Smashing Fear Quotes

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She wanted to feel him pound away her fears, a hammer to smash through all her guilt and pain and emptiness.
Lara Adrian (Veil of Midnight (Midnight Breed, #5))
It wasn't raindrops at all. It was a great solid mass of water that might have been a lake or a whole ocean dropping out of the sky on top of them, and down it came, down and down and down, crashing first onto the seagulls and then onto the peach itself, while the poor travelers shrieked with fear and groped around frantically for something to catch hold of- the peach stem, the silk strings, anything they could find- and all the time the water came pouring and roaring down upon them, bouncing and smashing and sloshing and slashing and swashing and swirling and surging and whirling and gurgling and gushing and rushing and rushing, and it was like being pinned down underneath the biggest waterfall in the world and not being able to get out.
Roald Dahl
All at once it hit him: this was power too, just as surely as smashing your fist into someone’s face, just as surely as putting a hammer through someone’s skull. The power to make another person crazy with pleasure instead of fear and pain, to have every cell in another person’s body at your thrall.
Poppy Z. Brite (Drawing Blood)
I fear that I am ordinary, just like everyone.
Pumpkins Smashing
Lose yourself, Lose yourself in this love. When you lose yourself in this love, you will find everything. Lose yourself, Lose yourself. Do not fear this loss, For you will rise from the earth and embrace the endless heavens. Lose yourself, Lose yourself. Escape from this earthly form, For this body is a chain and you are its prisoner. Smash through the prison wall and walk outside with the kings and princes. Lose yourself, Lose yourself at the foot of the glorious King. When you lose yourself before the King you will become the King. Lose yourself, Lose yourself. Escape from the black cloud that surrounds you. Then you will see your own light as radiant as the full moon. Now enter that silence. This is the surest way to lose yourself. . . . What is your life about, anyway?— Nothing but a struggle to be someone, Nothing but a running from your own silence.
Rumi (Jalal ad-Din Muhammad ar-Rumi) (Rumi: In the Arms of the Beloved)
Throughout history, men have broken women’s hearts in a particular way. They love them or half-love them and then grow weary and spend weeks and months extricating themselves soundlessly, pulling their tails back into their doorways, drying themselves off, and never calling again. Meanwhile, women wait. The more in love they are and the fewer options they have, the longer they wait, hoping that he will return with a smashed phone, with a smashed face, and say, I’m sorry, I was buried alive and the only thing I thought of was you, and feared that you would think I’d forsaken you when the truth is only that I lost your number, it was stolen from me by the men who buried me alive, and I’ve spent three years looking in phone books and now I have found you. I didn’t disappear, everything I felt didn’t just leave. You were right to know that would be cruel, unconscionable, impossible. Marry me.
Lisa Taddeo (Three Women)
...the book has survived the same human disaster over and over again. Think about it. You've got a society where people tolerate difference, like Spain in the Convivencia, and everything's humming along: creative, prosperous. Then somehow this fear, this hate, this need to demonize 'the other'--it just sort of rears up and smashes the whole society. Inquisition, Nazis, extremist Serb nationalists...same old, same old.
Geraldine Brooks (People of the Book)
But even as she gave thanks, she knew that the rain was not enough. She wanted a storm – thunder, wind, a deluge. She wanted it to crash through Ketterdam’s pleasure houses, lifting roofs and tearing doors off their hinges. She wanted it to raise the seas, take hold of every slaving ship, shatter their masts, and smash their hulls against unforgiving shores. I want to call that storm, she thought. And four million kruge might be enough to do it. Enough for her own ship – something small and fierce and laden with firepower. Something like her. She would hunt the slavers and their buyers. They would learn to fear her, and they would know her by her name. The heart is an arrow. It demands aim to land true. She clung to the wall, but it was purpose she grasped at long last, and that carried her upwards. She was not a lynx or a spider or even the Wraith. She was Inej Ghafa, and her future was waiting above.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
A hideous ecstasy of fear and vindictiveness, a desire to kill, to torture, to smash faces in with a sledge hammer, seemed to flow through the whole group of people like an electric current, turning one even against one's will into a grimacing, screaming lunatic. And yet the rage that one felt was an abstract, undirected emotion which could be switched from one object to another like the flame of a blowlamp.
George Orwell (1984)
When I look down into this fucked-out cunt of a whore I feel the whole world beneath me, a world tottering and crumbling, a world used up and polished like a leper's skull. If there were a man who dared to say all that he thought of this world there would not be left him a square foot of ground to stand on. When a man appears the world bears down on him and breaks his back. There are always too many rotten pillars left standing, too much festering humanity for man to bloom. The superstructure is a lie and the foundation is a huge quaking fear. If at intervals of centuries there does appear a man with a desperate, hungry look in his eye, a man that would turn the world upside down in order to create a new race, the love that he brings to the world is turned to bile and he becomes a scourge. If now and then we encounter pages that explode, pages that wound and sear, that wring groans and tears and curses, know that they come from a man with his back up, a man whose only defenses left are his words and his words are always stronger than the lying, crushing weight of the world, stronger than all the racks and wheels which the cowardly invent to crush out the miracle of personality. If any man ever dared to translate all that is in his heart, to put down what is really his experience, what is truly his truth, I think then the world would go to smash, that it would be blown to smithereens and no god, no accident, no will could ever again assemble the pieces, the atoms, the indestructible elements that have gone to make up the world.
Henry Miller (Tropic of Cancer (Tropic, #1))
The fear is all-encompassing, a deluge smashing into the deepest chasm inside us all. Into the gaping gulf the floods created within us
London Shah (The Light at the Bottom of the World (Light the Abyss, #1))
The movement of descent and discovery begins at the moment you consciously become dissatisfied with life. Contrary to most professional opinion, this gnawing dissatisfaction with life is not a sign of "mental illness," nor an indication of poor social adjustment, nor a character disorder. For concealed within this basic unhappiness with life and existence is the embryo of a growing intelligence, a special intelligence usually buried under the immense weight of social shams. A person who is beginning to sense the suffering of life is, at the same time, beginning to awaken to deeper realities, truer realities. For suffering smashes to pieces the complacency of our normal fictions about reality, and forces us to become alive in a special sense—to see carefully, to feel deeply, to touch ourselves and our worlds in ways we have heretofore avoided. It has been said, and truly I think, that suffering is the first grace. In a special sense, suffering is almost a time of rejoicing, for it marks the birth of creative insight. But only in a special sense. Some people cling to their suffering as a mother to its child, carrying it as a burden they dare not set down. They do not face suffering with awareness, but rather clutch at their suffering, secretly transfixed with the spasms of martyrdom. Suffering should neither be denied awareness, avoided, despised, not glorified, clung to, dramatized. The emergence of suffering is not so much good as it is a good sign, an indication that one is starting to realize that life lived outside unity consciousness is ultimately painful, distressing, and sorrowful. The life of boundaries is a life of battles—of fear, anxiety, pain, and finally death. It is only through all manner of numbing compensations, distractions, and enchantments that we agree not to question our illusory boundaries, the root cause of the endless wheel of agony. But sooner or later, if we are not rendered totally insensitive, our defensive compensations begin to fail their soothing and concealing purpose. As a consequence, we begin to suffer in one way or another, because our awareness is finally directed toward the conflict-ridden nature of our false boundaries and the fragmented life supported by them.
Ken Wilber (No Boundary: Eastern and Western Approaches to Personal Growth)
but was this funny? was this funny? was this funny? why was this funny? why was Sugar Kane funny? why were men dressed as women funny? why were men made up as women funny? why were men staggering in high heels funny? why was Sugar Kane funny, was Sugar Kane the supreme female impersonator? was this funny? why was this funny? why is female funny? why were people going to laugh at Sugar Kane & fall in love with Sugar Kane? why, another time? why would Sugar Kane Kovalchick girl ukulelist be such a box office success in America? why dazzling-blond girl ukulelist alcoholic Sugar Kane Kovalchick a success? why Some Like It Hot a masterpiece? why Monroe's masterpiece? why Monroe's most commercial movie? why did they love her? why when her life was in shreds like clawed silk? why when her life was in pieces like smashed glass? why when her insides had bled out? why when her insides had been scooped out? why when she carried poison in her womb? why when her head was ringing with pain? her mouth stinging with red ants? why when everybody on the set of the film hated her? resented her? feared her? why when she was drowning before their eyes? I wanna be loved by you boop boopie do! why was Sugar Kane Kovalchick of Sweet Sue's Society Syncopaters so seductive? I wanna be kissed by nobody else but you I wanna! I wanna! I wanna be loved by you alone but why? why was Marilyn so funny? why did the world adore Marilyn? who despised herself? was that why? why did the world love Marilyn? why when Marilyn had killed her baby? why when Marilyn had killed her babies? why did the world want to fuck Marilyn? why did the world want to fuck fuck fuck Marilyn? why did the world want to jam itself to the bloody hilt like a great tumescent sword in Marilyn? was it a riddle? was it a warning? was it just another joke? I wanna be loved by you boop boopie do nobody else but you nobody else but you nobody else
Joyce Carol Oates (Blonde)
There are many shades in the danger of adventures and gales, and it is only now and then that there appears on the face of facts a sinister violence of intention- that indefinable something which forces it upon the mind and the heart of a man, that this complication of accidents or these elemental furies are coming at him with a purpose of malice, with a strength beyond control, with an unbridled cruelty that means to tear out of him his hope and his fear, the pain of his fatigue and his longing for rest: which means to smash, to destroy, to annihilate all he has seen, known, loved, enjoyed, or hated; all that is priceless and necessary- the sunshine, the memories, the future,- which means to sweep the whole precious world utterly away from his sight by the simple and appalling act of taking his life.
Joseph Conrad (Lord Jim)
They’re walking around in clothing but they’re still the same animals who lived in caves, feared the dark, and smashed one another over the head for beans.
