Snake Year Quotes

I will love you as a thief loves a gallery and as a crow loves a murder, as a cloud loves bats and as a range loves braes. I will love you as misfortune loves orphans, as fire loves innocence and as justice loves to sit and watch while everything goes wrong. I will love you as a battlefield loves young men and as peppermints love your allergies, and I will love you as the banana peel loves the shoe of a man who was just struck by a shingle falling off a house. I will love you as a volunteer fire department loves rushing into burning buildings and as burning buildings love to chase them back out, and as a parachute loves to leave a blimp and as a blimp operator loves to chase after it. I will love you as a dagger loves a certain person’s back, and as a certain person loves to wear dagger proof tunics, and as a dagger proof tunic loves to go to a certain dry cleaning facility, and how a certain employee of a dry cleaning facility loves to stay up late with a pair of binoculars, watching a dagger factory for hours in the hopes of catching a burglar, and as a burglar loves sneaking up behind people with binoculars, suddenly realizing that she has left her dagger at home. I will love you as a drawer loves a secret compartment, and as a secret compartment loves a secret, and as a secret loves to make a person gasp, and as a gasping person loves a glass of brandy to calm their nerves, and as a glass of brandy loves to shatter on the floor, and as the noise of glass shattering loves to make someone else gasp, and as someone else gasping loves a nearby desk to lean against, even if leaning against it presses a lever that loves to open a drawer and reveal a secret compartment. I will love you until all such compartments are discovered and opened, and until all the secrets have gone gasping into the world. I will love you until all the codes and hearts have been broken and until every anagram and egg has been unscrambled. I will love you until every fire is extinguised and until every home is rebuilt from the handsomest and most susceptible of woods, and until every criminal is handcuffed by the laziest of policemen. I will love until M. hates snakes and J. hates grammar, and I will love you until C. realizes S. is not worthy of his love and N. realizes he is not worthy of the V. I will love you until the bird hates a nest and the worm hates an apple, and until the apple hates a tree and the tree hates a nest, and until a bird hates a tree and an apple hates a nest, although honestly I cannot imagine that last occurrence no matter how hard I try. I will love you as we grow older, which has just happened, and has happened again, and happened several days ago, continuously, and then several years before that, and will continue to happen as the spinning hands of every clock and the flipping pages of every calendar mark the passage of time, except for the clocks that people have forgotten to wind and the calendars that people have forgotten to place in a highly visible area. I will love you as we find ourselves farther and farther from one another, where we once we were so close that we could slip the curved straw, and the long, slender spoon, between our lips and fingers respectively. I will love you until the chances of us running into one another slip from slim to zero, and until your face is fogged by distant memory, and your memory faced by distant fog, and your fog memorized by a distant face, and your distance distanced by the memorized memory of a foggy fog. I will love you no matter where you go and who you see, no matter where you avoid and who you don’t see, and no matter who sees you avoiding where you go. I will love you no matter what happens to you, and no matter how I discover what happens to you, and no matter what happens to me as I discover this, and now matter how I am discovered after what happens to me as I am discovering this.

Look, it's easy to outsmart a werewolf or a vampire," Jace said. "They're no smarter than anyone else. But faeries live for hundreds of years and they're as cunning as snakes. They can't lie, but they love to engage in creative truth-telling. They'll find out whatever it is you want most in the world and give it to you—with a sting in the tail of the gift that will make you regret you ever wanted it in the first place." He sighed. "They're not really about helping people. More about harm disguised as help.

In the woods too, a man casts off his years, as the snake his slough, and at what period soever of life, is always a child. In the woods, is perpetual youth.

She knew herself, how she had slowly, over years, become a cat, a wolf, a snake, anything but a girl. How she had wrung out her girlhood like death.

In a few years, there would be a vague memory that a girl had once sung in the arena. And then that would be forgotten, too. Good-bye, Lucy Gray, we hardly knew you.

Humans withdraw to their homes, and surrender the night to the creatures that own it: the crickets, the owls, the snakes. A world that hasn't changed for hundreds of thousands of years wakes up, and carries on as if the daylight and the humans and the changes to the landscape have all been an illusion.

For some, autumn comes early, stays late through life where October follows September and November touches October and then instead of December and Christ's birth, there is no Bethlehem Star, no rejoicing, but September comes again and old October and so on down the years, with no winter, spring, or revivifying summer. For these beings, fall is the ever normal season, the only weather, there be no choice beyond. Where do they come from? The dust. Where do they go? The grave. Does blood stir their veins? No: the night wind. What ticks in their head? The worm. What speaks from their mouth? The toad. What sees from their eye? The snake. What hears with their ear? The abyss between the stars. They sift the human storm for souls, eat flesh of reason, fill tombs with sinners. They frenzy forth. In gusts they beetle-scurry, creep, thread, filter, motion, make all moons sullen, and surely cloud all clear-run waters. The spider-web hears them, trembles—breaks. Such are the autumn people. Beware of them.

The geometry of judgment is a circle. Hate is a snake that turns to consume itself from the tail, a circle that diminishes to a point, then to nothing. Pride is such a snake, and envy, and greed. Love, however, is a hoop, a wheel, that rolls on forever. We are rescued by those whom we have rescued. The saved become the saviors of their saviors.

Like the most of you, I was raised among people who knew - who were certain. They did not reason or investigate. They had no doubts. They knew that they had the truth. In their creed there was no guess — no perhaps. They had a revelation from God. They knew the beginning of things. They knew that God commenced to create one Monday morning, four thousand and four years before Christ. They knew that in the eternity — back of that morning, he had done nothing. They knew that it took him six days to make the earth — all plants, all animals, all life, and all the globes that wheel in space. They knew exactly what he did each day and when he rested. They knew the origin, the cause of evil, of all crime, of all disease and death. At the same time they knew that God created man in his own image and was perfectly satisfied with his work... They knew all about the Flood -- knew that God, with the exception of eight, drowned all his children -- the old and young -- the bowed patriarch and the dimpled babe -- the young man and the merry maiden -- the loving mother and the laughing child -- because his mercy endureth forever. They knew too, that he drowned the beasts and birds -- everything that walked or crawled or flew -- because his loving kindness is over all his works. They knew that God, for the purpose of civilizing his children, had devoured some with earthquakes, destroyed some with storms of fire, killed some with his lightnings, millions with famine, with pestilence, and sacrificed countless thousands upon the fields of war. They knew that it was necessary to believe these things and to love God. They knew that there could be no salvation except by faith, and through the atoning blood of Jesus Christ. Then I asked myself the question: Is there a supernatural power -- an arbitrary mind -- an enthroned God -- a supreme will that sways the tides and currents of the world -- to which all causes bow? I do not deny. I do not know - but I do not believe. I believe that the natural is supreme - that from the infinite chain no link can be lost or broken — that there is no supernatural power that can answer prayer - no power that worship can persuade or change — no power that cares for man. Is there a God? I do not know. Is man immortal? I do not know. One thing I do know, and that is, that neither hope, nor fear, belief, nor denial, can change the fact. It is as it is, and it will be as it must be. We can be as honest as we are ignorant. If we are, when asked what is beyond the horizon of the known, we must say that we do not know. We can tell the truth, and we can enjoy the blessed freedom that the brave have won. We can destroy the monsters of superstition, the hissing snakes of ignorance and fear. We can drive from our minds the frightful things that tear and wound with beak and fang. We can civilize our fellow-men. We can fill our lives with generous deeds, with loving words, with art and song, and all the ecstasies of love. We can flood our years with sunshine — with the divine climate of kindness, and we can drain to the last drop the golden cup of joy.

Spaces devoted to Hannibal Lecter’s earliest years differ from the other archives in being incomplete. Some are static scenes, fragmentary, like painted attic shards held together by blank plaster. Other rooms hold sound and motion, great snakes wrestling and heaving in the dark and lit in flashes. Pleas and screaming fill some places on the grounds where Hannibal himself cannot go. But the corridors do not echo screaming, and there is music if you like.

If they (ghosts) wander the halls of night, it is not from a grievance with or envy of the living. Rather, it is because they have no desire to see the living at all. Any more than snakes hope to see gardeners, or foxes the hounds. They wander about at midnight because at that hour they can generally do so without being harried by the sound and fury of earthly emotions. After all those years of striving and struggling, of hoping and praying, of shouldering expectations, stomaching opinions, navigating decorum, and making conversation, what they seek, quite simply, is a little peace and quiet.

[B]eware trying to bend the Truth to fit your story instead of facing it head-on. That was your father's mistake. And that's how a Snake becomes a Lion and a Lion becomes a Snake. Because the more you bend the Truth to fit a story, the more it turns into Lies without you even realizing it.

It was heart-shaking. Glorious. Torches, dizziness, singing. Wolves howling around us and a bull bellowing in the dark. The river ran white. It was like a film in fast motion, the moon waxing and waning, clouds rushing across the sky. Vines grew from the ground so fast they twined up the trees like snakes; seasons passing in the wink of an eye, entire years for all I know. . . . Mean we think of phenomenal change as being the very essence of time, when it's not at all. Time is something which defies spring and water, birth and decay, the good and the bad, indifferently. Something changeless and joyous and absolutely indestructible. Duality ceases to exist; there is no ego, no 'I,' and yet it's not at all like those horrid comparisons one sometimes hears in Eastern religions, the self being a drop of water swallowed by the ocean of the universe. It's more as if the universe expands to fill the boundaries of the self. You have no idea how pallid the workday boundaries of ordinary existence seem, after such an ecstasy.

He'd been coiled like a snake for years and the tension had gone slack and when he was ready to spring the spring wasn't there, but it could be recoiled.

You have to be nicer to me," I said. Again he laughed. "What? I'm the King of nice. What are you talking about?" "You have to be nicer to me or... or..." "Or what?" he said. Still Lars, still charming and jokey, but with a thread of fear. It snaked in and pierced my numbness and almost broke my resolve. Almost, but not quite. "Or I have ti break up with you." I whispered What was there more to say? Nothing. So I hung up.

A snake bites your ankle. Recoiling, you scream. Fearing poison, your mind slips into a dream... ...where a man bites your ankle. Expecting no guile, 'Again' softly falls from your lips with a smile. Yet the man and the snake are the same. Your perception is only to blame.

I was afraid of burglars and Indian thugs and snakes and fires and Jack the Ripper, when I should have been afraid of thirty years in a bank and a take-over bid and a premature retirement and the Deuil du Roy Albert.

He looked terrified as he snaked his hand beneath her arm, entwining their fingers together. Their hands fit like a lock and key. It had been years since they had simply held hands, and she wished they had never stopped.

And as a cloud passed over the sun, sending the scene into shadows, the last thing Agatha saw was a new king cast in a golden glow and the old one dragged into the dark by his twisted green chains... The Snake become the Lion and the Lion become the Snake.

For most of the hours of the day—and most of the months of the year—the sun had the town trapped deep in dust, far out in the chaparral flats, a heaven for snakes and horned toads, roadrunners and stinging lizards, but a hell for pigs and Tennesseans.

This is no longer a tale about whether you will find fame or fortune or your perfect little happy ending. This is a tale about whether you are capable of growing from the snake of your own story into the hero of someone else's.

I will love you as a drawer loves a secret compartment, and as a secret compartment loves a secret, and as a secret loves to make a person gasp, and as a gasping person loves a glass of brandy to calm their nerves, and as a glass of brandy loves to shatter on the floor, and as the noise of glass shattering loves to make someone else gasp, and as someone else gasping loves a nearby desk to lean against, even if leaning against it presses a lever that loves to open a drawer and reveal a secret compartment. I will love you until all such compartments are discovered and opened, and until all the secrets have gone gasping into the world. I will love you until all the codes and hearts have been broken and until every anagram and egg has been unscrambled. I will love you until every fire is extinguished and until every home is rebuilt form the handsomest and most susceptible of woods, and until every criminal is handcuffed by the laziest of policemen. I will love you until M. hates snakes and J. hates grammar, and I will love you until C. realizes S. is not worthy of his love and N. realizes he is not worthy of the V. I will love you until the bird hates a nest and the worm hates an apple, and until the apple hates a tree and the tree hates a nest, and until a bird hates a tree and an apple hates a nest, although honestly I cannot imagine that last occurrence no matter how hard I try. I will love you as we grow older, which has just happened, and has happened again, and happened several days ago, continuously, and then several years before that, and will continue to happen as the spinning hands of every clock and the flipping pages of every calendar mark the passage of time, except for the clocks that people have forgotten to wind and the calendars that people have forgotten to place in a highly visible area. I will love you as we find ourselves farther and farther from one another, where once we were so close that we could slip the curved straw, and the long, slender spoon, between our lips and fingers respectively. I will love you until the chances of us running into one another slip from skim to zero, and until your face is fogged by distant memory, and your memory faced by distant fog, and your fog memorized by a distant face, and your distance distanced by the memorized memory of a foggy fog. I will love you no matter where you go and who you see, no matter where you avoid and who you don’t see, and no matter who sees you avoiding where you go. I will love you no matter what happens to you, and no matter how I discover what happens to you, and no matter what happens to me as I discover this, and no matter how I am discovered after what happens to me happens to me as I am discovering this. I will love you if you don’t marry me. I will love you if you marry someone else – your co-star, perhaps, or Y., or even O., or anyone Z. through A., even R. although sadly I believe it will be quite some time before two women can be allowed to marry – and I will love you if you have a child, and I will love you if you have two children, or three children, or even more, although I personally think three is plenty, and I will love you if you never marry at all, and never have children, and spend your years wishing you had married me after all, and I must say that on late, cold nights I prefer this scenario out of all the scenarios I have mentioned. That, Beatrice, is how I will love you even as the world goes on its wicked way.

Happy birthday To someone special! And we wish you many more! Once a year We give a cheer To you, Commander Hoff! Happy birthday!

Keep creating new chapters in your personal book and never stop re-inventing and perfecting yourself. Try new things. Pick up new hobbies and books. Travel and explore other cultures. Never stay in the same city or state for more than five years of your life. There are many heavens on earth waiting for you to discover. Seek out people with beautiful hearts and minds, not those with just beautiful style and bodies. The first kind will forever remain beautiful to you, while the other will grow stale and ugly. Learn a new language at least twice. Change your career at least thrice, and change your location often. Like all creatures in the wild, we were designed to keep moving. When a snake sheds its old skin, it becomes a more refined creature. Never stop refining and re-defining yourself. We are all beautiful instruments of God. He created many notes in music so we would not be stuck playing the same song. Be music always. Keep changing the keys, tones, pitch, and volume of each of the songs you create along your journey and play on. Nobody will ever reach ultimate perfection in this lifetime, but trying to achieve it is a full-time job. Start now and don't stop. Make your book of life a musical. Never abandon obligations, but have fun leaving behind a colorful legacy. Never allow anybody to be the composer of your own destiny. Take control of your life, and never allow limitations implanted by society, tell you how your music is supposed to sound — or how your book is supposed to be written.

Her skin is cold, and clammy; her eyes are the color of sky, on the grey, wet days that leach the world of color and meaning; her voice is little more than a whisper; and while she has no odor, her shadow smells mucky, and pungent, like the skin of a snake. Many years gone, a sect in what is now Afghanistan declared her a goddess, and proclaimed all empty rooms her sacred places. The sect, whose members called themselves The Unforgiven, persisted for two years, until its last adherent finally killed himself, having survived the other members by almost seven months. Despair says little, and is patient.

I didn't enjoy being a snake, and yet I appear to be doomed to be reminded of it for all eternity,' Cardan was saying, black curls falling across his face. He held a three-pronged fork aloft, as though to emphasise his point. 'The excess of songs hasn't helped, nor has their longevity. It's been what? Eight years? Nine? Truly, the celebratory air about the whole business has been excessive. You'd think I never did a more popular thing than sit in the dark on a throne and bite people who annoyed me. I could have always done that. I could do that now.' 'Bite people?' echoed Jude from the other end of the table. Cardan grinned at her. 'Yes, if that's what they like.' He snapped his teeth at the air as though to demonstrate. 'No one is interested in that,' Jude said, shaking her head.

He had had a habit throughout the twenty-seven years of making a narrow remark which, like a plumber’s snake, could work its way through the ear down the throat, halfway to my heart. He would then disappear, leaving me choking with equipment. What I mean is, I sat down on the library steps and he went away.

Farewell, my friends,' I told them. 'Be good to one another'... I wondered if I was leaving the snakes with a new religion; if they would tell stories to future generations about the strange rainbow god boy who tripped a lot before returning to the heavens. Or maybe they were just thinking, That kid is really weird.

A year ago astronomers across the Discworld had been puzzled to see the stars gently wheel across the sky as the world-turtle executed a roll. The thickness of the world never allowed them to see why, but Great A’Tuin’s ancient head had snaked out and down and had snapped right out of the sky the speeding asteroid that would, had it hit, have meant that no one would ever have needed to buy a diary ever again.

What I wanted to talk to you about was—” He kissed me. At first he gently touched his lips to mine. e more exciting development was that in order to do this, he’d stepped very close. His chest was an inch from mine. I could feel his heat. He tasted of blackberries. He leaned even closer and braced his muscular arms on the tree on either side of me. When he broke the kiss to take a breath, I whispered, “Tree hugger.” He opened his eyes, blue as the afternoon sky, and gave me this look. A combination of amusement and exasperation and hunger. He looked like a teenager making out in the woods. Puzzling through this, I realized that I was gazing at him from the perspective of a six-year-old girl playing army and dodging rubber snakes. But he was this teenager, and so was I. I felt the same need for him that he felt for me, like a force was drawing me forward into his heat. I just didn’t know how to say it.

A true Arab knows how to catch a fly in his hands,” my father would say. And he’d prove it, cupping the buzzer instantly while the host with the swatter stared. In the spring our palms peeled like snakes. True Arabs believed watermelon could heal fifty ways. I changed these to fit the occasion. Years before, a girl knocked, wanted to see the Arab. I said we didn’t have one. After that, my father told me who he was, “Shihab”—”shooting star”— a good name, borrowed from the sky. Once I said, “When we die, we give it back?” He said that’s what a true Arab would say.

I’m trying to be nice, okay? We’re stuck with each other for the next year, so I want to make our lives easier. Just take the damn cookies. You can eat them, throw them out, feed them to your pet snake Nagini, whatever.” His mouth twitched. “Did you just compare me to Voldemort?” “What? No!” Maybe. “I used the snake as an example. You don’t seem like the type who’d have a furry pet.

SPRING POEM It is spring, my decision, the earth ferments like rising bread or refuse, we are burning last year's weeds, the smoke flares from the road, the clumped stalks glow like sluggish phoenixes / it wasn't only my fault / birdsongs burst from the feathered pods of their bodies, dandelions whirl their blades upwards, from beneath this decaying board a snake sidewinds, chained hide smelling of reptile sex / the hens roll in the dust, squinting with bliss, frogbodies bloat like bladders, contract, string the pond with living jelly eyes, can I be this ruthless? I plunge my hands and arms into the dirt, swim among stones and cutworms, come up rank as a fox, restless. Nights, while seedlings dig near my head I dream of reconciliations with those I have hurt unbearably, we move still touching over the greening fields, the future wounds folded like seeds in our tender fingers, days I go for vicious walks past the charred roadbed over the bashed stubble admiring the view, avoiding those I have not hurt yet, apocalypse coiled in my tongue, it is spring, I am searching for the word: finished finished so I can begin over again, some year I will take this word too far.

Ember, he’s not going to—” I pushed off the car. “Please. Hayden, please don’t tell him. I’m all Olivia really has. Please.” My voice cracked, and I looked away, embarrassed. “She’s all I have.” Hayden made a soft noise deep in his throat. Then he clasped my elbows and pulled me right up against him. His arms carefully snaked around my waist, trapping me in a hug. It could have been the bunny. Hell, it could’ve been the last two years that suddenly made me want to stay in Hayden’s embrace. Surely— surely not the way his heat thawed the ice encasing my entire body. Or how hard his chest felt under the sweater… or how perfectly I fit against him. And he was a chivalrous type of guy. Right? He wanted to help me control my gift, as ridiculous as that sounded. Comfort— he offered comfort, and I needed to remember that. His arms around my waist made it hard, really hard to keep that in mind, though. “Okay.” Hayden’s breath stirred the hair around my ear. “Even though I think I should tell him, I won’t. But I will figure out who did this.

every year more non-indigenous species of mammals, birds, amphibians, turtles, lizards, and snakes are brought into the U.S. than the country has native species of these groups.

That sordid, slippery little Snake looked us in the eyes and dared us to sire a king. And tonight, that king will have his vengeance.

I was thinking about how snakes shed their skin every year, and how awesome it would be if people did that too. In lots of ways, that’s what I was trying to do. As

Is that so hard to believe? My mother claimed I was so withdrawn and strange because I was born on the longest night of the year. She tried one year to have my birthday on another day, but forgot to do it the next time—there was probably a more advantageous party she had to plan.” “Now I know where Nesta gets it. Honestly, it’s a shame we can’t stay longer—if only to see who’ll be left standing: her or Cassian.” “My money’s on Nesta.” A soft chuckle that snaked along my bones—a reminder that he’d once bet on me. Had been the only one Under the Mountain who had put money on me defeating the Middengard Wyrm. He said, “So’s mine.

