Slug Best Quotes

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startling! such determination in the dull and uninspired and the copyists. they never lose the fierce gratitude for their uneventfulness, nor do they forget to laugh at the wit of slugs; as a study in diluted senses they'd make any pharaoh cough up his beans; in music they prefer the monotony of dripping faucets; in love and sex they prefer each other and therefore compound the problem; the energy with which they propel their uselessness (without any self-doubt) toward worthless goals is as magnificent as cow shit. they produce novels, children, death, freeways, cities, wars, wealth, poverty, politicians and total areas of grandiose waste; it's as if the whole world is wrapped in dirty bandages. it's best to take walks late at night. it's best to do your business only on Mondays and Tuesdays. it's best to sit in a small room with the shades down and wait. the strongest men are the fewest and the strongest women die alone too.
Charles Bukowski (The People Look Like Flowers at Last)
Most days it feels like I am watching a movie where the sound isn't in sync, the speed is all wrong. Either I'm moving too quickly and the world is dripping along, or the world is moving too quickly, cosmic, and I'm oozing like a slug barely able to pull my own weight. It's best if I keep moving because if I stopped and stood still people would see me shaking.
Samantha Schutz (I Don't Want To Be Crazy)
But you do it anyway, even if you think you’ll never be as good as he was?” I ask Ilídio. He shrugs and takes a slug of his beer. “Most of us will never be the best at anything we do. It isn’t a reason not to do it.
Sophie Cousens (Just Haven't Met You Yet)
But you will be back, and you will always be here. Don’t think that in death you go far from the earth; you remain down here with everything—the part of you that loved, which is the most important part. That part of you will patiently be here as the earth changes colour, exhausts itself, breathes in fresh life again, and revives. That part of you will be here all along, through that whole entire time, while the slugs make their sluggish art, beautiful little swirls in the mud, and whatever will populate the sea, and the greatest beasts that will ever be; slippery with green gills and lots of scales, feathers and fur. Even the swimming creatures will have their own ways of moving which will be radically new. And you will be here for that, too! Why am I so stuck in the art of the past? Because you are stuck in this situation, thinking it is the only one. There will be a second draft, and the part of you that loves, which is the best part of you, and the most eternal part, will be in the bears, the lizards, the mammoths, and the birds, there in the second draft of life.
Sheila Heti (Pure Colour)
No," Foyle roared. "Let them hear this. Let them hear everything." "You're insane, man. You've handed a loaded gun to children." "Stop treating them like children and they'll stop behaving like children. Who the hell are you to play monitor?" "What are you talking about?" "Stop treating them like children. Explain the loaded gun to them. Bring it all out into the open." Foyle laughed savagely. "I've ended the last star-chamber conference in the world. I've blown that last secret wide open. No more secrets from now on.... No more telling the children what's best for them to know.... Let 'em all grow up. It's about time." "Christ, he is insane." "Am I? I've handed life and death back to the people who do the living and the dying. The common man's been whipped and led long enough by driven men like us.... Compulsive men... Tiger men who can't help lashing the world before them. We're all tigers, the three of us, but who the hell are we to make decisions for the world just because we're compulsive? Let the world make its own choice between life and death. Why should we be saddled with the responsibility?" "We're not saddled," Y'ang-Yeovil said quietly. "We're driven. We're forced to seize responsibility that the average man shirks." "Then let him stop shirking it. Let him stop tossing his duty and guilt onto the shoulders of the first freak who comes along grabbing at it. Are we to be scapegoats for the world forever?" "Damn you!" Dagenham raged. "Don't you realize that you can't trust people? They don't know enough for their own good." "Then let them learn or die. We're all in this together. Let's live together or die together." "D'you want to die in their ignorance? You've got to figure out how to get those slugs back without blowing everything wide open." "No. I believe in them. I was one of them before I turned tiger. They can all turn uncommon if they're kicked awake like I was.
