“
Whatever the Way, the master of strategy does not appear fast….Of course, slowness is bad. Really skillful people never get out of time, and are always deliberate, and never appear busy.
”
”
Miyamoto Musashi (A Book of Five Rings: The Classic Guide to Strategy)
“
This much I'm certain of: it doesn't happen immediately. You'll finish [the book] and that will be that, until a moment will come, maybe in a month, maybe a year, maybe even several years. You'll be sick or feeling troubled or deeply in love or quietly uncertain or even content for the first time in your life. It won't matter. Out of the blue, beyond any cause you can trace, you'll suddenly realize things are not how you perceived them to be at all. For some reason, you will no longer be the person you believed you once were. You'll detect slow and subtle shifts going on all around you, more importantly shifts in you. Worse, you'll realize it's always been shifting, like a shimmer of sorts, a vast shimmer, only dark like a room. But you won't understand why or how. You'll have forgotten what granted you this awareness in the first place
...
You might try then, as I did, to find a sky so full of stars it will blind you again. Only no sky can blind you now. Even with all that iridescent magic up there, your eye will no longer linger on the light, it will no longer trace constellations. You'll care only about the darkness and you'll watch it for hours, for days, maybe even for years, trying in vain to believe you're some kind of indispensable, universe-appointed sentinel, as if just by looking you could actually keep it all at bay. It will get so bad you'll be afraid to look away, you'll be afraid to sleep.
Then no matter where you are, in a crowded restaurant or on some desolate street or even in the comforts of your own home, you'll watch yourself dismantle every assurance you ever lived by. You'll stand aside as a great complexity intrudes, tearing apart, piece by piece, all of your carefully conceived denials, whether deliberate or unconscious. And then for better or worse you'll turn, unable to resist, though try to resist you still will, fighting with everything you've got not to face the thing you most dread, what is now, what will be, what has always come before, the creature you truly are, the creature we all are, buried in the nameless black of a name.
And then the nightmares will begin.
”
”
Mark Z. Danielewski (House of Leaves)
“
You can have my time, and you can have my attention,” he said, words slow and deliberate. “Sweetheart, you can have whatever the fuck you want, I promise. Whatever you need. No more holding back, no more fear. And if you still feel you have to get on that plane tonight, then we’re doing it together.
”
”
Kylie Scott (Deep (Stage Dive, #4))
“
Such beauty, he thought, was too perfect to have come about by mere chance. That day in the center of the Pacific was, to him, a gift crafted deliberately, compassionately, for him and Phil. Joyful and grateful in the midst of slow dying, the two men bathed in that day until sunset brought is, and their time in the doldrums, to an end.
”
”
Laura Hillenbrand (Unbroken: A World War II Story of Survival, Resilience and Redemption)
“
Holding a hand over my eyes, I look up at him. "Thanks, I'm glad were...friends." I say the word friends deliberately, letting the emphasis get my point across. His mouth curves with a slow smile. "I've never wanted to be your friend, Jacinda." My heart stutters in my chest. Standing in the pouring rain, I watch him walk away.
”
”
Sophie Jordan (Vanish (Firelight, #2))
“
Or is it that slow paced evil creeps in when it espies and envies happiness, and then takes a deliberate foul delight in spoiling it?
”
”
Leslie Garland (The Golden Tup (The Red Grouse Tales))
“
...time can be slowed if you live deliberately. If you stop and watch sunsets. If you spend time sitting on porches listening to the woods. If you give in to the reality of the seasons.
”
”
Thomas Christopher Greene (I'll Never Be Long Gone)
“
Nothing complements a fast mind better than a slow tongue. And nothing aggravates a slow mind better than a fast tongue.
”
”
Mokokoma Mokhonoana
“
Fork you, Kyle," she said and took a bite of her duck, chewing it with deliberate slowness.
"Fork yourself, Lanie," he replied, irritated by her rant.
She got quiet for a minute, swallowed, and then said barely above a whisper, "I tried but it didn't work. That's why I have you.
”
”
M.K. Schiller (The Do-Over)
“
One of the most effective forms of industrial or military sabotage limits itself to damage that can never be thoroughly proven - or even proven at all - to be anything deliberate. It is like an invisible political movement; perhaps it isn't there at all. If a bomb is wired to a car's ignition, then obviously there is an enemy; if public building or a political headquarters is blown up, then there is a political enemy. But if an accident, or a series of accidents, occurs, if equipment merely fails to function, if it appears faulty, especially in a slow fashion, over a period of natural time, with numerous small failures and misfiring- then the victim, whether a person or a party or a country, can never marshal itself to defend itself.
”
”
Philip K. Dick (A Scanner Darkly)
“
When he began to move, it wasn’t with the urgency she expected given their rushed beginnings. It was with a slow deliberation that would destroy her.
”
”
Cherrie Lynn (Leave Me Breathless (Ross Siblings, #3))
“
I would definitely want the one with the bed,' I say and then realize how that sounds. I wonder if I will ever be able to flirt intentionally, as opposed to just accidently.
'Really?' he says, a little too innocently.
I can do this— I can say something flirtatious and mean to. 'Or maybe not. You were always horrible at sharing your things,' I tease, but then realize that was just an insult said with an eyebrow wiggle.
James leans in close enough that our arms touch and he smiles, slow and deliberate. 'I've gotten better.'
I think all of my internal organs just evaporated. 'Why do you have a bed if you don't sleep?' I blurt. 'It looks new.'
'Yeah, that's not where I thought this conversation was going at all,' he says before settling back against the wall.
”
”
A.M. Robinson (Vampire Crush)
“
When I was a girl . . . I imagined that life was individual, one's own affair; that the events happening in the world outside were important enough in their own way, but were personally quite irrelevant. Now, like the rest of my generation, I have had to learn again and again the terrible truth . . . that no life is really private, or isolated, or self-sufficient. People's lives were entirely their own, perhaps--and more justifiably--when the world seemed enormous, and all its comings and goings were slow and deliberate. But this is so no longer, and never will be again, since man's inventions have eliminated so much of distance and time; for better, for worse, we are now each of us part of the surge and swell of great economic and political movements, and whatever we do, as individuals or as nations, deeply affects everyone else.
”
”
Vera Brittain (Testament of Youth)
“
There are a lot of ways to castrate a bull," I said, my words deliberate and slow. "You can band the balls off, so they shrivel up and die. Or you can take a knife, and slide it just so." I demonstrated with my free hand. "I grew up on a ranch. I know a lot about castrating bulls.