Christians claim their faith gave rise to modern science even though the Bible literally contains talk of a six-day creation, a three-tired universe, a worldwide flood let loose from the firmament above, nine-hundred-year-old men, talking snakes and donkeys, a sun that stood still, and a hell in the deepest parts of the earth, and they still want to claim their faith gave rise to science?

But for the rest of us, cool has a shelf life. If you’re a quarterback in high school, you’re cool. But ten years later, working as a sullen bouncer at the only nightclub in town, your “cool” is on life support. Which is why so many young girls who never said no end up with losers in pants hanging below their asses and no known income to speak of. These cads were charming in high school; now they’re as useless as shoulder pads on a snake.

I came at her like a snake. "I am fully done with other people telling me what to do with my history," I said. "My past made me who I am. There is no way to wipe it clean. I am the evidence. If you look at me and see track marks and too-skinny arms and hands that know how to hold a gun and a brain that is sharper and faster than yours, then that is not my problem. Do you hear me? I have regrets, and I have made mistakes, but I am who I am. I'm done pretending that I've wholly remade myself, that I'm going to ... to hie myself away in some lecture hall for the next four years to make you all comfortable." She was backed up against the door, now, her arms wrapped around herself, and I didn't care. "If you want to stop seeing it, you'll have to stop seeing me, and I am not going to disappear.

he had to use all the discipline he could muster not to rush for the buffet. The endless dance with hunger had defined his life. Not the very early years, before the war, but every day since had been a battle, a negotiation, a game.

I swallowed, not knowing what I drank, medicine or poison; I only knew that I was thirsty. With every drop, I drew in the spirit of oxen and snakes, great jungle beasts ran inside me, growling. I tasted dirt and rubies and thousands of years of rain.

Lucy woke to the sound of rain. A benediction, gently pattering. For the first time in more than a year, her body relaxed. The release of tension was so sudden that for a moment she felt as if she were filled with helium. Weightless. All her sadness and horror sloughed off her frame like the skin of a snake, too confining and gritted and dry to contain her any longer, and she was rising. She was new and clean and lighter than air, and she sobbed with the release of it. And then she woke fully, and it wasn’t rain caressing the windows of her home but dust, and the weight of her life came crushing down upon her once again.

He was glad about the erasure. It was just one more way to eliminate Lucy Gray from the world. The Capitol would forget her, the districts barely knew her, and District 12 had never accepted her as one of their own. In a few years, there would be a vague memory that a girl had once sung in the arena. And then that would be forgotten, too. Good-bye Lucy Gray, we hardly knew you.

There seems to be a different Chicago around every street corner, behind every bar, and within every apartment, two-flat, cottage, or bungalow. City of immigrants or city of heartless plutocrats, say what you will, Chicago almost defies interpretation. In many ways Chicago is like a snake that sheds its skin every thirty years or so and puts on a new coat to conform to a new reality.

Ix who?" "Ix Caut. Your name in this life meant 'Little Snake.'" Bill watched her face change. "It was a term of endearment in the Mayan culture. Sort of." "The same way getting your head impaled on a stick was an honor?" Bill rolled his stone eyes. "Stop being so ethnocentric.That means thinking your own culture is superior to other cultures." "I know what it means," she said, working the band into her dirty hair. "But I'm not being superior. I just don't think having my head stuck on one of these racks would be so great." There was a faint thrumming in the air,like faraway drumbeats. "That's exactly the sort of thing Ix Caut would say! You always were a little bit backward!" "What do you mean?" "See,you-Ix Caut-were born during the Wayeb',which are these five odd days at the end of Mayan year that everyone gets real superstitious about because they don't fit into the calendar. Kind of like leap-year days.It's not exactly lucky to be born during the Wayeb'. So no one was shocked when you grew up to be an old maid.

Old-time ranchers planted cheatgrass because it would green up fast in the spring and provide early forage for grazing cattle,” Oyster says, nodding his head at the world outside. This first patch of cheatgrass was in southern British Columbia, Canada, in 1889. But fire spreads it. Every year, it dries to gunpowder, and now land that used to burn every ten years, it burns every year. And the cheatgrass recovers fast. Cheatgrass loves fire. But the native plants, the sagebrush and desert phlox, they don’t. And every year it burns, there’s more cheatgrass and less anything else. And the deer and antelope that depended on those other plants are gone now. So are the rabbits. So are the hawks and owls that ate the rabbits. The mice starve, so the snakes that ate the mice starve. Today, cheatgrass dominates the inland deserts from Canada to Nevada, covering an area over twice the size of the state of Nebraska and spreading by thousands of acres per year. The big irony is, even cattle hate cheatgrass, Oyster says. So the cows, they eat the rare native bunch grasses. What’s left of them... “When you think about it from a native plant perspective,” Oyster says, “Johnny Appleseed was a fucking biological terrorist.” Johnny Appleseed, he says, might as well be handing out smallpox.

When she had packed all the artifacts that made up their personal history into liquor store boxes, the house became strictly a feminine place. She stood with her hands on her hips, stoically accepting the absence of old Boston Celtics coasters and the tangle of fishing poles, the old dartboard from a Scots pub, the toolbox and downhill skis, the silky patterned ties which sat in the base of one box like a writing mass of snakes. Without these things, one tended to notice the bright eyelet curtains, the vase filled with yawning crocuses, a needlepoint pillow ... Overall, the house looked much like her apartment had eight years ago, before she had met him.

Being nearly four years old, she was certainly a child: and children are human (if one allows the term "human" a wide sense): but she had not altogether ceased to be a baby: and babies are of course not human--they are animals, and have a very ancient and ramified culture, as cats have, and fishes, and even snakes: the same in kind as these, but much more complicated and vivid, since babies are, after all, one of the most developed species of the lower vertebrates. In short, babies have minds which work in terms and categories of their own which cannot be translated into the terms and categories of the human mind. It is true that they look human--but not so human, to be quite fair, as many monkeys. Subconsciously, too, every one recognizes they are animals--why else do people always laugh when a baby does some action resembling the human, as they would at a praying mantis? If the baby was only a less-developed man, there would be nothing funny in it, surely.

They decided now, talking it over in their tight little two-and-quarter room flat, that most people who call themselves 'truth seekers' - persons who scurry about chattering of Truth as though it were a tangible seperable thing, like houses or salt or bread - did not so much desire to find Truth as to cure their mental itch. In novels, these truth-seekers quested the 'secret of life' in laboratories which did not seem to be provided wtih Bunsen flames or reagents; or they went, at great expense and much discomfort from hot trains and undesirable snakes, to Himalayan monasteries, to learn from unaseptic sages that the Mind can do all sorts of edifying things if one will but spend thirty or forty years in eating rice and gazing on one's navel. To these high matters Martin responded, 'Rot!' He insisted that there is no Truth but only many truths; that Truth is not a colored bird to be chased among the rocks and captured by its tail, but a skeptical attitude toward life. (260)

Still, picture the noble snake, having molted, slithering away, newly glistening. There’s the skin, in a big disorganized pile behind it. Is the snake asking you to notice that a snake was here earlier? No; the snake doesn’t care one way or the other. It has moved on. No, indeed, you can’t call a snake sloppy or careless or fault it for leaving tracks in its wake. Besides, who are you? Snakes have been here for millions of years.

Don’t waste time worrying about work/life balance, or looking for your best self, sham “secrets” or any other snake oil being pushed by sloppy hippies who have never built a business, let alone a bankroll, or you will wake up 20 years from now poor, pissed off and primed for a midlife crisis.

I took another road, past the old sugar works and the water wheel that had not turned for years. I went to parts of Coulibri that I had not seen, where there was no road, no path, no track. And if the razor grass cut my legs and arms I would think 'It's better than people.' Black ants or red ones, tall nests swarming with white ants, rain that soaked me to the skin - once I saw a snake. All better than people. Better, better, better than people.

Grey as a mouse, Big as a house, Nose like a snake, I make the earth shake, As I tramp through the grass; Trees crack as I pass. With horns in my mouth I walk in the South, Flapping big ears. Beyond count of years I stump round and round, Never lie on the ground, Not even to die. Oliphaunt am I, Biggest of all, Huge, old, and tall. If ever you'd met me You wouldn't forget me. If you never do, You won't think I'm true; But old Oliphaunt am I, And I never lie.

We treat each other with exceeding courtesy; we says, it’s great to see you after all these years. Our tigers drink milk. Our hawks tread the ground. Our sharks have all drowned. Our wolves yawn beyond the open cage. Our snakes have shed their lightning, our apes their flights of fancy, our peacocks have renounced their plumes. The bats flew out of our hair long ago. We fall silent in mid-sentence, all smiles, past help. Our humans don’t know how to talk to one another.

I was so scared it was all going to be gone by the time I got there. Ninth grade, tenth grade - can't this thing go any faster? In the magazine, there were funny people with funny names like John Sex, who had wild white hair and a snake!-and didn't that just open up a kaleidoscope of new possibilities? And how long the years are-endless! And the minutae of your daily life! So tedious, when there are BIG THINGS happening a thousand miles away. And when you go to bed at night, it's hard to believe those people, those fabulous, daunting people, are out there right now! So we wait, and we endure, and someday we will be there, and we will make it.

You’re sure you want to do this,” Galen says, eyeing me like I’ve grown a tiara of snakes on my head. “Absolutely.” I unstrap the four-hundred-dollar silver heels and spike them into the sand. When he starts unraveling his tie, I throw out my hand. “No! Leave it. Leave everything on.” Galen frowns. “Rachel would kill us both. In our sleep. She would torture us first.” “This is our prom night. Rachel would want us to enjoy ourselves.” I pull the thousand-or-so bobby pins from my hair and toss them in the sand. Really, both of us are right. She would want us to be happy. But she would also want us to stay in our designer clothes. Leaning over, I shake my head like a wet dog, dispelling the magic of hairspray. Tossing my hair back, I look at Galen. His crooked smile almost melts me where I stand. I’m just glad to see a smile on his face at all. The last six months have been rough. “Your mother will want pictures,” he tells me. “And what will she do with pictures? There aren’t exactly picture frames in the Royal Caverns.” Mom’s decision to mate with Grom and live as his queen didn’t surprise me. After all, I am eighteen years old, an adult, and can take care of myself. Besides, she’s just a swim away. “She keeps picture frames at her house though. She could still enjoy them while she and Grom come to shore to-“ “Okay, ew. Don’t say it. That’s where I draw the line.” Galen laughs and takes off his shoes. I forget all about Mom and Grom. Galen, barefoot in the sand, wearing an Armani tux. What more could a girl ask for? “Don’t look at me like that, angelfish,” he says, his voice husky. “Disappointing your grandfather is the last thing I want to do.” My stomach cartwheels. Swallowing doesn’t help. “I can’t admire you, even from afar?” I can’t quite squeeze enough innocence in there to make it believable, to make it sound like I wasn’t thinking the same thing he was. Clearing his throat, he nods. “Let’s get on with this.” He closes the distance between us, making foot-size potholes with his stride. Grabbing my hand, he pulls me to the water. At the edge of the wet sand, just out of reach of the most ambitious wave, we stop. “You’re sure?” he says again. “More than sure,” I tell him, giddiness swimming through my veins like a sneaking eel. Images of the conference center downtown spring up in my mind. Red and white balloons, streamers, a loud, cheesy DJ yelling over the starting chorus of the next song. Kids grinding against one another on the dance floor to lure the chaperones’ attention away from a punch bowl just waiting to be spiked. Dresses spilling over with skin, matching corsages, awkward gaits due to six-inch heels. The prom Chloe and I dreamed of. But the memories I wanted to make at that prom died with Chloe. There could never be any joy in that prom without her. I couldn’t walk through those doors and not feel that something was missing. A big something. No, this is where I belong now. No balloons, no loud music, no loaded punch bowl. Just the quiet and the beach and Galen. This is my new prom. And for some reason, I think Chloe would approve.

The South Pacific is not a paradise, in the sense that Eden wasn't either. There are always apples and snakes. But it is a wonderful place to live. The green vales of Tahiti, the hills of Guadalcanal, the towering peaks about Wau, and the noonday brilliance of Rabaul have enchanted many white travelers who have stayed on for many years and built happy lives. Often on a cool night when the beer was plentiful and the stories alluring, we have envied the men and women of the South Pacific

For some, autumn comes early, stays late through life where October follows September and November touches October and then instead of December and Christ’s birth, there is no Bethlehem Star, no rejoicing, but September comes again and old October and so on down the years, with no winter, spring, or revivifying summer. For these beings, fall is the ever normal season, the only weather, there be no choice beyond. Where do they come from? The dust. Where do they go? The grave. Does blood stir their veins? No: the night wind. What ticks in their head? The worm. What speaks from their mouth? The toad. What sees from their eye? The snake. What hears with their ear? The abyss between the stars. They sift the human storm for souls, eat flesh of reason, fill tombs with sinners. They frenzy forth. In gusts they beetle-scurry, creep, thread, filter, motion, make all moons sullen, and surely cloud all clear-run waters. The spider-web hears them, trembles—breaks. Such are the autumn people. Beware of them.’ ” After a pause, both boys exhaled at

While I told myself that each win was a small deposit on the ultimate ownership of the world welterweight crown, the enormous need in me to win touched a whole heap of other responses a fourteen years old can't really work out. It had something to do with rejecting the Lord, with my mother, the Judge, being surrounded by guys who came from wealthy homes, even my headless snake. While I didn't think of it as camouflage, I now know that it was, that I kept myself protected by being out in front. Too far in front to be an easy mark.

The truth is, she’s so talented, they’ll probably want to bring her back next year.

May the snake that doesn’t bite me live a thousand years.

In the woods, too, a man casts off his years, as the snake his slough, and at what period soever of life is always a child. In the woods is perpetual youth.

Just so that you don’t think this place is a complete snake pit: there are also kind, courteous and compassionate people in here. Although they’re not usually the ones you notice.

Next thing you know, they’ll show me baking cookies with the Snake.

The Snake become the Lion and the Lion become the Snake.

The water slides up, then falls back with a gentle hiss, like a big snake breathing.

In the nine years I’d known Snake, this was the first time I’d heard him reference Star Wars.

In the woods too, a man casts off his years, as the snake his slough, and at what period soever of life, is always a child. In the woods, is perpetual youth.

She dined upon snake—the animal that gives birth to itself, year after year.

How crazy it would be if the moon did spin and the earth stood still and the sun went dim! How absolutely ludicrous if snakes could walk and kids could fly and mimes did talk! How silly it would be if the nights were tan and the mornings green and the sun cyan! How totally ridiculous if horses chirped and spiders sang and ladies burped! How shocking it would be if the dragons ruled and the knights were daft but the fish were schooled! How utterly preposterous if rain were dry and snowflakes warm and real men cried! I love to just imagine all the lows as heights, and the salty, sweet, and our lefts as rights. Perhaps it is incredible and off the hook, but it all makes sense in a storybook! 

Oro pressed two fingers against her heart. Ran them lower, to the center of her chest. A vine snaked its way across the balcony and bloomed a red rose. Oro plucked it. Offered it to her. She stared down at the flower. A rose with thorns, just like her. It was beautiful. Vicious. Isla took it, then threw it over her shoulder, clean off the balcony. And stood on her toes so her forehead touched his. Oro stilled. His eyes were amber and burning, nothing like the emptiness she had glimpsed the first day of the Centennial. He looked at her like she was the thing they had torn apart the island for, the heart he had been desperately trying to find all these years, the needle that had finally threaded him together. Isla took a shaky breath.

I was afraid of burglars and Indian thugs and snakes and fires and Jack the Ripper, when I should have been afraid of thirty years in a bank and a take-over bid and a premature retirement

In the woods too, a man casts off his years, as the snake his slough, and at what period soever of life, is always a child. In the woods, is perpetual youth. Within these plantations of God, a decorum and sanctity reign, a perennial festival is dressed, and the guest sees not how he should tire of them in a thousand years. In the woods, we return to reason and faith. There I feel that nothing can befall me in life,—no disgrace, no calamity, (leaving me my eyes,) which nature cannot repair. Standing on the bare ground,—my head bathed by the blithe air, and uplifted into infinite space,—all mean egotism vanishes. I become a transparent eye-ball; I am nothing; I see all; the currents of the Universal Being circulate through me; I am part or particle of God. The

If calling themselves a friend, It doesn’t matter if it was yesterday or forty years ago, call it two-faced, if they pulled snake moves then; they still thrive off of disrespect today. -MillYentei

A few years ago, long after it had been closed, Eli said he saw a girl swimming in it, coming out of the water in a bikini, laughing at her frigthtened boyfriend, seaweed snaking around her. He said she looked like a mermaid. Deenie always pictured it like in one of those books of mythology she used to love, a girl rising from the foam gritted with pearls, mussels, the glitter of the sea. "It looks beautiful", her mother had said once when they were driving by at night, its waters opaline. “It is beautiful. But it makes people sick.” To Deenie, it was one of many interesting things that adults said would kill you: Easter lilles, jellyfish, copperhead snakes with their diamond heads, tails bright as sulfur. Don't touch, don't taste, don't get too close. And then, last week.

Nothing endures for so long as fear. Everywhere in nature one sees evidence of innate releasing mechanisms literally millions of years old, which have lain dormant through thousands of generations but retained their power undiminished. The field-rat’s inherited image of the hawk’s silhouette is the classic example—even a paper silhouette drawn across a cage sends it rushing frantically for cover. And how else can you explain the universal but completely groundless loathing of the spider, only one species of which has ever been known to sting? Or the equally surprising—in view of their comparative rarity—hatred of snakes and reptiles? Simply because we all carry within us a submerged memory of the time when the giant spiders were lethal, and when the reptiles were the planet’s dominant life form.

All, when life is new, Commence with feelings warm and prospects high; But time strips our illusions of their hue, And one by one in turn, some grand mistake Casts off its bright skin yearly like the snake.

You watch the Appalachian snake handlers on the Discovery Channel, and they look as weird as the guy on Coney Island who hammers six-inch nails into his nostrils, or Nick Nolte after a couple of vodka tonics.

Of the many fearsome beasts and monsters that roam our land, there is none more curious or more deadly that the Basilisk, known also as the King of Serpents. This snake, which may reach gigantic size, and live many hundreds of years, is born from a chicken's egg, hatched beneath a toad. Its methods of killing are more wonderous, for aside from its deadly and venomous fangs, the Basilisk has a murderous stare, and all who are fixed with the beam of its eye shall suffer instant death. Spiders flee before the Basilisk, for it is their mortal enemy, and the Basilisk flees only from the crowing of the rooster, which is fatal to it.

Look in it,' he said, smiling slightly, as you do when you have given someone a present which you know will please him and he is unwrapping it before your eyes. I opened it. In the folder I found four 8×10 glossy photos, obviously professionally done; they looked like the kind of stills that the publicity departments of movie studios put out. The photos showed a Greek vase, on it a painting of a male figure who we recognized as Hermes. Twined around the vase the double helix confronted us, done in red glaze against a black background. The DNA molecule. There could be no mistake. 'Twenty-three or -four hundred years ago,' Fat said. 'Not the picture but the krater, the pottery.' 'A pot,' I said. 'I saw it in a museum in Athens. It's authentic. Thats not a matter of my own opinion; I'm not qualified to judge such matters; it's authenticity has been established by the museum authorities. I talked with one of them. He hadn't realized what the design shows; he was very interested when I discussed it with him. This form of vase, the krater, was the shape later used as the baptismal font. That was one of the Greek words that came into my head in March 1974, the word “krater”. I heard it connected with another Greek word: “poros”. The words “poros krater” essentially mean “limestone font”. ' There could be no doubt; the design, predating Christianity, was Crick and Watson's double helix model at which they had arrived after so many wrong guesses, so much trial-and-error work. Here it was, faithfully reproduced. 'Well?' I said. 'The so-called intertwined snakes of the caduceus. Originally the caduceus, which is still the symbol of medicine was the staff of- not Hermes-but-' Fat paused, his eyes bright. 'Of Asklepios. It has a very specific meaning, besides that of wisdom, which the snakes allude to; it shows that the bearer is a sacred person and not to be molested...which is why Hermes the messenger of the gods, carried it.' None of us said anything for a time. Kevin started to utter something sarcastic, something in his dry, witty way, but he did not; he only sat without speaking. Examining the 8×10 glossies, Ginger said, 'How lovely!' 'The greatest physician in all human history,' Fat said to her. 'Asklepios, the founder of Greek medicine. The Roman Emperor Julian-known to us as Julian the Apostate because he renounced Christianity-conside​red Asklepios as God or a god; Julian worshipped him. If that worship had continued, the entire history of the Western world would have basically changed

I wanted a sailboat, he said. But you didn’t want anything. Don’t be bitter, I said. It’s never too late. No, he said with a great deal of bitterness. I may get a sailboat. As a matter of fact I have money down on an eighteen-foot two-rigger. I’m doing well this year and can look forward to better. But as for you, it’s too late. You’ll always want nothing. He had had a habit throughout the twenty-seven years of making a narrow remark which, like a plumber’s snake, could work its way through the ear down the throat, halfway to my heart. He would then disappear, leaving me choking with equipment. What I mean is, I sat down on the library steps and he went away. I looked through The House of Mirth, but lost interest. I felt extremely accused. Now, it’s true, I’m short of requests and absolute requirements. But I do want something. I want, for instance, to be a different person.

