter which Jersey shore he sits on, he can't escape the moon that connects them both-and reminds him of Emma's hair. Hovering in the shallows, he stares up at it in resentment, knowing the moon reminds him of something else he can' escape-his conscience. If only he could shirk his responsibilities, his loyalty to his family, his loyalty to his people. If only he could change everything about himself, he could steal Emma away and never look back-that is, if she'll ever talk to him again.

I’d never coded before, and I’d always thought games were huge undertakings by thousands of people in a big studio. Little did I know that a major part of coding involves Googling to find documentation, code snippets, and communities that help people fix common problems. Free information and guidance aren’t limited to programming, either. The Open Source movement makes tremendous amounts of knowledge and resources available online for free, and some major universities are making classes available for free on the internet. It’s a shame that a lot of us use the internet only to talk shit in comments sections and check our email when we have the sum of human knowledge at our fingertips.

Obama occasionally pointed out that the post–Cold War moment was always going to be transitory. The rest of the world will accede to American leadership, but not dominance. I remember a snippet from a column around 9/11: America bestrides the world like a colossus. Did we? It was a story we told ourselves. Shock and awe. Regime change. Freedom on the march. A trillion dollars later, we couldn’t keep the electricity running in Baghdad. The Iraq War disturbed other countries—including U.S. allies—in its illogic and destruction, and accelerated a realignment of power and influence that was further advanced by the global financial crisis. By the time Obama took office, a global correction had already taken place. Russia was resisting American influence. China was throwing its weight around. Europeans were untangling a crisis in the Eurozone. Obama didn’t want to disengage from the world; he wanted to engage more. By limiting our military involvement in the Middle East, we’d be in a better position to husband our own resources and assert ourselves in more places, on more issues. To rebuild our economy at home. To help shape the future of the Asia Pacific and manage China’s rise. To open up places like Cuba and expand American influence in Africa and Latin America. To mobilize the world to deal with truly existential threats such as climate change, which is almost never discussed in debates about American national security.

Worse and somehow embarrassing affair are "ghost" dreams, from which the dreamer only remembers fragments, and very short snippets of events, after which the next morning is left only a vague feeling of a messaged received. If the "ghost" is repeated several times, it is certain that it is a dream which is important for some reason. Then the dreamer, through concentration and auto-suggestion tries to force the dream again, this time a more specific "ghost". The best result are to force oneself to dream again immediately after waking up - called "hooking". If the dream does not produce a "hook" they try and produce a vision during one of the following session by concentration and meditation prior to going to sleep. Such pressure programming is called "anchoring".

The room was two-tiered, its marble balconies filled with rams and water nymphs in fancy dress; a kaleidoscope of colours swayed in time to the beat of hypnotic music. A concerto of absent musicians, it played only in her mind. The numerous chandeliers with sculptured metal frames hung down from chains, with endless fireflies attached. At the far end stretched a grand staircase, dressed with a plush velvet carpet in deep cerise, and ceiling paintings edged with gold embossed dado rails clung to the walls. Then Eve honed in on herself and saw that she wore a crushed white taffeta A-line gown that fit her trim figure like a glove. Her butterfly mask with floral patterns embroidered in red and gold silk sat against her pale skin, her reflection like that of a porcelain doll. A matching shawl rested softly on her shoulders. Everything was so beautiful that she almost totally lost herself in the mirror’s reflection." (little snippet from our book)

