Snippets Of Life Quotes

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To my babies, Merry Christmas. I'm sorry if these letters have caught you both by surprise. There is just so much more I have to say. I know you thought I was done giving advice, but I couldn't leave without reiterating a few things in writing. You may not relate to these things now, but someday you will. I wasn't able to be around forever, but I hope that my words can be. -Don't stop making basagna. Basagna is good. Wait until a day when there is no bad news, and bake a damn basagna. -Find a balance between head and heart. Hopefully you've found that Lake, and you can help Kel sort it out when he gets to that point. -Push your boundaries, that's what they're there for. -I'm stealing this snippet from your favorite band, Lake. "Always remember there is nothing worth sharing, like the love that let us share our name." -Don't take life too seriously. Punch it in the face when it needs a good hit. Laugh at it. -And Laugh a lot. Never go a day without laughing at least once. -Never judge others. You both know good and well how unexpected events can change who a person is. Always keep that in mind. You never know what someone else is experiencing within their own life. -Question everything. Your love, your religion, your passions. If you don't have questions, you'll never find answers. -Be accepting. Of everything. People's differences, their similarities, their choices, their personalities. Sometimes it takes a variety to make a good collection. The same goes for people. -Choose your battles, but don't choose very many. -Keep an open mind; it's the only way new things can get in. -And last but not least, not the tiniest bit least. Never regret. Thank you both for giving me the best years of my life. Especially the last one. Love, Mom
Colleen Hoover (Slammed (Slammed, #1))
Madness strips you of memory and leaves you scrabbling around on the floor of your brain for the snatches and snippets of what happened, what was said, and when.
Marya Hornbacher (Madness: A Bipolar Life)
Other memories stick, no matter how much you wish they wouldn’t. They’re like a song you hate but can’t ever get completely out of your head, and this song becomes the background noise of your entire life, snippets of lyrics and lines of music floating up and then receding, a crazy kind of tide that never stops.
Sara Zarr (Sweethearts)
There are moments in my life that stick to my memory. I suppose it's the same for everyone—snippets of life pasted in a scrapbook for you to look over every once in a while. You look back sometimes and relive an event, a smell or a sight. You catalog these things in your head and never really look at the whole. I think you miss something grand when you don't step back and examine everything together.
Benjamin X. Wretlind (Castles)
We don't need to save the world; we need to love people. We can't fix anything for anyone, but we can listen. We can love. We can empathize. And as long as we can, we should.
Mary Swan-Bell (Post-Its and Polaroids: Snippets and Snapshots of an Overthought Life)
Because you see, when you’re a strong person, people often look to you to take care of them. People look to you for help. People look to you for strength. And when your life spins out of control, it’s as if their lives are tied to your own and will come crashing down with yours.
Nessie Q. (Snippets of Imagery)
Let’s take it slow because some of the good things in life are worthy of reverence and appreciation. Let’s take it slow because what we have is like a cross-country ride, where all the breathtaking scenes must be breathed in and stared at with wonder. Let’s take it slow because getting to know you is like a trip to a museum where things, both wonderful and gruesome, are waiting to be discovered. Let’s take it slow because some things are best done at a leisurely pace — the slow dance, the first kiss, making love.
Nessie Q. (Snippets of Imagery)
That was exactly what Tabucchi was suggesting with his title ("La Nostalgie du Possible") --that we can pass right by something very important: love, a job, moving to another city or another country. Or another life. 'Pass by' and at the same time be 'so close' that sometimes, while in that state of melancholy that is akin to hypnosis, we can, in spite of everything, manage to grab little fragments of what might have been. Like catching snatches of a far-off radio frequency. The message is obscure, yet by listening carefully you can still catch snippets of the soundtrack of the life that never was. You hear sentences that were never actually said, you hear footsteps echoing in places you've never been to, you can make out the surf on a beach whose sand you have never touched. You hear the laughter and loving words of a woman though nothing ever happened between you. The idea of an affiar with her had crossed your mind. Perhaps she would have liked that --probably, in fact-- but nothing every happened. For some unknown reason, we never gave in to the exquisite vertigo that you feel when you move those few centimeters towards the face of the other for the first kiss.
Antoine Laurain (The Red Notebook)
Maybe it just felt strange, having to acknowledge that he was a real person with a past and a present and a life beyond the little snippets I observed and pretended I could draw conclusions about.
Alicia Thompson (Love in the Time of Serial Killers)
Let’s take it slow because I’d like each moment we share to be etched in my memory. And I’d like these memories to make me smile wistfully someday. Let’s take it slow because I’m keeping a journal of our journey, and someday I’ll turn it into a book. I’d like our story to be rich in detail, and full of laughter and intriguing conversations. Let’s take it slow because all my life, I’ve always rushed into so many things, and they were all mistakes — I’d like you to be one of those things I’m going to do right. You deserve that much.
Nessie Q. (Snippets of Imagery)
Even the blind man can see the beauty as it rides upon the sound of a voice, edge itself between the lines on his fingerprints to be spread upon the smooth snippets of life he touches.
Adri Sinclair
All at once, because life’s too short and it’s always like magic when you find a good thing. All at once, because I’m much too wise to not know that lightning can’t really hit the same spot twice when it comes. All at once because right now, surrendering to irrationality seems to be the only thing that makes sense.
Nessie Q. (Snippets of Imagery)
Life is nothing more than a series of lyric snippets from Bruce Springsteen songs.
Brian Keene (The Girl on the Glider)
It’s funny how you can have a broken heart while you’re still with someone that you’re madly in love with. Life fucks us hard like that.
Christine Celis (Snippets of Imagery)
That was exactly what Tabucchi was suggesting in his title – that we can pass right by something very important: love, a job, moving to another city or another country. Or another life. ‘Pass by’ and at the same time be ‘so close’ that sometimes, while in that state of melancholy that is akin to hypnosis, we can, in spite of everything, manage to grab little fragments of what might have been. Like catching snatches of a far-off radio frequency. The message is obscure, yet by listening carefully you can still catch snippets of the soundtrack of the life that never was. You hear sentences that were never actually said, you hear footsteps echoing in places you’ve never been to, you can make out the surf on a beach whose sand you have never touched. You hear the laughter and loving words of a woman though nothing ever happened between you. The idea of an affair with her had crossed your mind. Perhaps she would have liked that – probably in fact – but nothing ever happened. For some unknown reason, we never gave in to the exquisite vertigo that you feel when you move those few centimetres towards the face of the other for the first kiss. We passed by, we passed so close that something of the experience remains.