Wild Peaches" When the world turns completely upside down You say we’ll emigrate to the Eastern Shore Aboard a river-boat from Baltimore; We’ll live among wild peach trees, miles from town, You’ll wear a coonskin cap, and I a gown Homespun, dyed butternut’s dark gold color. Lost, like your lotus-eating ancestor, We’ll swim in milk and honey till we drown. The winter will be short, the summer long, The autumn amber-hued, sunny and hot, Tasting of cider and of scuppernong; All seasons sweet, but autumn best of all. The squirrels in their silver fur will fall Like falling leaves, like fruit, before your shot. 2 The autumn frosts will lie upon the grass Like bloom on grapes of purple-brown and gold. The misted early mornings will be cold; The little puddles will be roofed with glass. The sun, which burns from copper into brass, Melts these at noon, and makes the boys unfold Their knitted mufflers; full as they can hold Fat pockets dribble chestnuts as they pass. Peaches grow wild, and pigs can live in clover; A barrel of salted herrings lasts a year; The spring begins before the winter’s over. By February you may find the skins Of garter snakes and water moccasins Dwindled and harsh, dead-white and cloudy-clear. 3 When April pours the colors of a shell Upon the hills, when every little creek Is shot with silver from the Chesapeake In shoals new-minted by the ocean swell, When strawberries go begging, and the sleek Blue plums lie open to the blackbird’s beak, We shall live well — we shall live very well. The months between the cherries and the peaches Are brimming cornucopias which spill Fruits red and purple, sombre-bloomed and black; Then, down rich fields and frosty river beaches We’ll trample bright persimmons, while you kill Bronze partridge, speckled quail, and canvasback. 4 Down to the Puritan marrow of my bones There’s something in this richness that I hate. I love the look, austere, immaculate, Of landscapes drawn in pearly monotones. There’s something in my very blood that owns Bare hills, cold silver on a sky of slate, A thread of water, churned to milky spate Streaming through slanted pastures fenced with stones. I love those skies, thin blue or snowy gray, Those fields sparse-planted, rendering meagre sheaves; That spring, briefer than apple-blossom’s breath, Summer, so much too beautiful to stay, Swift autumn, like a bonfire of leaves, And sleepy winter, like the sleep of death.

Then, Momma explained that she once met an elm person who was a thousand years old, with bark tougher than the plates on an armadillo’s back. Everyone called her the screaming elm, because she wailed “Where am I?” all day long.

I looked at the priest. He had turned his face to the moon, which glittered on his open eyes; his body was quiet as the olive tree, or as a snake upon a stone. He seemed like a man who knew earth magic, and would prophesy in the madness of the dance. And then I thought of the great Labyrinth, which had stood a thousand years; and how Minos had said the god’s voice called them no longer. “All things change,” I thought, “except the gods who live for ever.

The Loneliness of the Military Historian Confess: it's my profession that alarms you. This is why few people ask me to dinner, though Lord knows I don't go out of my way to be scary. I wear dresses of sensible cut and unalarming shades of beige, I smell of lavender and go to the hairdresser's: no prophetess mane of mine, complete with snakes, will frighten the youngsters. If I roll my eyes and mutter, if I clutch at my heart and scream in horror like a third-rate actress chewing up a mad scene, I do it in private and nobody sees but the bathroom mirror. In general I might agree with you: women should not contemplate war, should not weigh tactics impartially, or evade the word enemy, or view both sides and denounce nothing. Women should march for peace, or hand out white feathers to arouse bravery, spit themselves on bayonets to protect their babies, whose skulls will be split anyway, or,having been raped repeatedly, hang themselves with their own hair. There are the functions that inspire general comfort. That, and the knitting of socks for the troops and a sort of moral cheerleading. Also: mourning the dead. Sons,lovers and so forth. All the killed children. Instead of this, I tell what I hope will pass as truth. A blunt thing, not lovely. The truth is seldom welcome, especially at dinner, though I am good at what I do. My trade is courage and atrocities. I look at them and do not condemn. I write things down the way they happened, as near as can be remembered. I don't ask why, because it is mostly the same. Wars happen because the ones who start them think they can win. In my dreams there is glamour. The Vikings leave their fields each year for a few months of killing and plunder, much as the boys go hunting. In real life they were farmers. The come back loaded with splendour. The Arabs ride against Crusaders with scimitars that could sever silk in the air. A swift cut to the horse's neck and a hunk of armour crashes down like a tower. Fire against metal. A poet might say: romance against banality. When awake, I know better. Despite the propaganda, there are no monsters, or none that could be finally buried. Finish one off, and circumstances and the radio create another. Believe me: whole armies have prayed fervently to God all night and meant it, and been slaughtered anyway. Brutality wins frequently, and large outcomes have turned on the invention of a mechanical device, viz. radar. True, valour sometimes counts for something, as at Thermopylae. Sometimes being right - though ultimate virtue, by agreed tradition, is decided by the winner. Sometimes men throw themselves on grenades and burst like paper bags of guts to save their comrades. I can admire that. But rats and cholera have won many wars. Those, and potatoes, or the absence of them. It's no use pinning all those medals across the chests of the dead. Impressive, but I know too much. Grand exploits merely depress me. In the interests of research I have walked on many battlefields that once were liquid with pulped men's bodies and spangled with exploded shells and splayed bone. All of them have been green again by the time I got there. Each has inspired a few good quotes in its day. Sad marble angels brood like hens over the grassy nests where nothing hatches. (The angels could just as well be described as vulgar or pitiless, depending on camera angle.) The word glory figures a lot on gateways. Of course I pick a flower or two from each, and press it in the hotel Bible for a souvenir. I'm just as human as you. But it's no use asking me for a final statement. As I say, I deal in tactics. Also statistics: for every year of peace there have been four hundred years of war.

Well, consider then, boy. Any man saves fingernail clippings is a fool. You ever see a snake bother to keep his peeled skin? That's about all you got here today in this bed is fingernails and snake skin. One good breath would send me up in flakes. Important thing is not the me that's lying here, but the me that's sitting on the edge of the bed looking back at me, and the me that's downstairs cooking supper, or out in the garage under the car, or in the library reading. All the new parts, they count. I'm not really dying today. No person ever died that had a family. I'll be around a long time. A thousand years from now a whole township of my offspring will be biting sour apples in the gumwood shade.

Granny Weatherwax personally disliked young Pewsey. She disliked all small children, which is why she got on with them so well. In Pewsey's case, she felt that no one should be allowed to wander around in just a vest even if they were four years old. And the child had a permanently runny nose and ought to be provided with a handkerchief or, failing that, a cork. Nanny Ogg, on the other hand, was instant putty in the hands of any grandchild, even one as sticky as Pewsey "Want sweetie," growled Pewsey, in that curiously deep voice some young children have. "Just in a moment, my duck, I'm talking to the lady," Nanny Ogg fluted. "Want sweetie now." "Bugger off, my precious, Nana's busy right this minute." Pewsey pulled hard on Nanny Ogg's skirts. "Now sweetie now!" Granny Weatherwax leaned down until her impressive nose was about level with Pewsey's gushing one. "If you don't go away," she said gravely, "I will personally rip your head off and fill it with snakes." "There!" said Nanny Ogg. "There's lots of poor children in Klatch that'd be grateful for a curse like that." Pewsey's little face, after a second or two of uncertainty, split into a pumpkin grin. "Funny lady," he said.

(University of Alabama snake digestion expert Stephen Secor did this some years back to reenact a scene for National Geographic television. “Worked like a charm,” he told me. “I can get a python to eat a beer bottle if I put a rat head on it.”)

When I return with her heart, there will be years aplenty for all of us,” she said, eying her sisters’ hairy chins and hollow eyes with disfavor. She slipped a scarlet bracelet onto her wrist, in the shape of a small snake with its tail between its jaws.

For some, autumn comes early, stays late through life where October follows September and November touches October and then instead of December and Christ’s birth, there is no Bethlehem Star, no rejoicing, but September comes again and old October and so on down the years, with no winter, spring, or revivifying summer. For these beings, fall is the ever normal season, the only weather, there be no choice beyond. Where do they come from? The dust. Where do they go? The grave. Does blood stir their veins? No: the night wind. What ticks in their head? The worm. What speaks from their mouth? The toad. What sees from their eye? The snake. What hears with their ear? The abyss between the stars. They sift the human storm for souls, eat flesh of reason, fill tombs with sinners. They

The Los Angeles River is small, but mean. People who don't know the truth of it make fun of our river; all they see is a tortured trickle that snakes along a concrete gutter like some junkie's vein. They don't know that we put the river in concrete to save ourselves; they don't know that the river is small because it's sleeping, and that every year and sometimes more it wakes. Before we put the river in that silly trough centered on a concrete plain at the bottom of those concrete walls, it flashed to life with the rain to wash away trees and houses and bridges, and cut its banks to breed new channels almost as if it was looking for people to kill. It found what it looked for too many times. Now, when it wakes, the river climbs those concrete walls so high that wet claws rake the freeways and bridges as it tries to pull down a passing car or someone caught out in the storm. Chain-link fences and barbed wire spine along the top of the walls to keep out people, but the walls keep in the river. The concrete is a prison. The prison works, most of the time.

In the sky there is nobody asleep. Nobody, nobody. Nobody is asleep. The creatures of the moon sniff and prowl about their cabins. The living iguanas will come and bite the men who do not dream, and the man who rushes out with his spirit broken will meet on the street corner the unbelievable alligator quiet beneath the tender protest of the stars. Nobody is asleep on earth. Nobody, nobody. Nobody is asleep. In a graveyard far off there is a corpse who has moaned for three years because of a dry countryside on his knee; and that boy they buried this morning cried so much it was necessary to call out the dogs to keep him quiet. Life is not a dream. Careful! Careful! Careful! We fall down the stairs in order to eat the moist earth or we climb to the knife edge of the snow with the voices of the dead dahlias. But forgetfulness does not exist, dreams do not exist; flesh exists. Kisses tie our mouths in a thicket of new veins, and whoever his pain pains will feel that pain forever and whoever is afraid of death will carry it on his shoulders. One day the horses will live in the saloons and the enraged ants will throw themselves on the yellow skies that take refuge in the eyes of cows. Another day we will watch the preserved butterflies rise from the dead and still walking through a country of gray sponges and silent boats we will watch our ring flash and roses spring from our tongue. Careful! Be careful! Be careful! The men who still have marks of the claw and the thunderstorm, and that boy who cries because he has never heard of the invention of the bridge, or that dead man who possesses now only his head and a shoe, we must carry them to the wall where the iguanas and the snakes are waiting, where the bear’s teeth are waiting, where the mummified hand of the boy is waiting, and the hair of the camel stands on end with a violent blue shudder. Nobody is sleeping in the sky. Nobody, nobody. Nobody is sleeping. If someone does close his eyes, a whip, boys, a whip! Let there be a landscape of open eyes and bitter wounds on fire. No one is sleeping in this world. No one, no one. I have said it before. No one is sleeping. But if someone grows too much moss on his temples during the night, open the stage trapdoors so he can see in the moonlight the lying goblets, and the poison, and the skull of the theaters - City That Does Not Sleep

Look, the witches were one thing—she’d been fighting monster-faced hags for a couple of years at this point, gnarled old witches and chubby-cheeked bohemians that could Force-throw furniture like Carrie, fill your car with snakes, and turn themselves into raving gorgons.

Onion You had many layers like an onion. Wait, no, like an artichoke—with your layers arranged like snake scales, not stacked like coats of paint. Be sure to call in a year or so and tell me whether I was lifting heavy stones off your bunker door or plucking petals off your face.

There are so many things to grieve....All the dogs & cats & birds & snakes we have loved & lost, & old lovers, but what else? ... it took me forever to see that one of them was my own daughter, my baby, a young woman I thought of only as a girl, a child, & there she was, suddenly a woman, & I felt this ache gnaw at me as if I hadn't eaten in a year. ... I stood there watching my daughter gesture & move & laugh with the grace of a grown-up, & I just started crying like a baby. It wasn't unlike the same type of sorrow we all feel when we realize something we once had that was very precious is not longer there. That it is forever lost, changed, deceased. Like a baby, gone, except in your memory. ... My own daughter is now a woman. I get it. Another passage, another form of loss, another reason to grieve, another part of this life process.

There was a time—the year after leaving, even five years after when this homely street, with its old-fashioned high crown, its sidewalk blocks tugged up and down by maple roots, its retaining walls of sandstone and railings of painted iron and two-family brickfront houses whose siding imitates gray rocks, excited Rabbit with the magic of his own existence. These mundane surfaces had given witness to his life; this cup had held his blood; here the universe had centered, each downtwirling maple seed of more account than galaxies. No more. Jackson Road seems an ordinary street anywhere. Millions of such American streets hold millions of lives, and let them sift through, and neither notice nor mourn, and fall into decay, and do not even mourn their own passing but instead grimace at the wrecking ball with the same gaunt facades that have outweathered all their winters. However steadily Mom communes with these maples—the branches’ misty snake-shapes as inflexibly fixed in these two windows as the leading of stained glass—they will not hold back her fate by the space of a breath; nor, if they are cut down tomorrow to widen Jackson Road at last, will her staring, that planted them within herself, halt their vanishing. And the wash of new light will extinguish even her memory of them. Time is our element, not a mistaken invader. How stupid, it has taken him thirty-six years to begin to believe that.

Fuming, I reach for the stick at my feet; however, this is the precise moment that a small black garter snake slithers out in front of me. I do what any normal fourteen-year-old girl would do: scream my head off, dance in spastic horror, and throw my tobacco knife into the dirt-completely missing the snake. I look to Luke for help, but he's laughing hysterically, which really gets my already hot blood boiling. Wrists on sweaty forehead, breathing totally out of control, I walk around in a circle until the disgusting little reptile slithers away. I am-offically-over it.

They say that once you see the ocean, no other water can compare. My love story started so many years ago. Pa and I began our marriage with the strength of a tiger’s head but it slowly transformed into the weak tail of the snake. How could it be that I placed the green hat upon his head?

Snakes can have dozens of young at a time, and so they are often symbols of fertility. They resemble vegetation, especially roots, in their form and often in the green and brown of their skins. The undulating form of a snake also suggests a river. A point of muscular tension passes through the body of a snake and drives the animal forward, like a moment moving along a continuum of days and years. Like time itself, a snake seems to progress while remaining still. In addition, the body of a snake also resembles those marks with a stylus, brush, or pen that make up our letters. Ornamental alphabets of the ancient Celts and others were often made up of intertwined serpents. It could even be that the tracks of a snake in sand helped to inspire the invention of the alphabet. The manner in which snakes curl up in a ball has made people associate them with the sun.

Initiation asks the son to move his love energy away from the attractive mother to the relatively unattractive serpent father. All that is ashes work. When a man enters this stage he regards Descent as a holy thing, he increases his tolerance for ashes, eats dust as snake do, increases his stomach for terrifying insights, deepens his ability to digest the evil facts of history, accepts the job of working seven years under the ground, leaves the granary at will through the rat’s hole, bites on cinders, learns to shudder, and follows the voice of the old mole below the ground.

The longer she was here, the more she felt like a snake shedding its skin, like something tight and constricting was falling off her. For nine years she'd focused on her studies and her goals for the future, and now that her future was upon her, she wanted only to sink into the comfort of the past.

The weird thing is that, when normal, inevitable challenges come up – like a refund request – some people not only fall down, they launch themselves down a snake/chute and refuse to play the game again, convinced they’re a failure. They quit, or remain paralyzed by fear, shame, and indecision for years.

These bears were reimagined in place through a collective belief and need. I do not know why they were sculpted into being, but their power is palpable. I may be blind to what has been buried here or held inside these effigy mounds for thousands of years, but I can read the landscape like Braille through the tips of my fingers translating the script of grasses into a narrative I can understand. The bears and birds and snakes written on the body of the Earth through the hands of humans who dwelled here in the Upper Mississippi River Valley are a reminder that we form the future by being caretakers of our past.

Imagine what it's like to be (untouchable) Better not take a chance on me (untouchable) I'm the bad boy your mama told you about I'm dangerous, without a doubt Even coming off a ten-year drought Untouchable I'm the rose with hidden thorns (untouchable) Don't tell me that you haven't been warned (untouchable) I'm pretty poison under the skin, The bite of the apple that's a mortal sin In a game of love you'll never win Untouchable My reputation's fairly earned (untouchable) If you play with fire, you will get burned (untouchable) Stay out of the kitchen if you can't take the heat, My kisses are deadly as they are sweet, I'm a runaway bus on a dead-end street Untouchable Fools rush in, that's what they say(untouchable) But angels fall, too, most every day (untouchable) I'm the snake in the garden, the siren on the reef I have the face of a saint and the heart of a thief I'll promise you love! And bring you nothing but grief Untouchable Hearing Jonah sing like this was like watching him slice himself open and show off his insides. Why would he do that? Why would be write such a song? And then Emma answered her own question. Because good music always tells the truth, no matter how much it hurts. Emma couldn't be the only one who felt the bite of the blade, but everyone else seemed to take it in stride. Did they know? Did they all know about Jonah? Of course they did. They were there when it happened. They'd allow Jonah to keep the secrets that were most important to him. She knew she shouldn't resent that, but she still did. They must have known she was falling for him. They must have.

Traces of historical associations can long outlast actual contact. In the dense, subtropical forests from India across to the South China Sea, venomous snakes are common, and there is always an advantage in pretending to be something dangerous. The slow loris, a weird, nocturnal primate, has a number of unusual features that, taken together, seem to be mimicking spectacled cobras. They move in a sinuous, serpentine way through the branches, always smooth and slow. When threatened, they raise their arms up behind their head, shiver and hiss, their wide, round eyes closely resembling the markings on the inside of the spectacled cobra’s hood. Even more remarkably, when in this position, the loris has access to glands in its armpit which, when combined with saliva, can produce a venom capable of causing anaphylactic shock in humans. In behaviour, colour and even bite, the primate has come to resemble the snake, a sheep in wolf’s clothing. Today, the ranges of the loris and cobras do not overlap, but climate reconstructions reaching back tens of thousands of years suggest that once they would have been similar. It is possible that the loris is an outdated imitation artist, stuck in an evolutionary rut, compelled by instinct to act out an impression of something neither it nor its audience has ever seen.

Kiss me,” I say in a hushed voice. His arm snakes around my back as he draws me near. My breathing gets shallow as I realize what is going to happen. I’m going to let him kiss me. I’m going to kiss him because that’s all I can think about. We’ve shared two very different moments, now I want this. Zach’s eyes melt into pools of indigo. The pinks, oranges, and reds filter around him as the sun sets behind him. Everything is warm and beautiful around us. “Are you sure, darlin’?” “I’ve loved you since I was twelve years old, Zachary Hennington. You were my first kiss, my first love, the first man to touch me. I want you to kiss me, and I need to kiss you.

The Gypsy’S Song* Come, cross my hand! My art surpasses All that did ever Mortal know; Come, Maidens, come! My magic glasses* Your future Husband’s form can show: For ’tis to me the power is given Unclosed the book of Fate to see; To read the fixed resolves of heaven, And dive into futurity. I guide the pale Moon’s silver waggon; The winds in magic bonds I hold; I charm to sleep the crimson Dragon, Who loves to watch o’er buried gold: Fenced round with spells, unhurt I venture Their sabbath strange where Witches keep; Fearless the Sorcerer’s circle enter, And woundless tread on snakes asleep. Lo! Here are charms of mighty power! This makes secure an Husband’s truth; And this composed at midnight hour Will force to love the coldest Youth: If any Maid too much has granted, Her loss this Philtre* will repair; This blooms a cheek where red is wanted, And this will make a brown girl fair! Then silent hear, while I discover What I in Fortune’s mirror view; And each, when many a year is over, Shall own the Gypsy’s sayings true.

New Rule: For at least the next generation, the Crocodile Hunter clan has to leave nature alone. This week, the late Steve Irwin’s youngest son was bitten by a boa constrictor. Authorities don’t know exactly what went wrong, but they think the accident might have happened when a bunch of idiots let a four-year-old fuck around with a giant snake.

