Snap Back To Reality Quotes

Inej,” Jesper whispered. She leaned forward, peering at Wylan. “Is that scheming face?” “Possibly.” Wylan seemed to snap back to reality. “It’s is not. But … but I do think I have an idea.

When we are grappling with misery and our heart is in a knot, we may well do better to snap back to a new reality, make choices, refine and consolidate our self-image; and remodel the mould of our identity. ("Camera obscura of the mind" )

Katniss, got that spile?" Finnick asks, snapping me back to reality.

But persistent name calling? that prolongs hurt. It stretches out. Each nasty word stretches the rubber band further away until finally, one day, it snaps back at you with maximum impact

Awake Remembrance of These Valiant Dead Kia Hua Ko Te Pai Snap Back to Reality Oops There Goes Gravity,” he recited, all in one breath. “Correct?

Anxiety is always a gap between the way things are and the way we think they ought to be. Anxiety is something that stretches between the real and unreal. Our human desire is to avoid what's real and instead to be with our ideas about the world: "I'm terrible." "You're terrible." "You're wonderful." The idea is separated from reality and anxiety is the gap between the idea and the reality that things are just as they are. When we cease to believe in the object that we've created -- which is off to one side of reality, so to speak -- things snap back to the center. That's what being centered means. The anxiety then fades out.

She turns her head, throws the damn thing with a strong flick, and it lands in the side of a wooden heron's head. Holy shit. I can't believe it. Lust bashes me like a sledgehammer, and I suddenly imagine her naked. "Dude!" Blake yells, snapping me back to reality. Anna stares down at me like she's conquered me. "You showed your colors!" "Did not," I reply quickly. But even as I say it, I think I bleedin' well might've.

The way she sat now, leaning forward frowning, biting her pink bottom lip, her shirt dipping to reveal a hint of her cleavage... He wondered idly if he could get her to bend over a little farther... "Just what are you staring at, exactly?" Kadar snapped back to reality. "You. You've been thinking hard for the last five minutes. It's not good for you to strain your pretty little head like that. I'm waiting for the steam to shoot out of your ears to relieve the pressure on your brain." "Aha." Audrey glanced at Jack and George. "What you have here is a man who was caught gaping at my breasts, and now he's trying to cover it up with rudeness.

Excuse me, Ms. Matthews; you are going to be late for class if you don’t get going. Can you read the map, or are you already lost?” the stern voice of the secretary pulled me out of my stupor. “Um, no, I can read,” I said, sheepishly, still unable to take my eyes off the mysterious boy staring back. “Of course, you can read,” she said sharply, snapping my entranced head back to reality. “Now, get to class.

What happens with sassy music is you get floated away from yourself, then snap back to reality too hard. I hate that. The only antidote is to just stay depressed.

Something snaps. I hear a gasp. I spin around. I jump up, alert, searching for the sound. It seemed close by. Someone saw me. Someone— A civilian. She’s already darting away, her body pressed against the wall of a nearby unit. “Hey!” I shout. “You there—” She stops. Looks up. I nearly collapse. Juliette. She’s staring at me. She’s actually here, staring at me, her eyes wide and panicked. My legs are suddenly made of lead. I’m rooted to the ground, unable to form words. I don’t even know where to start. There’s so much I want to say to her, so much I’ve never told her, and I’m just so happy to see her—God, I’m so relieved— She’s disappeared. I spin around, frantic, wondering whether I’ve actually begun to lose my grip on reality. My eyes land on the little dog still sitting there, waiting for me, and I stare at it, dumbfounded, wondering what on earth just happened. I keep looking back at the place I thought I saw her, but I see nothing. Nothing. I run a hand through my hair, so confused, so horrified and angry with myself that I’m tempted to rip it out of my head. What is happening to me.

A familiar scent snaps me back to reality and I sit up just as I hear footsteps approaching. “What do you want?” I hiss icily as Vraiden steps into view. “Money. Good looks. Invincibility. Oh, wait, I already have all that,” he smirks as he sits beside me.

Van Eck keeps the seal in a safe?” said Jesper with a laugh. “It’s almost like hewants us to take it. Kaz is better at making friends with combination locks than with people.” “You’ve never seen a safe like this,” Wylan said. “He had it installed after the DeKappel was stolen. It has a seven-digit combination that he resets every day, and the locks are built with false tumblers to confuse safecrackers.” Kaz shrugged. “Then we go around it. I’ll take expediency over finesse.” Wylan shook his head. “The safe walls are made of a unique alloy reinforced with Grisha steel.” “An explosion?” suggested Jesper. Kaz raised a brow. “I suspect Van Eck will notice that.” “A very small explosion?” Nina snorted. “You just want to blow something up.” “Actually…” said Wylan. He cocked his head to one side, as if he were listening to a distant song. “Come morning, there would be no hiding we’d been there, but if we can get the refugees out of the harbor before my father discovers the theft … I’m not exactly sure where I can get the materials, but it just might work.…” “Inej,” Jesper whispered. She leaned forward, peering at Wylan. “Is that scheming face?” “Possibly.” Wylan seemed to snap back to reality. “It is not. But … but I do think I have an idea.