”
”
Jennifer Lynn Barnes (The Fixer (The Fixer, #1))
“
Love for trees pours out of her—the grace of them, their supple experimentation, the constant variety and surprise. These slow, deliberate creatures with their elaborate vocabularies, each distinctive, shaping each other, breeding birds, sinking carbon, purifying water, filtering poisons from the ground, stabilizing the micro-climate. Join enough living things together, through the air and underground, and you wind up with something that has intentions.
”
”
Richard Powers (The Overstory)
“
It had a very long pendulum, and the pendulum swung with a slow tick-tock that set his teeth on edge, because it was the kind of deliberate annoying ticking that wanted to make it abundantly clear that every tick and every tock was stripping another second off your life. It was the kind of sound that suggested very pointedly that in some hypothetical hourglass somewhere, another few grains of sand had dropped out form under you.
”
”
Terry Pratchett (The Light Fantastic (Discworld, #2; Rincewind, #2))
“
She takes deliberately slow steps toward me and I'm a second away from dropping at her feet. This girl is a goddess and I am her slave.
”
”
Cheryl McIntyre (Sometimes Never (Sometimes Never, #1))
“
Travis slammed into my back, wrapping his arms around my waist.
“You scared the shit outta me!” I complained.
He ran his hands over my skin. I noticed they felt different; slow and deliberate. I closed my eyes when he pulled me against him and buried his face in my hair, nuzzling my neck. Feeling his bare skin against mine, it took me a moment to protest.
“Travis…,”
He pulled my hair to one side and grazed his lips along my back from one shoulder to the other, unsnapping the clasp of my bra. He kissed the bare skin at the base of my neck and I closed my eyes, the warm softness of his mouth felt oo good to make him stop. A quiet moan escaped from his throat when he pressed his pelvis against mine, and I could feel how much he wanted me through his boxers. I held my breath, knowing the only thing keeping us from that big step I was so opposed to a few moments before was two thin pieces of fabric.
Travis turned me to face him, and then pressed against me, leaning my back against the wall. Our eyes met, and I could see the ache in his expression as he scanned the bare pieces of my skin. I had seen him peruse women before, but this was different. He didn’t want to conquer me; he wanted me to say yes.
He leaned in to kiss me, stopping just an inch away. I could feel the heat from his skin radiating against my lips, and I had to stop myself from drawing him in the rest of the way. His fingers were digging into my skin as he deliberated, and then his hands slid from my back to the hem of my panties. His index fingers slid down my hips, in between my skin and the lacey fabric, and in the same moment that he was about to slip the delicate threads down my legs, he hesitated. Just when I opened my mouth to say yes, he clenched his eyes shut.
“Not like this,” he whispered, brushing his lips across mine. “I want you, but not like this.
”
”
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
“
Her grey, sun-strained eyes stared straight ahead, but she had deliberately shifted our relations, and for a moment I thought I loved her. But I am slow-thinking and full of interior rules that act as brakes on my desires, and I knew that first I had to get myself definitely out of that tangle back home.
”
”
F. Scott Fitzgerald (The Great Gatsby)
“
The door flew open, almost smacking me in my face. I opened my mouth to yell at the asshole busting the door, but stopped the moment i came face-to-face with my own personal siren, my nymph-Echo. This time, she wouldn't walk away.
Wrapping my arms around her, I walked her backward into the brick. "Tell me you chose me, Echo."
She licked her lips. Those green eyes smoldered, calling me to her. "I chose you."
For the first time in three years, the coil forever tightened in my gut relaxed. "You will never regret it. I promise."
I wanted her. All of her, but Echo deserved more than a quick thrill and better than a guy like me. Everything needed to be slow and deliberate. I wanted to blow her mind with every touch and every kiss so her every thought always came back to me. I would never touch anyone else again without thinking about her.
I'd promised she would be more and i needed to keep that promise. Tearing my self away, i took her delicate hand in mine and headed toward my car. "Come on."
"Where are we going?"
I opened the passenger door and turned to face her. Echo's innocent eyes were wide with comfusion. She wouldn't be with me. We'd both been through hell, but Echo deserved better. Still, i wasn't all bad. I used to be good, like her, She needed to know that. "Someplace special.
”
”
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
“
The woman went on. She had not looked back. She went out of sight up the road: swollen, slow, deliberate, unhurried, and tireless as augmenting afternoon itself. She walked out of their talking too; perhaps out of their minds too.
”
”
William Faulkner (Light in August)
“
Self-confidence seemed to me more mimicry than anything else and I suggested visiting Clifton Zoo to watch the leaders in a group of baboons, and learn from them: make your gestures slow and deliberate; cultivate a deeper voice; appear casual at all times; eschew all rapid movements. That was all you had to do to look confident.
”
”
John Cleese (So, Anyway...)
“
He took off his hat and shook it (having hurried home as though his own coronation were waiting), and moved now with the slow deliberation of lonely people who have time for every meager requirement of their lives.
”
”
William Gaddis (The Recognitions)
“
These people came into the world and left it bound to their soil, proliferating on their own dung-hills with slow deliberation like the uncomplicated soul of trees which scatter their seed about their feet, with little conception of any larger world beyond the dun rocks among which they vegetated.
”
”
Émile Zola (La Faute de l'abbé Mouret (Les Rougon-Macquart, #5))
“
I deliberately ignored the sight of lean brown body cutting through the aqua water, glistening powerful arms dipping slow and steady in perfect rhythm with the strong kick of his long tanned legs.
I was going to have to work on my ignoring technique.
- Tim trying to ignore Jack in the swimming pool.
”
”
Josh Lanyon (Cards on the Table)
“
Little Fox, when I saw you, I thought-'
He broke off as he set her atop all the twisted sheets. Then he fisted her hair in his hand and tugged until she was looking up at him. His face had all the agony of a fallen star, broken and beautiful, with eyes so blue, the colour of everything else looked dull.
Deliberately, his gaze fell to her lips.
Her breathing turned ragged, and she wished just once that he could kiss her.
He leaned closer and gently twisted her hair, angling her head as he brought their mouths incredibly close.
'You're still bleeding.' He licked the centre of her lips, soft and agonisingly slow. His tongue felt like heaven and hell. Like everything she wanted and all she couldn't have. She had to stop herself from leaning closer, though she doubted Jacks would let her. She could feel his fingers against her scalp, holding her in place, keeping her lips just shy of his.
But maybe it was close enough. Maybe they didn't have to touch. She could live like this as long as she could live with him.