I ask him if he tried to rape Nyla. “Laws are silent in times of war,” Tactus drawls. “Don’t quote Cicero to me,” I say. “You are held to a higher standard than a marauding centurion.” “In that, you’re hitting the mark at least. I am a superior creature descended from proud stock and glorious heritage. Might makes right, Darrow. If I can take, I may take. If I do take, I deserve to have. This is what Peerless believe.” “The measure of a man is what he does when he has power,” I say loudly. “Just come off it, Reaper,” Tactus drawls, confident in himself as all like him are. “She’s a spoil of war. My power took her. And before the strong, bend the weak.” “I’m stronger than you, Tactus,” I say. “So I can do with you as I wish. No?” He’s silent, realizing he’s fallen into a trap. “You are from a superior family to mine, Tactus. My parents are dead. I am the sole member of my family. But I am a superior creature to you.” He smirks at that. “Do you disagree?” I toss a knife at his feet and pull my own out. “I beg you to voice your concerns.” He does not pick his blade up. “So, by right of power, I can do with you as I like.” I announce that rape will never be permitted, and then I ask Nyla the punishment she would give. As she told me before, she says she wants no punishment. I make sure they know this, so there are no recriminations against her. Tactus and his armed supporters stare at her in surprise. They don’t understand why she would not take vengeance, but that doesn’t stop them from smiling wolfishly at one another, thinking their chief has dodged punishment. Then I speak. “But I say you get twenty lashes from a leather switch, Tactus. You tried to take something beyond the bounds of the game. You gave in to your pathetic animal instincts. Here that is less forgivable than murder; I hope you feel shame when you look back at this moment fifty years from now and realize your weakness. I hope you fear your sons and daughters knowing what you did to a fellow Gold. Until then, twenty lashes will serve.” Some of the Diana soldiers step forward in anger, but Pax hefts his axe on his shoulder and they shrink back, glaring at me. They gave me a fortress and I’m going to whip their favorite warrior. I see my army dying as Mustang pulls off Tactus’s shirt. He stares at me like a snake. I know what evil thoughts he’s thinking. I thought them of my floggers too. I whip him twenty brutal times, holding nothing back. Blood runs down his back. Pax nearly has to hack down one of the Diana soldiers to keep them from charging to stop the punishment. Tactus barely manages to stagger to his feet, wrath burning in his eyes. “A mistake,” he whispers to me. “Such a mistake.” Then I surprise him. I shove the switch into his hand and bring him close by cupping my hand around the back of his head. “You deserve to have your balls off, you selfish bastard,” I whisper to him. “This is my army,” I say more loudly. “This is my army. Its evils are mine as much as yours, as much as they are Tactus’s. Every time any of you commit a crime like this, something gratuitous and perverse, you will own it and I will own it with you, because when you do something wicked, it hurts all of us.” Tactus stands there like a fool. He’s confused. I shove him hard in the chest. He stumbles back. I follow him, shoving. “What were you going to do?” I push his hand holding the leather switch back toward his chest. “I don’t know what you mean …” he murmurs as I shove him. “Come on, man! You were going to shove your prick inside someone in my army. Why not whip me while you’re at it? Why not hurt me too? It’ll be easier. Milia won’t even try to stab you. I promise.” I shove him again. He looks around. No one speaks. I strip off my shirt and go to my knees. The air is cold. Knees on stone and snow. My eyes lock with Mustang’s. She winks at me and I feel like I can do anything.

You take things coolly, sir,’ said Juan. ‘Why,’ Replied the other, ‘what can a man do? There still are many rainbows in your sky, But mine have vanish’d. All, when life is new, Commence with feelings warm, and prospects high; But time strips our illusions of their hue, And one by one in turn, some grand mistake Casts off its bright skin yearly like the snake.

It will not hurt me when I am old, A running tide where moonlight burned Will not sting me like silver snakes; The years will make me sad and cold, It is the happy heart the breaks. The hearts asks more than life can give, When that is learned, then all is learned; The waves break fold on jewelled fold, But beauty itself is fugitive, It will not hurt me when I am old.

Why is it that so many ghosts prefer to travel the halls of night? Ask the living and they will tell you that these spirits either have some unquenched desire or an unaddressed grievance that stirs them from their sleep and sends them out into the world in search of solace. But the living are so self-centered. Of course they would judge a spirit’s nocturnal wanderings as the product of earthly memories. When, in fact, if these restless souls wanted to harrow the bustling avenues of noon, there is nothing to stop them from doing so. No. If they wander the halls of night, it is not from a grievance with or envy of the living. Rather, it is because they have no desire to see the living at all. Any more than snakes hope to see gardeners, or foxes the hounds. They wander about at midnight because at that hour they can generally do so without being harried by the sound and fury of earthly emotions. After all those years of striving and struggling, of hoping and praying, of shouldering expectations, stomaching opinions, navigating decorum, and making conversation, what they seek, quite simply, is a little peace and quiet.

Dripping charnel  grounds of light - I examine hope &  fear - blue-black body  monster of enlightenment - call me Youthful Lightning Bolt -  tired I slump - desire's already  here - I don't care - my wrathful rosary coiled      snake   on my cushion -  I close my tired   eyes -  sleep has been  troubled but   my mother's  cancer hasn't  spread -      still I  am the Cemetary King

if you slip a rat’s face and hide, Hannibal Lecter–style, over the snout of a non-favored prey item, a python will try to swallow it. (University of Alabama snake digestion expert Stephen Secor did this some years back to reenact a scene for National Geographic television. “Worked like a charm,” he told me. “I can get a python to eat a beer bottle if I put a rat head on it.”) For

I Brought My Grandma's Teeth to School I brought my grandma’s teeth to school to share for show-and-tell. Billy showed his sneakers. It was more like show-and-smell. Kevin brought a violin and showed he couldn’t play. Katie brought a snake to school—too bad it got away. Our class likes show-and-tell a lot, so we were sad to hear our teacher say that show-and-tell is canceled till next year.

Dutiful How did I get so dutiful? Was I always that way? Going around as a child with a small broom and dustpan, sweeping up dirt I didn't make, or out into the yard with a stunted rake,, weeding the gardens of others -the dirt blew back, the weeds flourished, despite my efforts- and all the while with a frown of disapproval for other people's fecklessness, and my own slavery. I didn't perform these duties willingly. I wanted to be on the river, or dancing, but something had me by the back of the neck. That's me too, years later, a purple-eyed wreck, because whatever had to be finished wasn't, and I stayed late, grumpy as a snake, on too much coffee, and further on still, those groups composed of mutterings and scoldings, and the set-piece exhortation: somebody ought to do something! That was my hand shooting up. But I've resigned. I've ditched the grip of my echo. I've decided to wear sunglasses, and a necklace adorned with the gold word NO, and eat flowers I didn't grow. Still, why do I feel so responsible for the wailing from shattered houses, for birth defects and unjust wars, and the soft, unbearable sadness filtering down from distant stars?

Please Call Me By My True Names Don’t say that I will depart tomorrow— even today I am still arriving. Look deeply: every second I am arriving to be a bud on a Spring branch, to be a tiny bird, with still-fragile wings, learning to sing in my new nest, to be a caterpillar in the heart of a flower, to be a jewel hiding itself in a stone. I still arrive, in order to laugh and to cry, to fear and to hope. The rhythm of my heart is the birth and death of all that is alive. I am a mayfly metamorphosing on the surface of the river. And I am the bird that swoops down to swallow the mayfly. I am a frog swimming happily in the clear water of a pond. And I am the grass-snake that silently feeds itself on the frog. I am the child in Uganda, all skin and bones, my legs as thin as bamboo sticks. And I am the arms merchant, selling deadly weapons to Uganda. I am the twelve-year-old girl, refugee on a small boat, who throws herself into the ocean after being raped by a sea pirate. And I am also the pirate, my heart not yet capable of seeing and loving. I am a member of the politburo, with plenty of power in my hands. And I am the man who has to pay his “debt of blood” to my people dying slowly in a forced-labor camp. My joy is like Spring, so warm it makes flowers bloom all over the Earth. My pain is like a river of tears, so vast it fills the four oceans. Please call me by my true names, so I can hear all my cries and laughter at once, so I can see that my joy and pain are one. Please call me by my true names, so I can wake up and the door of my heart could be left open, the door of compassion.

One of them is the Nayaka people, who live in the tropical forests of south India. The anthropologist Danny Naveh, who studied the Nayaka for several years, reports that when a Nayaka walking in the jungle encounters a dangerous animal such as a tiger, snake or elephant, he or she might address the animal and say: ‘You live in the forest. I too live here in the forest. You came here to eat, and I too came here to

To an American Negro living in the northern part of the United States the word South has an unpleasant sound, an overtone of horror and of fear. For it is in the South that our ancestors were slaves for three hundred years, bought and sold like cattle. It is in the South today that we suffer the worst forms of racial persecution and economic exploitation--segregation, peonage, and lynching. It is in the Southern states that the color line is hard and fast, Jim Crow rules, and I am treated like a dog. Yet it is in the South that two-thirds of my people live: A great Black Belt stretching from Virginia to Texas, across the cotton plantations of Georgia and Alabama and Mississippi, down into the orange groves of Florida and the sugar cane lands of Louisiana. It is in the South that black hands create the wealth that supports the great cities--Atlanta, Memphis, New Orleans, where the rich whites live in fine houses on magnolia-shaded streets and the Negroes live in slums restricted by law. It is in the South that what the Americans call the "race problem" rears its ugly head the highest and, like a snake with its eyes on a bird, holds the whole land in its power. It is in the South that hate and terror walk the streets and roads by day, sometimes quiet, sometimes violent, and sleep n the beds with the citizens at night.

Why would Yahweh give us Genesis 1 if the universe is really billions of years old and there were several pre-human species that lived and died on earth? Why not reveal what actually happened instead of telling us fables about gardens and talking snakes? I realize the Bible is not a science textbook, but it could have easily explained to us at least the basic tenets of biology without having to discover it all on our own many centuries later.

She led them through the hall, which, unlike in previous years, was buzzing with excitement. People were shouting good luck to him, congratulating him on the interview. Coriolanus enjoyed the attention, but there was something undeniably disturbing about it as well. In the past, these had been subdued occasions, in which people avoided eye contact and spoke only when necessary. Now an eagerness filled the hall, as if a much-loved entertainment awaited them.

A Creek man more than a hundred years old, named Speckled Snake, reacted to Andrew Jackson’s policy of removal: Brothers! I have listened to many talks from our great white father. When he first came over the wide waters, he was but a little man . . . very little. His legs were cramped by sitting long in his big boat, and he begged for a little land to light his fire on. . . . But when the white man had warmed himself before the Indians’ fire and filled himself with their hominy, he became very large. With a step he bestrode the mountains, and his feet covered the plains and the valleys. His hand grasped the eastern and the western sea, and his head rested on the moon. Then he became our Great Father. He loved his red children, and he said, “Get a little further, lest I tread on thee.” Brothers! I have listened to a great many talks from our great father. But they always began and ended in this—“Get a little further; you are too near me.

Children" Years back here we were children and at the stage of running in gangs about the meadows-- here to this one, there to that one. Where we picked up violets on lucky days, you can now see cattle gadding about. I still remember hunching ankle deep in violets, squabbling over which bunches were fairest. Our childishness was obvious-- we ran dancing rounds, we wore new green wreaths. So time passes. Here we ran swilling strawberries from oak to pine through hedges, through turnstiles-- as long as day was burning down. Once a gardener rushed from an arbor: "O.K. now, children, run home." We came out in spots those yesterdays, when we stuffed on strawberries; it was just a childish game to us. Often we heard the herdsman hooing and warning us: "Children, the woods are alive with snakes." And one of the children breaking through the sharp grass, grew white and shouted, "Children, a snake ran in there. He got our pony. She'll never get well. I wish that snake would go to hell!" "Well then, get out of the woods! If you don't hurry away quickly, I'll tell you what will happen-- if you don't leave the forest behind you by daylight, you'll lose yourselves; your pleasure will end in bawling." Do you know how five virgins dawdled in the meadow, till the king slammed his dining-room door? Their shouting and shame were outrageous: their jailor tore everything off them, down to their skins they stood like milk cows without any clothes.

They came into being simultaneously in a garden, Eve and Adam, fully grown and naked and enjoying you could say the first Big Bang, and they had no idea how they got there until a snake led them to the tree of the knowledge of good and evil and when they ate its fruit they both simultaneously came up with the idea of a creator-god, a good- and-evil decider, a gardener-god who made the garden, otherwise where did the garden come from, and then planted them in it like rootless plants. And

In the past two hundred years, human numbers grew to over seven billion, and our species began to transform the oceans, the land, and the air. Human-built roads, canals, and railways snaked across the continents, linking thousands of human-built cities with populations in the millions. Vast ships navigated the oceans, and planes ferried goods and people through the air and across the continents. Just a hundred years ago, in glowing filaments and patches, Earth started lighting up at night.

My great-grandmother died almost 20 years before I was born. Hit by a train near Branford, FL. A very Southern Gothic way to go. I grew up with her stories. Pinches of snuff filled her mouth. Pinches left bruises on your arm. She was a witch. The black snakes crawled as she whistled. There were nail covered photos on the side of her barn. Songs to the cypress trees. Her daughter shared these things. All told with Affection. Enthusiasm. Awe. There is a life after life for those who are a good story.

My big rattler was old, and had led too easy a life; there was not much fight in him. He had probably lived there for years, with a fat prairie-dog for breakfast whenever he felt like it, a sheltered home, even an owl-feather bed, perhaps, and he had forgot that the world doesn’t owe rattlers a living. A snake of his size, in fighting trim, would be more than any boy could handle. So in reality it was a mock adventure; the game was fixed for me by chance, as it probably was for many a dragon-slayer.

Our brains respond instantly when chaos appears, with simple, hyper-fast circuits maintained from the ancient days, when our ancestors dwelled in trees, and snakes struck in a flash.32 After that nigh-instantaneous, deeply reflexive bodily response comes the later-evolving, more complex but slower responses of emotions—and, after that, comes thinking, of the higher order, which can extend over seconds, minutes or years. All that response is instinctive, in some sense—but the faster the response, the more instinctive.

them. In earlier years, I liked my father in some ways. He was social, chatty, witty; people enjoyed being with him and he paid special attention to me. He indulged me. He sometimes gave me rarities I longed for, or some version of them, like a garter snake, instead of a poisonous one. In later years, he seemed to be as aware of me as the stray cat that wandered in one day and never left. Mother had two moods. She was either temperamental, meaning short-tempered and unhappy, or she was melancholy, meaning listless and unhappy.

the Egyptian expedition would later attempt to explore the inside of the Great Pyramid, which had only been opened up again a few years previously. The French traveler Savary was one of the first to penetrate the interior, and most vividly evokes the atmosphere inside the pyramid at this time: We left our coats at the entrance to the passage which led into the interior, and began to descend, each holding a burning torch. Towards the bottom, we had to wriggle on our bellies like snakes in order to gain access to the inner passageway. . . . We scrambled up this on our knees, at the same time pressing our hands against the sides. Had we not done this, we risked slipping backwards, and the slight grooves on its surface would not have been able to stop us from sliding all the way down to the bottom. About halfway up we fired a pistol shot whose deafening noise echoed away forever through all the distant recesses of the immense edifice. This awakened thousands of bats, which hurtled down, striking us on our hands and face and extinguishing several of our torches.27

Mercymorn took her fat-tipped marker and scribbled on the plex, placing her new object squarely in the epirhoic layer. “This is the Beast,” she said. Augustine said, “That’s a muffin.” “I see a cloud, but with a face,” said Ianthe. “If you take that main squiggle for an eye.” You said, “I thought it was a flower,” and God said, “No, yes, I agree, there’s something–glorescent about it.” And Ortus said, “Thought it was a snake in a bush.” “I hate you all,” said Mercymorn passionately. “I have hated you for millennia… except you, my lord.” “Thanks,” said God. “I merely want to put you in a jail,” said his Lyctor, now meditative, “and fill up the jail with acid once for every time you made a frivolous remark, or ate peanuts in a Cohort Admiralty meeting, or said, ‘What would I know, I’m only God.’ Then at the end of a thousand years, you would say, ‘Mercy, I have learned not to do any of these things, because I hated the acid you put on me.’ And I would say, ‘That is why I did it, Lord. I did it for you, and for your empire.’ I often think about this,” she finished.

The Truth About Boys and Girls You may be surprised to learn that baby boys actually appear to be more fragile at birth than do baby girls. Yup, studies show that the rough, tough little guys made of “snakes and snails and puppy-dog tails” appear to be more easily stressed and more susceptible to health problems. They are often “fussier” than girls; they cry more easily and seem to have a harder time learning to calm themselves down (what is sometimes called “self-soothing”). Baby boys may be more sensitive to changes in routine, and to parental anger or depression.

My several years in the word game have learnt me several rules: (1) Avoid alliteration. Always (2) Prepositions are not words to end sentences with. (3) Avoid clichés like the plague. (They're old hat.) (4) Employ the vernacular. (5) Eschew ampersands & abbreviations, etc. (6) Parenthetical remarks (however relevant) are unnecessary. (7) It is wrong to ever split an infinitive. (8) Contractions aren't necessary. (9) Foreign words and phrases are not apropos. (10) One should never generalize. (11) Eliminate quotations. Ralph Waldo Emerson said, "I hate quotations. Tell me what you know." (12) Comparisons are as bad as clichés. (13) Don't be redundant; don't use more words than necessary; it's highly superfluous. (14) Profanity sucks. (15) Be more or less specific. (16) Understatement is always best. (17) Exaggeration is a billion times worse than understatement. (18) One-word sentences? Eliminate. (19) Analogies in writing are like feathers on a snake. (20) The passive voice is to be avoided. (21) Go around the barn at high noon to avoid colloquialisms. (22) Even if a mixed metaphor sings, it should be derailed. (23) Who needs rhetorical questions?

the Sac and Fox Indians of Illinois were removed, after the Black Hawk War (in which Abraham Lincoln was an officer, although he was not in combat). When Chief Black Hawk was defeated and captured in 1832, he made a surrender speech: I fought hard. But your guns were well aimed. The bullets flew like birds in the air, and whizzed by our ears like the wind through the trees in the winter. My warriors fell around me. . . . The sun rose dim on us in the morning, and at night it sunk in a dark cloud, and looked like a ball of fire. That was the last sun that shone on Black Hawk. . . . He is now a prisoner to the white men. . . . He has done nothing for which an Indian ought to be ashamed. He has fought for his countrymen, the squaws and papooses, against white men, who came year after year, to cheat them and take away their lands. You know the cause of our making war. It is known to all white men. They ought to be ashamed of it. Indians are not deceitful. The white men speak bad of the Indian and look at him spitefully. But the Indian does not tell lies. Indians do not steal. An Indian who is as bad as the white men could not live in our nation; he would be put to death, and eaten up by the wolves. The white men are bad schoolmasters; they carry false books, and deal in false actions; they smile in the face of the poor Indian to cheat him; they shake them by the hand to gain their confidence, to make them drunk, to deceive them, and ruin our wives. We told them to leave us alone, and keep away from us; they followed on, and beset our paths, and they coiled themselves among us, like the snake. They poisoned us by their touch. We were not safe. We lived in danger. We were becoming like them, hypocrites and liars, adulterous lazy drones, all talkers and no workers. . . . The white men do not scalp the head; but they do worse—they poison the heart. . . . Farewell, my nation! . . . Farewell to Black Hawk.

The fields, the lakes, the forests, and the streams, ocean, and all the living things that dwell within the daedal earth; lightning, and rain, earthquake, and fiery flood, and hurricane, the torpor of the year when feeble dreams visit the hidden buds, or dreamless sleep holds every future leaf and flower; the bound with which from that detested trance they leap; the works and ways of man, their death and birth, and that of him and all that his may be; all things that move and breathe with toil and sound are born and die; revolve, subside, and swell. Power dwells apart in its tranquillity, remote, serene, and inaccessible: and this, the naked countenance of earth, on which I gaze, even these primeval mountains teach the adverting mind. The glaciers creep like snakes that watch their prey, from their far fountains, slow rolling on; there, many a precipice frost and the sun in scorn of mortal power have pil'd: dome, pyramid, and pinnacle, a city of death, distinct with many a tower and wall impregnable of beaming ice. Yet not a city, but a flood of ruin is there, that from the boundaries of the sky rolls its perpetual stream; vast pines are strewing its destin'd path, or in the mangled soil branchless and shatter'd stand; the rocks, drawn down from yon remotest waste, have overthrown the limits of the dead and living world, never to be reclaim'd. The dwelling-place of insects, beasts, and birds, becomes its spoil; their food and their retreat for ever gone, so much of life and joy is lost. The race of man flies far in dread; his work and dwelling vanish, like smoke before the tempest's stream, and their place is not known. Below, vast caves shine in the rushing torrents' restless gleam, which from those secret chasms in tumult welling meet in the vale, and one majestic river, the breath and blood of distant lands, for ever rolls its loud waters to the ocean-waves, breathes its swift vapours to the circling air.

Dolphins... Yeah, dolphins... A lot of people like dogs, cats, and - for some reason I've never been able to fathim - even snakes and toads. But dolphins? Everybody, and I mean EVERYBODY loves bloody dolphins. Don't they? Goes way back, to the ancient Greeks, when shipwrecked sailors would wash up on beaches yammering out crazy stories of how they was staring down a watery grave, when out of nowhere, flipper shows up and pushes them safely back to the shore. Heartarming - and say what you will about aquatic mammal public relations, but that was one ispired move, because here we are two thousand years later and everybody still loves them bloody dolphins. What you don't hear are the other stories, the ones where flipper's watching poor Artemides doggy paddling away and inhaling the warm, salty waters of the Adriatic... and flipper things, "Yeah, sure I could save him, but sod that for a can of sardines" and instead of pushing Artemides back to shore, flipper pushes the poor sod out to sea... in the immortal words of Sir Johnny of the Cash, "Just to watch him die..." See, moral is, if you're gonna be a bastard, be like a dolphin - think big picture, protect your image and above all, leave no trace. Because in the bloodshot, bleary eyes of the world, once you're a bastard, you're always a bastard.

I wanted to kiss you. I can't explain why. I have no excuses. At any rate, don't worry. It was clearly a mistake, and I promise it won't happen agai-" Again. He kissed her again. Or rather, he kissed her for the first time- and he was so much better at it than she. This kiss could not be mistaken for an accidental collision mouths. Oh, no. He kissed with purpose. His lips had ideas. His tongue had plans. She closed her eyes and melted against him, flattening her hands on his muscled arms. He brushed his lips to hers in a series of chaste, yet masterful kisses. He swept a hand up her spine and into her hair, where he twisted and gathered the tangled locks in his fist. Then he tugged sharply, tipping her face to his and sending electric sensation over her every nerve. When her mouth fell open in a gasp, he reclaimed her lips, sweeping his tongue between them. Her first instinct was to shy away, but Penny fought against it. She reached higher, lacing her arms about his neck and holding tight. His tongue stroked hers, slow and insistent. He tasted of soot and salt and... and of apples, strangely. Tart, smoky, just a hint of sweet. A lush, decadent pleasure unwound within her, snaking through her veins- as though it had lain coiled in anticipation for years. Waiting on this moment. Waiting on this man.