It is lonely behind these boundaries. Some people-particularly those whom psychiatrists call schizoid-because of unpleasant, traumatizing experiences in childhood, perceive the world outside of themselves as unredeemably dangerous, hostile, confusing and unnurturing. Such people feel their boundaries to be protecting and comforting and find a sense of safety in their loneliness. But most of us feel our loneliness to be painful and yearn to escape from behind the walls of our individual identities to a condition in which we can be more unified with the world outside of ourselves. The experience of falling in love allows us this escapetemporarily. The essence of the phenomenon of falling in love is a sudden collapse of a section of an individual's ego boundaries, permitting one to merge his or her identity with that of another person. The sudden release of oneself from oneself, the explosive pouring out of oneself into the beloved, and the dramatic surcease of loneliness accompanying this collapse of ego boundaries is experienced by most of us as ecstatic. We and our beloved are one! Loneliness is no more! In some respects (but certainly not in all) the act of falling in love is an act of regression. The experience of merging with the loved one has in it echoes from the time when we were merged with our mothers in infancy. Along with the merging we also reexperience the sense of omnipotence which we had to give up in our journey out of childhood. All things seem possible! United with our beloved we feel we can conquer all obstacles. We believe that the strength of our love will cause the forces of opposition to bow down in submission and melt away into the darkness. All problems will be overcome. The future will be all light. The unreality of these feelings when we have fallen in love is essentially the same as the unreality of the two-year-old who feels itself to be king of the family and the world with power unlimited. Just as reality intrudes upon the two-year-old's fantasy of omnipotence so does reality intrude upon the fantastic unity of the couple who have fallen in love. Sooner or later, in response to the problems of daily living, individual will reasserts itself. He wants to have sex; she doesn't. She wants to go to the movies; he doesn't. He wants to put money in the bank; she wants a dishwasher. She wants to talk about her job; he wants to talk about his. She doesn't like his friends; he doesn't like hers. So both of them, in the privacy of their hearts, begin to come to the sickening realization that they are not one with the beloved, that the beloved has and will continue to have his or her own desires, tastes, prejudices and timing different from the other's. One by one, gradually or suddenly, the ego boundaries snap back into place; gradually or suddenly, they fall out of love. Once again they are two separate individuals. At this point they begin either to dissolve the ties of their relationship or to initiate the work of real loving.

With photography Alice liked the actions more than the results. She liked opening the back of the camera and unrolling the new film a couple of inches, just enough to catch it in the runner, and thinking that this empty film would soon become something and not knowing what, taking the first few snaps into the void, aiming, focusing, checking her balance, deciding whether to include or exclude pieces of reality as she saw fit, enlarging, distorting.

back to reality. His attention snapped to his life-long friend, and some of the pressure weighing him down lifted. As usual, Kenny had managed

Tell me about last night so I can live vicariously through you for a minute before I go back to watching reruns of Buffy." "Oh, what episode are you on right now?" I ask way too excited for the change in conversation. Her irate tone snaps me back to reality. "Sabrina, focus! Fuck, Buffy, Angel, and may God forgive me, Spike! Tell me what happened. And don't you dare hold out on me.

Just as reality intrudes upon the two-year-old’s fantasy of omnipotence so does reality intrude upon the fantastic unity of the couple who have fallen in love. Sooner or later, in response to the problems of daily living, individual will reasserts itself. He wants to have sex; she doesn’t. She wants to go to the movies; he doesn’t. He wants to put money in the bank; she wants a dishwasher. She wants to talk about her job; he wants to talk about his. She doesn’t like his friends; he doesn’t like hers. So both of them, in the privacy of their hearts, begin to come to the sickening realization that they are not one with the beloved, that the beloved has and will continue to have his or her own desires, tastes, prejudices and timing different from the other’s. One by one, gradually or suddenly, the ego boundaries snap back into place; gradually or suddenly, they fall out of love. Once again they are two separate individuals. At this point they begin either to dissolve the ties of their relationship or to initiate the work of real loving. By

Cecilia appeared in our consciousness at odd moments, most often as we were just waking up, or staring out a car-pool window streaked with rain—she rose up in her wedding dress, muddy with the afterlife, but then a horn would honk, or our radio alarms would unleash a popular song, and we snapped back to reality.

Her vision came into focus and again this time the trees crackled and mocked her. You’re going to die you silly bitch, they seemed to chant. They waved their branches, howling, as the wind whistled through the trails which had suddenly grown icy cold. Kayn’s mind snapped back to reality; she had lost a lot of blood…none of this was real. Children of Ankh

Some gifted people have all five and some less. Every gifted person tends to lead with one. As I read this list for the first time I was struck by the similarities between Dabrowski’s overexcitabilities and the traits of Sensitive Intuitives. Read the list for yourself and see what you identify with: Psychomotor This manifests as a strong pull toward movement. People with this overexcitability tend to talk rapidly and/or move nervously when they become interested or passionate about something. They have a lot of physical energy and may run their hands through their hair, snap their fingers, pace back and forth, or display other signs of physical agitation when concentrating or thinking something out. They come across as physically intense and can move in an impatient, jerky manner when excited. Other people might find them overwhelming and they’re routinely diagnosed as ADHD. Sensual This overexcitability comes in the form of an extreme sensitivity to sounds, smells, bright lights, textures and temperature. Perfume and scented soaps and lotions are bothersome to people with this overexcitability, and they might also have aversive reactions to strong food smells and cleaning products. For me personally, if I’m watching a movie in which a strobe light effect is used, I’m done. I have to shut my eyes or I’ll come down with a headache after only a few seconds. Loud, jarring or intrusive sounds also short circuit my wiring. Intellectual This is an incessant thirst for knowledge. People with this overexcitability can’t ever learn enough. They zoom in on a few topics of interest and drink up every bit of information on those topics they can find. Their only real goal is learning for learning’s sake. They’re not trying to learn something to make money or get any other external reward. They just happened to have discovered the history of the Ming Dynasty or Einstein’s Theory of Relativity and now it’s all they can think about. People with this overexcitability have intellectual interests that are passionate and wide-ranging and they study many areas simultaneously. Imaginative INFJ and INFP writers, this is you. This is ALL you. Making up stories, creating imaginary friends, believing in Santa Claus way past the ordinary age, becoming attached to fairies, elves, monsters and unicorns, these are the trademarks of the gifted child with imaginative overexcitability. These individuals appear dreamy, scattered, lost in their own worlds, and constantly have their heads in the clouds. They also routinely blend fiction with reality. They are practically the definition of the Sensitive Intuitive writer at work. Emotional Gifted individuals with emotional overexcitability are highly empathetic (and empathic, I might add), compassionate, and can become deeply attached to people, animals, and even inanimate objects, in a short period of time. They also have intense emotional reactions to things and might not be able to stomach horror movies or violence on the evening news. They have most likely been told throughout their life that they’re “too sensitive” or that they’re “overreacting” when in truth, they are expressing exactly how they feel to the most accurate degree.

