Snip Snip Quotes

We've searched our database for all the quotes and captions related to Snip Snip. Here they are! All 100 of them:

The reality of what we really are is often times found in the small snips, way down at the bottom of things.
Jean Shepherd
we write every day, we fight every day, we think and scheme and dream a little dream every day. manuscripts pile up in the kitchen sink, run-on sentences dangle around our necks. we plant purple prose in our gardens and snip the adverbs only to thread them in our hair. we write with no guarantees, no certainties, no promises of what might come and we do it anyway. this is who we are.
Tahereh Mafi
She told me to wait,that I was going to lose a finger." Earl looked toward the kitchen and back at Ty and Duece. He snorted. "I asked her, did she think I was stupid? Then a couple of snips later, whack. Off went the finger. And you know what that woman said to me? I said 'Mara you cut my finger off.' And your mother said to me, 'Well Earl who's stupid now?
Abigail Roux (Stars & Stripes (Cut & Run, #6))
Issues are like assholes, we've all got one," Pam snipped.
Tonya Hurley (Ghostgirl (Ghostgirl, #1))
His leaving had been like snipping off the end of a rope - leaving two unraveling strands.
Sarah Blakley-Cartwright (Red Riding Hood)
The witch snipped off her golden hair and cast her out into a great desert
Marissa Meyer (Cress (The Lunar Chronicles, #3))
If time were a bolt of cloth,” said Om, “I would cut out all the bad parts. Snip out the scary nights and stitch together the good parts, to make time bearable. Then I could wear it like a coat, always live happily.
Rohinton Mistry (A Fine Balance)
If you hurt her, I’ll personally snip off your balls and hang them on the Christmas tree this year.
Becca Ritchie (Hothouse Flower (Calloway Sisters #2))
Penelope In the pathway of the sun, In the footsteps of the breeze, Where the world and sky are one, He shall ride the silver seas, He shall cut the glittering wave. I shall sit at home, and rock; Rise, to heed a neighbor's knock; Brew my tea, and snip my thread; Bleach the linen for my bed. They will call him brave.
Dorothy Parker
She'd been a flower. Snipped from the root, quick to wilt, temporary. She'd existed to be lovely and to be chosen. No one had expected her to last.
Nina LaCour (Yerba Buena)
He's my father!" she bellowed, pointing to Trevanion. "Vestie!" Beatriss said firmly, stopping to stare up at her. "I'll snip at the tongue if I ever see it in such a way again! Trevanion, speak to her." Vestie hung her head, shamefaced. "Vestie," he said, his voice still gentle. "Yes, Father." "Shout it out louder, my love. Shout it out louder.
Melina Marchetta (Froi of the Exiles (Lumatere Chronicles, #2))
You’re going to murder him too?” “Of course I am. Slowly, too. Start with snipping the Achille’s heel so he can’t run, and then—” “That's fucked up, you're going to jail,” she cuts in, disgust curling her lip. “Actually, I hope you go to prison and are sentenced to death.” She turns with a snarl, but she doesn’t make it a step before my hand snaps out, capturing her arm and whipping her back around, directly into my chest. Addie inhales sharply, her eyes dilating as I seize the back of her neck with one hand and grab her delectable ass with the other, lifting her up against my body. "Will you be my last meal, baby?
H.D. Carlton (Haunting Adeline (Cat and Mouse, #1))
I erupt from the dark, crushing tunnel into a flash of light and noise. A new kind of air surrounds me, dry and cold, as they wipe the last smears of home off my skin. I feel a sharp pain as they snip something, and suddenly I am less. I am no one but myself, tiny and feeble and utterly alone. I am lifted and swungthrough great heights across yawning distances, and given to Her. She wraps around me, so much bigger and softer than I ever imagined from inside,and I strain my eyes open. I see Her. She is immense, cosmic. She is the world. The world smiles down on me, and when She speaks it’s the voice of God, vast and resonant with meaning, but words unknowable, ringing gibberish in my blank white mind.
Isaac Marion (Warm Bodies (Warm Bodies, #1))
But scissors are really intended for one job alone - snipping things in two. Dividing by force. Everything on one side or the other, and nothing in between.
Frances Hardinge (Cuckoo Song)
All the lines that held me to my life were sliced apart in swift cuts, like clipping the strings of a bunch of balloons. Everything that made me who I was - my love for the dead girl upstairs, my love for my father, my loyalty to my new pack, the love for my other brothers, my hatred for my enemies, my home, my name, my self - disconnected from me in that second - snip, snip, snip - and floated up into space.
Stephenie Meyer (Breaking Dawn (The Twilight Saga, #4))
Sometimes this just happens,” Kylie said, much calmer now that she had a sneak preview of his comeuppance. “Just happens?” Burnett bellowed out. “Are you freaking kidding me! If you have sex, you use protection. It’s that simple. This shit doesn’t have to happen! This is nothing but carelessness. It’s irresponsible. It’s unforgivable.” “Burnett!” Holiday rolled her eyes at Kylie and frowned. The fae knew exactly what Kylie was up to now. But Kylie wasn’t finished yet. “Maybe we should put a rule in place. Any male who impregnates a girl should be neutered.” “Enough,” Holiday snapped. “Actually, that’s not a bad plan!” he growled. “Burnett!” Holiday said in a stern voice. “Shut up before you embarrass yourself more than you already have.” When the vampire looked at Holiday, she continued, “Kylie didn’t buy the pregnancy tests for Miranda. She bought them for me.” Kylie flopped back against the seat again, enjoying the look of disbelief on the vampire’s face a little too much. “Would you like a name of a good doctor who will schedule your little snip-snip operation?” she bit out.
C.C. Hunter (Chosen at Nightfall (Shadow Falls, #5))
That’s thirty,” Ansel said. “We can count,” Rolfe snipped. Ansel lifted a wine-red brow. “Can you really?” Despite the army marching on them, Lysandra’s mouth twitched upward. Rolfe just rolled his eyes and went back to watching the approaching army.
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
I feel hornier than a dog who almost got his balls snipped off. Shit, man. Your face is gorgeous. Have you always been this fine specimen?
Tijan (Fallen Fourth Down (Fallen Crest High, #4))
You traumatized me." He leans down and snips, "A gun in your pussy certainly is traumatizing, little mouse, but only because I used it to make you come, not to make you bleed.
H.D. Carlton (Haunting Adeline (Cat and Mouse, #1))
How can you be sure?" "I'm a doctor, Jenna. And a scientist." "Does that make you an authority on everything? What about a soul, Father? When you were so busy implanting all your neural chips, did you think about that? Did you snip my soul from my old body, too? Where did you put it? Show me! Where? Where in all this groundbreaking technology did you insert my soul?
Mary E. Pearson (The Adoration of Jenna Fox (Jenna Fox Chronicles, #1))
I’m fascinated by lobotomies, the idea of opening up the brain and snipping around a bit and then closing it up again, like fixing a car or something. And the person wakes up and is a little stupid but stupid in a happy, untroubled way.
Peter Cameron (Someday This Pain Will Be Useful to You)
I may not have any power over it at the moment, but at some point that must change. I can be very patient. I am the end of all things, nephew mine. I shall be the last. When birth has ended, I wil cut Clotho's cord, and she will be no more. The time will come when every last thread has been measured, and I will snip Lachesis from the great weave. In the end only Death and I will remain. Then I will cut his thread, and it will be me alone. With my last strength I will close the shears on my own life. I am the end of everything, including you.