Rita Mae Brown (Catch as Cat Can (Mrs. Murphy, #10))
The best way to coerce people is through guilt and fear. It’s why religion’s done such smashing business for thousands of years.
Niels Saunders (Grand Theft Octo)
I react badly to fear. I don’t usually have the good sense to run, or hide—I just try to smash whatever it is that is making me afraid. It’s a primitive sort of thing, and one I don’t question too much.
Jim Butcher (Storm Front (The Dresden Files, #1))
As feminist writer Naomi Wolf argues, the times in history when women have made the greatest political gains—getting the vote, gaining reproductive freedom, securing the right to work outside the home—have also been moments when standards for “ideal” beauty became significantly thinner and the pressure on women to adhere to those standards increased. Wolf explains that this serves both to distract women from their growing political power and to assuage the fears of people who don’t want the old patriarchal system to change—because if women are busy trying to shrink themselves, they won’t have the time or energy to shake things up. It’s hard to smash the patriarchy on an empty stomach, or with a head full of food and body concerns, and that’s exactly the point of diet culture.
Christy Harrison (Anti-Diet: Reclaim Your Time, Money, Well-Being, and Happiness Through Intuitive Eating)
A wave can kill you. Or you can ride it. It's sometimes more dangerous to shy away. You can't live your life in fear. You have to be prepared to get on your board and stand on your feet. If you are in the barrel of a wave you have to ignore the fear. You have to be in that moment. You have to carve on through. You get scared, and the next thing you know you are off your board and smashing your head on a rock. I'm never going to live in fear.
Matt Haig (How to Stop Time)
And perhaps the great day will come when a people, distinguished by wars and victories and by the highest development of a military order and intelligence, and accustomed to make the heaviest sacrifices for these things, will exclaim of its own free will, "We break the sword," and will smash its entire military establishment down to its lowest foundations. Rendering oneself unarmed when one has been the best-armed, out of a height of feeling—that is the means to real peace, which must always rest on a peace of mind; whereas the so-called armed peace, as it now exists in all countries, is the absence of peace of mind. One trusts neither oneself nor one's neighbor and, half from hatred, half from fear, does not lay down arms. Rather perish than hate and fear, and twice rather perish than make oneself hated and feared—this must some day become the highest maxim for every single commonwealth, too.
Friedrich Nietzsche
Years ago, I was yapping to my mother about Buffy and Xena and talking about how great it is that we now have these TV shows about such strong female characters. My mother, who admittedly has never watched either show, asked me if these really WERE strong female characters, or if they were merely male characters with boobs. Having a blonde cheerleader save the world with her martial arts skills doesn't equal feminism, she said. That's a male tactic. How about her saving the day using tactics that aren't all about punching and kicking and killing? I didn't have an answer for her then. I still don't, even now. There's a whole debate to be had that I'm just not ready for, that I may never be ready for. My mother is a pacifist. I am not. We see the world differently, we operate differently, even though we want the same things. We both want equality and peace. My mother is the sort to talk her way to equality and peace. I'm the sort to talk to the point where I reckon more talk won't do any good, and then smash my way through to an understanding. It is not an enlightened viewpoint I hold. It is a crass, brutish viewpoint — but in a crass, brutish world, I believe my way is the way to go. Mum believes otherwise. And that's the difference, I think, between us. We live in a world carved by men, where fear and oppression and violence are a part of our lives. I can't even IMAGINE a world sculpted by women, where other values have taken hold. I'm limited in that way. I could try not to be, but I honestly wouldn't know where to start. That's kind of sad, when you think about it. For all my imagination, I can't even imagine that... ... (turns to stare hauntingly out the window).
Derek Landy
I’M TALKING TO THAT PART OF YOU Today, I’m talking to that part of you who yearns for more. The part of you who knows exactly what you want beyond all else. To that part of you who effortlessly believes that anything is possible, and that it’s possible in an instant. I’m talking to that part of you who longs to break right on through that self-imposed ceiling your mind has created out of fear, lack, should, and could. To smash and shatter it into a billion little pieces. I’m talking to that part of you who longs, who dreams, who dances, who wishes. To the part of you that cheers, that laughs, that leaps, that bounds. To that part of you who truly wants the best for others because it deeply knows that there is more than enough to go round. I’m talking to that part of you who knows what you want and the exact next step to take to get it. To that part of you who knows you’re not broken and isn’t the slightest bit interested in perpetuating the story that says it’s so. To that part of you who knows the way and longs to guide the rest of you back home. Today, that’s the part of you I’m talking to. And I’m asking it to step forward and lead the way.
Rebecca Campbell (Light is the New Black: A Guide to Answering Your Soul's Callings and Working Your Light)
Well, from what you’ve told me, the book has survived the same human disaster over and over again. Think about it. You’ve got a society where people tolerate difference, like Spain in the Convivencia, and everything’s humming along: creative, prosperous. Then somehow this fear, this hate, this need to demonize ‘the other’—it just sort of rears up and smashes the whole society. Inquisition, Nazis, extremist Serb nationalists…same old, same old. It seems to me the book, at this point, bears witness to all that.
Geraldine Brooks (People of the Book)
By three in the afternoon, after one Bintang too many, I was absolutely smashed and feared that trying to stand may end badly.
S.A. Tawks (Mule)
The horrible thing about the Two Minutes Hate was not that one was obliged to act a part, but that it was impossible to avoid joining in. Within thirty seconds any pretense was always unnecessary. A hideous ecstasy of fear and vindictiveness, a desire to kill, to torture, to smash faces in with a sledge hammer, seemed to flow through the whole group of people like an electric current, turning one even against one’s will into a grimacing, screaming lunatic. And yet the rage that one felt was an abstract, undirected emotion which could be switched from one object to another like the flame of a blowlamp.
George Orwell (1984)
Against the background of bland colors he projected an unfadable blackness. In a world of men with harrowed faces, with smashed eyes, bloody, bruised and disfigured limbs, among the fetid, broken human bodies, of which I had already seen so many, he seemed an example of neat perfection that could not be sullied: the smooth, polished skin of his face, the bright golden hair showing under his peaked cap, his pure metal eyes. Every movement of his body seemed propelled by some tremendous internal force. The granite sound of his language was ideally suited to order the death of inferior, forlorn creatures. I was stung by a twinge of envy I had never experienced before, and I admired the glittering death's-head and crossbones that embellished his tall cap. I thought how good it would be to have such a gleaming and hairless skull instead of my Gypsy face which was so feared and disliked by decent people. The officer surveyed me sharply. I felt like a squashed caterpillar oozing in the dust, a creature that could not harm anyone yet aroused loathing and disgust. In the presence of such a resplendent being, armed in all the symbols of might and majesty, I was genuinely ashamed of my appearance. I had nothing against his killing me.
Jerzy Kosiński (The Painted Bird)
[The haggadah] was made to teach, and it will continue to teach. And it might teach a lot more than just the Exodus story." What do you mean?" Well, from what you've told me, the book has survived the same human disaster over and over again. Think about it. You've got a society where people tolerate difference, like Spain in the Convivencia, and everything's humming along: creative, prosperous. Then somehow this fear, this hate, this need to demonize 'the other' -- it just sort of rears up and smashes the whole society. Inquisition, Nazis, extremist Serb nationalists... same old, same old. It seems to me that the book, at this point, bears witness to all that.
Geraldine Brooks
For the week after the man's visit to my work, campus security will assign an officer to stand outside the door of my classroom while I teach, in case he returns. On one of these days, I teach Alice Notley's grouchy epic poem Disobedience. A student complaints, Notley says she wants a dailiness that is free and beautiful, but she's fixated on all the things she hates and fears the most, and then smashes her face and ours in them for four hundred pages. Why bother? Empirically speaking, we are made of star stuff. Why aren't we talking more about that? Materials never leave this world. They just keep recycling, recombining. That's what you kept telling me when we first met—that in a real, material sense, what is made from where. I didn't have a clue what you were talking about, but I could see you burned for it. I wanted to be near that burning. I still don't understand, but at least now my fingers ride the lip. Notley knows all this; it's what tears her up. It's why she's a mystic, why she locks herself in a dark closet, why she knocks herself out to have visions. Can she help it if the unconscious is a sewer? At least my student had unwittingly backed us into a crucial paradox, which helps to explain the work of any number of artists: it is sometimes the most paranoid-tending people who are able to, and need to, develop and disseminate the richest reparative practices.
Maggie Nelson (The Argonauts)
Gavriel sat stock-still. Inside him roiled such turmoil that he feared that should he move, he would smash every piece of furniture in the room, crack every pane of every window, until there was nothing but shining splinters where the parlor had been. Instead, he leaned back his head and laughed, a long, cruel laugh that did not seem to belong to the boy Roza had known. It blazed up from deep inside him, from some embers he’d always been careful never to stoke.
Holly Black (The Coldest Girl in Coldtown)
When you put yourself on the page, but it will never be good enough for anyone else, when your raw, bloody heart's smashed into letters and words and paragraphs--can't they see the gore still dripping? What more do they want?-- and none of it matters?
Shveta Thakrar
I stretched out on the bed and slept. It was twilight when I awakened and turned on the light. I felt better, no longer tired. I went to the typewriter and sat before it. My thought was to write a sentence, a single perfect sentence. If I could write one good sentence I could write two and if I could write two I could write three, and if I could write three I could write forever. But suppose I failed? Suppose I had lost all of my beautiful talent? Suppose it had burned up in the fire of Biff Newhouse smashing my nose or Helen Brownell dead forever? What would happen to me? Would I go to Abe Marx and become a busboy again? I had seventeen dollars in my wallet. Seventeen dollars and the fear of writing. I sat erect before the typewriter and blew on my fingers. Please God, please Knut Hamsun, don’t desert me now. I started to write and I wrote: “The time has come,” the Walrus said, “To talk of many things: Of shoes—and ships—and sealing wax— Of cabbages—and kings—” I looked at it and wet my lips. It wasn’t mine, but what the hell, a man had to start someplace.