As happens in dreams, when a perfectly harmless object inspires us with fear and thereafter is frightening every time we dream of it (and even in real life retains disquieting overtones), so Dreyer's presence became for Franz a refined torture, an implacable menace. [ ... H]e could not help cringing when, with a banging of doors in a dramatic draft, Martha and Dreyer entered simultaneously from two different rooms as if on a too harshly lit stage. Then he snapped to attention and in this attitude felt himself ascending through the ceiling, through the roof, into the black-brown sky, while, in reality, drained and empty, he was shaking hands with Martha, with Dreyer. He dropped back on his feet out of that dark nonexistence, from those unknown and rather silly heights, to land firmly in the middle of the room (safe, safe!) when hearty Dreyer described a circle with his index finger and jabbed him in the navel; Franz mimicked a gasp and giggled; and as usual Martha was coldly radiant. His fear did not pass but only subsided temporarily: one incautious glance, one eloquent smile, and all would be revealed, and a disaster beyond imagination would shatter his career. Thereafter whenever he entered this house, he imagined that the disaster had happened—that Martha had been found out, or had confessed everything in a fit of insanity or religious self-immolation to her husband; and the drawing room chandelier invariably met him with a sinister refulgence.

The door suddenly jerks open. A wide-eyed teenager bursts out. She stares at me in dazed horror. In a strange way, I both know and don’t know what has just happened. As the fragments begin to converge, they convey a horrible reality: I must have been hit by this car as I entered the crosswalk. In confused disbelief, I sink back into a hazy twilight. I find that I am unable to think clearly or to will myself awake from this nightmare. A man rushes to my side and drops to his knees. He announces himself as an off-duty paramedic. When I try to see where the voice is coming from, he sternly orders, “Don’t move your head.” The contradiction between his sharp command and what my body naturally wants—to turn toward his voice—frightens and stuns me into a sort of paralysis. My awareness strangely splits, and I experience an uncanny “dislocation.” It’s as if I’m floating above my body, looking down on the unfolding scene. I am snapped back when he roughly grabs my wrist and takes my pulse. He then shifts his position, directly above me. Awkwardly, he grasps my head with both of his hands, trapping it and keeping it from moving. His abrupt actions and the stinging ring of his command panic me; they immobilize me further. Dread seeps into my dazed, foggy consciousness: Maybe I have a broken neck, I think. I have a compelling impulse to find someone else to focus on. Simply, I need to have someone’s comforting gaze, a lifeline to hold onto. But I’m too terrified to move and feel helplessly frozen.

SOMETIMES LAURENCE ZONED out and imagined walking on another Earth-like planet. The weird gravity. The different mix of oxygen, carbon, and nitrogen in the air. Types of life that might defy our definitions of “plant” or “animal.” More than one moon, maybe more than one sun. His heart could burst, just with the newness of it: digging bare feet into soil that no human toes had ploughed, under a brazen sky that proclaimed all the things we had thought our limits were merely our prejudices. And then he snapped back, to the reality that his team was stuck: no closer to opening up the final frontier than a year earlier.

As we round the corner for our third lap, I catch Peter Kavinsky looking at me. I thought I was imagining it at first, him staring in my direction, but this is the third time. He’s playing ultimate Frisbee with some of the guys. When we pass them, Peter jogs over to us and says, “Can I talk to you for a minute?” Chris and I look at each other. “Her or me?” she asks. “Lara Jean.” Chris puts her arm around my shoulder protectively. “Go ahead. We’re listening.” Peter rolls his eyes. “I want to talk to her in private.” “Fine,” she snaps, and she flounces away. Over her shoulder she looks back at me with wide eyes, like What? I shrug back, like I have no idea! In a low, quiet voice, Peter says, “Just so you know, I don’t have any STDs.” What in the world? I stare at him, my mouth open. “I never said you had an STD!” His voice is still low but actually furious. “I also don’t always take the last piece of pizza.” “What are you talking about?” “That’s what you said. In your letter. How I’m an egotistical guy who goes around giving girls STDs. Remember?” “What letter? I never wrote you any letter!” Wait. Yes I did. I did write him a letter, about a million years ago. But that’s not the letter he’s talking about. It couldn’t be. “Yes. You. Did. It was addressed to me, from you.” Oh, God. No. No. This isn’t happening. This isn’t reality. I’m dreaming. I’m in my room and I’m dreaming and Peter Kavinsky is in my dream, glaring at me. I close my eyes. Am I dreaming? Is this real? “Lara Jean?” I open my eyes. I’m not dreaming, and this is real. This is a nightmare. Peter Kavinsky is holding my letter in his hand. It’s my handwriting, my envelope, my everything. “How--how did you get that?” “It came in the mail yesterday.” Peter sighs. Gruffly he says, “Listen, it’s no big deal; I just hope you’re not going around telling people--” “It came in the mail? To your house?” “Yeah.” I feel faint. I actually feel faint. Please let me faint right now, because if I faint I will no longer be here, in this moment. It will be like in movies when a girl passes out from the horror of it all and the fighting happens while she is asleep and she wakes up in a hospital bed with a bruise or two, but she’s missed all the bad stuff. I wish that was my life instead of this.

Sam Underwater, everything is quiet. Tranquil. Like heaven is all around you, caressing your body, pulling you into its embrace. Deeper and deeper, it pulls at your legs until they beg to be released. I hold my water-resistant camera in front of me and take multiple pictures of the cold depths of the ocean. Its beauty never fails to mesmerize me. But I can’t stay for too long; sooner or later, that urge to breathe always pulls me back to the surface toward the dark sky littered with a million flickering lights … back into the noise of swooshing water and rushing wind. The shore is mostly deserted, except for a few beer cans, party cups, and some clothes and trash lying scattered all around. The only other person there is Nate Wilson … the most handsome guy at school and so much more than that. He’s sitting on a few rocks near the edge of the beach with a girl by his side. I can’t stop watching. Their hands touch briefly, but then the wave overtakes me and blocks my view. When the water lowers, I shake my head, but the waves keep picking up. Still, I hold up my camera and take a few pictures. Right as he turns his head toward me, I dive underwater again. Here, there are no boys, no girls, and no secret touches. Just me and the water, and all the beautiful creatures below that need to meet my camera. A single picture says more than words ever will. No matter how powerful they are. Nate People say it only takes a few minutes for your life to be destroyed. I never believed them … until today. With just the snap of a finger, a stupid decision and a simple push, I marked my own fate. My body grows colder and colder the longer I stay in the water. It consumes me whole as I stray farther and farther away from myself. From reality. I’m so damn dizzy, but I can’t collapse here. Not now, not in the middle of the ocean. I take a deep breath and peel my eyes open, forcing myself to go. That’s when I spot her … the girl and her camera. FLASH. I cover my eyes with my hand. Salty seawater enters my nostrils and mouth as I struggle to swim. When I open my eyes again, the girl is gone; swallowed by the same waves that drag me back to the shore. As my feet sink into the sand and the water creeps up against my toes, I stop and turn around, clutching the long red hairs in my hand as though they’re my last lifeline. This is now the place where not only my life changed forever. But hers too.