Kelly McCullough (WebMage (Webmage #1, Ravirn #1))
In Bharata, I guarded myself. Weakness was a privilege. It divided you, snipped out your secrets and gave every sliver power over you. I didn’t have parts to spare. Bharata called me their Jewel, and maybe I was like one. Not sparkling or precious. But a cold thing wearing a hundred faces. Like facets on a gem. One for every person.
Roshani Chokshi (A Crown of Wishes (The Star-Touched Queen, #2))
A memory stabbed him, as sharp as a blade. He’d floated alone in an escape pod over Ryloth once, spinning high over its surface, after crashing a cruiser into a droid control ship. Another name bobbed up and broke the surface of the sea of memory. Ahsoka. He’d called her “Snips” sometimes. He pushed the errant recollection aside and focused on his task.
Paul S. Kemp (Lords of the Sith)
She believed that unadulterated devotion had its share of protective power, as if love were a steel grinder that Fates could not snip through. She also believed that the moment you relaxed your guard, the moment you were anything less than ferocious in your keeping, that was the moment it could all be snatched away.
Jodi Picoult (Second Glance)
But as the scissors snip-snapped through her hair and the razor shaved the rest, she realized with a sudden awful panic that she could no longer recall anything from the past. I cannot remember, she whispered to herself. I cannot remember. She's been shorn of memory as brutally as she'd been shorn of her hair, without permission, without reason... Gone, all gone, she thought again wildly, no longer even sure what was gone, what she was mourning.
Jane Yolen (The Devil's Arithmetic)
If time were a bolt of cloth ... I would cut out all the bad parts. Snip out the scary nights and stitch together the good parts, to make time bearable. Then I could wear it like a coat, always live happily.
Rohinton Mistry (A Fine Balance)
Kylie flopped back against the seat again, enjoying the look of disbelief on the vampire’s face a little too much. “Would you like a name of a good doctor who will schedule your little snip-snip operation?” she bit out.
C.C. Hunter
Every hour of television that a person watches after the age of twenty-five, the researchers concluded, potentially snips twenty-two minutes off of the viewer's life span.
Gretchen Reynolds (The First 20 Minutes: Surprising Science Reveals How We Can Exercise Better, Train Smarter, Live Longer)
We are going to tickle some Aes Sedai under the chin, rescue a mule, and put a snip-nosed girl on the Lion Throne. Oh, yes. That’s Aviendha. Don’t look at her crosswise, or she’ll try to cut your throat and probably slit her own by mistake.
Robert Jordan (Lord of Chaos (The Wheel of Time, #6))
You think you are in control of your own destiny, and then – Bam – one day you realize you were nothing more than a puppet on someone else’s strings. When that happens, your first instinct is to snip the strings and kick the shit out of the puppeteer.
Jessica Ingro (His Ever After (Love Square, #2))
The Friend of Your Youth is the only friend you will ever have, for he does not really see you. He sees in his mind a face that does not exist anymore, speaks a name – Spike, Bud, Snip, Red, Rusty, Jack, Dave – which belongs to that now nonexistent face but which by some inane doddering confusion of the universe is for the moment attached to a not happily met and boring stranger. But he humors the drooling doddering confusion of the universe and continues to address politely that dull stranger by the name which properly belongs to the boy face and to the time when the boy voice called thinly across the late afternoon water or murmured by a campfire at night or in the middle of a crowded street said, “Gee, listen to this–’On Wenlock Edge the wood’s in trouble; His forest fleece the Wrekin heaves–’” The Friend of Your Youth is your friend because he does not see you anymore. And perhaps he never saw you. What he saw was simply part of the furniture of the wonderful opening world. Friendship was something he suddenly discovered and had to give away as a recognition of and payment for the breathlessly opening world which momently divulged itself like a moonflower. It didn’t matter a damn to whom he gave it, for the fact of giving was what mattered, and if you happened to be handy you were automatically endowed with all the appropriate attributes of a friend and forever after your reality is irrelevant. The Friend of Your Youth is the only friend you will ever have, for he hasn’t the slightest concern with calculating his interest or your virtue. He doesn’t give a damn, for the moment, about Getting Ahead or Needs Must Admiring the Best, the two official criteria in adult friendships, and when the boring stranger appears, he puts out his hand and smiles (not really seeing your face) and speaks your name (which doesn’t really belong to your face), saying, “Well, Jack, damned glad you came, come on in, boy!
Robert Penn Warren (All the King’s Men)
The same moment the hiker comes upon them, rounding the bend in the trail, Harlan knows the man will die. He takes no pleasure in the thought. So far as Harlan is aware, he has never met the man and has no quarrel with him. This stranger is simply an unexpected contingency. A loose thread that, once noticed, requires snipping.
Hank Quense (The King Who Disappeared)
His toes wriggle in his socks and my first thought is, I want to snip them off with hedge trimmers. Not only does he not deserve to wriggle his toes, he does not deserve to have toes. He deserves to gave stumps. He cannot be trusted with toes because they enable him to walk and thus seek out the company of crack dealers. Kathy Bates's character completed understood this concept in Misery.
Augusten Burroughs (Dry)
Lottie did everything the old fashioned way, including the bookkeeping, which was fine with me since I knew nothing about accounting software anyway. To me, spreadsheets was what I did on Saturday mornings after washing my bed linen.
Kate Collins (Snipped in the Bud (A Flower Shop Mystery, #4))
We are all puppets hanging over an ocean of madness...All it takes is one simple snip and we fall.
Alexander Gordon Smith (Execution (Escape from Furnace, #5))
I don’t know how to bowl.” “Right, that’s a problem, since this place really screams ‘professional bowling,’” Silas snips back, rolling his eyes.
Jackson Pearce (Sisters Red (Fairytale Retellings, #1))
What looks to be a wisp of cloud is actually the moon, narrow and pale like a paring snipped from a snowman's toenail.
Tom Robbins (Even Cowgirls Get the Blues)
Six months of waiting. Six months of understanding the inner workings of faith and the outer spheres of the world. Six months of time: hundreds and millions of awakening seconds and sleeping minutes. Six months of aching stretched out like the Sahara: lickety-split, snippety-snip, jiggity-jig Six months of fading and blooming, stopping and starting. Six months of love: a breath, a deluge, an eternity; a single flake of snow.
Tishani Doshi (The Pleasure Seekers)
A ghost-memory rises, here: a phantom moment, a shaky reflection in the pool of remembrance. I know how it felt when the scavengers took my heart. How it felt as the hunger birds, all mouth, tore into my chest and snatched out my heart, still pumping, and devoured it to get at what was hidden inside it. I know how that feels, as if it was truly a part of my life, of my death. And then the memory snips and rips, neatly, and -
Neil Gaiman (The Ocean at the End of the Lane)
I hear the carnations talking over the drone of white noise in the background. They're saying how painful it is to be snipped at the stems, complaining about the quality of the water they're swimming in, asking to be put back into the ground so they can die in peace.