They arrived to find the park was a train wreck. Literally; that was the theme of this year’s decorations, a locomotive accident with hundreds of gruesome fatalities. A line of smashed, overturned, and burning train cars—real ones, brought over from an abandoned rail yard—snaked through the park, partygoers shuffling around and climbing over them. Unsettlingly realistic corpses and severed limbs littered the ground. Massive zombie buzzards the size of pterodactyls swarmed overhead and occasionally swooped down on tattered leathery wings, snatching up some body part in a jagged beak and hauling it back into the sky. Again: Devil’s Night was not for kids.

My mother could barely speak then. She allowed a tear to run down her face, leaving a muddled gray stripe through her makeup. The man put one arm around her shoulders. “Oh, you poor thing. A tragic loss. He was a great man. I know how much he loved you.” I guess my mother was too aggrieved, too drunk, or too medicated to see the man’s other arm snake over from his knee to mine at some point during the conversation. I was drunk, too, and I kept still. When my mother got up to use the bathroom, we were left alone on the sofa, and there was a kiss on my forehead, a finger traced down the side of my neck and over my left nipple. I knew what he was doing. I did not resist. “You poor thing.

Forgive me,” he said tightly. “That was uncalled for.” “It certainly was,” Maria said. “She was saying nice things about you.” His gaze shot to her. “She was pointing out, yet again, how I’ve failed my family.” “If you don’t like it,” Maria countered, “why don’t you stop failing them?” “Touche, Maria,” Minerva said softly. Gritting his teeth, Oliver turned his gaze out the window, no doubt wishing he could be well away from them all. And as he retreated into himself, Minerva began to tell one story after another about Oliver as a boy. Maria didn’t want to be enchanted by them, but she couldn’t help herself. She laughed at the tale of how he’d fallen into the pond in front of Halstead Hall while trying to “charm” fish into the boat the way Indians charmed snakes out of their baskets. She tried not to laugh at the one where he coaxed Gabe into sharing Gabe’s piece of cake by claiming that it might have been poisoned, requiring Oliver to “taste it and make sure it was safe.” But the tale about some lad pulling five-year-old Minerva’s hair, and Oliver jumping to her rescue by punching Minerva’s attacker, made Maria want to cry. The Oliver who’d defended his sister still existed-she glimpsed him from time to time. So where had the other, carefree Oliver gone? His siblings didn’t seem nearly as bitter over the tragedy of their parents’ deaths as he. Was it simply because he’d been older? Or did something else about it plague him?

Sassy had worked in El Paso, Texas as a waitress in a small café, a toll-booth cashier in Houston, Texas, posed nude for magazine photos in Reno, Nevada and even was a ski instructor in Granby, Colorado for a few years. Sassy was always looking. She was looking for something that she couldn’t find. Sassy wanted to go where the road led. She walked past other people’s dreams and security and followed the twisting snake through deserts and mountains, big cities and cow towns. Sassy was on a quest and she didn’t even know it. She would take her small earnings and saddle-up, following fate or hope or desire into new horizons with new promises--a skinny green-eyed girl carrying a backpack full of her life, down the roads of America.

What's in a name? that which we call a rose/By any other name would smell as sweet.' In other words, the essence of an object does not change depending on it's name. This is a common misconception not unlike the 'world is flat' belief. By verbally identifying an object, by giving it a name, we alter it. And at the same time we prevent it from changing. A name is like a forked stick that we use to hold a snake on the ground." Portnov imitated using a forked branch to press down an imaginary viper. "By the way, consider this: the contradictory nature of a statement almost certainly proves its legitimacy... Come in." [...] "May I continue? Thank you. However, there is also another misconception-by which a name automatically defines the properties of an object. Here is a pen." He tossed up and caught a dark-blue pen with a white top. "If I give it the name of... an earthworm, will it slither?" Second years, Group A, maintained a tense silence. No one wanted to risk an answer. "It will not." Portnov let the pen fall on his desk. "Because this given piece of plastic has nothing in common with the process and events that we are talking about, that we spend time studying... between dance parties and dealing with gastrointestinal problems. Besides, when I say 'give a name,' I do not imply any of the languages that are commonly used by any of the living persons. I am talking about Speech, which you will begin to study during your third year. Some of you may start earlier.

few years later, Demeter took a vacation to the beach. She was walking along, enjoying the solitude and the fresh sea air, when Poseidon happened to spot her. Being a sea god, he tended to notice pretty ladies walking along the beach. He appeared out of the waves in his best green robes, with his trident in his hand and a crown of seashells on his head. (He was sure that the crown made him look irresistible.) “Hey, girl,” he said, wiggling his eyebrows. “You must be the riptide, ’cause you sweep me off my feet.” He’d been practicing that pickup line for years. He was glad he finally got to use it. Demeter was not impressed. “Go away, Poseidon.” “Sometimes the sea goes away,” Poseidon agreed, “but it always comes back. What do you say you and me have a romantic dinner at my undersea palace?” Demeter made a mental note not to park her chariot so far away. She really could’ve used her two dragons for backup. She decided to change form and get away, but she knew better than to turn into a snake this time. I need something faster, she thought. Then she glanced down the beach and saw a herd of wild horses galloping through the surf. That’s perfect! Demeter thought. A horse! Instantly she became a white mare and raced down the beach. She joined the herd and blended in with the other horses. Her plan had serious flaws. First, Poseidon could also turn into a horse, and he did—a strong white stallion. He raced after her. Second, Poseidon had created horses. He knew all about them and could control them. Why would a sea god create a land animal like the horse? We’ll get to that later. Anyway, Poseidon reached the herd and started pushing his way through, looking for Demeter—or rather sniffing for her sweet, distinctive perfume. She was easy to find. Demeter’s seemingly perfect camouflage in the herd turned out to be a perfect trap. The other horses made way for Poseidon, but they hemmed in Demeter and wouldn’t let her move. She got so panicky, afraid of getting trampled, that she couldn’t even change shape into something else. Poseidon sidled up to her and whinnied something like Hey, beautiful. Galloping my way? Much to Demeter’s horror, Poseidon got a lot cuddlier than she wanted. These days, Poseidon would be arrested for that kind of behavior. I mean…assuming he wasn’t in horse form. I don’t think you can arrest a horse. Anyway, back in those days, the world was a rougher, ruder place. Demeter couldn’t exactly report Poseidon to King Zeus, because Zeus was just as bad. Months later, a very embarrassed and angry Demeter gave birth to twins. The weirdest thing? One of the babies was a goddess; the other one was a stallion. I’m not going to even try to figure that out. The baby girl was named Despoine, but you don’t hear much about her in the myths. When she grew up, her job was looking after Demeter’s temple, like the high priestess of corn magic or something. Her baby brother, the stallion, was named Arion. He grew up to be a super-fast immortal steed who helped out Hercules and some other heroes, too. He was a pretty awesome horse, though I’m not sure that Demeter was real proud of having a son who needed new horseshoes every few months and was constantly nuzzling her for apples. At this point, you’d think Demeter would have sworn off those gross, disgusting men forever and joined Hestia in the Permanently Single Club. Strangely, a couple of months later, she fell in love with a human prince named Iasion (pronounced EYE-son, I think). Just shows you how far humans had come since Prometheus gave them fire. Now they could speak and write. They could brush their teeth and comb their hair. They wore clothes and occasionally took baths. Some of them were even handsome enough to flirt with goddesses.

For once the stone hits the surface of the pond, the ripples never really stop. The waves diminish, and all seems to return to its previous state, but that’s an illusion. Disturbed fish change their patterns, a snake slides off the muddy bank into the water, a deer bolts into the open to be shot. And the stone remains on the slimy bottom, out of sight but inarguably there, dense and permanent, sediment settling over it, turtles and catfish prodding it, the sun heating it through all the layers of water until that far-off day when, whether lifted by the fingers of a curious boy diving fifty years after it was cast or uncovered by a bone-dumb farmer draining the pond to plant another half acre of cotton, that stone finds its way back up to the light.

Madam Li nods. She reaches over the table for Chinatsu’s hand. It would look like a gesture of sympathy for a friend. Chinatsu uncurls her right hand and allows the money to be retrieved. The initial wedge of money that Madam Li takes now is more than she ever takes later on. It almost entirely depletes the stash of money she’s been saving for years. The woman’s magician-eyes are framed by the steam snaking from their tea. Cat-green, they are striking and marred by yellow jelly spots in the whites. ‘You no drink you no eat. What you, pregnant?’ ‘Would I be here?’ Madam Li screws her chin back into her neck. The chair creaks as she sits back, spine straight. ‘Well, if you not going eat drink speaking truth, fuck off.’ Chinatsu’s eyebrows flick up. She bursts out laughing.

When a human sees a snake, fear arises because millions of neurons in the brain swiftly calculate the relevant data and conclude that the probability of death is high. Feeling of sexual attraction arise when other biochemical algorithms calculate that a nearby individual offers a high probability of successful mating. Social bonding or some other coveted goal. Moral feelings such as outrage, guilt or forgiveness derive from neural mechanisms that evolved to enable group cooperation. All these biochemical algorithms were honed though millions of years of evolution. If the feelings of some ancient ancestor made a mistake, the genes shaping these feelings did not pass on to the next generation. Feelings are thus not the opposite of rationality – they embody evolutionary rationality.

At any rate,’ he continued, ‘we hoped that once the war was over the Oracle might start working again. When it did not … Rachel became concerned.’ ‘Who’s Rachel?’ Meg asked. ‘Rachel Dare,’ I said. ‘The Oracle.’ ‘Thought the Oracle was a place.’ ‘It is.’ ‘Then Rachel is a place, and she stopped working?’ Had I still been a god, I would have turned her into a blue-belly lizard and released her into the wilderness never to be seen again. The thought soothed me. ‘The original Delphi was a place in Greece,’ I told her. ‘A cavern filled with volcanic fumes, where people would come to receive guidance from my priestess, the Pythia.’ ‘Pythia.’ Meg giggled. ‘That’s a funny word.’ ‘Yes. Ha-ha. So the Oracle is both a place and a person. When the Greek gods relocated to America back in … what was it, Chiron, 1860?’ Chiron see-sawed his hand. ‘More or less.’ ‘I brought the Oracle here to continue speaking prophecies on my behalf. The power has passed down from priestess to priestess over the years. Rachel Dare is the present Oracle.’ From the cookie platter, Meg plucked the only Oreo, which I had been hoping to have myself. ‘Mm-kay. Is it too late to watch that movie?’ ‘Yes,’ I snapped. ‘Now, the way I gained possession of the Oracle of Delphi in the first place was by killing this monster called Python who lived in the depths of the cavern.’ ‘A python like the snake,’ Meg said. ‘Yes and no. The snake species is named after Python the monster, who is also rather snaky, but who is much bigger and scarier and devours small girls who talk too much. At any rate, last August, while I was … indisposed, my ancient foe Python was released from Tartarus. He reclaimed the cave of Delphi. That’s why the Oracle stopped working.’ ‘But, if the Oracle is in America now, why does it matter if some snake monster takes over its old cave?’ That was about the longest sentence I had yet heard her speak. She’d probably done it just to spite me. ‘It’s too much to explain,’ I said. ‘You’ll just have to –’ ‘Meg.’ Chiron gave her one of his heroically tolerant smiles. ‘The original site of the Oracle is like the deepest taproot of a tree. The branches and leaves of prophecy may extend across the world, and Rachel Dare may be our loftiest branch, but if the taproot is strangled the whole tree is endangered. With Python back in residence at his old lair, the spirit of the Oracle has been completely blocked.

The other thing that’s happened with writing is that I’m not afraid it will go away. Up until a couple of years ago, I feared that sitting down with paper and pencil revealed too much desire and that for such ambition I would be punished. My vocabulary would contract anorexia, ideas would be born autistic, even titles would not come to flirt with me anymore. I suppose this was tied to that internal judge, the serpent who eats her own tail. She insinuates you’re not good enough; you believe her and try less, ratifying her assessment; so you try even less; and on and on. This snake survives on your dying. Finally, now, the elided words of my wisest writing teacher, the poet David Wojahn, make sense. “Be ambitious,” he said, “for the work.” Not for the in-dwelling editor. That bitch was impossible to please anyway.

Grief is a cocoon from which we emerge new. Last year Liz’s beloved partner became very sick and started dying. I was far away, so each day I would send her messages that said, “I am sitting outside your door.” One day, my mom called and asked, “How is Liz?” I thought for a moment about how to answer. I realized I couldn’t because she’d asked me the wrong question. I said, “Mama, I think the question is not ‘How is Liz?’ The question is ‘Who is Liz? Who will she be when she emerges from this grief?’ ” Grief shatters. If you let yourself shatter and then you put yourself back together, piece by piece, you wake up one day and realize that you have been completely reassembled. You are whole again, and strong, but you are suddenly a new shape, a new size. The change that happens to people who really sit in their pain—whether it’s a sliver of envy lasting an hour or a canyon of grief lasting decades—it’s revolutionary. When that kind of transformation happens, it becomes impossible to fit into your old conversations or relationships or patterns or thoughts or life anymore. You are like a snake trying to fit back into old, dead skin or a butterfly trying to crawl back into its cocoon. You look around and see everything freshly, with the new eyes you have earned for yourself. There is no going back. Perhaps the only thing that makes grief any easier is to surrender completely to it. To resist trying to hold on to a single part of ourselves that existed before the doorbell rang. Sometimes to live again, we have to let ourselves die completely. We have to let ourselves become completely, utterly, new. When grief rings: Surrender. There is nothing else to do. The delivery is utter transformation.

As a child Valentine’s Day was fun. You got to design your own little heart-laden box to accept all your classmate’s Valentine’s. Then you’d get to fill in the To: and From: fields on your G.I. Joe cards (because nothing says “Be Mine” like Snake Eyes). I remember each time taking extra special care when filling out a card for the girl who I happened to like that particular year. When the day arrived and cards were exchanged I would rifle through my haul finding the one from whichever girl it was and kept it apart from the others. It was special even though I’m sure she’d written the exact same thing on mine that she’d written on everyone else’s. No matter, love was given and received. Valentine’s Day was for a young boy not yet mature enough to express his affections and for him to hold fast to even a token expression from the object those affections.

was Innes who damaged the tiles, although none of the current residents of the house know this. On a wet day in the late 1920s, a seven-year-old Innes stole a metal tray from the kitchen and carried it all the way up to the top of the stairs and proceeded to toboggan down, skidding over the carpet, from landing to landing, riding the swells and troughs of the stairs, until he arrived with a resounding crash in the hallway. The impact of the edge of the tray with the Victorian tiles caused a long, snaking crack; Innes hurtled forward to collide with the sharp corner of a coat rack. His screams brought Consuela running from the kitchen, brought his mother down from the drawing room above. There was a lot of blood on the tiles that day, red among the blue and white. He had to have two stitches in his forehead and there would be a small, vertical scar there for the

Texas Rangers are men who cannot be stampeded. We walk into any situation and handle it without instruction from our commander. Sometimes we work as a unit, sometimes we work alone.” He turned his attention to the jurors. “We preserve the law. We track down train and bank robbers. We subdue riots. We guard our borders. We’ll follow an outlaw clear across the country if we need to. In my four years of service, I’ve traveled eighty-six thousand miles on horse, nineteen hundred on train, gone on two hundred thirty scouts, made two hundred seventeen arrests, returned five hundred six head of stolen cattle, assisted forty-three local sheriffs, guarded a half dozen jails, and spent more time on the trail than I have in my own bed. We’ve been around since before the Alamo, and”—he turned to Hood, impaling him with his stare—“we’re touchy as a teased snake when riled, so I wouldn’t recommend it.

As a society we are only now getting close to where Dogen was eight hundred years ago. We are watching all our most basic assumptions about life, the universe, and everything come undone, just like Dogen saw his world fall apart when his parents died. Religions don’t seem to mean much anymore, except maybe to small groups of fanatics. You can hardly get a full-time job, and even if you do, there’s no stability. A college degree means very little. The Internet has leveled things so much that the opinions of the greatest scientists in the world about global climate change are presented as being equal to those of some dude who read part of the Bible and took it literally. The news industry has collapsed so that it’s hard to tell a fake headline from a real one. Money isn’t money anymore; it’s numbers stored in computers. Everything is changing so rapidly that none of us can hope to keep up. All this uncertainty has a lot of us scrambling for something certain to hang on to. But if you think I’m gonna tell you that Dogen provides us with that certainty, think again. He actually gives us something far more useful. Dogen gives us a way to be okay with uncertainty. This isn’t just something Buddhists need; it’s something we all need. We humans can be certainty junkies. We’ll believe in the most ridiculous nonsense to avoid the suffering that comes from not knowing something. It’s like part of our brain is dedicated to compulsive dot-connecting. I think we’re wired to want to be certain. You have to know if that’s a rope or a snake, if the guy with the chains all over his chest is a gangster or a fan of bad seventies movies. Being certain means being safe. The downfall is that we humans think about a lot of stuff that’s not actually real. We crave certainty in areas where there can never be any. That’s when we start in with believing the crazy stuff. Dogen is interesting because he tries to cut right to the heart of this. He gets into what is real and what is not. Probably the main reason he’s so difficult to read is that Dogen is trying to say things that can’t actually be said. So he has to bend language to the point where it almost breaks. He’s often using language itself to show the limitations of language. Even the very first readers of his writings must have found them difficult. Dogen understood both that words always ultimately fail to describe reality and that we human beings must rely on words anyway. So he tried to use words to write about that which is beyond words. This isn’t really a discrepancy. You use words, but you remain aware of their limitations. My teacher used to say, “People like explanations.” We do. They’re comforting. When the explanation is reasonably correct, it’s useful.

Then in the depths of the packed crowd he sees Christophe. He is pushing forward, flailing his arms. Please God he has not a weapon. His whole body braces, ready for a mêlée. ‘My lord, my lord,’ Christophe calls. The guard make a wall, but Christophe’s arm snakes between them as if to touch him. One of the men raises his armoured fist. He hears a crack. He sees the boy’s face twist in shock and pain. Holding out his arm like a broken wing, his voice hoarse, his body convulsing, he speaks his curse: ‘Henry King of England! I, Christophe Cremuel, curse you. The Holy Ghost curses you. Your own mother curses you. I hope a leper spits on you. I hope your whore has the pox. I hope you go to sea in a boat with a hole in it. I hope the waters of your heart rise up and spout down your nose. May you fall under a cart. May rot rise up from your heels to your head, going slowly, so you take seven years to die. May God squash you. May Hell gape.

I was a bird. I lived a bird's life from birth to death. I was born the thirty-second chick in the Jipu family. I remember everything in detail. I remember breaking out of the shell at birth. But I learned later that my mother had gently cracked the shell first to ease my way. I dozed under my mother's chest for the first few days. Her feathers were so warm and soft! I was strong, so I kicked away my siblings to keep the cozy spot. Just 10 days after I was born, I was given flying lessons. We all had to learn quickly because there were snakes and owls and hawks. My little brothers and sisters, who didn't practice enough, all died. My little sister looked so unhappy when she got caught. I can still see her face. Before I could fly, I hadn't known that our nest was on the second-lowest branch of a big tree. My parents chose the location wisely. Snakes could reach the lowest branch and eagles and hawks could attack us if we lived at the top. We soared through the sky, above mountains and forests. But it wasn't just for fun! We always had to watch out for enemies, and to hunt for food. Death was always nearby. You could easily starve or freeze to death. Life wasn't easy. Once, I got caught in a monsoon. I smacked into a tree and lay bleeding for days. Many of my family and friends died, one after another. To help rebuild our clan, I found myself a female and married her. She was so sweet. She laid many eggs, but one day, a human cut down the tree we lived in, crushing all the eggs and my beloved. A bird's life is an endless battle against death. I survived for many years before I finally met my end. I found a worm at some harvest festival. I came fluttering down. It was a bad mistake. Some big guy was waiting to ambush hungry little birdies like me. I heard my own guts pop. It was clear to me that I was going to die at last. And I wanted to know where I'd go when I died.

I found it again at last! Page 156 - 157 of *My Soul to Keep* by Melanie Wells. Dr. Dylan Foster is thinking to herself while searching through literature on snake lore, "Then there was all the mystical stuff. Once again, the dearth of comparative religion in my theology training nearly skunked me. Four years of sod-busing in seminary had taught me exactly nothing more than what I already knew--in grander proportions, of course, and to near-microscopic levels of minutia. In the end, I got out of there with a solid hermeneutical method, an encyclopedic understanding of dispensational theology, and the ability to conjugate verbs and deconstruct participles in Greek and Hebrew--all notable skills--but without even passable knowledge of anything outside one extremely narrow strip of theological territory." "When it was all said and done, I'd spent four years and trainload of money to get indoctrinated, not educated. Lousy planning, if you ask me.

