Small Angel Quotes

I am good, but not an angel. I do sin, but I am not the devil. I am just a small girl in a big world trying to find someone to love.

I like you in my bed,” Patch said. “I rarely pull down the covers. I rarely sleep. I could get used to this picture.” “Are you offering me a permanent place?” “Already put a spare key in your pocket.” I patted my pocket. Sure enough, something small and hard was snug inside. “How charitable of you.” “I’m not feeling very charitable now,” he said, holding my eyes, his voice deepening with a gravelly edge. “I missed you, Angel. Not one day went by that I didn’t feel you missing from my life. You haunted me to the point that I began to believe Hank had gone back on his oath and killed you. I saw your ghost in everything. I couldn’t escape you and I didn’t want to. You tortured me, but it was better than losing you.

Frustration was my constant companion. I wanted to scream. "What the he-eck are we supposed to do now? I asked Fang. He looked at me, and I could tell he was mulling over the problem. He held out a small waxed-paper bag. Peanut?

The small things of life were often so much bigger than the great things . . . the trivial pleasure like cooking, one's home, little poems especially sad ones, solitary walks, funny things seen and overheard.

I had such plans for this evening. The pursuit of blind drunkenness and wayward women was my goal. But alas, it was not to be. No sooner had I consumed my third drink in the Devil than I was accosted by a delightful small flower selling child who asked me for twopence for a daisy. The price seemed steep, so I refused. When I told the girl as much, she proceeded to rob me.” “A little girl robbed you?” Tessa said. “Actually, she wasn’t a little girl at all, as it turns out, but a midget in a dress with a penchant for violence, who goes by the name of Six-Fingered Nigel.

I flipped down the visor so I could check myself in the mirror, and something small and heavy dropped into my lap. I froze, my breath stuck in my throat. What—? Gingerly, I looked down. It wasn’t a grenade. It was a key ring. One key was for this van. I looked at it blankly. “Well, that’ll simplify things,” Fang said.

May I offer you something? A small glass of cyanide?

Jem grinned. “Where have you been? The Blue Dragon? The Mermaid?” “The Devil Tavern if you must know.” Will sighed and leaned against one of the posts of the bed. “I had such plans for the evening. The pursuit of blind drunkenness and wayward women was my goal. But alas, it was not to be. No sooner had I consumed my third drink in the Devil than I was accosted by a delightful small flower-selling child who asked me for two-pence for a daisy. The price seemed steep, so I refused. When I told the girl as much, she proceeded to rob me.” “A little girl robbed you?” Tessa said. “Actually, she wasn’t a little girl at all, as it turns out, but a midget in a dress who goes by the name of Six-Fingered Nigel.” “Easy mistake to make,” Jem said.

You have a memory chip that small implanted in you,” he verified. I nodded, guessing this was somewhat worse than having cooties.

Mooner was walking around laying his hands on the cars, divining karma. "this is it", he said, standing by a small khaki-colored jeep."this car has protective qualities" You mean like a guardian angel?" I mean, like, it has seatbelts

The earth will never be the same again Rock, water, tree, iron, share this greif As distant stars participate in the pain. A candle snuffed, a falling star or leaf, A dolphin death, O this particular loss A Heaven-mourned; for if no angel cried If this small one was tossed away as dross, The very galaxies would have lied. How shall we sing our love's song now In this strange land where all are born to die? Each tree and leaf and star show how The universe is part of this one cry, Every life is noted and is cherished, and nothing loved is ever lost or perished.

Every work of art is aggressive, Isabella. And every artist's life is a small war or a large one, beginning with oneself and one's limitations. To achieve anything you must first have ambition and then talent, knowledge, and finally the opportunity.

At first he didn’t recognize her. She was breathtakingly beautiful, her movements sure and graceful. Yet there was something about her face and figure that reminded him of the girl he’d fallen in love with long ago. They’d gone their separate ways, and he had always mourned her, his angel, his muse, his beloved Beatrice. Without her, his life had been lonely and small. Now his blessedness appeared.

But now I wonder--what if everyone is pretty much the same and it's just a thousand small choices that add up to the person you are? No good or evil, no black and white, no inner demons or angels whispering the right answers in our ears like it's some cosmic SAT test. Just us, hour by hour, minute by minute, day by day, making the best choices we can. The thought is horrifying. If that's true, then there's no right choice. There's only choice.

When a writer looked at an empty computer screen, what did she see? Tristan wondered. A movie screen ready to be lit with faces? A night sky with one small star blinking at the top, a universe ready to be written on? Endless possibilities. Love's endless twists and turns - and all love's impossibilities.

- So my own sister will not promote me? Speaking of which, weren't you supposed to find me a beautiful future wife with a small fortune? Have you had any success on that front? - Yes - I have warned them all.

I dream of flight, not to be as the angels are, but to rise above the smallness of it all. The smallnesss that I am. Against the daily death the iconography of wings.

Will I see you again?” His grin had lost its wild flair. Instead, it was limp and very small. “Sure you will.” A pause. “In my next movie.” With one last look, he climbed in his car and drove away.

The incompetent always present thmeselves as experts, the cruel as pious, sinners as devout, usurers as benefactors, the small minded as patriots, the arrogant as humble, the vulgar as elegant, and teh feeble-minded as intellectual.

Life had taught her that we all require big and small lies in order to survive, just as much as we need air. She used to say that if during one single day, from dawn to dusk, we could see the naked reality of the world, and of ourselves, we would either take our own lives or lose our minds.

A framed photo on a dusty bookshelf caught his attention; he moved closer and picked it up silently. A small girl with long blond hair was standing under a tree, her face tilted up in delight as its feathery leaves brushed across her face, framing it. A willow tree. Willow.

The day has been so full of fret and care, and our hearts have been so full of evil and of bitter thoughts, and the world has seemed so hard and wrong to us. Then Night, like some great loving mother, gently lays her hand upon our fevered head, and turns our little tear-stained faces up to hers, and smiles; and though she does not speak, we know what she would say, and lay our hot flushed cheek against her bosom, and the pain is gone. Sometimes, our pain is very deep and real, and we stand before her very silent, because there is no language for our pain, only a moan. Night's heart is full of pity for us: she cannot ease our aching; she takes our hand in hers, and the little world grows very small and very far away beneath us, and, borne on her dark wings, we pass for a moment into a mightier Presence than her own, and in the wondrous light of that great Presence, all human life lies like a book before us, and we know that Pain and Sorrow are but angels of God.

The corner of his mouth lifts, and then I kiss him. Not so gently this time. His hand drops from my face and grab at my waist and pull me to him. A small soft groan escapes him, and that noise makes me absolutely crazy. I lose it. I wind my hands around his neck and kiss him without holding anything back. I can feel his heart thundering like mine, his breath coming faster, his arms tightening around me.

The artist is a servant who is willing to be a birthgiver. In a very real sense the artist (male or female) should be like Mary who, when the angel told her that she was to bear the Messiah, was obedient to the command. ...I believe that each work of art, whether it is a work of great genius, or something very small, comes to the artist and says, "Here I am. Enflesh me. Give birth to me." And the artist either says, "My soul doth magnify the Lord," and willingly becomes the bearer of the work, or refuses; but the obedient response is not necessarily a conscious one, and not everyone has the humble, courageous obedience of Mary. As for Mary, she was little more than a child when the angel came to her; she had not lost her child's creative acceptance of the realities moving on the other side of the everyday world. We lose our ability to see angels as we grow older, and that is a tragic loss.

But there’s always been just a little tiny piece of me inside the size of a small slice of angel cake that knew somewhere somehow That I deserved better than someone like you.

Willow's eyes flew to his, startled. They stared at each other. Her foot felt small under his hand; he rubbed it lightly with his thumb, feeling the silky heat of her skin, his pulse hammering through his veins. He felt like he was falling. All he could see was her. She looked closed to tears. "Alex--" Leaning across the corner of the table, he cradled her face in his hands and kissed her. Her lips were soft and warm. With a sob, Willow returned the kiss, throwing her arms around his neck. He opened his mouth, tasting her; felt her hair tumble down around his hands. Happiness burst through him, exploding through his chest. Willow. Oh, God. Willow.

I had my arms around his waist, smiling as I looked up at him. Being with Alex made me so completely happy, in an easy, uncomplicated way that I hadn't felt since I was a small child. "I love you," I said. In the five days we'd been there, it was the first time I'd said the words to him in English; they just slipped out. Alex's expression went very still as he looked down at me, his dark hair stirred by the slight breeze. I picked up a sudden wave of his emotions, and they almost brought tears to my eyes. Gently, he took my face in his hands and kissed me. "I love you, too," he said against my lips.