A.G. Howard (Splintered (Splintered, #1))
Well, I won't, but I hate to see things going all crisscross and getting snarled up, when a pull here and a snip there would straighten it out. I wish wearing flatirons on our heads would keep us from growing up. But buds will be roses, and kittens cats, more's the pity!
Louisa May Alcott (Little Women)
Stories don't like to end when you want them to, do they? Loose ends aren't easy to snip with scissors or tuck inside a hem. They tempt you. They want you to keep pulling until there is nothing left to keep you warm.
Jan Ellison (A Small Indiscretion)
If you want to pay respects, by the way, he's at the zoo." "At the zoo? As in the zoo?" "Joey liked to walk the zoo on free days. I didn't know where else to put him. I thought about leaving him on a shelf upstairs, with Flannery or Fante or Rimbaud. But I figured there were rules against leaving bodies in here." "Probably." "So I put his ashes in a duffel bag and snipped a tiny hole in the bottom and walked the length of the zoo. But I didn't make the hole big enough so there were these tiny pieces left over in the bag. I shook them into the grass. But then all the geese thought he was bread crumbs and started charging me. Horrifying, Lydia, the way they gobbled him up. A frenzy. Joey would've abhorred all the attention.
Matthew J. Sullivan (Midnight at the Bright Ideas Bookstore)
My soul will dance with Athena's soul; I'll be with her while I sleep; I'll wake up sweating and go into the kitchen for a glass of water. I'll understand that in order to combat ghosts you must use weapons that form no part of reality. Then, following the advice of my grandmother, I'll place an open pair of scissors on my bedside table to snip off the end of the dream. The next day, I'll look at the scissors with a touch of regret, but I must adapt to living in the world again or risk going mad.
Paulo Coelho (The Witch of Portobello)
I’m not of this world; it pains me deeply. So, each night just to survive, I snip a piece of mountain, sea or sky and fly.
Carolyn Riker (Blue Clouds: A Collection of Soul’s Creative Intelligence)
Yeah, it was my mom who showed me how to select the needle from her tomato, snip the bit of string, and find the eye.
Patrick Rosal
He'd grown eager to hand off his things, as if the weight of his possessions kept him tethered to this earth, and by giving them away, he could snip those strings.
Karen Thompson Walker (The Age of Miracles)
And the more the king snips and carps, the more do his petitioners seek out the company of Cromwell, so unfailing in his amiable courtesy. At home, Jo comes to him looking perplexed. She
Hilary Mantel (Wolf Hall (Thomas Cromwell, #1))
She thrusts hurriedly into your hand an extremely hot buttered roll, flashes out a tiny pair of scissors, snips off the second button of your overcoat, meaningly ejaculates the one word, "parallelogram!" and swiftly flies down a cross street, looking back fearfully over her shoulder. That
O. Henry (The Four Million)
[...] a morass of despair violence death with a thin layer of glass spread upon the surface where Love, a tiny crab with pincers and rainbow shell, walked delicately ever sideways but getting nowhere, while the sun [...] rose higher in the sky its tassels dropping with flame threatening every moment to melt the precarious highway of glass. And the people: giant pathworks of colour with limbs missing and parts of their mind snipped off to fit them into the outline of the free pattern.
Janet Frame (Faces in the Water)
You're playing by the Rule of Three," said Love. "Named for the three Fates, the first of whom holds the spool upon which the thread of life is wound; the second, who pulls that thread; and the third, who snips it. If Belle eats three things in Nevermore, and leave three things, she'll be bound to it.
Jennifer Donnelly (Beauty and the Beast: Lost in a Book)
Let’s say that your significant other has been paying less and less attention to you. You realize he or she has a busy job, but you still would like more time together. You drop a few hints about the issue, but your loved one doesn’t handle it well. You decide not to put on added pressure, so you clam up. Of course, since you’re not all that happy with the arrangement, your displeasure now comes out through an occasional sarcastic remark. “Another late night, huh? I’ve got Facebook friends I see more often.” Unfortunately (and here’s where the problem becomes self-defeating), the more you snip and snap, the less your loved one wants to be around you. So your significant other spends even less time with you, you become even more upset, and the spiral continues. Your behavior is now actually creating the very thing you didn’t want in the first place. You’re caught in an unhealthy, self-defeating loop.
Kerry Patterson (Crucial Conversations Tools for Talking When Stakes Are High)
Listen to me,” Iris said again. “If we attempt this piece, we will be massacred.” “By whom?” Daisy asked. Iris just looked at her, completely unable to articulate a reply. “By the music,” Sarah put in. “Oh, you’ve decided to join the discussion, then,” Honoria said. “Don’t be sarcastic,” Sarah snipped. “Where were the two of you when I was trying to pick something out?” “They were moving the piano.” “Daisy!” all three of them yelled. “What did I say?” Daisy demanded. “Try not to be so literal,” Iris snapped.
Julia Quinn (Just Like Heaven (Smythe-Smith Quartet, #1))
Rushing outside, she carries long, sharp scissors and snips at flower petals while screaming, "Off with your head!" When I realize what she's really after, a strange discomfort stirs inside. I've seen how the petals tatter beneath the blades. I don't want her to ruin my moth's pretty wings. I throw my hands over the scissors to stop her. The moth escapes unscathed. But I'm not so lucky... Coming out of the trance, I drop to the ground and clutch aching palms to my chest. The scars throb as if freshly cut. Morpheus bows over me, smoothing my hair. "I told you that you were special, Alyssa," he murmurs, the weight of his palm strangely comforting on the top of my head. "No one else has ever bled for me. The loyalty of one child for another is immeasurable. You believed in me, shared new experiences with me, grew with me. That has earned you my sincerest devotion."
A.G. Howard (Splintered (Splintered, #1))
Mercer held out a closed hand, palm up. 'Before I forget it, I have something of yours here.' He opened his fingers. On his hand rested the mutilated spider, but with its snipped-off legs restored. 'Thanks.' Isidore accepted the spider.
Philip K. Dick (Do Androids Dream of Electric Sheep?)
From a distance, death seems the end of a story. But when you are near, when you can smell the burning skin, see the entrails, you see death for what it is. A traumatic cauterization of a life thread. No purpose. No conclusion. Just snip.
Pierce Brown (Dark Age (Red Rising Saga #5))
Though Aidan had definitely laid a few scars on his sons, me, and the rest of the Points, he was under no illusion that if Magdalena ever found that out, he would wake up screaming one night as she snipped off his balls. With a dull pair of kitchen scissors.
Serena Akeroyd (Filthy (The Five Points' Mob Collection, #1))
Looks like you’re right. These canes need to be snipped.” “Because they won’t help them grow, right?” “Mmm-hmm. It’s kinda like how we have to do with ourselves. Get rid of things that don’t do us any good. If it won’t help the rose grow, you’ve gotta let it go.
Angie Thomas (Concrete Rose (The Hate U Give, #0))
I dream of a small room and a man with one eye. Blood seeps like scarlet tears from his empty socket. I turn away and the room becomes a hallway that becomes a stairway that becomes a roof. The wind tugs at my body; the sky tries to wrap me in stars. Below me, a gazebo glows with red light. A line of black cars crawls like cockroaches through the streets. An air conditioner exhaust fan chitters angrily near the roof’s edge, one of its blades bent just enough to scrape against the side of the casing. For a second I let the wind push me close enough to the fan’s razor- sharp blades that a lock of my hair gets snipped and sent out into the night. As it twists and flutters toward the gazebo, I think about just letting go, letting the breeze carry my body into the whirling blades, the wind scattering pieces of me throughout the city. Blood and flesh seeping into the cracked pavement. Flowers blooming wherever I land.
