Snap Maps Quotes

You don’t know who you’re dealing with.” She leaned down close until her lips brushed his skin, until her breath scorched the side of his face. “I’m not Sinegardian elite. I’m that savage mud-skinned Speerly bitch that wiped a country off the map. And sometimes when I get a little too angry, I snap.

Somewhere someone thinks they love someone else exactly like I love you. Somewhere someone shakes from the ripple of a thousand butterflies inside a single stomach. Somewhere someone is packing their bags to see the world with someone else. Somewhere someone is reaching through the most terrifying few feet of space to hold the hand of someone else. Somewhere someone is watching someone else’s chest rise and fall with the breath of slumber. Somewhere someone is pouring ink like blood onto pages fighting to say the truth that has no words. Somewhere someone is waiting patient but exhausted to just be with someone else. Somewhere someone is opening their eyes to a sunrise in someplace they have never seen. Somewhere someone is pulling out the petals twisting the apple stem picking up the heads up penny rubbing the rabbits foot knocking on wood throwing coins into fountains hunting for the only clover with only 4 leaves skipping over the cracks snapping the wishbone crossing their fingers blowing out the candles sending dandelion seeds into the air ushering eyelashes off their thumbs finding the first star and waiting for 11:11 on their clock to spend their wishes on someone else. Somewhere someone is saying goodbye but somewhere someone else is saying hello. Somewhere someone is sharing their first or their last kiss with their or no longer their someone else. Somewhere someone is wondering if how they feel is how the other they feels about them and if both theys could ever become a they together. Somewhere someone is the decoder ring to all of the great mysteries of life for someone else. Somewhere someone is the treasure map. Somewhere someone thinks they love someone else exactly like I love you. Somewhere someone is wrong.

It’s of some interest that the lively arts of the millenial U.S.A. treat anhedonia and internal emptiness as hip and cool. It’s maybe the vestiges of the Romantic glorification of Weltschmerz, which means world-weariness or hip ennui. Maybe it’s the fact that most of the arts here are produced by world-weary and sophisticated older people and then consumed by younger people who not only consume art but study it for clues on how to be cool, hip - and keep in mind that, for kids and younger people, to be hip and cool is the same as to be admired and accepted and included and so Unalone. Forget so-called peer-pressure. It’s more like peer-hunger. No? We enter a spiritual puberty where we snap to the fact that the great transcendent horror is loneliness, excluded encagement in the self. Once we’ve hit this age, we will now give or take anything, wear any mask, to fit, be part-of, not be Alone, we young. The U.S. arts are our guide to inclusion. A how-to. We are shown how to fashion masks of ennui and jaded irony at a young age where the face is fictile enough to assume the shape of whatever it wears. And then it’s stuck there, the weary cynicism that saves us from gooey sentiment and unsophisticated naivete. Sentiment equals naïveté on this continent... ...Hal, who’s empty but not dumb, theorizes privately that what passes for hip cynical transcendence of sentiment is really some kind of fear of being really human, since to be really human (at least as he conceptualizes it) is probably to be unavoidably sentimental and naive and goo-prone and generally pathetic, is to be in some basic interior way forever infantile, some sort of not-quite-right-looking infant dragging itself anaclitically around the map, with big wet eyes and froggy-soft skin, huge skull, gooey drool. One of the really American things about Hal, probably, is the way he despises what it is he’s really lonely for: this hideous internal self, incontinent of sentiment and need, that pules and writhes just under the hip empty mask, anhedonia.

Grand Mage,” Ghastly said, as he put the map away, “did you know the sparrow flies south for the winter?” “What an odd thing to say,” Ravel said, and as he turned, he snapped his palm against the air and Paloma slammed into the wall.” …..“What do you know,” Ravel said, breathing a little faster, “Skulduggery’s silly little code actually works.

I should say we’d reach England by Tuesday or thereabouts, with a decent wind behind us. It would be a lot quicker than that if we could just sail straight there, but I was looking at the nautical charts, and there’s a dirty great sea serpent right in the middle of the ocean! It has a horrible gaping maw and one of those scaly tails that looks like it could snap a boat clean in two. So I thought it best to sail around that.’ FitzRoy frowned. ‘I think they just draw those on maps to add a bit of decoration. It doesn’t actually mean there’s a sea serpent there.’ The galley went rather quiet. A few of the pirate crew stared intently out of the portholes, embarrassed at their Captain’s mistake. But to everyone’s relief, instead of running somebody through, the Pirate Captain just narrowed his eyes thoughtfully. That explains a lot,’ he said. ‘I suppose it’s also why we’ve never glimpsed that giant compass in the corner of the Atlantic. I have to say, I’m a little disappointed.