John Fante (Dreams from Bunker Hill (The Saga of Arturo Bandini, #4))
Their relationship had become like the river - smooth and constant, but sluggish, opaque. They were standing on opposite banks, watching it go by. He dared not interrupt it - smash its calm, swim across - for fear of forcing some irrevocable change, for fear of losing even his current unloved place, or worse of struggling, flailing, of Edith not coming out to meet him, not even outstretching an arm.
Tom Crewe (The New Life)
My Chemical Romance, “I Don’t Love You” New Order, “Bizarre Love Triangle” Coheed and Cambria, “The Afterman” U2, “Ordinary Love” Coheed and Cambria, “Pearl of the Stars” Tears for Fears, “Woman in Chains” (with Oleta Adams) U2, “Every Breaking Wave” The Arcadian Project, “Hey There, Pretty Girl” Joy Division, “Love Will Tear Us Apart” Everything But The Girl, “I Don’t Understand Anything” The Airborne Toxic Event, “The Fifth Day” Gnarls Barkley, “Smiley Faces” The Airborne Toxic Event, “This Is London” My Chemical Romance, “Planetary (GO!)” U2, “Sometimes You Can’t Make It on Your Own” The Airborne Toxic Event, “The Way Home” Coldplay, “Fix You” The Strokes, “Reptilia” Simple Minds, “When Two Worlds Collide” The Smashing Pumpkins, “1979” The Arcadian Project, “The Windmill” Leonard Cohen, “Anthem” My Chemical Romance, “The Only Hope for Me Is You” Heaven 17, “Let Me Go” (extended version) Our Last Night, “Skyfall” My Chemical Romance, “The Kids from Yesterday” The Airborne Toxic Event, “The Graveyard near the House” Green Day, “Troublemaker” James Taylor, “Carolina in My Mind” Simple Minds, “Waterfront” Muse, “Exogenesis: Symphony Part 3 (Redemption)” U2, “Kite” The Arcadian Project, “The Disappearance Symphony: One Last Question
Barbara Claypole White (The Perfect Son)
While you're alive it's shameful to worm your way into the Calendar of Saints. Disbelief in yourself is more saintly. It takes real talent not to dread being terrified by your own agonizing lack of talent. Disbelief in yourself is indispensable. Indispensable to us is the loneliness of being gripped in the vise, so that in the darkest night the sky will enter you and skin your temples with the stars, so that streetcars will crash into the room, wheels cutting across your face, so the dangling rope, terrible and alive, will float into the room and dance invitingly in the air. Indispensable is any mangy ghost in tattered, overplayed stage rags, and if even the ghosts are capricious, I swear, they are no more capricious than those who are alive. Indispensable amidst babbling boredom are the deadly fear of uttering the right words and the fear of shaving, because across your cheekbone graveyard grass already grows. It is indispensable to be sleeplessly delirious, to fail, to leap into emptiness. Probably, only in despair is it possible to speak all the truth to this age. It is indispensable, after throwing out dirty drafts, to explode yourself and crawl before ridicule, to reassemble your shattered hands from fingers that rolled under the dresser. Indispensable is the cowardice to be cruel and the observation of the small mercies, when a step toward falsely high goals makes the trampled stars squeal out. It's indispensable, with a misfit's hunger, to gnaw a verb right down to the bone. Only one who is by nature from the naked poor is neither naked nor poor before fastidious eternity. And if from out of the dirt, you have become a prince, but without principles, unprince yourself and consider how much less dirt there was before, when you were in the real, pure dirt. Our self-esteem is such baseness.... The Creator raises to the heights only those who, even with tiny movements, tremble with the fear of uncertainty. Better to cut open your veins with a can opener, to lie like a wino on a spit-spattered bench in the park, than to come to that very comfortable belief in your own special significance. Blessed is the madcap artist, who smashes his sculpture with relish- hungry and cold-but free from degrading belief in himself.
Yevgeny Yevtushenko
On the contrary, I have seen big winners, individuals who have overcome themselves and have crossed the finish line in tears, their strength gone, but not from physical exhaustion—though that is also there—but because they have achieved what they thought was only the fruit of dreams. I have seen people sit on the ground after crossing the finish line of the Ultra-Trail du Mont-Blanc, and sit there for hours with blank looks, smiling broadly to themselves, still not believing that what they have achieved isn’t a hallucination. Fully aware that when they wake up, they will be able to say that they did it, that they succeeded, that they vanquished their fears and transformed their dreams into something real. I have seen individuals who, though they have come in after the leaders have had time to shower, eat lunch, and even take a good siesta, feel that they are the winners. They wouldn’t change that feeling for anything in the world. And I envy them, because, in essence, isn’t this a part of why we run? To find out whether we can overcome our fears, that the tape we smash when we cross the line isn’t only the one the volunteers are holding, but also the one we have set in our minds? Isn’t victory being able to push our bodies and minds to their limits and, in doing so, discovering that they have led us to find ourselves anew and to create new dreams?
Kilian Jornet (Run or Die)
As the bartender struck a match to light her cigarette, she put her hand on his wrist to steady it. Travis saw him jump, draw back. He held his wrist, blew on it, looked at her reproachfully. Travis said: 'Why, you scratched him, Sarah.' 'Did I?' And as she turned and looked at him, he saw her hand twitch a little, and drew still further away from her. 'What - what's got into you?' he faltered. There was some kind of tension spreading all around the horseshoe-shaped bar, emanating from her. All the cordiality, the sociability, was leaving it. Cheery conversations even at the far ends of it faltered and died, and the speakers looked around them as though wondering what was putting them so on edge. A heavy leaden pall of restless silence descended, as when a cloud goes over the sun. One or two people even turned and moved away reluctantly, as though they hadn't intended to but didn't like it at the bar any more. The gaunt-faced woman in red and black was the center of all eyes, but the looks sent her were not the admiring looks of men for a well-dressed woman; they were the blinking petrified looks a blacksnake would get in a poultry yard. Even the barman felt it. He dropped and smashed a glass, a thing he hadn't done since he'd been working on the ship. Even the canary felt it, and stood shivering pitifully on its perch, emitting an occasional cheep as though for help. ("I'm Dangerous Tonight")
Cornell Woolrich (The Fantastic Stories of Cornell Woolrich (Alternatives SF Series))
We are our stories, stories that can be both prison and the crowbar to break open the door of that prison; we make stories to save ourselves or to trap ourselves or others, stories that lift us up or smash us against the stone wall of our own limits and fears. Liberation is always in part a storytelling process: breaking stories, breaking silences, making new stories. A free person tells her own story. A valued person lives in a society in which her story has a place. Rebecca Solnit
Elena Aguilar (Onward: Cultivating Emotional Resilience in Educators)
The sudden silence was the first thing many survivors of the Hoel, the Gambier Bay, the Samuel B. Roberts, and the Johnston noticed after their ships had been smashed and swallowed. To many, the quiet was unwelcome. The noise of battle--the roar of machinery, the shrieks and blasts of shells incoming and outbound, the shouts and screams of their buddies--had anesthetized fear. Now the noise lifted like a curtain, unveiling the hidden inner vistas of their grief and shock. When their ships sank, their duties went down with them.
James D. Hornfischer (The Last Stand of the Tin Can Sailors: The Extraordinary World War II Story of the U.S. Navy's Finest Hour)
I lean toward him, expecting him to unconsciously move away. To be repulsed. But he only watches me curiously. As I draw closer, his eyes widen a little. 'Wren,' he whispers. I am not sure if it's a warning or not. I hate that I don't know. At every moment, I expect him to flinch or pull back as I put one hand on his shoulder, then go up on my toes, and kiss him. This is ridiculous. Kissing him is profane. It gives me all the horrible satisfaction of smashing a crystal goblet. It's quick. Just the quick press of my dry mouth against his lips. A brief senses of softness, the warmth of breath, and then I pull away, my heart thrumming with fear, with the expectation that he will be disgusted. With the certainty that I have well and truly punished him for trying to flirt with me. The angry, feral part of me feels so close to the surface that I can almost scent its blood-clotted fur. I want to lick the scratches I made. He doesn't look alarmed, though. He's studying my face, as though he's trying to work something out. After a moment, his eyes close, pale lashes against his cheek, and he dips foward to press his mouth to mine again. He goes slower, one of his hands cupping my head. A shivery feeling courses down my spine, a flush coming up on my skin. When he draws back, he is not wearing his usual complicated smile. Instead, he looks as though someone just slapped him. I wonder if a kiss from me is like being clawed on the cheek. Did he force himself to go through with it? For the sake of keeping me on this quest? For the sake of his father and his plans? I thought to punish him, but all I have succeeded in doing is punishing myself.
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
She was afraid of us moving in together. With Mark, domestic intimacy had become domestic claustrophobia; and had riddled romance (though she never quite said this) like woodworm. It wasn't that she was resistant to the glamourlessness of stray toenails and washing up and underpants and mug-rings and hoovering and boredom; on the contrary: it was that she was horrified by her own willingness to sink so deeply into the comfort of such details. A no nonsense streak in her identified the ordinary with truth, the exotic with delusion. She and Mark had delighted in dehumbugging their own romance, had (she confessed) Larkinized themselves into mundanity addicts. In Mark's case (she suspected) because he knew deep down he had no magic in him; in her own because she knew deep down that she had too much (no nonsense streak or not), and that to release it would be to lose him - and perhaps herself. Therefore they had wallowed together in cosiness, both suffering, Mark for fear of her leaving him, her for fear (certainty, actually) that the romantic inside her would rise up and smash their deadening familiarity to pieces.