Paula Stokes (Vicarious (Vicarious, #1))
they hacked down trees widening rings around their central halls and blistered the land with peasant huts and pigeon fences till the forest looked like an old dog dying of mange. they thinned out the game, killed birds for sport, set accidental fire that would burn for days. their sheep killed hedges, snipped valleys bare, and their pigs nosed up the very roots of what might have grown. hrothgar's tribe made boats to drive farther north and west. there was nothing to stop the advance of man. huge boars fled at the click of a harness. wolves would cower in the glens like foxes when they caught that deadly scent. i was filled with a wordless, obscurely murderous unrest.
John Gardner (Grendel)
Why can’t we all just be honest with each other? It would be so easy to just not trust anyone ever, but you can’t go through life with a pair of scissors in each hand, snip-snip-snipping away at everything people say or don’t say, can you? You have to leave one hand free to catch the truth.
Carrie Jones
Rake,” came the succinct reply. “Oh, all right,” Lillian grumbled. “I suppose he is a rake. But that may not be an impediment to his courtship of Lady Natalie. Some women like rakes. Look at Evie.” Evie continued to snip doggedly through the brocade ribbon, while a smile curved her lips. “I don’t l-like all rakes,” she said, her gaze on her work. “Just one.” Evie, the gentlest and most soft-spoken of them all, had been the one least likely to capture the heart of the notorious Lord St. Vincent, who had been the definitive rake. Although Evie, with her round blue eyes and blazing red hair, possessed a rare and unconventional beauty, she was unbearably shy. And there was the stammer. But Evie also had a reserve of quiet strength and a gallant spirit that seemed to have seduced her husband utterly. “And that former rake obviously adores you beyond reason,” Annabelle said.
Lisa Kleypas (A Wallflower Christmas (Wallflowers, #4.5))
Are you having more babies?” Declan asks Rhys who shakes his head. “No, we’re happy with the two we have. I got snipped last year.” We all stare at him in horror. “It’s far easier for me to take care of it than for her, so why not? I protect her. That’s what I fucking do.” “Good man,” Simon says with a nod.
Kristen Proby (Easy Nights (Boudreaux, #6))
You’re an hour late.” “Yeah, I know,” I say. “Everyone left me nasty fucking text messages.” I highly doubt you have the capability to read a clock, but you’re verging on forty-six minutes late. And here, I was going to reward you with a treat. – Connor If you disappoint my little sister, I will personally snip off your balls and feed them to Connor’s cat. – Rose Can you be here on time? Please?? – Lily The girls are getting pissed. And I’m not too happy with you either. – Lo “My text was the best, wasn’t it?” Connor asks as he smiles into his sip of water. I restrain the urge to roll my fucking eyes. “Your wife’s was better.
Krista Ritchie (Hothouse Flower (Calloway Sisters #2))
In the months since the semester began, Jiang hadn’t shown up once to class. Students occasionally spotted him around campus doing inexcusably rude things. He had in turn flipped Nezha’s lunch tray out of his hands and walked away whistling, petted Kitay on the head while making a pigeon-like cooing noise, and tried to snip Venka’s hair off with garden shears. Whenever a student managed to pin him down to ask about his course, Jiang made a loud farting noise with his mouth and elbow and skirted away.
R.F. Kuang (The Poppy War (The Poppy War, #1))
Did the proposal go well? Was it romantic? Did you surprise her? I can’t believe you didn’t tell me you were going to do it.” Clary smacked Simon on the arm. “Did you have roses? Izzy loves roses.” “It was on impulse,” Simon said. “An impulse proposal. We were on the Brooklyn bridge. Izzy had just snipped the head off a Shax demon.” “Covered in ichor, she had never appeared to you more luminous?” said Jace. “Something like that,” said Simon. “That’s the most Shadowhunterish thing I’ve ever heard,” said Clary.
Cassandra Clare (Lady Midnight (The Dark Artifices, #1))
Do you know the only time I felt beautiful?” Hanne asked, her eyes still closed. “When?” “When I tailored myself to look like a soldier. When we cut off all my hair.” Nina exchanged the shimmer for a pot of rose balm. “But you didn’t look like you.” Hanne’s eyes opened. “But I did. For the first time. The only time.” Nina dipped her thumb into the pot of balm and dabbed it onto Hanne’s lower lip, spreading it in a slow sweep across the soft cushion of her mouth. “I can grow my hair, you know,” Hanne said, and moved her hand over one side of her scalp. Sure enough, a reddish-brown curl twined over Hanne’s ear. Nina stared. “That’s powerful tailoring, Hanne.” “I’ve been practicing.” She drew small scissors from a drawer and snipped away the curl. “But I like it the way it is.” “Then leave it.” Nina took the scissors from her hand, brushed her thumb over Hanne’s knuckles. “In trousers. In gowns. With your hair shorn or in braids or down your back. You have never not been beautiful.” “Do you mean that?” “I do.” “I’ve never seen your real face,” Hanne said, eyes scanning Nina’s features. “Do you miss it?” Nina wasn’t sure how to answer. For a long while she’d startled every time she glimpsed herself in the mirror, when she caught sight of the pale blue eyes, the silky fall of straight blond hair. But the longer she played Mila, the easier it became, and sometimes that scared her. Who will I be when I return to Ravka? Who am I now? “I’m beginning to forget what I looked like,” she said. “But trust me, I was gorgeous.” Hanne took her hand. “You still are.
Leigh Bardugo (Rule of Wolves (King of Scars, #2))
Holding up my credit card so Gilley could see, I snipped it in half. 'You act like I don't have the numbers, expiration date, and security code memorized,' he mocked.
Victoria Laurie (The Ghoul Next Door (Ghost Hunter Mystery, #8))
I snipped off the stem and took a knee. "For you, my love. A rose by any other name would still smell as sweet as your feet." Jules smacked me on the back of the head.
B. Justin Shier (Zero Sight (Zero Sight, #1))
... reminded her how precious time was, how fleeting. How sometimes life snipped the edges off your good intentions and left you with no second chance to say what really mattered.
Kristin Hannah (On Mystic Lake)
It’s never over. How can something be over that is the essence of what it means to go on in perpetuity—the vicious familial line that runs on an invisible string, linking us to our past and to our future, to what we embrace and to what we try to deny? Take the proverbial scissors and snip at it if you dare, but you’re snipping into thin air because the thread lies inside. To sever it would mean the end of breath and the end of life, which, to some, is just another beginning. Thus the cycle continues. So it wasn’t over. It never is and never will be.
Tiffanie DeBartolo (God-Shaped Hole)
He could see the inchworm in his mind even now, that snip of green elastic with it's tiny blunt legs, coiling and stretching its way toward the tabletop, on a mission whose nature was a mystery. Survival, he understood now - that was all. That contracting and straining, that frantic rearing-up to look around: It was nothing less than the urgent business of staying alive.