Excuse me, Ms. Matthews; you are going to be late for class if you don’t get going. Can you read the map, or are you already lost?” the stern voice of the secretary pulled me out of my stupor. “Um, no, I can read,” I said, sheepishly, still unable to take my eyes off the mysterious boy staring back. “Of course, you can read,” she said sharply, snapping my entranced head back to reality. “Now, get to class.

When You Return Fallen leaves will climb back into trees. Shards of the shattered vase will rise and reassemble on the table. Plastic raincoats will refold into their flat envelopes. The egg, bald yolk and its transparent halo, slide back in the thin, calcium shell. Curses will pour back into mouths, letters un-write themselves, words siphoned up into the pen. My gray hair will darken and become the feathers of a black swan. Bullets will snap back into their chambers, the powder tamped tight in brass casings. Borders will disappear from maps. Rust revert to oxygen and time. The fire return to the log, the log to the tree, the white root curled up in the un-split seed. Birdsong will fly into the lark’s lungs, answers become questions again. When you return, sweaters will unravel and wool grow on the sheep. Rock will go home to mountain, gold to vein. Wine crushed into the grape, oil pressed into the olive. Silk reeled in to the spider’s belly. Night moths tucked close into cocoons, ink drained from the indigo tattoo. Diamonds will be returned to coal, coal to rotting ferns, rain to clouds, light to stars sucked back and back into one timeless point, the way it was before the world was born, that fresh, that whole, nothing broken, nothing torn apart.

EFFERVESCENCE AND EVANESCENCE We've found this Scott Fitzgerald chap A chipper charming child; He's taught us how the flappers flap, And why the whipper-snappers snap, What makes the women wild. But now he should make haste to trap The ducats in his dipper. The birds that put him on the map Will shortly all begin to rap And flop to something flipper.

I wish I could give you your due,” Rangi muttered after some time had passed. “The wisest teachers. Armies to defend you. A palace to live in.” Kyoshi raised an eyebrow. “The Avatar gets a palace?” “No, but you deserve one.” “I don’t need it,” Kyoshi said. She smiled into Rangi’s hair, the soft strands caressing her lips. “And I don’t need an army. I have you.” “Psh,” Rangi scoffed. “A lot of good I’ve been so far. If I were better at my job you would never feel scared. Only loved. Adored by all.” Kyoshi gently nudged Rangi’s chin upward. She could no more prevent herself from doing this than she could keep from breathing, living, fearing. “I do feel loved,” she declared. Rangi’s beautiful face shone in reflection. Kyoshi leaned in and kissed her. A warm glow mapped Kyoshi’s veins. Eternity distilled in a single brush of skin. She thought she would never be more alive than now. And then— The shock of hands pushing her away. Kyoshi snapped out of her trance, aghast. Rangi had flinched at the contact. Repelled her. Viscerally, reflexively. Oh no. Oh no. This couldn’t—not after everything they’d been through—this couldn’t be how it— Kyoshi shut her eyes until they hurt. She wanted to shrink until she vanished within the cracks of the earth. She wanted to become dust and blow away in the wind. But the sound of laughter pulled her back. Rangi was coughing, drowning herself with her own tears and mirth. She caught her breath and retook Kyoshi by the hips, turning to the side, offering up the smooth, unblemished skin of her throat. “That side of my face is busted up, stupid,” she whispered in the darkness. “Kiss me where I’m not hurt.

What is wrong with you?” Glory’s voice snapped. The RainWing materialized from the sandy background, turning her scales a darker shade of brown so they could see her. She glared at Tsunami. “Why did you do that?” “Oh, you’re welcome,” Tsunami said. “Just saving your life, as usual.” “By attacking random dragons?” Glory cried. “In another moment they would have been gone! And what are you doing?” She jabbed Clay in the side with one of her wings. “Uh,” Clay mumbled. “Fixing him.” He kept thumping the SkyWing’s chest. “What?” Glory yelped. “You can’t let him live!” She tried to grab one of Clay’s forearms, but Tsunami shoved her away. “We don’t have to kill him,” Tsunami said. “We’ll tie him up and leave him here.” “Great,” Glory said. “How about a trail of cow parts, too? And a map of where we’re going? Or perhaps we could set this part of the forest on fire, just to make sure everyone knows how to find us. Would you like me to spell out ‘DRAGONETS WUZ HERE’ in giant rocks?” “Fine!