Dear, What’s the Point of it All? What is the point of being nice? When you do not know what you are going to get from it? Knowing eventually sooner rather than later someone and maybe that person you are being nice to will turn their back on you. I always have to stay grounded and focused. When I am there for people, I feel like I am always punished for it. I am always treated as if I committed a crime. I was there for my mom; however, she was killing me slowly but surely. Like my mom, I noticed that when people get themselves in some shit, they get stuck in their own mess. They are confident that they do not have to deal with the consequences—because they know the ‘kind’ person will bail them out. What’s the point of being kind? Like my mom and the officer, there are so many people in the world who are judgmental and tainted because of their selfish needs. What’s the point of my life? Here I am in a library filled with many books. I can read them and go anywhere I want to in my mind, but after I close the book, I will have to snap out of my fantasy world and welcome the cruel cold world, which is reality. If I was a book, I would be better off left on the shelf. There is no excitement in my life—only struggles. What’s the point of living and loving life when the only thing I do is read between the lines and tread carefully? Come to think about it, I am a book that nobody can understand or read. They think they know what is best for me, but if they only take the time to listen, I would be so happy to tell them about me and my needs and wants. My actions scream for attention, but time after time, I am ignored. Sadly, without a care, they were quick to rip out the pages. Yet, once again, nobody noticed me. What’s the point of it all when I never had an opportunity to make a mistake? If I did one thing wrong, they would give up on me and send me to one home after another. I’ve always been fully exposed and had to walk in a line filled with sharp curves from disappointment to disappointment. Sorrow is my aura, and sadness hugs me tightly. It is hard to cry when my eyes are closed shut by the barbed wire fence of my eyelashes as they prohibit tears from falling. What’s the point of complicating my life? I am always back to where I started, and then ... I relive the same patterns, but on a more difficult journey. I believe when you put yourself in your own mess that you should clean it up and start over. What’s wrong with that? Nothing. However, when someone else puts you in their mess, you do not know how to clean up the mess they’ve made. You do not know how to start over because you do not know where to begin. I look at it this way; it is like telling a dead person he/she can start over. How so, when that person’s life no longer exists? I know my life isn’t over. However, I am lost in a maze my mom set up for herself—and she too is lost in her own maze. When a person gets lost in their own maze, they are really fucked up. However, this maze shouldn’t be left for me to figure out. Unfortunately, I am in it, and I have to find my way out one way or another. What’s the point of taking Kace from me? He was safe and in good hands. Now he is worse off with people who are abusing him. He didn’t ask for this—I didn’t either. He deserves so much better. Again, what is the point of it all? What’s the point of making me suffer? Do you get a kick out of it? What are you trying to accomplish? I am trying to understand; what is the point of it all? What is the point? I don’t know why I am here.

She shivered under his touch, desire dampening her panties and making her clench her thighs together in an attempt to find some relief. His devilish hands relaxed their grip on her hips and slid around to cup her ass, pulling her close. Thick, hard evidence of his desire pressed against her belly. God, she wanted this man, and not just to silent the stressful thoughts always swirling in her head. She wanted him, not just the divine moment of oblivion that blocked out everything else. The realization scared her and brought some unwanted reality into the room. "We shouldn't be doing this." "Why?" He made quick work of the buttons on her petal-pink cashmere sweater and parted her cardigan. Sean gave a soft growl as he stared at her silver satin pushup bra that presented her boobs like an all-you-can-lick buffet. "Because I'm your employee?" He licked his lips and slid his thumb across the satin covering her hard nipple. "Yes," she said, sighing. An answer to his question or a response to even the lightest of touches? Both. "Easy fix." He snapped the front closure of her bra and her tits tumbled out. "I quit." Bending forward, he lifted one heavy globe and took the hard nub into his hot mouth. Fire sizzled through her veins and it felt so good she couldn't wait to burn. "You can't quit." She reached down for the top button of his jeans and flicked it open. "We need you. I need you." He released her nipple and she groaned in frustration. Then he found the hem of her skirt and inched it higher and the soft groan that floated out of her mouth was for a whole other reason. "Hire me back in about an hour or, better yet, a few days." The cool air caressed her upper thighs as he raised her skirt, but it wasn't enough to relieve the molten heat engulfing her. "I like how you think.

between the ink mage and the wizard, his mouth falling open at the sight. The hulk had nearly let her go after Talbun’s shock attack, but he recovered quickly and took her head in his meaty hands. Don’t. With appalling ease, the ink mage twisted. The snap was so loud, it made Brasley flinch even from across the chamber. His mouth fell open to scream. “No!” The brute’s mouth twisted into a contemptuous grin as he let the limp body fall from his hands. Brasley watched it happen in slow motion, almost like she was floating, eyes closed, face peaceful, hair floating up around her. It was as if life had been some tremendous weight, and now that it was gone, her shell drifted down to the floor like a dry leaf. Talbun’s body hit with a dull thud that brought Brasley back to reality.

