“
I felt no shame in these activities, because I understood what almost no one else seemed to grasp: that there was only an infinitesimal difference, a difference so small that it barely existed except as a figment of the human imagination, between working in a tall green glass building on Park Avenue and collecting litter in a park. In fact, there may have been no difference at all.
”
”
Jennifer Egan (A Visit from the Goon Squad)
“
As castles went, this one looked as though it could be taken by a small squad of not very efficient soldiers. For defence, putting a blanket over your head might be marginally safer.
”
”
Terry Pratchett (The Fifth Elephant (Discworld, #24; City Watch, #5))
“
Heard my girl Avery stomped you so hard in a game of pool that Grayson had to take pity on you before every college freshman at UVU saw just how small your junk is.
”
”
Kelly Oram (The Avery Shaw Experiment (Science Squad, #1))
“
Yet each disappointment Ted felt in his wife, each incremental deflation, was accompanied by a seizure of guilt; many years ago, he had taken the passion he felt for Susan and folded it in half, so he no longer had a drowning, helpless feeling when he glimpsed her beside him in bed: her ropy arms and soft, generous ass. Then he’d folded it in half again, so when he felt desire for Susan, it no longer brought with it an edgy terror of never being satisfied. Then in half again, so that feeling desire entailed no immediate need to act. Then in half again, so he hardly felt it. His desire was so small in the end that Ted could slip it inside his desk or a pocket and forget about it, and this gave him a feeling of safety and accomplishment, of having dismantled a perilous apparatus that might have crushed them both. Susan was baffled at first, then distraught; she’d hit him twice across the face; she’d run from the house in a thunderstorm and slept at a motel; she’d wrestled Ted to the bedroom floor in a pair of black crotchless underpants. But eventually a sort of amnesia had overtaken Susan; her rebellion and hurt had melted away, deliquesced into a sweet, eternal sunniness that was terrible in the way that life would be terrible, Ted supposed, without death to give it gravitas and shape. He’d presumed at first that her relentless cheer was mocking, another phase in her rebellion, until it came to him that Susan had forgotten how things were between them before Ted began to fold up his desire; she’d forgotten and was happy — had never not been happy — and while all of this bolstered his awe at the gymnastic adaptability of the human mind, it also made him feel that his wife had been brainwashed. By him.
”
”
Jennifer Egan (A Visit from the Goon Squad)
“
Behold, my wonderboots! All the kick-ass of an Aeluon assault squad, combined with total ergonomic perfection! It’s podiatric madness! What are they? Are they big tough stompers? Are they comfy kick-arounds? No one knows! There are feats of science happening right over my socks as we speak!
”
”
Becky Chambers (The Long Way to a Small, Angry Planet (Wayfarers, #1))
“
Things had gotten -- what's the word? Dry. Things had gotten sort of dry for me. I was working as a city janitor in a neighborhood elementary school and, in summers, collecting litter in the park alongside the East River near the WIlliamsburg Bridge. I felt no shame whatsoever in these activities, because I understood what almost no one else seemed to grasp: that there was only an infinitesimal difference, a difference so small that it barely existed except as a figment of the human imagination, between working in a tall green glass building on Park Avenue and collecting litter in a park. In fact, there may have been no difference at all.
”
”
Jennifer Egan (A Visit from the Goon Squad)
“
Somewhere at the back of my head I heard a click, tiny and irrevocable. Memory magnifies it to a wrenching, echoing crack, but the truth is that it was the very smallness that made it so terrible.
”
”
Tana French (In the Woods (Dublin Murder Squad, #1))
“
She hears all the voices from when she was little, soothing, strengthening: Don’t be scared, not of monsters, not of witches, not of big dogs. And now, snapping loud from every direction: Be scared, you have to be scared, ordering like this is your one absolute duty. Be scared you’re fat, be scared your boobs are too big and be scared they’re too small. Be scared to walk on your own, specially anywhere quiet enough that you can hear yourself think. Be scared of wearing the wrong stuff, saying the wrong thing, having a stupid laugh, being uncool. Be scared of guys not fancying you; be scared of guys, they’re animals, rabid, can’t stop themselves. Be scared of girls, they’re all vicious, they’ll cut you down before you can cut them. Be scared of strangers. Be scared you won’t do well enough in your exams, be scared of getting in trouble. Be scared terrified petrified that everything you are is every kind of wrong. Good girl.
”
”
Tana French (The Secret Place (Dublin Murder Squad, #5))
“
What’s been coming to Becca, since all this began, is this: real isn’t what they try to tell you. Time isn’t. Grown-ups hammer down all these markers, bells schedules coffee-breaks, to stake down time so you’ll start believing it’s something small and mean, something that scrapes flake after flake off of everything you love till there’s nothing left; to stake you down so you won’t lift off and fly away, somersaulting through whirlpools of months, skimming through eddies of glittering seconds, pouring handfuls of hours over your upturned face.
”
”
Tana French (The Secret Place (Dublin Murder Squad, #5))
“
Steve said, You have a squad, but it's small and not everyone in your squad is going to agree or do the same thing.
”
”
Brené Brown (Braving the Wilderness: The Quest for True Belonging and the Courage to Stand Alone)
“
The site of his thinking and writing was a small office wedged in one corner of his shaggy house, on whose door he’d installed a lock to keep his sons out. They gathered wistfully outside it, his boys, with their chipped, heartbreaking faces. They were not permitted to so much as knock upon the door to the room in which he thought and wrote about art, but Ted hadn’t found a way to keep them from prowling outside it, ghostly feral creatures drinking from a pond in moonlight, their bare feet digging at the carpet, their fingers sweating on the walls, leaving spoors of grease that Ted would point out each week to Elsa, the cleaning woman. He would sit in his office, listening to the movements of his boys, imagining that he felt their hot, curious breath. I will not let them in, he would tell himself. I will sit and think about art. But he found, to his despair, that often he couldn’t think about art. He thought about nothing at all.
”
”
Jennifer Egan (A Visit from the Goon Squad)
“
I looked at the back of Jessica's silky bent head and thought of those old stories where one twin is hurt and the other, miles away, feels the pain. I wondered if there had been a moment, during that giggly girls' night at Auntie Vera's, when she had made some small, unnoticed sound; if all the answers we wanted were locked away behind the strange dark gateways of her mind.
”
”
Tana French (In the Woods (Dublin Murder Squad, #1))
“
So I thought maybe I could save just some of it. Maybe, even if we weren’t going to be together, we could still . . .” Everyone’s thought that: maybe even if, maybe we could still, maybe small bits of precious things can be salvaged.
”
”
Tana French (The Secret Place (Dublin Murder Squad, #5))
“
I remember this country back when I was growing up. We went to church, we ate family suppers around the table, and it would never even have crossed a kid's mind to tell an adult to fuck off. There was plenty of bad there, I don't forget that, but we all knew exactly where we stood and we didn't break the rules lightly. If that sounds like small stuff to you, if it sounds boring or old-fashioned or uncool, think about this: people smiled at strangers, people said hello to neighbors, people left their doors unlocked and helped old women with their shopping bags, and the murder rate was scraping zero.
Sometime since then, we started turning feral. Wild got into the air like a virus, and it's spreading. Watch the packs of kids roaming inner-city estates, mindless and brakeless as baboons, looking for something or someone to wreck. Watch the businessmen shoving past pregnant women for a seat on the train, using their 4x4s to force smaller cars out of their way, purple-faced and outraged when the world dares to contradict them. Watch the teenagers throw screaming stamping tantrums when, for once, they can't have it the second they want it. Everything that stops us being animals is eroding, washing away like sand, going and gone.