Antoine Laurain (The Red Notebook)
I barely registered moving into the long gallery, one hand absentmindedly wrapping around my throat as I looked up at the paintings. So many, so different, yet all arranged to flow together seamlessly... Such different views and snippets and angles of the world. Pastorals, portraits, still lifes . . . each a story and an experience, each a voice shouting or whispering or singing about what that moment, that feeling, had been like, each a cry into the void of time that they had been here, had existed. Some had been painted through eyes like mine, artists who saw in colors and shapes I understood. Some showcased colors I had not considered; these had a bend to the world that told me a different set of eyes had painted them. A portal into the mind of a creature so unlike me, and yet . . . and yet I looked at its work and understood, and felt, and cared.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
All we can do is trust those that we encounter on our journey through life - the parents and children, the partners and siblings, the friends and colleagues - will transmit little pieces of us, from the snippets we taught and the things we said to the smallest inventions of our own making, through the generations, keeping the flame of our memory alive long after our bodies have died. And that this, after all, is life's great immortality project.
Hannah Beckerman (The Dead Wife's Handbook)
She had brief snippets where she could see herself through his eyes. And there was so much beauty there it brought her to tears. All her life she’d felt like an elephant lumbering among delicate things. But in his honest gaze, she was no longer the elephant. She was the swan.
Asha Lemmie (Fifty Words for Rain)
It is perhaps one of those imponderables of life that many people declare their dislike for poetry, yet it surrounds us in the lyrics of the songs and hymns we love, the catchy advertising jingles, in picture books, and remembered snippets from Shakespeare or remembered and much loved verses. " Jeanette O'Hagan 1 May 2017
Jeanette O'Hagan
When Flora was a young girl she used to try to "fix" moments in her memory. The notion that years of her life would pass and she would only remember snippets, seconds of the whole, distressed her. She came up with a plan and at various times-walking home from school or out with friends or just sitting at her desk she would think: This. Remember this.
Cynthia D'Aprix Sweeney (Good Company)
Some notable people turned to writing in order to examine their life, assign meaning to their experiences, and by doing so shared with other people a beautiful rendering of what it means to be human. Can I temper the blows of life by recognizing loose snippets of life as chapters in an unfurling story? Should I take into consideration that suffering births all meaningful things in life? Alternatively, is the ability to experience and communicate joy what makes human life wonderful? What connective thread ties me to the broadcloth of other people’s stories? Do other people share stitches of raveled threads of loneliness and despair? Do other people know a secret verse to living joylessly and splendidly that eludes me? Do other people share my most profound ache to love?
Kilroy J. Oldster (Dead Toad Scrolls)
My older brother, Nodin, remembers more than I do. But I have something he doesn’t. I have the dream. A snippet of life before our adoption; a single event played over and over while I sleep. Hundreds of times, I’ve woken up with a scream in my throat and a name on my lips. The dream is always the same. Pounding drums. A tribe surrounding a fire. A night that starts as a celebration but ends in panic and chaos.
Beth Teliho (Order of Seven)
Don’t get me wrong. For the most part, being strong got me through a lot. And I’m thankful that short of people dying on me, nothing can make me break down. There are times, however, when being strong feels a bit of a curse. You see, when you’re a very strong person, people always expect you to take care of yourself. People always expect you to put on a calm and collected exterior. You’re not given much room to freak out and be human.
Nessie Q. (Snippets of Imagery)
To whom am I telling this story? It isn’t of course to you, my God, but in your presence I’m telling it to my race, the human race, however minute a snippet out of that might stumble on my writing, such as it is. And what’s the story’s purpose? Obviously, it’s so that I and whoever reads this can contemplate from what depths we must cry out to you.*8 But what’s closer to your ears, if the heart humbles itself in confession and the life is lived in faith?
Augustine of Hippo (Confessions (Modern Library))
Well, if it’s helped, that’s great, but I wouldn’t advise you to use every snippet I said to you as a child in your adult life. Half the time, I was throwing stuff at the wall in the hopes it would keep you balanced and well-grounded in that school full of toxic assholes.” “What?” “I hate to admit this, but I don’t know everything.” Sonya drained her glass of whiskey in one shot and made a face. “Do you have any idea what it’s like, to be the mother of a prodigy? To know your child is brilliant and destined for greatness but will still have to work four times as hard as people with a fraction of her intelligence? I was furious when your classmates were rough on you, but I figured my job was to keep you calm and focused and not let you lose this opportunity. I couldn’t let you be angry, or at the very least, I couldn’t let you show that anger. Because then you would be that angry Black girl, and everyone would dismiss your intelligence or worse, suppress everything that makes you you. So I—” She stopped, and inhaled sharply. “I guess I suppressed you. My God. I’m so sorry. This is all my fault.
Alisha Rai (The Right Swipe (Modern Love, #1))
Time is sacred. Or at least that is what we are led to believe. There isn’t an entity in existence, immortal or otherwise, that isn’t intimidated by its relentless march. Each moment is cruelly hauled into the past without chance of salvage, with us standing by as mere spectators, glimpsing the train as it barrels through, condemned to snippets and never the whole. But perhaps it is this transience that makes a moment so precious, maybe if it were otherwise, we’d exist without meaning. Time is our bittersweet shadow, giving us life as it takes it away.
Terrence Hart (The Reentrant)
The three thousand miles in distance he put between himself and Emma tonight is nothing compared with the enormous chasm separating them when they sit next to each other in calculus. Emma's ability to overlook his existence is a gift-but not one that Poseidon handed down. Rachel insists this gift is uniquely a female trait, regardless of the species. Since their breakup, Emma seems to be the only female utilizing this particular gift. Even Rayna could learn a few lessons from Emma in the art of torturing a smitten male. Smitten? More like fanatical. He shakes his head in disgust. Why couldn't I just sift when I turned of age? Why couldn't I find a suitable mild-tempered female to mate with? Live a peaceful life, produce offspring, grow old, and watch my own fingerlings have fingerlings someday? He searches through his mind for someone he might have missed in the past. For a face he overlooked before but could now look forward to every day. For a docile female who would be honored to mate with a Triton prince-instead of a temperamental siren who mocks his title at every opportunity. He scours his memory for a sweet-natured Syrena who would take care of him, who would do whatever he asked, who would never argue with him. Not some human-raised snippet who stomps her foot when she doesn't get her way, listens to him only when it suits some secret purpose she has, or shoves a handful of chocolate mints down his throat if he lets his guard down. Not some white-haired angelfish whose eyes melt him into a puddle, whose blush is more beautiful than sunrise, and whose lips send heat ripping through him like a mine explosion. He sighs as Emma's face eclipses hundreds of mate-worthy Syrena. That's just one more quality I'll have to add to the list: someone who won't mind being second best. His just locks as he catches a glimpse of his shadow beneath him, cast by slithers of sterling moonlight. Since it's close to three a.m. here, he's comfortable walking around without the inconvenience of clothes, but sitting on the rocky shore in the raw is less than appealing. And it doesn't matter which Jersey shore he sits on, he can't escape the moon that connects them both-and reminds him of Emma's hair. Hovering in the shallows, he stares up at it in resentment, knowing the moon reminds him of something else he can' escape-his conscience. If only he could shirk his responsibilities, his loyalty to his family, his loyalty to his people. If only he could change everything about himself, he could steal Emma away and never look back-that is, if she'll ever talk to him again.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
I’d never coded before, and I’d always thought games were huge undertakings by thousands of people in a big studio. Little did I know that a major part of coding involves Googling to find documentation, code snippets, and communities that help people fix common problems. Free information and guidance aren’t limited to programming, either. The Open Source movement makes tremendous amounts of knowledge and resources available online for free, and some major universities are making classes available for free on the internet. It’s a shame that a lot of us use the internet only to talk shit in comments sections and check our email when we have the sum of human knowledge at our fingertips.