”
”
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
“
Then, breathing slow, and almost deliberately, stops. But for a moment the old man doesn’t realize he is dead. He can feel Martin’s heart and mistakes it for his own.
”
”
Simon Van Booy (The Illusion of Separateness)
“
for. She found it in half-lidded eyes and a slow, deliberate swallow. In cupped hands around the warmth of a mug and the lingering enjoyment of the last taste.
”
”
Travis Baldree (Legends & Lattes (Legends & Lattes, #1))
“
Now they were slow and deliberate, the way hurt people loved, stretching carefully just to see how far their damaged muscles could go.
”
”
Brit Bennett (The Mothers)
“
Intelligence is not only the ability to reason; it is also the ability to find relevant material in memory and to deploy attention when needed. Memory function is an attribute of System 1. However, everyone has the option of slowing down to conduct an active search of memory for all possibly relevant facts—just as they could slow down to check the intuitive answer in the bat-and-ball problem. The extent of deliberate checking and search is a characteristic of System 2, which varies among individuals.
”
”
Daniel Kahneman (Thinking, Fast and Slow)
“
Do you know why I adore roses?" Shahrzad untied the knot of his tikka sash with deliberate slowness. "I've always loved them for their beauty and their scent, but--"
"It's because of their thorns." His muscles tensed at her touch. "Because there's more to them than first meets the eye.
”
”
Renée Ahdieh
“
You make the most of your brain’s talents if you adjust for the limitations of each system. That means creating the conditions for your deliberate system to function at its best, and recognizing when to slow down and come off autopilot.
”
”
Caroline Webb (How to Have a Good Day: Harness the Power of Behavioral Science to Transform Your Working Life)
“
When I looked a little closer, I noticed a guy sitting in the dark, tapping his leg in slow, deliberate movements. His head was cast down, but his eyes...his eyes looked directly at me. My breath caught. I tried to focus on what was being said, but the penetrating gaze from the guy in shadows made my heart pound wildly. When my eyes found their way back to him, I noticed the scowl on his face and immediately looked away. My goodness, this was going to be a long meeting.
”
”
Maayan Nahmani (Underwater (Serendipity, #1))
“
slowing down an activity may meet with greater success than doing it quickly.
”
”
Linda Lantieri (Building Emotional Intelligence: Techiques to Cultivate Inner Strength in Children)
“
Temporal landmarks slow our thinking, allowing us to deliberate at a higher level and make better decisions
”
”
Daniel H. Pink (When: The Scientific Secrets of Perfect Timing)
“
Her grey, sun-strained eyes stared straight ahead, but she had deliberately shifted our relations, and for a moment I thought I loved her. But I am slow-thinking and full of interior rules that act as brakes on my desires, and I knew that first I had to get myself definitely out of that tangle back home. I'd been writing letters once a week and signing them: "Love, Nick," and all I could think of was how, when that certain girl played tennis, a faint mustache of perspiration appeared on her upper lip. Nevertheless there was a vague understanding that had to be tactfully broken off before I was free.
”
”
F. Scott Fitzgerald (The Great Gatsby)
“
A balanced life has a rhythym. But we live in a time, and in a culture, that encourages everyone to just move faster. I'm learning that if I don't take the time to tune in to my own more deliberate pace, I end up moving to someone else's, the speed of events around me setting a tempo that leaves me feeling scattered and out of touch with myself. I know now that I can't write fast; that words, my own thoughts and ideas, come to the surface slowly and in silence. A close relationship with myself requires slowness. Intimacy with my husband and guarded teenage sons requires slowness. A good conversation can't be hurried, it needs time in which to meander its way to revelation and insight. Even cooking dinner with care and attention is slow work. A thoughtful life is not rushed.
”
”
Katrina Kenison (The Gift of an Ordinary Day: A Mother's Memoir)
“
We didn't finish that dance."
"Here?"
"Why not?"
Echo's high heel tapped against the sidewalk, the telltale sign of nerves. I took a deliberate step forward and caught her waist before she coud back away from me. My siren had sung to me for way too long, capturing my heart, tempting me with her body, driving me slowly insane. Now, I expected her to pay up.
"Do you hear that?" I aked.
Echo raised an eyebrow when she heard nothing but the sound of water trickling in the fountain. "Hear what?"
I slid my right hand down her arm, cradled her hand against my chest and swayed us from side to side. "The music."
Her eyes danced. "Maybe if you could tell me what i'm supposed to be hearing."
"Slow drum beat." With one finger i tapped the beat into the small of her back. "Acoustic quitar." I leaned down and hummed my favorite song in her ear. Her sweet cinnamon smell intoxicated me.
She relaxed, fitting perfectly into my body. In the crisp, cold February air, we swayed together, moving to our own personal beat. For one moment, we escaped hell. No teachers, no therapist, no well-meaning friends, no nightmares-just the two of us, dancing.
My song ended, my finger stopped tapping the beat, and we ceased swaying from side to side. She held perfectly still, keeping her hand in mine, her head resting on my shoulder. I nuzzled into the warmth of her silky curls, tightening my hold on her. Echo was becoming essential, like air.
I eased my hand to her chin, lifting her face toward me. My thumb caressed her warm, smooth cheek. My heart beat faster.
A ghost of that siren smile graced her lips as she tilted her head closer to mine, creating the undeniable pull of the sailor lost to the sea to the beautiful goddess calling him home.
I kissed her lips. Soft, full, warm-everything i'd fantasized it would be and more, so much more. Echo hesitantly pressed back, a curious question for which i had a response. I parted my lips and teased her bottom one, begging, praying, for permission. Her smooth hands inched up my neck and pulled at my hair, bringing me closer.
She opened her mouth, her tongue seductively touching mine, almost bringing me to my knees. Flames licked through me as our kiss deepened. Her hands massaged my scalp and neck, only stoking the heat of the fire.
Forgetting every rule i'd created for this moment, my hands wandered up her back, twining in her hair, bringing her closer to me. I wanted Echo. I needed Echo.
Her eyes met mine again. "So what does this mean for us?"
I lowered my forehead to hers. "It means you 're mine.
”
”
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
“
He drew a slow, deliberate breath before speaking. “Quiet is not stupid,” he said, his voice flat. “You? Always talk. Chek chek chek chek chek.” He made a motion with one hand, like a mouth opening and closing. “Always. Like dog all night barking at tree. Try to be big. No. Just noise. Just dog.