Alfred Bester (The Stars My Destination)
I move to slug him in the shoulder, and he laughs and grab my hand and links my finger with his. It feels like my heart is beating right through my hand. It's the first time we've hold hands for real, and it feels different from those fake times. like electric currents, in a good way. The best way.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
And I Said To My Soul, Be Loud Madden me back to an afternoon I carry in me not like a wound but like a will against a wound Give me again enough man to be the child choosing my own annihilations To make of this severed limb a wand to conjure a weapon to shatter dark matter of the dirt daubers' nests galaxies of glass Whacking glints bash-dancing on the cellar's fire I am the sound the sun would make if the sun could make a sound and the gasp of rot stabbed from the compost's lumpen living death is me O my life my war in a jar I shake you and shake you and may the best ant win For I am come a whirlwind of wasted things and I will ride this tantrum back to God until my fixed self, my fluorescent self my grief–nibbling, unbewildered, wall–to–wall self withers in me like a salted slug
Christian Wiman (Every Riven Thing: Poems)
XXIV. And more than that - a furlong on - why, there! What bad use was that engine for, that wheel, Or brake, not wheel - that harrow fit to reel Men's bodies out like silk? With all the air Of Tophet's tool, on earth left unaware Or brought to sharpen its rusty teeth of steel. XXV. Then came a bit of stubbed ground, once a wood, Next a marsh it would seem, and now mere earth Desperate and done with; (so a fool finds mirth, Makes a thing and then mars it, till his mood Changes and off he goes!) within a rood - Bog, clay and rubble, sand, and stark black dearth. XXVI. Now blotches rankling, coloured gay and grim, Now patches where some leanness of the soil's Broke into moss, or substances like boils; Then came some palsied oak, a cleft in him Like a distorted mouth that splits its rim Gaping at death, and dies while it recoils. XXVII. And just as far as ever from the end! Naught in the distance but the evening, naught To point my footstep further! At the thought, A great black bird, Apollyon's bosom friend, Sailed past, not best his wide wing dragon-penned That brushed my cap - perchance the guide I sought. XXVIII. For, looking up, aware I somehow grew, Spite of the dusk, the plain had given place All round to mountains - with such name to grace Mere ugly heights and heaps now stolen in view. How thus they had surprised me - solve it, you! How to get from them was no clearer case. XXIX. Yet half I seemed to recognise some trick Of mischief happened to me, God knows when - In a bad dream perhaps. Here ended, then Progress this way. When, in the very nick Of giving up, one time more, came a click As when a trap shuts - you're inside the den. XXX. Burningly it came on me all at once, This was the place! those two hills on the right, Crouched like two bulls locked horn in horn in fight; While to the left a tall scalped mountain ... Dunce, Dotard, a-dozing at the very nonce, After a life spent training for the sight! XXXI. What in the midst lay but the Tower itself? The round squat turret, blind as the fool's heart, Built of brown stone, without a counterpart In the whole world. The tempest's mocking elf Points to the shipman thus the unseen shelf He strikes on, only when the timbers start. XXXII. Not see? because of night perhaps? - why day Came back again for that! before it left The dying sunset kindled through a cleft: The hills, like giants at a hunting, lay, Chin upon hand, to see the game at bay, - Now stab and end the creature - to the heft!' XXXIII. Not hear? When noise was everywhere! it tolled Increasing like a bell. Names in my ears Of all the lost adventurers, my peers - How such a one was strong, and such was bold, And such was fortunate, yet each of old Lost, lost! one moment knelled the woe of years. XXXIV. There they stood, ranged along the hillsides, met To view the last of me, a living frame For one more picture! In a sheet of flame I saw them and I knew them all. And yet Dauntless the slug-horn to my lips I set, And blew. 'Childe Roland to the Dark Tower came.