It’s of some interest that the lively arts of the millennial U.S.A. treat anhedonia and internal emptiness as hip and cool. It’s maybe the vestiges of the Romantic glorification of Weltschmerz, which means world-weariness or hip ennui. Maybe it’s the fact that most of the arts here are produced by world-weary and sophisticated older people and then consumed by younger people who not only consume art but study it for clues on how to be cool, hip — and keep in mind that, for kids and younger people, to be hip and cool is the same as to be admired and accepted and included and so Unalone. Forget so-called peer-pressure. It’s more like peer-hunger. No? We enter a spiritual puberty where we snap to the fact that the great transcendent horror is loneliness, excluded encagement in the self. Once we’ve hit this age, we will now give or take anything, wear any mask, to fit, be part-of, not be Alone, we young. The U.S. arts are our guide to inclusion. A how-to. We are shown how to fashion masks of ennui and jaded irony at a young age where the face is fictile enough to assume the shape of whatever it wears. And then it’s stuck there, the weary cynicism that saves us from gooey sentiment and unsophisticated naïveté. Sentiment equals naïveté on this continent (at least since the Reconfiguration). One of the things sophisticated viewers have always liked about J. O. Incandenza’s The American Century as Seen Through a Brick is its unsubtle thesis that naïveté is the last true terrible sin in the theology of millennial America. And since sin is the sort of thing that can be talked about only figuratively, it’s natural that Himself’s dark little cartridge was mostly about a myth, viz. that queerly persistent U.S. myth that cynicism and naïveté are mutually exclusive. Hal, who’s empty but not dumb, theorizes privately that what passes for hip cynical transcendence of sentiment is really some kind of fear of being really human, since to be really human (at least as he conceptualizes it) is probably to be unavoidably sentimental and naïve and goo-prone and generally pathetic, is to be in some basic interior way forever infantile, some sort of not-quite-right-looking infant dragging itself anaclitically around the map, with big wet eyes and froggy-soft skin, huge skull, gooey drool. One of the really American things about Hal, probably, is the way he despises what it is he’s really lonely for: this hideous internal self, incontinent of sentiment and need, that pules and writhes just under the hip empty mask, anhedonia. 281 281 - This had been one of Hal’s deepest and most pregnant abstractions, one he’d come up with once while getting secretly high in the Pump Room. That we’re all lonely for something we don’t know we’re lonely for. How else to explain the curious feeling that he goes around feeling like he misses somebody he’s never even met? Without the universalizing abstraction, the feeling would make no sense.

Café Flore is packed, shimmering, every table filled. Bentley notices this with a grim satisfaction but Bentley feels lost. He’s still haunted by the movie Grease and obsessed with legs that he always felt were too skinny though no one else did and it never hampered his modeling career and he’s still not over a boy he met at a Styx concert in 1979 in a stadium somewhere in the Midwest, outside a town he has not been back to since he left it at eighteen, and that boy’s name was Cal, who pretended to be straight even though he initially fell for Bentley’s looks but Cal knew Bentley was emotionally crippled and the fact that Bentley didn’t believe in heaven didn’t make him more endearing so Cal drifted off and inevitably became head of programming at HBO for a year or two. Bentley sits down, already miked, and lights a cigarette. Next to them Japanese tourists study maps, occasionally snap photos. This is the establishing shot.

Well, what do we do now?" Caramon asked, sitting astride his horse and looking both up and down the stream. " 'You're' the expert on women," Raistlin retorted. "All right, I made a mistake," Caramon grumbled. "That doesn't help us. It'll be dark soon, and then we'll never find her trail. I haven't heard you come up with any helpful suggestions," he grumbled, glancing at his brother balefully. "Can't you magic up something?" "I would have 'magicked up' brains for you long time ago, if I could have," Raistlin snapped peevishly. "What would you like me to do?-make her appear out of thin air or look for her in my crystal ball? No, I won't waste my strength. Besides it's not necessary. Have you a map, or did you manage to think that far ahead?

A globular face mapped not on foreign landscapes and forgotten towns, but on a lifetime of voluntary entombment and inner warfare. The outside world had been locked out a long time ago. Lacey’s borders now wedged between the snap of two deadbolts and the power switch of her TV remote.

