Smoke Lover Quotes

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Love is a smoke made with the fume of sighs; Being purg'd, a fire sparkling in lovers' eyes; Being vex'd, a sea nourish'd with lovers' tears; What is it else? A madness most discreet, A choking gall, and a preserving sweet.
William Shakespeare (Romeo and Juliet)
Once upon a time, an angel and a devil fell in love and dared to imagine a new way of living—one without massacres and torn throats and bonfires of the fallen, without revenants or bastard armies or children ripped from their mothers’ arms to take their turn in the killing and dying. Once, the lovers lay entwined in the moon’s secret temple and dreamed of a world that was a like a jewel-box without a jewel—a paradise waiting for them to find it and fill it with their happiness. This was not that world.
Laini Taylor (Days of Blood & Starlight (Daughter of Smoke & Bone, #2))
Fire is a fragile lover, court her well, neglect her not; her faith is like a misty smoke, her anger is destructive hot.
Cate Tiernan
She will blaze through you like a gypsy wildfire. Igniting you soul and dancing in its flames. And when she is gone, the smell of her smoke will be the only thing left to soothe you.
Nicole Lyons
Once upon a time, there were two moons, who were sisters. Nitid was the goddess of tears and life, and the sky was hers. No one worshipped Ellai but secret lovers.
Laini Taylor (Daughter of Smoke & Bone (Daughter of Smoke & Bone, #1))
It’s easier to hide your smoking habit on a foggy day. Let that be a lesson for you and your secret lover.
Jarod Kintz (Whenever You're Gone, I'm Here For You)
Man, it was a good thing vampires didn't get cancer. Lately he'd been chain-smoking like a felon.
J.R. Ward (Lover Unbound (Black Dagger Brotherhood, #5))
Table talk and Lovers' talk equally elude the grasp; Lovers' Talk is clouds, Table Talk is smoke." Les Miserables
Victor Hugo (Les Misérables)
It’s the Longing that ultimately undoes you. When it finds you, it gnaws at your bones and tugs at your chest. It fills you up inside like rot and makes you dream dreams and it drowns you. The Longing keeps you in bed, clutching at your sheets while the world goes on outside. It smells like old leaves and cigarette smoke, mixed with the scent of far-off places you will hear of, but never see. It’s the gloss on a lover’s lips the moment you realize you will never kiss those lips again. It is the bittersweet, unrequited love of creation and it will break your heart again and again and again. If you know the Longing the way I do, then these words are redundant. We understand each other perfectly, you and I.
Matthew Sturges (House of Mystery, Volume 1: Room and Boredom)
You want an ending," she says. "Then take my life when I am done with it. You can have my soul when I don't want it anymore." The shadow tips his head, suddenly intrigued. A smile - just like the smile in her drawings, askance, and full of secrets - crosses his mouth. And then he pulls her to him. A lover's embrace. he is smoke and skin, air and bone, and when his mouth presses against hers, the first thing she tastes is the turning of the seasons, the moment when dusk gives way to night. And then his kiss deepens. His teeth skim her bottom lip, and there is pain in the pleasure, followed by the copper taste of blood on her tongue.
Victoria Schwab (The Invisible Life of Addie LaRue)
A cold blast hit him and he laughed at the sting as he stepped outside, surveyed the night sky, and drank deeply. Such a good liar he was. Such a good one. Everyone thought he was fine because he'd camo'd his little problems. He wore a Sox hat to hide the eye twitch. Set his wristwatch to go off every half hour to beat back the dream. Ate though he wasn't angry. Laughed though he found nothing funny. And he'd always smoked like a chimney.
J.R. Ward (Lover Revealed (Black Dagger Brotherhood, #4))
Once upon a time, [...]. There was a world that was perfectly made and full of birds and striped creatures and lovely things like honey lilies and star tenzing and weasels— [...] And this world already had light and shadow, so it didn't need any rouge stars to come and save it, and it had no use for bleeding suns or weeping moons, either, and most important, it had never known war, which is a terrible and wasteful thing that no world needs. It had earth and water, air and fire, all four elements, but it was missing the last element. Love. [...] And so this paradise was like a jewel box without a jewel. There it lay, day after day of rose-colored dawns and creature sounds and strange perfumes, and waited for lovers to find it and fill it with their happiness. The end. [...] The story is unfinished. The world is still waiting.
Laini Taylor (Daughter of Smoke & Bone (Daughter of Smoke & Bone, #1))
My face responds without authorization from my brain, so the resulting smile feels like the biggest, most unguarded, goofiest smile I’ve ever unleashed in my entire life. I didn’t even know my face could do this. It’s like there were hidden zippers in my cheeks. Jesus. This must be what feelings are. This is why people write poems! I get it now. I get it, and I want more.
Laini Taylor (Night of Cake & Puppets (Daughter of Smoke & Bone, #1.5))
Around Mik, my powers desert me. I lose basic motor function, like my brain focuses all neural activity on my lips and shifts into kiss preparedness mode way too early, to the detriment of things like speech, and walking.
Laini Taylor (Night of Cake & Puppets (Daughter of Smoke & Bone, #1.5))
He didn't say anything. Didn't try any of the hugging bullshit, either, which was just as well. Instead, he placed a wooden case next to Tohr on the bed, exhaled some Turkish smoke, and went back for the exit like he couldn't wait to get out of the room. Except he stopped before he left, "I gotchu, my brother," he said to the door. "I know, V. You always have. ~Vishous and Tohrment Lover Reborn
J.R. Ward (Lover Reborn (Black Dagger Brotherhood, #10))
He was the first to reach the aircraft, and he went for the door that by some miracle was facing outward and not into the concrete wall. Wrenching the thing open, and getting out his flashlight, he didn’t know what to expect inside—smoke? Fumes? Blood and body parts? Zsadist was sitting rigid in a backward-facing seat, his big body strapped in, both hands locked on the armrests. The Brother was staring straight ahead and not blinking. “Have we stopped moving?” he said hoarsely
J.R. Ward (Lover at Last (Black Dagger Brotherhood, #11))
There are many words a woman in love longs to hear. “I’ll love you forever, darling,” and “Will it be a diamond this year?” are two fine examples. But young lovers take note: above all else, the phrase every girl truly wants to hear is “Hi, this is Amy from Science Support; I’m dropping off some heads.
Caitlin Doughty (Smoke Gets in Your Eyes: And Other Lessons from the Crematory)
Once upon a time, before chimaera and seraphim, there was the sun and the moons. The sun was betrothed to Nitid, the bright sister, but it was demure Ellai, always hiding behind her bold sister, who stirred his lust. He contrived upon her bathing in the sea and he took her. She struggled, but he was the sun, and he thought he should have what he wanted. Ellai stabbed him and escaped, and the blood of the sun flew like sparks to earth, where it became seraphim- misbegotten children of fire. And like their father, they believed it their due to want, and take, and have. As for Ellai, she told her sister what had passed, and Nitid wept, and her tears fell to earth and became chimeara, children of regret. When the sun came again to the sisters, neither would have him. Nitid put Ellai behind her and protected her, though the sun, still bleeding sparks, knew Ellai was not as defenseless as she seemed. He plead with Nitid to forgive him but she refused, and to this day he follows the sisters across the sky, wanting and wanting and never having, and that will be his punishment, forever. Nitid is the goddess of tears and life, hunts and war, and her temples are too many to count. It is she who fills wombs, slows the hearts of the dying, and leads her children against the serephim. Her light is like a small sun; she chases away shadows. Ellai is more subtle. She is a trace, a phantom moon, and there are only a handful of nights she alone takes the sky. There are called Ellai nights, and they are dark and star-scattered and good for furtive things. Ellai is the goddes of assassins and secret lovers. Temples to her are few, and hidden, like the one in the requiem grove in the hills above Loramendi.
Laini Taylor (Daughter of Smoke & Bone (Daughter of Smoke & Bone, #1))
... the lovers ... dreamed of a world that was like a jewel box without a jewel - a paradise waiting for them ... to fill it with their happiness
Laini Taylor (Days of Blood & Starlight (Daughter of Smoke & Bone, #2))
I love you, Nora,” he says when we pull apart a few inches to breathe. “I think I love everything about you.” “Even my Peloton?” I ask. “Great piece of equipment,” he says. “The fact that I check my email after work hours?” “Just makes it easier to share Bigfoot erotica without having to walk across the room,” he says. “Sometimes I wear very impractical shoes,” I add. “Nothing impractical about looking hot,” he says. “And what about my bloodlust?” His eyes go heavy as he smiles. “That,” he says, “might be my favorite thing. Be my shark, Stephens.” “Already was,” I say. “Always have been.” “I love you,” he says again. “I love you too.” I don’t have to force it past a knot or through the vise of a tight throat. It’s simply the truth, and it breathes out of me, a wisp of smoke, a sigh, another floating blossom on a current carrying billions of them. “I know,” he says. “I can read you like a book.