Robert Browning
A budget?" He'd expected an explosion.Even, perversely,hoped for one.Margo's tantrums were always so..stimulating.It didn't appear that he was going to be disappointed. "A budget?" she repeated,storming to him. "Of all the unbelievable,bloody nerve.You arrogant son of a bitch. Do you think I'm going to stand here and let you treat me like some sort of brainless bimbo who needs to be told how much she can spend on face powder?" "Face powder." Deliberately, he scanned the papers,took a pen out of his pocket,and made a quick note. "That would come under 'Miscellaneous Luxuries.' I think I've been very generous there. Now,as to your clothing allowance-" "Allowance!" She used both hands to shove him back a step. "Just let me tell you what you can do with your fucking allowance." "Careful,duchess." He brushed the front of his shirt. "Turnbill and Asser." The strangled sound in her throat was the best she could do.If there had been anything at all to throw,she'd have heaved it at his head. "I'd rather be picked apart,alive, by vultures than let you handle the money." "You don't have any money," he began, but she barreled on as she whirled around the room. Watching her, he all but salivated. "I'd rather be gang-raped by midgets, staked naked to a wasp nest,be force-fed garden slugs." "Go three weeks without a manicure?" he put in and watched her hands curl into claws. "You go after my face with those, I'll have to hurt you." "Oh,I hate you." "No,you don't.
Nora Roberts (Daring to Dream (Dream Trilogy, #1))
So, the first question we must ask ourselves is, what is a boggart?” Hermione put up her hand. “It’s a shape-shifter,” she said. “It can take the shape of whatever it thinks will frighten us most.” “Couldn’t have put it better myself,” said Professor Lupin, and Hermione glowed. “So the boggart sitting in the darkness within has not yet assumed a form. He does not yet know what will frighten the person on the other side of the door. Nobody knows what a boggart looks like when he is alone, but when I let him out, he will immediately become whatever each of us most fears. “This means,” said Professor Lupin, choosing to ignore Neville’s small sputter of terror, “that we have a huge advantage over the boggart before we begin. Have you spotted it, Harry?” Trying to answer a question with Hermione next to him, bobbing up and down on the balls of her feet with her hand in the air, was very off-putting, but Harry had a go. “Er — because there are so many of us, it won’t know what shape it should be?” “Precisely,” said Professor Lupin, and Hermione put her hand down, looking a little disappointed. “It’s always best to have company when you’re dealing with a boggart. He becomes confused. Which should he become, a headless corpse or a flesh-eating slug? I once saw a boggart make that very mistake — tried to frighten two people at once and turned himself into half a slug. Not remotely frightening. “The charm that repels a boggart is simple, yet it requires force of mind. You see, the thing that really finishes a boggart is laughter. What you need to do is force it to assume a shape that you find amusing.
J.K. Rowling (Harry Potter and the Prisoner of Azkaban (Harry Potter, #3))
What my dad did was wrong, awful, inexcusable, but maybe there's still hope for him. Maybe if he can get the help he needs, they'll be able to resurrect the man who taught me about Bach's toccata and slept in the chair in my room when I was afraid of the dark. And if there's still hope for my dad, there has to still be hope for me. Mabe it's true that he and I have the same blag slug inside of us, but it's up to me to conquer it. I owe that to my dad. I owe that to myself. [....] I make a promise to myself: /I will be stronger than my sadness./ I will do my best to become the girl from Roman's drawing. The girl with the bright eyes. The girl with hope.