I probably should say that this is what makes you a good traveler in my opinion, but deep down I really think this is just universal, incontrovertible truth. There is the right way to travel, and the wrong way. And if there is one philanthropic deed that can come from this book, maybe it will be that I teach a few more people how to do it right. So, in short, my list of what makes a good traveler, which I recommend you use when interviewing your next potential trip partner: 1. You are open. You say yes to whatever comes your way, whether it’s shots of a putrid-smelling yak-butter tea or an offer for an Albanian toe-licking. (How else are you going to get the volcano dust off?) You say yes because it is the only way to really experience another place, and let it change you. Which, in my opinion, is the mark of a great trip. 2. You venture to the places where the tourists aren’t, in addition to hitting the “must-sees.” If you are exclusively visiting places where busloads of Chinese are following a woman with a flag and a bullhorn, you’re not doing it. 3. You are easygoing about sleeping/eating/comfort issues. You don’t change rooms three times, you’ll take an overnight bus if you must, you can go without meat in India and without vegan soy gluten-free tempeh butter in Bolivia, and you can shut the hell up about it. 4. You are aware of your travel companions, and of not being contrary to their desires/​needs/​schedules more often than necessary. If you find that you want to do things differently than your companions, you happily tell them to go on without you in a way that does not sound like you’re saying, “This is a test.” 5. You can figure it out. How to read a map, how to order when you can’t read the menu, how to find a bathroom, or a train, or a castle. 6. You know what the trip is going to cost, and can afford it. If you can’t afford the trip, you don’t go. Conversely, if your travel companions can’t afford what you can afford, you are willing to slum it in the name of camaraderie. P.S.: Attractive single people almost exclusively stay at dumps. If you’re looking for them, don’t go posh. 7. You are aware of cultural differences, and go out of your way to blend. You don’t wear booty shorts to the Western Wall on Shabbat. You do hike your bathing suit up your booty on the beach in Brazil. Basically, just be aware to show the culturally correct amount of booty. 8. You behave yourself when dealing with local hotel clerks/​train operators/​tour guides etc. Whether it’s for selfish gain, helping the reputation of Americans traveling abroad, or simply the spreading of good vibes, you will make nice even when faced with cultural frustrations and repeated smug “not possible”s. This was an especially important trait for an American traveling during the George W. years, when the world collectively thought we were all either mentally disabled or bent on world destruction. (One anecdote from that dark time: in Greece, I came back to my table at a café to find that Emma had let a nearby [handsome] Greek stranger pick my camera up off our table. He had then stuck it down the front of his pants for a photo. After he snapped it, he handed the camera back to me and said, “Show that to George Bush.” Which was obviously extra funny because of the word bush.) 9. This last rule is the most important to me: you are able to go with the flow in a spontaneous, non-uptight way if you stumble into something amazing that will bump some plan off the day’s schedule. So you missed the freakin’ waterfall—you got invited to a Bahamian family’s post-Christening barbecue where you danced with three generations of locals in a backyard under flower-strewn balconies. You won. Shut the hell up about the waterfall. Sally

It's of some interest that the lively arts of the millenial U.S.A. treat anhedonia and internal emptiness as hip and cool. It's maybe the vestiges of the Romantic glorification of Weltschmerz, which means world-weariness or hip ennui. Maybe it's the fact that most of the arts here are produced by world-weary and sophisticated older people and then consumed by younger people who not only consume art but study it for clues on how to be cool, hip -- and keep in mind that, for kids and younger people, to be hip and cool is the same to be admired and accepted and included and so Unalone. Forget so-called peer pressure. It's more like peer-hunger. No? We enter a spiritual puberty where we snap to the fact that the great tanscendent horror is loneliness, excluded encagement in the self. Once we've hit this age, we will now give or take anything, wear any mask, to fit, be part-of, not be Alone, we young. The U.S. arts are our guide to inclusion. A how-to. We are shown how to fashion masks of ennui and jaded irony at a young age where the face is fictile enough to assume the sahpe of whatever it wears. And then it's stuck there, the weary cynicism that save us from gooey sentiment and unsophisticated naïveté. Sentiment equals naïveté on this continent (at least since the Reconfiguration). One of the things sophisticated viewers have always liked about J. O. Incandenza's The American Century as Seen Through a Brick is its unsubtle thesis that naïveté is the last true terrible sin in the theology of millennial America. And since sin is the sort of thing that can be talked about only figuratively, it's natural that Himself's dark little cartridge was mostly about a myth, viz. that queerly persistent U.S. myth that cynicism and naïveté are mutually exclusive. Hal, who's empty but not dumb, theorizes privately that what passes for hip cynical transcendence of sentiment is really some kind of fear of being really human, since to be really human (at least as he conceptualizes it) is probably to be unavoidably sentimental and naïve and goo-prone and generally pathetic, is to be in some basic interior way forever infantile, some sort of not-quite-right-looking infant dragging itself anaclitically around the map, with big wet eyes and froggy-soft skin, huge skull, gooey drool. One of the really American things about Hal, probably, is thie way he despises what it is he's really lonely for: this hideous internal self, incontinent of sentiment and need, that pules and writhes just under the hip empty mask, anhedonia.