Julie Orringer (The Invisible Bridge)
All the lines that help me to my life were sliced apart in swift cuts, like clipping the strings to a bunch of balloons. Everything that made me who I was--my love for the dead girl upstairs, my love for my father, my loyalty to my new pack, the love for my other brothers, my hatred for my enemies, my home, my name, my self--disconnected from me in that second--snip, snip, snip--and floated up into space.
Stephenie Meyer (Breaking Dawn (The Twilight Saga, #4))
The following brief points are like magic moccasins. They guarantee safe guidance through the forest of people. To walk safely, wear them! 1. The most persuasive power you have toward others is a mature self. 2. The mark of greatness is to be superior without feeling superior. 3. "The consciousness of being loved softens the keenest pang." (Joseph Addison) 4. The turning point in all your exterior relations comes when you start changing your inner self. 5. Strong people attract the weak. 6. Possessiveness and dependency are not states of love. 7. Your own level of being attracts the kind of people who enter your life. 8. "He is happy as well as great who needs neither to obey nor command in order to be something." (Goethe) 9. Your True Self cannot be afraid of anyone. 10. You break the cord of painful thought toward another person by snipping the connection within your own mind. 11. It is very painful to pretend to be someone. 12. Any sincere effort at bettering your human relations returns a reward. 13. Don't drain your energy by thinking negatively toward people who harm you. 14. You get along with others to the exact degree that you get along with yourself. 15. A real person stands out like a human being among statues.
Vernon Howard (Psycho-Pictography: The New Way to Use the Miracle Power of Your Mind)
Pap said, "Lend me those bolt cutters, Bo" "They're in the back of the Explorer." The old man got out the bolt cutter, walked around and snipped one of the leads to the battery on each of the ATV's. The others stood in the darkness watching him, listening to the snip-snip of the bolt cutter. "Not a bad idea," said Dave. "That way is any of them get past us, he's going to be on foot." "There's that," Tully said. "And then there's the fact that the old man loves bolt cutters...
Patrick F. McManus (The Blight Way (Sheriff Bo Tully, #1))
Girls mature faster than boys, cost more to raise, and statistics show that the old saw about girls not knowing about money and figures is a myth. Girls start to outspend boys before puberty—and they manage to maintain this lead until death or an ugly credit manager, whichever comes first. Males are born with a closed fist. Girls are born with the left hand cramped in a position the size of an American Express card. Whenever a girl sees a sign reading, “Sale, Going Out of Business, Liquidation,” saliva begins to form in her mouth, the palms of her hands perspire and the pituitary gland says, “Go, Mama.” In the male, it is quite a different story. He has a gland that follows a muscle from the right arm down to the base of his billfold pocket. It's called “cheap.” Girls can slam a door louder, beg longer, turn tears on and off like a faucet, and invented the term, “You don't trust me.” So much for “sugar and spice and everything nice” and “snips and snails and puppydog tails.
Erma Bombeck (Motherhood: The Second Oldest Profession)
I was a vase. The thought struck her as she gazed at the wall of them. She had been a vessel; it was true. She'd stepped into this shop, introduced herself, asked for a job, hoped it would fill her. And then, sitting with Jacob at the community table, she'd been a flower. Snipped from the root, quick to wilt, temporary. She'd existed to be lovely and to be chosen. No one had expected her to last. But she hadn't been a flower when she'd gone to live with Claire, had she? Emilie traveled deeper into the shop. She was in the addition now, its ceiling higher, its rows of tables laden with houseplants. Water, she decided. That's what she'd been with Claire. Shapeless, colorless, but necessary. She'd done what she had to. She had been there for her grandmother. She'd kept her family afloat. But what was she now?
Nina LaCour (Yerba Buena)
You inhaled to the rhythm of her thick sighs as she scrutinized her form in the full-length bedroom mirror, her newly sewn skirt showing, she said, too much hip, too much leg. She yanked it off, snipping open the seams, laying it out across the dining table like a freshly gutted fish, where it eventually disappeared from view beneath sheaths of brown paper patterns, paisley skirts whose hems needed letting out, floral dresses whose cleavages needed closing in, and an assortment of garments whose long and short zippers would go neither up nor down, jammed from the humidity and the salt of August days.
Martin Munro (The Haunted Tropics: Caribbean Ghost Stories)
Oh, I definitely believe in karma.” Donna nodded. “Remember last year when Grace wouldn’t let me sing with her at karaoke and then that weirdo with the ‘Kill Everyone’ tattoo came up and shared the microphone with her? Karma.” “You’re right. That was the quickest payback I’ve ever seen.” Belinda laughed.
Cat Johnson (Cat Snips)
Red Brocade" The Arabs used to say, When a stranger appears at your door, feed him for three days before asking who he is, where he’s come from, where he’s headed. That way, he’ll have strength enough to answer. Or, by then you’ll be such good friends you don’t care. Let’s go back to that. Rice? Pine nuts? Here, take the red brocade pillow. My child will serve water to your horse. No, I was not busy when you came! I was not preparing to be busy. That’s the armor everyone put on to pretend they had a purpose in the world. I refuse to be claimed. Your plate is waiting. We will snip fresh mint into your tea.
Naomi Shihab Nye (19 Varieties of Gazelle: Poems of the Middle East)
The cardinal directions are north, west, south, and east. The cardinal temperatures are 35º Fahrenheit, 67º Fahrenheit, 3º Celsius, and 10º Kelvin. The cardinal locations are a cave, a long-abandoned cabin, the bottom of an oceanic trench, and City Hall. The cardinal emotions are wild abandon, guarded affection, directionless jealousy, and irritation. The cardinal birds are hawk, sparrow, finch, and owl. The cardinal names are Jeremy, Kim, Trigger, and Jamie. And, finally, the cardinal sounds are a door slamming, slight movement in still water, popcorn popping, and a standard guitar G string being snipped with wire cutters. This has been the Children’s Fun Fact Science Corner.
Joseph Fink (The Great Glowing Coils of the Universe (Welcome to Night Vale Episodes, #2))
Would you like to hear a song while I cut your hair? There's one my sister Pandora and I wrote, called Pig in the House." Looking intrigued, Bazzle nodded. Cassandra launched into a sublimely ridiculous song about the antics of two sisters trying to hide their pet pig from the farmer, the butcher, the cook, and a local squire who was especially fond of bacon. While she sang, she moved around Bazzle's head, snipping off long locks and dropping them into a pail Garrett held for her. Bazzle listened as if spellbound, occasionally chortling at the silly lyrics. As soon as the song was finished, he demanded another, and sat while Cassandra continued with My Dog Thinks He's a Chicken, followed by Why Frogs are Slimy and Toads are Dry. Had Tom been capable of falling in love, he would have right there and then, as he watched Lady Cassandra Ravenel serenade a ragamuffin while cutting his hair. She was so capable and clever and adorable, it made his chest ache with a hot pressure that threatened to fracture something. "She has a marvelous way with children," Garrett murmured to him at one point, clearly delighted by the situation. She had a way with everyone. Especially him. He'd never been besotted like this. It was intolerable.