Well, I never been to much school, you understand, but it seems to me that you're assuming something you shouldn't assume... that God sees the world like you do; one thing at a time, from just one spot. Seems to me that he's supposed to be everywhere, know everything. ...Think about that; he knows what you're feeling, how you're hurting. Feels my pain, your pain like it was his own. Hell son, the question isn't how God could care about just one person; question is, how could he not?

I am a book. Sheaves pressed from the pulp of oaks and pines a natural sawdust made dingy from purses, dusty from shelves. Steamy and anxious, abused and misused, kissed and cried over, smeared, yellowed, and torn, loved, hated, scorned. I am a book. I am a book that remembers, days when I stood proud in good company When the children came, I leapt into their arms, when the women came, they cradled me against their soft breasts, when the men came, they held me like a lover, and I smelled the sweet smell of cigars and brandy as we sat together in leather chairs, next to pool tables, on porch swings, in rocking chairs, my words hanging in the air like bright gems, dangling, then forgotten, I crumbled, dust to dust. I am a tale of woe and secrets, a book brand-new, sprung from the loins of ancient fathers clothed in tweed, born of mothers in lands of heather and coal soot. A family too close to see the blood on its hands, too dear to suffering, to poison, to cold steel and revenge, deaf to the screams of mortal wounding, amused at decay and torment, a family bred in the dankest swamp of human desires. I am a tale of woe and secrets, I am a mystery. I am intrigue, anxiety, fear, I tangle in the night with madmen, spend my days cloaked in black, hiding from myself, from dark angels, from the evil that lurks within and the evil we cannot lurk without. I am words of adventure, of faraway places where no one knows my tongue, of curious cultures in small, back alleys, mean streets, the crumbling house in each of us. I am primordial fear, the great unknown, I am life everlasting. I touch you and you shiver, I blow in your ear and you follow me, down foggy lanes, into places you've never seen, to see things no one should see, to be someone you could only hope to be. I ride the winds of imagination on a black-and-white horse, to find the truth inside of me, to cure the ills inside of you, to take one passenger at a time over that tall mountain, across that lonely plain to a place you've never been where the world stops for just one minute and everything is right. I am a mystery. -Rides a Black and White Horse

How about that one? Is that a constellation?" I asked, pointing upward. We were down in the small valley where the truck was parked. Alex sat leaning against a rock; I was between his legs with my back against his chest, his arms around me as we stared up at the stars. "Yeah, that's the Seven Sisters, the Pleiades." He bent his head, and I caught my breath as his warm mouth nuzzled at my neck. I hadn't gotten even remotely used yet to how good it felt to be kissed by Alex. "It's so sexy how you know all of this," I said when I could speak again. "Yeah?" I heard the grin in his voice. "I know the summer constellations, too. Will that get me bonus kisses?" "I think it might, actually.

He (Intellectuals) claims that label to compensate for his own inadequacies. It's as old as that saying: tell me what you boast of and I'll tell you what you lack. Our daily bread. The incompetent always present themselves as experts, the cruel as pious, sinners as excessively devout, usurers as benefactors, the small-minded as patriots, the arrogant as humble, the vulgar as elegant and the feeble-minded as intellectual.

We all make mistakes. Big and small. But you don't have to let them define you forever.

One picture puzzle piece Lyin' on the sidewalk, One picture puzzle piece Soakin' in the rain. It might be a button of blue On the coat of the woman Who lived in a shoe. It might be a magical bean, Or a fold in the red Velvet robe of a queen. It might be the one little bite Of the apple her stepmother Gave to Snow White. It might be the veil of a bride Or a bottle with some evil genie inside. It might be a small tuft of hair On the big bouncy belly Of Bobo the Bear. It might be a bit of the cloak Of the Witch of the West As she melted to smoke. It might be a shadowy trace Of a tear that runs down an angel's face. Nothing has more possibilities Than one old wet picture puzzle piece.

Fred, George, Harry, and Ron were the only ones who knew that the angel on top of the tree was actually a garden gnome that had bitten Fred on the ankle as he pulled up carrots for Christmas dinner. Stupefied, painted gold, stuffed into a miniature tutu and with small wings glued to its back, it glowered down at them all, the ugliest angel Harry had ever seen, with a large bald head like a potato and rather hairy feet.

Do you see what I’m wearing?” A small smirk tugged at the corners of his lips. “I do.” In a blink of an eye, his smile vanished. “But, to my misfortune, so does everyone else in this place.

The Beat Generation, that was a vision that we had, John Clellon Holmes and I, and Allen Ginsberg in an even wilder way, in the late forties, of a generation of crazy, illuminated hipsters suddenly rising and roaming America, serious, bumming and hitchhiking everywhere, ragged, beatific, beautiful in an ugly graceful new way--a vision gleaned from the way we had heard the word 'beat' spoken on streetcorners on Times Square and in the Village, in other cities in the downtown city night of postwar America--beat, meaning down and out but full of intense conviction--We'd even heard old 1910 Daddy Hipsters of the streets speak the word that way, with a melancholy sneer--It never meant juvenile delinquents, it meant characters of a special spirituality who didn't gang up but were solitary Bartlebies staring out the dead wall window of our civilization--the subterraneans heroes who'd finally turned from the 'freedom' machine of the West and were taking drugs, digging bop, having flashes of insight, experiencing the 'derangement of the senses,' talking strange, being poor and glad, prophesying a new style for American culture, a new style (we thought), a new incantation--The same thing was almost going on in the postwar France of Sartre and Genet and what's more we knew about it--But as to the actual existence of a Beat Generation, chances are it was really just an idea in our minds--We'd stay up 24 hours drinking cup after cup of black coffee, playing record after record of Wardell Gray, Lester Young, Dexter Gordon, Willie Jackson, Lennie Tristano and all the rest, talking madly about that holy new feeling out there in the streets- -We'd write stories about some strange beatific Negro hepcat saint with goatee hitchhiking across Iowa with taped up horn bringing the secret message of blowing to other coasts, other cities, like a veritable Walter the Penniless leading an invisible First Crusade- -We had our mystic heroes and wrote, nay sung novels about them, erected long poems celebrating the new 'angels' of the American underground--In actuality there was only a handful of real hip swinging cats and what there was vanished mightily swiftly during the Korean War when (and after) a sinister new kind of efficiency appeared in America, maybe it was the result of the universalization of Television and nothing else (the Polite Total Police Control of Dragnet's 'peace' officers) but the beat characters after 1950 vanished into jails and madhouses, or were shamed into silent conformity, the generation itself was shortlived and small in number.

Please know that your Father in Heaven loves you and so does His Only Begotten Son. When they speak to you--and They will--it will not be in the wind, nor in the earthquake, nor in the fire, but it will be with a voice still and small, a voice tender and kind. It will be with the tongue of angels.

And that feeling is there, inside me - being small, with all the confusion and worry and longing - but also the peace and safety. And now I'm here, giving that feeling to Lucy. She is an angel - light and sweet and delicate and lovely. That is so there in her. But it's also in Spencer, in my dad lying with me as a child on the futon, It's even in me. Sure, I buried it. I buried and buried it and turned away from everything light and sweet and delicate and lovely and became so scared and scarred and burdened and fucked up. But that goodness is still there, inside - it must be.

A dark purple sky filled with the first few evening stars made her feel small. She smiled; that was what she expected from the sky. All her life, she'd gone out at night and stood beneath that blue velvet darkness. It was her temple, the true house of God, and it never failed to remind her of her place.

We've got Barbies to deliver, though I'm not sure how appropriate it is to give plastic models of prostitutes to small children.

The cawing of a big, black crow awoke me early the next morning, but I remained still, pretending to be asleep. I didn’t want to see Ibrahim in the light of day, and I didn’t want to make more small talk. I felt hunger pains through the remnants of champagne and cognac from the night before. I wondered why I hadn’t eaten more, feeling silly about having been so insecure about my culinary etiquette. Numb and void of emotion, I remained in a state of suspended animation reliving the events of our night of passion. The night before, I pictured silhouettes of angels dancing upon the ceiling in the moonlight, not disconnected bodies lying beneath the covers at a loss for words.