”
”
Tana French (Broken Harbour (Dublin Murder Squad, #4))
“
Yes, the island is still there. Yes, we found Nick and Daisy and can bring them here. Yes, The Eye has put a price on Archer’s head that could buy a small island.”
That last bit Archer had taken pretty hard. Apparently, his little squad of Eyes had gone back to tell their boss lady that Archer had used some kind of magical artifact to put a compulsion spell on them. That was the only reason they’d fought for Prodigium.
“Is that true?” I’d asked Archer. His eyes had slid away from mine, and he’d given an exaggerated shrug.
I took that as a yes.
”
”
Rachel Hawkins (Spell Bound (Hex Hall, #3))
“
Everyone's thought that: maybe even if, maybe we still could, maybe small bits of precious things can be salvaged. No one with cop-on thinks it after the first try. But her voice, quiet and sad, shimmering the air into those pearly colors: for a second I believed it, all over again.
”
”
Tana French (The Secret Place (Dublin Murder Squad, #5))
“
I know that small-town silence, I'd run into it before, intangible as smoke and solid as stone. We honed it on the British for centuries and it's ingrained, the instinct for a place to close up like a fist when the police come knocking. Sometimes it means nothing more than that; but it's a powerful thing, that silence, dark and tricky and lawless. It still hides bones buried somewhere in the hills, arsenals cached in pigsties. The British underestimated it, fell for the practiced half-witted looks, but I knew and Sam knew: it's dangerous.
”
”
Tana French (The Likeness (Dublin Murder Squad, #2))
“
I have a fleeting fantasy of telling her that procreation isn't a contest, any more than SAT scores and making the cheerleading squad and getting into a good college and all the other things, both big and small, that she turned into a contest when Janie and I were young, going all the way back to whose baby teeth came in first, according to my mother.
”
”
Emily Giffin (Where We Belong)
“
What came in the end was only a small war and a quick victory; when the farmers and the gentlemen finally did coalesce in politics, they produced only the genial reforms of Progressivism; and the man on the white horse turned out to be just a graduate of the Harvard boxing squad, equipped with an immense bag of platitudes, and quite willing to play the democratic game.
”
”
Richard Hofstadter (The Age of Reform)
“
And when I read one of those scapegoat pieces about the "viciousness" of drug pushers, and extolling the basic humanitarianism of the nark-squad hero, I'm saddened. Because it isn't Margo and it isn't Max who keeps the traffic moving: it's that same nark-squad hero with a small, brown paper bag that hustlers and pushers alike have to keep filled if they want to stay on the street.
”
”
Nelson Algren (Entrapment and Other Writings)
“
We had been so small, so recklessly sure that together we could defy all the dark uncomplicated threats of the adult world, rust straight through them like a game of Red Rover, laughing and away.
”
”
Tana French (In the Woods (Dublin Murder Squad, #1))
“
Every human being possesses a reserve of strength whose extent is unknown to him, be it large, small, or nonexistent, and only through extreme adversity can we evaluate it. Even apart from the extreme case of the Special Squads, often those of us who have returned, when we describe our vicissitudes, hear in response: 'In your place I would not have lasted for a single day'. This statement does not have a precise meaning: one is never in another’s place. Each individual is so complex that there is no point in trying to foresee his behavior, all the more so in extreme situations; nor is it possible to foresee one’s own behavior.
”
”
Primo Levi (The Drowned and the Saved)
“
In every way there is, murder is chaos. Our job is simple, when you get down to it: we stand against that, for order. I remember this country back when I was growing up. We went to church, we ate family suppers around the table, and it would never even have crossed a kid’s mind to tell an adult to fuck off. There was plenty of bad there, I don’t forget that, but we all knew exactly where we stood and we didn’t break the rules lightly. If that sounds like small stuff to you, if it sounds boring or old-fashioned or uncool, think about this: people smiled at strangers, people said hello to neighbors, people left their doors unlocked and helped old women with their shopping bags, and the murder rate was scraping zero. Sometime since then, we started turning feral. Wild got into the air like a virus, and it’s spreading. Watch the packs of kids roaming inner-city estates, mindless and brakeless as baboons, looking for something or someone to wreck. Watch the businessmen shoving past pregnant women for a seat on the train, using their 4x4s to force smaller cars out of their way, purple-faced and outraged when the world dares to contradict them. Watch the teenagers throw screaming stamping tantrums when, for once, they can’t have it the second they want it. Everything that stops us being animals is eroding, washing away like sand, going and gone. The final step into feral is murder.
”
”
Tana French (Broken Harbor (Dublin Murder Squad, #4))
“
Murder is a high-pressure squad and a small one, only twenty permanent members and under any added strain (anyone leaving, anyone new, too much work, too little work), it tends to develop a tinge of cabin-fevery hysteria, full of complicated alliances and frantic rumors.
”
”
Tana French (In the Woods (Dublin Murder Squad, #1))
“
As you flail, knowing you’re not supposed to panic – panicking will drain your strength – your mind pulls away as it does so easily, so often, without your even noticing sometimes, leaving Robert Freeman Jr. to manage the current alone while you withdraw to the broader landscape, the water and buildings and streets, the avenues like endless hallways, your dorm full of sleeping students, the air thick with their communal breath. You slip through Sasha’s open window, floating over the sill lined with artifacts from her travels: a white seashell, a small gold pagoda, a pair of red dice. Her harp in one corner with its small wood stool. She’s asleep in her narrow bed, her burned red hair dark against the sheets. You kneel beside her, breathing the familiar smell of Sasha’s sleep, whispering into her ear some mix of I’m sorry and I believe in you and I’ll always be near you, protecting you, and I will never leave you, I’ll be curled around your heart for the rest of your life, until the water pressing my shoulders and chest crushes me awake and I hear Sasha screaming into my face: Fight! Fight! Fight!
”
”
Jennifer Egan (A Visit from the Goon Squad)
“
Any crew would be lucky to have you. Come down from the tower, Edith. Don’t let your life be defined by stupid words from stupid men, who needed you to be small so that they could feel big. Be bold, be daring, be you. The person you were always meant to be. This squad needs you. I need you. Join us.
”
”
Zoe Chant (Wildfire Griffin (Fire & Rescue Shifters: Wildfire Crew, #1))
“
I remember this country back when I was growing up. We went to church, we ate family suppers around the table, and it would never even have crossed a kid’s mind to tell an adult to fuck off. There was plenty of bad there, I don’t forget that, but we all knew exactly where we stood and we didn’t break the rules lightly. If that sounds like small stuff to you, if it sounds boring or old-fashioned or uncool, think about this: people smiled at strangers, people said hello to neighbors, people left their doors unlocked and helped old women with their shopping bags, and the murder rate was scraping zero.
”
”
Tana French (Broken Harbor (Dublin Murder Squad, #4))
“
...Many years ago he had taken the passion he felt for Susan and folded it in half, so he no longer had a drowning, helpless feeling when he glimpsed her beside him in bed: her ropy arms and soft, generous ass. Then he'd folded it in half again, so when he felt desire for Susan, it no longer brought with it the edgy terror of never being satisfied. Then in half again, so that feeling desire entailed no immediate need to act. Then in half again, so he hardly felt it. His desire was so small in the end that Ted could slip it inside his desk or a pocket and forget about it, and this gave him a feeling of safety and accomplishment, having dismantled a perilous apparatus that might have crushed them both.