Easy, Lilenta.” The deep voice from her dreams filled her ears and Liv told herself she had to be dreaming again. But was she dreaming the warm, spicy scent of his skin? Was she dreaming the long fingers that stroked strands of hair away from her cheek so tenderly? Suddenly she knew where she was and what was going on. And none of it was a dream. The dark man! Liv sat up and jumped to her feet, staggering a few steps before his hand shot out to catch her. She backed away just before his fingers closed on her wrist. “How long have I been out?” She couldn’t believe she’d fainted in the first place—what a horribly weak and girly thing to do! But it had been so shocking, seeing what she thought was a dream turned into hard, cold reality. Well he’s certainly hard but I’d say hot describes him better than cold, jabbered a little voice in her brain. As in hotter than any guy you’ve ever been with. Liv hated that little voice but she had to agree with it—the Kindred warrior certainly put Mitch in the shade. “You collapsed.” There was a look of concern in his amber eyes. “How do you feel?” “How do you think I feel? I’m here against my will in nothing but my underwear,” Liv threw at him. “So I see.” Hot amber eyes raked her body again, making Liv flush when she realized she’d practically just given him permission to stare. “Who are you?” she demanded, pulling her thin lace robe tightly around her. “And what have you been doing in my head?” “The dreams you mean?” he asked, as though it was the most natural thing in the world for her to dream of him. “Yes, of course,” Liv snapped. “What the hell are those all about?” “I dreamed of you, too,” he said simply, ignoring her question in the most infuriating manner. “It was the only thing that kept me sane.” “I…I…

I’ll kill him.” Sylvan’s voice, cold and deadly in the darkness, snapped her back to reality. “I’ll find him and tear his heart out.” “No, you can’t!” she protested, swiping at her eyes. “I mean, it was years and years ago. It’s over now. I just want to forget it.” “He exploited your innocence and vulnerability—the weakness of a female alone with no male to protect her. He took you against your will and brutalized you. He deserves death.” “I don’t need a male to protect me,” Sophie objected. “It was my own stupid fault for going to prom with him in the first place. For thinking that he would want me for anything but that.” She took a deep, shuttering breath. “God, why is this so hard to talk about? I mean, it’s been years.” “The passage of time doesn’t always lessen pain,” he said darkly. “Sometimes it magnifies it.” “Well,

like… “Nonononononononononononononononononononononono!” Fear and adrenaline fought for control inside my body as Dad climbed off my back and into the lower branches of the tree. As he climbed higher, I couldn’t help but stare at the flood rushing towards me. It was like a monster out for my blood. ​I snapped back to reality when I heard Dad screaming at me to climb up. I wrapped my hands around the lowest branch of the tree and pulled.

Those first weeks in the prep kitchen I peeled dozens of cases of carrots, chopped quart upon quart of chives, and I came eventually to appreciate something in the rhythm of an endless, repetitive task, one that turns you so inward you forget anyone’s there, and snap back to reality only when the timer on the oven buzzes—so loud the sound seems to lodge itself between the back of your neck and your throat.

You’ve come here from a different Earth.” His gaze snapped back to her face, and she could imagine what he was thinking. “There was a catastrophic impact event—an asteroid. The destruction knocked some of you loose from your own reality. Brought you to ours. We don’t know how or why.

Garden of the Dragons (The ’Halla, Vol. # 3) Chapter Ten Excerpt (original editing) ... Hachiman, surveys he the woe, Wipes his brow, hate does flow. A ruined life, heh, a loss of face, He must have her now, to his disgrace (Wed to Kari now, locked in time and place). Battle over, moon still shines, Lilies float soft in quiet time. Scented visions and memories sear remains, Of this terrible night of what was feigned. Visuals lithe, of sword and blade, Disguise the carnage and the pain. Petals soft, they hide our gaze, And cover the ground and its grave. Flowers and moon in water light, T'winkills the calm of a zen-burst night. Now to life, the poem to seek repose, And bury beneath those riddles she holds. Nectars sweet, precious flowers, A fragranted grave that allures and empowers. Heart~beat, heart~beat, tells the way, Of things long remembered and a far lost day. How many memories, Kari knew, That stain with age, being so few. Samurai remembers - feels it as a man, Clutches he his fist; wind in hand. . . . ". . .I have searched for you a very long time." "Do not waste breath, kill. It is our way here." "Not before I have my say, Corpse-eater." "No wonder you took so long to find me." "I have had a lot of time for thought," quietly he, "- T'is a shame we could not agree." "No more room for that," forcefully he snapped, "You dishonored me twice and now, I will take one back." "- Not enough? Hachi," said cordially she, "If you are going to - cut the artery, please." Tilt she her neck, exposed but her vein, Samurai frowned, decidedly vain. Looked he at his hands - "They're already too bloody for today." "Hummph. Such trite man'ers are atrocious. For yourself you are much too engaged." ("Yet, a moment and it is done," thought he, "But to gain it thus, a hollow travesty. I must face her in all her strength, The bladed Valkyrie, the one called great"). "I could kill you now, but I'd rather not, This room is too unbecoming for the proper job." "Charmed that you still think so highly of me." "- Only then of your haunted beauty, I shall be free." Feeling that weight, slowly dropped he his blade, Time enough - rituals to cleanse and to pray. Tossed his sword, pined her down - Smooshed her face to the floor, Pinching it to a frown. "Oh no, my little angel, you have it all wrong! I mean only to kill you when you are strong. Do not fear, I won't let anyone harm you in strife, In the meantime, try not to flirt with your life. Stay healthy - then we shall settle our love, unrequite." A biting grin creased Samurai's scarved face, "Let us fix it properly, according to my r'ace." "Bushido," mouthed Kari, her voice empty as the word. "And there will be no running away this time - Rest assured." Slowly withdrew he and left the room, "Bastard," spit Kari, caustic of his doom. The girl breathing vexiously, then calmly in the dark, The door closed, silent, the light dribbling out. Sounds below, drip mute in time, Reality presses, she makes her fate thind. And Skuld drinking, contemplates she her sibylline, It was her hour now, the night of the wolverine.