Glen Duncan
She wanted to climb on to the rack herself to wrench one of the pilgrims away from the sight that transfixed them, to rip back the cowl from their helmet, to press her own face against that blank mirror and try to make contact--before it was too late--with whatever fading glimmer of human individuality remained. She wanted to drive a rock into the faceplate, shattering faith in an instant of annihilating decompression. And yet she knew that her anger was horribly misdirected. She knew that she only loathed and despised these pilgrims because of what what she feared had happened to Harbin. She could not smash the churches, so she desired instead to smash the gentle innocents who were drawn toward them
Alastair Reynolds (Absolution Gap (Revelation Space, #3))
It was not what the ballroom crowd wanted to hear at that moment. Not after listening to Muskie denounce Wallace as a cancer in the soul of America… but McGovern wasn’t talking to the people in that ballroom; he was making a very artful pitch to potential Wallace voters in the other primary states. Wisconsin was three weeks away, then Pennsylvania, Ohio, Michigan—and Wallace would be raising angry hell in every one of them. McGovern’s brain-trust, though, had come up with the idea that the Wallace vote was “soft”—that the typical Wallace voter, especially in the North and Midwest, was far less committed to Wallace himself than to his thundering, gut-level appeal to rise up and smash all the “pointy-headed bureaucrats in Washington” who’d been fucking them over for so long.
Hunter S. Thompson (Fear and Loathing on the Campaign Trail '72)
On the next floor below are the abdominal and spine cases, head wounds and double amputations. On the right side of the wing are the jaw wounds, wounds in the joints, wounds in the kidneys, wounds in the testicles, wounds in the intestines. Here a man realizes for the first time in how many places a man can get hit. Two fellows die of tetanus. Their skin turns pale, their limbs stiffen, at last only their eyes live—stubbornly. Many of the wounded have their shattered limbs hanging free in the air from a gallows; underneath the wound a basin is placed into which drips the pus. Every two or three hours the vessel is emptied. Other men lie in stretching bandages with heavy weights hanging from the end of the bed. I see intestine wounds that are constantly full of excreta. The surgeon’s clerk shows me X-ray photographs of completely smashed hipbones, knees and shoulders. A man cannot realize that above such shattered bodies there are still human faces in which life goes its daily round. And this is only one hospital, one single station; there are hundreds of thousands in Germany, hundreds of thousands in France, hundreds of thousands in Russia. How senseless is everything that can ever be written, done, or thought, when such things are possible. It must be all lies and of no account when the culture of a thousand years could not prevent this stream of blood being poured out, these torture-chambers in their hundreds of thousands. A hospital alone shows what war is. I am young, I am twenty years old; yet I know nothing of life but despair, death, fear, and fatuous superficiality cast over an abyss of sorrow. I see how peoples are set against one another, and in silence, unknowingly, foolishly, obediently, innocently slay one another. I see that the keenest brains of the world invent weapons and words to make it yet more refined and enduring. And all men of my age, here and over there, throughout the whole world see these things; all my generation is experiencing these things with me. What would our fathers do if we suddenly stood up and came before them and proffered our account? What do they expect of us if a time ever comes when the war is over? Through the years our business has been killing;—it was our first calling in life. Our knowledge of life is limited to death. What will happen afterwards? And what shall come out of us?
Erich Maria Remarque (All Quiet on the Western Front)
There are many shades in the danger of adventures and gales, and it is only now and then that there appears on the face of facts a sinister violence of intention—that indefinable something which forces it upon the mind and the heart of a man, that this complication of accidents or these elemental furies are coming at him with a purpose of malice, with a strength beyond control, with an unbridled cruelty that means to tear out of him his hope and fear, the pain of his fatigue and the longing for rest: which means to smash, to destroy, to annihilate all he has seen, known, loved, enjoyed, or hated; all that is priceless and necessary—the sunshine, the memories, the future; which means to sweep the whole precious world utterly away from his sight by the simple and appalling act of taking his life. Joseph Conrad Lord Jim
Jon Krakauer (Into Thin Air)
She leans back again against the pine’s trunk. Some slight change in the atmosphere, the humidity, and her mind becomes a greener thing. At midnight, on this hillside, perched in the dark above this city with her pine standing in for a Bo, Mimi gets enlightened. The fear of suffering that is her birthright—the frantic need to steer—blows away on the wind, and something else wings down to replace it. Messages hum from out of the bark she leans against. Chemical semaphores home in over the air. Currents rise from the soil-gripping roots, relayed over great distances through fungal synapses linked up in a network the size of the planet. The signals say: A good answer is worth reinventing from scratch, again and again. They say: The air is a mix we must keep making. They say: There’s as much belowground as above. They tell her: Do not hope or despair or predict or be caught surprised. Never capitulate, but divide, multiply, transform, conjoin, do, and endure as you have all the long day of life. There are seeds that need fire. Seeds that need freezing. Seeds that need to be swallowed, etched in digestive acid, expelled as waste. Seeds that must be smashed open before they’ll germinate. A thing can travel everywhere, just by holding still. The next day dawns. The sun rises so slowly that even the birds forget there was ever anything else but dawn. People drift back through the park on their way to jobs, appointments, and other urgencies. Making a living. Some pass within a few feet of the altered woman. Mimi comes to, and speaks her very first Buddha’s words. “I’m hungry.” The answer comes from right above her head. Be hungry. “I’m thirsty.” Be thirsty. “I hurt.” Be still and feel.
Richard Powers (The Overstory)
The front is a cage in which we must await fearfully whatever may happen. We lie under the network of arching shells and live in a suspense of uncertainty. Over us, Chance hovers. If a shot comes, we can duck, that is all; we neither know nor can determine where it will fall. It is this Chance that makes us indifferent. A few months ago I was sitting in a dug-out playing skat; after a while I stood up and went to visit some friends in another dug-out. On my return nothing more was to be seen of the first one, it had been blown to pieces by a direct hit. I went back to the second and arrived just in time to lend a hand digging it out. In the interval it had been buried. It is just as much a matter of chance that I am still alive as that I might have been hit. In a bomb-proof dug-out I may be smashed to atoms and in the open may survive ten hours’ bombardment unscathed. No soldier outlives a thousand chances. But every soldier believes in Chance and trusts his luck.
Erich Maria Remarque (All Quiet on the Western Front)
Some people stay married for lifetimes, decade after decade, great skelps of centuries together until they're almost in the same skin, growing into each other, shrinking to each other's sizes and shapes, speaking with one voice, clinging fast together, dying days or hours apart. Love doesn't come into it. Not the love of cartoon hearts and cards and cakes and movies and ads for things that no one needs; that grisly synthetic thing, that smiling dog. Love is just a word used to explain away the impossibility of this co-existence, the glorious achievement of being together in the same place, of being happy, and peaceful, and calm, and meeting up again at Heaven's gate, and walking hand in hand to the eternal light. Fairy stories. Couples in care homes curled together in fear of being alone, of being left in darkness and silence, listening for the step of a stranger, too afraid even to use the commode. This happens, people are left like this. It's better this way, to have smashed it all to bits while we're still to separate people.
Donal Ryan (All We Shall Know)
The fifth was a blond man wearing a navy peacoat and standing with his hands in his pockets. He did not smile or point or make faces. He was staring at Laura. After a few minutes during which the stranger’s gaze did not shift from the child, Bob became concerned. The guy was good looking and clean-cut but there was a hardness in his face, too, and some quality that could not be put into words but that made Bob think this was a man who had seen and done terrible things. He began to remember sensational tabloid stories of kidnappers, babies being sold on the black market. He told himself that he was paranoid, imagining a danger where none existed because, having lost Janet, he was now worried about losing his daughter as well. But the longer the blond man studied Laura, the more uneasy Bob became. As if sensing that uneasiness, the man looked up. They stared at each other. The stranger’s blue eyes were unusually bright, intense. Bob’s fear deepened. He held his daughter closer, as if the stranger might smash through the nursery window to seize her. He considered calling one of the crèche nurses and suggesting that she speak to the man, make inquiries about him. Then the stranger smiled. His was a broad, warm, genuine smile that transformed his face. In an instant he no longer looked sinister but friendly. He winked at Bob and mouthed one word through the thick glass: ‘Beautiful.’ Bob
Dean Koontz (Lightning)
... she continued to hurl abuse at me, it came in one long stream, passers-by sent us looks, but she didn’t care, her fury, which I had always feared, had her in its grip. I felt like asking her to stop, asking her to be nice, I had apologised, and it wasn’t as though I had done anything, there was no connection between our texts and the fact that I had been drinking with a guest from Norway, nor between the fact that I had got drunk and the pregnancy test she was holding in her hand, but she didn’t see it like that, for her this was all the same, she was a romantic, she had a dream about the two of us, about love and our child, and my behaviour smashed that dream, or reminded her that it was a dream. I was a bad person, an irresponsible person, how could I even imagine becoming a father? How could I subject her to this? I walked beside her, burning with shame because people were looking at us, burning with guilt because I had been drinking and burning with terror because, in her unbridled rage, she went straight for me and the person I was. This was humiliating, but for as long as she was in the right, for as long as what she said was true – that this was the day we might find out if we were going to have a child and I had met her off the train drunk – I couldn’t ask her to stop or tell her to go to hell. She was right, or she was within her rights, I would have to bow my head and put up with this. It struck me that Eirik might be close by and bowed my head even lower, this was almost the worst thought, that someone I knew would see me like this.