”
”
Jennifer Egan (A Visit from the Goon Squad)
“
When she opens it, there’s not a squad of Peacekeepers but a single, snow-caked figure. Madge. She holds out a small, damp cardboard box to me. “Use these for your friend,” she says. I take off the lid of the box, revealing half a dozen vials of clear liquid. “They’re my mother’s. She said I could take them. Use them, please.” She runs back into the storm before we can stop her.
”
”
Suzanne Collins (Catching Fire (The Hunger Games, #2))
“
All through this case, since the moment the car crested the hill and we saw Knocknaree spread out in front of us, the opaque membrane between me and that day in the wood had been slowly, relentlessly thinning; it had grown so fine that I could hear the small furtive movements on the other side, beating wings and tiny scrabbling feet like a moth battering against your cupped hands.
”
”
Tana French (In the Woods (Dublin Murder Squad, #1))
“
I felt no shame whatsoever in these activities, because I understood what almost no one else seemed to grasp: that there was only an infinitesimal difference, a difference so small that it barely existed except as a figment of the human imagination, between working in a tall green glass building on Park Avenue and collecting litter in a park. In fact, there may have been no difference at all.
”
”
Jennifer Egan (A Visit from the Goon Squad)
“
I debate whether or not to hold my breath. Is the massive, wheezing inhalation that follows worse than all the small little puffing breaths I might take instead? (I often debated this when a squad mate would lay a fart with a howl of laughter. Breathe normal? Or put it off and then risk sucking that fart so deep into your lungs that it stays there forever, little fart cells melding way inside the core of you?)
”
”
Hugh Howey (Pet Rocks (Beacon 23, #2))
“
know that small-town silence, I’d run into it before, intangible as smoke and solid as stone. We honed it on the British for centuries and it’s ingrained, the instinct for a place to close up like a fist when the police come knocking. Sometimes it means nothing more than that; but it’s a powerful thing, that silence, dark and tricky and lawless. It still hides bones buried somewhere in the hills, arsenals cached in pigsties.
”
”
Tana French (The Likeness (Dublin Murder Squad #2))
“
He's rigged a tiny cassette player with a small set of foam earphones to listen to demo tapes and rough mixes. Occasionally he'll hand the device to Mindy, wanting her opinion, and each time, the experience of music pouring directly against her eardrums - hers alone - is a shock that makes her eyes well up; the privacy of it, the way it transforms her surroundings into a golden montage, as if she were looking back on this lark in Africa with Lou from some distant future.
”
”
Jennifer Egan (A Visit from the Goon Squad)
“
On the afternoon of Tuesday, August 14, 1984, three children—Germaine (“Jamie”) Elinor Rowan, Adam Robert Ryan and Peter Joseph Savage, all aged twelve—were playing in the road where their houses stood, in the small County Dublin town of Knocknaree. As it was a hot, clear day, many residents were in their gardens, and numerous witnesses saw the children at various times during the afternoon, balancing along the wall at the end of the road, riding their bicycles and swinging on a tire swing.
”
”
Tana French (In the Woods (Dublin Murder Squad, #1))
“
Picture a summer stolen whole from some coming-of-age film set in the small-town 1950s. This is none of Ireland's subtle seasons mixed for a connoisseur's palate, watercolor nuances within a pinch-sized range of cloud and soft rain; this is summer full-throated and extravagant in a hot pure silkscreen blue. This summer explodes on your tongue tasting of chewed blades of long grass, your own clean sweat, Marie biscuits with butter squirting through the holes and shaken bottles of red lemonade picnicked in tree houses. It tingles on your skin with BMX wind in your face, ladybug feet up your arm; it packs every breath full of mown grass and billowing wash lines; it chimes and fountains with birdcalls, bees, leaves and football-bounces and skipping-chants, One! two! three! This summer will never end. It starts every day with a shower of Mr. Whippy notes and your best friend's knock at the door, finishes it with long slow twilight and mothers silhouetted in doorways calling you to come in, through the bats shrilling among the black lace trees. This is Everysummer decked in all its best glory.
”
”
Tana French (In the Woods (Dublin Murder Squad, #1))
“
As the emergency personnel and squad cars descended on Pier Three that bitter afternoon, the same questions bounced from radio to radio.
“What is Superman doing here?”
“Why had the Man of Steel taken time to recover the body of a fifty-year-old Costa Rican Newspaper Man who never had been or done anything important?”
Because not a single one of us is background noise. Because when one of us disappears… Someone should notice.
Every person is a star. A Life. A Heart. A Voice. And when a voice is silenced by darkness another must rise to see that justice is done.
Valentin Reyes, survived by his daughter, Maribella, was buried last Saturday at a small service, attended by three.
”
”
Joe Kelly
“
7. The monstrous rats of Tehran In Tehran, Iran, a squad of snipers is employed to protect citizens from – rats! Do not think for a single moment that such rats could be easily dealt with by a domestic cat, because the poor cat may this time end up having its rear side kicked big time. The official statement is that the rats were exposed to radiation, which resulted in a severe genetic mutation. They now grow up to over 5 kilograms (10 pounds), and are just as cunning, aggressive and always hungry as the small sewer rats we have all seen. Although there is a disagreement to their origins within the scientific community, there is really no evidence that would point to an explanation where the ravenous, overgrown rodents came from. Good thing they are not skilled in the far-eastern martial arts… we hope.
”
”
Tyler Backhause (101 Creepy, Weird, Scary, Interesting, and Outright Cool Facts: A collection of 101 facts that are sure to leave you creeped out and entertained at the same time)
“
Julia says, eyebrows up, “Why?” Selena thinks about that. She hears all the voices from when she was little, soothing, strengthening: Don’t be scared, not of monsters, not of witches, not of big dogs. And now, snapping loud from every direction: Be scared, you have to be scared, ordering like this is your one absolute duty. Be scared you’re fat, be scared your boobs are too big and be scared they’re too small. Be scared to walk on your own, specially anywhere quiet enough that you can hear yourself think. Be scared of wearing the wrong stuff, saying the wrong thing, having a stupid laugh, being uncool. Be scared of guys not fancying you; be scared of guys, they’re animals, rabid, can’t stop themselves. Be scared of girls, they’re all vicious, they’ll cut you down before you can cut them. Be scared of strangers. Be scared you won’t do well enough in your exams, be scared of getting in trouble. Be scared terrified petrified that everything you are is every kind of wrong. Good girl.
”
”
Tana French (The Secret Place (Dublin Murder Squad #5))
“
She is waiting for me when I step outside of school at the end of the day, her sturdy frame standing by the passenger door of my papaw's small truck, waving. Yes,waving-ildly, with both arms in the air,and catching herself on the door when she loses her balance.
Mortified,I attempt a nonchalant wave to the other girls on my squad. Practice actually went well today.I like the girls and I'm on top of all the pyraminds, which is cool.
What is not cool is my grandmother shouting my name and motioning at me like an escaped mental patient who has taken a day job landing planes.I sprint over to their truck, which is parked diagonally across to handicapped spots, as quickly as I can.
"I'm here, gosh! Stop yelling," I say.
"Comee here, baby," she says, and before I know it, she's pressing me against her massive bosom in a bear hug, slapping my back and cooing into my ear. "You're Mamaw's baby, ain't ya? Yes, Mamaw's sure happy to see you."
There is no escape.Because I am too short and scrawny and no match for her brute grandchild-love strength, I wait it out.
”
”
Alecia Whitaker (The Queen of Kentucky)
“
The frightened soul ran into the wine cellar with the steel door. I’m safe, Calloway thought, but he was dead wrong. Railrunner’s claws slashed through the steel door. They cut through the metal like butter. He then began to pull the door off its hinges.