Jasmine Warga (My Heart and Other Black Holes)
Peter and I are standing in line for popcorn at the movies. Even just this mundane thing feels like the best mundane thing that’s ever happened to me. I check my pocket to make sure I’ve still got my ticket stub. This I’ll want to save. Gazing up at Peter, I whisper, “This is my first date.” I feel like the nerdy girl in the movie who lands the coolest guy in school, and I don’t mind one bit. Not one bit. “How can this be your first date when we’ve gone out plenty of times?” “It’s my first real date. Those other times were just pretend; this is the real thing.” He frowns. “Oh, wait, is this real? I didn’t realize that.” I move to slug him in the shoulder, and he laughs and grabs my hand and links my fingers with his. It feels like my heart is beating right through my hand. It’s the first time we’ve held hands for real, and it feels different from those fake times. Like electric currents, in a good way. The best way.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
I’m sorry,” said the kitty. “I’ve wrecked your broomstick ride.” “No matter,” said Witch Mildred. “We’re here. Let’s go inside!” The clock atop the castle read twenty after eight, but the promised buffet table held only emptied plates! “No eye or newt? No sautéed slug? No pickleworm pate? No casserole of cockroach! No spiderweb soufflé! Those greedy gobbling goblins left zilch for us to eat.” Said the starving skeleton, “Why don’t we trick-or-treat?” They passed a lighted cottage, from which rose song and laughter. The mummy boldly rang the bell, All others traipsing after. The children squealed and giggled as they greeted their new guests, for of all the trick-or-treaters, these costumes were the best! The hostess asked the callers to join them at their party. “Check out this spread!” the mummy said. The hostess said, “Eat hearty.” “Taffy apples! Candy corn! Purple punch, ice-cold! My tongue’s not touched such tastiness since I was six years old!” In the corner of the kitchen Witch Mildred found a mop. “I think this will do nicely while my broom is in the shop.” “May I, please?” asked Mildred, and seated her new friends. With a loud “Thank you!” away they flew, in loopy swoops and bends. That night Witch Mildred dreamed of cakes and lemonade, but far more sweet than party treats were the friendships she had made!
Elizabeth Spurr (Halloween Sky Ride)
Bin wonderin’ when you’d come ter see me – come in, come in – thought you mighta bin Professor Lockhart back again.’ Harry and Hermione supported Ron over the threshold, into the one-roomed cabin, which had an enormous bed in one corner, a fire crackling merrily in another. Hagrid didn’t seem perturbed by Ron’s slug problem, which Harry hastily explained as he lowered Ron into a chair. ‘Better out than in,’ he said cheerfully, plonking a large copper basin in front of him. ‘Get ’em all up, Ron.’ ‘I don’t think there’s anything to do except wait for it to stop,’ said Hermione anxiously, watching Ron bend over the basin. ‘That’s a difficult curse to work at the best of times, but with a broken wand …’ Hagrid was bustling around, making them tea. His boarhound, Fang, was slobbering over Harry.
J.K. Rowling (Harry Potter and the Chamber of Secrets (Harry Potter, #2))
And thanks to social media, we now have a new way to torment each other. Image crafting makes us look way more successful than we actually are. We curate the best parts of our lives, and hide everything else under the rug. So as we go out into the world, we see people, and from a distance, it looks like they are wildly successful, when in reality, they are slugging it out just like we are. But we don’t see reality. We see an Instagram post.
John Mark Comer (Garden City: Work, Rest, and the Art of Being Human.)
Eat what you can. It’s been hours since you’ve eaten and I’ve eaten three times. When we get back, I’m going to get some of Preacher’s weights out of the storage shed for you. You should probably bulk up those arms, shoulders, chest. Give you back your advantage.” “For?” Jack was stupefied. He shook his head. “For getting through life?” he said by way of a question. “For?” Rick said again. And Jack thought, you can’t slug him. You have to keep your mouth shut and be patient, that’s what Mike said, what Mel said. So Jack talked to himself. Okay, I’m not the best person to deal with this. I never had it this bad, and sure not when I was this young. Mike, he’s been through a terrifying, life-threatening injury. Mike might be able to step in.
Robyn Carr (Paradise Valley)
Or should I say, she’s why we’re out here.” Connell refused to give his friend the satisfaction of an answer. “Word’s going around town that she got the best of two big men last night. Jimmy Neil and another strong man, who happens to be standing in the middle of Main Street, ogling at her—” “I’m not ogling at her.” Connell looked far off to the south, to the puffs of black smoke billowing in the air, the distant signal that the train—a branch of the Flint and Pere Marquette Railroad—would make its daily appearance in Harrison. “And she didn’t get the best of me.” Stuart slugged him in the arm. The point of Stuart’s middle knuckle jabbed Connell hard enough to throw him off balance. Stuart wasn’t a big man. In fact, everything about him was thin. His face was a narrow oval covered with a scraggly beard. His arms and legs were as skinny as the branches of a sapling. If Connell hadn’t witnessed the man’s enormous appetite on occasion, he would have guessed Stuart wasn’t getting enough to eat. “Sounds like she’s got quite the spirit if she can get the best of you.” “I was rescuing her from Jimmy, and she fell on top of me.” “Rescuing?” Stuart gave a snort. “From the way I heard it, she did a pretty good job taking care of herself.” “No telling what could have happened to her if I hadn’t stepped in when I did.” Stuart laughed. “Okay, big guy. Whatever you say.