Emily Henry (Book Lovers)
The greatest drug of all, my dear, was not one of those pills in so many colors that you took over the years, was not the opium, the hash you smoked in houses at the beach, or the speed or smack you shot up in Sutherland's apartment, no, it wasn't any of these. It was the city, darling, it was the city, the city itself. And do you see why I had to leave? As Santayana said, dear, artists are unhappy because they are not interested in happiness; they live for beauty. God, was that steaming, loathsome city beautiful!!! And why finally no human lover was possible, because I was in love with all men, with the city itself.
Andrew Holleran (Dancer from the Dance)
Oh!--and I speak out of later knowledge--Heaven forefend me from the most of the average run of male humans who are not good fellows, the ones cold of heart and cold of head who don't smoke, drink, or swear, or do much of anything else that is brase, and resentful, and stinging, because in their feeble fibres there has never been the stir and prod of life to well over its boundaries and be devilish and daring. One doesn't meet these in saloons, nor rallying to lost causes, nor flaming on the adventure-paths, nor loving as God's own mad lovers. They are too busy keeping their feet dry, conserving their heart-beats, and making unlovely life-successes of their spirit-mediocrity.
Jack London (John Barleycorn: Alcoholic Memoirs)
Why, such is love's transgression. Griefs of mine own lie heavy in my breast, Which thou wilt propagate, to have it prest With more of thine: this love that thou hast shown Doth add more grief to too much of mine own. Love is a smoke raised with the fume of sighs; Being purged, a fire sparkling in lovers' eyes; Being vex'd a sea nourish'd with lovers' tears: What is it else? a madness most discreet, A choking gall and a preserving sweet. Farewell, my coz.
William Shakespeare (Romeo and Juliet)
I knew a man once,” Al Sorna continued, “who loved a woman very much. But he had a duty to perform, a duty he knew would cost him his life, and hers too if she stayed with him. And so he tricked her and had her taken far away. Sometimes that man tries to cast his thoughts across the ocean, to see if the love they shared has turned to hate, but he finds only distant echoes of her fierce compassion, a life saved here, a kindness done there, like smoke trailing after a blazing torch. And so he wonders, does she hate me? For she has much to forgive, and between lovers,” his gaze switched from her to me, “betrayal is always the worst sin.
Anthony Ryan (Blood Song (Raven's Shadow, #1))
She did what she could for him. She kissed him in return. She lost her breath and both her hearts, and finally Turned to smoke and back.
Shana Abe (The Dream Thief (Drakon, #2))
You left the door open.“ “Fritz is bringing me some smokes.” “You’re not lighting up around my dog” (…) V looked over at the dog. George’s big boxy head was down on his paws, his kind brown eyes seeming to apologize for the shutdown on the whole light-up routine. Vishous stroked the bag of Turkish delicious like a pathetic loser. “Mind if I just rolled up a couple?” “One flick on the flint and I’ll pound you into the carpet.
J.R. Ward (Lover Unleashed (Black Dagger Brotherhood, #9))
EB: Perhaps it's her way of rebelling. You know a thing or two about rebellion, I think. NW: Yes, but I did it the proper way. I drank and smoked and took lovers. Who rebels with mathematics?
Khaled Hosseini (And the Mountains Echoed)
Let's offer flowers, pour a cup of libation, split open the skies and start anew on creation. If the forces of grief invade our lovers' veins, cupbearer and I will wash away this temptation. With rose water we'll mellow crimson wine's bitter cup; we'll sugar the fire to sweeten smoke's emanation. Take this fine lyre, musician, strike up a love song; let's dance, sing all night, go wild in celebration. As dust, 0 West Wind, let us rise to the Heavens, floating free in Creator's glow of elation. If mind desires to return while heart cries to stay, here's a quarrel for love's deliberation. Alas, these words and songs go for naught in this land; come, Hafez, let's create a new generation.
null
There is a reason why people love villains so much. No one wants a hero. A hero will choose the world over their lover. A villain will burn it down for insulting them.
Lucy Smoke (Natural Born Killers (Sick Boys, #3))
She shook her head. "I'm not leaving him. And I'm out here waiting only because I was making him crazy. The sight of me... isn't good for his mental health at this moment. I'm hoping that's no longer true after he breaks this second treadmill." "Second?" "I'm pretty damn sure that flapping and the smell of smoke about fifteen minutes ago meant he ran one of them into the ground." "Damn." "Yup.
J.R. Ward (Lover Mine (Black Dagger Brotherhood, #8))
Love is a smoke made with a fume of sighs. Being purged, a fire sparkling in lovers eyes. Being vexed, a sea nourished with loving tears. What is it else? A madness most discreet, a choking gall, and a preserving sweet.
null
Yesterday it was sun outside. The sky was blue and people were lying under blooming cherry trees in the park. It was Friday, so records were released, that people have been working on for years. Friends around me find success and level up, do fancy photo shoots and get featured on big, white, movie screens. There were parties and lovers, hand in hand, laughing perfectly loud, but I walked numbly through the park, round and round, 40 times for 4 hours just wanting to make it through the day. There's a weight that inhabits my chest some times. Like a lock in my throat, making it hard to breathe. A little less air got through and the sky was so blue I couldn’t look at it because it made me sad, swelling tears in my eyes and they dripped quietly on the floor as I got on with my day. I tried to keep my focus, ticked off the to-do list, did my chores. Packed orders, wrote emails, paid bills and rewrote stories, but the panic kept growing, exploding in my chest. Tears falling on the desk tick tick tick me not making a sound and some days I just don't know what to do. Where to go or who to see and I try to be gentle, soft and kind, but anxiety eats you up and I just want to be fine. This is not beautiful. This is not useful. You can not do anything with it and it tries to control you, throw you off your balance and lovely ways but you can not let it. I cleaned up. Took myself for a walk. Tried to keep my eyes on the sky. Stayed away from the alcohol, stayed away from the destructive tools we learn to use. the smoking and the starving, the running, the madness, thinking it will help but it only feeds the fire and I don't want to hurt myself anymore. I made it through and today I woke up, lighter and proud because I'm still here. There are flowers growing outside my window. The coffee is warm, the air is pure. In a few hours I'll be on a train on my way to sing for people who invited me to come, to sing, for them. My own songs, that I created. Me—little me. From nowhere at all. And I have people around that I like and can laugh with, and it's spring again. It will always be spring again. And there will always be a new day.
Charlotte Eriksson
The red priestess shuddered. Blood trickled down her thigh, black and smoking. The fire was inside her, an agony, an ecstasy, filling her, searing her, transforming her. Shimmers of heat traced patterns on her skin, insistent as a lover’s hand.
George R.R. Martin (A Dance with Dragons (A Song of Ice and Fire, #5))
The worm drives helically through the wood And does not know the dust left in the bore Once made the table integral and good; And suddenly the crystal hits the floor. Electrons find their paths in subtle ways, A massless eddy in a trail of smoke; The names of lovers, light of other days Perhaps you will not miss them. That's the joke. The universe winds down. That's how it's made. But memory is everything to lose; Although some of the colors have to fade, Do not believe you'll get the chance to choose. Regret, by definition, comes too late; Say what you mean. Bear witness. Iterate.
John M. Ford
Is our closeness all smoke and mirrors, Just a figment in my mind? Do you know what all your in for With a love like mine? I can show you what lies ahead If we leave our lives behind
Eric Overby (Senses)
I closed my eyes and immediately I pictured Brooklyn’s full lips parted on a moan, her eyes glassy and her pupils dilated, her cheeks flushed and her body…her smoking body bared only for me.
Stephanie Witter (Six Years)
It was very still. The tree was tall and straggling. It had thrown its briers over a hawthorn-bush, and its long streamers trailed thick, right down to the grass, splashing the darkness everywhere with great spilt stars, pure white. In bosses of ivory and in large splashed stars the roses gleamed on the darkness of foliage and stems and grass. Paul and Miriam stood close together, silent, and watched. Point after point the steady roses shone out to them, seeming to kindle something in their souls. The dusk came like smoke around, and still did not put out the roses.