Karl Ove Knausgård (Min kamp 2 (Min kamp, #2))
He’s a murdering chud,” Zil was yelling. “What do you want to do? Lynch him?” Astrid demanded. That stopped the flow for a second as kids tried to figure out what “lynch” meant. But Zil quickly recovered. “I saw him do it. He used his powers to kill Harry.” “I was trying to stop you from smashing my head in!” Hunter shouted. “You’re a lying mutant freak!” “They think they can do anything they want,” another voice shouted. Astrid said, as calmly as she could while still pitching her voice to be heard, “We are not going down that path, people, dividing up between freaks and normals.” “They already did it!” Zil cried. “It’s the freaks acting all special and like their farts don’t stink.” That earned a laugh. “And now they’re starting to kill us,” Zil cried. Angry cheers. Edilio squared his shoulders and stepped into the crowd. He went first to Hank, the kid with the shotgun. He tapped him on the shoulder and said, “Give me that thing.” “No way,” Hank said. But he didn’t seem too certain. “You want to have that thing fire by accident and blow someone’s face off?” Edilio held his hand out. “Give it to me, man.” Zil rounded on Edilio. “You going to make Hunter give up his weapon? Huh? He’s got powers, man, and that’s okay, but the normals can’t have any weapon? How are we supposed to defend ourselves from the freaks?” “Man, give it a rest, huh?” Edilio said. He was doing his best to sound more weary than angry or scared. Things were already bad enough. “Zil, you want to be responsible if that gauge goes off and kills Astrid? You want to maybe give that some thought?” Zil blinked. But he said, “Dude, I’m not scared of Sam.” “Sam won’t be your problem, I will be,” Edilio snapped, losing patience. “Anything happens to her, I’ll take you down before Sam ever gets the chance.” Zil snorted derisively. “Ah, good little boy, Edilio, kissing up to the chuds. I got news for you, dilly dilly, you’re a lowly normal, just like me and the rest of us." “I’m going to let that go,” Edilio said evenly, striving to regain his cool, trying to sound calm and in control, even though he could hardly take his eyes off the twin barrels of the shotgun. “But now I’m taking that shotgun.” “No way!” Hank cried, and the next thing was an explosion so loud, Edilio thought a bomb had gone off. The muzzle flash blinded him, like camera flash going off in his face. Someone yelled in pain. Edilio staggered back, squeezed his eyes shut, trying to adjust. When he opened them again the shotgun was on the ground and the boy who’d accidentally fired it was holding his bruised hand, obviously shocked. Zil bent to grab the gun. Edilio took two steps forward and kicked Zil in the face. As Zil fell back Edilio made a grab for the shotgun. He never saw the blow that turned his knees to water and filled his head with stars. He fell like a sack of bricks, but even as he fell he lurched forward to cover the shotgun. Astrid screamed and launched herself down the stairs to protect Edilio. Antoine, the one who had hit Edilio, was raising his bat to hit Edilio again, but on the back swing he caught Astrid in the face. Antoine cursed, suddenly fearful. Zil yelled, “No, no, no!” There was a sudden rush of running feet. Down the walkway, into the street, echoing down the block.
Michael Grant (Hunger (Gone, #2))
We can dismiss any notion that the Nazi regime murdered Jews in order to gratify German public opinion. It took elaborate precautions to hide these actions from the German people and from foreign observers. In official documents the responsible authorities referred to the killings with euphemisms like Sonderbehandlung (“special handling”), and undertook major operations to eliminate all traces of them, at a time when men and materiel could hardly be spared from the fighting. At the same time, there was no particular effort to keep the secret from German troops on the eastern front, many of whom were regularly assigned to participate. Some soldiers and officials photographed the mass executions and sent pictures home to their families and girlfriends.57 Many thousands of soldiers, civil administrators, and technicians stationed in the eastern occupied territories were eyewitnesses to mass killings. Many more thousands heard about them from participants. The knowledge inside Germany that dreadful things were being done to Jews in the east was “fairly widespread.” As long as disorderly destruction such as the shop-front smashings, beatings, and murders of Kristallnacht did not take place under their windows, most of them let distance, indifference, fear of denunciation, and their own sufferings under Allied bombing stifle any objections. In the end, radicalized Nazism lost even its nationalist moorings. As he prepared to commit suicide in his Berlin bunker in April 1945, Hitler wanted to pull the German nation down with him in a final frenzy. This was partly a sign of his character—a compromise peace was as unthinkable for Hitler as it was for the Allies. But it also had a basis within the nature of the regime: not to push forward was to perish. Anything was better than softness.59
Robert O. Paxton (The Anatomy of Fascism)
Mike continued to walk unhurriedly toward the crowd until he loomed up in the stereo tank in life size, as if he were in the room with his water brothers. He stopped on the grass verge in front of the hotel, a few feet from the crowd. "You called me?" He was answered with a growl. The sky held scattered clouds; at that instant the sun came out from behind one and a shaft of golden light hit him. His clothes vanished. He stood before them, a golden youth, clothed only in his own beauty, beauty that made Jubal's heart ache, thinking that Michelangelo in his ancient years would have climbed down from his high scaffolding to record it for generations unborn. Mike said gently, "Look at me. I am a son of man." . . . . "God damn you!" A half brick caught Mike in the ribs. He turned his face slightly toward his assailant. "But you yourself are God. You can damn only yourself and you can never escape yourself." "Blasphemer!" A rock caught him just over his left eye and blood welled forth. Mike said calmly, "In fighting me, you fight yourself... for Thou art God and I am God * . . and all that groks is God-there is no other." More rocks hit him, from various directions; he began to bleed in several places. "Hear the Truth. You need not hate, you need not fight, you need not fear. I offer you the water of life-" Suddenly his hand held a tumbler of water, sparkling in the sunlight. "-and you may share it whenever you so will . . . and walk in peace and love and happiness together." A rock caught the glass and shattered it. Another struck him in the mouth. Through bruised and bleeding lips he smiled at them, looking straight into the camera with an expression of yearning tenderness on his face. Some trick of sunlight and stereo formed a golden halo back of his head. "Oh my brothers, I love you so! Drink deep. Share and grow closer without end. Thou art God." Jubal whispered it back to him. . . . "Lynch him! Give the bastard a nigger necktie!" A heavy-gauge shotgun blasted at close range and Mike's right arm was struck off at the elbow and fell. It floated gently down, then came to rest on the cool grasses, its hand curved open in invitation. "Give him the other barrel, Shortie-and aim closer!" The crowd laughed and applauded. A brick smashed Mike's nose and more rocks gave him a crown of blood. "The Truth is simple but the Way of Man is hard. First you must learn to control yourself. The rest follows. Blessed is he who knows himself and commands himself, for the world is his and love and happiness and peace walk with him wherever he goes." Another shotgun blast was followed by two more shots. One shot, a forty-five slug, hit Mike over the heart, shattering the sixth rib near the sternum and making a large wound; the buckshot and the other slug sheered through his left tibia five inches below the patella and left the fibula sticking out at an angle, broken and white against the yellow and red of the wound. Mike staggered slightly and laughed, went on talking, his words clear and unhurried. "Thou art God. Know that and the Way is opened." "God damn it-let's stop this taking the Name of the Lord in vain!"- "Come on, men! Let's finish him!" The mob surged forward, led by one bold with a club; they were on him with rocks and fists, and then with feet as he went down. He went on talking while they kicked his ribs in and smashed his golden body, broke his bones and tore an ear loose. At last someone called out, "Back away a little so we can get the gasoline on him!" The mob opened up a little at that waning and the camera zoomed to pick up his face and shoulders. The Man from Mars smiled at his brothers, said once more, softly and clearly, "I love you." An incautious grasshopper came whirring to a landing on the grass a few inches from his face; Mike turned his head, looked at it as it stared back at him. "Thou art God," he said happily and discorporated.
Robert A. Heinlein
You’re too goddamned fat,” he said. I took a defiant drag on my cigarette and willed myself not to cry. The remark made me dizzy. For the past four years, Ma and Grandma had played by the rule: never to mention my weight. Now my jeans and sweatshirt were folded in a helpless pile beside me and there was only a thin sheet of paper between my rolls of dimply flesh and this detestable old man. My heart raced with fear and nicotine and Pepsi. My whole body shook, dripped sweat. “Any trouble with your period?” he asked. “No.” “What?” “No trouble,” I managed, louder. He nodded in the direction of his stand-up scale. The backs of my legs made little sucking sounds as they unglued themselves from the plastic upholstery. He brought the sliding metal bar down tight against my scalp and fiddled with the cylinder in front of my face. “Five-five and a half,” he said. “Two hundred . . . fifty-seven.” The tears leaking from my eyes made stains on the paper gown. I nodded or shook my head abruptly at each of his questions, coughed on command for his stethoscope, and took his pamphlets on diet, smoking, heart murmur. He signed the form. At the door, his hand on the knob, he turned back and waited until I met his eye. “Let me tell you something,” he said. “My wife died four Tuesdays ago. Cancer of the colon. We were married forty-one years. Now you stop feeling sorry for yourself and lose some of that pork of yours. Pretty girl like you—you don’t want to do this to yourself.” “Eat shit,” I said. He paused for a moment, as if considering my comment. Then he opened the door to the waiting room and announced to my mother and someone else who’d arrived that at the rate I was going, I could expect to die before I was forty years old. “She’s too fat and she smokes,” I heard him say just before the hall rang out with the sound of my slamming his office door. I was wheezing wildly by the time I reached the final landing. On the turnpike on the way home, Ma said, “I could stand to cut down, too, you know. It wouldn’t hurt me one bit. We could go on a diet together? Do they still sell that Metrecal stuff?” “I’ve been humiliated enough for one fucking decade,” I said. “You say one more thing to me and I’ll jump out of this car and smash my head under someone’s wheels.