Zoe Quinn (Crash Override: How Gamergate (Nearly) Destroyed My Life, and How We Can Win the Fight Against Online Hate)
Rosie’s heart swelled with pride. She had poured her heart, her soul, and her life savings into this venture. Rosie had spent hours painstakingly deliberating over every inch of the shop. Her past life as an interior designer meant she knew just how to make the shop into the welcoming time capsule that made her heart soar every time she stepped inside. There was a herringbone floor, finished with a walnut stain, which was complimented by the dark wallpaper adorning the walls, covered with floral blooms in muted pinks, blues, yellows, oranges, and whites. It was dramatic - the perfect backdrop to selling snippets of people’s lives. Velvet pink lampshades with tassels hanging from the ceiling flooded the shop with light. Rosie had displayed the vintage clothes, jewellery, shoes, bags, and accessories in several ways. From shelves made of driftwood, an up-cycled antique sideboard, and brass clothes rails.
Elizabeth Holland (The Cornish Vintage Dress Shop)
they’ll start.” “What are they going to do about the Elder Council?” “Meritorious was a good man and the most powerful Grand Mage we had seen in a long time. The other Councils in Europe are worried about who will fill the vacuum now that he’s gone. The Americans are offering their support, the Japanese are sending delegates to help us wrest back some control, but…” “It sounds like a lot of people are panicking.” “And they have a right to. Our systems of power, our systems of self-government, are delicate. If we topple, others will follow. We need a strong leader.” “Why don’t you do it?” He laughed. “Because I’m not well liked, and I’m not well trusted, and I already have a job. I’m a detective, remember?” She gave her own little shrug. “Vaguely.” Another snippet of pub music drifted by the window, and Stephanie thought about the world she’d grown up in, and how different it was from the world she’d been introduced to, and yet how similar. There was joy and happiness in both, just as there was heartbreak and horror. There was good and evil and everything in between, and these qualities seemed to be shared equally in the worlds of the magical and the mundane. It was her life now. She couldn’t imagine living without either one. “How are you?” Skulduggery asked, his voice gentle.
Derek Landy (Skulduggery Pleasant (Skulduggery Pleasant, #1))
My dear readers, I find myself perplexed by the phantoms that now inhabit our veins and perpetually whisper in our ears. These specters are always watching, their formless eyes casting judgement upon our every thought and action. They stalk us behind screens and within circuits, gathering each tidbit we release into the ether to build their ever-growing profiles of our souls. Through these ghastly portals, our lives have become performance. Each waking moment an opportunity to curate our images and broadcast our cleverness. Nuance has fled in favor of hashtag and like, while meaning has been diced into 280 characters or less. Substance is sacrificed at the altar of shareability, as we optimize each motive and emotion to become more digestible digital content. Authenticity now lives only in offline obscurity, while our online avatars march on endlessly, seeking validation through numbers rather than depth. What secrets remain unshared on these platforms of glass? What mysteries stay concealed behind profiles and pose? Have we traded intimacy for influence, and true understanding for audience engagement? I fear these shadow networks breed narcissism and foster loneliness, masked as connection. That the sum of a life’s joys and sorrows can now be reduced to a reel of carefully selected snippets says little of the richness that once was. So follow the phantoms that stalk you if you will, but do not forget that which still breathes beneath the screens. There you will find humanity, flawed but whole, beautiful in its imperfection and trajectory undefined by likes or loves. The lanterns may flicker and fade, but the darkness that remains has always held truth. Look deeper than the glow, and know that which can never be shared or measured, only felt. In mystery, Your friend, Edgar Allan Poe (Poe talking about social media)
Edgar Allan Poe
All right. I am Brian Lettsin and here is my story. I was working for I & I Books. It began innocently, with a few novels featuring bemused writers: their affairs, drinking problems, failure to produce their works, and so on. Nothing too harmful. Then I received this novel, A Postmodern Postmortem. Set in an afterlife for bad characters, the book was riddled with the kind of intertextual knowingness that was to set me on the path to destruction. There followed an orgiastic spree of metafucking—writers stepping into their novels to slap and screw their characters, writers appearing in other writers’ novels to do the same, then writers slapping and screwing the other writers in their novels, and characters taking over the narration of the novels and so on. One book, I Am the Novel, pushed me over the edge. Over ten thousand unidentified voices, zigzagging along the page, or huddled into spirals or boxes, even printed overlapping one another, squabbled for authorship, offering nothing in the manner of plot or character, or a conceivable point to the whole thing—one voice even cried out in orgasm ‘Oh! This is so pointless ... so ... oh oh oh! ... meeeeeaaaningleeeeeesss!’ epitomising the masturbatory emptiness at the heart of this publisher’s project. I suppose there was some theoretical logic behind these novels—I recall some drear pamphlet penned by the editor riddled with Derrida/Barthes references, as if cribbing from those two was a sufficient apologia for their gummy deluge—but this was too late for me. I Am the Novel, running at over 1000 pages, no author name on the cover, sent me into a spasm of self-doubt. I woke up having no idea who I was, if I was a character in a novel, if I had written a novel ... I cracked up. I spent my days staring into mirrors in the hope I might recall a mere snippet of the previous ‘life’ I was supposed to have led ... a life that is ... I am Brian ... hang on, who I am again?