D.H. Lawrence (Sons and Lovers)
Before the Industrial Revolution, it was normal to divide the night into two periods of sleep: the “first sleep,” or “dead sleep,” lasting from the evening until the early hours of the morning; and the “second” or “morning” sleep, which took the slumberer safely to daybreak. In between, there was an hour or more of wakefulness known as the “watch,” in which “Families rose to urinate, smoke tobacco, and even visit close neighbors. Many others made love, prayed, and . . . reflected on their dreams, a significant source of solace and self-awareness.” In the intimacy of the darkness, families and lovers could hold deep, rich, wandering conversations that had no place in the busy daytime.
Katherine May (Wintering: The Power of Rest and Retreat in Difficult Times)
Outside my window, truckers trucked, hookers fucked, cops cruised, kids smoked, elders yelled, invalids slept, spouses fought, lovers kissed, while I watched a pussycat playing with stars in a black room.
Jardine Libaire (Here Kitty Kitty)
We caught the tread of dancing feet, We loitered down the moonlit street, And stopped beneath the harlot's house. Inside, above the din and fray, We heard the loud musicians play The 'Treues Liebes Herz' of Strauss. Like strange mechanical grotesques, Making fantastic arabesques, The shadows raced across the blind. We watched the ghostly dancers spin To sound of horn and violin, Like black leaves wheeling in the wind. Like wire-pulled automatons, Slim silhouetted skeletons Went sidling through the slow quadrille, Then took each other by the hand, And danced a stately saraband; Their laughter echoed thin and shrill. Sometimes a clockwork puppet pressed A phantom lover to her breast, Sometimes they seemed to try to sing. Sometimes a horrible marionette Came out, and smoked its cigarette Upon the steps like a live thing. Then, turning to my love, I said, 'The dead are dancing with the dead, The dust is whirling with the dust.' But she--she heard the violin, And left my side, and entered in: Love passed into the house of lust. Then suddenly the tune went false, The dancers wearied of the waltz, The shadows ceased to wheel and whirl. And down the long and silent street, The dawn, with silver-sandalled feet, Crept like a frightened girl.
Oscar Wilde
But as the late- seventeenth-century philosopher Gottfried Wilhelm Leibniz said, 'To be neutral is rather like someone who lives in the middle of a house and is smoked out from below and drenched with urine from above.
Eleanor Herman (Sex with the Queen: 900 Years of Vile Kings, Virile Lovers, and Passionate Politics)
Why, such is love's transgression. Griefs of mine own lie heavy in my breast, Which thou wilt propagate, to have it prest With more of thine: this love that thou hast shown Doth add more grief to too much of mine own. Love is a smoke raised with the fume of sighs; Being purged, a fire sparkling in lovers' eyes; Being vex'd a sea nourish'd with lovers' tears: What is it else? a madness most discreet, A choking gall and a preserving sweet. Farewell, my coz.
William Shakespeare (Romeo and Juliet)
Now keep in mind that the typical Greek myth goes something like this: innocent shepherd boy is minding his own business, an overflying god spies him and gets a hard-on, swoops down and rapes him silly; while the victim is still staggering around in a daze, that god’s wife or lover, in a jealous rage, turns him–the helpless, innocent victim, that is–into let’s say an immortal turtle and e.g. power-staples him to a sheet of plywood with a dish of turtle food just out of his reach and leaves him out in the sun forever to be repeatedly disemboweled by army ants and stung by hornets or something. So if Arachne had dissed anyone else in the Pantheon, she would have been just a smoking hole in the ground before she knew what hit her.
Neal Stephenson (Cryptonomicon)
I saw the best minds of my generation destroyed by Facebook, starving hysterical naked, dragging themselves through photo slideshows at dawn looking for an angry fix, angelheaded hipsters burning for the ancient heavenly connections of their youth through the machinery of night, who clicking and poking and hollow-eyed and high sat up smoking in the supernatural brightness of tiny screens floating across the tops of cities contemplating likes, who bared their brains to the network and saw who got pregnant and who got fat and who’s living the life best lived by posting Instagrams of themselves staggering on tenement roofs illuminated, who passed through newly cropped profile pics with radiant cool eyes obsessing over whose ex’s new lover is the best looking ex-lover’s lover, who breaking their backs falling out of ergonomic chairs while shouting into the icy streets, Everybody look how clever I am, Look how much fun I am having, Look at this amazing party I went to, Look at how well-liked I am, Look at my effortless carefully constructed casual desperate thrown together fun, Everybody look, This is fun, Look, Look, I swear to God I am having so much fun.
Raphael Bob-Waksberg
When Love comes suddenly and taps on your window, run and let it in but first shut the door of your reason. Even the smallest hint chases love away like smoke that drowns the freshness of the morning breeze. To reason Love can only say, the way is barred, you can't pass through but to the lover it offers a hundred blessings. Before the mind decides to take a step Love has reached the seventh heaven. Before the mind can figure how Love has climbed the Holy Mountain. I must stop this talk now and let Love speak from its nest of silence.
Rumi (Jalal ad-Din Muhammad ar-Rumi)
She tasted the day he lost his first job. She tasted the morning he had awakened, still drunk, in his car, in the middle of a cornfield, and, terrified, had sworn off the bottle for ever. She knee his real name. She remembered the name that had once been tattooed on his arm and knew why it could be there no longer. She tasted the color of his eyes from the inside, and shivered at the nightmare he had in which he was forced to carry spiny fish in his mouth, and from which he woke, choking, night after night. She savored the hungers in food and fiction, and discovered a dark sky when he was a small boy and he had stared up at the stars and wondered at their vastness and immensity, that even he had forgotten.
Neil Gaiman (Sirens and Other Daemon Lovers)
he was an inept athlete, an apathetic clubman, an unenthusiastic drinker, an indifferent gambler, a lukewarm lover. He, who owed his fortune to tobacco, did not even smoke. Those who accused him of being excessively frugal failed to understand that, in truth, he had no appetites to repress.
Hernan Diaz (Trust)
The hard air was still sulphureous, but they were both used to it. Round the near horizon went the haze, opalescent with frost and smoke, and on the top lay the small blue sky; so that it was like being inside an enclosure, always inside. Life always a dream or a frenzy, inside an enclosure.
D.H. Lawrence (Lady Chatterley’s Lover)
And then he pulls her to him. A lover's embrace. He is smoke and skin, air and bone, and when his mouth presses against hers, the first thing she tastes is the turning of the seasons, the moment when dusk gives way to night. And then his kiss deepens. His teeth skim her bottom lip, and there is pain in the pleasure, followed by the copper taste of blood on her tongue. "Done," whispers the god against her lips. And then the world goes black, and she is falling.
Victoria Schwab (The Invisible Life of Addie LaRue)
derelict. my voice cracked and yolk poured out. wind chimes rigid, no breeze, no song. my wings found hidden in your suitcase. pleas for help mistaken for a swan song. i'm stuffing pages from my journal down my throat as kindling. hoping the smoke will get the taste of you out of my mouth. he looks at me from across the room and all i want is to push him against the wall. ravage. ravage. carnage has never been more vogue. is it still art if it doesn't bring you to your knees? lover, let me prey at your altar. let me bare my fangs in praise. don't i look so pretty in a funeral shroud? i keep time with the click of my creaking bones. dance with me under the milky translucence of a world suffocating. how did you find me? i buried myself beneath the cicadas. is a girl trapped in glass still a prize? let me get under your skin. i want to know what your fears taste like. i want to consume.
Taylor Rhodes (calloused: a field journal)
And so this paradise was like a jewel box without a jewel. There it lay, day after day..., and waited for lovers to find it and fill it with their happiness
Laini Taylor (Daughter of Smoke & Bone (Daughter of Smoke & Bone, #1))
Love is a smoke rais’d with the fume of sighs; being purg’d, a fire sparkling in lovers’ eyes . . . —William Shakespeare, Romeo and Juliet
Julianne MacLean (A Fire Sparkling)
The nerd gets a makeover, and without her glasses, she’s smoking hot.
Emily Henry (Book Lovers)
It’s easier to hide your smoking habit on a foggy night. Let that be a lesson for you and your secret lover.
Jarod Kintz (There are Two Typos of People in This World: Those Who Can Edit and Those Who Can't)
For one more time, he decided to give away smoking. And then, she happened one more time in his head.
Nishikant (The Papery Onions)
That time of the month for a woman with a good lover is an unwelcome vacation.
A.K. Kuykendall
Table talk and lovers’ talk are equally elusive; lovers’ talk is clouds, table talk is smoke.