Wally Lamb (She's Come Undone)
After the Grand Perhaps” After vespers, after the first snow has fallen to its squalls, after New Wave, after the anorexics have curled into their geometric forms, after the man with the apparition in his one bad eye has done red things behind the curtain of the lid & sleeps, after the fallout shelter in the elementary school has been packed with tins & other tangibles, after the barn boys have woken, startled by foxes & fire, warm in their hay, every part of them blithe & smooth & touchable, after the little vandals have tilted toward the impossible seduction to smash glass in the dark, getting away with the most lethal pieces, leaving the shards which travel most easily through flesh as message on the bathroom floor, the parking lots, the irresistible debris of the neighbor’s yard where he’s been constructing all winter long. After the pain has become an old known friend, repeating itself, you can hold on to it. The power of fright, I think, is as much as magnetic heat or gravity. After what is boundless: wind chimes, fertile patches of the land, the ochre symmetry of fields in fall, the end of breath, the beginning of shadow, the shadow of heat as it moves the way the night heads west, I take this road to arrive at its end where the toll taker passes the night, reading. I feel the cupped heat of his left hand as he inherits change; on the road that is not his road anymore I belong to whatever it is which will happen to me. When I left this city I gave back the metallic waking in the night, the signals of barges moving coal up a slow river north, the movement of trains, each whistle like a woodwind song of another age passing, each ambulance would split a night in two, lying in bed as a little girl, a fear of being taken with the sirens as they lit the neighborhood in neon, quick as the fire as it takes fire & our house goes up in night. After what is arbitrary: the hand grazing something too sharp or fine, the word spoken out of sleep, the buckling of the knees to cold, the melting of the parts to want, the design of the moon to cast unfriendly light, the dazed shadow of the self as it follows the self, the toll taker’s sorrow that we couldn’t have been more intimate. Which leads me back to the land, the old wolves which used to roam on it, the one light left on the small far hill where someone must be living still. After life there must be life.
Lucie Brock-Broido (A Hunger)
In the painting, the face has been horribly lacerated by blows, swollen, with terrible, swollen and bloody bruises, the eyes open, the pupils narrow; the large, open whites of the eyes gleam with a deathly, glassy sheen. But strangely, as one looks at this corpse of a tortured man, a peculiar and interesting question arises: if this is really what the corpse looked like (and it certainly must have looked just like this) when it was seen by all his disciples, his chief future apostles, by the women who followed him and stood by the cross, indeed by all who believed in him and worshipped him, then how could they believe, as they looked at such a corpse, that this martyr would rise from the dead? Here one cannot help being struck by the notion that if death is so terrible and the laws of nature so powerful, then how can they be overcome? How can they be overcome when they have not been conquered even by the one who conquered nature in his own lifetime, to whom it submitted, who cried: “Talitha cumi”8 – and the damsel arose, “Lazarus, come forth”,9 and the dead man came forth? Nature appears, as one looks at that painting, in the guise of some enormous, implacable and speechless animal or, more nearly, far more nearly, though strangely – in the guise of some enormous machine of the most modern devising, which has senselessly seized, smashed to pieces and devoured, dully and without feeling, a great and priceless being – a being which alone was worth the whole of nature and all its laws, the whole earth, which was, perhaps, created solely for the emergence of that being! It is as though this painting were the means by which this idea of a dark, brazen and senseless eternal force, to which everything is subordinate, is expressed, and is involuntarily conveyed to us. Those people who surrounded the dead man, though not one of them is visible in the painting, must have felt a terrible anguish and perturbation that evening, which had smashed all their hopes and almost all their beliefs in one go. They must have parted in the most dreadful fear, though each of them also took away within him an enormous idea that could never now be driven out of them. And if this same teacher could, on the eve of his execution, have seen what he looked like, then how could he have ascended the cross and died as he did now? This question also involuntarily presents itself as one looks at the painting.
Fyodor Dostoevsky (The Idiot)
We turned off the path then, following a line of red, cup-shaped wildflowers that I had not seen before. And then abruptly, we came to a door-- an actual door, because the Folk are maddeningly inconsistent, even when it comes to their inconsistencies--- tucked into a little hollow. It was only about two feet tall and painted to look like the mountainside, a scene of grey-brown scree with a few splashes of green, so realistic that it was like a reflection on still water. The only thing that gave it away was the doorknob, which looked like nothing that I can put into human terms; the best I can do is compare it to a billow of fog trapped in a shard of ice. "It has the look of a brownie house," Wendell said. "But perhaps I should make sure." He shoved the door open and vanished into the shadows within--- I cannot relate how he accomplished this; it seemed for a moment as if the door grew to fit him, but I was unable to get a handle on the mechanics as not one second later he was racing out again and the door had shrunk to its old proportions. Several porcelain cups and saucers followed in his wake, about the right size for a doll, and one made contact, smashing against his shoulder. Behind the hail of pottery came a little faerie who barely came up to my knee, wrapped so tightly in what looked like a bathrobe made of snow that I could see only its enormous black eyes. Upon its head it wore a white sleeping cap. It was brandishing a frying pan and shouting something--- I think--- but its voice was so small that I could only pick out the odd word. It was some dialect of Faie that I could not understand, but as the largest difference between High Faie and the faerie dialects lies in the profanities, the sentiment was clear. "Good Lord!" Rose said, leaping out of range of the onslaught. "I don't--- what on--- would you stop?" Wendell cried, shielding himself with his arm. "Yes, all right, I should have knocked, but is this really necessary?" The faerie kept on shrieking, and then it launched the frying pan at Wendell's head--- he ducked--- and slammed its door. Rose and I stared at each other. Ariadne looked blankly from Wendell to the door, clutching her scarf with both hands. "Bloody Winter Folk," Wendell said, brushing ceramic shards from his cloak. "Winter Folk?" I repeated. "Guardians of the seasons--- or anyway, that is how they see themselves," he said sourly. "Really I think they just want a romantic excuse to go about blasting people with frost and zephyrs and such. It seems I woke him earlier than he desired." I had never heard of such a categorization, but as I was somewhat numb with surprise, I filed the information away rather than questioning him further. I fear that working with one of the Folk is slowly turning my mind into an attic of half-forgotten scholarly treasures.
Heather Fawcett (Emily Wilde’s Map of the Otherlands (Emily Wilde, #2))
Holy gallnipper, how long till we hit the magic trail? It’s gloomier than my own funeral I here.” Camille adjusted the bag’s rope and looked at Ira. “Don’t even joke about that.” Since the moment they’d entered the forest, she’d felt like something was listening. Like they’d woken some sleeping creature, and now it followed them with silent cunning. The deafening chants had not returned to pierce her eardrums, but danger still felt close. A few paces ahead of her, Oscar peeled away another cobweb, the octagonal spinning so massive Camille didn’t even want to imagine the size of the spider that had created it. “Mate, you got a stomach made of iron,” Ira said. A flash of orange and black swept in front of Camille’s eyes and she felt an odd tug on her dress. She looked down and froze. A spider with a body the size of her first flexed its hairy legs on her skirt. It started to scuttle up. Her scream echoed through the forest as she swiped the spider off. It hit the marshy ground and scampered under a log. Oscar grabbed her arm and pulled her toward him. “Did it bite you?” She shook her head, arms and legs stiff with fear. “I’ve never seen one so bloody big,” Ira said, running past the log as though the spider would leap out at him. Oscar started walking again, his hand on the small of her back. She exhaled with more than one kind of relief. He was at least still concerned for her. As they started to pick up their pace, another black critter swung down from a nearby tree. Camille say it flying toward them, but her warning shout was too slow. The spider landed on Oscar’s shoulder, fat and furry and swift as its legs darted up his neck. Oscar shouted an obscenity as he whacked the giant from his skin. Camille heard it thud against the leafy forest floor. Unfazed, the spider quickly sprang to its finger-length legs and darted toward her boot. Her shrieks echoed again as it leaped onto her hem. With his foot, Ira knocked the spider back to the ground, and before it could bounce back up, Oscar smashed it with a stick. The squashed giant oozed yellow-and-green blood onto the marshy ground. Camille gagged and tasted her breakfast oats in the back of her mouth. “What in all wrath are those monsters?” Ira panted as he twisted around, looking for more. Camille looked up to the trees to try and spot any others that might be descending from glossy webbing. Terror paralyzed her as her eyes landed on a colony of glistening webs in the treetops. An endless number of black dots massed above their heads, dangling from tree limbs. Oscar and Ira followed her horrified stare. “Run,” Oscar whispered. Camille sprinted forward, her skin and scalp tingling with imaginary spider legs. The bag of provisions slammed against her back, tugging at her neck, but she didn’t care. They didn’t slow down until the gigantic spiderwebs grew sparse and the squawk of birds took over.
Angie Frazier (Everlasting (Everlasting, #1))
Having a noisy mind is nothing unusual or unique. Our minds are active 24/7, and sorry to break it to you, but you are just not that special.
Brian Wacik (Life Rocks!: 5 Master keys to overcome any obstacle, dissolve every fear, smash old behavior patterns and live the life you were born to live.)
Reducing or eliminating the influx of all negative stimulus into your life, Taking a moment or two each day to perform this thing called prayer or ‘source talk’, which is nothing more than the asking of virtue and value to fill your life’s moments, and Finding a quiet 5 to 20 minutes per day that are yours and yours alone You will be amazed at the rapidity with which your life transforms itself into one of happiness and prosperity.
Brian Wacik (Life Rocks!: 5 Master keys to overcome any obstacle, dissolve every fear, smash old behavior patterns and live the life you were born to live.)
I got lucky. As previously shared, April 16, 2009 found me face down on the disgustingly filthy floor of a very expensive apartment, close to alcoholic death. Left to me, there were two things which I considered of value: a full bottle of sleeping pills perfectly capable of ending my life, and a working cell phone. I used the phone. That desperate call to my family doctor saved my life and, along with the help of many people, connected the dots to the place where I am now. That flimsy reed of hope has remained unbroken ever since, and has grown stronger and more resilient each day.
Brian Wacik (Life Rocks!: 5 Master keys to overcome any obstacle, dissolve every fear, smash old behavior patterns and live the life you were born to live.)
Let’s agree that the past is over, finished, unalterable, done; IT IS PAST. No matter how much we think about it, no matter how much we’d like to, we simply cannot change it. Agreed? This is a simple fact of life and the sooner we accept it (remember acceptance?) The better off we are.
Brian Wacik (Life Rocks!: 5 Master keys to overcome any obstacle, dissolve every fear, smash old behavior patterns and live the life you were born to live.)
So let’s see if we can come up with a good operative formula for handling the past. How about: “We won’t shut the door on the past, but we resolve not to have any regrets about it either?