”
”
Patrick Rothfuss (The Wise Man's Fear (The Kingkiller Chronicle, #2))
“
As with clicker-trained animals, deliberate use of intimidation almost certainly moves your learner off the SEEKING circuit and onto the conditioned fear path in the amygdala. You may get compliance, but learning slows way down.
”
”
Karen Pryor (Reaching the Animal Mind)
“
Watching the lecture hall fill for a while longer, Rummings picked up the gun, rested the barrel on the parapet and waited expectantly. A senior mining executive walked up to a rostrum and began to talk to the waiting audience.
Rummings took careful aim and squeezed the trigger. A large hole appeared in the curtain glazing surrounding the building and the executive staggered sideways.
After pumping a few more bullets into the dying man’s body, Rummings abandoned the rifle, ran back to the exit door, paused long enough to strip off the coveralls and then raced down the stairs. Once in the corridor, he deliberately slowed himself down, calmly called a lift and went down to the ground floor again.
”
”
Andrew R. Williams (Samantha's Revenge (Arcadia's Children, #1))
“
ABNER Marsh had a mind that was not unlike his body. It was big all around, ample in size and capacity, and he crammed all sorts of things into it. It was strong as well; when Abner Marsh took something in his hand it did not easily slip away, and when he took something in his head it was not easily forgotten. He was a powerful man with a powerful brain, but body and mind shared one other trait as well: they were deliberate. Some might even say slow. Marsh did not run, he did not dance, he did not scamper or slide along; he walked with a straightforward dignified gait that nonetheless got him where he wanted to go. So it was with his mind. Abner Marsh was not quick in word or thought, but he was far from stupid; he chewed over things thoroughly, but at his own pace.
”
”
George R.R. Martin (Fevre Dream)
“
Suddenly an unexpected series of sounds began to be heard in this place up against the starry sky. They were the notes of Oak´s flute. It came from the direction of a small dark object under the hedge - a shephard´s hut - now presenting an outline to which an unintiated person might have been puzzled to attach either meaning or use. ... Being a man not without a frequent consciousness that there was some charm in this life he led, he stood still after looking at the sky as a useful instrument, and regarded it in an appreciative spirit, as a work of art superlatively beautiful. For a moment he seemed impressed with the speaking loneliness of the scene, or rather with the complete abstraction from all its compass of the sights and sounds of man. ... Oak´s motions, though they had a quiet energy, were slow, and their deliberateness accorded well with his occupation. Fitness being the basis of beauty, nobody could have denied tha his steady swings and turns in and about the flock had elements of grace. His special power, morally, physically, and mentally, was static. ... Oak was an intensely human man: indee, his humanity tore in pieces any politic intentions of his which bordered on strategy, and carried him on as by gravitation. A shadow in his life had always been that his flock should end in mutton - that a day could find a shepherd an arrant traitor to his gentle sheep.
”
”
Thomas Hardy (Far From the Madding Crowd)
“
Close your mouth Lily, you look like a codfish."
"I can't help it. This place looks like something out of medieval times. I'm surprised there aren't rushes on the floor or half-dressed serving wenches carrying trenchers of food."
"Read Harlequin much?"
"Shut up. There's nothing wrong with romance novels. You could learn something from them you know."
Sean's mouth curved into a slow, seductive grin. He let his fingers drift casually along the side of her arm, deliberately grazing the edge of her breast. "Could I now?
”
”
Marianne Morea (Hunter's Blood (Hunter's Blood, #1))
“
I understood her hrythm. That feeling of everything inside twisting to the point that if you didn't find a release you'd explode. I craved to grant her peace.
I placed my hand over hers. My own heart rested when i rubbed my thumb over her smooth skin. She dropped the pen and grasped hes sleeve in her palm, her constant defense mechanism. No. If she grasped anything, it would me. My thumb worked its way between her fingers and her sleeve and released her death grip on the material. I wrapped my fingers around her fragile hand. Touching Echo felt like home.
Her ring figer slid against mime, causing electricity to move through my bloodstream. She moved it again. Only this time the movement was slow, deliberate and the most seductive touch in the world. Everything inside of me ached to touch her more.
Beth had been both wrong and right. Echo couldn’t hurt anyone, especially when she seemed so breakable herself. But the need I felt to be the one to keep the world from shattering her only confirmed Beth’s theory. I was falling for her and I was fucked.
”
”
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
“
Spiritual reading, therefore, is slow, deliberate, meditative reading in which we allow the words to penetrate our heart and question our spirit.
”
”
Henri J.M. Nouwen (Discernment: Reading the Signs of Daily Life)
“
If justice was anything, it was slow. Slow, deliberate and full of paperwork.
”
”
Becca Fanning (Bearly Tamed (Big Paw Security, #1))
“
Nick Epley and Tom Gilovich found evidence that adjustment is a deliberate attempt to find reasons to move away from the anchor:
”
”
Daniel Kahneman (Thinking, Fast and Slow)
“
Flow neatly separates the two forms of effort: concentration on the task and the deliberate control of attention.
”
”
Daniel Kahneman (Thinking, Fast and Slow)
“
My new deliberate and slower pace has created a higher quality in my experiences.
”
”
Lisa J. Shultz (Lighter Living: Declutter. Organize. Simplify.)
“
A quiet but indomitable voice behind me said, “I believe this is my dance.”
It was Ren. I could feel his presence. The warmth of him seeped into my back, and I quivered all over like spring leaves in a warm breeze.
Kishan narrowed his eyes and said, “I believe it is the lady’s choice.”
Kishan looked down at me. I didn’t want to cause a scene, so I simply nodded and removed my arms from his neck. Kishan glared at his replacement and stalked angrily off the dance floor.
Ren stepped in front of me, took my hands gently in his, and placed them around his neck, bringing my face achingly close to his. Then he slid his hands slowly and deliberately over my bare arms and down my sides, until they encircled my waist. He traced little circles on my exposes lower back with his fingers, squeezed my waist, and drew my body up tightly against him.
He guided me expertly through the slow dance. He didn’t say anything, at least not with words, but he was still sending lots of signals. He pressed his forehead against mine and leaned down to nuzzle my ear. He buried his face in my hair and lifted his hand to stroke down the length of it. His fingers played along my bare arm and at my waist.
When the song ended, it took both of us a min to recover our senses and remember where we were. He traced the curve of my bottom lip with his finger then reached up to take my hand from around his neck and led me outside to the porch.
I thought he would stop there, but he headed down the stairs and guided me to a wooded area with stone benches. The moon made his skin glow. He was wearing a white shirt with dark slacks. The white made me think of him as the tiger.