Jody Hedlund (Unending Devotion (Michigan Brides, #1))
Listen, I’m damn grateful that you’re willing to try to cohabit so we can get to know each other better, so we can be on the best of terms to be the best of parents. That means a lot. You probably didn’t realize it, but my hand has wandered while we slept and—” “I realized it.” “You did?” She smiled to herself. “Can I turn around now?” “Are you going to slug me?” he asked. She laughed. “Do you think I should?” “Maybe. Probably. I molested you in your sleep. Well, in my sleep.” She slowly turned around and took in his vulnerable expression. “You don’t have to sleep in the loft.” It
Robyn Carr (Paradise Valley)
Marry me,” he said, searching her eyes for some sign, some indication of how to proceed. Her gaze held his. His heart beat in his chest like a drum. “Why should I?” she asked, her voice hushed and oddly hopeful and terribly vulnerable. He swallowed, feeling lost and uncertain. “Well,” he said, trying to sound reasonable, “I’ve got a few more horses now.” She stared up at him, the blood draining from her face. Then she slugged him.
Connie Brockway (The Other Guy's Bride (Braxton, #2))
As the group discussed where to head next, they were suddenly interrupted by the sound of flapping wings. The sound they’d feared the most. Judging from how loud it was, it wasn’t just a few pairs of wings either. “Ah?!” The party’s expressions froze, and they hurried over to the edge of the platform and looked down. As they’d feared, the tidal wave of cockroaches was climbing their way up to them. “Fuuuuuuck!” “Mmm?! Draconic Thunder.” “Get away from meeeeeeeeeeeeeee!” “Nooooooooooooooo! Disintegrate, disintegrate, disintegrate!” “Begone, foul creatures! Dragonbreath!” Everyone’s hair stood on end, and they fired off their strongest attacks in a panic. Hajime unleashed a barrage of rockets from his Orkans, Yue summoned her Draconic Thunder, Shea fired off explosive slugs one after another, Kaori sent down a wave of disintegration, and Tio unleashed her malefic breath. Kouki and the others fired off their best long-range attacks as well. Everyone except Shizuku, who looked like she was about to faint.
Ryo Shirakome (Arifureta: From Commonplace to World’s Strongest, Volume 8)
The stipulation for a contestant on The X Factor is an uncontrollable vibrato and a great deal of cancer in the family. The show will drag its sugary slug trail of sentimentality from now until the traditional Christmas single of an overproduced 1980s ballad doused with a lachrymose orchestra. Not so much a wall of sound as a shroud of sound, dedicated to some carcinogenically defunct auntie. As Oscar Wilde so perceptively put it, it would take a heart of stone not to laugh out loud.
A.A. Gill (The Best of A.A. Gill)
What my dad did was wrong, awful, inexcusable, but maybe there's still hope for him. Maybe if he can get the help he needs, they'll be able to resurrect the man who taught me about Bach's toccata and slept in the chair in my room when I was afraid of the dark. And if there's still hope for my dad, there has to still be hope for me. Mabe it's true that he and I have the same black slug inside of us, but it's up to me to conquer it. I owe that to my dad. I owe that to myself. [....] I make a promise to myself: /I will be stronger than my sadness./ I will do my best to become the girl from Roman's drawing. The girl with the bright eyes. The girl with hope.