A Letter to the Reader I thought my dog dying was going to kill me. If I’m being honest, I still think it, some days. Most days. If I’m being honest, I still think it every day. Soul-mutt. Best friend. Not everyone understands, or will. That’s fine. I’ve never been one to want to share in grief, never been one to share much of anything. Only child, writer. A dog removes itself from the pack to lick wounds clean. A dog goes off, alone, to die. But we all know it—a family member, a friend, the sudden glazing of the eyes, the feel of a heart stopping beneath our hand. Our souls and selves dropping pieces each time someone exits this earth. Our identities, foundations shaken. Even sometimes bulldozed to nothing. This one brought me to my knees. At the time of writing this note, I can honestly say, I have never felt anything like this. I am truly surprised it hasn’t killed me. I always knew Barghest was going to die. Barghest’s death was (with the deaths of the others) the worst thing I could think of, and my job as I see it is to explore all the worsts. And all the bests, too. This book, or more accurately, an early, now unrecognizable version of it, was the first thing I ever seriously wrote. It was also what got me started on this path of Writer. Someone read this early snippet and believed in it, in me. This was a story that I wanted to tell from day one, ideas that hounded me then and have for all the years since. It’s taken ten years, an education, all the events of a decade of life, and more drafts than I’d like to count for me to tell this story in a way that felt right. In a way that is (I hope) befitting of you, most precious reader. And these dogged questions of guilt, shame, faith have nipped at my heels through everything. Funny, how they always draw just enough blood to keep us from running full tilt. But now. In the wake of a loss that has shaken me more than any I’ve lived through before, in a moment in which I find myself, like Sophie, questioning everything, questioning what the point of being here is at all, I have to say, It all feels very human and very small to confine and bind ourselves to anything that seeks to diminish us. This world and universe and existence is so expansive and evolving, and we choose to let ourselves be crippled by someone else’s ideas. We share life with mortality. We will die. Everyone we love will die. We will all face the dark. Together, or separate. We just don’t know. There is no self-help book, no textbook, no how-to that can tell us, definitively, what comes after. By the time any of us has the answers, we won’t be here to write them. None of us knows, even if we think we do. But here is what I do know: We live with death. And horror chooses not to turn away from it. Horror looks the darkness in the eyes. Horror dances with the absence, the loss. Explores ways for us—you, the reader, and me—to take it in our arms and spin around together. Ways to embrace the centrifugal force that is human striving, human searching. Mortal life. Dogs die. Humans die. We live with it, whether we want to or not. But from choosing to look, choosing not to turn away, from our embrace in the darkness, I hope that guilt and shame and any idea invented to hold you down in this glorious, nearly blinding existence, will seem, at the end of it all, very, very small. You, and me, spinning too fast for them to catch us. Thank you for continuing on this journey with me. With my characters, who are of course, now yours. These questions and worlds that I humbly share with you. That now belong to you. And while we keep hurtling through the unknown, as we spin round and round, I want to say, Here’s to dancing, book by book, question by question, through this vast, shining existence. Together.

All right. I am Brian Lettsin and here is my story. I was working for I & I Books. It began innocently, with a few novels featuring bemused writers: their affairs, drinking problems, failure to produce their works, and so on. Nothing too harmful. Then I received this novel, A Postmodern Postmortem. Set in an afterlife for bad characters, the book was riddled with the kind of intertextual knowingness that was to set me on the path to destruction. There followed an orgiastic spree of metafucking—writers stepping into their novels to slap and screw their characters, writers appearing in other writers’ novels to do the same, then writers slapping and screwing the other writers in their novels, and characters taking over the narration of the novels and so on. One book, I Am the Novel, pushed me over the edge. Over ten thousand unidentified voices, zigzagging along the page, or huddled into spirals or boxes, even printed overlapping one another, squabbled for authorship, offering nothing in the manner of plot or character, or a conceivable point to the whole thing—one voice even cried out in orgasm ‘Oh! This is so pointless ... so ... oh oh oh! ... meeeeeaaaningleeeeeesss!’ epitomising the masturbatory emptiness at the heart of this publisher’s project. I suppose there was some theoretical logic behind these novels—I recall some drear pamphlet penned by the editor riddled with Derrida/Barthes references, as if cribbing from those two was a sufficient apologia for their gummy deluge—but this was too late for me. I Am the Novel, running at over 1000 pages, no author name on the cover, sent me into a spasm of self-doubt. I woke up having no idea who I was, if I was a character in a novel, if I had written a novel ... I cracked up. I spent my days staring into mirrors in the hope I might recall a mere snippet of the previous ‘life’ I was supposed to have led ... a life that is ... I am Brian ... hang on, who I am again?