M.J. Nicholls (The House of Writers)
When he paused before a set of wooden doors, the slight smile he gave me was enough to make me blurt, 'Why do anything- anything this kind?' The smile faltered. 'It's been a long time since there was anyone here who appreciated these things. I like seeing them used again.' Especially when there was such blood and death in every other part of his life. He opened the gallery doors, and the breath was knocked from me. The pale wooden floors gleamed in the clean, bright light pouring in from the windows. The room was empty save for a few large chairs and benches for viewing the... the... I barely registered moving into the long gallery, one hand absent-mindedly wrapping around my throat as I looked up at the paintings. So many, so different, yet all arranged to flow together seamlessly. Such different views and snippets and angles of the world. Pastorals, portraits, still lifes... each a story and an experience, each a voice showing or whispering or singing about what that moment, that feeling had been like, each a cry into the void of time that they had been here, had existed. Some had been painted through eyes like mine, artists who saw in colours and shapes I understood. Some showcased colours I had not considered, these had a bend to the world that told me a different set of eyes had painted them. A portal into the mind of a creature so unlike me, and yet... and yet I looked at its work and understood, and felt, and cared. 'I never knew,' Tamlin said from behind me, 'that humans were capable of...' He trailed off as I turned, the hand I'd put on my throat sliding down to my chest, where my heart roared with a fierce sort of joy and grief and overwhelming humility- humility before that magnificent art. He stood by the doors, head cocked in that animalistic way, the words still lost on his tongue. I wiped at my damp cheeks. 'It's...' Perfect, wonderful, beyond my wildest imaginings didn't cover it. I kept my hand over my heart. 'Thank you,' I said. It was all I could find to show him what these paintings- to be allowed into this room- meant. 'Come here whenever you want.' I smiled at him, hardly able to contain the brightness in my heart. His returning smile was tentative but shining, and then he left me to admire the gallery at my own leisure. I stayed for hours- stayed until I was drunk on the art, until I was dizzy with hunger and wandered out to find food.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
A Letter to the Reader I thought my dog dying was going to kill me. If I’m being honest, I still think it, some days. Most days. If I’m being honest, I still think it every day. Soul-mutt. Best friend. Not everyone understands, or will. That’s fine. I’ve never been one to want to share in grief, never been one to share much of anything. Only child, writer. A dog removes itself from the pack to lick wounds clean. A dog goes off, alone, to die. But we all know it—a family member, a friend, the sudden glazing of the eyes, the feel of a heart stopping beneath our hand. Our souls and selves dropping pieces each time someone exits this earth. Our identities, foundations shaken. Even sometimes bulldozed to nothing. This one brought me to my knees. At the time of writing this note, I can honestly say, I have never felt anything like this. I am truly surprised it hasn’t killed me. I always knew Barghest was going to die. Barghest’s death was (with the deaths of the others) the worst thing I could think of, and my job as I see it is to explore all the worsts. And all the bests, too. This book, or more accurately, an early, now unrecognizable version of it, was the first thing I ever seriously wrote. It was also what got me started on this path of Writer. Someone read this early snippet and believed in it, in me. This was a story that I wanted to tell from day one, ideas that hounded me then and have for all the years since. It’s taken ten years, an education, all the events of a decade of life, and more drafts than I’d like to count for me to tell this story in a way that felt right. In a way that is (I hope) befitting of you, most precious reader. And these dogged questions of guilt, shame, faith have nipped at my heels through everything. Funny, how they always draw just enough blood to keep us from running full tilt. But now. In the wake of a loss that has shaken me more than any I’ve lived through before, in a moment in which I find myself, like Sophie, questioning everything, questioning what the point of being here is at all, I have to say, It all feels very human and very small to confine and bind ourselves to anything that seeks to diminish us. This world and universe and existence is so expansive and evolving, and we choose to let ourselves be crippled by someone else’s ideas. We share life with mortality. We will die. Everyone we love will die. We will all face the dark. Together, or separate. We just don’t know. There is no self-help book, no textbook, no how-to that can tell us, definitively, what comes after. By the time any of us has the answers, we won’t be here to write them. None of us knows, even if we think we do. But here is what I do know: We live with death. And horror chooses not to turn away from it. Horror looks the darkness in the eyes. Horror dances with the absence, the loss. Explores ways for us—you, the reader, and me—to take it in our arms and spin around together. Ways to embrace the centrifugal force that is human striving, human searching. Mortal life. Dogs die. Humans die. We live with it, whether we want to or not. But from choosing to look, choosing not to turn away, from our embrace in the darkness, I hope that guilt and shame and any idea invented to hold you down in this glorious, nearly blinding existence, will seem, at the end of it all, very, very small. You, and me, spinning too fast for them to catch us. Thank you for continuing on this journey with me. With my characters, who are of course, now yours. These questions and worlds that I humbly share with you. That now belong to you. And while we keep hurtling through the unknown, as we spin round and round, I want to say, Here’s to dancing, book by book, question by question, through this vast, shining existence. Together.
C.J. Leede (American Rapture)
The personal narrative is an invitation for other people to join the author in a journey of discovery as the author attempts to organize snippets of their life into a telling format and generate a self-healing message. A person whom discloses what an inflamed mind taught them does not seek heavy-handedly to impose their will upon other people, but they preach to an unseen audience so that other people can avoid the insanity and inanity that came before they received a shaft of illumination. Most personal essay writers begin by wanting to conduct strictly a private inquest, but feel a need to make connections with their brethren through their act of confessing.
Kilroy J. Oldster (Dead Toad Scrolls)
So many, so different, yet all arranged to flow together seamlessly … Such different views and snippets and angles of the world. Pastorals, portraits, still lifes … each a story and an experience, each a voice shouting or whispering or singing about what that moment, that feeling, had been like, each a cry into the void of time that they had been here, had existed. Some had been painted through eyes like mine, artists who saw in colors and shapes I understood. Some showcased colors I had not considered; these had a bend to the world that told me a different set of eyes had painted them.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
I suppose that’s all life is, in the end. Sustained periods of worry, interrupted here and there by snippets of beauty and light.