Suddenly a smoke bomb fell to the floor, making the place vaporous, but Railrunner’s eyes could see through it. He discovered the flashing lights of squad cars. His eyes narrowed and he growled low in his throat.
“Come on out with your hands up!” an officer yelled.
Railrunner walked upright towards the entrance. He then pushed the doors off their hinges and stood in the line of fire.
“It’s a - roller coaster?” One of the police said baffled, the gun shaking in his hand.
Railrunner crossly walked up to the police. They began to fire, their bullets simply bouncing off of him. He then grabbed the front bumper of the cruiser, and tossed it like a toy. It smashed into another car. Railrunner flung an officer out of his way and roared in sheer amusement. Within a blink of an eye he obliterated the small police force.
”
”
Miranda Leek (Twisted!)
“
Glenskehy is outside Dublin, tucked away in the Wicklow mountains near nothing very much. I'd lived half my life in Wicklow without getting any closer to it than the odd signpost. It turned out to be that kind of place: a scatter of houses getting old around a once-a-month church and a pub and a sell-everything shop, small and isolated enough to have been overlooked even by the desperate generation trawling the countryside for homes they can afford. Eight o'clock on a Thursday morning, and the main street - to use both words loosely - was postcard-perfect and empty, just one old woman pulling a shopping trolley past a worn granite monument to something or other, little sugared-almond houses lined up crookedly behind her, and the hills rising green and brown and indifferent over it all. I could imagine someone getting killed there, but a farmer in a generations-old fight over a boundary fence, a woman whose man had turned savage with drink and cabin fever, a man sharing a house with his brother forty years too long: deep-rooted, familiar crimes old as Ireland, nothing to make a detective as experienced as Sam sound like that.
”
”
Tana French (The Likeness (Dublin Murder Squad, #2))
“
I used to believe, bless my naive little heart, that I had something to offer the robbed dead. Not revenge—there’s no revenge in the world that could return the tiniest fraction of what they’ve lost—and not justice, whatever that means, but the one thing left to give them: the truth. I was good at it. I had one, at least, of the things that make a great detective: the instinct for truth, the inner magnet whose pull tells you beyond any doubt what’s dross, what’s alloy and what’s the pure, uncut metal. I dug out the nuggets without caring when they cut my fingers and brought them in my cupped hands to lay on graves, until I found out—Operation Vestal again—how slippery they were, how easily they crumbled, how deep they sliced and, in the end, how very little they were worth. In Domestic Violence, if you can get one bruised girl to press charges or go to a shelter, then there’s at least one night when her boyfriend is not going to hit her. Safety is a small debased currency, copper-plated pennies to the gold I had been chasing in Murder, but what value it has it holds. I had learned, by that time, not to take that lightly. A few safe hours and a sheet of phone numbers to call: I had never been able to offer a single murder victim that much.
”
”
Tana French (The Likeness (Dublin Murder Squad #2))
“
They stood around a bleeding stump of a man lying on the ground. His right arm and left leg had been chopped off. It was inconceivable how, with his remaining arm and leg, he had crawled to the camp. The chopped-off arm and leg were tied in terrible bleeding chunks onto his back with a small wooden board attached to them; a long inscription on it said, with many words of abuse, that the atrocity was in reprisal for similar atrocities perpetrated by such and such a Red unit—a unit that had no connection with the Forest Brotherhood. It also said that the same treatment would be meted out to all the partisans unless, by a given date, they submitted and gave up their arms to the representatives of General Vitsyn’s army corps.
Fainting repeatedly from loss of blood, the dying man told them in a faltering voice of the tortures and atrocities perpetrated by Vitsyn’s investigating and punitive squads. His own sentence of death had been allegedly commuted; instead of hanging him, they had cut off his arm and leg in order to send him into the camp and strike terror among the partisans. They had carried him as far as the outposts of the camp, where they had put him down and ordered him to crawl, urging him on by shooting into the air.
He could barely move his lips. To make out his almost unintelligible stammering, the crowd around him bent low. He was saying: “Be on your guard, comrades. He has broken through.”
“Patrols have gone out in strength. There’s a big battle going on. We’ll hold him.”
“There’s a gap. He wants to surprise you. I know. ... I can’t go on, men. I am spitting blood. I’ll die in a moment.”
“Rest a bit. Keep quiet.—Can’t you see it’s bad for him, you heartless beasts!”
The man started again: “He went to work on me, the devil. He said: You will bathe in your own blood until you tell me who you are. And how was I to tell him, a deserter is just what I am? I was running from him to you.”
“You keep saying ‘he.’ Who was it that got to work on you?”
“Let me just get my breath. ... I’ll tell you. Hetman, Bekeshin. Colonel, Strese. Vitsyn’s men. You don’t know out here what it’s like. The whole town is groaning. They boil people alive. They cut strips out of them. They take you by the scruff of the neck and push you inside, you don’t know where you are, it’s pitch black. You grope about—you are in a cage, inside a freight car. There are more than forty people in the cage, all in their underclothes. From time to time they open the door and grab whoever comes first—out he goes. As you grab a chicken to cut its throat. I swear to God. Some they hang, some they shoot, some they question. They beat you to shreds, they put salt on the wounds, they pour boiling water on you. When you vomit or relieve yourself they make you eat it. As for children and women—O God!”
The unfortunate was at his last gasp. He cried out and died without finishing the sentence. Somehow they all knew it at once and took off their caps and crossed themselves.
That night, the news of a far more terrible incident flew around the camp.
Pamphil had been in the crowd surrounding the dying man. He had seen him, heard his words, and read the threatening inscription on the board.
His constant fear for his family in the event of his own death rose to a new climax. In his imagination he saw them handed over to slow torture, watched their faces distorted by pain, and heard their groans and cries for help. In his desperate anguish—to forestall their future sufferings and to end his own—he killed them himself, felling his wife and three children with that same, razor-sharp ax that he had used to carve toys for the two small girls and the boy, who had been his favorite.
The astonishing thing was that he did not kill himself immediately afterward.
”
”
Boris Pasternak (Doctor Zhivago)
“
We end up at an outdoor paintball course in Jersey. A woodsy, rural kind of place that’s probably brimming with mosquitos and Lyme disease. When I find out Logan has never played paintball before, I sign us both up.
There’s really no other option.
And our timing is perfect—they’re just about to start a new battle. The worker gathers all the players in a field and divides us into two teams, handing out thin blue and yellow vests to distinguish friend from foe.
Since Logan and I are the oldest players, we both become the team captains. The wide-eyed little faces of Logan’s squad follow him as he marches back and forth in front of them, lecturing like a hot, modern-day Winston Churchill.
“We’ll fight them from the hills, we’ll fight them in the trees. We’ll hunker down in the river and take them out, sniper-style. Save your ammo—fire only when you see the whites of their eyes. Use your heads.”
I turn to my own ragtag crew.
“Use your hearts. We’ll give them everything we’ve got—leave it all on the field. You know what wins battles? Desire! Guts! Today, we’ll all be frigging Rudy!”
A blond boy whispers to his friend, “Who’s Rudy?”
The kid shrugs.
And another raises his hand. “Can we start now? It’s my birthday and I really want to have cake.”
“It’s my birthday too.” I give him a high-five. “Twinning!”
I raise my gun. “And yes, birthday cake will be our spoils of war! Here’s how it’s gonna go.” I point to the giant on the other side of the field. “You see him, the big guy? We converge on him first. Work together to take him down. Cut off the head,” I slice my finger across my neck like I’m beheading myself, “and the old dog dies.”
A skinny kid in glasses makes a grossed-out face. “Why would you kill a dog? Why would you cut its head off?”