Brian Wacik (Life Rocks!: 5 Master keys to overcome any obstacle, dissolve every fear, smash old behavior patterns and live the life you were born to live.)
The reason that not forgetting the past is so easy is because we tend to relive it and replay it over and over and over again. Not so bad when it’s a pleasant memory, but when it’s negative or destructive, it impedes progress in a very big way.
Brian Wacik (Life Rocks!: 5 Master keys to overcome any obstacle, dissolve every fear, smash old behavior patterns and live the life you were born to live.)
have been guilty of doing and saying things in my past that were deplorable and certainly less than honorable (if you are one of those exceptional – and imaginary – people who have not, I’d love to meet you).
Brian Wacik (Life Rocks!: 5 Master keys to overcome any obstacle, dissolve every fear, smash old behavior patterns and live the life you were born to live.)
Of these, the one that has consumed the most thought, time and energy was the abortion. From an entirely unexpected source came the suggestion that I forgive her. Well hell, my natural response was indignation and self-righteous anger: “Why should I forgive her?” says I, “She screwed up, not me; I didn’t do anything wrong.” My friend let me rant for a bit, then patiently explained that my wife didn’t need my forgiveness; but it was I who needed to forgive; but again, not for her but for me. A major paradigm shift happened that day. What I learned is that forgiveness is for the person doing the forgiving; not for the person who – we believe – perpetrated the wrong.
Brian Wacik (Life Rocks!: 5 Master keys to overcome any obstacle, dissolve every fear, smash old behavior patterns and live the life you were born to live.)
When we forgive, an amazing thing happens. We release the hold that past event has on us, freeing up the space it was renting in our head and we instantly regain large amounts of our personal power.
Brian Wacik (Life Rocks!: 5 Master keys to overcome any obstacle, dissolve every fear, smash old behavior patterns and live the life you were born to live.)
The conclusion here is that we do not – and can never – know the scope of the universal plan. When things need to get done, they simply get done.
Brian Wacik (Life Rocks!: 5 Master keys to overcome any obstacle, dissolve every fear, smash old behavior patterns and live the life you were born to live.)
Every electron in the universe, no matter what physical creation it is a part of, is totally and completely identical to every other electron in the universe. It is their number and configuration that determine how they appear.
Brian Wacik (Life Rocks!: 5 Master keys to overcome any obstacle, dissolve every fear, smash old behavior patterns and live the life you were born to live.)
First of all, we must be very careful what we allow into our conscious experience. For me, one of the ways I practice this is by not watching the noise (news). I know who the president is, I know who are senators are, and who my local representative is. I have no idea what the new movies are, which actor or actress has recently overdosed, who got married and who split up, who embezzled money from their company, where there have been fires or what crimes have been committed. I also don’t read the newspapers for the same reason.
Brian Wacik (Life Rocks!: 5 Master keys to overcome any obstacle, dissolve every fear, smash old behavior patterns and live the life you were born to live.)
The second tool to overcome obstacles, find the courage to face fear, and remove limits from our thinking is something that I’ll loosely call prayer.
Brian Wacik (Life Rocks!: 5 Master keys to overcome any obstacle, dissolve every fear, smash old behavior patterns and live the life you were born to live.)
Hey man’ works equally well as ‘my God’), help me be the best pack leader I can for this great dog Nemo and help me strengthen the connection and bond between his species and mine. For those people to whom I have borne resentments recently, help me remember that I have forgiven them, but I wish their lives to be healthy and meaningful, and it is my hope that they find value in all they do. Help me be a great partner and confidant to my cherished Kate, and uplift her in any way possible. If there are those to whom I can be of service, let them cross my path in such a way as I will be aware of their need, and give me the courage and strength and perseverance to reach out my hand. Help me always to expand my mind and awareness, and continue to seek and strengthen my connection with you at all times. And also help me to train my physical body to function in maximum health and as efficiently and effectively as possible.
Brian Wacik (Life Rocks!: 5 Master keys to overcome any obstacle, dissolve every fear, smash old behavior patterns and live the life you were born to live.)
It can be formal or informal, spoken or silent, on our knees or laying down. How, when and where make no difference. How often doesn’t matter, but at least once per day for healthy growth is definitely recommended. What we do is all that matters (action, remember?). There are really very few rules regarding prayer. There is a school of thought that says the only rule regarding prayer is that we do not pray for selfish things: I want a new car; I want my spouse to treat me better; I want all green lights on the way home from work. For these childish and wholly selfish ones, this is true. If however we pray for the openness to accept and attract abundance into our lives, the big picture is inferred.
Brian Wacik (Life Rocks!: 5 Master keys to overcome any obstacle, dissolve every fear, smash old behavior patterns and live the life you were born to live.)
If we (selfishly to outward appearances) pray for removal of our selfish tendencies and ask instead for replacement with selflessness – care and sincere concern for our fellow man – we’re on solid spiritual ground. If we desire greater physical well-being, fitness and strength, we, by necessary association, are requesting greater self-control over our eating habits, enhanced dedication and persistence regarding physical exercise, and a greater ability to tolerate pain and recognize suffering as something to be accepted and welcomed as a positive and necessary component of actualization.
Brian Wacik (Life Rocks!: 5 Master keys to overcome any obstacle, dissolve every fear, smash old behavior patterns and live the life you were born to live.)
I’ve had people say that they simply can’t meditate, that they cannot quiet their mind, that they are too busy, that they have no good place to meditate or that they tried it and didn’t find it helpful. These people are God’s kids and my brothers and sisters, so no offense is meant when I calmly reply bullshit.
Brian Wacik (Life Rocks!: 5 Master keys to overcome any obstacle, dissolve every fear, smash old behavior patterns and live the life you were born to live.)
Everything is obtainable, and if we have not yet done so, it’s high time that we get rid of this word ‘can’t’ from our vocabulary. Anything can be done, but not everything will be done. It’s a matter of conscious effort.
Brian Wacik (Life Rocks!: 5 Master keys to overcome any obstacle, dissolve every fear, smash old behavior patterns and live the life you were born to live.)
If one chooses to live their life in a perpetual state of guilt and regret, you have ceased being useful and in service to your Higher Power. I must now focus on how I can be in service and what I can give.
Brian Wacik (Life Rocks!: 5 Master keys to overcome any obstacle, dissolve every fear, smash old behavior patterns and live the life you were born to live.)
I am not responsible for the feelings of others; their feelings are their own affair, just as I am responsible for my own feelings.
Brian Wacik (Life Rocks!: 5 Master keys to overcome any obstacle, dissolve every fear, smash old behavior patterns and live the life you were born to live.)
When you change the way you look at things, the things you look at change.
Brian Wacik (Life Rocks!: 5 Master keys to overcome any obstacle, dissolve every fear, smash old behavior patterns and live the life you were born to live.)
you want different results, you must do something different. Pick anything – ANYTHING – no matter how trivial or stupid it seems, that immediately triggers an unpleasant response from you, and resolve here and now to bring patience to that one single thing. There is a difference between becoming knowledgeable, and possessing wisdom;
Brian Wacik (Life Rocks!: 5 Master keys to overcome any obstacle, dissolve every fear, smash old behavior patterns and live the life you were born to live.)
Acceptance is a pretty cool destination. If you haven’t realized it yet, acceptance is pretty much the answer to all of life’s little curveballs.
Brian Wacik (Life Rocks!: 5 Master keys to overcome any obstacle, dissolve every fear, smash old behavior patterns and live the life you were born to live.)
I had, through the simple act of acceptance of what is, released the denial, selfishness, resentment and fear in that moment of connection to source energy.
Brian Wacik (Life Rocks!: 5 Master keys to overcome any obstacle, dissolve every fear, smash old behavior patterns and live the life you were born to live.)
I was 18 years old, worked with steel all day, and continued to lift weights as I had when in high school. I didn’t know any better and best of all, I had no choice. This denial monster must be overcome. God centered people seem to have much less trouble with this, as they will simply be thankful and grateful for the opportunity to be challenged in a new and different way.
Brian Wacik (Life Rocks!: 5 Master keys to overcome any obstacle, dissolve every fear, smash old behavior patterns and live the life you were born to live.)
I have never been what I’ve heard people refer to as a God person. Until recently, I had trouble even saying the word God unless there was an expletive behind it. I had no belief in any power greater than myself, which is arrogance of the greatest sort possible. I truly believed I was the center of the universe. It wasn’t until I was brought to my knees by some interesting life circumstances, that I allowed myself to have a change in perspective.
Brian Wacik (Life Rocks!: 5 Master keys to overcome any obstacle, dissolve every fear, smash old behavior patterns and live the life you were born to live.)
Everything, EVERYTHING that exists in the space between where you are and where you want to go is simply an activity which requires repetition to achieve mastery.
Brian Wacik (Life Rocks!: 5 Master keys to overcome any obstacle, dissolve every fear, smash old behavior patterns and live the life you were born to live.)
As human beings, we’ve been given free will and it’ll take us a long way. We get to make our own decisions and choices and this is a good thing. And on the surface acknowledging lack of control may seem counterintuitive or completely wrong. But what you will find is that through the act of surrender, more than you ever hoped for will come to pass.
Brian Wacik (Life Rocks!: 5 Master keys to overcome any obstacle, dissolve every fear, smash old behavior patterns and live the life you were born to live.)
Patience is that all too rare human quality that we exercise regarding situations that are temporary (in reality, all things are temporary).
Brian Wacik (Life Rocks!: 5 Master keys to overcome any obstacle, dissolve every fear, smash old behavior patterns and live the life you were born to live.)
I could make virtually any piece of furniture out of a magnificent tree such as this, I could not make the tree. It was in this moment of rushing realization that I ceased being the center of the universe and new beyond doubt, that something which I could not name was greater than I was. A new era had begun.