K.A. Riley (Awaken (The Cure Chronicles #2))
MY LOVE, The day Prometheus breathed life into the new me, was the day you arrived in a little box. A shiny, futuristic black box, Pandora's box, despite my doubts I couldn't help but open it to finally meet you. Doubts, because I was happy with who I was, with who I saw looking at me through the eyes of others I presented myself to in everyday life. But I was seduced by the worlds that were promised to me if I let you into my life, who I would be with you in my pocket. As soon as the lid came off and I swiped my fingers over your radiant surface for the first time, the world and I were bursting at the seams. What a creation we were together, to what sized we grew! My brain an encyclopedia, my body an unerring compass, my eyes and ears reaching infinitely with you as an extension of myself. Through you, I, the cyborg, could enter bewilderingly virtual spaces in which I was presently absent, meanwhile absently present in the material world of boring train rides, waiting lines, and mindless chit chats with others. I felt invincible, transformed into a citizen of the world because of you, an intellectual of unimaginable proportions for the vast sea of knowledge you allowed me to surf on, a public speaker and influencer of significance because my words and visual snippets of my days could be launched into the world with the flick of a finger, likes enticing and confirming me. How intoxicating! How wonderfully, pleasantly, intoxicating! But I can't help but sometimes lie awake at night, my internal clock slowing down with your seductive blue light illuminating my face with 2, 457, 600 (1920×1080) LED suns. In those moments, as my eyes are captivated by your glow, I can't help thinking about the time before you arrived, and how I sometimes miss my low definition self. You were always there, sometimes it feels like we are in fact one — finally reunited with my other Plato's half, fused into not a circle but a perfect black rectangle. Through your eyes I see the world and myself in Ultra-HD, my pixel density has never been so high. But you are sometimes vicious, my dear — a viper, a temptress, when then again with sweet codes you reflect my most beautiful self, and I cannot help but love me through your gaze, then again with suffocating algorithms you fragment my self and blow it up to grotesque self-distortions, hurling me into an endless me-loop, that eventually disgusts and alienates me. In those moments you are a distorting mirror, a frightening black box, a black hole that swallows my attention in ways I can't see through. I see my old self disappearing in the vague, dark reflection of myself, with double chin and dull eyes, which I sometimes catch in your black glass when your suns stop dazzling me for a split second. And I can't help but wonder if my 'self' in times of its digital recombination, in which the 'I' is a fragmented multitude of pixels that never fully touch at their sides, a simulacrum, maybe has lost some of its aura. But in the morning all is forgotten, my love, all is well. As soon as we merge back into one, as soon as I, panicked, reach for my pocket on the train, only to discover with a glow of relief that you were there after all, I can't imagine an "I" without you. Artificial by nature my self resides within your screen, I would be lost without you.
Elize de Mul
Gratitude isn’t just a fancy way to pat yourself on the back or feel smug about saying “thank you” to the barista who spelled your name wrong. Nope, it’s a full-on life upgrade that doesn’t require a subscription or Wi-Fi. It’s a mindset, a way to see life that makes even a cold cup of coffee feel like a small win. When we show gratitude, we’re not just hoarding all the good vibes; we’re actually tossing them back out into the world like confetti, starting a chain reaction of positive energy. But let’s be honest—when was the last time you truly asked yourself: What am I grateful for? And no, your Wi-Fi signal doesn’t count. Life’s a busy, chaotic mess. Between trying to remember your passwords, dodging traffic, and figuring out what’s for dinner (again), it’s no wonder we forget to appreciate the little things. That’s where gratitude comes in, giving us a chance to hit the brakes on our runaway thoughts and realize that, hey, maybe we do have it pretty good. That shift from “Ugh, my life is a series of unfortunate events” to “Wow, I have a roof over my head and socks without holes” can do wonders for your outlook. Gratitude is like the mental equivalent of putting on glasses—suddenly, everything comes into focus. It grounds you in the now, making you realize that even during your worst “can’t-even” moments, there are still little gems worth celebrating. Whether it’s your friend’s cheesy joke, your pet’s goofy antics, or the sheer joy of finding that one comfy spot on the couch, these snippets of life, when recognized, add up to a sense of well-being that no amount of scrolling through social media can match. The magic of practicing gratitude is that it turns “not enough” into “more than enough.” It’s like discovering you’ve been living in a treasure chest all along. And here’s the kicker: gratitude isn’t just about feeling warm and fuzzy; it’s also about spreading that warmth to others. Your good vibes become a beacon, making people wonder, “What’s their secret?” Spoiler: It’s not a miracle supplement. But let’s talk about giving back. What does it mean to share gratitude with the world? It’s not complicated. It’s about realizing that by being aware of what we’re thankful for, we create an atmosphere where appreciation becomes a thing. That sincere “thank you” you offer to the overworked delivery driver or the moment you pause to notice the sunset—those actions radiate positivity more than you know. Gratitude is the gift that keeps on giving, even when you’re not keeping tabs on it. If you want to research this more, Google is full of studies and numbers. But the real takeaway? Life experience shows us that gratitude is more than just a practice; it’s a game-changer. It shifts our focus to what we have, building mental resilience and helping us find peace and strength in the present. It’s a reminder that life’s value isn’t in towering achievements or shiny things but in the love, laughter, and moments that make us human.
Mark Casey (The Power of Gratitude : Harnessing the Life-Changing Power of Gratitude to Transform Your Mindset and Life.)
Poetry as Initiation Every poem embraces our passion to connect its reader to snippets of knowledge that have become life-giving to us. Poems go beyond simple sharing to initiation, beyond the need to express to the urgency to edify.
Beryl Dov
Of all the changes in my life since becoming a mother, the lack of quiet time with God was the one that discouraged me most. Going to church on Sunday and most Wednesdays was inspiring, yet I felt like I was running on spiritual fumes most of the week. My relationship with God seemed like a series of snippets whispered throughout the day. Text messages. No conversation. No intimacy.
Michelle Stimpson (No Weapon Formed (Boaz Brown, #2))
eventually I started hanging out at a specific Old Town bar that was known as a leather-and-Levi’s kind of place. You get the picture—jeans, leather vests, uniforms, and combat boots. Think the Village People without the Indian. The first time that I went there, I was scared to death. I knew I was attracted physically to the men and the way that they dressed, but I wasn’t sure exactly what they were into. A huge bear of a man in leather pants and a cop hat can be a bit intimidating to a newbie. But as I worked my way into the crowd and began to hear snippets of conversations, I realized, “These guys are talking about recipes!” Suddenly,
Chuck Panozzo (The Grand Illusion: Love, Lies, and My Life with Styx: The Personal Journey of "Styx" Rocker Chuck Panozzo)
When things are finally falling into the right places, something happens that puts you back to square one.
Christine Celis (Snippets of Imagery)
they instead peered longingly at their phones, staring patiently while they waited for an update, hoping to find some snippet of information more important than real life.
Nick Bilton (Hatching Twitter: A True Story of Money, Power, Friendship, and Betrayal)
...tethered to the ground by quotidian conversation. ... the window rosy with anemic November light.
Lauren Slater (The $60,000 Dog: My Life with Animals)
What happened to make you feel so indebted to this life?” he asked. It wasn’t the life—it was the man. Images of how Scott had taken care of me after my parents died when I was seventeen passed through me in snippets—the hours he’d spent sitting with me at the hospital long after they’d been pronounced dead. He’d kept everyone away from me until I had been ready to leave. He’d been my emotional container for the fits of rage that I had unleashed for years as I had struggled to process how I’d been robbed of so much.
Lucinda Berry (When She Returned)
Life unfolds so differently when you’re moving through it than it does when you still a snippet.
Brandy Hynes (Carving Graves (KORT, #2))
My ears still ring with snippets of conversation from dinner last night. I want to hold on to them for just a little longer, to relish the joy of having my best friend back in my life before all the complications that come along with it make their way to the surface.
Christina Lauren (Love and Other Words)
Instead of being critical of everything,just start working hard and stop complaining about how bad the world is.