And a little girl in braids squeaks, “Mommy! Mommy, I don’t want to play anymore.”
“No,” I try, “that’s not what I—”
But she’s already running into her mom’s arms. The woman picks her up—glaring at me like I’m a demon—and carries her away.
“Darn.”
Then a soft voice whispers right against my ear.
“They’re already going AWOL on you, lass? You’re fucked.”
I turn to face the bold, tough Wessconian . . . and he’s so close, I can feel the heat from his hard body, see the small sprigs of stubble on that perfect, gorgeous jaw. My brain stutters, but I find the resolve to tease him.
“Dear God, Logan, are you smiling? Careful—you might pull a muscle in your face.”
And then Logan does something that melts my insides and turns my knees to quivery goo.
He laughs.
And it’s beautiful.
It’s a crime he doesn’t do it more often. Or maybe a blessing. Because Logan St. James is a sexy, stunning man on any given day. But when he laughs?
He’s heart-stopping.
He swaggers confidently back to his side and I sneer at his retreating form. The uniformed paintball worker blows a whistle and explains the rules. We get seven minutes to hide first. I cock my paintball shotgun with one hand—like Charlize Theron in Fury fucking Road—and lead my team into the wilderness.
“Come on, children. Let’s go be heroes.”
It was a massacre.
We never stood a chance.
In the end, we tried to rush them—overpower them—but we just ended up running into a hail of balls, getting our hearts and guts splattered with blue paint.
But we tried—I think Rudy and Charlize would be proud
”
”
Emma Chase (Royally Endowed (Royally, #3))
“
spoiled meat. Killian led them along a quiet, winding corridor, past several guard posts. They waited in a small square for a moment while Killian glanced nervously at a squad of
”
”
John Forrester (Fire Mage (Blacklight Chronicles, #1))
“
First, this faith does indeed become a virtue, in the Christian sense. The initial reaching out in grateful response, itself precipitated by the work of the Spirit and the preaching of the Word, is the start of a lifelong reaching out, a faithfulness that, like the initial faith, is the answer to God's faithfulness in Jesus Christ and in the word of the gospel. But this lifelong faithfulness, sharing as it does the nature and character of the initial faith by which one is justified, is not (again, as in some romantic or existentialist dreamings) a matter of giving expression to how one happens to be feeling at the time. (One of the evils of our age is first to say "I feel" when we mean "I think";
then to pass, subtly, to the point where actual feelings have taken the place of actual thought; then to pass beyond that again, to the point where "feeling" automatically trumps "thinking"; then to reach the point where thought has disappeared altogether, leaving us merely with Eliot's "undisciplined squads of emotion. "35 At that point, one of the nadirs of postmodernity, we have left behind both the classical and the Christian traditions, though tragically you can see exactly this sequence worked out in various would-be Christian contexts, not least Synods.)
This lifelong faithfulness is a matter of practice. It means acquiring a habit: making a thousand small decisions to trust God now, in this matter, to believe in Jesus and his death and resurrection today, to be faithful and trustworthy to him here and now, in this situation ... and so coming, by slow steps and small degrees, to the point where faith, trust, belief, and faithfulness become, as we properly say in relation to virtue, "second nature" Not "first nature;' doing what comes naturally. No: second nature, doing from the heart that which the heart has learned by practice and hard work. Christian faith thus reaches out, by Spirit-inspired and eschatologically framed moral effort, toward the telos for which we were made, that we should be image-bearers of the faithful God. This means, in the terms I have posed in this paper, that faith is indeed one of the things we learn to do in the present time that truly anticipates the full life of the coming age. This is the sense, I think, in which lifelong Christian faith, though not different in kind or content from the faith by which one is justified (but only in temporal location, i.e., ongoing rather than initial), is indeed to be reckoned among the virtues.
”
”
J. Ross Wagner (The Word Leaps the Gap: Essays on Scripture and Theology in Honor of Richard B. Hays)
“
My primary objective in the demanding, unforgiving mountain terrain was to build small-unit leaders focused on brilliance in the basics. Small units of a dozen men operating together, facing conditions that demanded every ounce of physical strength, bred trust in one another. Day by day, I saw my squads physically harden, develop tighter bonds, and grow in confidence as we built from the ground up.
”
”
Jim Mattis (Call Sign Chaos)
“
What if we run into them?” I ask. Her eyes meet mine in the mirror and she gives me a small shrug.
“You know seeing you has to hurt them too.” She sets the iron down and runs her fingers through my hair. “Elle must be torn up about what she did.” I open my mouth to argue, but Rosie shakes her head. “She’s not a monster. She might be a terrible friend, but we both know somewhere in there she has a heart.”
With Rosie and me being so near in age, she was almost as close to Elle as I was. Elle had even encouraged Rosie to try out for the junior varsity cheer squad, and would help her with the routines—something that the previous varsity cheer captain wouldn’t have dreamed of doing.
”
”
Sarah White , Our broken pieces
“
Yet the country’s leading Democrat, House Speaker Nancy Pelosi, told a CNN town hall audience, “We’re capitalists, and that’s just the way it is.” On another occasion, Pelosi added, “I do reject socialism as an economic system. If people have that view, that’s their view. That is not the view of the Democratic Party.”6 Pelosi has taken steps to distance the House Democrats from the “squad”—the socialist wing identified with Omar, Tlaib and Ocasio-Cortez. She calls it a small faction with a big media presence.
”
”
Dinesh D'Souza (United States of Socialism: Who's Behind It. Why It's Evil. How to Stop It.)
“
The M1A3 Abrams was a man-killer. Colonel J. “Lonesome” Jones thanked the good Lord that he had never had to face anything like it. The models that preceded it, the A1 and A2, were primarily designed to engage huge fleets of Soviet tanks on the plains of Europe. They were magnificent tank busters, but proved to be less adept at the sort of close urban combat that was the bread and butter of the U.S. Army in the first two decades of the twenty-first century. In the alleyways of Damascus and Algiers, along the ancient cobbled lanes of Samara, Al Hudaydah, and Aden, the armored behemoths often found themselves penned in, unable to maneuver or even to see what they were supposed to kill. They fell victim to car bombs and Molotovs and homemade mines. Jones had won his Medal of Honor rescuing the crew of one that had been disabled by a jihadi suicide squad in the Syrian capital. The A3 was developed in response to attacks just like that one, which had become increasingly more succesful. It was still capable of killing a Chinese battle tank, but it was fitted out with a very different enemy in mind. Anyone, like Jones, who was familiar with the clean, classic lines of the earlier Abrams would have found the A3 less aesthetically pleasing. The low-profile turret now bristled with 40 mm grenade launchers, an M134 7.62 mm minigun, and either a small secondary turret for twin 50s, or a single Tenix-ADI 30 mm chain gun. The 120 mm canon remained, but it was now rifled like the British Challenger’s gun. But anyone, like Jones, who’d ever had to fight in a high-intensity urban scenario couldn’t give a shit about the A3’s aesthetics. They just said their prayers in thanks to the designers. The tanks typically loaded out with a heavy emphasis on high-impact, soft-kill ammunition such as the canistered “beehive” rounds, Improved Conventional Bomblets, White Phos’, thermobaric, and flame-gel capsules. Reduced propellant charges meant that they could be fired near friendly troops without danger of having a gun blast disable or even kill them. An augmented long-range laser-guided kinetic spike could engage hard targets out to six thousand meters. The A3 boasted dozens of tweaks, many of them suggested by crew members who had gained their knowledge the hard way. So the tank commander now enjoyed an independent thermal and LLAMPS viewer. Three-hundred-sixty-degree visibility came via a network of hardened battle-cams. A secondary fuel cell generator allowed the tank to idle without guzzling JP-8 jet fuel. Wafered armor incorporated monobonded carbon sheathing and reactive matrix skirts, as well as the traditional mix of depleted uranium and Chobam ceramics. Unlike the tank crew that Jones had rescued from a screaming mob in a Damascus marketplace, the men and women inside the A3 could fight off hordes of foot soldiers armed with RPGs, satchel charges, and rusty knives—for the “finishing work” when the tank had been stopped and cracked open to give access to its occupants.