Brian Wacik (Life Rocks!: 5 Master keys to overcome any obstacle, dissolve every fear, smash old behavior patterns and live the life you were born to live.)
My daughter is 16 years old and firmly believes that things and people – situations ‘make’ her mad. Here’s a recent exchange I had with her in an attempt to guide her thinking to a different level: ME: “Okay, so you feel as though others can make you angry?” HER: “Of course.” ME: “I can understand that. Let’s try this: suppose I cooked a meal in the kitchen and did no cleanup – left no message for Kate (my partner), and then left the house. How might Kate feel when she arrives home and discovers the mess?” HER: “ANGRY!” ME: “What caused her anger?” HER: “You did by leaving a mess.” ME: “So I made her angry?” HER: “Of course, she has a right to be!” ME: “So now she’s angry and I’m not home. Who is her anger affecting?” HER: “You, when you get home” ME: “Okay, but how about right now when she discovers it?” HER: “No one.” ME: “Are you sure?” HER: “Well, I guess it’s affecting her.” ME: “So if she’s the only one being affected, do you think it’s possible for her to choose a different emotion?” HER: “No, she’s going to be angry… Who wouldn’t?!” ME: “Well, suppose she knows me pretty well and knows I’ve never done anything like that before. Is it possible she may think some emergency came up which required that I drop everything and rush off somewhere? Might she not feel concern for my welfare or that of someone else’s?” HER: “I don’t know.” ME: “Well, what if, in addition to the mess in the kitchen, there was a lot of blood on the counter?” HER: “Then she’d be worried and not angry, obviously.” ME: “So what’s the difference?” HER: “The blood, dad.” ME: “But without the blood, she still had the power of choice over her emotions, right?” HER: “Dad, why are we even talking about this?” You can see where I was going with this, but a 16-year-old simply hasn’t enough life experience for these truths to take hold for, regardless of the situation, we ALWAYS choose our emotions IF we have learned that it is we who hold that power, NOT a random situation or person.
Brian Wacik (Life Rocks!: 5 Master keys to overcome any obstacle, dissolve every fear, smash old behavior patterns and live the life you were born to live.)
For the moment, the only other suggestion (a.k.a. rule) here is that you pay attention on a very conscious and present level to the content not only of your interactions with other people, but what you think you know about every situation and every person’s motivation. If you’re like me, you may end up at the conclusion that the more you learn, the less you’re sure of.
Brian Wacik (Life Rocks!: 5 Master keys to overcome any obstacle, dissolve every fear, smash old behavior patterns and live the life you were born to live.)
I’d love to leave my current relationship for one that truly fulfills me, but I can’t imagine anyone else really loving me.” It is this stage – almost a fear prologue if you will – that prevents us from ever getting off the ground.
Brian Wacik (Life Rocks!: 5 Master keys to overcome any obstacle, dissolve every fear, smash old behavior patterns and live the life you were born to live.)
Fear – and all negative emotions such as anger, condescension, judgment and jealousy – stem from the sympathetic nervous system (fight or flight response) which increases anxiety, leading to significantly elevated stress levels. High stress levels – and for some who are in a near constant state of exhibiting negative emotions – are now thought to be the most significant factor in all major diseases: heart disease, cancer, obesity, headaches, depression, anxiety, gastrointestinal problems, accelerated aging and premature death.
Brian Wacik (Life Rocks!: 5 Master keys to overcome any obstacle, dissolve every fear, smash old behavior patterns and live the life you were born to live.)
(human beings are the only animal that punishes themselves more than once for the same offense).
Brian Wacik (Life Rocks!: 5 Master keys to overcome any obstacle, dissolve every fear, smash old behavior patterns and live the life you were born to live.)
All emotions are learned behaviors. Most are taught by our parents by direct observation, then emulation, at so young an age that our normal pathways become rutted.
Brian Wacik (Life Rocks!: 5 Master keys to overcome any obstacle, dissolve every fear, smash old behavior patterns and live the life you were born to live.)
Hatred exploded inside Ritch as he grabbed a thick branch from the ground, leapt into the air and swung it with fury, smashing Colin in the head. The thug dropped like a rock, unconscious. Ritch had never felt so fully alive. It wasn’t because he had hurt someone; violence was reserved for very extreme conditions. The fact that he was protecting Grey sent a feeling of life and power through him. He
Ben Sharpton (Camp Fear)
Hydraulic fracturing has been used safely in over a million wells, resulting in America’s rise as a global energy superpower, growth in energy investments, wages, and new jobs," added Mr. Milito in the statement. Environmental groups have countered that the isolated incidents of contamination confirm their fears about the environmental impacts of hydraulic fracturing. John Noël, of the group Clean Water Action, said in a statement that the report "smashes the myth that there can be oil and gas development without impacts to drinking water." Amy Mall, a senior policy analyst for the Natural Resources Defense Council, said that the EPA study, "while limited, shows fracking can and has impacted drinking water sources in many different ways," according to the Beacon Journal. The EPA report acknowledges that the findings may be due to a lack of data collected, inaccessible information, a scarcity of long-term systematic and base-line studies, and other factors. Bloomberg reported that EPA couldn't come to terms with energy companies including Range Resources Corp. and Chesapeake Energy to conduct water tests near their wells before and after they were fracked, meaning if the agency did find instances of contamination, it was harder to prove that fracking was the cause. "These elements significantly limit EPA’s ability to determine the actual frequency of impacts," the agency said in a fact sheet released with the report.
Anonymous
I’m not afraid of love, Blaine. I loathe it. Love is cruel and unforgiving. It beats you. Tortures you. Smashes your face into a mirror and tells you that you’re disgusting and ugly. That no one else will want you. Love whips you with a belt until giant, red welts are left on every inch of your body, leaving you too sore to even sit for days.
S.L. Jennings (Fear of Falling (Fearless, #1))
Before I met Rosie, I’d believed that a snake’s personality was rather like that of a goldfish. But Rosie enjoyed exploring. She stretched her head out and flicked her tongue at anything I showed her. Soon she was meeting visitors at the zoo. Children derived the most delight from this. Some adults had their barriers and their suspicions about wildlife, but most children were very receptive. They would laugh as Rosie’s forked tongue tickled their cheeks or touched their hair. Rosie soon became my best friend and my favorite snake. I could always use her as a therapist, to help people with a snake phobia get over their fear. She had excellent camera presence and was a director’s dream: She’d park herself on a tree limb and just stay there. Most important for the zoo, Rosie was absolutely bulletproof with children. During the course of a busy day, she often had kids lying in her coils, each one without worry or fear. Rosie became a great snake ambassador at the zoo, and I became a convert to the wonderful world of snakes. It would not have mattered what herpetological books I read or what lectures I attended. I would never have developed a relationship with Rosie if Steve hadn’t encouraged me to sit down and have dinner with her one night. I grew to love her so much, it was all the more difficult for me when one day I let her down. I had set her on the floor while I cleaned out her enclosure, but then I got distracted by a phone call. When I turned back around, Rosie had vanished. I looked everywhere. She was not in the living room, not in the kitchen, not down the hall. I felt panic well up within me. There’s a boa constrictor on the loose and I can’t find her! As I turned the corner and looked in the bathroom, I saw the dark maroon tip of her tail poking out from the vanity unit. I couldn’t believe what she had done. Rosie had managed to weave her body through all the drawers of the bathroom’s vanity unit, wedging herself completely tight inside of it. I could not budge her. She had jammed herself in. I screwed up all my courage, found Steve, and explained what had happened. “What?” he exclaimed, upset. “You can’t take your eyes off a snake for a second!” He examined the situation in the bathroom. His first concern was for the safety of the snake. He tried to work the drawers out of the vanity unit, but to no avail. Finally he simply tore the unit apart bare-handed. The smaller the pieces of the unit became, the smaller I felt. Snakes have no ears, so they pick up vibrations instead. Tearing apart the vanity must have scared Rosie to death. We finally eased her out of the completely smashed unit, and I got her back in her enclosure. Steve headed back out to work. I sat down with my pile of rubble, where the sink once stood.
Terri Irwin (Steve & Me)
One sees now how prettily the eels and snakes copulate together in a heap. The priests and all the evil clergy are the snakes, as John the Baptist calls them, Matthew 3[:7], and the temporal lords and rulers are the eels, as is symbolized by the fish in Leviticus 11[:10-12]. For the devil's empire has painted its face with clay. Oh, you beloved lords, how well the Lord will smash down the old pots of clay [ecclesiastical authorities] with his rod of iron, Psalm 2[:9]. Therefore, you most true and beloved regents, learn your knowledge directly from the mouth of God and do not let yourselves be seduced by your flattering priests and restrained by false patience and indulgence. For the stone [Christ's spirit] torn from the mountain without human touch has become great. The poor laity and the peasants see it much more clearly than you do. Yes, God be praised, the stone has become so great that, already, if other lords or neighbours wanted to persecute you on account of the gospel, they would be overthrown by their own subjects. This I know to be true. Indeed the stone is great! The foolish world has long feared it. The stone fell upon the world when it was still small. What then should we do now, after it has grown so great and powerful? And after it has struck the great statue so powerfully and irresistibly that it has smashed down the old pots of clay?
Thomas Müntzer (Sermon to the Princes (Revolutions))
A hideous ecstasy of fear and vindictiveness, a desire to kill, to torture, to smash faces in with a sledge hammer, seemed to flow through the whole group of people like an electric current, turning one even against one’s will into a grimacing, screaming lunatic
George Orwell (Animal Farm and 1984)
Sometimes I wonder how it feels like to be nothing at all Shattered and lonely, just fearing downfall. When the world hits you hard, smashes you down, Where the people you loved are forever gone. Sometimes I wonder if happiness existed Sadness would not be any of our business. Sometimes I wonder if I’ll ever feel complete The negativity to my life will automatically delete. Sometimes I wonder how it feels like to be nothing at all. Shattered and lonely, just fearing downfall.
Sophia Abid (I Wear a Wig)