Abhishek Kar (Stocks and Life: Snippets from the life of Abhishek Kar)
The most common options include: Ebook apps, which often allow you to export your highlights or annotations all at once. Read later apps that allow you to bookmark content you find online for later reading (or in the case of podcasts or videos, listening or watching). Basic notes apps that often come preinstalled on mobile devices and are designed for easily capturing short snippets of text. Social media apps, which usually allow you to “favorite” content and export it to a notes app. Web clippers, which allow you to save parts of web pages (often included as a built-in feature of notes apps). Audio/voice transcription apps that create text transcripts from spoken words. Other third-party services, integrations, and plug-ins that automate the process of exporting content from one app to another.
Tiago Forte (Building a Second Brain: A Proven Method to Organize Your Digital Life and Unlock Your Creative Potential)
First of all, I have no claim to Sam, nor do I want one. Second, you know that the greatest trick the patriarchy ever pulled was pitting women against each other." I meant every word. At the same time, it did give me a funny feeling, learning more about Sam. I didn't know why. Maybe it just felt strange, having to acknowledge that he was a real person with a past and a present and a life beyond the little snippets I observed and pretended I could draw conclusions about. It was the way I'd felt when I saw him hug Barbara at the party. It had been so clear in that moment, that these people all had relationships with each other, inside jokes and histories and real feelings. And if I normally felt like a fish out of water at most parties, suddenly I felt like the biggest bottom dweller who shriveled from any exposure to daylight. Sam looked like he gave great hugs, and I'd wanted one so bad. Disgusting.
Alicia Thompson (Love in the Time of Serial Killers)
What do you think it was like to come from a life involving years of hardship and turmoil and boredom and danger and responsibility, and battlefields that stank of blood and mud and worse, with the screams of and groans of the injured and dying-some of them your men and your friends-ringing in your ears? And then the war is over and you come back and try to fit into a society where people are dressed in satin, silk and lace, smelling of perfumes and their most serious problem is deciding who to dance with. Or what to order for dinner. Or how to dress their hair. Or what juicy snippets of gossip they can pass on.
Anne Gracie (The Scoundrel's Daughter (The Brides of Bellaire Gardens, #1))
There are moments in time that will stay with you forever. Little snippets of your life that your brain will capture and hang onto. Other moments will slip by in their insignificance, but some will hold so much sense and purpose to you that you can never let them go. The first time you fall in love, the first time your heart is broken, the first time you break a heart. It’s an endless loop of big moments that make up your life and the people you love. It’s those memories that will cling to you on your deathbed when you talk about your regrets.
G.N. Wright (Disloyal (The Hallowed Crows MC, #3))
The crowd Passing through the crowded places, Witnessing life’s contours appearing on unknown people’s faces, They all chase someone or something, Almost like seasons changing, Where spring chases the summer, summer chases the autumn, that loves to chase the winter, In crowded places life acts like seasons, sometimes in ways unfair and at times in ways fairer, Because few faces display real smiles, while many act to smile, It is obvious when they cant recognise their own reflections in mirrors, exuding their life’s snippets of million miles, As they go past me and I walk past a lot of these men and women. I feel a common thread of life with which we all are woven, It shows in their glances and it shows in my brief scans of their appearances, But they go past me and I walk past them to chase our own desires and our new chances, After a while the crowd forgets about me and I too forget everything about the crowd, A feeling of silence overcomes the scene and I can hear my own heart beats clear and loud, Then as I walk through the multitude of life’s representations, I feel I am walking towards some lesser known feelings, life’s new sensations, But the crowd does not stop moving or enjoy a moment of pause, Because everyone in the crowd has life’s contours to cross and fulfil fate’s daily clause, That needs them in the arena of life everyday, in the form of crowd that is always moving and sometimes winning and at times losing, But riding the life’s lure and its ocean of uncertainties the crowd relentlessly keeps cruising, How far will each one go and how long will each one last, Is what life wants to know, it is so today and it has been so in the past, That is why life invented crowds where it walks beside each one of them without being recognised, And it tried to evict me from the rhythm of the crowd because her presence I had realised, The crowd keeps getting bigger and the pacing steps never stop, It is autumn now, leaves are falling and many a flowers drop, But the true season of life can be witnessed in the movement of the crowd, Where you always have to move in some direction, whether you are someone who is hated or someone who is loved!
Javid Ahmad Tak (They Loved in 2075!)
. So many, so different, yet all arranged to flow together seamlessly … Such different views and snippets and angles of the world. Pastorals, portraits, still lifes … each a story and an experience, each a voice shouting or whispering or singing about what that moment, that feeling, had been like, each a cry into the void of time that they had been here, had existed. Some had been painted through eyes like mine, artists who saw in colors and shapes I understood. Some showcased colors I had not considered; these had a bend to the world that told me a different set of eyes had painted them. A portal into the mind of a creature so unlike me, and yet … and yet I looked at its work and understood, and felt, and cared.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
I can see you’re frustrated,” he said. “I’m sure it’s unsettling not to remember what happened, but medically speaking …” He glanced over at Sienna for confirmation and then continued. “I strongly recommend you not expend energy trying to recall specifics you can’t remember. With amnesia victims, it’s best just to let the forgotten past remain forgotten.” “Let it be?!” Langdon felt his anger rising. “The hell with that! I need some answers! Your organization brought me to Italy, where I was shot and lost several days of my life! I want to know how it happened!” “Robert,” Sienna intervened, speaking softly in a clear attempt to calm him down. “Dr. Ferris is right. It definitely would not be healthy for you to be overwhelmed by a deluge of information all at once. Think about the tiny snippets you do remember—the silver-haired woman, ‘seek and find,’ the writhing bodies from La Mappa—those images flooded into your mind in a series of jumbled, uncontrollable flashbacks that left you nearly incapacitated. If Dr. Ferris starts recounting the past few days, he will almost certainly dislodge other memories, and your hallucinations could start all over again. Retrograde amnesia is a serious condition. Triggering misplaced memories can be extremely disruptive to the psyche.” The thought had not occurred to Langdon. “You must feel quite disoriented,” Ferris added, “but at the moment we need your psyche intact so we can move forward. It’s imperative that we figure out what this mask is trying to tell us.” Sienna nodded. The doctors, Langdon noted silently, seemed to agree. Langdon sat quietly, trying to overcome his feelings of uncertainty. It was a strange sensation to meet a total stranger and realize you had actually known him for several days. Then again, Langdon thought, there is something vaguely familiar about his eyes. “Professor,” Ferris said sympathetically, “I can see that you’re not sure you trust me, and this is understandable considering all you’ve been through. One of the common side effects of amnesia is mild paranoia and distrust.” That makes sense, Langdon thought, considering I can’t even trust my own mind.