”
”
John Birmingham (Designated Targets (Axis of Time, #2))
“
I was working for the city as a janitor in a neighborhood elementary school and, in summers, collecting litter in the park alongside the East River near the Williamsburg Bridge. I felt no shame whatsoever in these activities, because I understood what almost no one else seemed to grasp: that there was only an infinitesimal difference, a difference so small that it barely existed except as a figment of the human imagination, between working in a tall green glass building on Park Avenue and collecting litter in a park. In fact, there may have been no difference at all.
”
”
Jennifer Egan (A Visit from the Goon Squad)
“
I am at the concert and I am smirking in the corner, ignoring what my peers are discussing. Let us picture something good. I'm wearing a level-two bulletproof vest under my Ralph Lauren vintage flannel, and already it's almost entirely concealed. Makes me look slightly more built, nobody's complaining. It also protects against nine millimeter and forty caliber rounds, the only kinds police use anymore. I think. Over that, a Swiss military jacket littered with pockets, all of which I custom fit to hold the six magazines accompanying my short barrel rifle. It's a gun small enough to fit perfectly along my back while still under my coat. In the pockets of my Levi five-elevens - a switchblade and one smoke grenade, reserved for either my entrance or exit. I still haven't decided. In my waistband is a...
... and then two squad cars skid to a halt outside. I see them before they see me, as the front windows are tinted in my favor. With a fresh magazine, I am and shoot at - "HEY!"
Someone shouting playfully in my face has yanked me back into the concert hall
”
”
Mike Ma (Harassment Architecture)
“
We had to shoot,” he went on under his breath; “my mates and I. A man must obey orders. We bungled it, and had to fire again—and he laughed at us—he called us the awkward squad—and he'd been good to me——”.
”
”
E L Voynich
“
It's a small closet."...
"It's a walk-in the size of Rhode Island," he teased...
"Isn't that just like a man to exaggerate the size of something?
”
”
Avery Flynn (Bullet Proof (B-Squad, #0.5; The MacKenzie Family, #10.3))
“
store for them. He didn’t trust them in the slightest bit, but looked forward to scanning around the city to get ideas for planning their escape. Outside the fog hung low like a dense hand suffocating the city. The air smelled worse today, of pungent smoke and pitch and spoiled meat. Killian led them along a quiet, winding corridor, past several guard posts. They waited in a small square for a moment while Killian glanced nervously at a squad of soldiers marching down the street.
”
”
John Forrester (Fire Mage (Blacklight Chronicles, #1))
“
today, of pungent smoke and pitch and spoiled meat. Killian led them along a quiet, winding corridor, past several guard posts. They waited in a small square for a moment while Killian glanced nervously at a squad of soldiers marching down the street. When the soldiers left, Killian darted down an alleyway until they reached a maze of warehouses. Celestia cast protesting eyes at Killian, but the twin ignored her. As they jogged along, Talis could hear the lashing of whips inside warehouses, followed by groans and cries for mercy. His skin tingled as if covered in ice as the agonizing sounds trailed behind him. Soon they reached a smaller, dilapidated warehouse with an obese, thuggish guard standing
”
”
John Forrester (Fire Mage (Blacklight Chronicles, #1))
“
guard posts. They waited in a small square for a moment while Killian glanced nervously at a squad of soldiers marching down the street. When the soldiers left, Killian darted down an alleyway until they reached a maze of warehouses. Celestia cast protesting eyes at Killian, but the twin ignored her. As they jogged along, Talis could hear the lashing of whips inside warehouses, followed by groans and cries for mercy. His skin tingled as if covered in ice as the agonizing
”
”
John Forrester (Fire Mage (Blacklight Chronicles, #1))
“
I look down at my Converse. My feet are too small. My hands are too small. Soon everything will be too small, and too delicate, and maybe I won’t make the football squad when I go to sixth form college, and then university. Maybe I won’t be the Max that rules the school. Maybe I’ll just be a loner, a too-androgynous, too weak to play football, too frigid to kiss loner. Then one day I’ll be nothing of my own. I’ll be an uncle to Daniel’s kids. I’ll be a provider for Mum and Dad in their old age because I’ll never have a family of my own. I’ll be the person who always has time to be there for other people. That doesn’t sound so bad. Settling for not so bad sounds OK. But, you know, it’s hard when you tried so much to make life really good..
”
”
Abigail Tarttelin (Golden Boy)
“
Bianca swallowed past the biter chunks of broken heart clogging her throat. “I’m not going to kill him.”
From her listening post, Vivi shot her a wicked grin. “Would have been my first plan of action.”
“Whacking someone is always your first idea,” Lexie said, her laptop screen giving her green highlights an otherworldly glow.
“True.” Vivi shrugged her deceptively small shoulders, a snarky grin curling her blood-red lips. “That’s what makes me so damn charming.
”
”
Avery Flynn (Brazen (B-Squad #1))
“
In the succeeding thirty-two years of U.S. guidance, not only has Guatemala gradually become a terrorist state rarely matched in the scale of systematic murder of civilians, but its terrorist proclivities have increased markedly at strategic moments of escalated U.S. intervention. The first point was the invasion and counterrevolution of 1954, which reintroduced political murder and large-scale repression to Guatemala following the decade of democracy. The second followed the emergence of a small guerrilla movement in the early 1960s, when the United States began serious counterinsurgency (CI) training of the Guatemalan army. In 1966, a further small guerrilla movement brought the Green Berets and a major CI war in which 10,000 people were killed in pursuit of three or four hundred guerrillas. It was at this point that the "death squads" and "disappearances" made their appearance in Guatemala. The United States brought in police training in the 1970s, which was followed by the further institutionalization of violence. The "solution" to social problems in Guatemala, specifically attributable to the 1954 intervention and the form of U.S. assistance since that time, has been permanent state terror. With Guatemala, the United States invented the "counterinsurgency state.
”
”
Noam Chomsky (Manufacturing Consent: The Political Economy of the Mass Media)
“
There is no doubt that 'force multipliers' - squad automatic weapons - have changed the character of warfare once again, just as their predecessors did during the First World War, if perhaps not to quite the same degree. In the immediate future it seems that most armies will be using some form of 5.56mm machine-gun at squad level, be it a box-fed LSW or belt-fed SAW. If there is a cloud on the horizon where modern light machine-guns are concerned it is that they are not powerful enough for long-range work, or for penetrating cover and light armour. Nevertheless, the new generation of light machine-guns will remain in use well into the next century, not least because they are popular with the soldiers who operate them, the machine-gunners. Likewise, there will still be a place for the heavier GPMG, which does have the 'punch' that the LSW lacks.