Jesus Princess! You almost gave me a heart attack. I thought I had a girl in here.” He flopped back onto his pillow, raking his hands over his face. That snapped me back to reality. “Chase?” “Hmm?” “Sorry you didn’t seem to notice, but I am a girl.” He dropped his hands and scowled at me but still proceeded to slowly take in my body. My cheeks were bright red by the time he looked back up. “I noticed last night, trust me.” My question mark face must have prompted the rest of his response. “I meant, I thought I let a girl stay the night with me.” “Uh …?” “Someone I’d been with Princess. I thought I banged a girl and let her stay here.” “Oh.” He snorted. “Sorry, is that too much for your PG ears?” “No, I just don’t understand why that would be a bad thing.” Sighing deeply he propped himself up on an elbow and looked directly into my eyes. “Girls I screw around with aren’t allowed to come in my room, let alone stay the night. This is the only place that is mine, and I’m not about to share it with them.” “So you sleep with women and then make them leave?” I didn’t even want to ask where he slept with them. “No, I screw women … and then make them leave.” I shook my head and walked toward the door, “You’re a pig.” He

Just understand when you're not so you can snap back to reality if things get rough.

thepsychchic chips clips i How often are we actually in control, I wondered? And how does the perception of being in control in situations where luck is queen actually play out in our decision making? How do people respond when placed in uncertain situations, with incomplete information? 13 Personal accountability, without the possibility of deflecting onto someone else, is key. 41 There’s never a default to anything. It’s always a matter of deliberation. 56 Erik: You have to have a clear thought process for every single hand. What do I know? What have I seen? How will that help me make an informed judgment about this hand? 74 … find the fold … 86 Erik: There’s nothing like getting in there and making a bunch of mistakes. 88 Erik: Pick your spots. 91 Erik: Have you ever heard the expression ‘snap fold’? A snap fold, you do it immediately. You’re thrilled to let it go. So. snap fold. This lets you shove with basically the same enthusiasm. It tells you which hands to go with when you have different amounts of big blinds. 98 There’s a false sense of security in passivity. You think that you can’t get into too much trouble—but really, every passive decision leads to a slow but steady loss of chips. And chances are, if I’m choosing those lines at the table, there are deeper issues at play. Who knows how many proverbial chips a default passivity has cost me throughout my life. How many times have I walked away from situations because of someone else's show of strength, when I really shouldn't have. How many times I've passively stayed in a situation, eventually letting it get the better of me, instead of actively taking control and turning things around. Hanging back only seems like an easy solution. In truth, it can be the seed of far bigger problems. 100-101 Gambler's fallacy -- the faulty idea that probability has a memory. 107 Frank Lantz, NYU Game Center, former poker player: Part of what I get out of a game is being confronted with reality in a way that is not accommodating to my incorrect preconceptions. 109 Only play within your bankroll. 126 Re: Ladies Event: Yes, I completely understand the intention, but somehow, segregating women into a separate player pool, as if admitting that they can’t compete in an open player pool, feels equal parts degrading and demoralizing. … if I’m known as anything in this game, I want to be known as a good poker player, not a good female player. No modifiers need apply. 127 Erik: Bad beats are a really bad mental habit. You don’t want to ever dwell on them. It doesn’t help you become a better player. It’s like dumping your garbage on someone else’s lawn. It just stinks.” 132-33 No bad beats. Forget they ever happened. 136 As W H Auden told an interviewer, Webster Schott, in a 1970 conversation: "Language is the mother, not the handmaiden of thought; words will tell you things you never thought or felt before.” The language we use becomes our mental habits—and our mental habits determine how we learn, how we grow, what we become. It’s not just a question of semantics: telling bad beats stories matters. Our thinking about luck has real consequences in terms of our emotional well-being, our decisions and the way we implicitly view the world and our role in it. 133

snapping me back to reality.

Next—according to John, of course—in one continuous motion, he “triple-kicked” a third man in the face, while shooting a fourth “right in his damned cock.” John, of course, knew that he couldn’t leave that man just lying there, screaming in pain. So he grasped him by the sides of his face and mercifully snapped his neck with a sharp twisting motion of his bare hands. At this point John says the rest of the hazard workers noticed what was going on and a chase ensued; he escaped by stealing a nearby horse. This is the first inconsistency in John’s account, because when the story picks up he is calmly driving his Caddie back down the road, past Amy’s house and away from the Rooter plant. I suspect that, in reality, either the men at the cleanup site didn’t see John at all or they merely gave him a dirty look until he turned around and drove away. Again, I wasn’t there and I do not wish to cast an unfavorable light on John’s personal credibility.

One day, as I drove amongst the darkness, I considered, for the most fleeting of moments, driving directly into an oncoming truck. Then I heard my baby cooing in the back of the car and it snapped me back into reality, pain, love. Am I proud of this moment? No. Am I ashamed of it? No, no I’m not.

I can't save everyone, especially not someone who isn't willing to save themselves.' 'Damn, Xaden,' Garrick rubs the bridge of his nose. 'Way to give a pep talk.' 'If they need a fucking pep talk, then we both know they're not flying out of the quadrant on graduation day. Let's get real. I can hold their hands and make them a bunch of bullshit empty promises about everyone making it through if that helps them sleep, but in my experience, the truth is far more valuable.' He turns his head, and I can only assume he's looking at the panicked first-year. 'In war, people die. It's not glorious like the bards sing about, either. It's snapped necks and two-hundreds-foot falls. There's nothing romantic about scorched earth or the scent of sulphur. This'- he gestures back toward the citadel- 'isn't some fable where everyone makes it out alive. It's hard, cold, uncaring reality. Not everyone here is going to make it home... to whatever's left of our homes. And make no mistake, we are at war every time we step foot in the quadrant.' He leans forward slightly. 'So if you won't get your shirt together and fight to live, then no. You're not going to make it.

You can't twist the fabric of reality, without having it snap back. It doesn't work that way.

All right, Rainbow Bright," Santiago said, bringing Savage back to reality. "I will H&R cock block you without compunction if you don't snap out it. See, I'm allergic to concentration camps. I like my food spicy, my hotels clean, and my women lice free. It's not a lot to ask.