I found this, though," Gazzy said excitedly, holding up a small green box. "Gas-X! Like, 'X' for explosion! This is great! I'm thinking I rig this with a detonator and-" "Did you find that in the medicine cabinet?" Dylan asked. "Yeah." "It's for upset stomachs," Dylan said, trying to hide a smile. He pointed to the words on the box. "It's to reduce gas in you digestive system, not to create more gas to make explosions." Gazzy's face fell as Iggy said, "Really? Gazzy, take it! Take the whole box!

I now know that I was in the presence of the only angels we are ever likely to make the acquaintance of: teachers blessed with the love of small people who are trying to find their place in the world.

I perceived or thought of the Light of God and in it suspended one small mote (or millions of motes to only one of which was my small mind directed), glittering white because of the individual ray from the Light which both held and lit it...And the ray was the Guardian Angel of the mote: not a thing interposed between God and the creature, but God's very attention itself, personalized...This is a finite parallel to the Infinite. As the love of the Father and Son (who are infinite and equal) is a Person, so the love and attention of the Light to the Mote is a person (that is both with us and in Heaven): finite but divine, i.e. angelic.

The measure of a man comes down to moments, spread out like dots of pain on the canvas on life. Everything you were, everything you'll someday be, resides in the small, seemingly ordinary choices of everyday life.....Each decision seems as insignificant as a left turn on an unfamiliar road when you have no destination in mind. But the decisions accumulate until you realize one day that they've made you the man that you are.

You see, in the Czech Republic, on December fifth, St. Nicholas goes around bringing candy and small gifts to children, accompanied by an angel and a devil. In a holiday tradition that is the stuff of nightmares, the devil threatens to scoop bad children into his sack and carry them to hell. (And you thought coal in your stocking was harsh?)

At the word sacrifice, something sparked in the Fate's cold eyes. He held the girl tighter, carrying her in his bloodstained arms as he stood and started down the ancient hall. 'What are you doing?' A crack of alarm showed in the queen's implacable face. 'I'm going to fix this.' He continued marching forward, holding the girl close as he carried her back through the arch. The angels who'd been guarding it now wept. They cried tears of stone as the Fate set the girl at their feet and began wrenching stone after stone from the arch. 'Jacks of the Hollow,' warned the queen. 'Those arch stones can only be used one time to go back. They were not created for infinite trips to the past.' 'I know,' Jacks growled. 'I'm going to go back and stop your son from killing her.' The queen's face fell. For a moment, she looked as old as the years she'd spent lying in suspended state. 'This is not a small mistake to fix. If you do this, Time will take something equally valuable from you.' The Fate gave the queen a look more vicious than any curse. 'There is nothing of equal value to me.

Situations produce vibrations. Negative, potentially harmful situations emit slow vibrations. Positive, potentially life-enhancing situations emit quick vibrations. As these vibrations impact on your energy field they produce either resonance or dissonance in your lower and middle tantiens (psychic power stations) depending on your own vibratory rate at the time. When you psychic field force is strong and your vibratory rate is fast, therefore, you will draw only positive situations to you. When you mind is quiet enough and your attention is on the moment, you will literally hear the dissonance in your belly and chest like an alarm bell going off, urging you from deep within your body to move in such and such a direction. Always follow it. At times these urges may come to you in the form of internally spoken dialogue with your higher self, spirit guide, guardian angel, alien intelligence, however you see the owner of the “still, small voice within.” This form of dialogue can be entertaining and reassuring but is best not overindulged in as, in the extreme; it tends to lead to the loony bin. At times you may receive your messages from “Indian signs”, such as slogans on passing trucks or cloud formations in the sky. This is also best kept in moderation, to avoid seeing signs in everything and becoming terribly confused. Just let it happen when it happens and don’t try looking for it.

As if some kind of demon were racking his brain, Curley Joe stood in front of the jukebox with a small, silver handgun still pointed at the hole its bullet had blown through the shattered Plexiglas.

Little girls are the nicest things that can happen to people. They are born with a bit of angel-shine about them, and though it wears thin sometimes, there is always enough left to lasso your heart—even when they are sitting in the mud, or crying temperamental tears, or parading up the street in Mother’s best clothes. A little girl can be sweeter (and badder) oftener than anyone else in the world. She can jitter around, and stomp, and make funny noises that frazzle your nerves, yet just when you open your mouth, she stands there demure with that special look in her eyes. A girl is Innocence playing in the mud, Beauty standing on its head, and Motherhood dragging a doll by the foot. God borrows from many creatures to make a little girl. He uses the song of a bird, the squeal of a pig, the stubbornness of a mule, the antics of a monkey, the spryness of a grasshopper, the curiosity of a cat, the speed of a gazelle, the slyness of a fox, the softness of a kitten, and to top it all off He adds the mysterious mind of a woman. A little girl likes new shoes, party dresses, small animals, first grade, noisemakers, the girl next door, dolls, make-believe, dancing lessons, ice cream, kitchens, coloring books, make-up, cans of water, going visiting, tea parties, and one boy. She doesn’t care so much for visitors, boys in general, large dogs, hand-me-downs, straight chairs, vegetables, snowsuits, or staying in the front yard. She is loudest when you are thinking, the prettiest when she has provoked you, the busiest at bedtime, the quietest when you want to show her off, and the most flirtatious when she absolutely must not get the best of you again. Who else can cause you more grief, joy, irritation, satisfaction, embarrassment, and genuine delight than this combination of Eve, Salome, and Florence Nightingale. She can muss up your home, your hair, and your dignity—spend your money, your time, and your patience—and just when your temper is ready to crack, her sunshine peeks through and you’ve lost again. Yes, she is a nerve-wracking nuisance, just a noisy bundle of mischief. But when your dreams tumble down and the world is a mess—when it seems you are pretty much of a fool after all—she can make you a king when she climbs on your knee and whispers, "I love you best of all!

Found in a small stone cave bitten from the roadside, stitchless save for his great outsized boots and a plague of flies, fat on the human scrappage of dinners long past, Toad squatted in the slitted stomach of a warm child, eating loudly the face of her hapless, headless father, who sat a good foot off the ground impaled up the ass on a pointed post.

Sometimes Felicity is as much a mystery to me as the location of the Temple. She is spiteful and childish one minute, lively and spirited in the next; a girl kind enough to bring Ann home for Christmas and small enough to think Kartik her inferior.

Nonsense. Hardly touched a drop. That much.” She held out two fingers to show how tiny an amount “that much” was. “Just went to a party,” said Richard, “and saw Jessica and saw a real angel and got a little black pig and came back here.” “Just a little drink,” continued Door, intently. “Old, old, drink. Tiiiiny little drink. Very small. Almost not there.” She began to hiccup.

On May 26th, 2003, Aaron Ralston was hiking, a boulder fell on his right hand, he waited four days, he then amputated his own arm with a pocketknife. On New Year’s Eve, a woman was bungee jumping, the cord broke, she fell into a river and had to swim back to land in crocodile-infested waters with a broken collarbone. Claire Champlin was smashed in the face by a five-pound watermelon being propelled by a slingshot. Mathew Brobst was hit by a javelin. David Striegl was actually punched in the mouth by a kangaroo. The most amazing part of these stories is when asked about the experience they all smiled, shrugged and said “I guess things could’ve been worse.” So go ahead, tell me you’re having a bad day. Tell me about the traffic. Tell me about your boss. Tell me about the job you’ve been trying to quit for the past four years. Tell me the morning is just a townhouse burning to the ground and the snooze button is a fire extinguisher. Tell me the alarm clock stole the keys to your smile, drove it into 7 am and the crash totaled your happiness. Tell me. Tell me how blessed are we to have tragedy so small it can fit on the tips of our tongues. When Evan lost his legs he was speechless. When my cousin was assaulted she didn’t speak for 48 hours. When my uncle was murdered, we had to send out a search party to find my father’s voice. Most people have no idea that tragedy and silence often have the exact same address. When your day is a museum of disappointments, hanging from events that were outside of your control, when you feel like your guardian angel put in his two weeks notice two months ago and just decided not to tell you, when it seems like God is just a babysitter that’s always on the phone, when you get punched in the esophagus by a fistful of life. Remember, every year two million people die of dehydration. So it doesn’t matter if the glass is half full or half empty. There’s water in the cup. Drink it and stop complaining. Muscle is created by lifting things that are designed to weigh us down. When your shoulders are heavy stand up straight and call it exercise. Life is a gym membership with a really complicated cancellation policy. Remember, you will survive, things could be worse, and we are never given anything we can’t handle. When the whole world crumbles, you have to build a new one out of all the pieces that are still here. Remember, you are still here. The human heart beats approximately 4,000 times per hour and each pulse, each throb, each palpitation is a trophy, engraved with the words “You are still alive.” You are still alive. So act like it.