I wonder where they’ll go,” Jake continued, frowning a little. “There’s wolves out there, and all sorts of beasts.” “No self-respecting wolf would dare to confront that duenna of hers, not with that umbrella she wields,” Ian snapped, but he felt a little uneasy. “Oho!” said Jake with a hearty laugh. “So that’s what she was? I thought they’d come to court you together. Personally, I’d be afraid to close my eyes with that gray-haired hag in bed next to me.” Ian was not listening. Idly he unfolded the note, knowing that Elizabeth Cameron probably wasn’t foolish enough to have written it in her own girlish, illegible scrawl. His first thought as he scanned the neat, scratchy script was that she’d gotten someone else to write it for her…but then he recognized the words, which were strangely familiar, because he’d spoken them himself: Your suggestion has merit. I’m leaving for Scotland on the first of next month and cannot delay the trip again. Would prefer the meeting take place there, in any case. A map is enclosed for direction to the cottage. Cordially-Ian. “God help that silly bastard if he ever crosses my path!” Ian said savagely. “Who d’you mean?” “Peters!” “Peters?” Jake said, gaping. “Your secretary? The one you sacked for mixin’ up all your letters?” “I should have strangled him! This is the note I meant for Dickinson Verley. He sent it to Cameron instead.” In furious disgust Ian raked his hand through his hair. As much as he wanted Elizabeth Cameron out of his sight and out of his life, he could not cause two women to spend the night in their carriage or whatever vehicle they’d brought, when it was his fault they’d come here. He nodded curtly to Jake. “Go and get them.” “Me? Why me?” “Because,” Ian said bitterly, walking over to the cabinet and putting away the gun, “it’s starting to rain, for one thing. For another, if you don’t bring them back, you’ll be doing the cooking.” “If I have to go after that woman, I want a stout glass of something fortifying first. They’re carrying a trunk, so they won’t get much ahead of me.” “On foot?” Ian asked in surprise. “How did you think they got up here?” “I was too angry to think.

Eric Steele utilized the Mark XI’s voice command function by saying, “Nav,” and a map appeared in the upper-right quadrant of the visor. The yellow blinking arrow told him that he needed to come left, so he lowered his shoulder and banked gently until he was locked on the correct glide path. This thing is legit. Steele had grown up on James Bond and thought being a spy was all about the gadgets. But in the real world batteries failed and an operator lived and died by making a plan and sticking to it. One of the main reasons Steele was still alive while so many of his friends were dead was because he didn’t leave anything to chance. He carefully brought his left arm up to eye level and double-checked the Mark XI’s readings with the GPS/altimeter combo strapped to his forearm. Once he was sure that he knew exactly where he was, he snapped his arms tight and accelerated to 200 miles per hour.

We stopped. Aly looked back the way we’d come. “Cass? Where are we headed?” Cass glanced around. “Actually . . . I’m not sure. I lost the map in the river.” “Don’t play games,” Aly snapped. “You don’t need it. You know the route.” “I did,” Cass said. “But . . . it’s not there, Aly. In my brain. I can’t call it up.” “What do you mean, not there?” Aly said. “If you’re being insecure again, like you were in Babylon, now’s the time to stop.” Cass’s eyes were hollow and scared. “I don’t feel insecure. This is so strange . . .” I looked at him closely. “Cass, can you say ‘River Nostalgikos’ backward?” “Nostalgikos . . . River?” Cass said. “Oh, dear,” Professor Bhegad muttered. “Cass, you had the ability to say anything backward, letter for letter,” Aly said. “You called it Backwardish.” Cass swallowed hard. “Dishwardback?” “The river . . .” Professor Bhegad said. “It took the ability from him.” “Skilaki warned us,” Aly said softly. “She said the river required a sacrifice . . .

Okay, then. Let’s win you a wish.” He takes out his phone and pulls up Google Maps. “I looked up Gen’s address before I came over here. I think you’re right--we should take our time, assess the situation. Not go in half-cocked.” “Mm-hm.” I’m in a sort of dream state; it’s hard to concentrate. John Ambrose McClaren wants to make it unequivocally clear. I snap out of it when Kitty jostles her way back into the living room, balancing a glass of orange soda, the tub of red pepper hummus, and a bag of pita chips. She makes her way over to the couch and plonks down right between us. Holding out the bag, she asks, “Do you guys want some?” “Sure,” John says, taking a chip. “Hey, I hear you’re pretty good at schemes. Is that true?” Warily she says, “What makes you say that?” “You’re the one who sent out Lara Jean’s letters, aren’t you?” Kitty nods. “Then I’d say you’re pretty good at schemes.” “I mean, yeah. I guess.” “Awesome. We need your help.” Kitty’s ideas are a bit too extreme--like slashing Genevieve’s tires, or throwing a stink bomb in her house to smoke her out, but John writes down every one of Kitty’s suggestions, which does not go unnoticed by Kitty. Very little does.

Don’t go anywhere for the first time. Study maps, do in-depth recon online, send scouts, or, best of all, go with someone who’d gone before.

he heard a voice saying ‘GO’. He crawled to a tree and snapped off a couple of limbs to make improvised ice axes and led Sandra out from under the wing. They stepped and slid down the icy slope an inch at a time. Norman kicked holes with the toes of his trainers and dug the stick in as best he could. Sandra followed behind, her feet half on the snow, half on Norman’s shoulders, her arm still hanging uselessly. The slope slanted across as well as down, drawing them towards an even steeper and icier funnel section of the gulley. Norman tried to keep away from this lethal chute. He looked back up the mountain. They had only gone 9 m (30 ft). They would never make it at this pace. ‘We need to go faster.’ And he turned round to encourage Sandra, only to see her slipping into the insane drop of the funnel. Her hand, her arm, her hip and then her whole body were gone. Norman pushed himself in after her. Momentum took them right across the funnel and Norman caught her as they clattered into jagged rocks on the far side. Bone smashed onto stone as they scrabbled furiously with sticks, fingers, feet – anything to get a grip. Bouncing like a pinball between the boulders they finally came to a stop. Norman’s knuckles were shredded to the bone. But he was too cold to feel any pain. Sandra moaned and started talking about God. There was nothing to do but inch on down the endless chute.