Victor Hugo (Les Misérables)
Done!” said Hypnos, clapping his hands. “Is this what teamwork is like? How … hierarchical.” Hypnos winked at Laila. “Hello, lover.” “Ex-lover,” she said, a touch fondly. Hypnos reminded her of Enrique. If Enrique’s wits had been fed on champagne and bitter smoke for the better part of a decade. Séverin’s face darkened. A small muscle in his jaw twitched, as if he were chewing down an imaginary clove to calm his temper. He stalked forward, placing himself between Laila and Hypnos. “You and I should talk privately,” he said to Hypnos. “I’ll
Roshani Chokshi (The Gilded Wolves (The Gilded Wolves, #1))
Sex with a writer should be on any and everyone’s bucket list. Like a box of chocolates, you’d have no clue which of our multiple personalities you’d encounter. Odds are, you’d find that perfect lover. So perfect this inamorata and/or inamorato that your psyche would forever be consumed with hopes that you’d, again, experience, even for a brief moment, the all-encompassing magmatism of that carnal deity within.
A.K. Kuykendall
Ten years it has been, through our deepest secrets and prettiest moments… under the handsomest sky so bedecked by the stars and sometimes between the dusty roads that often blurred our eyes with smoke and scars.
Debalina Haldar
When it comes to picking wine and cutting through the marketing smokes, bottom line is: two things really matter. First is how the grapes were farmed, and second is whether or not you like it. The rest is vastly BS.
Olivier Magny
After that, I don't think I spoke for another week because I had realized that my greatest fear had come true, which is that I did this to myself. There was one, upside, though. A fourteen-day coma makes it very simple to quit smoking.
Matthew Perry (Friends, Lovers, and the Big Terrible Thing)
- She studies mathematics at the Sorbonne. .... - Perhaps it's her way of rebelling. You know a thing or two about rebellion, I think. - Yes, but I did it in the proper way. I drank and smoked and took lovers. Who rebells with mathematics?
Khaled Hosseini (And the Mountains Echoed)
The earthly glory is like smoke, I wanted much more than this. In all my lovers I evoked The feelings of joy and bliss. One is still in love somewhere With a friend from long ago, The other stands in the city square,- A statue of bronze in the snow.
Anna Akhmatova (Final Meeting: Selected Poetry)
I should have done it a long time ago. When there were three bullets in the gun instead of two. I was stupid. We’ve been over all of this. I didnt bring myself to this. I was brought. And now I’m done. I thought about not even telling you. That would probably have been best. You have two bullets and then what? You cant protect us. You say you would die for us but what good is that? I’d take him with me if it werent for you. You know I would. It’s the right thing to do. You’re talking crazy. No, I’m speaking the truth. Sooner or later they will catch us and they will kill us. They will rape me. They’ll rape him. They are going to rape us and kill us and eat us and you wont face it. You’d rather wait for it to happen. But I cant. I cant. She sat there smoking a slender length of dried grapevine as if it were some rare cheroot. Holding it with a certain elegance, her other hand across her knees where she’d drawn them up. She watched him across the small flame. We used to talk about death, she said. We dont any more. Why is that? I dont know. It’s because it’s here. There’s nothing left to talk about. I wouldnt leave you. I dont care. It’s meaningless. You can think of me as a faithless slut if you like. I’ve taken a new lover. He can give me what you cannot. Death is not a lover. Oh yes he is.
Cormac McCarthy (The Road)
there was that sudden disturbance in the air again; it was almost everywhere now, as unmistakable as the smell of smoke. I suddenly had the overwhelming feeling that something terrible was going to happen, or had already happened, or was in the process of happening.
Carola Lovering (Tell Me Lies)
It was not a purer realm that loomed vastly over the city. Smokestacks punctured the membrane between the land and the air and disgorged tons of poisonous smog into that upper world as if out of spite. In a thicker, stinking haze just above the rooftops, the detritus from a million low chimneys eddied together. Crematoria vented into the airborne ashes of wills burnt by jealous executors, which mixed with coaldust burnt to keep dying lovers warm. Thousands of sordid smoke-ghosts wrapped New Crobuzon in a stench that suffocated like guilt.
China Miéville (Perdido Street Station (New Crobuzon, #1))
Standing at the foot of the grand staircase, Wrath finished prepping for the meeting with the glymera by drawing a Kevlar vest onto his shoulders. “It’s light.” “Weight doesn’t always do you better,” V said as he fired up a hand-rolled and snapped his gold lighter shut. “You sure about that.” “When it comes to bulletproof vests, I am.” Vishous exhaled, the smoke momentarily shading his face before it floated upward to the ornate ceiling. “But if it’ll make you feel better, we can strap a garage door on your chest. Or a car, for that matter.” -Wrath & Vishous
J.R. Ward (Lover Avenged (Black Dagger Brotherhood, #7))
I’d seen Ethan walk through smoke and ash before, emerge through a cloud of magic and fire. We’d been lovers then, when I’d thought him dead. But we hadn’t loved. Not like this. Not like we did now. I’d grieved when he was gone, but this would have killed me. Because now he was my eternity.
Chloe Neill
She attempted to lie to herself and to believe his finely spun lies, too, in a desperate act of self-immolation. Yet it did no good, and when they moved toward the bed, she remained lost, alone, bone chilled. It was like trying to revive a fire when water has been poured on it: there was only smoke.
Silvia Moreno-Garcia (The Lover)
I wish every woman could have as a lover at some point in her life a man who never smoked or drank too much or became jaded from kissing too many girls or looking at porn, someone with the gracious muscles that come from honest work and not from the gym, someone unashamed of the animal side of human nature.
Kristin Kimball
California during the 1940s had Hollywood and the bright lights of Los Angeles, but on the other coast was Florida, land of sunshine and glamour, Miami and Miami Beach. If you weren't already near California's Pacific Coast you headed for Florida during the winter. One of the things which made Miami such a mix of glitter and sunshine was the plethora of movie stars who flocked there to play, rubbing shoulders with tycoons and gangsters. Sometimes it was hard to tell the difference between the latter two. Miami and everything that surrounded it hadn't happened by accident. Carl Fisher had set out to make Miami Beach a playground destination during the 1930s and had succeeded far beyond his dreams. The promenade behind the Roney Plaza Hotel was a block-long lovers' lane of palm trees and promise that began rather than ended in the blue waters of the Atlantic. Florida was more than simply Miami and Miami Beach, however. When George Merrick opened the Biltmore Hotel in Coral Gables papers across the country couldn't wait to gush about the growing aura of Florida. They tore down Collins Bridge in the Gables and replaced it with the beautiful Venetian Causeway. You could plop down a fiver if you had one and take your best girl — or the girl you wanted to score with — for a gondola ride there before the depression, or so I'd been told. You see, I'd never actually been to Florida before the war, much less Miami. I was a newspaper reporter from Chicago before the war and had never even seen the ocean until I was flying over the Pacific for the Air Corp. There wasn't much time for admiring the waves when Japanese Zeroes were trying to shoot you out of the sky and bury you at the bottom of that deep blue sea. It was because of my friend Pete that I knew so much about Miami. Florida was his home, so when we both got leave in '42 I followed him to the warm waters of Miami to see what all the fuss was about. It would be easy to say that I skipped Chicago for Miami after the war ended because Pete and I were such good pals and I'd had such a great time there on leave. But in truth I decided to stay on in Miami because of Veronica Lake. I'd better explain that. Veronica Lake never knew she was the reason I came back with Pete to Miami after the war. But she had been there in '42 while Pete and I were enjoying the sand, sun, and the sweet kisses of more than a few love-starved girls desperate to remember what it felt like to have a man's arm around them — not to mention a few other sensations. Lake had been there promoting war bonds on Florida's first radio station, WQAM. It was a big outdoor event and Pete and I were among those listening with relish to Lake's sultry voice as she urged everyone to pitch-in for our boys overseas. We were in those dark early days of the war at the time, and the outcome was very much in question. Lake's appearance at the event was a morale booster for civilians and servicemen alike. She was standing behind a microphone that sat on a table draped in the American flag. I'd never seen a Hollywood star up-close and though I liked the movies as much as any other guy, I had always attributed most of what I saw on-screen to smoke and mirrors. I doubted I'd be impressed seeing a star off-screen. A girl was a girl, after all, and there were loads of real dolls in Miami, as I'd already discovered. Boy, was I wrong." - Where Flamingos Fly
Bobby Underwood (Where Flamingos Fly (Nostalgic Crime #2))
A Poem I Like: With a hand that is greater than mine she gently makes my coarse life fine and all the reasons that meant the world evaporate like smoke unfurled. How can one so lacking force house the heart where dwells the source of power which turns the darkness lite turns deadly games to lover's rites by Jack Edison
Brie Edison
Rough language, drinking, spitting, or smoking will not be tolerated in the drawing room when ladies are present, and will be fined one pence per word. We've a jar, you see." "A jar." He said this with every evidence of fascination. "But we also have a withdrawing room for gentlemen, in which they can unleash their baser impulses in case the effort of restraint becomes too much to bear." Lady Derring was very dry. "What a relief to hear. Tethering instincts wears a devil out." He was rewarded with a smile, one of delightful, slow, crooked affairs, as if she just couldn't help herself, and he, for a moment, could not have formed words for admiring it.