And yet, even as I made these plans, there was a small dismayed corner of my heart. Like those stupid cartoons when you're a kid: little red devil on one shoulder and the little angel in his nightie on the other. My good angel was hiding his eyes.

When Steven passed away and we moved to stay with Mama, there were white bird feathers scattered around the front yard. When Emma asked about them, Mama said they were small signs from the angels, letting us know they were always close by, watching over us.

The heart itself is but a small vessel, yet there also are dragons and there are lions; there are poisonous beasts and all the treasures of evil. And there are rough and uneven roads; there are precipices. But there is also God, also the angels, the life and the kingdom, the light and the Apostles, the treasures of grace---there are all things.

The idea of love walked along the water and her gaze was full of absence and her eyes spat lighting. The impressionable evening received by turns the imprints of grasses, clouds, bodies, and wore crazy astronomical designs. The idea of love walked straight ahead without seeing anything; she was wearing tiny isosceles mirrors whose perfect assemblage was amazing. They were so many images of fish tails, when, by their angelic nature, they answer the promise one might make of always finding each other again. Finding each other again even in the depths of a forest, where the thread of a star is an articulation more silent than life, the dawn a liquor stronger than blood. Who is lost, who truly wanders off when a cup of coffee is steaming in the fog and waiters dressed in snow circulate patiently on the surface of floors whose desired height can be indicated with one's hands? Who? A solitary man whom the idea of love has just left and who tucks in his spirit like an imaginary bed. The man falls all the same and in the next room, under the moon-white verandah, a woman rises whom the idea of love has abandoned. The gravel weeps outside, a rain of glass is falling in which we recognize small chains, tears in which we have time to see ourselves, mirror tears, shards of windows, singular crystals like the ones we witness in our hand on awakening, leaves and the faded petals of those roses that once embelished certain distillery bottles. It's just that the idea of love, it seems angry with love. This is how it began.

Give me the strongest cheese, the one that stinks best; and I want the good wine, the swirl in crystal surrendering the bruised scent of blackberries, or cherries, the rich spurt in the back of the throat, the holding it there before swallowing. Give me the lover who yanks open the door of his house and presses me to the wall in the dim hallway, and keeps me there until I’m drenched and shaking, whose kisses arrive by the boatload and begin their delicious diaspora through the cities and small towns of my body. To hell with the saints, with martyrs of my childhood meant to instruct me in the power of endurance and faith, to hell with the next world and its pallid angels swooning and sighing like Victorian girls. I want this world. I want to walk into the ocean and feel it trying to drag me along like I’m nothing but a broken bit of scratched glass, and I want to resist it. I want to go staggering and flailing my way through the bars and back rooms, through the gleaming hotels and weedy lots of abandoned sunflowers and the parks where dogs are let off their leashes in spite of the signs, where they sniff each other and roll together in the grass, I want to lie down somewhere and suffer for love until it nearly kills me, and then I want to get up again and put on that little black dress and wait for you, yes you, to come over here and get down on your knees and tell me just how fucking good I look. - “For Desire

I know you told me you'd wait for me, but I don't want either of us to wait anymore. Especially when I knew from the first moment I saw you that you were special. I feel like I've been running my whole life, speeding from small town into a big city, jumping from one place to the next for years until they all blurred together. And right when I decided it was time to finally stop running and set down some roots, there you were. My new beginning." Her eyes filled with tears as she smiled up at him and slid her arms around his neck to pull him closer. "My love." Jack sank down onto the couch with Mary, her curves soft beneath his muscles. "I'll always be yours, Angel. Forever.

I see you drinking at a fountain with tiny blue hands, no, your hands are not tiny they are small, and the fountain is in France where you wrote me that last letter and I answered and never heard from you again. you used to write insane poems about ANGELS AND GOD, all in upper case, and you knew famous artists and most of them were your lovers, and I wrote back, it’ all right, go ahead, enter their lives, I’ not jealous because we’ never met. we got close once in New Orleans, one half block, but never met, never touched. so you went with the famous and wrote about the famous, and, of course, what you found out is that the famous are worried about their fame –– not the beautiful young girl in bed with them, who gives them that, and then awakens in the morning to write upper case poems about ANGELS AND GOD. we know God is dead, they’ told us, but listening to you I wasn’ sure. maybe it was the upper case. you were one of the best female poets and I told the publishers, editors, “ her, print her, she’ mad but she’ magic. there’ no lie in her fire.” I loved you like a man loves a woman he never touches, only writes to, keeps little photographs of. I would have loved you more if I had sat in a small room rolling a cigarette and listened to you piss in the bathroom, but that didn’ happen. your letters got sadder. your lovers betrayed you. kid, I wrote back, all lovers betray. it didn’ help. you said you had a crying bench and it was by a bridge and the bridge was over a river and you sat on the crying bench every night and wept for the lovers who had hurt and forgotten you. I wrote back but never heard again. a friend wrote me of your suicide 3 or 4 months after it happened. if I had met you I would probably have been unfair to you or you to me. it was best like this.

The 'bath' was almost the size of a small swimming pool, the steam curling off it pure, sensual temptation. A shower stood to her right, but it had no glass walls, the area defined only by an expanse of gold-flecked tile. A lightbulb went off in her head. 'Wings,' she whispered. 'It’s all to accommodate those beautiful wings.

perhaps the answer is simply one: one female angel dancing alone in her stocking feet, a small jazz combo working in the background. She sways like a branch in the wind, her beautiful eyes closed, and the tall thin bassist leans over to glance at his watch because she has been dancing forever, and now it is very late, even for musicians.

For centuries poets, some poets, have tried to give a voice to the animals, and readers, some readers, have felt empathy and sorrow. If animals did have voices, and they could speak with the tongues of angels--at the very least with the tongues of angels--they would be unable to save themselves from us. What good would language do? Their mysterious otherness has not saved them, nor have their beautiful songs and coats and skins and shells and eyes. We discover the remarkable intelligence of the whale, the wolf, the elephant--it does not save them, nor does our awareness of the complexity of their lives. Their strength, their skills, their swiftness, the beauty of their flights. It matters not, it seems, whether they are large or small, proud or shy, docile or fierce, wild or domesticated, whether they nurse their young or brood patiently on eggs. If they eat meat, we decry their viciousness; if they eat grasses and seeds, we dismiss them as weak. There is not one of them, not even the songbird who cannot, who does not, conflict with man and his perceived needs and desires. St. Francis converted the wolf of Gubbio to reason, but he performed this miracle only once and as miracles go, it didn’t seem to capture the public’s fancy. Humans don’t want animals to reason with them. It would be a disturbing, unnerving, diminishing experience; it would bring about all manner of awkwardness and guilt.

Writing well isn't just a question of winsome expression, but of having found something big and true to say and having found the right words to say it in, of having seen something large and having found the right words to say it small, small enough to enter an individual mind so that the strong ideas of what the words are saying sound like sweet reason.

Even the king's Erkynguard might have wished to be elsewhere, rather than here on this killing ground where duty brought them and loyalty prisoned them. Only the mercenaries were here by choice. To Simon, the minds of men who would come to this of their own will were suddenly as incomprehensible as the thoughts of spiders or lizards—less so, even, for the small creatures of the earth almost always fled from danger. These were madmen, Simon realized, and that was the direst problem of the world: that madmen should be strong and unafraid, so that they could force their will on the weak and peace-loving. If God allowed such madness to be, Simon could not help thinking, then He was an old god who had lost His grip.

Please, have a little faith and I’ll give you a hundred smiles for every tear I made you cry.” But there were so many tears. Too many. I looked at him, offering a small, sad smile. “If you did that, I’d never stop smiling.” He brought his lips an inch from my forehead and whispered to me before kissing it with the lightness of a summer breeze. “That’s the point, angel.

A word of consolation may sweetly touch the ear. Now and then a quiet song will clear the mind of fear. A simple act of kindness can ease a load of care. Stories told in memory diminish all despair. A whispered prayer of comfort draws angel arms around. Counting blessings, great and small, helps gratitude abound. These acts, all sympathetic, will kindly play their part. But seldom do they dry the tears shed mutely in the heart.