Oh shit!” Day snapped his fingers at his recollection of something very critical. Why do I always forget about this? “I know exactly where he is…or at least I will in a second.” Day hung up without another word. He pulled up his track-your-lover app on his phone. He never did tell God how he’d found him in that alley in Buckhead. It took a few seconds for the app to open fully before he saw the red dot beeping on the map of their city. You call yourself a detective, God. Pfft. He immediately called his brother back. “Jax, he’s at the Fairfield Lodge in East Point. Please go check on him.” Day didn’t want to sound so pathetic. God had thrown him around and tossed him out like old luggage, but Day loved him and would never want to see God hurt or in need of help but too proud to ask for it.

Myron dialed furiously and hit the send button. At that exact moment, he heard a sound like a twig breaking and then static. The goon with the Yankees cap had snapped off his antenna. This wasn’t good. Myron kept himself low. He opened the glove compartment and reached inside. Nothing but maps and registration. His eyes searched the floor anxiously for some sort of weapon. The only thing he saw was the car cigarette lighter. Somehow he doubted that it would be effective against two armed goons. Maps, registration card, cigarette lighter. Unless Myron suddenly became MacGyver, he was in serious trouble. He

Yuguo fell apart, into a thousand little pieces. He felt it happen, fragments of his mind detaching from the rest, splitting off, becoming their own, being mapped by Nexus. Here was Yuguo’s knowledge of coding, his comprehension of data structures, of objects and methods, of intents and game players, of threads and loops and conditions. Here was football Yuguo, the precise way his left foot grounded into the grass and his hips swiveled and his arm balanced as his right foot shot forward to kick the checked ball at the goal. Here was Yuguo’s shy lust for girls, the patterns his eyes drew over their curves when he saw them, the anxiety that struck him dumb when they were near. Here was Yuguo’s despair that had led him to this room, his quiet dread that his country and the world were getting worse instead of better, that the future was one of slow strangulation at the electronic hands of smiling tame AIs with famous faces, their forked tongues lapping out of the viewscreens to feed saccharine to the masses, the old men who’d always ruled China laughing and holding their leashes. Here were the words a young woman had said to him just minutes ago. “Critical mass. Weak apart, strong together.” Here were her eyes, fiery eyes, hanging in space. Here was her name: Lifen. Then those pieces fell apart, into smaller pieces, which fell apart into fragments even smaller: Yuguo’s sensation of red. Yuguo’s concept of 1 and 0. Yuguo’s left thumb. The sound in Yuguo’s head when he heard the third note of his favorite pop song. Yuguo’s yes. Yuguo’s no. Yuguo’s and. Yuguo’s or. Yuguo’s xor. Yuguo’s now. Yuguo’s future. Yuguo’s past. He could see himself now. He was a golden statue of Yuguo, immobile, one foot in front of the other, standing in a space of white light. But the statue wasn’t solid, it was made of grains, millions of grains, flecks of gold dust, millions of parts of him. And as he watched they were separating, pulling gradually apart, so that he was no longer a single entity but a cloud, a fog, a fog of Yuguo, and if a strong wind came, he would just blow away, and if the pieces split any more he knew there wouldn’t be any such thing as Yuguo left at all. Yuguo’s fear. Yuguo’s end. And then the pieces rushed together, and he was inside that statue, he was that statue, and he was all of it, 1 and 0, yes and no, future and past, sound and sight, football and coding. He was all of it. He was whole. He was a mind. I’m Yuguo, he realized. I’m him. I’m me. I’m Yuguo! His eyes snapped open. He was in his body. His body made of molten gold. No, not gold, flesh and blood.

Nearby, a distinctly male snort of derision sounded. “Go eavesdrop on someone else, Yeran,” Borte snapped toward her betrothed. But the Berlad captain only answered back, “A fine commander you are, mooning over the Fae like a doe-eyed girl.” Borte rolled her eyes. “When they teach me their killing techniques and I use them to wipe you off the map at our next Gathering, you can tell me all about my mooning.” “You’ll be my wife then, according to your bargain with my hearth-mother,” he said, crossing his arms. “It would be unseemly for you to kill your own husband in the Gathering.” Borte smiled with poisoned sweetness at her betrothed. “I’ll just have to kill you some other time, then.” Yeran grinned back, the portrait of wicked amusement. “Some other time, then,” he promised.