But I was stuck for a long time by myself at Abraham Lincoln's portrait, standing in the middle of the huge hall as people moved all around me with mostly children. I felt as if time had stopped as I watched Lincoln, facing him, while watching the woman’s back as she was looking out the window. I felt wronged, so much like Truman from the movie, standing there in the middle of the museum alone. I was wondering what would Abraham Lincoln do if he realized he was the slave in his own cotton fields, being robbed by evil thieves, nazis. I had taken numerous photos of Martina from behind, as well as silhouettes of her shadow. I remember standing there, watching as she stood in front of the window; it was almost as if she was admiring the view of the mountains from our new home, as I did take such pictures of her, with a very similar composition to that of the female depicted in the iconic Lincoln portrait looking outwards from the window. I hadn't realized how many photographs I snapped of Martina with her back turned towards me while we travelled to picturesque places. Fernanda and I walked side-by-side in utter silence, admiring painting after painting of Dali's, without exchanging a single word. Meanwhile, Luis and Martina had got lost somewhere in the museum. When I finally found her, she was taking pictures outside of the Rainy Cadillac. We both felt something was amiss without having to say it, as Fernanda knew things I didn't and vice versa. We couldn't bring ourselves to discuss it though, not because we lacked any legal authority between me and Martina, but because neither Fernanda or myself had much parental authority over the young lady. It felt like when our marriages and divorces had dissolved, it was almost as if our parenting didn't matter anymore. It was as if I were unwittingly part of a secret screenplay, like Jim Carrey's character in The Truman Show, living in a fabricated reality made solely for him. I was beginning to feel a strange nauseous feeling, as if someone was trying to force something surreal down my throat, as if I were living something not of this world, making me want to vomit onto the painted canvas of the personalised image crafted just for me. I couldn't help but wonder if Fernanda felt the same way, if she was aware of the magnitude of what was happening, or if, just like me, she was completely oblivious, occasionally getting flashes of truth or reality for a moment or two. I took some amazing photographs of her in Port Lligat in Dali's yard in the port, and in Cap Creus, but I'd rather not even try to describe them—they were almost like Dali's paintings which make all sense now. As if all the pieces are coming together. She was walking by the water and I was walking a bit further up on the same beach on pebbles, parallel to each other as we walked away from Dali's house in the port. I looked towards her and there were two boats flipped over on the two sides of my view. I told her: “Run, Bunny! Run!

I shall tell you now and for no extra charge that “living in the present” seems to be the key component across every scripture, self-help book, and religious group I’ve encountered. To harmonize with life in each moment, not to make happiness contingent on any prospective condition. Not to be tormented by the past but to live in the reality of “now,” all else being a mental construct. Osho, Eckhart Tolle, Jesus, Buddha, Oprah—anyone who’s anyone who’s ever grown a beard or shaved their head or dropped out and looked back at the material world with a sage shake of the head, a knowing wag of the finger, and a beatific smile—are all saying “Snap out of it”; liberate yourself from the tyranny of egoic introspection. This is the seam of the self that consumerism can continually mine, the unrelenting inner voice that wants and fears, that attaches and rejects. The people in robes and beards want us to learn to live beyond it, to calmly watch the chattering ego like clouds moving across a perfect sky, to identify with the stillness that is aware of the voice, that hears the voice, not the voice itself. Well, that’s easy for them to say, all relaxed in their flowing robes, like giant, hairy babies, it’s extremely difficult, especially when that voice has such omnipresent external allies to rely on, whilst the very idea of a spiritual life has been marginalized and maligned. Perhaps this state needn’t be the product of strenuous esotericism; it’s possible that calm presence of mind is our natural state and our jittery materialism the result of constant indoctrination. Much as I love spirituality to be served up properly branded in a turban, dressed in curtains, the accoutrements are surely an aesthetic, not a prerequisite.

Have your friends left any means, methods, rules or agencies of proof?” “Then don’t talk about it, don’t be theoretical, we’ve got to deal with facts! We’ve got to deal with facts as they are today . . . I mean, we’ve got to be realistic and devise some practical means to protect our supplies under existing conditions, not under unprovable assumptions, which—” She chuckled. There was the form of the formless, she thought, there was the method of his consciousness: he wanted her to protect him from Cuffy Meigs without acknowledging Meigs’ existence, to fight it without admitting its reality, to defeat it without disturbing its game. “What do you find so damn funny?” he snapped angrily. “You know it.” “I don’t know what’s the matter with you! I don’t know what’s happened to you . . . in the last two months . . . ever since you came back. . . . You’ve never been so uncooperative!” “Why, Jim, I haven’t argued with you in the last two months.” “That’s what I mean!” He caught himself hastily, but not fast enough to miss her smile. “I mean, I wanted to have a conference, I wanted to know your view of the situation—” “You know it.” “But you haven’t said a word!” “I said everything I had to say, three years ago. I told you where your course would take you. It has.” “Now there you go again! What’s the use of theorizing? We’re here, we’re not back three years ago. We’ve got to deal with the present, not the past. Maybe things would have been different, if we had followed your opinion, maybe, but the fact is that we didn’t—and we’ve got to deal with facts. We’ve got to take reality as it is now, today!

Otto captured this sacred sixth sense, at once subject and object, in a famous Latin sound bite: the sacred is the mysterium tremendum et fascinans, that is, the mystical (mysterium) as both fucking scary (tremendum) and utterly fascinating (fascinans).80 (page 9) With the sacred viewed within this gripping, emotionally charged sense, it is hardly surprising that these topics are too disturbing to be studied either by religious scholarship or by science. The presence of real siddhis, real psychic effects lurking in the dark boundaries between mind and matter, are so frightening and disorienting that defense mechanisms immediately snap into place to protect our psyches from these disturbing thoughts. We become blind to personal psychic episodes and to the supportive scientific evidence, we conveniently forget mind-shattering synchronicities, and if the intensity of the mysterium tremendum becomes too hot, we angrily deny any interest in the topic while backing away and vigorously making the sign of the cross. Within science this sort of behavior is understandable; science doesn’t like what it can’t explain because it makes scientists feel stupid. But the same resistance is also endemic in comparative religion scholarship, which is supposed to be the discipline that studies the sacred. As Kripal says, scholars of religion “simply ignore … or brush their data aside as ‘primitive,’ ‘mistaken,’ and so on. Now the dismissing word in vogue is ‘anecdotal’ ” (pp. 17–18).80 One reason for this odd state of affairs is that real psi and real siddhis powerfully refute Descartes’s dualism, the very idea that led to the split between science, which deals with matter, and the humanities, which deal with mind. This distinction has carved up the world so successfully that when phenomena appear that harshly illuminate the artificial nature of the split, the resulting glare, says Kripal, “can only violate and offend our present order of knowledge and possibility” (page 24).80 From this analysis, Kripal arrives at his central argument: Psychic phenomena may be thought of as symbols that indicate “the irruption [a bursting in] of meaning in the physical world via the radical collapse of the subject-object structure itself. They are not simply physical events. They are also meaning events” (page 25).80 In other words, where objective and subjective meet, the fabric of reality itself blurs. This is a place that is not quite physical, and not quite mental, but a limbo that somehow contains and creates both.