She pictures herself in early 1939, aged nine, standing in front of the astronomical clock in Prague’s Old Town Hall square. She’s sneaking a peek at the old skeleton. It keeps watch over the rooftops of the city with huge empty eye sockets. They’d told them at school that the clock was a piece of mechanical ingenuity, invented by Maestro Hanuš more than five hundred years ago. But Dita’s grandmothers told her a darker story. The king ordered Hanuš to construct a clock with figures, automatons that paraded on the stroke of every hour. When it was completed, the king ordered his bailiffs to blind the clockmaker so that he could never make another wonder like it. But the clockmaker took revenge, putting his hand into the mechanism to disable it. The cogs shredded his hand, the mechanism jammed, and the clock was broken, unfixable for years. Sometimes Dita had nightmares about that amputated hand snaking its way around the serrated wheels of the mechanism. Dita,

As usual the empty-headed were loudest in proclaiming their shallow explanation that the fever raging in the hearts and minds of the survivors was merely the result of the disturbance of their comfortable existence. The cause went much deeper. Spectres, monstrous yet without form and only discernible through the devastation they wrought, had been called up by faceless and power-hungry bureaucrats in their secret seances and had devoured millions of innocent victims before returning to the sleep from which they had been roused. But there was another phantom, still more horrible, that had long since caught the foul stench of a decaying civilisation in its gaping nostrils and now raised its snake-wreathed countenance from the abyss where it had lain, to mock humanity with the realisation that the juggernaut they had driven for the last four years in the belief it would clear the world for a new generation of free men was a treadmill in which they were trapped for all time.

and, amongst others, my breviary with the gold corners, which I beg he will preserve in remembrance of his affectionate uncle.' "The heirs sought everywhere, admired the breviary, laid hands on the furniture, and were greatly astonished that Spada, the rich man, was really the most miserable of uncles — no treasures — unless they were those of science, contained in the library and laboratories. That was all. Caesar and his father searched, examined, scrutinized, but found nothing, or at least very little; not exceeding a few thousand crowns in plate, and about the same in ready money; but the nephew had time to say to his wife before he expired: `Look well among my uncle's papers; there is a will.' "They sought even more thoroughly than the august heirs had done, but it was fruitless. There were two palaces and a vineyard behind the Palatine Hill; but in these days landed property had not much value, and the two palaces and the vineyard remained to the family since they were beneath the rapacity of the pope and his son. Months and years rolled on. Alexander VI. died, poisoned, — you know by what mistake. Caesar, poisoned at the same time, escaped by shedding his skin like a snake; but the new skin was spotted by the poison till it looked like a tiger's. Then, compelled to quit Rome, he went and got himself obscurely killed in a night skirmish, scarcely noticed in history. After the pope's death and his son's exile, it was supposed that the Spada family would resume the splendid position they had held before the cardinal's time; but this was not the case. The Spadas remained in doubtful ease, a mystery hung over this dark affair, and the public rumor was, that Caesar, a better politician than his father, had carried off from the pope the fortune of the two cardinals. I say the two, because Cardinal Rospigliosi, who had not taken any precaution, was completely despoiled. "Up to this point," said Faria, interrupting the thread of his narrative, "this seems to you very meaningless, no doubt, eh?" "Oh, my friend," cried Dantes, "on the contrary, it seems as if I were

Colby arrived the next day, with stitches down one lean cheek and a new prosthesis. He held it up as Cecily came out to the car to greet him. He held it up as Cecily came out to the car to greet him. “Nice, huh? Doesn’t it look more realistic than the last one?” “What happened to the last one?” she asked. “Got blown off. Don’t ask where,” he added darkly. “I know nothing,” she assured him. “Come on in. Leta made sandwiches.” Leta had only seen Colby once, on a visit with Tate. She was polite, but a little remote, and it showed. “She doesn’t like me,” Colby told Cecily when they were sitting on the steps later that evening. “She thinks I’m sleeping with you,” she said simply.” So does Tate.” “Why?” “Because I let him think I was,” she said bluntly. He gave her a hard look. “Bad move, Cecily.” “I won’t let him think I’m waiting around for him to notice me,” she said icily. “He’s already convinced that I’m in love with him, and that’s bad enough. I can’t have him know that I’m…well, what I am. I do have a little pride.” “I’m perfectly willing, if you’re serious,” he said matter-of-factly. His face broke into a grin, belying the solemnity of the words. “Or are you worried that I might not be able to handle it with one arm?” She burst out laughing and pressed affectionately against his side. “I adore you, I really do. But I had a bad experience in my teens. I’ve had therapy and all, but it’s still sort of traumatic for me to think about real intimacy.” “Even with Tate?” he probed gently. She wasn’t touching that line with a pole. “Tate doesn’t want me.” “You keep saying that, and he keeps making a liar of you.” “I don’t understand.” “He came to see me last night. Just after I spoke to you.” He ran his fingers down his damaged cheek. She caught her breath. “I thought you got that overseas!” “Tate wears a big silver turquoise ring on his middle right finger,” he reminded her. “It does a bit of damage when he hits people with it.” “He hit you? Why?” she exclaimed. “Because you told him we were sleeping together,” he said simply. “Honest to God, Cecily, I wish you’d tell me first when you plan to play games. I was caught off guard.” “What did he do after he hit you?” “I hit him, and one thing led to another. I don’t have a coffee table anymore. We won’t even discuss what he did to my best ashtry.” “I’m so sorry!” “Tate and I are pretty much matched in a fight,” he said. “Not that we’ve ever been in many. He hits harder than Pierce Hutton does in a temper.” He scowled down at her. “Are you sure Tate doesn’t want you? I can’t think of another reason he’d try to hammer my floor with my head.” “Big brother Tate, to the rescue,” she said miserably. She laughed bitterly. “He thinks you’re a bad risk.” “I am,” he said easily. “I like having you as my friend.” He smiled. “Me, too. There aren’t many people who stuck by me over the years, you know. When Maureen left me, I went crazy. I couldn’t live with the pain, so I found ways to numb it.” He shook his head. “I don’t think I came to my senses until you sent me to that psychologist over in Baltimore.” He glanced down at her. “Did you know she keeps snakes?” he added. “We all have our little quirks.

…I was startled out of my concentration by the sound of malicious hissing. Waddling toward me with remarkable speed were two huge white geese, their heads thrust forward, mouths open like snakes with their tongues protruding, emitting a terrifying sound. I gave a low involuntary cry and began to backtrack toward my car, afraid to take my eyes off them. They covered the ground between us at a pace that forced me into a run. I barely reached my car before they caught up with me. I wrenched the door open and slammed it again with a panic I hadn't felt in years. I locked both doors, half expecting the viperous birds to batter at my windows until they gave way. For a moment they balanced, half lifted, wings flapping, black eyes bright with ill-will, their hissing faces even with mine. And then they lost interest and waddled off, honking and hissing, pecking savagely at the grass. Until that moment, it had never even occurred to me to include crazed geese among my fears, but they had suddenly shot straight to the top of the list along with worms and water bugs.

And now at this moment, when hope was dead, Tom Sawyer came forward with nine yellow tickets, nine red tickets, and ten blue ones, and demanded a Bible. This was a thunderbolt out of a clear sky. Walters was not expecting an application from this source for the next ten years. But there was no getting around it—here were the certified checks, and they were good for their face. Tom was therefore elevated to a place with the Judge and the other elect, and the great news was announced from headquarters. It was the most stunning surprise of the decade, and so profound was the sensation that it lifted the new hero up to the judicial one’s altitude, and the school had two marvels to gaze upon in place of one. The boys were all eaten up with envy—but those that suffered the bitterest pangs were those who perceived too late that they themselves had contributed to this hated splendor by trading tickets to Tom for the wealth he had amassed in selling whitewashing privileges. These despised themselves, as being the dupes of a wily fraud, a guileful snake in the grass.

Growing up in church, we were taught that Jesus was the answer to all our problems. We were taught that there was a circle-shaped hole in our heart and that we had tried to fill it with the square pegs of sex, drugs, and rock and roll; but only the circle peg of Jesus could fill our hole. I became a Christian based, in part, on this promise, but the hole never really went away. To be sure, I like Jesus, and I still follow him, but the idea that Jesus will make everything better is a lie. It's basically biblical theology translated into the language of infomercials. The truth is, the apostles never really promise Jesus is going to make everything better here on earth. Can you imagine an informercial with Paul, testifying to the amazing product of Jesus, saying that he once had power and authority, and since he tried Jesus he's been moved from prison to prison, beaten, and routinely bitten by snakes? I don't think many people would be buying that product. [...] It's hard to imagine how a religion steeped in so much pain and sacrifice turned into a promise for earthly euphoria.

For about 48 weeks of the year an asparagus plant is unrecognizable to anyone except an asparagus grower. Plenty of summer visitors to our garden have stood in the middle of the bed and asked, 'What is this stuff? It's beautiful!' We tell them its the asparagus patch, and they reply, 'No this, these feathery little trees.' An asparagus spear only looks like its picture for one day of its life, usually in April, give or take a month as you travel from the Mason-Dixon Line. The shoot emerges from the ground like a snub nose green snake headed for sunshine, rising so rapidly you can just about see it grow. If it doesn't get it's neck cut off at ground level as it emerges, it will keep growing. Each triangular scale on the spear rolls out into a branch until the snake becomes a four foot tree with delicate needles. Contrary to lore, fat spears are no more tender or mature than thin ones. Each shoot begins life with its own particular girth. In the hours after emergence, it lengthens but does not appreciably fatten. To step into another raging asparagus controversy, white spears are botanically no different from their green colleagues. White shoots have been deprived of sunlight by a heavy mulch pulled up over the plant's crown. European growers go to this trouble for consumers who prefer the stalks before they've had their first blush of photosynthesis. Most Americans prefer the more developed taste of green. Uncharacteristically, we're opting for the better nutritional deal here also. The same plant could produce white or green spears in alternate years, depending on how it is treated. If the spears are allowed to proceed beyond their first exploratory six inches, they'll green out and grow tall and feathery like the house plant known as asparagus fern, which is the next of kin. Older, healthier asparagus plants produce chunkier, more multiple shoots. Underneath lies an octopus-shaped affair of chubby roots called a crown that stores enough starch through the winter to arrange the phallic send-up when winter starts to break. The effect is rather sexy, if you're the type to see things that way. Europeans of the Renaissance swore by it as an aphrodisiac and the church banned it from nunneries.

It was heart-shaking. Glorious. Torches, dizziness, singing. Wolves howling around us and a bull bellowing in the dark. The river ran white. It was like a film in fast motion, the moon waxing and waning, clouds rushing across the sky. Vines grew from the ground so fast they twined up the trees like snakes; seasons passing in the wink of an eye, entire years for all I know.… I mean we think of phenomenal change as being the very essence of time, when it’s not at all. Time is something which defies spring and winter, birth and decay, the good and the bad, indifferently. Something changeless and joyous and absolutely indestructible. Duality ceases to exist; there is no ego, no “I,” and yet it’s not at all like those horrid comparisons one sometimes hears in Eastern religions, the self being a drop of water swallowed by the ocean of the universe. It’s more as if the universe expands to fill the boundaries of the self. You have no idea how pallid the workday boundaries of ordinary existence seem, after such an ecstasy. It was like being a baby. I couldn’t remember my name. The soles of my feet were cut to pieces and I couldn’t even feel it.

It was heart-shaking. Glorious. Torches, dizziness, singing. Wolves howling around us and a bull bellowing in the dark. The river ran white. It was like a film in a fast motion, the moon waxing and waning, clouds rushing across the sky. Vines grew from the ground so fast they twined up the trees like snakes; seasons passing in the wink of an eye, entire years for all I know . . . . I mean we think of phenomenal change as being the very essence of time, when its's not at all. Time is something which defies spring and winder, birth and decay, the good and the bad, indifferently. Something changeless an joyous and absolutely indestructible. Duality ceases to exist; there is no ego, no "I," and yet its not at all like those horrid comparisons one sometimes hears in Eastern religions, the self being a drop of water swallowed by the ocean of the universe. It's more as if the universe expands to fill the boundaries of the self. You have no idea how pallid the workday boundaries of ordinary existence seem, after such and ecstasy. It was like being a baby. I could remember my name. The soles of my feet were cut to pieces and I couldn't even feel it.

You’ll say loads of people believe in all sorts of codswallop from the Snake Goddess to theologically questionable angels to astrology, but as someone who spent her formative years among the most determinedly credulous people in the world, it’s not at all the same thing. Wizards don’t have faith in magic. We believe in magic, the way mundanes believe in cars. No one has deep discussions around a bonfire about whether a car is real or not, unless they’ve taken more drugs than usual, which is, not coincidentally, the condition of most mundanes who do encounter mals. Doing magic in front of someone who doesn’t believe in it is loads harder. Worse, if their disbelief trumps either your certainty or your mana, and the spell doesn’t come off, you’ll probably have trouble the next time you try and cast it, whether the unbeliever’s still there or not. Do that a few more times and you’ll stop being able to do magic at all. In fact, it’s entirely possible there are loads of unknowing potential wizards out there, people like Luisa who could hold enough mana to cast spells, only they’ve been raised mundane and so they can’t, because they don’t know that magic works, which means it doesn’t.

The purpose of the Genesis story is to explain the loss of that long, slow paradise that today we call the Paleolithic—an epoch of history in which our ancestors lived not only in a sustainable relationship to the Earth but in a joyous and loving one as well. In one of the greatest bait and switches of all time, that loss is blamed on Eve, whose name means, tellingly, “Mother of All Life.” In a final bid for patriarchal power, the Bible separates the Goddess from one of her oldest animal allies. For tens of thousands of years before Genesis was written, the serpent was the ultimate symbol of reincarnation and renewal. The ouroboros (a snake swallowing its own tail) signified the eternal cycles of birth, death, and rebirth that were the source of the Goddess’s power. In Genesis that life-sustaining circle is broken, and the serpent becomes evil instead. The natural world was no longer considered sentient and divine. The mutilation and exploitation of our Mother’s body could continue uninterrupted down to the present day. And yet, the final victory is always hers. Empires rise and fall. Whole civilizations vanish into vast deserts of geological time. But life remains. The Mother remains.

The Second Medusa meme appeared two years later, and its origins are somewhat more complicated. Ostensibly, it is a photograph of a statue made in 2008 by the Argentine-Italian artist Luciano Garbati. But it is extremely difficult to find any trace of the statue prior to the existence of the meme, which appeared at around the same time as Professor Christine Blasey Ford’s testimony of sexual assault to the US Senate Judiciary Committee. The image is striking and extremely shareable: a statue of Medusa stands alone in front of a completely black background. She is naked, just like Perseus in the Canova and Cellini images, and is lithe, young, strong. Her hair is a mass of snakes, but they are beautiful, not grotesque: they look more like curling dreadlocks. Her expression is calm, her eyes gaze out at us unapologetically. Her arms are by her side and she holds a sword in her left hand. In her right hand is the decapitated head of Perseus, which she holds by the hair. It is an exact reversal of the Canova image. Some versions of the meme came with an accompanying text. ‘Be thankful we only want equality’, it reads, next to Medusa’s head. Below Perseus’ decapitated neck, it continues, ‘and not payback.

Reason No. 1. Overcoming the fear of losing money. I have never met anyone who really likes losing money. And in all my years, I have never met a rich person who has never lost money. But I have met a lot of poor people who have never lost a dime. . .investing, that is. The fear of losing money is real. Everyone has it. Even the rich. But it's not fear that is the problem. It's how you handle fear. It's how you handle losing. It's how you handle failure that makes the difference in one's life. That goes for anything in life, not just money. The primary difference between a rich person and a poor person is how they handle that fear. It's OK to be fearful. It's OK to be a coward when it comes to money. You can still be rich. We're all heroes at something and cowards at something else. My friend's wife is an emergency room nurse. When ; she sees blood, she flies into action. When I mention investing, she runs'j away. When I see blood, I don't run. I pass out. My rich dad understood phobias about money. "Some people are terrified of snakes. Some people are terrified about losing money. Both are phobias," he would say. So his solution to the phobia of losing money was this little rhyme: "If you hate risk and worry. . .start early.

There is no psychology in a fairy tale. The characters have little interior life; their motives are clear and obvious. If people are good, they are good, and if bad, they’re bad. Even when the princess in ‘The Three Snake Leaves’…inexplicably and ungratefully turns against her husband, we know about it from the moment it happens. Nothing of that sort is concealed. The tremors and mysteries of human awareness, the whispers of memory, the promptings of half-understood regret or doubt or desire that are so much part of the subject matter of the modern novel are absently entirely. One might almost say that the characters in a fairy tale are not actually conscious. They seldom have names of their own. More often than not they’re known by their occupation or their social position, or by a quirk of their dress: the miller, the princess, the captain, the Bearskin, Little Red Riding Hood. When they do have a name it’s usually Hans, just as Jack is the hero of every British fairy tale. The most fitting pictorial representation of fairy-tale characters seems to me to be found not in any of the beautifully illustrated editions of Grimm that have been published over the years, but in the little cardboard cut-out figures that come with the toy theatre.

Our team’s vision for the facility was a cross between a shooting range and a country club for special forces personnel. Clients would be able to schedule all manner of training courses in advance, and the gear and support personnel would be waiting when they arrived. There’d be seven shooting ranges with high gravel berms to cut down noise and absorb bullets, and we’d carve a grass airstrip, and have a special driving track to practice high-speed chases and real “defensive driving”—the stuff that happens when your convoy is ambushed. There would be a bunkhouse to sleep seventy. And nearby, the main headquarters would have the feel of a hunting lodge, with timber framing and high stone walls, with a large central fireplace where people could gather after a day on the ranges. This was the community I enjoyed; we never intended to send anyone oversees. This chunk of the Tar Heel State was my “Field of Dreams.” I bought thirty-one hundred acres—roughly five square miles of land, plenty of territory to catch even the most wayward bullets—for $900,000. We broke ground in June 1997, and immediately began learning about do-it-yourself entrepreneurship. That land was ugly: Logging the previous year had left a moonscape of tree stumps and tangled roots lorded over by mosquitoes and poisonous creatures. I killed a snake the first twelve times I went to the property. The heat was miserable. While a local construction company carved the shooting ranges and the lake, our small team installed the culverts and forged new roads and planted the Southern pine utility poles to support the electrical wiring. The basic site work was done in about ninety days—and then we had to figure out what to call the place. The leading contender, “Hampton Roads Tactical Shooting Center,” was professional, but pretty uptight. “Tidewater Institute for Tactical Shooting” had legs, but the acronym wouldn’t have helped us much. But then, as we slogged across the property and excavated ditches, an incessant charcoal mud covered our boots and machinery, and we watched as each new hole was swallowed by that relentless peat-stained black water. Blackwater, we agreed, was a name. Meanwhile, within days of being installed, the Southern pine poles had been slashed by massive black bears marking their territory, as the animals had done there since long before the Europeans settled the New World. We were part of this land now, and from that heritage we took our original logo: a bear paw surrounded by the stylized crosshairs of a rifle scope.

Furnace. “Yes, ma’am,” said Ferris again. “Did she do that to your hair?” said Miss Furnace. There had been so much going on—failing hearts and talking ghosts, dead husbands and stolen pliers, police reports and attempted bank robberies—that Ferris had forgotten about her hair. She put a hand up and touched its frizzy strangeness. “Yes, ma’am,” she said. “She did.” “It looks ridiculous,” said Miss Furnace. “Ma’am,” said Billy Jackson in an extremely polite voice, “what we need is forty taper candles.” “No one needs forty taper candles,” said Miss Furnace. “We do,” said Ferris. “Charisse does.” “Charisse,” said Miss Furnace. She said the name the way a snake might say it if a snake owned a dime store and could speak. “You may tell Charisse that the world, much as she supposes it to be, is not her oyster.” “Okay,” said Ferris, even though she wasn’t sure what Miss Furnace was talking about. Ferris’s father had said to her that day six years ago when they sat eating their grilled cheese sandwiches in Furnace Dime that there were some people who were reluctant to step foot in the great river of life. He had nodded in the direction of Miss Furnace. “These people,” he said, “are afraid to love. Loving someone takes a whole lot of courage. Some people just aren’t up to the task.

The human collective knows far more today than did the ancient bands. But at the individual level, ancient foragers were the most knowledgeable and skilful people in history. There is some evidence that the size of the average Sapiens brain has actually decreased since the age of foraging.5 Survival in that era required superb mental abilities from everyone. When agriculture and industry came along people could increasingly rely on the skills of others for survival, and new ‘niches for imbeciles’ were opened up. You could survive and pass your unremarkable genes to the next generation by working as a water carrier or an assembly-line worker. Foragers mastered not only the surrounding world of animals, plants and objects, but also the internal world of their own bodies and senses. They listened to the slightest movement in the grass to learn whether a snake might be lurking there. They carefully observed the foliage of trees in order to discover fruits, beehives and bird nests. They moved with a minimum of effort and noise, and knew how to sit, walk and run in the most agile and efficient manner. Varied and constant use of their bodies made them as fit as marathon runners. They had physical dexterity that people today are unable to achieve even after years of practising yoga or t’ai chi.