It’s incredibly easy to let your Thinking Brain fall into the trap of merely drawing the maps the Feeling Brain wants to follow. This is called the “self-serving bias,” and it’s the basis for pretty much everything awful about humanity. Usually, the self-serving bias simply makes you prejudiced and a little bit self-centered. You assume that what feels right is right. You make snap judgments about people, places, groups, and ideas, many of which are unfair or even a little bit bigoted.

Bran tells me that you wish to find the nexus not for science, but so you may put your faerie lover back on his throne. It is the height of stupidity to involve yourself in their politics. You will thank me one day." I stared at her in dumbfounded agitation. This was not how it was supposed to go. I had imagined Eichorn and de Grey full of gratitude for our assistance and eager to help in our search for the nexus. Not condescending, dismissive, and--- well, bloody rude. To my surprise, it was Rose who came to my defense. "Our reasons for seeking the nexus are beside the point. A promise was made, and we have the means to see it is kept." "Do you?" De Grey cast a cool look in Wendell's direction where he lay by the fire, little more than a lumpy collection of blankets and a tuft of gold hair. "This faerie king, as Bran has termed him, does not seem to be made of strong stuff." "He pulled you both out of Faerie, you ingrate," I snapped. "Not to mention out of time. If you do not help us, I will see to it that he throws you into a realm far more unpleasant than the one you have left behind, with a populace decidedly less well mannered than the fauns." A little silence followed this.

Where is Winesooth?” she had asked Wiktor, and he had said rather sharply: “On the map, where else?” “But where on the map? Clearly, it’s not on mine.” “It’s got to be,” he snapped, grabbing the map from her, then jabbing at it with his finger. “Right there, where it should be.” “But that says Lancut,” she protested, and when Wiktor looked again at the map he repeated: “It’s right here, where I said.” “But where you point…it’s Lancut.” For a long, perplexed moment Wiktor had looked at the map, then at his intended bride, and it was as if someone had lit a light in his face. “Darling, this is Winesooth.” “Are you teasing me?” “No!” he said emphatically, pointing to the letters Lancut. “That’s Winesooth. That’s how we pronounce it.” “Oh, Wiktor!” “Look for yourself. The L is pronounced W, the A isn’t like your A, sort of an I, which makes a Wine. Our C is really a TZ. And we give the final T a kind of Th sound. So it comes out Wine-tzooth.” She stared at her two maps, each of which clearly showed Lancut as the site of the palace; the word even carried a minute drawing of battlements to prove the point, but now she knew the name was really Winetzooth. Looking up, she had said: “I’m so glad you’ve proved you love me, Wiktor.” She had slammed the books shut. “Because otherwise I’d think you were trying to drive me crazy.” When it seemed that she would never master this difficult language, she had faced two alternatives: she could surrender in despair or she could laugh at herself and try anew.

Where is Winesooth?” she had asked Wiktor, and he had said rather sharply: “On the map, where else?” “But where on the map? Clearly, it’s not on mine.” “It’s got to be,” he snapped, grabbing the map from her, then jabbing at it with his finger. “Right there, where it should be.” “But that says Lancut,” she protested, and when Wiktor looked again at the map he repeated: “It’s right here, where I said.” “But where you point…it’s Lancut.” For a long, perplexed moment Wiktor had looked at the map, then at his intended bride, and it was as if someone had lit a light in his face. “Darling, this is Winesooth.” “Are you teasing me?” “No!” he said emphatically, pointing to the letters Lancut. “That’s Winesooth. That’s how we pronounce it.” “Oh, Wiktor!” “Look for yourself. The L is pronounced W, the A isn’t like your A, sort of an I, which makes a Wine. Our C is really a TZ. And we give the final T a kind of Th sound. So it comes out Wine-tzooth.” She stared at her two maps, each of which clearly showed Lancut as the site of the palace; the word even carried a minute drawing of battlements to prove the point, but now she knew the name was really Winetzooth. Looking up, she had said: “I’m so glad you’ve proved you love me, Wiktor.” She had slammed the books shut. “Because otherwise I’d think you were trying to drive me crazy.

Where is Winesooth?” she had asked Wiktor, and he had said rather sharply: “On the map, where else?” “But where on the map? Clearly, it’s not on mine.” “It’s got to be,” he snapped, grabbing the map from her, then jabbing at it with his finger. “Right there, where it should be.” “But that says Lancut,” she protested, and when Wiktor looked again at the map he repeated: “It’s right here, where I said.