He pulled me under the shadow of a tree. I stood very still and quiet, afraid that if I spoke I’d say something I’d regret.
He cupped my chin and tilted my face up so he could look in my eyes. “Kelsey, there’s something I need to say to you, and I want you to be silent and listen.”
I nodded my head hesitantly.
“First, I want to let you know that I heard everything you said to me the other night, and I’ve been giving your words some very serious thought. It’s important for you to understand that.”
He shifted and picked up a lock of hair, tucked it behind my ear, and trailed his fingers down my cheek to my lips. He smiled sweetly at me, and I felt the little love plant bask in his smile and turn toward it as if it contained the nourishing rays of the sun. “Kelsey,” he brushed a hand through his hair, and his smile turned into a lopsided grin, “the fact is…I’m in love with you, and I have been for some time.”
I sucked in a deep breath.
He picked up my hand and played with my fingers. “I don’t want you to leave.” He began kissing my fingers while looking directly into my eyes. It was hypnotic. He took something out of his pocket. “I want to give you something.” He held out a golden chain covered with small tinkling bell charms. “It’s an anklet. They’re very popular here, and I got this one so we’d never have to search for a bell again.”
He crouched down, wrapping his hand around the back of my calf, and then slid his palm down to my ankle and attached the clasp. I swayed and barely stopped myself from falling over. He trailed his warm fingers lightly over the bells before standing up. Putting his hands on my shoulders, he squeezed, and pulled me closer.
“Kells . . . please.” He kissed my temple, my forehead, and my cheek. Between each kiss, he sweetly begged, “Please. Please. Please. Tell me you’ll stay with me.” When his lips brushed lightly against mine, he said, “I need you,” then crushed his lips against mine.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
Deep practice is slow, demanding and uncomfortable. To practice deeply is to live deliberately in a space that is uncomfortable but with the encouraging sense that progress can happen.
”
”
Anne Bogart (What's the Story: Essays about art, theater and storytelling)
“
You have the lovers,
they are nameless, their histories only for each other,
and you have the room, the bed, and the windows.
Pretend it is a ritual.
Unfurl the bed, bury the lovers, blacken the windows,
let them live in that house for a generation or two.
No one dares disturb them.
Visitors in the corridor tip-toe past the long closed door,
they listen for sounds, for a moan, for a song:
nothing is heard, not even breathing.
You know they are not dead,
you can feel the presence of their intense love.
Your children grow up, they leave you,
they have become soldiers and riders.
Your mate dies after a life of service.
Who knows you? Who remembers you?
But in your house a ritual is in progress:
It is not finished: it needs more people.
One day the door is opened to the lover's chamber.
The room has become a dense garden,
full of colours, smells, sounds you have never known.
The bed is smooth as a wafer of sunlight,
in the midst of the garden it stands alone.
In the bed the lovers, slowly and deliberately and silently,
perform the act of love.
Their eyes are closed,
as tightly as if heavy coins of flesh lay on them.
Their lips are bruised with new and old bruises.
Her hair and his beard are hopelessly tangled.
When he puts his mouth against her shoulder
she is uncertain whether her shoulder
has given or received the kiss.
All her flesh is like a mouth.
He carries his fingers along her waist
and feels his own waist caressed.
She holds him closer and his own arms tighten around her.
She kisses the hand besider her mouth.
It is his hand or her hand, it hardly matters,
there are so many more kisses.
You stand beside the bed, weeping with happiness,
you carefully peel away the sheets
from the slow-moving bodies.
Your eyes filled with tears, you barely make out the lovers,
As you undress you sing out, and your voice is magnificent
because now you believe it is the first human voice
heard in that room.
The garments you let fall grow into vines.
You climb into bed and recover the flesh.
You close your eyes and allow them to be sewn shut.
You create an embrace and fall into it.
There is only one moment of pain or doubt
as you wonder how many multitudes are lying beside your body,
but a mouth kisses and a hand soothes the moment away.
”
”
Leonard Cohen
“
a slow tick-tock that set his teeth on edge, because it was the kind of deliberate, annoying ticking that wanted to make it abundantly clear that every tick and every tock was stripping another second off your life.
”
”
Terry Pratchett (The Light Fantastic (Discworld, #2))
“
Her heartbeat began to pound faster. Thirteen’s eyes were sweeping over her body. A slow, deliberate glance. “Can he—can he see through the mirror?” His gaze felt like a hot touch on her skin.
“Of course not” was Dr. Wyatt’s instant response. The doc sounded annoyed with her.
Her shoulders relaxed.
Subject Thirteen smiled.
Damn.
”
”
Cynthia Eden (Burn For Me (Phoenix Fire, #1))
“
Self-control and deliberate thought apparently draw on the same limited budget of effort.... This is how the law of least effort comes to be a law. Even in the absence of time pressure, maintaining a coherent train of thought requires discipline.
”
”
Daniel Kahneman (Thinking, Fast and Slow)
“
And you’re okay with this?...” I studied his calm expression, my own features anything but calm.
“Noooo…” Aeron drew the word out lazily with a slow, deliberate shake of his head. His face remained strangely composed.
“Then can I please have some of whatever sedative you took…because this,” I waved my hand, motioning from his head to his feet, “is way too cool under pressure.
”
”
M.A. George (Relativity (Proximity, #2))
“
Professor John Stilgoe has simple advice: Get out now. Not just outside, but beyond the trap of the programmed electronic age so gently closing around so many people. . . . Go outside, move deliberately, then relax, slow down, look around. Do not jog. Do not run. . . . Instead pay attention to everything that abuts the rural road, the city street, the suburban boulevard. Walk. Stroll. Saunter. Ride a bike and coast along a lot. Explore.
”
”
Ryan Holiday (Stillness is the Key)
“
He has analyzed what happens to a person’s focus if they engage in deliberately slow practices, like yoga, or tai chi, or meditation, as discovered in a broad range of scientific studies, and he has shown they improve your ability to pay attention by a significant amount. I asked him why. He said that “we have to shrink the world to fit our cognitive bandwidth.” If you go too fast, you overload your abilities, and they degrade. But when you practice moving at a speed that is compatible with human nature—and you build that into your daily life—you begin to train your attention and focus. “That’s why those disciplines make you smarter. It’s not about humming or wearing orange robes.” Slowness, he explained, nurtures attention, and speed shatters it.