I understood reality. Everyone had gone mad. They found a reason not to go to work. There was snow in the city, there was no transportation, so there was no work. No one thought it possible to walk a little. It seemed I was the only righteous one in the department. I was so embarrassed and angry; I took off my camera and snapped pictures of the gate that remained wrapped with the white snow. These pictures of the gate were etched in my heart. I do not know if I took them because of the beauty of the snow that enveloped the metal arches of the gate, or if I only wanted proof that I, unlike all other Jerusalemites, came to work on this day. Looking back I think it might have been a combination of both.

To all outward appearances, Trump had just been brutally dispatched—his dignity snatched away from him, his foray into politics swiftly cut short, the preening, grasping interloper who had barged into a world where he didn’t belong sent crawling back to his rightful station: a tawdry world of bimbos, pink marble, reality TV, and “Page Six.” This is what all of Washington understood to have happened, for years afterward: Trump had made another of his absurd periodic displays of pretending to contemplate a run for president, ventured too far in his quest for publicity, and suffered a terminal humiliation. Now the universe had snapped back into balance and ejected him. Only that wasn’t what had happened at

He closed the space between us and relaxed as he stretched his arm along the back of the sofa. “I don’t bite, Ash. It’s just me. Promise. Come here and see.” I studied the crook of his arm; the idea of snuggling up against him was extremely tempting. But I didn’t think he had that in mind. So instead I leaned back on the couch, careful not to touch him. His hand didn’t come around me and pull me closer. It remained on the back of the couch, and I hated that I was disappointed. “Relax and watch the movie,” he said in a soft voice I’d never heard him use before. It made me feel warm and safe. Beau’s arm eventually slid down to settle on my shoulders. Absently he started tracing small circles on my upper arm. It was almost as if little jolts of electricity were zinging through my body. I hoped he couldn’t tell my breathing was getting erratic. I closed my eyes and fantasized about how it would feel to run my hands under his T-shirt and touch the soft skin that covered his muscled chest. I glanced up at him through my lashes, and his attention was completely focused on the movie. He had no idea he was driving me crazy. I slowly moved closer to him until my head was nestled in the crook of his arm. The smell of Irish Spring soap and the outdoors filled my senses. Sawyer always smelled like cologne. I liked soap. I turned my head just enough so I could smell him better. His arm gently tightened around me. He didn’t mean anything by it, but it felt so very good. I turned my body toward his side and closed my eyes. My imagination took over, and I wondered what it would feel like if he didn’t have this bothersome shirt covering his chest. “Ash.” Beau’s voice entered my fantasy. “Hmm…” I managed to respond as my hand touched his abs. “What’re you doing?” His voice didn’t sound right. There was a panicked tone to it that snapped me out of my dream and into reality. I gasped when I realized my leg was hiked up on Beau’s thigh. The hem of my sundress was barley covering my panties. To make matters worse, my hand was under his black shirt; his skin felt so warm and soft. The soft, circular patterns on my arm had stopped, and his hand was no longer touching me. Horror washed over me, and I jerked my hand out of his shirt and sat up. “Oh my God,” I blurted out. “I’m sorry…I didn’t mean…I’m sorry.” I couldn’t look at him. Not after I’d been all over him! Instead I did the only thing I could think of: I ran for my room.

Ash.” Beau’s voice entered my fantasy. “Hmm…” I managed to respond as my hand touched his abs. “What’re you doing?” His voice didn’t sound right. There was a panicked tone to it that snapped me out of my dream and into reality. I gasped when I realized my leg was hiked up on Beau’s thigh. The hem of my sundress was barley covering my panties. To make matters worse, my hand was under his black shirt; his skin felt so warm and soft. The soft, circular patterns on my arm had stopped, and his hand was no longer touching me. Horror washed over me, and I jerked my hand out of his shirt and sat up. “Oh my God,” I blurted out. “I’m sorry…I didn’t mean…I’m sorry.” I couldn’t look at him. Not after I’d been all over him! Instead I did the only thing I could think of: I ran for my room. I pushed the door hard enough to slam it, but the loud crack never came. “Ash, wait.” Beau’s voice made me cringe. Oh God, why did he have to follow me? Couldn’t he have just left? I couldn’t face him. “I’m sorry. Just…go, okay?” I crossed my arms and stared hard at the window, waiting for him to leave. His arms wrapped around me from behind, and I whimpered as the humiliation just got worse. He was going to try to comfort me. “I don’t know what’s going on in that head of yours, but from the way you’re acting, I can imagine it’s pretty bad.” He lowered his head to my shoulder. “You want me to leave and I’m going to go. But first I want to make sure you understand something.” My throat was tight and sobs constricted my airway. Responding wasn’t possible. “I stated that in there. Not you. I wasn’t prepared for the reaction I got. I thought you’d push me away--not…snuggle closer.” He stopped again, and his breath was warm on my neck as his lips touched my bare shoulder. I shivered, and his hands ran down my arms until they covered mine. “I shouldn’t have touched you. But I couldn’t help myself,” he murmured into my ear. I wanted to argue. It wasn’t his fault. I wanted to tell him I was the one who got carried away. But I couldn’t manage more than just a small snivel. “I can’t do this, Ash. God knows I want to, but I can’t.” And then he was gone. I turned to see him walking out my door. More than anything, I wanted to call him back. But I didn’t.

Cut!” Cressida’s voice snaps me back to reality, extinguishes me. She gives me a nod of approval. “That’s a wrap.