Between Friday evening and Sunday afternoon, I broke into a total of six offices, one penthouse suite and a small bank, and cursed them all. I cursed the stones they were built on, the bricks in their walls, the paint on their ceilings, the carpets on their floors. I cursed the nylon chairs to give their owners little electric shocks, I cursed the markers to squeak on the whiteboard, the hinges to rust, the glass to run, the windows to stick, the fans to whir, the chairs to break, the computers to crash, the papers to crease, the pens to smear; I cursed the pipes to leak, the coolers to drip, the pictures to sag, the phones to crackle and the wires to spark. And we enjoyed it.

When you died, you died in small doses. You had trouble speaking. You forgot who was beside you. You were suddenly furious and in a panic of outrage. You wished you could be saintly. You wished you weren't so weak. You suddenly felt better and fooled yourself into believing that a miracle was about to happen. Well, wasn't that all a dirty rotten thing to pull on somebody.

Time is tick, tick, ticking away. How many souls will I capture today? Will they be a challenge or will they be given? Only time will tell as the clock keeps tick, tick, ticking. Your god has arrived with enough hatred for y’all, with enough evil for the big and small, so come one, come all. I will shred your souls and place them in my satchel, call you a settler and make you my peddler. Come one, come all, come stand behind your god. I will lead you into the darkness of Earth's end. Come one, come all, my wilted flowers, come claim your title, speak out and cheer it. Come one, come all, let’s have a ball, my wilted flowers . . . Sweet, Unconquerable Spirits.

As it shut behind him, Clary reached up and angrily yanked the pins out of her hair. It cascaded in tangles down around her shoulders. "Clary," Luke said gently. He stood up. "What are you doing?" "My hair." She yanked the last pin out, hard. Her eyes were shining, and Simon could tell she was forcibly willing herself not to cry. "I don't want t wear it like this. It looks stupid." "No, it doesn't." Luke took the pins from her and set them down on one of the small white end tables. "Look, weddings make men nervous, okay? It doesn't mean anything.

On building homes for fallen angels: When I was small - I sought a home, a place to go and rest my bones. Then founded something, of my own, I lived among the restless stones. If seeking leads you back to evil, what good is that, I asked a weevil. He said a home is what you make, it can't be real, if it is fake... And if you wait instead of seek, will you find love, or something bleak? I know (myself) for I have found, a beauty, hidden – in a sound. Waiting is boring. And so is exploring. A smile is sometimes all it takes. And then your whole world simply breaks.

Angel clicked on a few more pictures on the screen, and Alex made small talk about the place. Then he finally walked away. He stopped just before walking out. “Did Valerie say anything else to Sarah?” Angel glanced back at him. “About what?” “You know about that guy she’s seeing.” Angel turned his attention back to the computer. “No, not really.” Alex frowned. He wasn’t one of those guys, so he wasn’t about to keep asking. If Angel knew anything, he’d tell him. He’d just have to wait until the rehearsal dinner. He started back out when Angel spoke up. “I’m not sure, because she didn’t actually tell me, but I overheard Sarah on the phone last night. It sounded like Valerie was telling her about him.” “Yeah, what did you hear?” Angel looked up trying to remember. Something seemed to come to him but he hesitated. “I don’t think you wanna hear it, Alex. I know I wouldn’t.” Alex squeezed the doorway with his hand. What the hell could he have heard? “Tell me.” Angel shook his head and looked back at the monitor. “Only reason I caught my attentions was because I overheard Sarah ask her something about wearing lingerie.” Alex felt the hair on the back of his neck rise and his gut tightened. He banged his fist against the doorway. He didn’t need to hear any more. Angel had been right that’s the last thing he needed right now. He charged back out of the office, infuriated with himself. Why the fuck had he asked?

An attachment grew up. What is an attachment? It is the most difficult of all the human interrelationships to explain, because it is the vaguest, the most impalpable. It has all the good points of love, and none of its drawbacks. No jealousy, no quarrels, no greed to possess, no fear of losing possession, no hatred (which is very much a part of love), no surge of passion and no hangover afterward. It never reaches the heights, and it never reaches the depths. As a rule it comes on subtly. As theirs did. As a rule the two involved are not even aware of it at first. As they were not. As a rule it only becomes noticeable when it is interrupted in some way, or broken off by circumstances. As theirs was. In other words, its presence only becomes known in its absence. It is only missed after it stops. While it is still going on, little thought is given to it, because little thought needs to be. It is pleasant to meet, it is pleasant to be together. To put your shopping packages down on a little wire-backed chair at a little table at a sidewalk cafe, and sit down and have a vermouth with someone who has been waiting there for you. And will be waiting there again tomorrow afternoon. Same time, same table, same sidewalk cafe. Or to watch Italian youth going through the gyrations of the latest dance craze in some inexpensive indigenous night-place-while you, who come from the country where the dance originated, only get up to do a sedate fox trot. It is even pleasant to part, because this simply means preparing the way for the next meeting. One long continuous being-together, even in a love affair, might make the thing wilt. In an attachment it would surely kill the thing off altogether. But to meet, to part, then to meet again in a few days, keeps the thing going, encourages it to flower. And yet it requires a certain amount of vanity, as love does; a desire to please, to look one's best, to elicit compliments. It inspires a certain amount of flirtation, for the two are of opposite sex. A wink of understanding over the rim of a raised glass, a low-voiced confidential aside about something and the smile of intimacy that answers it, a small impromptu gift - a necktie on the one part because of an accidental spill on the one he was wearing, or of a small bunch of flowers on the other part because of the color of the dress she has on. So it goes. And suddenly they part, and suddenly there's a void, and suddenly they discover they have had an attachment. Rome passed into the past, and became New York. Now, if they had never come together again, or only after a long time and in different circumstances, then the attachment would have faded and died. But if they suddenly do come together again - while the sharp sting of missing one another is still smarting - then the attachment will revive full force, full strength. But never again as merely an attachment. It has to go on from there, it has to build, to pick up speed. And sometimes it is so glad to be brought back again that it makes the mistake of thinking it is love. ("For The Rest Of Her Life")

Come up into the hills, O my young love. Return! O lost, and by the wind grieved, ghost, come back again, as first I knew you in the timeless valley, where we shall feel ourselves anew, bedded on magic in the month of June. There was a place where all the sun went glistening in your hair, and from the hill we could have put a finger on a star. Where is the day that melted into one rich noise? Where the music of your flesh, the rhyme of your teeth, the dainty languor of your legs, your small firm arms, your slender fingers, to be bitten like an apple, and the little cherry-teats of your white breasts? And where are all the tiny wires of finespun maidenhair? Quick are the mouths of earth, and quick the teeth that fed upon this loveliness. You who were made for music, will hear music no more: in your dark house the winds are silent. Ghost, ghost, come back from that marriage that we did not foresee, return not into life, but into magic, where we have never died, into the enchanted wood, where we still life, strewn on the grass. Come up into the hills, O my young love: return. O lost, and by the wind grieved ghost, come back again.

Love Letter" Not easy to state the change you made. If I'm alive now, then I was dead, Though, like a stone, unbothered by it, Staying put according to habit. You didn't just tow me an inch, no- Nor leave me to set my small bald eye Skyward again, without hope, of course, Of apprehending blueness, or stars. That wasn't it. I slept, say: a snake Masked among black rocks as a black rock In the white hiatus of winter- Like my neighbors, taking no pleasure In the million perfectly-chisled Cheeks alighting each moment to melt My cheeks of basalt. They turned to tears, Angels weeping over dull natures, But didn't convince me. Those tears froze. Each dead head had a visor of ice. And I slept on like a bent finger. The first thing I was was sheer air And the locked drops rising in dew Limpid as spirits. Many stones lay Dense and expressionless round about. I didn't know what to make of it. I shone, mice-scaled, and unfolded To pour myself out like a fluid Among bird feet and the stems of plants. I wasn't fooled. I knew you at once. Tree and stone glittered, without shadows. My finger-length grew lucent as glass. I started to bud like a March twig: An arm and a leg, and arm, a leg. From stone to cloud, so I ascended. Now I resemble a sort of god Floating through the air in my soul-shift Pure as a pane of ice. It's a gift.

An intellectual is usually someone who isn't exactly distinguished by his intellect. He claims that label to compensate for his inadequacies. It's as old as that saying: Tell me what you boast of and I'll tell you what you lack. Our daily bread. The incompetent always present themselves as experts, the cruel as pious, sinners as devout, usurers as benefactors, the small-minded as patriots, the arrogant as humble, the vulgar as elegant, and the feeble-minded as intellectual.