Lisa Kleypas (Chasing Cassandra (The Ravenels, #6))
Lord, what will I be? Where will the careless conglomeration of environment, heredity and stimulus lead me? Someday I may say: It was of great significance that I sat and laughed at myself in a convertible with the rain coming down in rattling sheets on the canvas roof. It influenced my life that I did not find content immediately and easily - - and now I am I because of that. It was inestimably important for me to look at the lights of Amherstn town in the rain, with the wet black tree-skeletons against the limpid streetlights and gray November mist, and then look at the boy beside me and feel all the hurting beauty go flat because he wasn't the right one - not at all. And I may say that my philosophy has been deeply affected by the fact that windshield wipers ticked off seconds too loudly and hopelessly, that my clock drips loud sharp clicks too monotonously on my hearing. I can hear it even through the pillow I muffle it with - the tyrannical drip drip drip drip of seconds along the night. And in the day, even when I'm not there, the seconds come out in little measured strips of time. And I wind the clock. And I look at the windshield wipers cutting an arch out of the sprinkled raindrops on the glass. Click-click. Clip-clip. Tick-tick. snip-snip. And it goes on and on. I could smash the measured clicking sound that haunts me - draining away life, and dreams, and idle reveries. Hard, sharp, ticks. I hate them. Measuring thought, infinite space, by cogs and wheels. Can you understand? Someone, somewhere, can you understand me a little, love me a little? For all my despair, for all my ideals, for all that - I love life. But it is hard, and I have so much - so very much to learn.
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
He shrugged and glanced at her hair. “Rough night?” Her brows drew together. “What makes you say that?” “Your bun is askew.” Audrey’s fingers flew to her hair. Sure enough, it was lopsided and puffy on one side. “Damn it.” Reese set down the spoon and turned to her, reaching for her hair. “Here, I’ll fix it for you.” She frowned but stood still, dropping her hands. “That’s very domestic of you.” “Nah. I mostly wanted to see what this looks like when it’s not in a grandma style.” And he reached forward and snipped the band with a pair of scissors. She yelped, pulling away even as he ran his fingers through her hair, making it puff out into a halo around her head. “You a**hole!” “Look at that! All that loose, untamed hair!” He teased, even as he tried to run his fingers through it again. “It’s like you’re a wild woman. What will people think?
Jessica Clare (The Wrong Billionaire's Bed (Billionaire Boys Club, #3))
A second technician gauges Werner’s eye color against a chromatic scale on which sixty or so shades of blue are displayed. Werner’s color is himmelblau, sky blue. To assess his hair color, the man snips a lock of hair from Werner’s head and compares it to thirty or so other locks clipped to a board, arrayed darkest to lightest. “Schnee,” the man mutters, and makes a notation. Snow. Werner’s hair is lighter than the lightest color on the board.
Anthony Doerr (All the Light We Cannot See)
The cult of the Virgin Mary enabled the worship of the Goddess to flourish, albeit in a cauterised form. As I keep repeating in a mantra, sex is power. The Virgin was a method of turning the sexual impulse of Christians back into the Church and onto the figure of the crucified Christ. I would describe this as a particularly unsavoury form of magick. This is the use of repression and misery as a spiritual battery. This enslavement of the worshipper’s natural desires is the exact opposite of the natural and healthy lust for Babalon. With the resolutely chaste Mary in position, churches had a surrogate Goddess back in the house. Christ knows, they needed one. To sell Christianity to the fans of the God who dies and is reborn (like the crops in the fields) the Church used statues of Mary and Jesus that were rather close to those of Isis and the Child Horus. This mother/son icon propaganda was like a Pepsi taste test for the wavering pagans. They failed. It requires other women to keep women as slaves stripped of their sexual power. The BVM did that job. She was the only role model that you could fixate upon. As a Goddess she is a clitoridectomy. If you lift her skirt you can see the coarse black thread where she has been snipped and stitched. The thread is plaited from the beard of Jehovah himself. This is not a woman anymore. Look under the hem and learn.
Peter Grey (The Red Goddess)
I followed his gaze on my pillow, upon which rested a thing I did not recognize, woolen and oddly shaped. I seized it abruptly, indignant. It was my jumper! "How---what have you---" "I'm sorry," he said, not looking up from the flicker and flash of the needle. "But you cannot expect me to live in close proximity to clothing that barely deserves the word. It is inhumane." I shook out the jumper, gaping. I could hardly tell it was the same garment. Yes, it was the same color, but the wool itself seemed altered, becoming softer, finer, without losing any of its warmth. And it was not a baggy square anymore; it would hang only a little loose on me now, while clearly communicating the lines of my figure. "From now on, you will keep your damned hands off my clothes!" I snapped, then flushed, realizing how that sounded. Bambleby took no notice of any of it. "Do you know that there are men and women who would hand over their firstborns to have their wardrobes tended by a king of Faerie?" he said, calmly snipping a thread. "Back home, every courtier wanted a few moments of my time." "King?" I repeated, staring at him. And yet I was not hugely surprised---it would explain his magic. A king or queen of Faerie, the stories say, can tap into the power of their realm. Yet that power, while vast, is not thought to be limitless, there are tales of kings and queens falling for human trickery. And Bambleby's exile is of course additional testimony.
Heather Fawcett (Emily Wilde's Encyclopaedia of Faeries (Emily Wilde, #1))
There was still a monster in my house, and, in a fragment of time that had, perhaps, been snipped out of reality, my father had pushed me down into the water of the bath and tried, perhaps, to drown me. I had run for miles through the dark. I had seen my father kissing and touching the thing that called itself Ursula Monkton. The dread had not left my soul. But there was a kitten on my pillow, and it was purring in my face and vibrating gently with every purr, and, very soon, I slept. X.
Neil Gaiman (The Ocean at the End of the Lane)
It will just upset you." No my freaking way! He didn't just tell me I'm weak to him, did he? "Yes, Ian. Thanks for reminding me I am just a dang girl in your eyes." A string of not ladylike curse words went across the marquee of my brain. "Be reasonable," he snipped out at me. Oh.No.He.Didn't. "Reasonable caught a train to Canada. Meet her peeved counterpart who wants to snap boy parts off and sterilize them to spare the future generations of learning that equal doesn't mean jack squat." - Grace
Cyndi Goodgame (Betrayal (Fey Court Trilogy, #3))
Is the sky painted?” Isidore asked. “Are there really brush strokes that show up under magnification?” “Yes,” Mercer said. “I can’t see them.” “You’re too close,” Mercer said. “You have to be a long way off, the way the androids are. They have better perspective.” “Is that why they claim you’re a fraud?” “I am a fraud,” Mercer said. “They’re sincere; their research is genuine. From their standpoint I am an elderly retired bit player named Al Jarry. All of it, their disclosure, is true. They interviewed me at my home, as they claim; I told them whatever they wanted to know, which was everything.” “Including about the whisky?” Mercer smiled. “It was true. They did a good job and from their standpoint Buster Friendly’s disclosure was convincing. They will have trouble understanding why nothing has changed. Because you’re still here and I’m still here.” Mercer indicated with a sweep of his hand the barren, rising hillside, the familiar place. “I lifted you from the tomb world just now and I will continue to lift you until you lose interest and want to quit. But you will have to stop searching for me because I will never stop searching for you.” “I didn’t like that about the whisky,” Isidore said. “That’s lowering.” “That’s because you’re a highly moral person. I’m not. I don’t judge, not even myself.” Mercer held out a closed hand, palm up. “Before I forget it, I have something of yours here.” He opened his fingers. On his hand rested the mutilated spider, but with its snipped-off legs restored. “Thanks.” Isidore accepted the spider.