Julie Anne Long (Lady Derring Takes a Lover (The Palace of Rogues #1))
She was a horse lover and she and Whitey kept a mean old paint, a fancy quarter horse/Arabian mix, a roan Appaloosa with one ghost eye named Spook, and a pony. So along with the whiskey and perfume and smoke, she often exuded faint undertones of hay, dust, and the fragrance of horse, which once you smell it you always miss it. Humans were meant to live with the horse.
Louise Erdrich
Then we may begin by assuming that there are three classes of men—lovers of wisdom, lovers of honour, lovers of gain? Exactly. And there are three kinds of pleasure, which are their several objects? Very true. Now, if you examine the three classes of men, and ask of them in turn which of their lives is pleasantest, each will be found praising his own and depreciating that of others: the money-maker will contrast the vanity of honour or of learning if they bring no money with the solid advantages of gold and silver? True, he said. And the lover of honour—what will be his opinion? Will he not think that the pleasure of riches is vulgar, while the pleasure of learning, if it brings no distinction, is all smoke and nonsense to him? Very true. And are we to suppose, I said, that the philosopher sets any value on other pleasures in comparison with the pleasure of knowing the truth, and in that pursuit abiding, ever learning, not so far indeed from the heaven of pleasure? Does he not call the other pleasures necessary, under the idea that if there were no necessity for them, he would rather not have them? There
Plato (The Republic)
They say that when you have your own child, the first time you look into his or her eyes you will fall instantly in love and the rest of the world disappears. They say you’ll believe your child can do no wrong, and you will love them unconditionally right from the very first moment. Well, whoever “they” are should seriously limit the amount of crack they smoke and stop talking out of their ass while their Arby’s vaginas are flopping around in their grandma panties.
Tara Sivec (Seduction and Snacks (Chocolate Lovers, #1))
It stood on an eminence in a rather fine old park of oak trees, but alas, one could see in the near distance the chimney of Tevershall pit, with its clouds of steam and smoke, and on the damp, hazy distance of the hill the raw straggle of Tevershall village, a village which began almost at the park gates, and trailed in utter hopeless ugliness for a long and gruesome mile: houses, rows of wretched, small, begrimed, brick houses, with black slate roofs for lids, sharp angles and wilful, blank dreariness.
D.H. Lawrence (Lady Chatterley's Lover)
You don’t concern yourself much with being liked, do you?” Tristan asked, half amused. No, I don’t.” He was doubtful that Tristan would be capable of understanding that, but the sensation of being liked was extraordinarily dull. It was the closest thing to vanilla that Callum could think of, though nothing was truly comparable. Being feared was a bit like anise, like absinthe. A strange and arousing flavor. Being admired was golden, maple-sweet. Being despised was woodsy, sulfuric aroma, smoke in his nostrils, something to choke on, when done properly. Being envied was tart, a citrusy tang, like green apple. Being desired was Callum’s favorite. That was smoky, too, in a sense, but more sultry, cloaked and perfumed in precisely what it was. It smelled like tangled bedsheets. It tasted like a flicker of a candle flame. It felt like a sigh, a quiet one; concessionary and pleading. He could always feel it on his skin, sharp as a blade. Piercing, like the groan of a lover in his ear. “Being liked is fairly ordinary, I’m afraid,” Callum said. “Intensely commonplace.
Olivie Blake (The Atlas Six (The Atlas, #1))
She was too compelling to look at directly. Bright like the sun, bright and terrible. Only one other being could look upon her, and that was Death. And so…they became lovers.” He said the word like a caress, like velvet again, and my face began to heat. “Together they forged great and hellish things,” Jesse murmured. “Lightning and waterfalls that churned into clouds off the tip of the world. Chasms so winding deep that daylight never traced their endings. They dreamed through golden days and silvered nights. All the other creatures envied or adored them, because Death and the Elemental were destruction and creation joined as One. In the natural order of things, they should not have been stronger joined. And yet they were.” He shifted, coming closer to me. A hand settled lightly atop my chest, directly over my heart. At our feet the seawater splashed a little, as if disturbed by something rolling over in the dark, distant deep. “Centuries passed, and mankind began to devour the earth, even the wildest places. They had tools to invent and wars to fight and grubby, short lives. Nothing about them dwelled in the magic of the ancient spirits. So although Death, the Great Hunter, prospered as he sieved through their villages, the Elemental, strong as she once was, thinned into a web of gossamer. Human lives simply tore her apart.” His hand was so warm. Warmer than I, warmer than the air, and still just barely touching me. The light behind my lids never lifted, so I knew he wasn’t glowing, but it felt as if he held a tame coal to my skin. It felt like something painless and ablaze, drawing my heart upward into it. “The time had come for them to divide. Like all the rest of her kind, the goddess would cease to exist; she had no other course. So Death and the Elemental severed their joined hearts. For a few generations more, she drifted alone through the last of the sacred places, deserts, and fjords, lands so savage no human had yet desecrated them.” Jesse’s voice dropped to a whisper. Without moving his hand, he bent down, his breath in my ear. “And Death, who had tasted her brightness, who would never cease to crave it-who knew her better than all the collected souls of all mankind’s weeping dead-became her Hunter.” I was hot and strange. I was light and lighter, and curiously my breath came so slow. “Until at last, one starry night beneath the desert moon, she surrendered to him. She allowed him to come to her, to make love to her. To unravel her…” It was happening. He sat next to her and bore witness to her change, her pulse slowing, her skin blanching, the fans of her lashes stark against the contours of her face. He kept his palm there against her chest, up and down with her respiration, and watched the smoke begin to curl around his fingers. “And by his hand, in the bliss of her unraveling, she touched the stars…” Lora’s breath hitched. Her heart skipped-then stopped. If I could take this from you, Jesse thought fiercely. If I could take this one moment away from you and keep the agony for myself- Her eyes opened, went instantly to his. Panic lit her gaze. Then she was gone. His fingers sank to the floor through her empty blouse, and the blue dragon smoke that was all of Eleanore Jones rose into strands above him.
Shana Abe (The Sweetest Dark (The Sweetest Dark, #1))
What do we hunt but each other? A hunter might go on an expedition, might map the forest and mountains, but what they're truly looking for is their own broken heart hidden inside an elk, their own lost lover hidden inside a wolf, their own dead child hidden inside a bear. A hunter is always looking for wishes to come true, and if it takes blood and rending to get them, then it does. There is a magic in the explosion, in the black smoke cloud, in the way whatever one is hunting runs off, they way a hunter is left standing there, inhaling powder.
Maria Dahvana Headley (The Djinn Falls in Love & Other Stories)
There is little chance my two heads could have known each other in real life, but I wanted to imagine they were two lovers separated by war. The Crusades, perhaps. The Crusades seemed like a romantic, violence-soaked backdrop for this sort of thing. Maybe they were victims of a single guillotine blade during the French Revolution. Or perhaps the early American frontier—had they been scalped? I pulled back the gel ice packs to peek in. No, no, these heads had their scalps intact. Regardless, here they were, together, on their way to the eternal pyre.
Caitlin Doughty (Smoke Gets in Your Eyes: And Other Lessons from the Crematory)
She squints into the shadows between the trees, but there is no shape, no god to be found—only that voice, close as a breath against her cheek. “Adeline, Adeline,” it says, mocking, “… they are calling for you.” She turns again, finding nothing but deep shadow. “Show yourself,” she orders, her own voice sharp and brittle as a stick. Something brushes her shoulder, grazes her wrist, drapes itself around her like a lover. Adeline swallows. “What are you?” The shadow’s touch withdraws. “What am I?” it asks, an edge of humor in that velvet tone. “That depends on what you believe.” The voice splits, doubles, rattling through tree limbs and snaking over moss, folding over on itself until it is everywhere. “So tell me—tell me—tell me,” it echoes. “Am I the devil—the devil—or the dark—dark—dark? Am I a monster—monster—or a god—god—god—or…” The shadows in the woods begin to pull together, drawn like storm clouds. But when they settle, the edges are no longer wisps of smoke, but hard lines, the shape of a man, made firm by the light of the village lanterns at his back. “Or am I this?” The voice spills from a perfect pair of lips, a shadow revealing emerald eyes that dance below black brows, black hair that curls across his forehead, framing a face Adeline knows too well. One that she has conjured up a thousand times, in pencil and charcoal and dream. It is the stranger. Her stranger. She knows it is a trick, a shadow parading as a man, but the sight of him still robs her breath. The darkness looks down at his shape, seeing himself as if for the first time, and seems to approve. “Ah, so the girl believes in something after all.” Those green eyes lift. “Well now,” he says, “you have called, and I have come.” Never pray to the gods that answer after dark.