You feel so overwritten you're like a palimpsest; the original girl almost lost under years of scrawling yet you nurture an illusion of beauty, brush your hair in the dark so when your reflection finally catches up with you you stare straight past that older woman to the skateboard dancers behind hitting the frosty air with exuberant grace. On the loose in the morning city reminds you of lovers, catching the tram to work in last night's laddered stockings, the sharp-edged day already intruding like a hangover. It's not the sex you miss or the hotel mornings but the reassurance of strangers and that wild card. Now everything's played out the same, no surprises in the pack except those dealt by disaster. Early this morning such certainty dragged on your thoughts they stumbled flat-footed through the breakfast silence and you knew neither the apples orchard fresh, crisp as snow nor the blue bowl they posed in were enough. People disappear all the time, emerge like summer snakes newly marked and glittering into a clean desert. Without the photo of a child you carry in your wallet which reminds you who you have become you'd catch a train to Musk or Mollymook, some place your fingers have strayed over. Even thinking that, you turn your face into the wind, keep walking that same old line in your new flamboyant shoes. Oh my treacherous heart.

The first human footprint on a sandy Australian beach was immediately washed away by the waves. Yet when the invaders advanced inland, they left behind a different footprint, one that would never be expunged. As they pushed on, they encountered a strange universe of unknown creatures that included a 200-kilogram, two-metre kangaroo, and a marsupial lion, as massive as a modern tiger, that was the continent’s largest predator. Koalas far too big to be cuddly and cute rustled in the trees and flightless birds twice the size of ostriches sprinted on the plains. Dragon-like lizards and snakes five metres long slithered through the undergrowth. The giant diprotodon, a two-and-a-half-ton wombat, roamed the forests. Except for the birds and reptiles, all these animals were marsupials – like kangaroos, they gave birth to tiny, helpless, fetus-like young which they then nurtured with milk in abdominal pouches. Marsupial mammals were almost unknown in Africa and Asia, but in Australia they reigned supreme. Within a few thousand years, virtually all of these giants vanished. Of the twenty-four Australian animal species weighing fifty kilograms or more, twenty-three became extinct.2 A large number of smaller species also disappeared. Food chains throughout the entire Australian ecosystem were broken and rearranged. It was the most important transformation of the Australian ecosystem for millions of years. Was it all the fault of Homo sapiens? Guilty

romantic between us, but when he opens his arms I don’t hesitate to go into them. His body is familiar to me — the way it moves, the smell of wood smoke, even the sound of his heart beating I know from quiet moments on a hunt — but this is the first time I really feel it, lean and hard-muscled against my own. “Listen,” he says. “Getting a knife should be pretty easy, but you’ve got to get your hands on a bow. That’s your best chance.” “They don’t always have bows,” I say, thinking of the year there were only horrible spiked maces that the tributes had to bludgeon one another to death with. “Then make one,” says Gale. “Even a weak bow is better than no bow at all.” I have tried copying my father’s bows with poor results. It’s not that easy. Even he had to scrap his own work sometimes. “I don’t even know if there’ll be wood,” I say. Another year, they tossed everybody into a landscape of nothing but boulders and sand and scruffy bushes. I particularly hated that year. Many contestants were bitten by venomous snakes or went insane from thirst. “There’s almost always some wood,” Gale says. “Since that year half of them died of cold. Not much entertainment in that.” It’s true. We spent one Hunger Games watching the players freeze to death at night. You could hardly see them because they were just huddled in balls and had no wood for fires or torches or anything. It was considered very anticlimactic in the Capitol, all those quiet, bloodless deaths. Since then, there’s usually been wood

We lived in a safe, family-friendly area, but parts of London were rough, as you’d expect from any large city. Mark had a knack for attracting muggers. One time, we were in a train station and a little kid--no more than about eight years old--came up to him: “Oi, mate, give me your phone.” We always carried the cool Nokia phones with the Snake game on them, and they were the hot item. It was like inviting trouble carrying one around, but we didn’t care. Mark thought the mini-mugger was crazy: “Are you kidding me? No way.” Then he looked over his shoulder and realized the kid wasn’t alone; he had a whole gang with him. So Mark handed over his phone and the kid ran off. I never let him live down the fact that an eight-year-old had mugged him. I had my own incident as well, but I handled it a little differently. I got off the train at Herne Hill station and noticed that two guys were following me. I could hear their footsteps getting closer and closer. “Give us your backpack,” they threatened me. “Why? All I have is my homework in here,” I tried to reason with them. They had seen me on the train with my minidisc player and they knew I was holding out on them. “Give it,” they threatened. My bag was covered with key chains and buttons, and as I took it off my shoulder, pretending to give it to them, I swung it hard in their faces. All that hardware knocked one of them to the ground and stunned the other. With my bag in my hand, I ran the mile home without ever looking back. Not bad for a skinny kid in a school uniform.

That man,” she announced huffily, referring to their host, “can’t put two words together without losing his meaning!” Obviously she’d expected better of the quality during the time she was allowed to mix with them. “He’s afraid of us, I think,” Elizabeth replied, climbing out of bed. “Do you know the time? He desired me to accompany him fishing this morning at seven.” “Half past ten,” Berta replied, opening drawers and turning toward Elizabeth for her decision as to which gown to wear. “He waited until a few minutes ago, then went of without you. He was carrying two poles. Said you could join him when you arose.” “In that case, I think I’ll wear the pink muslin,” she decided with a mischievous smile. The Earl of Marchman could scarcely believe his eyes when he finally saw his intended making her way toward him. Decked out in a frothy pink gown with an equally frothy pink parasol and a delicate pink bonnet, she came tripping across the bank. Amazed at the vagaries of the female mind, he quickly turned his attention back to the grandfather trout he’d been trying to catch for five years. Ever so gently he jiggled his pole, trying to entice or else annoy the wily old fish into taking his fly. The giant fish swam around his hook as if he knew it might be a trick and then he suddenly charged it, nearly jerking the pole out of John’s hands. The fish hurtled out of the water, breaking the surface in a tremendous, thrilling arch at the same moment John’s intended bride deliberately chose to let out a piercing shriek: “Snake!” Startled, John jerked his head in her direction and saw her charging at him as if Lucifer himself was on her heels, screaming, “Snake! Snake! Snnnaaaake!” And in that instant his connection was broken; he let his line go slack, and the fish dislodged the hook, exactly as Elizabeth had hoped. “I saw a snake,” she lied, panting and stopping just short of the arms he’d stretched out to catch her-or strangle her, Elizabeth thought, smothering a smile. She stole a quick searching glance at the water, hoping for a glimpse of the magnificent trout he’d nearly caught, her hands itching to hold the pole and try her own luck. Lord Marchman’s disgruntled question snapped her attention back to him. “Would you like to fish, or would you rather sit and watch for a bit, until you recover from your flight from the serpent?” Elizabeth looked around in feigned shock. “Goodness, sir, I don’t fish!” “Do you sit?” he asked with what might have been sarcasm. Elizabeth lowered her lashes to hide her smile at the mounting impatience in his voice. “Of course I sit,” she proudly told him. “Sitting is an excessively ladylike occupation, but fishing, in my opinion, is not. I shall adore watching you do it, however.” For the next two hours she sat on the boulder beside him, complaining about its hardness, the brightness of the sun and the dampness of the air, and when she ran out of matters to complain about she proceeded to completely spoil his morning by chattering his ears off about every inane topic she could think of while occasionally tossing rocks into the stream to scare off his fish.

They tried to explain to the missionaries that it was they who put Adam and Eve out of the village because they was naked. Their word for naked is white. But since they are covered by color they are not naked. They said anybody looking at a white person can tell they naked, but black people can not be naked because they can not be white. . . . They was so mad to git throwed out and told they was naked they made up they minds to crush us wherever they find us, same as they would a snake. That's what these Olinka peoples say. But they say just like they know history before the white children start to come, they know the future after the biggest of 'em leave. They say they know these particular children and they gon kill each other off, they still so mad bout being unwanted. Gon kill off a lot of other folk too who got some color. In fact, they gon kill off so much of the earth and the colored that everybody gon hate them just like they hate us today. Then they will become the new serpent. And wherever a white person is found he'll be crush by somebody not white, just like they do us today. And some of the Olinka peoples believe life will just go on and on like this forever. And every million years or so something will happen to the earth and folks will change the way they look. Folks might start growing two heads one of these days, for all we know, and then the folks with one head will send 'em all someplace else. But some of 'em don't think like this. They think, after the biggest of the white folks no longer on the earth, the only way to stop making somebody the serpent is for everybody to accept everybody else as a child of God, or one mother's children, no matter what they look like or how they act.

A soup dumpling is a little marvel of engineering. Called xiao long bao in Chinese, shōronpō in Japanese, and "soupies" by Iris, soup dumplings consist of silky dough wrapped around a minced pork or crab filling. The filling is mixed with chilled gelatinous broth which turns back into soup when the dumplings are steamed. Eating a soup dumpling requires practice. Pop the whole thing in your mouth and fry your tongue; bite it in the wrong place and watch the soup dribble onto your lap. The reason I thought about chocolate baklava is because Mago-chan pan-fries its soup dumplings. A steamed soup dumpling is perfect just the way it is. Must we pan-fry everything? Based on the available evidence, the answer is yes. Pan-fried soup dumplings are bigger and heartier than the steamed variety and more plump with hot soup. No, that's too understated. I'm exploding with love and soup and I have to tell the world: pan-fried soupies are amazing. The dumplings are served in groups of four, just enough for lunch for one adult or a growing eight-year-old. They're topped with a sprinkle of sesame and scallion. You can mix up a dipping sauce from the dispensers of soy sauce, black vinegar, and chile oil at the table, but I found it unnecessary. Like a slice of pizza, a pan-fried soup dumpling is a complete experience wrapped in dough. Lift a dumpling with your spoon, poke it with a chopstick, press your lips to the puncture wound, and slurp out the soup. (This will come in handy if I'm ever bitten by a soup snake.) No matter how much you extract, there always seems to be a little more broth pooling within as you eat your way through the meaty filling and crispy underside. Then you get to start again, until, too soon, your dumplings are gone.

Thich Nhat Hanh shares this Mahayana philosophy of non-dualism. This is clearly demonstrated in one of his most famous poems, “Call Me By My True Names:”1 Don’t say that I will depart tomorrow– even today I am still arriving. Look deeply: every second I am arriving to be a bud on a spring branch, to be a tiny bird, with still fragile wings, learning to sing in my new nest, to be a caterpillar in the heart of flower, to be a jewel hiding itself in a stone. I am still arriving, in order to laugh and to cry, in order to fear and to hope, the rhythm of my heart is the birth and death of every living creature. I am the mayfly metamorphosing on the surface of the river. And I am the bird, that swoops down to swallow the mayfly. I am the frog swimming happily in the clear water of a pond, and I am the grass-snake that silently feeds itself on the frog. I am the child in Uganda, all skin and bones, my legs as thin as bamboo sticks. And I am the arms merchant, selling deadly weapons to Uganda. I am the twelve-year-old girl, refugee on a small boat, who throws herself into the ocean after being raped by a sea pirate. And I am the pirate, my heart not yet capable of seeing and loving. I am a member of the politburo, with plenty of power in my hands, and I am the man who has to pay his “debt of blood” to my people, dying slowly in a forced-labor camp. My joy is like spring, so warm that it makes flowers bloom all over the Earth. My pain is like a river of tears, so vast that it fills up all four oceans. Please call me by my true names, so I can hear all my cries and laughter at once, so I can see that my joy and pain are one. Please call me by my true names, so I can wake up and open the door of my heart, the door of compassion. (Nhat Hanh, [1993] 1999, pp. 72–3) We

As he helped Sejanus unpack and make his bed, Coriolanus got caught up on the Capitol news. His suspicions about the Hunger Games were right. “By the next morning, there was no mention of it,” said Sejanus. “When I went into the Academy for my review, I heard some of the faculty talking about what a mistake it’d been to involve the students, so I think that was a one-off. But I wouldn’t be surprised if we see Lucky Flickerman back again next year, or the post office open for gifts and betting.” “Our legacy,” said Coriolanus. “So it seems,” said Sejanus. “Satyria told Professor Sickle that Dr. Gaul is determined to keep it going somehow. A part of her eternal war, I guess. Instead of battles, we have the Hunger Games.” “Yes, to punish the districts and remind us what beasts we are,” said Coriolanus, focused on lining up Sejanus’s folded socks in the locker. “What?” asked Sejanus, giving him a funny look. “I don’t know,” said Coriolanus. “It’s like . . . you know how she’s always torturing that rabbit or melting the flesh off something?” “Like she enjoys it?” asked Sejanus. “Exactly. I think that’s how she thinks we all are. Natural-born killers. Inherently violent,” Coriolanus said. “The Hunger Games are a reminder of what monsters we are and how we need the Capitol to keep us from chaos.” “So, not only is the world a brutal place, but people enjoy its brutality? Like the essay on everything we loved about the war,” said Sejanus. “As if it had been some big show.” He shook his head. “So much for not thinking.” “Forget it,” said Coriolanus. “Let’s just be happy that she’s out of our lives.” A downcast Beanpole appeared, reeking of urinals and bleach. Coriolanus introduced him to Sejanus, who, upon learning of his predicament, cheered him up by promising to help him with the drills. “It took me awhile to get it, too, back at school. But if I can master it, so can you.

We killed them all when we came here. The people came and burned their land The forests where they used to feed We burned the trees that gave them shade And burned to bush, to scrub, to heath We made it easier to hunt. We changed the land, and they were gone. Today our beasts and dreams are small As species fall to time and us But back before the black folk came Before the white folk’s fleet arrived Before we built our cities here Before the casual genocide, This was the land where nightmares loped And hopped and ran and crawled and slid. And then we did the things we did, And thus we died the things we died. We have not seen Diprotodon A wombat bigger than a room Or run from Dromornithidae Gigantic demon ducks of doom All motor legs and ripping beaks A flock of geese from hell’s dark maw We’ve lost carnivorous kangaroo A bouncy furrier T Rex And Thylacoleo Carnifex the rat-king-devil-lion-thing the dropbear fantasy made flesh. Quinkana, the land crocodile Five metres long and fast as fright Wonambi, the enormous snake Who waited by the water-holes and took the ones who came to drink who were not watchful, clever, bright. Our Thylacines were tiger-wolves until we drove them off the map Then Megalania: seven meters of venomous enormous lizard... and more, and more. The ones whose bones we’ve never seen. The megafauna haunt our dreams. This was their land before mankind Just fifty thousand years ago. Time is a beast that eats and eats gives nothing back but ash and bones And one day someone else will come to excavate a heap of stones And wonder, What were people like? Their teeth weren’t sharp. Their feet were slow. They walked Australia long ago before Time took them into tales We’re transients. The land remains. Until its outlines wash away. While night falls down like dropbears don’t to swallow up Australia Day.

You're a Parselmouth. Why didn't you tell us?" "I'm a what?" said Harry. "A Parselmouth!" said Ron. "You can talk to snakes!" "I know," said Harry. "I mean, that's only the second time I've ever done it. I accidentally set a boa constrictor on my cousin Dudley at the zoo once- long story- but it was telling me it had never seen Brazil and I sort of set it free without meaning to- that was before I knew I was a wizard-" "A boa constrictor told you it had never seen Brazil?" Ron repeated faintly. "So?" said Harry. "I bet loads of people here can do it." "Oh, no they can't," said Ron. "It's not a very common gift. Harry, this is bad." "What's bad?" said Harry, starting to feel quite angry. "What's wrong with everyone? Listen, if I hadn't told that snake not to attack Justin-" "Oh, that's what you said to it?" "What d'you mean? You were there- you heard me-" "I heard you speaking Parseltongue," said Ron. "Snake language. You could have been saying anything- no wonder Justin panicked, you sounded like you were egging the snake on or something- it was creepy, you know-" Harry gaped at him. "I spoke a different language? But- I didn't realize- how can I speak a language without knowing I can speak it?" Ron shook his head. Both he and Hermione were looking as though someone had died. Harry couldn't see what was so terrible. "D'you want to tell me what's wrong with stopping a massive snake biting off Justin's head?" he said. "What does it matter how I did it as long as Justin doesn't have to join the Headless Hunt?" "It matters," said Hermione, speaking at last in a hushed voice, "because being able to talk to snakes was what Salazar Slytherin was famous for. That's why the symbol of Slytherin House is a serpent." Harry's mouth fell open. "Exactly," said Ron. "And now the whole school's going to think you're his great-great-great-great-grandson or something..." "But I'm not," said Harry, with a panic he couldn't quite explain. "You'll find that hard to prove," said Hermione. "He lived about a thousand years ago; for all we know, you could be.

This is…mad…” Anything this wonderful had to be some form of insanity. “Then I’ve been mad for twelve years.” He tugged at her nipple with his teeth, and she gasped. “Because I imagined this often. Holding you…touching you.” He laved her nipple with his tongue as if to soothe it. “I tried not to torture myself, but…it was impossible that I should never indulge in…the fantasy of you like this, in my arms again.” He’d thought of her all these years? And done nothing about it? “You could have…had me whenever you wanted,” she choked out, even as she thrilled to his words. “You just didn’t…want me.” “Not true.” His breathing labored, he dragged his mouth from her breast to kiss his way back up to her throat. “I couldn’t allow myself to want you. There’s a difference.” None that she could see. But just now, she could hardly think. One of Dom’s hands worked its magic on her breast, his mouth snaked around to cup her derriere and pull her flush against him. Something hard pressed into her through her skirts. What the devil? “Jane,” he rasped against her lips. “My darling Jane…still mine…” The possessive note in his voice drove out every other thought. She was losing the fight against him. Sweet Lord, she couldn’t. Mustn’t, until she was sure he wouldn’t become Dom the Almighty again. Until she was sure he wouldn’t trample her into dust, the way he had before when things hadn’t been exactly how he wanted them. She couldn’t go through that again. She pushed him back, breaking his hold on her. “Not yours,” she said firmly. Her breath still came in heavy gasps, and she fought to get it under control. To get herself under control. “Not anymore.” He stared at her a long moment, his eyes ablaze and his hands flexing at his sides as if regretting the loss of her already. “Will you never forgive me for what I did so long ago, Jane?” The soft question caught her off guard. “Would you do it again if you had the chance?” She could hardly breathe, awaiting his answer. With a low oath, he glanced away. Then his features hardened into those of the rigid and arrogant Dom he had become. “Yes. I did the only thing I could to keep you happy.” Her breath turned to ice in her throat. “That’s the problem. You still really believe that.” His gaze swung to her again, but before he could say anything more, noises in the hall arrested them both.

I’m still in the big Jacuzzi tub when the power flickers--once, twice--and then goes out, leaving me in total darkness, chin deep in lukewarm water. I don’t know why, but it all hits me then--Nan’s surgery tomorrow, shooting that moccasin, this stupid, never-ending storm. I start to cry, deep, gulping sobs. I know it seems childish, but I want my daddy. What if things get worse? What if the house starts to flood? Or the roof blows off? As much as I hate to admit it, I’m scared. Really scared. A knock on the bathroom door startles me. “Jemma? You okay in there?” “I’m fine,” I call out, my voice thick. My cheeks burn with shame at being caught crying in the dark like a two-year-old. “Do you want a candle or something? Maybe a hurricane lamp?” “No, I’m…” I start to say “fine” again, but a ragged sob tears from my throat instead. “It’s going to be okay, Jem. We’ll get through this.” I sink lower into the water, wanting to disappear completely. Why can’t he just go away and let me have my little meltdown in private? Why, after all these years of being a jerk, does he have to suddenly be so nice? “I got both dogs dried off,” he continues conversationally, as if I’m not in here crying my eyes out. “They’re in the kitchen eating their supper. I think Beau’s pretty worked up.” I continue to bawl like a baby. I know he can hear me, that he’s right outside the door, listening. Still, it takes me a good five minutes to get it all out of my system. Once the tears have slowed, I reach for my washcloth and lay it across my eyes, hoping it’ll reduce the puffiness. A minute or two later, I drag it away and wring it out before laying it over the edge of the tub. It’s still dark inside the bathroom, though I can see a flicker of light coming from beneath the door. Ryder must have a flashlight, or maybe one of the battery-operated lanterns I scattered around the house, just in case. I wonder how long he’s going to stand three, waiting for me. The lights flick off, and I think maybe he’s finally left me in peace. But then I hear a muffled thump, and I know he’s still out there, probably sitting with his back against the door. “Hey, Jem?” he says. “You saved my life, you know--out there by the barn. Most people couldn’t have made that shot.” I squeeze my eyes shut, but tears leak through anyway. I hadn’t wanted to kill that stupid snake, but if it had bitten Ryder and we hadn’t been able to make it to the hospital in time… I let the thought trail off, not wanting to examine it further. “Thank you,” he says softly. “I owe you one.