So perhaps the reason I shuddered at the idea of writing something about 'Christian art' is that to paint a picture or to write a story or to compose a song is an incarnational activity. The artist is a servant who is willing to be a birth-giver. In a very real sense the artist (male or female) should be like Mary, who, when the angel told her that she was to bear the Messiah, was obedient to the command. Obedience is an unpopular word nowadays, but the artist must be obedient to the work, whether it be a symphony, a painting, or a story for a small child. I believe that each work of art, whether it is a work of great genius or something very small, comes to the artist and says 'Here I am. Enflesh me. Give birth to me.' And the artist either says 'My soul doth magnify the Lord' and willingly becomes the bearer of the work, or refuses; but the obedient response is not necessicarily a conscious one, and not everyone has the humble, courageous obedience of Mary.

The name meant "Angel of Victory," which Jaffa supposed was appropriate enough. The Divine Hand himself had started the fashion for taking the names of angels when he'd called himself Vale-dan-Rahksa, the Angel of Vengeance. At the rate the Council was expanding, there would soon be a serious shortage of angels. Jaffa wondered what would happen when they ran out of manly, intimidating names and were reduced to naming themselves after the Angel of Sisterly Affection or the Angel of Small Crafts.

The Los Angeles Air Pollution Control Board is established in 1946 in an effort to discover the cause of the brown cloud hanging over the city and decide how to combat and disperse it. In 1949, after intense lobbying from both the automobile and oil industries, and against the recommendations and position of the Los Angeles Air Pollution Control Board, the public rail system, which at one time was the largest in the world, and still serves a majority of the city's population, is decommissioned and torn out. It is replaced by a small fleet of buses.

Messengers often come when you struggle with a decision, need support or are trying to find your balance. They can come as animals like coyote and lizard appeared for Kate and for me. They can be spirit guides, angels, family members, ancestors and friends. A messenger can even be me! Many of them you will not notice because you are too preoccupied to see them. There may come a time, however, when you might sense the millions of angels too small to be witnessed, like fairies that live in the curve of a leaf or who sleep under the tiniest rose petal.

It is easier to teach saints than to learn from sinners. It is easier to teach young students than to guide old fools. It is easier to chastise saints than to caution sinners. It is easier to shine in the dark than to glow in the light. It is easier to multiply enemies than to accumulate friends. It is easier to embrace your angel than to face your demons. It is easier to fight an army of opinions than a single truth. It is easier to rise with enemies than to fall with friends. It is easier to fall into sin than to rise into virtue. It is easier to rise from defeat than to rise from ignorance. It is easier to survive a blow from a friend than a kiss from an enemy. It is easier to conquer a thousand devils than a single angel. It is easier to rise from love than to soar from hate. It is easier to move mountains by faith than hills by your hands. It is easier for stars to shine than for truth to glow. It is easier to resist pain than to defy pleasure. It is easier to appease the strong than to wrestle the mighty. It is easier to tame the mind than to bridle the soul. It is easier to fight an army than to grapple with your conscience. It is easier to embrace the future than to understand the past. It is easier for the sun to shine than for the moon to glow. It is easier for small seeds to rise than for big trees to grow. It is easier to heal a wounded heart than a broken soul. It is easier to rule the mind than to conquer the soul. It is easier to conquer your enemies than to master your fears.

The mass of men have been forced to be gay about the little things, but sad about the big ones. Nevertheless (I offer my last dogma defiantly) it is not native to man to be so. Man is more himself, man is more manlike, when joy is the fundamental thing in him, and grief the superficial. Melancholy should be an innocent interlude, a tender and fugitive frame of mind; praise should be the permanent pulsation of the soul. Pessimism is at best an emotional half-holiday; joy is the uproarious labour by which all things live. Yet, according to the apparent estate of man as seen by the pagan or the agnostic, this primary need of human nature can never be fulfilled. Joy ought to be expansive; but for the agnostic it must be contracted, it must cling to one comer of the world. Grief ought to be a concentration; but for the agnostic its desolation is spread through an unthinkable eternity. This is what I call being born upside down. The sceptic may truly be said to be topsy-turvy; for his feet are dancing upwards in idle ecstacies, while his brain is in the abyss. To the modern man the heavens are actually below the earth. The explanation is simple; he is standing on his head; which is a very weak pedestal to stand on. But when he has found his feet again he knows it. Christianity satisfies suddenly and perfectly man's ancestral instinct for being the right way up; satisfies it supremely in this; that by its creed joy becomes something gigantic and sadness something special and small. The vault above us is not deaf because the universe is an idiot; the silence is not the heartless silence of an endless and aimless world. Rather the silence around us is a small and pitiful stillness like the prompt stillness in a sick-room. We are perhaps permitted tragedy as a sort of merciful comedy: because the frantic energy of divine things would knock us down like a drunken farce. We can take our own tears more lightly than we could take the tremendous levities of the angels. So we sit perhaps in a starry chamber of silence, while the laughter of the heavens is too loud for us to hear.

... the demons already won, a long, long time ago. They devoured the vast majority of the universe, and that's why the planets are so relatively small, compared to the sheer amount of nothingness. It's why we're so very tiny, in the grand scheme of it all. But these things we erroneously call angels surged in strength, they spun out a complete universe from the scraps, and on select scraps, or on a select scrap, they prepared life to emerge." Rose glanced out over the room. "It would be easy to say that the universe is an unending repetition of creation and death. That this has happened before and it'll happen again, and this is the heartbeat of the universe. But in looking at the history of this world, both the clear history, and the one behind the curtain, something stands out. Us. We're another force. And we're only still emerging. We're change. We're an equal to them. We just don't realize it yet.

An intellectual is usually someone who isn't exactly distinguished by his intellect," Corelli asserted. "he claims that label to compensate for his inadequacies. It's as old as that saying : "Tell me what you boast of and I'll tell you what you lack. Our daily bread. The incompetent always present themselves as experts, the cruel as pious, sinners as devout, usurers as benefactors, the small-minded as patriots, the arrogant as humble, the vulgar as elegant, and the feeble-minded as intellectual. Once again, it's all the work of nature. Far from being the sylph to whom poets sing, nature is a cruel, voracious mother who needs to feed on the creatures she gives birth to in order to stay alive.

They arrived home again to a most peculiar sight. The small garden at the front of the Banana House had been transformed. A tidal wave of cushions, beanbags, quilts, hearth rugs, and sleeping bags appeared to have swept up the lawn and broken at the wall. From Indigo's window a multicolored rope of knotted bedsheets came snaking out and ended among the cushions. As Micheal and Caddy watched, a mattress emerged and fell to the ground, followed by a rain of pillows. "Indigo!" shouted Caddy, jumping out of the car. Indigo's and Rose's heads appeared in the window above. "It's all right, Caddy!" Indigo called cheerfully. "We've been doing it all the time you've been gone." "We keep finding more stuff to land on!" added Rose. "Look!

Mary's Song Blue homespun and the bend of my breast keep warm this small hot naked star fallen to my arms. (Rest... you who have had so far to come.) Now nearness satisfies the body of God sweetly. Quiet he lies whose vigor hurled a universe. He sleeps whose eyelids have not closed before. His breath (so slight it seems no breath at all) once ruffled the dark deeps to sprout a world. Charmed by doves' voices, the whisper of straw, he dreams, hearing no music from his other spheres. Breath, mouth, ears, eyes he is curtailed who overflowed all skies, all years. Older than eternity, now he is new. Now native to earth as I am, nailed to my poor planet, caught that I might be free, blind in my womb to know my darkness ended, brought to this birth for me to be new-born, and for him to see me mended I must seen him torn.

It is foolish and childish, on the face of it, to affiliate ourselves with anything so insignificant and patently contrived and commercially exploitative as a professional sports team, and the amused superiority and icy scorn that the non-fan directs at the sports nut (I know this look - I know it by heart) is understandable and almost unanswerable. Almost. What is left out of this calculation, it seems to me, is the business of caring - caring deeply and passionately, really caring - which is a capacity or an emotion that has almost gone out of our lives. And so it seems possible that we have come to a time when it no longer matters so much what the caring is about, how frail or foolish is the object of that concern, as long as the feeling itself can be saved. Naïveté - the infantile and ignoble joy that sends a grown man or woman to dancing in the middle of the night over the haphazardous flight of a distant ball - seems a small price to pay for such a gift.