”
”
Johann Hari (Stolen Focus: Why You Can't Pay Attention—and How to Think Deeply Again)
“
The snail pushes through a green
night, for the grass is heavy
with water and meets over
the bright path he makes, where rain
has darkened the earth's dark. He
moves in a wood of desire,
pale antlers barely stirring
as he hunts. I cannot tell
what power is at work, drenched there
with purpose, knowing nothing.
What is a snail's fury? All
I think is that if later
I parted the blades above
the tunnel and saw the thin
trail of broken white across
litter, I would never have
imagined the slow passion
to that deliberate progress.
”
”
Thom Gunn
“
He climbed the stairs with slow deliberation, aware—too aware—of how hard his heart was working. Ka-boom, ka-thud. Ka-boom, ka-thud. Ka-boom, ka-thud. It made him nervous when he could feel his heart beating in his ears and wrists as well as in his chest. Sometimes when that happened he would imagine it not as a squeezing and loosening organ but as a big dial on the left side of his chest with the needle edging ominously into the red zone. He did not like that shit; he did not need that shit. What he needed was a good night’s sleep.
”
”
Stephen King (It)
“
What came quickly to my mind was an intuition from System 1. I’ll have to start over and search my memory deliberately.
”
”
Daniel Kahneman (Thinking, Fast and Slow)
“
Her gray, sun-strained eyes stared straight ahead, but she had deliberately shifted our relations, and for a moment I thought I loved her. But I am slow-thinking and full of interior rules that act as brakes on my desires, and I knew that I had to get myself definitely out of that tangle back home. I'd been writing letters once a week and signing them: "Love, Nick," and all I could think of was how, when a certain girl played tennis, a faint mustache of perspiration appeared on her upper lip. Nevertheless there was a vague understanding that had to be tactfully broken off before I was free. Everyone suspects himself of at least one of the cardinal virtues, and this is mine: I am one of the few honest people I have ever known.
”
”
F. Scott Fitzgerald (The Great Gatsby)
“
With a slow, deliberate movement, he pushed his hand into the fall of her hair, wrapping a thick strand around his fingers and wrist. His voice dropped, deepening as he spoke words meant for her. “I love your hair. The color of blood at its most fragrant and powerful.”
The light tug on the strands didn’t hurt. Instead it sensitized her. The swirl of color in his eyes was myriad shades of red reflected and magnified. “You should let go now,” she said, low even tones that matched his own.
The corner of that edible mouth lifted, baring a fang. “Never.
”
”
Danielle Monsch (Stone Guardian (Entwined Realms, #1))
“
Suddenly the theater was plunged into utter blinding darkness, while an ominous rumbling rose from beneath the platform. There were several little screams of alarm, a scattering of laughter, and loud gasps of anticipation. Annabelle’s spine went rigid as she felt the brush of a hand on her back. His hand, sliding with slow deliberateness up her spine…his scent, fresh and beguiling in her nostrils …and before she could make a sound, his mouth, possessing hers in a warm, softly ravishing kiss.
She was too stunned to move, her hands in the air like butterflies suspended in midflight, her swaying body anchored by his light clasp on her waist, while his other hand cradled the back of her neck. Annabelle had been kissed before, by brash young men who had stolen a quick embrace during a walk in the garden, or in a corner of the parlor when they would not be observed. But none of those brief, flirtatious encounters had been like this …a kiss so slow and dizzying that it filled her with delirium.
Sensations rushed through her, far too strong to manage, and she quivered helplessly in his hold. Compelled by instinct, she lifted blindly into the tenderly restless caress of his lips. The pressure of his lips increased as he demanded more, rewarding her helpless response with a voluptuous exploration that set her senses on fire. Just as she began to lose all sanity, his mouth released hers with startling suddenness, leaving her dazed. Keeping his supportive hand on the downy-soft nape of her neck, he bent his head until a rueful murmur tickled her ear.
“Sorry. I couldn’t resist.” His touch withdrew completely, and when red-filtered light finally invaded the theater, he was gone.
”
”
Lisa Kleypas (Secrets of a Summer Night (Wallflowers, #1))
“
In fourth grade we played hard. The fifth-grade girls played four square, too, but they didn't jeer at each other when they played, and they hit the ball gently from square to square.
Their slowness seemed deliberate, as if they were dancing. Their skirts brushed slowly against their knees as they swayed. It wasn't so much that they looked different; they just looked as if they knew they were being watched.
”
”
Sarah Manguso (Very Cold People)
“
I thought of many an autumn I had known: Seemly autumns approaching deliberately, with amplitude. I thought of wild asters, Michaelmas daisies, mushrooms, leaves idling down the air, two or three at a time, warblers twittering and glittering in every bush ('Confusing fall warblers,' Peterson calls them, and how right he is): the lingering yellow jackets feeding on broken apples; crickets; amber-dappled light; great geese barking down from the north; the seesaw noise that blue jays seem to make more often in the fall. Hoarfrost in the morning, cold stars at night. But slow; the whole thing coming slowly. The way it should be.
”
”
Elizabeth Enright (Doublefields: Memories and Stories)
“
As he watched this beautiful, still world, Louie played with a thought that had come to him before. He had thought it as he had watched hunting seabirds, marveling at their ability to adjust their dives to compensate for the refraction of light in water. He had thought it as he had considered the pleasing geometry of the sharks, their gradation of color, their slide through the sea. He even recalled the thought coming to him in his youth, when he had lain on the roof of the cabin in the Cahuilla Indian Reservation, looking up from Zane Grey to watch night settling over the earth. Such beauty, he thought, was too perfect to have come about by mere chance. That day in the center of the Pacific was, to him, a gift crafted deliberately, compassionately, for him and Phil. Joyful and grateful in the midst of slow dying, the two men bathed in that day until sunset brought it, and their time in the doldrums, to an end.
”
”
Laura Hillenbrand (Unbroken: A World War II Story of Survival, Resilience, and Redemption)
“
It amused him sometimes to consider that his friends, because he had a face which did not express his feelings very vividly and a rather slow way of moving, looked upon him as strong-minded, deliberate and cool. They thought him reasonable and praised his common sense; but he knew that his placid expression was no more than a mask, assumed unconsciously, which acted like the protective colouring of butterflies; and himself was astonished at the weakness of his will. It seemed to him that he was swayed by every light emotion, as though he were a leaf in the wind, and when passion seized him he was powerless. He had no self-control. He merely seemed to possess it because he was indifferent to many of the things which moved other people.