In Classical mythology, righteous wrath was the province of old women. Three very specific old women, in fact: the Furies (or the Erinyes, in Greek). Fragments of myth featuring the Furies are found in the earliest records of ancient Greek culture. These sisters were much more ancient than any of the Olympian deities, indicating the persistence of an older, female-dominated tradition which endured here and there even when later, more patriarchal, mythologies set in. The role of the Furies was to preside over complaints brought to them by humans about behavior that was thought to be intolerable: from lesser misdemeanors such as the insolence of the young to the aged, of children to parents, of hosts to guests — to crimes that were very much worse. It was their role to punish such crimes by relentlessly hounding their perpetrators. The Greek poet Hesiod names the three sisters as Alecto — “unceasing in anger,” the punisher of moral crimes; Megaera — “jealous one,” the punisher of infidelity, oath-breaking, and theft; and Tisiphone — “avenger of murder.” They were, he said, the daughters of Gaea (the goddess who personified the Earth), who conceived them from the blood of her spouse, Uranus, after he had been castrated by his son, Cronos. They lived in the Underworld, and like other chthonic deities, like seeds that lie buried beneath the Earth, they were also identified with its fertility. The wrath of the Furies manifested itself in a number of ways: a tormenting madness would be inflicted on the perpetrator of a patricide or matricide; murderers usually suffered a dire disease, and nations which harbored such criminals could be stricken with famine and plague. The Furies could only be placated with ritual purification, and the completion of a task specifically assigned by them for atonement. It’s important to understand that although the Furies were feared, they were also respected and perceived to be necessary: they represented justice, and were seen to be defenders of moral and legal order. The Furies were portrayed as the foul-smelling, decidedly haggish possessors of bat-like wings, with black snakes adorning their hair, arms, and waists, and blood dripping from their eyes. And they carried brass-studded scourges in their hands. In my menopausal years, I certainly had days when I could have gone with that look. I’m happy to admit that the existence of seriously not-to-be-messed-with elder women like the Furies in our oldest European mythology gives me great pleasure. And it’s difficult not to see them as the perfect menopausal role models, because sudden upwellings of (mostly righteous) anger are a feature of many women’s experience of menopause

May God’s people never eat rabbit or pork (Lev. 11:6–7)? May a man never have sex with his wife during her monthly period (Lev. 18:19) or wear clothes woven of two kinds of materials (Lev. 19:19)? Should Christians never wear tattoos (Lev. 19:28)? Should those who blaspheme God’s name be stoned to death (Lev. 24:10–24)? Ought Christians to hate those who hate God (Ps. 139:21–22)? Ought believers to praise God with tambourines, cymbals, and dancing (Ps. 150:4–5)? Should Christians encourage the suffering and poor to drink beer and wine in order to forget their misery (Prov. 31:6–7)? Should parents punish their children with rods in order to save their souls from death (Prov. 23:13–14)? Does much wisdom really bring much sorrow and more knowledge more grief (Eccles. 1:18)? Will becoming highly righteous and wise destroy us (Eccles. 7:16)? Is everything really meaningless (Eccles. 12:8)? May Christians never swear oaths (Matt. 5:33–37)? Should we never call anyone on earth “father” (Matt. 23:9)? Should Christ’s followers wear sandals when they evangelize but bring no food or money or extra clothes (Mark 6:8–9)? Should Christians be exorcising demons, handling snakes, and drinking deadly poison (Mark 16:15–18)? Are people who divorce their spouses and remarry always committing adultery (Luke 16:18)? Ought Christians to share their material goods in common (Acts 2:44–45)? Ought church leaders to always meet in council to issue definitive decisions on matters in dispute (Acts 15:1–29)? Is homosexuality always a sin unworthy of the kingdom of God (1 Cor. 6:9–10)? Should unmarried men not look for wives (1 Cor. 7:27) and married men live as if they had no wives (1 Cor. 7:29)? Is it wrong for men to cover their heads (1 Cor. 11:4) or a disgrace of nature for men to wear long hair (1 Cor. 11:14)? Should Christians save and collect money to send to believers in Jerusalem (1 Cor. 16:1–4)? Should Christians definitely sing psalms in church (Col. 3:16)? Must Christians always lead quiet lives in which they work with their hands (1 Thess. 4:11)? If a person will not work, should they not be allowed to eat (2 Thess. 3:10)? Ought all Christian slaves always simply submit to their masters (reminder: slavery still exists today) (1 Pet. 2:18–21)? Must Christian women not wear braided hair, gold jewelry, and fine clothes (1 Tim. 2:9; 1 Pet. 3:3)? Ought all Christian men to lift up their hands when they pray (1 Tim. 2:8)? Should churches not provide material help to widows who are younger than sixty years old (1 Tim. 5:9)? Will every believer who lives a godly life in Christ be persecuted (2 Tim. 3:12)? Should the church anoint the sick with oil for their healing (James 5:14–15)? The list of such questions could be extended.

She knew the effort it took to keep one’s exterior self together, upright, when everything inside was in pieces, broken beyond repair. One touch, one warm, compassionate hand, could shatter that hard-won perfect exterior. And then it would take years and years to restore it. This tiny, effeminate creature dressed in velvet suits, red socks, an absurdly long scarf usually wrapped around his throat, trailing after him like a coronation robe. He who pronounced, after dinner, “I’m going to go sit over here with the rest of the girls and gossip!” This pixie who might suddenly leap into the air, kicking one foot out behind him, exclaiming, “Oh, what fun, fun, fun it is to be me! I’m beside myself!” “Truman, you could charm the rattle off a snake,” Diana Vreeland pronounced. Hemingway - He was so muskily, powerfully masculine. More than any other man she’d met, and that was saying something when Clark Gable was a notch in your belt. So it was that, and his brain, his heart—poetic, sad, boyish, angry—that drew her. And he wanted her. Slim could see it in his hungry eyes, voraciously taking her in, no matter how many times a day he saw her; each time was like the first time after a wrenching separation. How to soothe and flatter and caress and purr and then ignore, just when the flattering and caressing got to be a bit too much. Modesty bores me. I hate people who act coy. Just come right out and say it, if you believe it—I’m the greatest. I’m the cat’s pajamas. I’m it! He couldn’t humiliate her vulnerability, her despair. Old habits die hard. Particularly among the wealthy. And the storytellers, gossips, and snakes. Is it truly a scandal? A divine, delicious literary scandal, just like in the good old days of Hemingway and Fitzgerald? The loss of trust, the loss of joy; the loss of herself. The loss of her true heart. An amusing, brief little time. A time before it was fashionable to tell the truth, and the world grew sordid from too much honesty. In the end as in the beginning, all they had were the stories. The stories they told about one another, and the stories they told to themselves. Beauty. Beauty in all its glory, in all its iterations; the exquisite moment of perfect understanding between two lonely, damaged souls, sitting silently by a pool, or in the twilight, or lying in bed, vulnerable and naked in every way that mattered. The haunting glance of a woman who knew she was beautiful because of how she saw herself reflected in her friend’s eyes. The splendor of belonging, being included, prized, coveted. What happened to Truman Capote. What happened to his swans. What happened to elegance. What truly was the price they paid, for the lives they lived. For there is always a price. Especially in fairy tales.

Now, before you invade a foreign city. Here’s the law: Offer the fools a peace treaty. They can remain in their city as your slaves doing forced labor for you. And if they refuse your generosity? Kill every goddamned one of their men. And take their women, children, livestock, and wealth as plunder.” The same guy raised his hand and yelled, “Can we fuck these women, too?” It was a stupid question, but Moses replied patiently, “Of course. Fuck them—use them as footstools, punching bags, scarecrows—who cares? They’re slaves! Do whatever you want with them. “Just remember, all you have to do is obey Yahweh. Then you will have no worries and nothing to fear. He will take care of you. But be careful, because Yahweh will test you. He will send false prophets and phony dream interpreters. “If you encounter one? And his predictions come true? And he wants you to worship another god? Don’t be impressed! Beware! Yahweh sent him to tempt you. “So kill anyone who prophesies in the name of another god. “And kill anyone who pretends to be a prophet and is not! “And if you find a town worshipping another god—kill everyone in it! And kill their livestock! Plunder their homes! Burn that despicable town to the ground and never rebuild it! Make it a perpetual burnt offering to Yahweh. “And whatever you do, for god’s sake, do not imitate the detestable Canaanite religions! Do not incinerate your children, or practice sorcery, or witchcraft. And don’t interpret omens. These practices are detestable to Yahweh. “Above all, DO NOT worship their gods! Don’t worship the sun! Or the moon! Or the stars in the sky! Yahweh gave those to the suckers in other nations as their gods. If you worship just one of them—just one time…” Moses shuddered at the thought. “Well, let’s just say, Yahweh is jealous—real jealous! If he catches you worshipping another god, I have to tell you that the gigs up. He’ll kick your asses out of the Promised Land. And scatter you among the other nations like snake shit scattered about the desert.”   Obey Yahweh and you will live in paradise   “Just obey Yahweh. You hear me? Obey him, and you will live in paradise. He will protect you from your enemies. Send rain for your crops. Nurture your herds. You will have abundant food and wine. Maybe free dance lessons—who knows? There is no limit to Yahweh’s love! Obey him, and your lives will be perfect. Disobey him, and you are fucked! It’s just that simple.” Moses waited for the impact of this essential truth to resister in their brains. Regretfully, it did not. But he concluded, “Anyhow, I’m one-hundred and twenty years old. I cannot lead you into the Promised Land. Joshua will lead you.” He again found Joshua in the crowd. “Joshua, come on up here!” Joshua, startled awake, elbowed his way through the crowd and

In Hiding - coming summer of 2020 WAYNE ANTHONY SEEKS REDEMPTION FROM A BAD DAY - Although warned about getting the stitches wet, he believed a hot shower was the only road to his redemption. Experienced taught him the best way to relieve the tightness in his lower back was by standing beneath the near-scalding water. Dropping the rest of his clothing, he turned the shower on full blast. The hot water rushed from the showerhead filling the tiny room with steam, instantly the small mirror on the medicine cabinet fogged up. The man quietly pulled the shower curtain back and entered the shower stall without a sound. Years of acting as another’s shadow had trained him to live soundlessly. The hot water cascaded over his body as the echo from the pounding water deadened slightly. Grabbing the sample sized soap, he pulled the paper off and tossed the wrapper over the curtain rail. Wayne rubbed the clean smelling block until his large hands disappeared beneath the lather. He ignored the folded washcloth, opting to use his hands across his body. Gently he cleaned the injury allowing the slime of bacterial soap to remove the residual of the rust-colored betadine. All that remained when he finished was the pale orange smear from the antiseptic. This scar was not the only mar to his body. The water cascaded down hard muscles making rivulets throughout the thatches of dark hair. He raised his arms gingerly as he washed beneath them; the tight muscles of his abdomen glistened beneath the torrent of water. Opening a bottle of shampoo-slash-conditioner, he applied a dab then ran his hands across his scalp. Finally, the tension in his square jaw had eased, making his handsome face more inviting. The cords of his neck stood out as he rinsed the shampoo from his hair. It coursed down his chest leading down to his groin where the scented wash caught in his pelvic hair. Wayne's body was one of perfection for any woman; if that was, she could ignore the mutilations. Knife injuries left their mark with jagged white lines. Most of these, he had doctored himself; his lack of skill resulted in crude scars. The deepest one, undulated along the left side of his abdomen, that one had required the art of a surgeon. Dropping his arms, he surrenders himself to the pelting deluge from the shower. The steamy water cascaded down his body, pulling the soap toward the drain. Across his back, it slid down several small indiscernible pockmarks left by gunshot wounds, the true extent of their damage far beneath his skin. Slowly the suds left his body, snaking down his muscular legs. It slithered down the scars on his left knee, the result of replacement surgery after a thug took a bat to it. Wayne stood until the hot water cooled, and ran translucent over his body. Finally, he washes the impact of the long day from his mind and spirit.

He adopted his standard mocking approach. “Having trouble getting out of the pool, Lily? There’s a ladder on the side for the old ladies who come and do aqua aerobics.” Everything inside her stilled. That condescending wretch. She felt him come closer, and was careful not to stir an inch, not even a hair. “You should get out of the pool and take a long hot shower. It’ll make you feel better,” he suggested, not ungently. His brow furrowed with worry. She ignored the thread of concern in his voice and concentrated on not moving too suddenly. Slowly, as if in unbearable agony, she lifted her head. He was dressed once more in his khakis and shirt, his sneakers were in one hand, his gear bag in the other. Good. She let her face crumble, her expression slip into wretchedness. Her lower lip trembled, a special added effect. “I—I’m not sure I can even make it to the ladder,” she confessed haltingly. “My whole body’s shot.” Damn, she must be hurting worse than he’d imagined. Trying not to stare at her lush lower lip quivering helplessly, Sean dropped his gear bag and stepped forward. “Here,” he said, leaning over, stretching out his hand. “Grab my hand. I’ll pull you out.” She’d braced her feet against the wall of the pool, knowing she’d have to strike fast. They grasped hands. The second his tightened about her forearm, she jerked backward with all her strength. Physics were on her side. Caught off balance, Sean somersaulted through the air, with only enough time to yell, “Shit!” before he landed with a cannonball-sized splash. Lily braced her arms on the pool deck. She’d intended to jump out and make a mad dash for the ladies’ locker room but her efforts were hampered by her convulsive laughter. A surprised “Oof!” flew from her lips. Sean’s arm had snaked out and wrapped around her waist, dumping her backward into the water. She pushed to the surface to find Sean glowering menacingly. He was sopping wet and just as furious. Lily’s laughter redoubled, then died away when his hands took her by the shoulders and pulled her close. Mere inches separated their bodies. “What are you doing?” Her voice came out an alarmed squeak. Her eyes flew to his. They sparkled with green and gold lights. “Payback time, Lily. You’ve pushed me once too often. I had my cell phone in my pocket. I don’t think it’s waterproof. My leather wallet is in my rear pocket, crammed with pictures of my adorable niece and nephew. Basically, Banyon, you owe me. Big time.” His tanned face, with drops of water still clinging to its chiseled planes, descended. He was going to kiss her, she realized, panic-stricken at the thought. “Don’t, Sean, don’t!” “I think I have to. It’s been a long time coming. Oh, by the way, I like lots of tongue.” Indignant, her mouth opened, ready to skewer him. But Sean was quicker. He shut Lily up the way he’d been dreaming of for so long. For years she’d driven him mad, made him crazed with desire. Now, by God, he was going to taste her. The passion and frustration inside him erupted. He seized her mouth, molding her lips to his own. Carnal fantasies gave way to a reality a thousand times sweeter. Starved for her, Sean’s lips plundered, boldly claiming her as his.

Nevertheless, it would be prudent to remain concerned. For, like death, IT would come: Armageddon. There would be-without exaggeration-a series of catastrophes. As a consequence of the evil in man...-no mere virus, however virulent, was even a burnt match for our madness, our unconcern, our cruelty-...there would arise a race of champions, predators of humans: namely earthquakes, eruptions, tidal waves, tornados, typhoons, hurricanes, droughts-the magnificent seven. Floods, winds, fires, slides. The classical elements, only angry. Oceans would warm, the sky boil and burn, the ice cap melt, the seas rise. Rogue nations, like kids killing kids at their grammar school, would fire atomic-hydrogen-neutron bombs at one another. Smallpox would revive, or out of the African jungle would slide a virus no one understood. Though reptilian only in spirit, the disease would make us shed our skins like snakes and, naked to the nerves, we'd expire in a froth of red spit. Markets worldwide would crash as reckless cars on a speedway do, striking the wall and rebounding into one another, hurling pieces of themselves at the spectators in the stands. With money worthless-that last faith lost-the multitude would riot, race against race at first, God against God, the gots against the gimmes. Insects hardened by generations of chemicals would consume our food, weeds smother our fields, fire ants, killer bees sting us while we're fleeing into refuge water, where, thrashing we would drown, our pride a sodden wafer. Pestilence. War. Famine. A cataclysm of one kind or another-coming-making millions of migrants. Wearing out the roads. Foraging in the fields. Looting the villages. Raping boys and women. There'd be no tent cities, no Red Cross lunches, hay drops. Deserts would appear as suddenly as patches of crusty skin. Only the sun would feel their itch. Floods would sweep suddenly over all those newly arid lands as if invited by the beach. Forest fires would burn, like those in coal mines, for years, uttering smoke, making soot for speech, blackening every tree leaf ahead of their actual charring. Volcanoes would erupt in series, and mountains melt as though made of rock candy till the cities beneath them were caught inside the lava flow where they would appear to later eyes, if there were any eyes after, like peanuts in brittle. May earthquakes jelly the earth, Professor Skizzen hotly whispered. Let glaciers advance like motorboats, he bellowed, threatening a book with his fist. These convulsions would be a sign the parasites had killed their host, evils having eaten all they could; we'd hear a groan that was the going of the Holy Ghost; we'd see the last of life pissed away like beer from a carouse; we'd feel a shudder move deeply through this universe of dirt, rock, water, ice, and air, because after its long illness the earth would have finally died, its engine out of oil, its sky of light, winds unable to catch a breath, oceans only acid; we'd be witnessing a world that's come to pieces bleeding searing steam from its many wounds; we'd hear it rattling its atoms around like dice in a cup before spilling randomly out through a split in the stratosphere, night and silence its place-well-not of rest-of disappearance. My wish be willed, he thought. Then this will be done, he whispered so no God could hear him. That justice may be served, he said to the four winds that raged in the corners of his attic.

Billy sipped the last of his coffee from the mug and shut down his laptop. 1,000 words wasn’t great but it also wasn’t as bad as no words at all. It hadn’t exactly been a great couple of years and the royalties from his first few books were only going to hold out so much longer. Even if he didn’t have anything else to worry about there was always Sara to consider. Sara with her big blue eyes so like her mother’s. He sat for a moment longer thinking about his daughter and all they’d been through since Wendy had passed. Then he picked up his mug with a long sigh and carried it to the kitchen to rinse it in the sink. When he came back into his little living room and the quiet of 1 AM he wasn’t surprised to find her there over to the side of the bookshelf hovering close to the floor just beyond the couch. Wendy. Her eyes were cold and intense in death, angry and spiteful in a way he’d never seen them when she was alive. What once had been beautiful was now a horror and a threat, one that he’d known far too well in the years since she’d died. He and Sara both. He stood where he was looking at her as she glared up at him. Part of her smaller vantage point was caused by kneeling next to the shelf but he knew from the many times she’d walked or run through a room that death had also reduced her, made her no higher than 4 or 4 and half feet when she’d been 6 in life. She was like a child trapped there on the cusp between youth and coming adulthood. Crushed and broken down into a husk, an entity with no more love for them than a snake. Familiar tears stung his eyes but he blinked them away letting his anger and frustration rise in place of his grief. “Fuck you! What right do you have to be here? Why won’t you let Sara and I be? We loved you! We still love you!” She doesn’t respond, she never does. It’s as if she used up all of her words before she died and now all that’s left is the pain and the anger of her death. The empty lack of true life in her eyes leaves him cold. He doesn’t say anything else to her. It’s all a waste and he knows it. She frightens him as much as she makes him angry. Spite lives in every corner of her body and he’s reached his limit on how long he can see this perversion, this nightmare of what once meant so much to him. He walks past the bookshelf and through the doorway there. He and Sara’s rooms are up above. With an effort he resists the urge to look back down the hall to see if she’s followed. He refuses to treat his wife like a boogeyman no matter how much she has come to fit that mold. He can feel her eyes burning into him from somewhere back at the edge of the living room. The sensation leaves a cold trail of fear up his back as he walks the last four feet to the stairs and then up. He can hear her feet rush across the floor behind him and the rustle of fabric as she darts up the stairs after him. His pulse and his feet speed up as she grows closer but he’s never as fast as she is. Soon she slips up the steps under his foot shoving him aside as she crawls on her hands and feet through his legs and up the last few stairs above. As she passes through his legs, her presence never more clear than when it’s shoving right against him, he smells the clean and medicinal smells of the operating room and the cloying stench of blood. For a moment he’s back in that room with her, listening to her grunt and keen as she works so hard at pushing Sara into the world and then he’s back looking up at her as she slowly considers the landing and where to go from there. His voice is a whisper, one that pleads. “Wendy?

She smiled and then she was gone, and I drove home more depressed than I had been in years. Why? Because the truth was that I wanted to drink. And I don’t mean I wanted to ease back into it, either, with casual Manhattans sipped at a mahogany and brass-rail bar with red leather booths and rows of gleaming glasses stacked in front of a long wall mirror. I wanted busthead boilermakers of Jack Daniel’s and draft beer, vodka on the rocks, Beam straight up with water on the side, raw tequila that left you breathless and boiling in your own juices. And I wanted it all in a run-down Decatur or Magazine Street saloon where I didn’t have to hold myself accountable for anything and where my gargoyle image in the mirror would be simply another drunken curiosity like the neon-lit rain striking against the window. After four years of sobriety I once again wanted to fill my mind with spiders and crawling slugs and snakes that grew corpulent off the pieces of my life that I would slay daily. I blamed it on the killing of Julio Segura. I decided my temptation for alcohol and self-destruction was maybe even an indication that my humanity was still intact. I said the rosary that night and did not fall asleep until the sky went gray with the false dawn.

Everyone knows that’s the mark of a Dark wizard. Have you ever heard of a decent one who could talk to snakes? They called Slytherin himself Serpent-tongue.’ There was some heavy murmuring at this, and Ernie went on, ‘Remember what was written on the wall? Enemies of the Heir Beware. Potter had some sort of run-in with Filch. Next thing we know, Filch’s cat’s attacked. That first-year, Creevey, was annoying Potter at the Quidditch match, taking pictures of him while he was lying in the mud. Next thing we know, Creevey’s been attacked.

Eugene Planck wasn’t a danger to himself anymore, not since the day he’d chugged down a bottle of acid to burn the snake living in his stomach. He hadn’t overcome what the doctors called “delusional parasitosis”—he’d just realized that the snake couldn’t be killed. Twenty years later, his throat still burned, especially on hot, dry California days like this one. He stared through the wire-mesh window, watched the wispy clouds drift by, and waited to die.