Machine-guns themselves have become lighter, and their operating principles both more secure and more efficient; the ammunition they use has shrunk to a quarter of its original size and become almost 100 percent reliable. The one important thing which has not changed dramatically is the human component; the attitude with which man faces the prospect of death in battle, and how he prepares himself to face that possibility quite deliberately, for it was the original invention of the machine-gun which reformed that. More than any other single 'advance' in weapons technology, the machine-gun allowed an individual (or actually, a small team of men) to dominate a sector of the battlefield. They had an inhuman advantage which simply had to be exploited if they were to be on the winning side, whether their opponents were Zulus, Sioux, or Dervishes, or other industrialized nations to be beaten into last place in the race toward economic supremacy. Whether the machine-gun has been as important, in any sense at all of the word, as it near-contemporary, the internal combustion engine - or even, date one say it, the bicycle or sewing machine - is still to be decided, but there is one clear, irrefutable fact connected with its short history: it has killed tens of millions of men, women and children and blighted the lives of tens of millions more.
”
”
Roger Ford (The Grim Reaper: Machine Guns And Machine-gunners In Action)
“
I am Alice,” said the ninja, “leader of the Ninja Squad!” She pulled out two wooden swords and swirled them around her head before striking a pose. She was clad all in black, and only her eyes were visible through the small slit in her hood. Another ninja stepped forward. He was also clad head to toe in black, with a white mask covering his face. “I’m Shadow,” he said, “the leader of the Ninja Squad, and master of the art of shadow stealth techniques. I can hide inside any shadow, and sneak up on any foe.” Another ninja stepped forward. He was wearing a black ninja outfit, but over his eye-slit he was wearing a pair of sunglasses. “Hey dudes, I’m DJ,” he said, “the jukebox ninja, and leader of the Ninja Squad. I can hide inside music, and assassinate foes with the power of awesome beats.” “Wait,” said Dave. “How can all three of you be the leader?” “We held a vote,” said Shadow, looking a bit embarrassed, “to see who should be leader. And, um…” “Everyone voted for themselves,” said Alice. “Riiight,” said Dave. “Anyway, now that’s out of the way—” “Silence mortal!” yelled another ninja. “We haven’t finished our introductions yet! I am Kyle the Mighty! Defeater of zombies and defender of this realm! I can summon thunder from the heavens to smite my foes! I am the leader of the Ninja Squad!
”
”
Dave Villager (Dave the Villager 12: An Unofficial Minecraft Book (The Legend of Dave the Villager))
“
Civilization had long maintained the appearance of such communal closeness, in small units people could manage. Societies had evolved that could stack such social nuggets into vaster larger arrays. A squad of ten worked well together, and united with ten other squads could do far more. Those ten who commanded squads could then meet in a room and make up a squad themselves, and so on up a pyramid that could sum the labours of billions. All
”
”
Gardner Dozois (Beyond Singularity)
“
Something welled inside at her fearful tone. Jake darted forward, his feet digging into the sand. The shadows clarified. Meridith went down hard; the guy came down on her. Jake honed in on him. As he neared, he heard Meridith struggling. He grabbed the guy’s shirt, hauled him up. He heard a ripping sound, and then his fist found its mark. The loud pop was gratifying. Sean hit the sand, moaning. Jake braced his feet, ready—eager—to have another go at him. The kid only rolled to his other side. A sound at his feet drew his attention. “Meridith.” He dove to his knees beside her. “I’m okay.” He helped her sit up. She looked impossibly small. Behind him, Sean was standing, staggering. Jake stood, placing his body between them. Sean held up his hands, surrendering. “Hey, man, didn’t mean nothin’ . . . just flirting with the girl.” Jake took a step, ready to plant his fist in the guy’s face. A hand, surprisingly firm, on his leg stopped him. “Don’t, Jake.” He took a breath. Tried to calm himself. He wanted to plow the guy down and show him what it felt like to be powerless. Make him feel as powerless as Meridith had. Jake had no doubt he could do it. Apparently, neither did Sean. He was backing away toward the house. “Sorry, Meridith. Swear I didn’t mean nothin’.” The words meant squat to Jake. He clenched his fists at his side. Dirtbag. “Let him go.” Meridith’s voice, all tired and shaky, was the only thing that stopped him. He should call the cops and have the guy hauled off. Then he thought of the squad car pulling up to Summer Place, lights spinning. Summer Place didn’t need the bad publicity. The kids didn’t need the distress. He looked down at Meridith, huddled in the sand. She didn’t either. Jake glared at Sean. “Pack your things and get out of here. Now.” Sean stopped and turned. “What am I s’posed to tell my friends?” “Couldn’t care less.” Sean shifted in the sand, grabbed the railing. Finally he turned and stumbled up the beach steps and across the yard. Jake turned to Meridith. She’d pulled her knees to her chest, wrapped her arms around them. He extended his hands and she took them. They were icy cold. He pulled her to her feet, then took her chin and turned her face into the moonlight. He scanned her face for damage and found none. Just dazed eyes and chattering teeth. “You okay? He hurt you?” She shook her head. He could feel her trembling. He remembered feeling something on the sand and stooped to collect a bulky robe. Downwind, he shook out the sand, then draped the robe over her shoulders. The weight of it buckled her knees. He caught her around the waist. She came into his arms willingly. Jake tucked the robe around her, freed her hair, and the wind stole it from his fingers. She shivered. He could feel her cold fists through his shirt, tucked into his stomach. “You’re cold.” He wrapped his arms around her, turned his back to the wind. Shallow puffs of breath hit his chest, warm and quick. He cradled her head in his palm. She was so small. Helpless. What would’ve happened if he hadn’t come? And where was Lover Boy when Meri needed him? Halfway across the country. He ground his teeth together, fighting the anger that had barely begun to simmer. “The
”
”
Denise Hunter (Driftwood Lane (Nantucket, #4))
“
Brittany has been wary this whole week. She’s waiting for me to play a joke on her, to get her back for tossing my keys into the woods. After school, as I’m at my locker picking books to take home, she storms up to me wearing her sexy pom uniform.
“Meet me in the wrestling gym,” she orders.
Now I can do two things: meet her like she told me to or leave the school. I take my books and enter the small gym. Brittany is standing, holding out her keychain without keys dangling from it.
“Where have my keys magically disappeared to?” she asks. “I’m going to be late for the game if you don’t tell me. Ms. Small will kick me off the squad if I’m not at the game.”
“I tossed them somewhere. You know, you should really get a purse that has a zipper. You never know when someone will reach in and grab somethin’.”
“Glad to know you’re a klepto. Wanna give me a hint as to where you’ve hidden them?”
I lean against the wall of the wrestling gym, thinking about what people would think if they caught us in here together. “It’s in a place that’s wet. Really, really wet,” I say, giving her a clue.
“The pool?”
I nod. “Creative, huh?”
She tries to push me into the wall. “Oh, I’m going to kill you. You better go get them.”
If I didn’t know her better, I’d think she was flirting with me. I think she likes this game we have going on. “Mamacita, you should know me better than that. You’re all on your own, like I was when you left me in the library parking lot.”
She cocks her head, gives me sad eyes, and pouts. I shouldn’t concentrate on her pouty lips, it’s dangerous. But I can’t help it.
“Show me where they are, Alex. Please.”
I let her sweat it out a minute before I give in. By now most of the school is deserted. Half of the students are on their way to the football game. The other half is glad they’re not on their way to the football game.
We walk to the pool. The lights are off, but sunlight is still shining through the windows. Brittany’s keys are where I threw ‘em--in the middle of the deep end. I point to the shiny pieces of silver under the water. “There they are. Have at it.”
Brittany stands with her hands on her short skirt, contemplating how she’s going to get them. She struts over to the long stick hanging on the wall that’s used to pull drowning people from the water. “Piece of cake,” she tells me.
But as she sticks the pole into the water, she finds out it’s not a piece of cake. I suppress a laugh as I stand at the edge of the pool and watch her attempt the impossible.