Genie In 1970 a child called Genie was admitted to a children’s hospital in Los Angeles. She was thirteen years old and had spent most of her life tied to a chair in a small closed room. Her father was intolerant of any kind of noise and had beaten the child whenever she made a sound. There had been no radio or television, and Genie’s only other human contact was with her mother who was forbidden to spend more than a few minutes with the child to feed her. Genie had spent her whole life in a state of physical, sensory, social and emotional deprivation. As might be expected, Genie was unable to use language when she was first brought into care. However, within a short period of time, she began to respond to the speech of others, to try to imitate sound and to communicate. Her syntax remained very simple. However, the fact that she went on to develop an ability to speak and understand a fairly large number of English words provides some evidence against the notion that language cannot be acquired at all after the critical period.

Confession I love you – I love you, e’en as I Rage at myself for this obsession, And as I make my shamed confession, Despairing at your feet I lie. I know, I know – It ill becomes me, I am too old, time to be wise … But how? … This love – it overcomes me, A sickness this in passion’s guise. When you are near I’m filled with sadness, When far, I yawn, for life’s a bore. I must pour out this love, this madness, There’s nothing that I long for more! When your shirts rustle, when, my angel, Your girlish voice I hear, when your Light step sounds in the parlour – strangely, I turn confused, perturbed, unsure. Your frown – and I’m in pain, I languish; You smile – and joy defeats distress; My one reward for a day’s anguish Comes when your, pale hand, love, I kiss. When you sit, bent over your sewing, Your eyes cast down and fine curls blowing. About your face, with tenderness I like childlike watch, my heart o’erflowing With love, in my gaze a caress. Shall I my jealousy and yearning Describe, my bitterness and woe When by yourself on some bleak morning Off on a distant walk you go, Or with another spend the evening And, with him near, the piano play, Or for Opochka leave, or, grieving Weep and in silence, pass the day? Alina! Pray relent have mercy! I dare not ask for love – with all My many sins, both great and small, I am perhaps of love unworthy! But if feigned love, if you would Pretend, you’d easily deceive me, For happily would I, believe me, Deceive myself if but I could!

There is a massive, irreconcilable conflict between science and religion. Religion was humanity's original cosmology, biology and anthropology. It provided explanations for the origin of the world, life and humans. Science now gives us increasingly complete explanations for those big three. We know the origins of the universe, the physics of the big bang and how the basic chemical elements formed in supernovas. We know that life on this planet originated about 4 billion years ago, and we are all descendants of that original replicating molecule. Thanks to Darwin we know that natural selection is the only workable explanation for the design and variety of all life on this planet. Paleoanthropologists and geneticists have reconstructed much of the human tree of life. We are risen apes, not fallen angels. We are the most successful and last surviving African hominid. Every single person on this Earth, all 7 billion of us, arose 50,000 years ago from small bands of African hunter-gatherers, a total population of somewhere between 600 and 2,000 individuals.

One day a young fugitive, trying to hide himself from the enemy, entered a small village. The people were kind to him and offered him a place to stay. But when the soldiers who sought the fugitive asked where he was hiding, everyone became very fearful. The soldiers threatened to burn the village and kill every man in it unless the young man were handed over to them before dawn. The people went to the minister and asked him what to do. The minister, torn between handing over the boy to the enemy or having his people killed, withdrew to his room and read his Bible, hoping to find an answer before dawn. After many hours, in the early morning his eyes fell on these words: “It is better that one man dies than that the whole people be lost.” Then the minister closed the Bible, called the soldiers and told them where the boy was hidden. And after the soldiers led the fugitive away to be killed, there was a feast in the village because the minister had saved the lives of the people. But the minister did not celebrate. Overcome with a deep sadness, he remained in his room. That night an angel came to him, and asked, “What have you done?” He said: “I handed over the fugitive to the enemy.” Then the angel said: “But don’t you know that you have handed over the Messiah?” “How could I know?” the minister replied anxiously. Then the angel said: “If, instead of reading your Bible, you had visited this young man just once and looked into his eyes, you would have known.” While versions of this story are very old, it seems the most modern of tales. Like that minister, who might have recognized the Messiah if he had raised his eyes from his Bible to look into the youth’s eyes, we are challenged to look into the eyes of the young men and women of today, who are running away from our cruel ways. Perhaps that will be enough to prevent us from handing them over to the enemy and enable us to lead them out of their hidden places into the middle of their people where they can redeem us from our fears.

If we want to We will become a people, if we want to, when we learn that we are not angels, and that evil is not the prerogative of others We will become a people when we stop reciting a prayer of thanksgiving to the sacred nation every time a poor man finds something to eat for his dinner We will become a people when we can sniff out the sultan’s gatekeeper and the sultan without a trial We will become a people when a poet writes an erotic description of a dancer’s belly We will become a people when we forget what the tribe tells us, when the individual recognizes the importance of small details We will become a people when a writer can look up at the stars without saying: ‘Our country is loftier and more beautiful!’ We will become a people when the morality police protect a prostitute from being beaten up in the streets We will become a people when the Palestinian only remembers his flag on the football pitch, at camel races, and on the day of the Nakba We will become a people, if we want to, when the singer is allowed to chant a verse of Surat al-Rahman at a mixed wedding reception We will become a people when we respect the right, and the wrong.

The work I do is not exactly respectable. But I want to explain how it works without any of the negatives associated with my infamous clients. I’ll show how I manipulated the media for a good cause. A friend of mine recently used some of my advice on trading up the chain for the benefit of the charity he runs. This friend needed to raise money to cover the costs of a community art project, and chose to do it through Kickstarter, the crowdsourced fund-raising platform. With just a few days’ work, he turned an obscure cause into a popular Internet meme and raised nearly ten thousand dollars to expand the charity internationally. Following my instructions, he made a YouTube video for the Kickstarter page showing off his charity’s work. Not a video of the charity’s best work, or even its most important work, but the work that exaggerated certain elements aimed at helping the video spread. (In this case, two or three examples in exotic locations that actually had the least amount of community benefit.) Next, he wrote a short article for a small local blog in Brooklyn and embedded the video. This site was chosen because its stories were often used or picked up by the New York section of the Huffington Post. As expected, the Huffington Post did bite, and ultimately featured the story as local news in both New York City and Los Angeles. Following my advice, he sent an e-mail from a fake address with these links to a reporter at CBS in Los Angeles, who then did a television piece on it—using mostly clips from my friend’s heavily edited video. In anticipation of all of this he’d been active on a channel of the social news site Reddit (where users vote on stories and topics they like) during the weeks leading up to his campaign launch in order to build up some connections on the site. When the CBS News piece came out and the video was up, he was ready to post it all on Reddit. It made the front page almost immediately. This score on Reddit (now bolstered by other press as well) put the story on the radar of what I call the major “cool stuff” blogs—sites like BoingBoing, Laughing Squid, FFFFOUND!, and others—since they get post ideas from Reddit. From this final burst of coverage, money began pouring in, as did volunteers, recognition, and new ideas. With no advertising budget, no publicist, and no experience, his little video did nearly a half million views, and funded his project for the next two years. It went from nothing to something. This may have all been for charity, but it still raises a critical question: What exactly happened? How was it so easy for him to manipulate the media, even for a good cause? He turned one exaggerated amateur video into a news story that was written about independently by dozens of outlets in dozens of markets and did millions of media impressions. It even registered nationally. He had created and then manipulated this attention entirely by himself.

A clatter of metal against the concrete made me look back. Liam had moved on from the car to a nearby pile of bikes that were tangled together like brambles. He picked through the frames and spokes and wheels, working carefully, trying to get down to whatever he'd seen under them.... "Do you actually know how to ride?" "Do I know how to ride?" Liam scoffed, leaning over the bike's seat so his face was inches from mine. His pale blue eyes were electric with his excitement; they sent a charge through me, sizzling the rest of the world into peaceful, quiet static. That last bit of distance must have been as unbearable to him as it was to me, because his fingers came down over where my hands rested on the busted leather seat. I felt his touch spread over my skin like late afternoon sunshine. His lips skimmed my cheek, his breath warm against my ear as he said in low, honeyed tones, "Not only can I ride, darlin', but I can give you a few pointers– "Hey, Hell's Angels!" Cole barked. "I didn't bring you in here to shop around for yourselves! Get your assess over here!" Liam expression clouded over as he pulled back, the fluttering excitement vanishing like a candle blown out. with a single breath. I must have looked as disappointed as I felt, letting out a small sound of irritation, because just like that he was smiling again as he tucked a loose strand of hair back over my ear. A softer, smaller smile than before, but one meant for me. It warmed me down to my bones.