He considered with some irony the philosophy which he had developed for himself, for it had not been of much use to him in the conjuncture he had passed through; and he wondered whether thought really helped a man in any of the critical affairs of life: it seemed to him rather that he was swayed by some power alien to and yet within himself, which urged him like that great wind of Hell which drove Paolo and Francesca ceaselessly on. He thought of what he was going to do and, when the time came to act, he was powerless in the grasp of instincts, emotions, he knew not what. He acted as though he were a machine driven by the two forces of his environment and personality; his reason was someone looking on, observing the facts but powerless to interfere: it was like those gods of Epicurus, who saw the doings of men from their empyrean heights and had no might to alter one smallest particle of what occurred.
”
”
W. Somerset Maugham (Of Human Bondage)
“
As Wemmick and Miss Skiffins sat side by side, and as I sat in a shadowy corner, I observed a slow and gradual elongation of Mr. Wemmick's mouth, powerfully suggestive of his slowly and gradually stealing his arm round Miss Skiffins's waist. In course of time I saw his hand appear on the other side of Miss Skiffins; but at that moment Miss Skiffins neatly stopped him with the green glove, unwound his arm again as if it were an article of dress, and with the greatest deliberation laid it on the table before her. Miss Skiffins's composure while she did this was one of the most remarkable sights I have ever seen, and if I could have thought the act consistent with abstraction of mind, I should have deemed that Miss Skiffins performed it mechanically.
”
”
Charles Dickens (Great Expectations)
“
It made no difference to me. Dishonesty in a woman is a thing you never blame deeply—I was casually sorry, and then I forgot. It was on that same house party that we had a curious conversation about driving a car. It started because she passed so close to some workmen that our fender flicked a button on one man’s coat.
“You’re a rotten driver,” I protested. “Either you ought to be more careful, or you oughtn’t to drive at all.”
“I am careful.”
“No, you’re not.”
“Well, other people are,” she said lightly.
“What’s that got to do with it?”
“They’ll keep out of my way,” she insisted. “It takes two to make an accident.”
“Suppose you met somebody just as careless as yourself.”
“I hope I never will,” she answered. “I hate careless people. That’s why I like you.”
Her gray, sun-strained eyes stared straight ahead, but she had deliberately shifted our relations, and for a moment I thought I loved her. But I am slow-thinking and full of interior rules that act as brakes on my desires, and I knew that first I had to get myself definitely out of that tangle back home. I’d been writing letters once a week and signing them: “Love, Nick,” and all I could think of was how, when that certain girl played tennis, a faint mustache of perspiration appeared on her upper lip. Nevertheless there was a vague understanding that had to be tactfully broken off before I was free.
Every one suspects himself of at least one of the cardinal virtues, and this is mine: I am one of the few honest people that I have ever known.
”
”
F. Scott Fitzgerald (The Great Gatsby)
“
You stop waiting for someone to come back through a series of slow, deliberate steps that move you away from the life you thought you’d have and towards the one that’s waiting for you. It’s the life that shows up once you make the conscious, uncomfortable decision to leave the past behind. To learn from the people you’ve lost and to embrace the people that you have left. To embrace the life you have left. And to bring yourself back to it as fully and wholly as you wish that you could bring back someone else.
”
”
Heidi Priebe (This Is Me Letting You Go)
“
Substituting one question for another can be a good strategy for solving difficult problems, and George Pólya included substitution in his classic How to Solve It: “If you can’t solve a problem, then there is an easier problem you can solve: find it.” Pólya’s heuristics are strategic procedures that are deliberately implemented by System 2. But the heuristics that I discuss in this chapter are not chosen; they are a consequence of the mental shotgun, the imprecise control we have over targeting our responses to questions.
”
”
Daniel Kahneman (Thinking, Fast and Slow)
“
Just close your eyes and relax."
Gratefully, Swift closed his eyes, trying to concentrate on nothing more than the feel of Max's hand rubbing his back. Such a simple, uncomplicated pleasure, that of touch. Max smoothed the thin skin between Swift's shoulder blades.
"This is where your wings used to be."
Swift expelled a half laugh, most of his attention fixed on the slow deliberate slide of Max's hand down his spine. Max's fingers brushed the final links of bone and cartilage."And that's where my tail used to be," Swift murmured.
”
”
Josh Lanyon (Come Unto These Yellow Sands)
“
The Dutch life is beautifully attuned to the deliberate pace of bicycle riding. It has the same calm and slow rhythm which allows the Hollander time off for coffee in the middle of the morning, for tea in the afternoon, and tea again in the evening. . . . To a Dutchman a bicycle becomes a matter of individual expression, almost a part of the body, controlled subconsciously and leaving him free to meditation. There is no noise, no smell of gasoline, so he can notice little things like birds and flowers, which the automobilized American leaves in the roar and dust. An
”
”
Pete Jordan (In the City of Bikes: The Story of the Amsterdam Cyclist)
“
What is it, fundamentally, that allows us to recognize who has turned out well? That a well-turned out person pleases our senses, that he is carved from wood that is hard, delicate, and at the same time smells good. He has a taste only for what is good for him; his pleasure, his delight cease where the measure of what is good for him is transgressed. He guesses what remedies avail against what is harmful; he exploits bad accidents to his advantage; what does not kill him makes him stronger. Instinctively, he collects from everything he sees, hears, lives through, his sum: he is a principle of selection, he discards much. He is always in his own company, whether he associates with books, human beings, or landscapes: he honors by choosing, by admitting, by trusting. He reacts slowly to all kinds of stimuli, with that slowness which long caution and deliberate pride have bred in him: he examines the stimulus that approaches him, he is far from meeting it halfway. He believes neither in 'misfortune' nor in 'guilt': he comes to terms with himself, with others: he knows how to forget — he is strong enough; hence everything must turn out for his best.
”
”
Friedrich Nietzsche (Ecco Homo)
“
It is not that we would oust the little people from the world,' he said, 'in order that we, who are no more than one step upwards from their littleness, may hold their world forever. It is the step we fight for an not ourselves... We are here, Brothers, to what end? To serve the spirit and the purpose that has been breathed into our lives. We fight not for ourselves - for we are but the momentary hands and eyes of the Life of the world... This earth is no resting place... We fight not for ourselves but for growth - growth that goes on forever. Tomorrow, whether we live or die, growth will conquer through us. That is the law of the spirit for ever more. To grow according to the will of God! To grow out of these cracks and crannies, out of these shadows and darknesses, into greatness and the light! Greater,' he said, speaking with slow deliberation, 'greater, my Brothers! And then - still greater. To grow, and again - to grow. To grow at last into the fellowship and understanding of God. Growing... Till the earth is no more than a footstool... Till the spirit shall have driven fear into nothingness, and spread...' He swung his arm heavenward: - 'There!