Philip K. Dick (Do Androids Dream of Electric Sheep?)
So I pause before the door and I know that of all the houses turning after me as I passed, this house is the one where I was young and where I turned through time ... and this doorstep is the one crowded with the ghosts of boys and all varieties of kisses... and I am surrounded by the friendly fingered familiar places of the brief whirl in color and motion and words and actions ... which has been my life ... so I know instinctively, like the rat in the maze, that this door opens... this of all the doors ... my feet know this is the door... my eyes know... and there is no doubt whether it will be the lady or the tiger" ... because here I snip off the thread of aloneness and enter into the ritual and rooms that are the family, that are the home .... and my umbilical cord never has been cut cleanly... so I press thumb-down-on-latch and step up into light, into tomorrow, into people I know by sight, by sound, by touch, by smell, by flavor .... and the door closes behind me, and I turn the lock with a click that shuts out the disturbing wasteland of sleeping streets and fenceless acres of night.
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
You’ve been barely eating lately.” Mom said, trying to sound ‘motherly’. “And we’re becoming increasingly concerned.” “She’s right,” Dad added. “You barely eat anything, well except for salad and water and maybe a piece of actual food here and there.” It was bullshit! Complete and utter bullshit. If I had a problem, which I don’t, it was because of her! I inhaled a deep breath, feeling angry. “And whose fault is that. You’ve been drilling my head for the last few months” I snipped. “This is what you wanted.” I eyed Mom, feeling my eyes water. “All Summer, you harassed me, pried into my personal space, made me keep a food diary. I’m doing what you want.” Her jaw dropped. “This wasn’t what I wanted.” Mom shook her head. “I didn’t want you to starve yourself and just eat salad.” “You didn’t?” I practically yelled. I took a breath and let it out. “Last Summer…...EVERY SINGLE TIME YOU found out that I didn’t eat anything from your precious food manual you practically threw a fit.” Mom shook her head, eyeing Dad like she was being falsely accused. “It wasn’t like that.” She stammered. “It was.” I snapped. “It was like that every day.
Sarah Tork (What My Heart Wants (Y.A #3))
A boy found a butterfly’s cocoon in his garden one day. Next day, he noticed that a small opening had appeared. For several hours, he watched patiently while the butterfly struggled to force itself out through the little hole. Then it stopped struggling, almost as if it could go no further. Deciding to help the butterfly, the boy used a pair of scissors to snip the remaining bit of the cocoon and the butterfly emerged easily. Something was rather strange though. The butterfly had a swollen body and shrivelled wings. The boy continued to wait expectantly, hoping that at any moment the butterfly’s wings would expand to support its body and the body would contract. Neither event happened. In fact, the butterfly spent the rest of its life crawling around with a swollen body and deformed wings, never able to fly. What the boy in his kindness and haste did not understand was that the restricting cocoon and the resultant struggle required for the butterfly to get out are Nature’s way of forcing fluid from the butterfly’s body into its wings so that it is ready for flight after achieving freedom from the cocoon. Sometimes struggles are exactly what we need in life.
Ashwin Sanghi (13 Steps to Bloody Good Luck)
Whether working in the yard or just going about the daily business of life, you are continually adjusting, trimming, touching, shaping, and tinkering with the wealth of things around you. It may be difficult for you to know when to stop. We are all torn between the extremes of taking care of things and leaving them alone, and we question whether many things could ever get along without us. We find ourselves with pruning shears in hand, snipping away at this or that, telling ourselves that we're only being helpful, redefining something else's space, removing that which is unappealing to us. It's not that we really want to change the world. We just want to fix it up slightly. We'd like to lose a few pounds or rid ourselves of some small habit. Maybe we'd like to help a friend improve his situation or repair a few loose ends in the lives of our children. All of this shaping and controlling can have an adverse affect. Unlike someone skilled in the art of bonsai gardening, we may *unintentionally* stunt much natural growth before it occurs. And our meddling may not be appreciated by others. Most things will get along superbly without our editing, fussing, and intervention. We can learn to just let them be. As a poem of long ago puts it, "In the landscape of spring, the flowering branches grow naturally, some are long, some are short.
Gary Thorp (Sweeping Changes: Discovering the Joy of Zen in Everyday Tasks)
John Isidore said, “I found a spider.” The three androids glanced up, momentarily moving their attention from the TV screen to him. “Let’s see it,” Pris said. She held out her hand. Roy Baty said, “Don’t talk while Buster is on.” “I’ve never seen a spider,” Pris said. She cupped the medicine bottle in her palms, surveying the creature within. “All those legs. Why’s it need so many legs, J. R.?” “That’s the way spiders are,” Isidore said, his heart pounding; he had difficulty breathing. “Eight legs.” Rising to her feet, Pris said, “You know what I think, J. R.? I think it doesn’t need all those legs.” “Eight?” Irmgard Baty said. “Why couldn’t it get by on four? Cut four off and see.” Impulsively opening her purse, she produced a pair of clean, sharp cuticle scissors, which she passed to Pris. A weird terror struck at J. R. Isidore. Carrying the medicine bottle into the kitchen, Pris seated herself at J. R. Isidore’s breakfast table. She removed the lid from the bottle and dumped the spider out. “It probably won’t be able to run as fast,” she said, “but there’s nothing for it to catch around here anyhow. It’ll die anyway.” She reached for the scissors. “Please,” Isidore said. Pris glanced up inquiringly. “Is it worth something?” “Don’t mutilate it,” he said wheezingly. Imploringly. With the scissors, Pris snipped off one of the spider’s legs. In the living room Buster Friendly on the TV screen said, “Take a look at this enlargement of a section of background. This is the sky you usually see. Wait, I’ll have Earl Parameter, head of my research staff, explain their virtually world-shaking discovery to you.” Pris clipped off another leg, restraining the spider with the edge of her hand. She was smiling. “Blowups of the video pictures,” a new voice from the TV said, “when subjected to rigorous laboratory scrutiny, reveal that the gray backdrop of sky and daytime moon against which Mercer moves is not only not Terran—it is artificial.” “You’re missing it!” Irmgard called anxiously to Pris; she rushed to the kitchen door, saw what Pris had begun doing. “Oh, do that afterward,” she said coaxingly. “This is so important, what they’re saying; it proves that everything we believed—” “Be quiet,” Roy Baty said. “—is true,” Irmgard finished. The TV set continued, “The ‘moon’ is painted; in the enlargements, one of which you see now on your screen, brush strokes show. And there is even some evidence that the scraggly weeds and dismal, sterile soil—perhaps even the stones hurled at Mercer by unseen alleged parties—are equally faked. It is quite possible in fact that the ‘stones’ are made of soft plastic, causing no authentic wounds.” “In other words,” Buster Friendly broke in, “Wilbur Mercer is not suffering at all.” The research chief said, “We at last managed, Mr. Friendly, to track down a former Hollywood special-effects man, a Mr. Wade Cortot, who flatly states, from his years of experience, that the figure of ‘Mercer’ could well be merely some bit player marching across a sound stage. Cortot has gone so far as to declare that he recognizes the stage as one used by a now out-of-business minor moviemaker with whom Cortot had various dealings several decades ago.” “So according to Cortot,” Buster Friendly said, “there can be virtually no doubt.” Pris had now cut three legs from the spider, which crept about miserably on the kitchen table, seeking a way out, a path to freedom. It found none.