Desperately trying to remember her manners, she curtseyed and murmured, "Your Grace." The smile lines at his eyes deepened subtly. "You appear to be in need of rescue. Why don't you come inside with me, away from this riffraff? The duchess is eager to meet you." As Pandora hesitated, thoroughly intimidated, he assured her. "I'm quite trustworthy. In fact, I'm very nearly an angel. You'll come to love me in no time." "Take heed," Lord St. Vincent advised Pandora sardonically, fastening the loose sides of his vest. "My father is the pied piper of gullible women." "That's not true," the duke said, "The non-gullible ones follow me as well." Pandora couldn't help chuckling. She looked up into silvery-blue eyes lit with sparks of humor and playfulness. There was something reassuring about his presence, the sense of a man who truly liked women. When she and Cassandra were children, they had fantasized about a handsome father who would lavish them with affection and advice, and spoil them just a little, but not too much. A father who might have let them stand on his feet to dance. This man looked very much like the one Pandora had imagined. She moved forward and took his arm. "How was your journey, my dear?" the duke asked as he escorted her into the house. Before Pandora could reply, Lord St. Vincent spoke from behind them. "Lady Pandora doesn't like small talk, Father. She would prefer to discuss topics such as Darwin, or women's suffrage." "Naturally an intelligent young woman would wish to skip over mundane chitchat," the duke said, giving Pandora such an approving glance that she fairly glowed. "However," he continued thoughtfully, "most people need to be guided into a feeling of safety before they dare reveal their opinions to someone they've only just met. There's a beginning to everything, after all. Every opera has its prelude, every sonnet its opening quatrain. Small talk is merely a way of helping a stranger to trust you, by first finding something you can both agree on." "No one's ever explained it that way before," Pandora said with a touch of wonder. "It actually makes sense. But why must it be so often about weather? Isn't there something else we all agree on? Runcible spoons- everyone likes those, don't they? And teatime, and feeding ducks." "Blue ink," the duke added. "And a cat's purr. And summer storms- although I suppose that brings us back to weather." "I wouldn't mind talking about weather with you, Your Grace," Pandora said ingenuously. The duke laughed gently. "What a delightful girl.

In The Garret Four little chests all in a row, Dim with dust, and worn by time, All fashioned and filled, long ago, By children now in their prime. Four little keys hung side by side, With faded ribbons, brave and gay When fastened there, with childish pride, Long ago, on a rainy day. Four little names, one on each lid, Carved out by a boyish hand, And underneath there lieth hid Histories of the happy band Once playing here, and pausing oft To hear the sweet refrain, That came and went on the roof aloft, In the falling summer rain. 'Meg' on the first lid, smooth and fair. I look in with loving eyes, For folded here, with well-known care, A goodly gathering lies, The record of a peaceful life-- Gifts to gentle child and girl, A bridal gown, lines to a wife, A tiny shoe, a baby curl. No toys in this first chest remain, For all are carried away, In their old age, to join again In another small Meg's play. Ah, happy mother! Well I know You hear, like a sweet refrain, Lullabies ever soft and low In the falling summer rain. 'Jo' on the next lid, scratched and worn, And within a motley store Of headless dolls, of schoolbooks torn, Birds and beasts that speak no more, Spoils brought home from the fairy ground Only trod by youthful feet, Dreams of a future never found, Memories of a past still sweet, Half-writ poems, stories wild, April letters, warm and cold, Diaries of a wilful child, Hints of a woman early old, A woman in a lonely home, Hearing, like a sad refrain-- 'Be worthy, love, and love will come,' In the falling summer rain. My Beth! the dust is always swept From the lid that bears your name, As if by loving eyes that wept, By careful hands that often came. Death canonized for us one saint, Ever less human than divine, And still we lay, with tender plaint, Relics in this household shrine-- The silver bell, so seldom rung, The little cap which last she wore, The fair, dead Catherine that hung By angels borne above her door. The songs she sang, without lament, In her prison-house of pain, Forever are they sweetly blent With the falling summer rain. Upon the last lid's polished field-- Legend now both fair and true A gallant knight bears on his shield, 'Amy' in letters gold and blue. Within lie snoods that bound her hair, Slippers that have danced their last, Faded flowers laid by with care, Fans whose airy toils are past, Gay valentines, all ardent flames, Trifles that have borne their part In girlish hopes and fears and shames, The record of a maiden heart Now learning fairer, truer spells, Hearing, like a blithe refrain, The silver sound of bridal bells In the falling summer rain. Four little chests all in a row, Dim with dust, and worn by time, Four women, taught by weal and woe To love and labor in their prime. Four sisters, parted for an hour, None lost, one only gone before, Made by love's immortal power, Nearest and dearest evermore. Oh, when these hidden stores of ours Lie open to the Father's sight, May they be rich in golden hours, Deeds that show fairer for the light, Lives whose brave music long shall ring, Like a spirit-stirring strain, Souls that shall gladly soar and sing In the long sunshine after rain

To look at Montmorency you would imagine that he was an angel sent upon the earth, for some reason withheld from mankind, in the shape of a small fox-terrier. There is a sort of Oh-what-a-wicked-world-this-is-and-how-I-wish-I-could-do-something-to-make-it-better-and-nobler expression about Montmorency that has been known to bring the tears into the eyes of pious old ladies and gentlemen. When first he came to live at my expense, I never thought I should be able to get him to stop long. I used to sit down and look at him, as he sat on the rug and looked up at me, and think: “Oh, that dog will never live. He will be snatched up to the bright skies in a chariot, that is what will happen to him.” But, when I had paid for about a dozen chickens that he had killed; and had dragged him, growling and kicking, by the scruff of his neck, out of a hundred and fourteen street fights; and had had a dead cat brought round for my inspection by an irate female, who called me a murderer; and had been summoned by the man next door but one for having a ferocious dog at large, that had kept him pinned up in his own tool-shed, afraid to venture his nose outside the door for over two hours on a cold night; and had learned that the gardener, unknown to myself, had won thirty shillings by backing him to kill rats against time, then I began to think that maybe they’d let him remain on earth for a bit longer, after all. To hang about a stable, and collect a gang of the most disreputable dogs to be found in the town, and lead them out to march round the slums to fight other disreputable dogs, is Montmorency’s idea of “life;” and so, as I before observed, he gave to the suggestion of inns, and pubs., and hotels his most emphatic approbation.

Suppose for a moment that you were allowed to enter heaven without holiness. What would you do? What possible enjoyment could you feel there? To which of all the saints would you join yourself, and by whose side would you sit down? Their pleasures are not your pleasures, their tastes not your tastes, their character not your character. How could you possibly be happy, if you had not been holy on earth? Now perhaps you love the company of the light and the careless, the worldly-minded and the covetous, the reveller and the pleasure-seeker, the ungodly and the profane. There will be none such in heaven. Now perhaps you think the saints of God too strict and particular, and serious. You rather avoid them. You have no delight in their society. There will be no other company in heaven. Now perhaps you think praying, and Scripture-reading, and hymn singing, dull and melancholy, and stupid work—a thing to be tolerated now and then, but not enjoyed. You reckon the Sabbath a burden and a weariness; you could not possibly spend more than a small part of it in worshipping God. But remember, heaven is a never-ending Sabbath. The inhabitants thereof rest not day or night, saying, “Holy, holy, holy, Lord God Almighty” and singing the praise of the Lamb. How could an unholy man find pleasure in occupation such as this? Think you that such an one would delight to meet David, and Paul, and John, after a life spent in doing the very things they spoke against? Would he take sweet counsel with them, and find that he and they had much in common?—Think you, above all, that he would rejoice to meet Jesus, the Crucified One, face to face, after cleaving to the sins for which He died, after loving His enemies and despising His friends? Would he stand before Him with confidence, and join in the cry, “This is our God; we have waited for Him, we will be glad and rejoice in His salvation”? (Isa. xxv. 9.) Think you not rather that the tongue of an unholy man would cleave to the roof of his mouth with shame, and his only desire would be to be cast out! He would feel a stranger in a land he knew not, a black sheep amidst Christ’s holy flock. The voice of Cherubim and Seraphim, the song of Angels and Archangels and all the company of heaven, would be a language he could not understand. The very air would seem an air he could not breathe. I know not what others may think, but to me it does seem clear that heaven would be a miserable place to an unholy man. It cannot be otherwise. People may say, in a vague way, “they hope to go to heaven;” but they do not consider what they say. There must be a certain “meetness for the inheritance of the saints in light.” Our hearts must be somewhat in tune. To reach the holiday of glory, we must pass through the training school of grace. We must be heavenly-minded, and have heavenly tastes, in the life that now is, or else we shall never find ourselves in heaven, in the life to come.