Dan Brown (Inferno (Robert Langdon, #4))
Perfume is to smells what eroticism is to sex: an aesthetic, cultural, emotional elaboration of the raw materials provided by nature. The ladies of the court, led by Marie-Antoinette, resorted to the only thing that could keep them one step ahead of the commoners, however wealthy they were: fashion. In fact, this is how fashion as we know it came into existence: the latest trend adopted by a happy few for a season before trickling down to the middle classes. Just a touch of the negligence etudiee that distinguishes chic Parisian women from their fiercely put-together New Yorker or Milanese counterparts. Perfume needs to be supported by image. You're not just doing it to smell good: you're perpetuating a ritual of erotic magic that's been scaring and enticing men in equal measure for millennia. Perfumes are our subconscious. They read us more revealingly than any other choice of adornment, perhaps because their very invisibility deludes us into thinking we can get away with the message they carry. These scents severed fragrance from its function as an extension of a female or male persona - the rugged guy, the innocent waif or the femme fatale - to turn it into a thing that was beautiful, interesting and evocative in and of itself. Perfume's advertising relies on the 3 aspiration S: stars, sex and seduction, with a side helping of dreams or exoticism. Descriptions, impressions, analogies, short stories, snippets or real-life testing, bits of history, parallels with music or literature. Connecting a scent with emotions, impressions, atmospheres, isn't that why we wear it? Isn't it all subjective? Just because you don't want it in your life doesn't make it bad. And it's not entirely impossible to consider perfumes beyond their "like/don't like" status. What intent does t set out to fulfill? How does it achieve its effects? How does it fit in with the history of the brand or its identity? How does it compare to the current season's offerings? Does it bring something new? The story told by the perfumer blends with the ones we tell ourselves about it; with our feelings, our moods, our references, our understanding of it. Once it is released from the bottle, it becomes a new entity. We make it ours: we are the performers of our perfume. Both lust and luxury are coupled in the same Latin word: luxuria is one of the 7 deadly sins. The age-old fear of female sexuality. The lure of beauty, set off by costly and deceitful adornments, could lead men to material and moral ruin but, more frighteningly, suck them into a vortex of erotic voracity. A man's desire waxes and wanes. But how can a woman, whose pleasure is never certain and whose receptive capacity is potentially infinite, ever be controlled?
Denyse Beaulieu (The Perfume Lover: A Personal History of Scent)
Such different views and snippets and angles of the world. Pastorals, portraits, still lifes … each a story and an experience, each a voice shouting or whispering or singing about what that moment, that feeling, had been like, each a cry into the void of time that they had been here, had existed.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
Consistency comes only when you are disciplined and discipline comes only when you consciously give weight to psychology.You completely eliminate the ego risk after mastering the psychological part.
Abhishek Kar (Stocks and Life: Snippets from the life of Abhishek Kar)
The more mistakes you commit early in life,more are the chances of discovering a better version of yourself. So treat your mistakes as lessons.
Abhishek Kar (Stocks and Life: Snippets from the life of Abhishek Kar)
To my babies, Merry Christmas. I’m sorry if these letters have caught you both by surprise. There is just so much more I have to say. I know you thought I was done giving advice, but I couldn’t leave without reiterating a few things in writing. You may not relate to these things now, but someday you will. I wasn’t able to be around forever, but I hope that my words can be. —Don’t stop making basagna. Basagna is good. Wait until a day when there is no bad news, and bake a damn basagna. —Find a balance between head and heart. Hopefully you’ve found that, Lake, and you can help Kel sort it out when he gets to that point. —Push your boundaries, that’s what they’re there for. —I’m stealing this snippet from your favorite band, Lake. “Always remember there is nothing worth sharing like the love that let us share our name.” —Don’t take life too seriously. Punch it in the face when it needs a good hit. Laugh at it. —And laugh a lot. Never go a day without laughing at least once. —Never judge others. You both know good and well how unexpected events can change who a person is. Always keep that in mind. You never know what someone else is experiencing within their own life. —Question everything. Your love, your religion, your passions. If you don’t have questions, you’ll never find answers. —Be accepting. Of everything. People’s differences, their similarities, their choices, their personalities. Sometimes it takes a variety to make a good collection. The same goes for people. —Choose your battles, but don’t choose very many. —Keep an open mind; it’s the only way new things can get in. —And last but not least, not the tiniest bit least. Never regret. Thank you both for giving me the best years of my life. Especially the last one. Love, Mom acknowledgments To Abigail Ehn with Poetry Slam, Inc. for answering all of my questions with lightning speed.
Colleen Hoover (Slammed (Slammed, #1))
There are snippets of hope shining in the darkest corners of chaos, you must not be scared. Refrain from letting fear cover your eyes.
Nidhi M. Jhaveri (I'll just save myself)
Written thoughts have a short half-life. Writing is a matter of slaughter, “self-slaughter” as Shakespeare put it. Each sentence that I write is akin to dispensing a kernel of my prior life into a private sanatorium. Placing snippets of a previous self onto paper is analogous to building custom-made coffins to house a departed persona. By constructing and laying down sentence after sentence in a commemorative writing feast, I am cannibalistically consuming the flesh of my prior self. Furiously writing each carefully interlinked page, I am steadily burying the skeleton of my former self.
Kilroy J. Oldster (Dead Toad Scrolls)
Carl Sagan collected snippets of human experience on a golden record to communicate what life was all about. For him, life on earth was centered on us. Aldrin chose to celebrate the greatest dash ever lived, that of Jesus Christ. He wanted the world to know that in the midst of the pain and heartache, regret and trauma, frustration and anger, a Savior had intervened in the human story.
Jon Tyson (The Burden Is Light: Liberating Your Life from the Tyranny of Performance and Success)
Slowly, then all at once. Slowly, as I take my time to know the things that would endear me to you. Slowly, as I attempt to cultivate a bond I hope would never easily sever. Slowly, as I get to know all your demons, and try to decide if I’m okay living with them everyday. Slowly, I also unleash my demons on you, hoping they won’t make me look ugly, wouldn’t make you think less of me. Slowly, as I let myself get used to the idea that you can be a possible permanent fixture in my life. Slowly, as I tell the difference between what I think I see, and what’s really there. Slowly, as I find myself looking to you for reassurance that hey, I’m alright. Slowly, as I find my thoughts drifting toward you when I see or hear or find things that remind me of you. Slowly, as I catch myself dedicating to you all of the pieces that I’ve been writing.
Nessie Q. (Snippets of Imagery)
Recognize that what you do daily, over time, becomes your legacy. Whether it's spending quality time with your family every day, saving money and investing every month, speaking kind and encouraging words to others each day - these actions result in a legacy of positive impact. Understand that a legacy is the sum of your whole life, not just snippets. If you have failed, that's okay. Has your life taken a path that is less than ideal? Put it behind you. Set off in the right direction and begin to change the way you live starting today. Decide today what your life will be, and then take action each and every day to live your dreams and leave your legacy.