Even if we admit that running-survey and compass techniques were somehow being used on ships to produce sea-charts as early as the thirteenth century (which most historians of science would rule out) we still come against the unexplained enigma of the miraculous and fully formed de novo appearance of the Carta Pisane. As we've seen, not a single chart pre-dates it that demonstrates in any way the gradual build-up of coastal profiles across the whole extent of the Mediterranean that must have occurred before a likeness as perfect as this could have been resolved. It is possible, of course, through the vicissitudes of history, that all the evidence for the prior evolution of portolans before the Carta Pisane has simply been lost. If that were the case, however -- in other words if the Carta Pisane is a snapshot of a certain moment in the development of an evolving genre of maps, and if we accept that all earlier 'snap-shots' have been lost, wouldn't we nevertheless expect that such an 'evolving genre' would have continued to evolve after the date of the earliest surviving example? Whether we set the date of the Pisane between 1270 and 1290 [...] or a little later -- between 1295 and 1300 -- as other scholars have argued, we've seen that there was no significant evolution afterwards. Now kept in the Bibliothèque Nationale in Paris, the enigmatic Pisane is an unsigned chart and scholars have no idea who the cartographer might have been.

My dad loved to drive, but more than that he hated to stop. This made him at best a questionable tour guide. The hours would drone on as we crisscrossed the country in the dank and ever more malodorous car. The four of us would grow restless and cramped in the backseat, perennially arguing with each other and inventing games to fight off the monotony. My dad would press forward relentlessly, trying to make six hundred miles a day, every now and then invoking the three shut-ups rule and lashing out into the noise and cramped restlessness of the backseat. In the front seat my mom would patiently act as his navigator, reading the map, periodically making Wonder Bread and lunchmeat sandwiches, and now and then twisting the dial on the radio to try to find some music and local news. I finally figured it out. My dad’s mind had been shaped by flying a B-29 bomber on long-range missions. As he drove, my mother became the navigator, and we were the crew, although it wasn’t clear whom he wanted to bomb. You could see the business in his eyes. He smoked constantly, the strong odors of his Camel or self-rolled cigarettes or of his weird metal-stemmed pipe piercing our nostrils and often bringing the rear windows down, even in the most brutal heat of the day. His eyes were intent, never leaving the road in front of us. But every now and then an alert for a coming historical marker would pop up along the side of the road, causing my dad to suddenly snap out of his trance and remember that this was not actually his air crew sitting in the backseat. A teachable moment had arrived, giving him a quick opportunity to exercise his parenting skills and a chance to shower us with some much-needed cultural immersion. “Okay, guys, historical marker coming up on the right. I’m going to slow down to forty-five miles an hour. There it is, here it comes! Jim, read the SIGN!” I

They’re a lot bigger than the last ones,” I say. “Yeah, they must be four weeks old. She must have dropped this litter early. Can you sit with your legs out to hold them?” Without a subterranean den, we had to coral them somehow. Inside the copse, there is barely room to move. I drop down to a sitting position with my legs splayed out, and the pups wiggle en masse against my thigh. Their noses press against my pant leg. They calm down and begin to nuzzle into each other. Dirt streaks their coats, which range from coal to warm gray. Their heads are covered in dense auburn fur, and all of them have now closed their milky-gray eyes. I stare at them in disbelief at the thought that, not so long ago, settlers threw dynamite into wolf puppy dens. Their muzzles appear foreshortened and out of proportion to the long and wide jaws they will grow into one day. Something compels one pup to move closer and closer to me until the little wolf wedges its nose firmly into my groin. The other pups trail behind it, tunneling between each other and pawing their way over one another until all four are piled together between my legs. I try not to think about the fact that suddenly I am a temporary nursemaid to some of the world’s rarest wolves while their mother likely paces a few dozen yards away. Adjusting the puppies is futile, as they seem hardwired to nuzzle their way into the warmest, tightest spot they can find. The brambles, while thick on the outside, form a natural opening in the middle that is just large enough for a wolf to circle around in. The mother had dug a very shallow earthen dish - only a few inches deep - to keep her babies in. “Doesn’t seem like much of a den,” I remark. “I thought we’d find another big hole in the ground.” “It varies,” Ryan says. “Sometimes we find them in these bowl depressions, usually where the woods are thicker and the ground is flatter, like here. But sometimes they’re in holes. When the ground is sloped, they’ll dig back into the slope. That’s the most typical kind of den. But we’ve found them in storm culverts, too. It’s all over the map.” Ryan sets to work pulling out rubber gloves, blood-sample supplies and ID chips. Chris snaps and cracks his way to us. He crawls through the copse and curses at the dense vegetation. Finally, he reaches the inner sanctum, where there is barely enough room to sit Indian style jammed up against Ryan’s legs and mine. Roomy for a wolf, maybe, but cramped for three human adults. “What a sorry little den,” Chris remarks. He glances at the scratched-out dirt bed and porous brush overhead. Rain drips through, wetting our heads. “Is she nearby?” “Somewhere over there.” Ryan gestures behind us. “She’s not going far, though, you can be sure of that. These guys squealed their guts out.