Philip K. Dick (Do Androids Dream of Electric Sheep?)
She found another intriguing object, and she held it up to inspect it. A button. Her brow creased as she stared at the front of the button, which was engraved with a pattern of a windmill. The back of it contained a tiny lock of black hair behind a thin plate of glass, held in place with a copper rim. Swift blanched and reached for it, but Daisy snatched it back, her fingers closing around the button. Daisy's pulse began to race. "I've seen this before," she said. "It was a part of a set. My mother had a waistcoat made for Father with five buttons. One was engraved with a windmill, another with a tree, another with a bridge... she took a lock of hair from each of her children and put it inside a button. I remember the way she took a little snip from my hair at the back where it wouldn't show." Still not looking at her, Swift reached for the discarded contents of his pocket and methodically replaced them. As the silence drew out, Daisy waited in vain for an explanation. Finally she reached out and took hold of his sleeve. His arm stilled, and he stared at her fingers on his coat fabric. "How did you get it?" she whispered. Swift waited so long that she thought he might answer. Finally he spoke with a quiet surliness that wrenched her heart. "Your father wore the waistcoat to the company offices. It was much admired. But later that day he was in a temper and in the process of throwing an ink bottle he spilled some on himself. The waistcoat was ruined. Rather than face your mother with the news he gave the garment to me, buttons and all, and told me to dispose of it." "But you kept one button." Her lungs expanded until her chest felt tight on the inside and her heartbeat was frantic. "The windmill. Which was mine. Have you... have you carried a lock of my hair all these years?
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
No, it’s that empathy,” Irmgard said vigorously. Fists clenched, she roved into the kitchen, up to Isidore. “Isn’t it a way of proving that humans can do something we can’t do? Because without the Mercer experience we just have your word that you feel this empathy business, this shared, group thing. How’s the spider?” She bent over Pris’s shoulder. With the scissors, Pris snipped off another of the spider’s legs. “Four now,” she said. She nudged the spider. “He won’t go. But he can.” Roy Baty appeared at the doorway, inhaling deeply, an expression of accomplishment on his face. “It’s done. Buster said it out loud, and nearly every human in the system heard him say it. ‘Mercerism is a swindle.’ The whole experience of empathy is a swindle.” He came over to look curiously at the spider. “It won’t try to walk,” Irmgard said. “I can make it walk.” Roy Baty got out a book of matches, lit a match; he held it near the spider, closer and closer, until at last it crept feebly away. “I was right,” Irmgard said. “Didn’t I say it could walk with only four legs?” She peered up expectantly at Isidore. “What’s the matter?” Touching his arm she said, “You didn’t lose anything; we’ll pay you what that—what’s it called?—that Sidney’s catalogue says. Don’t look so grim. Isn’t that something about Mercer, what they discovered? All that research? Hey, answer.” She prodded him anxiously. “He’s upset,” Pris said. “Because he has an empathy box. In the other room. Do you use it, J. R.?” she asked Isidore. Roy Baty said, “Of course he uses it. They all do—or did. Maybe now they’ll start wondering.” “I don’t think this will end the cult of Mercer,” Pris said. “But right this minute there’re a lot of unhappy human beings.” To Isidore she said, “We’ve waited for months; we all knew it was coming, this pitch of Buster’s.” She hesitated and then said, “Well, why not. Buster is one of us.
Philip K. Dick (Do Androids Dream of Electric Sheep?)
Buster Friendly said, “We may never know. Nor can we fathom the peculiar purpose behind this swindle. Yes, folks, swindle. Mercerism is a swindle!” “I think we know,” Roy Baty said. “It’s obvious. Mercerism came into existence—” “But ponder this,” Buster Friendly continued. “Ask yourselves what is it that Mercerism does. Well, if we’re to believe its many practitioners, the experience fuses—” “It’s that empathy that humans have,” Irmgard said. “—men and women throughout the Sol System into a single entity. But an entity which is manageable by the so-called telepathic voice of ‘Mercer.’ Mark that. An ambitious politically minded would-be Hitler could—” “No, it’s that empathy,” Irmgard said vigorously. Fists clenched, she roved into the kitchen, up to Isidore. “Isn’t it a way of proving that humans can do something we can’t do? Because without the Mercer experience we just have your word that you feel this empathy business, this shared, group thing. How’s the spider?” She bent over Pris’s shoulder. With the scissors, Pris snipped off another of the spider’s legs. “Four now,” she said. She nudged the spider. “He won’t go. But he can.” Roy Baty appeared at the doorway, inhaling deeply, an expression of accomplishment on his face. “It’s done. Buster said it out loud, and nearly every human in the system heard him say it. ‘Mercerism is a swindle.’ The whole experience of empathy is a swindle.” He came over to look curiously at the spider. “It won’t try to walk,” Irmgard said. “I can make it walk.” Roy Baty got out a book of matches, lit a match; he held it near the spider, closer and closer, until at last it crept feebly away. “I was right,” Irmgard said. “Didn’t I say it could walk with only four legs?” She peered up expectantly at Isidore. “What’s the matter?” Touching his arm she said, “You didn’t lose anything; we’ll pay you what that—what’s it called?—that Sidney’s catalogue says. Don’t look so grim. Isn’t that something about Mercer, what they discovered? All that research? Hey, answer.” She prodded him anxiously. “He’s upset,” Pris said. “Because he has an empathy box. In the other room. Do you use it, J. R.?” she asked Isidore. Roy Baty said, “Of course he uses it. They all do—or did. Maybe now they’ll start wondering.” “I don’t think this will end the cult of Mercer,” Pris said. “But right this minute there’re a lot of unhappy human beings.” To Isidore she said, “We’ve waited for months; we all knew it was coming, this pitch of Buster’s.” She hesitated and then said, “Well, why not. Buster is one of us.” “An android,” Irmgard explained. “And nobody knows. No humans, I mean.” Pris, with the scissors, cut yet another leg from the spider. All at once John Isidore pushed her away and lifted up the mutilated creature. He carried it to the sink and there he drowned it. In him, his mind, his hopes, drowned, too. As swiftly as the spider.
Philip K. Dick (Do Androids Dream of Electric Sheep?)
O! Time is a faerie-maid, dark is her dairy laid: Larders of mem'ry and amethyst lore. But one kiss from her lips On your lips as she slips One cold hand in your pocket will finish the chore. For her kiss it is sweet It is death, it is meat It is sharp as a bone-frost and light as a wheat In her bed, poppy-reds glimmer bright as she shreds All your best years of life into raggedy threads. O! She picks every purse with a laugh and a curse but a beggar she stays till the end of no end. For her girtle is trim From the breast to the hem; She must ever stay hungry to eat what you lend. Never thanks, never smile, Such small coinage is vile In pay for the life-years snipped off of a man. But a kiss for the road - Age and Slumber your load - And a red-lipped farewell where your trouble began. O! Time is a faerie-maid, dark is her dairy laid: Larders of mem'ry and amethyst lore But one kiss from her lips On your lips as she slips One cold hand in your pocket will finish the chore.
Rachel Heffington