Victoria Schwab (The Invisible Life of Addie LaRue)
Adorable Yet, at the same time that adorable says everything, it also says what is lacking in everything. I encounter millions of bodies in my life; of these millions, I may desire some hundreds, but of these hundreds, I love only one. The choice, so vigorous that it retains only the Unique, constitutes, it is said, the difference between the analytical transference and the amorous transference; one is universal, the other specific. It has taken many accidents, many surprising coincidences (and perhaps many efforts), for me to find the Image which, out of thousand, suits my desire. Herein a great enigma, to which I shall never possess the key: why is it that I desire so-and-so? Why is it that I desire so-and-so lastingly, longingly? It is the whole so-and-so I desire. In that case, what is it in this loved body which has the vocation of a fetish for me? what perhaps incredibly tenuous portion -- what accident? The way a nail is cut, a tooth broken slightly aslant, a lock of hair, a way of spreading fingers while talking, while smoking? About all these folds of the body, I want to say that they are adorable. Adorable means: this is my desire, insofar as it is unique. The adorable is what is adorable. Or again, I adore you because you are adorable, I love you because I love you.
Roland Barthes (A Lover's Discourse: Fragments)
But you must admit,it's taking up an inordinate amount of your time. Why it's taken us six months to have dinner together." "Is that all?" He misinterpreted the quiet response, and the gleam in her eyes.And leaned toward her. She slapped a hand on his chest. "Don't even think about it.Let me tell you something,pal.I do more in one day with my school than you do in a week of pushing papers in that office your grandfather gave you between your manicures and amaretto lattes and soirees. Men like you hold no interest for me whatsoever,which is why it's taken six months for this tedious little date.And the next time I have dinner with you,we'll be slurping Popsicles in hell.So take your French tie and your Italian shoes and stuff them." Utter shock had him speechless as she shoved open her door.As insult trickled in,his lips thinned. "Obviously spending so much time in the stables has eroded your manners, and your outlook." "That's right, Chad." She leaned back in the door. "You're too good for me. I'm about to go up and weep into my pillow over it." "Rumor is you're cold," he said in a quiet, stabbing voice. "But I had to find out for myself." It stung,but she wasn't about to let it show. "Rumor is you're a moron. Now we've both confirmed the local gossip." He gunned the engine once,and she would have sworn she saw him vibrate. "And it's a British tie." She slammed the car door, then watched narrow-eyed as he drove away. "A British tie." A laugh gurgled up,deep from the belly and up into the throat so she had to stand, hugging herself, all but howling at the moon. "That sure told me." Indulging herself in a long sigh, she tipped her head back,looked up at the sweep of stars. "Moron," she murmured. "And that goes for both of us." She heard a faint click, spun around and saw Brian lighting up a slim cigar. "Lover's spat?" "Why yes." The temper Chad had roused stirred again. "He wants to take me to Antigua and I simply have my heart set on Mozambique.Antigua's been done to death." Brian took a contemplative puff of his cigar.She looked so damn beautiful standing there in the moonlight in that little excuse of a black dress, her hair spilling down her back like fire on silk.Hearing her long, gorgeous roll of laughter had been like discovering a treasure.Now the temper was back in her eyes,and spitting at him. It was almost as good. He took another lazy puff, blew out a cloud of smoke. "You're winding me up, Keeley." "I'd like to wind you up, then twist you into small pieces and ship them all back to Ireland." "I figured as much." He disposed of the cigar and walked to her. Unlike Chad, he didn't misinterpret the glint in her eyes. "You want to have a pop at someone." He closed his hand over the one she'd balled into a fist, lifted it to tap on his own chin. "Go ahead." "As delightful as I find that invitation, I don't solve my disputes that way." When she started to walk away, he tightened his grip. "But," she said slowly, "I could make an exception." "I don't like apologizing, and I wouldn't have to-again-of you'd set me straight right off." She lifted an eyebrow.Trying to free herself from that big, hard hand would only be undignified.
Nora Roberts (Irish Rebel (Irish Hearts, #3))
It wasn't tuna ventresca that drew diners to this community over others, nor was it heritage beef. It was the final bottle of a 1985 Cannonau, salt-crusted from its time on the Sardinian coast. Each diner had barely a swallow. My employer bid us not to swallow, not yet, but hold the wine at the back of the throat till it stung and warmed to the temperature of blood and spit, till we wrung from it the terroir of fields cracked by quake and shadowed by smog; only then, swallowing, choking, grateful, did we appreciate the fullness of its flavor. His face was ferocious and sublime in this moment, cracked open; I saw it briefly behind the mask. He was a man who knew the gradations of pleasure because he knew, like me, the calculus of its loss. To me that wine was fig and plum; volcanic soil; wheat fields shading to salt stone; sun; leather, well-baked; and finally, most lingering, strawberry. Psychosomatic, I'm sure, but what flavor isn't? I raised my glass to the memory of my drunk in the British market. I imagined him sat across the table, calmed at last, sane among the sane. He would have tasted in that wine the starch of a laundered sheet, perhaps, or the clean smooth shot of his dignity. My employer decanted these deepest longings, mysterious to each diner until it flooded the palate: a lost child's yeasty scalp, the morning breath of a lover, huckleberries, onion soup, the spice of a redwood forest gone up in smoke. It is easy, all these years later, to dismiss that country's purpose as decadent, gluttonous. Selfish. It was those things. But it was, also, this connoisseurship of loss.
C Pam Zhang (Land of Milk and Honey)
The silences between them were peculiar. There would be the swift, slight 'cluck' of her needle, the shard 'pop' of his lips as he let out the smoke, the warmth, the sizzle on the bars as he spar in the fire. Then her thoughts turned to William... she saw him a man, young, full of vigour, making the world glow again for her. And Morel sitting there, quite alone, and having nothing to think about, would be feeling vaguely uncomfortable. His soul would reach out in its blind way to her, and find her gone. He felt a sort of emptiness, almost like a vacuum in his soul. He was unsettled and restless. Soon he could not live in that atmosphere, and he affected his wife. Both felt an oppression on their breathing, when they were left together for some time. Then he went to bed, and she settled down to enjoy herself alone, working, thinking, living.
D.H. Lawrence (Sons and Lovers)
I met a girl while I was out there: Annie. She was American, travelling round like me. We hooked up, as she put it, and spent three months together. She wore plaid shirts, had grey-green eyes and a friendly manner; we became lovers easily and quickly; I couldn’t believe my luck. Nor could I believe how simple it was: to be friends and bed companions, to laugh and drink and smoke a little dope together, to see a bit of the world side by side—and then to separate without recrimination or blame. Easy come, easy go, she said, and meant it. Later, looking back, I wondered if something in me wasn’t shocked by this very easiness, and didn’t require more complication as proof of … what? Depth, seriousness? Although, God knows you can have complication and difficulty without any compensating depth or seriousness. Much later, I also found myself debating whether “Easy come, easy go” wasn’t a way of asking a question, and looking for a particular answer I wasn’t able to supply.
Julian Barnes (The Sense of an Ending)
I met a girl while I was out there: Annie. She was American, travelling round like me. We hooked up, as she put it, and spent three months together. She wore plaid shirts, had grey-green eyes and a friendly manner; we became lovers easily and quickly; I couldn’t believe my luck. Nor could I believe how simple it was: to be friends and bed companions, to laugh and drink and smoke a little dope together, to see a bit of the world side by side—and then to separate without recrimination or blame. Easy come, easy go, she said, and meant it. Later, looking back, I wondered if something in me wasn’t shocked by this very easiness, and didn’t require more complication as proof of … what? Depth, seriousness? Although, God knows you can have complication and difficulty without any compensating depth or seriousness. Much later, I also found myself debating whether “Easy come, easy go” wasn’t a way of asking a question, and looking for a particular answer I wasn’t able to supply.