“You can always strip and go in naked. I’ll watch to make sure nobody comes in.”
She walks up to me, the pole gripped firmly in her fingers. “You’d like that, wouldn’t you?”
“Uh, yeah,” I say, stating the obvious. “I have to warn you, though. If you have granny undies on, you’ll blow my fantasy.”
“For your information, they’re pink satin. As long as we’re sharing personal info, are you a boxers or briefs guy?”
“Neither. My boys go free, if you know what I mean.” Okay, I don’t let my boys go free. She’ll just have to figure that out herself.
“Gross, Alex.”
“Don’t knock it till you try it,” I tell her, then walk toward the door.
“You’re leaving?”
“Uh…yeah.”
“Aren’t you going to help me get the keys?”
“Uh…nope.” If I stay, I’ll be tempted to ask her to ditch the football game to be with me. I’m definitely not ready to hear the answer to that question. Toying with her I can handle. Showing my true colors like I did the other day made me take my guard down. I’m not about to do that again. I push the door open after taking one last glance at Brittany, wondering if leaving her right now makes me an idiot, a jerk, a coward, or all of the above.
”
”
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
“
I keep my red-brown hair bristle short so it doesn’t curl. Put it on top of a face full of freckles and a nose that isn’t exactly small, I don’t think I have career options in TV.
”
”
Michele Martin Bossley (Goon Squad (Lorimer Sports Stories))
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People often point to the London Metropolitan Police, who were formed in the 1820s by Sir Robert Peel,” Vitale said when we met. “They are held up as this liberal ideal of a dispassionate, politically neutral police with the support of the citizenry. But this really misreads the history. Peel is sent to manage the British occupation of Ireland. He’s confronted with a dilemma. Historically, peasant uprisings, rural outrages were dealt with by either the local militia or the British military. In the wake of the Napoleonic Wars, in the need for soldiers in other parts of the British Empire, he is having more and more difficulty managing these disorders. In addition, when he does call out the militia, they often open fire on the crowd and kill lots of people, creating martyrs and inflaming further unrest. He said, ‘I need a force that can manage these outrages without inflaming passions further.’ He developed the Peace Preservation Force, which was the first attempt to create a hybrid military-civilian force that can try to win over the population by embedding itself in the local communities, taking on some crime control functions, but its primary purpose was always to manage the occupation. He then exports that model to London as the industrial working classes are flooding the city, dealing with poverty, cycles of boom and bust in the economy, and that becomes their primary mission. “The creation of the very first state police force in the United States was the Pennsylvania State Police in 1905,” Vitale went on. “For the same reasons. It was modeled similarly on U.S. occupation forces in the Philippines. There was a back-and-forth with personnel and ideas. What happened was local police were unable to manage the coal strikes and iron strikes. . . . They needed a force that was more adherent to the interests of capital. . . . Interestingly, for these small-town police forces in a coal mining town there was sometimes sympathy. They wouldn’t open fire on the strikers. So, the state police force was created to be the strong arm for the law. Again, the direct connection between colonialism and the domestic management of workers. . . . It’s a two-way exchange. As we’re developing ideas throughout our own colonial undertakings, bringing those ideas home, and then refining them and shipping them back to our partners around the world who are often despotic regimes with close economic relationships to the United States. There’s a very sad history here of the U.S. exporting basically models of policing that morph into death squads and horrible human rights abuses.” The almost exclusive reliance on militarized police to deal with profound inequality and social problems is turning poor neighborhoods in cities such as Chicago into failed states. The “broken windows” policy, adopted by many cities, argues that disorder produces crime. It criminalizes minor infractions, upending decades of research showing that social dislocation leads to crime. It creates an environment where the poor are constantly harassed, fined, and arrested for nonsubstantive activities.
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Chris Hedges (America: The Farewell Tour)
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He said, It’s the truth that saves us, but some people’s truth is bitter gall. You’re a woman, Mary, with the curse of Eve on you. I wondered where were the ubiquitous squad cars that had plagued my friends and me. The doughnut-munching bastards. You wanna see my truth? Sam asked. I firmly doubted I had a choice. I said of course I’d be honored to see his truth, wise in the arcana as he seemed to be. Then I waited for him to raise up the hatchet or samurai sword with which he would surely split my skull to the gizzard. With some ceremony, Sam drew from under his shirt a suede pouch on a leather cord slung around his neck. Opening it, he drew out a thin object a few inches long and wrapped in red silk with tiny Chinese ideograms on it. On his lap, he unfolded it with one hand—a small brownish-black burnt-looking thing like an umbilicus. A root or charm, I thought. That’s my twin brother’s finger, he said.
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Mary Karr (Lit)
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Upon returning home to his country club estate, still clad in panties, he was greeted by a small army of local police in squad cars who placed him under arrest.
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Mike Spencer (Private Eye Confidential: Stories from a Real P.I.)
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Sasha wasn't moving at all. She stood still, watching him. And then she reached for him, encircled Ted with her long arms and clung to him so that he felt her modest bulk, the height and weight of this new Sasha, his grown-up niece who had once been so small, and the irrevocability of that transformation released in Ted a ragged sorrow, so his throat seized up and a painful tingling fizzed in his nostrils,. He cleaved to Sasha. But she was gone, that little girl. Gone with the passionate boy who had loved her.
Finally, she pulled away. 'Wait here,' she said, not meeting his eyes. 'I'll be right back.' Disoriented, Ted hovered among the dancing Italians until a mounting sense of awkwardness drove him from the floor. He lingered near it. Eventually, he circled the floor. She's mentioned having friends there – could she be talking to them somewhere? Had she gone outside? Anxious, foggy from his own drink, Ted ordered a San Pellegrino at the bar. And only then, as he reached for his wallet and found it gone, did he realize that she's robbed him." (p. 223)
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Jennifer Egan (A Visit from the Goon Squad)
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Crews that fight forest fires in Oregon are now so heavily Hispanic that in 2003, the Oregon Department of Forestry required that crew chiefs be bilingual. In 2006, the department started forcing out veterans. Jaime Pickering, who used to run a squad of 20 firefighters, says the rule means “job losses for Americans—the white people.”
Zita Wilensky, a 16-year veteran, was the only white employee of Miami-Dade County Domestic Violence Unit. Her co-workers made fun of her and called her gringa and Americana. Miss Wilensky says her boss gave her 60 days to learn Spanish, and fired her when she failed to do so.
It is increasingly common, therefore, for Americans to be penalized because they cannot speak Spanish, but employers who insist that workers speak English are guilty of discrimination. In 2001, the Equal Employment Opportunity Commission forced a small Catholic college in San Antonio to pay $2.4 million to housekeepers who were required to speak English at work.
There are now about 45 million Hispanics in the country. What will the status of Spanish be when there are 130 million Hispanics, as the Census Bureau projects for 2050?
In 2000, President Bill Clinton decided that the prohibition against discrimination because of “national origin” in the Civil Rights Act of 1964 meant that if a foreigner cannot speak to a government agency in his own language he is a victim. Executive Order 13166 required all local governments that receive federal money (all of them, essentially) to translate official documents into any language spoken by at least 3,000 people in the area or 10 percent of the local population. It also required interpreters for non-English speakers.
In 2002, the Office of Management and Budget estimated that hospitals alone would spend $268 million every year implementing Executive Order 13166, and state departments of motor vehicles would spend $8.5 million. OMB estimated that communicating with food stamp recipients who don’t speak English would cost $25.2 million per year.
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Jared Taylor (White Identity: Racial Consciousness in the 21st Century)