Jasmine Warga (My Heart and Other Black Holes)
It was quite common for households in towns like mine to have BB rifles, commonly called slug guns. These were air rifles that shot very tiny soft lead pellets called slugs. They weren’t that lethal unless you shot at very close range, but they could blind you if you got shot in the eye. Most teenagers had them to control pests like rats, or to stun rabbits. However, most kids used them to shoot empty beer cans lined up on the back fence, practising their aim for the day they were old enough to purchase a serious firearm. Fortunately, a law banning guns was introduced in Australia in 1996 after thirty-five innocent people were shot with a semi-automatic weapon in a mass shooting in Tasmania. The crazy shooter must have had a slug gun when he was a teenager. But this was pre-1996. And my brothers, of course, loved shooting. My cousin Billy, who was sixteen years old at the time – twice my age – came to visit one Christmas holiday from Adelaide. He loved coming to the outback and getting feral with the rest of us. He also enjoyed hitting those empty beer cans with the slug gun. Billy wasn’t the best shooter. His hand-eye coordination was poor, and I was always convinced he needed to wear glasses. Most of the slugs he shot either hit the fence or went off into the universe somewhere. The small size of the beer cans frustrated him, so he was on the lookout for a bigger target. Sure enough, my brothers quickly pushed me forward and shouted, ‘Here, shoot Betty!’ Billy laughed, but loved the idea. ‘Brett, stand back a bit and spread your legs. I’ll shoot between them just for fun.’ Basically, he saw me as an easy target, and I wasn’t going to argue with a teenager who had a weapon in his hand. I naively thought it could be a fun game with my siblings and cousin; perhaps we could take turns. So, like a magician’s assistant, I complied and spread my skinny young legs as far apart as an eight-year-old could, fully confident he would hit the dust between them . . . Nope. He didn’t. He shot my leg, and it wasn’t fun. Birds burst out of all the surrounding trees – not from the sound of the gunshot, but from my piercing shriek of pain. While I rolled around on the ground, screaming in agony, clutching my bleeding shin, my brothers were screaming with laughter. I even heard one of them shout, ‘Shoot him while he’s down!’ Who needs enemies when you have that kind of brotherly love? No one rushed to help; they simply moved to the back fence to line up the cans for another round. I crawled inside the house with blood dripping down my leg, seeking Mum, the nurse, to patch me up. To this day, I have a scar on my leg as a souvenir from that incident . . . and I still think Billy needed glasses. I also still get very anxious when anyone asks me to spread my legs.
Brett Preiss (The (un)Lucky Sperm: Tales of My Bizarre Childhood - A Funny Memoir)
Understandings on Tanna came about so often like the slow filtration of rainwater through rock. And nowhere did this happen more than in the realm of language. It was the white man’s desire to trade in sea-slugs – known by the French as bêche-de-mer – that had first necessitated the invention of a lingua franca pidgin, and Bislama, pronounced BISH-la-ma, became its name. The word is a pidgin form of ‘Beach-La-Mer’, itself a corruption of ‘bêche-de-mer’. And so many of Bislama’s terms sounded utterly foreign, until they’d been in my mouth long enough to lose the unfamiliar tang of Tanna. ‘Like’, for instance, was ‘olsem’ – from ‘all a same’. ‘What’ was ‘wanem’ – ‘what name’. And ‘just’ – I liked this best – was rendered in Bislama as ‘nomo’, which for me always evoked the scene of some hard-bitten sea-slug buyer bargaining down to just a shilling, no more. It was a simple language, encrusted with Melanesian habits of pronunciation, designed for commerce and work. Western visitors were tickled by terms like ‘rubba belong fak-fak’ for ‘condom’ and ‘bugarup’ for ‘broken’. Then there was the Olympian ‘bilak-bokis-we-i-gat-bilak-tut-mo-i-gat-waet–tut-sipos-yu-kilim-em-i-sing-aot’, which ensured nobody in the archipelago would ever bother referring to a piano, let alone shipping one in. But I often wondered if the stripped-down concepts of Bislama contributed to the disdainful Western view of the people who used it. Their language sounded charming, but daft, child-like even – just like the Prince Philip cult. No wonder people had trouble taking it seriously.
Matthew Baylis (Man Belong Mrs Queen: Adventures with the Philip Worshippers)