Julian Barnes (The Sense of an Ending)
Then at last, when he could stand it no longer, he would peel back a tiny bit of the paper wrapping at one corner to expose a tiny bit of chocolate, and then he would take a tiny nibble – just enough to allow the lovely sweet taste to spread out slowly over his tongue. The next day, he would take another tiny nibble, and so on, and so on. And in this way, Charlie would make his sixpenny bar of birthday chocolate last him for more than a month. But I haven’t yet told you about the one awful thing that tortured little Charlie, the lover of chocolate, more than anything else. This thing, for him, was far, far worse than seeing slabs of chocolate in the shop windows or watching other children munching bars of creamy chocolate right in front of him. It was the most terrible torturing thing you could imagine, and it was this: In the town itself, actually within sight of the house in which Charlie lived, there was an ENORMOUS CHOCOLATE FACTORY! Just imagine that! And it wasn’t simply an ordinary enormous chocolate factory, either. It was the largest and most famous in the whole world! It was WONKA’S FACTORY, owned by a man called Mr Willy Wonka, the greatest inventor and maker of chocolates that there has ever been. And what a tremendous, marvellous place it was! It had huge iron gates leading into it, and a high wall surrounding it, and smoke belching from its chimneys, and strange whizzing sounds coming from deep inside it. And outside the walls, for half a mile around in every direction, the air was scented with the heavy rich smell of melting chocolate! Twice a day, on his way to and from school, little Charlie Bucket had to walk right past the gates of the factory. And every time he went by, he would begin to walk very, very slowly, and he would hold his nose high in the air and take long deep sniffs of the gorgeous chocolatey smell all around him. Oh, how he loved that smell! And oh, how he wished he could go inside the factory and see what it was like!
Roald Dahl (Charlie and the Chocolate Factory (Charlie Bucket #1))
As for denying the existence of fairies, good and bad, you have to be blind not to see them. They are everywhere, and naturally I have links of affection or dislike with all of them. The wealthy, spendthrift ones squander fortunes in Venice or Monte Carlo: fabulous, ageless women whose birthdays and incomes and origins nobody knows, putting charms on roulette wheels for the dubious pleasure of seeing the same number come up more often than it ought. There they sit, puffing smoke from long cigarette-holders, raking in the chips, and looking bored. Others spend the hours of darkness hanging their apartments in Paris or New York with Gothic tapestries, hitherto unrecorded, that drive the art-dealers demented-gorgeous tapestries kept hidden away in massive chests beneath deserted abbeys and castles since their own belle epoque in the Middle Ages. Some stick to their original line of country, agitating tables at seances or organizing the excitement in haunted houses; some perform kind deeds, but in a capricious and uncertain manner that frequently goes wrong, And then there are the amorous fairies, who never give up. They were to be seen fluttering through the Val Sans Retour in the forest of Broceliande, where Morgan la Fee concealed the handsome knight Guyomar and many lost lovers besides, or over the Isle of Avallon where the young knight Lanval lived happily with a fairy who had stolen him away. Now wrinkled with age, the amorous ones contrive to lure young men on the make who, immaculately tailored and bedecked with baubles from Cartier, escort them through the vestibules of international hotels. Yet other fairies, more studious and respectable, devote themselves to science, whirring and breathing above tired inventors and inspiring original ideas-though lately the unimaginable numbers,the formulae and the electronics, tend to overwhelm them. The scarcely comprehensible discoveries multiply around them and shake a world that is not theirs any more, that slips through their immaterial fingers. And so it goes on-all sorts and conditions of fairies, whispering together, purring to themselves, unnoticed on the impercipient earth. And I am one of them.
Manuel Mujica Lainez (The Wandering Unicorn)
He leaned in, held his breath so as not to make a noise, went close to her, inhaled the scent that emanated from the pores of her forehead; inhaled the air that bounced back from her head. He stopped there, listening intently to the blood flowing, heart beating, pulse pulsating, her hair drifting slowly below her ear resting where the carotid artery was. He closed his eyes as if picturing everything. Like a dexterous doctor discerning the malfunction in a patient or an adroit maestro listening to every note to discern where the one note is missing. He stacked everything neatly in his head, still the intent hearing continued. Finally, a smile came to his face just as easily as breath came to him. A ecstatic smoke rose in his head, he had heard the murmur of her thoughts, she was in a peaceful world now. She had drifted into slumber, through the doors to the dream worlds, nothing was troubling her now. He was filled with an air of comfort and triumph, he was there when she needed it. He was happy that nothing bothered her anymore, how he wanted to ostracize the world just a few moments before!? He wanted to drag this drab world out of her dreamy gleaming eyes, petal covered, almond eyes. She was stumbling in her own world now, as he sat beside her bed. He kissed her forehead, whisked the world with those thin lips of his; he whisked that pile of rubble. He leaned to the side and below, not knowing which side; right or left, it didn't matter; whispered in her ear: "I love you". A smile played on her lips as if she heard that. Again he kissed her forehead, had a good look at her closed eyes. His taverns, he thought; where he got drunk, placed so adjacent to each other. He was happy, that she was happy, she was happy so he was happy. The rest of the world didn't matter; No! No! There was no "Rest" she was his world the whole and entire of it, there was no "Rest of the world". He got up collected his phone, which played slow Beethoven, turned it off, switched the lamp off, pulled the blanket over her, got up, patted the dog along, made out of her room; into her balcony. He didn't want to go yet, he stood there as many thoughts danced in front of him, slow in the moonlight.
Teufel Damon
The Harlot’s House. We caught the tread of dancing feet, We loitered down the moonlit street, And stopped beneath the harlot’s house. Inside, above the din and fray, We heard the loud musicians play The ‘Treues Liebes Herz’ of Strauss. Like strange mechanical grotesques, Making fantastic arabesques, The shadows raced across the blind. We watched the ghostly dancers spin To sound of horn and violin, Like black leaves wheeling in the wind. Like wire-pulled automatons, Slim silhouetted skeletons Went sidling through the slow quadrille. They took each other by the hand, And danced a stately saraband; Their laughter echoed thin and shrill. Sometimes a clockwork puppet pressed A phantom lover to her breast, Sometimes they seemed to try to sing. Sometimes a horrible marionette Came out, and smoked its cigarette Upon the steps like a live thing. Then, turning to my love, I said, ‘The dead are dancing with the dead, The dust is whirling with the dust.’ But she—she heard the violin, And left my side, and entered in: Love passed into the house of lust. Then suddenly the tune went false, The dancers wearied of the waltz, The shadows ceased to wheel and whirl. And down the long and silent street, The dawn, with silver-sandalled feet, Crept like a frightened girl.
Oscar Wilde (Complete Works Of Oscar Wilde (ShandonPress))
Having become—with the passage of time—the anthropologist of my own experience, I have no wish to disparage those obsessive souls who bring back crockery, artifacts, and utensils from distant lands and put them on display for us, the better to understand the lives of others and our own. Nevertheless, I would caution against paying too much attention to the objects and relics of “first love,” for these might distract the viewer from the depth of compassion and gratitude that now arose between us. So it is precisely to illustrate the solicitude in the caresses that my eighteen-year-old lover bestowed upon my thirty-year-old skin as we lay quietly in this room in each other’s arms, that I have chosen to exhibit this floral batiste handkerchief, which she had folded so carefully and put in her bag that day but never removed. Let this crystal inkwell and pen set belonging to my mother that Füsun toyed with that afternoon, noticing it on the table while she was smoking a cigarette, be a relic of the refinement and the fragile tenderness we felt for each other. Let this belt whose oversize buckles that I had seized and fastened with a masculine arrogance that I felt so guilty for afterwards bear witness to our melancholy as we covered our nakedness and cast our eyes about the filth of the world once again.