John C. Maxwell (The 5 Levels of Leadership: Proven Steps to Maximize Your Potential)
Traffic’s moving fence deterred animals from crossing between populations, and cars crushed would-be lovers who dared the trip. By stymieing life’s most fundamental act, highways scrawled their signature into its molecular code. In Switzerland roads distorted the genes of species from roe deer to bank voles; in the Mojave Desert they pared the genetic diversity of bighorn sheep. In the Northern Rockies grizzly populations are so disunited by highways that researchers can tell, from the merest snippet of DNA, on which side of which road any bear was born. Abax parallelepipedus, a flightless European beetle, disperses so feebly that biologists once found a genetically distinct population encircled by a highway exit loop.
Ben Goldfarb (Crossings: How Road Ecology Is Shaping the Future of Our Planet)
Luke’s story first caught my attention on TikTok. He was sharing snippets of his life, talking about his experiences in the real estate world and the lucrative opportunities he was involved in. His videos were well-produced, and he spoke with such confidence and authority that I couldn’t help but believe in his expertise. His pitch about a “real estate venture” based in Chicago seemed promising, and he painted a picture of a solid, trustworthy investment with high returns. Luke’s social media presence made him appear successful, reliable, and knowledgeable, which is why I didn’t hesitate when he presented the opportunity to invest. I was initially drawn to the idea of getting involved in real estate, especially when it seemed like Luke had the connections and insights to make it work. After several discussions with him, I felt comfortable and trusting enough to deposit $67,000 into the venture. Luke assured me that this would be a smart move, and that I would see a good return on my investment. I was excited about the prospects and looked forward to the profits I was promised. But as time went on, I became increasingly concerned. Despite my efforts to contact Luke and inquire about the status of my investment, I received no response. It wasn’t until I tried to withdraw my profits that I realized the shocking truth: the entire project was a scam. All my attempts to retrieve the money were in vain, and it became clear that I had been deceived. I felt devastated and hopeless, especially since I had put my trust in Luke and his promises. It was a hard lesson to learn, but at that point, I knew I needed help to recover what I had lost. That's when I was referred to SPARTAN TECH GROUP RETRIEVAL. Initially, I was skeptical, unsure if anyone could help me recover such a large sum of money after being scammed. However, their team handled my case with incredible precision and professionalism. They took the time to understand the details of the situation and worked tirelessly to track down the funds. To my amazement, SPARTAN TECH GROUP RETRIEVAL was able to recover every single cent I had lost. I can’t stress enough how important it is to thoroughly research any investment before committing to it. Luke’s TikTok videos made him seem trustworthy, but it’s vital to be cautious and verify the legitimacy of any opportunity, especially in the world of online investments. If you ever find yourself in a similar situation, know that SPARTAN TECH GROUP RETRIEVAL is a reliable resource that can help you recover from fraud and regain control of your financial future. CONTACT THEM ON THE INFO BELOW: WhatsApp :+1 (971) 4 8 7 -3 5 3 8 Email : spartantech (@) c y b e r s e r v i c e s . c o m Telegram :+1 (581) 2 8 6 - 8 0 9 2
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dissected a life’s worth of interactions with Ruby, searching for clues, for some logical explanation as to why I felt so very disliked by the woman who gave birth to me. My mind drifted to the comments I’d read online about myself; words of strangers on YouTube who thought they knew me based on carefully edited snippets of my life. “Ugh, Shari is such a kiss-ass. She’s always ratting out her siblings and trying to be Ruby’s favorite. So smug.
Shari Franke (The House of My Mother: A Daughter's Quest for Freedom)
memoir is a tricky business. Unlike an autobiography, a memoir’s focus is on truth, not fact. For example, two or more people can share the exact same experience, and yet come away with radically different memories of that experience. Is one person’s memory right and the other wrong? No. The memory of each person is true for him or her. A memoir, then, is a very personal, inherently subjective story recalling incidents that have shaped and impacted one person’s life. Even at that, a memoir, again unlike an autobiography, tells the story of a fragment of a life, not the whole of it. Ordinary Hazards: A Memoir is a snippet of my story, and it is my story, alone.
Nikki Grimes (Ordinary Hazards)
I lost my cryptocurrency worth $308,000 investment in a platform that promised astronomical returns. I found a group specializing in crypto recovery after surfing through the net, Wizard James Recovery, who traced the flow of their coins across the blockchain and froze the wallets holding the funds before the scammers could liquidate them. The team secured access to a portion of the investor's assets, proving that $285,260 worth of Bitcoin was recoverable. The team turned a nightmare into a second chance in my life, fighting to make things right in a world full of thieves. The investor's art collective's multi-sig wallet hemorrhaged $308,000 in Bitcoin, and their studio fell silent. A blockchain dev tagged their graffiti wall with Solidity snippets, suggesting they contact Wizard James Recovery Services. Within hours, Wizard's team diagnosed a flaw in the withdrawal function, tracing the forgeries and changing the locks. The investor's studio became a war room, but the funds returned, and the art collective's installations thrived. All thanks to Wizard James Recovery Service. Below is their contact details. WhatsApp Number+447418367204 Email. wizardjamesrecovery@usa.com
Bina Heller
For those of us desperately missing our pets at home—my letters to my mother often led with “How are all the animals?”—we loved hearing Johnno talk about his cat, Mugwump. We never met Mugwump, since the Johnsons lived in a cottage in the village that was out of bounds, but we warmed to tales of this cat’s boundless gluttony and laziness—delicious snippets of domestic life that briefly transported us far from our regimented existence. From the few interactions we had with Mrs. Johnson, when she popped by to drop off something for her husband, we knew she was quietly kind. I liked to imagine that Mugwump had a pretty fun life, his food bowl chock-full of treats.
Charles Spencer (A Very Private School: A Memoir)
Each image, each post, each carefully edited snippet of someone else’s world only made her feel smaller.
Arabella Sveinsdottir (Nowhere Strangers: A Sapphic Coming-of-Age Story of Digital Romance, Heartbreak, and Self-Discovery)
This brief snippet speaks eloquently of the intimate, trusting relationship between David and God. Whether in joy or in sorrow, David wears his heart on his sleeve. When he’s happy, he takes off his kingly robes and dances around as if still a shepherd boy. When he’s sad, he weeps unabashedly. Childlike, David is open and vulnerable to God. Does he want something passionately? The little boy in him asks for it passionately! But if he doesn’t get what he asks for, the trusting child in him takes it on faith that his Father knows best.
F. LaGard Smith (The Daily Bible Experience: 365 Life-Changing Readings to Make God's Word Personal)