Orhan Pamuk (The Museum of Innocence)
There are different kinds of darkness,' Rhys said. I kept my eyes shut. 'There is the darkness that frightens, the darkness that soothes, the darkness that is restful.' I pictured each. 'There is the darkness of lovers, and the darkness of assassins. It becomes what the bearer wishes it to be, needs it to be. It is not wholly bad or good.' I only saw the darkness of that dungeon cell; the darkness of the Bone Carver's lair. Cassian swore, but Azriel murmured a soft challenge that had their blades striking again. 'Open your eyes,' I did. And found darkness all around me. Not from me- but from Rhys. As if the sparring ring had been wiped away, as if the world had yet to begin. Quiet. Soft. Peaceful. Lights began twinkling- little stars, blooming irises of blue and purple and white. I reached out a hand toward one, and starlight danced on my fingertips. Far away, in another world perhaps, Azriel and Cassian sparred in the dark, no doubt using it as a training exercise. I shifted the star between my fingers like a coin on the hand of a magician. Here in the soothing, sparkling dark, a steady breath filled my lungs. I couldn't remember the last time I'd done such a thing. Breathed easily. Then the darkness splintered and vanished, swifter than smoke on wind. I found myself blinking back the blinding sun, arm still out, Rhysand still before me. Still without a shirt.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
Once upon a time I'd left Los Angeles and been swallowed down the throat of a life in which my sole loyalty was to my tongue. My belly. Myself. My mother called me selfish and so selfish I became. From nineteen to twenty-five I was a mouth, sating. For myself I made three-day braises and chose the most marbled meats, I played loose with butter and cream. My arteries were young, my life pooling before me, and I lapped, luxurious, from it. I drank, smoked, flew cheap red-eyes around Europe, I lived in thrilling shitholes, I found pills that made nights pass in a blink or expanded time to a soap bubble, floating, luminous, warm. Time seemed infinite, then. I begged famous chefs for the chance to learn from them. I entered competitions and placed in a few. I volunteered to work brunch, turn artichokes, clean the grease trap. I flung my body at all of it: the smoke and singe of the grill station, a duck's breast split open like a geode, two hundred oysters shucked in the walk-in, sex in the walk-in, drunken rides around Paris on a rickety motorcycle and no helmet, a white truffle I stole and shaved in secret over a bowl of Kraft mac n' cheese for me, just me, as my body strummed the high taut selfish song of youth. On my twenty-fifth birthday I served black-market fugu to my guests, the neurotoxin stinging sweetly on my lips as I waited to see if I would, by eating, die. At that age I believed I knew what death was: a thrill, like brushing by a friend who might become a lover.
C Pam Zhang (Land of Milk and Honey)
From the Desire Field” I don’t call it sleep anymore.         I’ll risk losing something new instead— like you lost your rosen moon, shook it loose. But sometimes when I get my horns in a thing— a wonder, a grief or a line of her—it is a sticky and ruined         fruit to unfasten from, despite my trembling. Let me call my anxiety, desire, then Let me call it, a garden. Maybe this is what Lorca meant         when he said, verde que te quiero verde— because when the shade of night comes, I am a field of it, of any ready to flower in my chest. My mind in the dark is una bestia, unfocused,         hot. And if not yoked to exhaustion beneath the hip and plow of my lover, then I am another night wandering the desire field— bewildered in its low green glow, belling the meadow between midnight and morning. Insomnia is like Spring that way—surprising         and many petaled. the kick and leap of gold grasshoppers at my brow. I am struck in the witched hours of want— I want her green life. Her inside me in a green hour I can’t stop.         Green vein in her throat green wind in my mouth green thorn in my eye. I want her like a river goes, bending. Green moving green, moving. Fast as that, this is how it happens—         soy una sonámbula. And even though you said today you felt better, and it is so late in this poem, is it okay to be clear,         to say, I don’t feel good, until I can smell its sweet smoke,         leave this thrashed field, and be smooth. Natalie Diaz, poets.org (5 June 2017)
Natalie Díaz
On the second Sabbat of Twelfthmoon, in the city of Weep, a girl fell from the sky. Her skin was blue, her blood was red. She broke over an iron gate, crimping it on impact, and there she hung, impossibly arched, graceful as a temple dancer swooning on a lover’s arm. One slick finial anchored her in place. Its point, protruding from her sternum, glittered like a brooch. She fluttered briefly as her ghost shook loose, and torch ginger buds rained out of her long hair. Later, they would say these had been hummingbird hearts and not blossoms at all. They would say she hadn’t shed blood but wept it. That she was lewd, tonguing her teeth at them, upside down and dying, that she vomited a serpent that turned to smoke when it hit the ground. They would say a flock of moths came, frantic, and tried to lift her away. That was true. Only that. They hadn’t a prayer, though. The moths were no bigger than the startled mouths of children, and even dozens together could only pluck at the strands of her darkening hair until their wings sagged, sodden with her blood. They were purled away with the blossoms as a grit-choked gust came blasting down the street. The earth heaved underfoot. The sky spun on its axis. A queer brilliance lanced through billowing smoke, and the people of Weep had to squint against it. Blowing grit and hot light and the stink of saltpeter. There had been an explosion. They might have died, all and easily, but only this girl had, shaken from some pocket of the sky. Her feet were bare, her mouth stained damson. Her pockets were all full of plums. She was young and lovely and surprised and dead. She was also blue. Blue as opals, pale blue. Blue as cornflowers, or dragonfly wings, or a spring—not summer—sky.
Laini Taylor (Strange the Dreamer (Strange the Dreamer, #1))
The phone went off. Private caller. “Thank fuck,” he said as he accepted it. “Payne—” “No.” Manny closed his eyes: Her brother sounded like hell. “Where is she.” “We don’t know. And there’s nothing that we can do from here—we’re trapped inside.” The guy exhaled like he was smoking something. “What the fuck happened before she left? I thought she’d be spending all night with you. It’s cool if you two . . . you know . . . but why did she leave so early?” “I told her it wasn’t going to work out.” Long silence. “What the fuck are you thinking?” Clearly if it hadn’t been all bright and sunny outside, motherfucker would have been knocking on Manny’s door, looking to kick some Italian ass. “I thought that would make you happy.” “Oh, yeah. Abso—break my sister’s fucking heart. I’m all for that.” Another sharp exhale, like he was blowing smoke. “She’s in love with you, asshole.” Didn’t that stop him in his tracks. But he got back with the program. “Listen, she and I . . .” At that point, he was supposed to explain the stuff about the results of his physical and how he was all freaked out and didn’t know what the repercussions were. But the trouble was, in the hours since Payne had taken off, he’d come to realize that however true that shit was, there was a more fundamental thing going on at the core of him: He was being a little bitch. What the go-away had really been about was the fact that he was shitting in his pants because he’d actually fallen in love with a woman . . . female . . . whatever. Yeah, there was a tremendous overlay of metaphysical stuff he didn’t understand and couldn’t explain, blah, blah, blah. But at the center of it all, he felt so much for Payne that he didn’t know himself anymore, and that was the terrifying part. He’d pussied out when he’d had the chance. But that was done now. “She and I are in love,” he said clearly. And damn him to hell, he should have had the balls to tell her. And hold her. And keep her. “So like I said, what the fuck are you thinking.” “Excellent question.” -Manny & Vishous
J.R. Ward (Lover Unleashed (Black Dagger Brotherhood, #9))
On the second Sabbat of Twelfthmoon, in the city of Weep, a girl fell from the sky. Her skin was blue, her blood was red. She broke over an iron gate, crimping it on impact, and there she hung, impossibly arched, graceful as a temple dancer swooning on a lover’s arm. One slick finial anchored her in place. Its point, protruding from her sternum, glittered like a brooch. She fluttered briefly as her ghost shook loose, and torch ginger buds rained out of her long hair. Later, they would say these had been hummingbird hearts and not blossoms at all. They would say she hadn’t shed blood but wept it. That she was lewd, tonguing her teeth at them, upside down and dying, that she vomited a serpent that turned to smoke when it hit the ground. They would say a flock of moths came, frantic, and tried to lift her away. That was true. Only that. They hadn’t a prayer, though. The moths were no bigger than the startled mouths of children, and even dozens together could only pluck at the strands of her darkening hair until their wings sagged, sodden with her blood. They were purled away with the blossoms as a grit-choked gust came blasting down the street. The earth heaved underfoot. The sky spun on its axis. A queer brilliance lanced through billowing smoke, and the people of Weep had to squint against it. Blowing grit and hot light and the stink of saltpeter. There had been an explosion. They might have died, all and easily, but only this girl had, shaken from some pocket of the sky. Her feet were bare, her mouth stained damson. Her pockets were all full of plums. She was young and lovely and surprised and dead. She was also blue. Blue as opals, pale blue. Blue as cornflowers, or dragonfly wings, or a spring—not summer—sky. Someone screamed. The scream drew others. The others screamed, too, not because a girl was dead, but because the girl was blue, and this meant something in the city of Weep. Even after the sky stopped reeling, and the earth settled, and the last fume spluttered from the blast site and dispersed, the screams went on, feeding themselves from voice to voice, a virus of the air. The blue girl’s ghost gathered itself and perched, bereft, upon the spearpoint-tip of the projecting finial, just an inch above her own still chest. Gasping in shock, she tilted back her invisible head and gazed, mournfully, up. The screams went on and on. And across the city, atop a monolithic wedge of seamless, mirror-smooth metal, a statue stirred, as though awakened by the tumult, and slowly lifted its great horned head.
Laini Taylor (Strange the Dreamer (Strange the Dreamer, #1))