”
”
H.G. Wells (The Food of the Gods)
“
An availability cascade is a self-sustaining chain of events, which may start from media reports of a relatively minor event and lead up to public panic and large-scale government action. On some occasions, a media story about a risk catches the attention of a segment of the public, which becomes aroused and worried. This emotional reaction becomes a story in itself, prompting additional coverage in the media, which in turn produces greater concern and involvement. The cycle is sometimes sped along deliberately by “availability entrepreneurs,” individuals or organizations who work to ensure a continuous flow of worrying news.
”
”
Daniel Kahneman (Thinking, Fast and Slow)
“
When our cause is young, we feel so intensely that it seems wrong to take it slow. This is our inability to see that burning ourselves out isn’t going to hurry the journey along.
The critical work that you want to do will require your deliberation and consideration. Not passion. Not naïveté.
It’d be far better if you were intimidated by what lies ahead - humbled by its magnitude and determined to see it through. Leave passion for the amateurs. Make it about what you feel you *must* do or say, not what you care about and wish to be. Then you will do great things. Then you will stop being your old, good-intentioned, but ineffective self.
”
”
Ryan Holiday (Ego Is the Enemy)
“
It was gentler here, softer, its seethe the quietest of whispers, as if, in deference to a drawing room, it had quite deliberately put on its 'manners'; it kept itself out of sight, obliterated itself, but distinctly with an air of saying, 'Ah, but just wait! Wait till we are alone together! Then I will begin to tell you something new! Something white! something cold! something sleepy! something of cease, and peace, and the long bright curve of space! Tell them to go away. Banish them. Refuse to speak. Leave them, go upstairs to your room, turn out the light and get into bed - I will go with you, I will be waiting for you, I will tell you a better story than Little Kay of the Skates, or The Snow Ghost - I will surround your bed, I will close the windows, pile a deep drift against the door, so that none will ever again be able to enter. Speak to them!...' It seemed as if the little hissing voice came from a slow white spiral of falling flakes in the corner by the front window - but he could not be sure.
("Silent Snow, Secret Snow")
”
”
Conrad Aiken (Great Tales of Terror and the Supernatural (Modern Library))
“
Take off your boots, please.”
He set his feet apart and brought his hands to his hips. He let his gaze slide over her with deliberate slowness, not assessing this time, but going for a blatantly male vibe. He clearly couldn’t believe he hadn’t shut her up yet, and he was now switching to a different tactic.
“What else do you want me to take off?
”
”
Dana Marton (Silent Threat (Mission Recovery, #1))
“
An important advance is that emotion now looms much larger in our understanding of intuitive judgments and choices than it did in the past. The executive’s decision would today be described as an example of the affect heuristic, where judgments and decisions are guided directly by feelings of liking and disliking, with little deliberation or reasoning.
”
”
Daniel Kahneman (Thinking, Fast and Slow)
“
The feet-on-the-stove stance of this book is a deliberate attempt to cure myself, and anyone else who will listen, of the nasty habit of worrying the world to pieces like a terrier with a rag. What we are up to here is not the hasty shaking loose of a culinary result, but a patient rumination on cooking itself. There are more important things to do than hurry.
”
”
Robert Farrar Capon
“
Complexity catastrophes help explain why bureaucracy seems to grow with the tenacity of weeds. Many companies go through bureaucracy-clearing exercises only to find it has sprung back a few years later. No one ever sits down to deliberately design a bureaucratic muddle. Instead, bureaucracy springs up as people just try to optimize their local patch of the network: finance is just trying to ensure that the numbers add up, legal wants to keep us out of jail, and marketing is trying to promote the brand. The problem isn't dumb people or evil intentions. Rather, network growth creates interdependencies, interdependencies create conflicting constraints, and conflicting constraints create slow decision making and, ultimately, bureaucratic gridlock.
”
”
Eric D. Beinhocker (The Origin of Wealth: Evolution, Complexity, and the Radical Remaking of Economics)
“
Every year there was an important poetry contest at the fair of ‘Ukaz, just outside Mecca, and the winning poems were embroidered in gold on fine black cloth and hung on the walls of the Kabah. Muhammad’s followers would, therefore, have been able to pick up verbal signals in the text that are lost in translation. They found that themes, words, phrases, and sound patterns recurred again and again—like the variations in a piece of music, which subtly amplify the original melody, and add layer upon layer of complexity. The Qur’an was deliberately repetitive; its ideas, images, and stories were bound together by these internal echoes, which reinforced its central teaching with instructive shifts of emphasis. They linked passages that initially seemed separate, and integrated the different strands of the text, as one verse delicately qualified and supplemented others. The Qur’an was not imparting factual information that could be conveyed instantaneously. Like Muhammad, listeners had to absorb its teachings slowly; their understanding would grow more profound and mature over time, and the rich, allusive language and rhythms of the Qur’an helped them to slow down their mental processes and enter a different mode of consciousness.
”
”
Karen Armstrong (Muhammad: A Prophet for Our Time (Eminent Lives))
“
I didn't like what that word-'childhood'-conjured up, or rather, I didn't like the way most people use it: that presumption of innocence and starry-eyed wonder. The only good thing about childhood is that no one really remembers it, or rather, that's the only thing about it to like: this forgetting. What else could possibly lie beneath that blissful oblivion but shame: a dark knowledge of that terrible badge of weakness, that inescapable servitude (bearable only thanks to the slow revelation that we could inflict cruelty and evil on the weaker kids), a sickening awareness that just about everything there is to understand was beyond us, made even worse by the lies and inaccuracies that adults feel entitled to spread around, deliberately, or because they don't know any better, about themselves or about the nature of reality?
”
”
Jean-Christophe Valtat (03)
“
An availability cascade is a self-sustaining chain of events, which may start from media reports of a relatively minor event and lead up to public panic and large-scale government action. On some occasions, a media story about a risk catches the attention of a segment of the public, which becomes aroused and worried. This emotional reaction becomes a story in itself, prompting additional coverage in the media, which in turn produces greater concern and involvement. The cycle is sometimes sped along deliberately by “availability entrepreneurs,” individuals or organizations who work to ensure a continuous flow of worrying news. The danger is increasingly exaggerated as the media compete for attention-grabbing headlines. Scientists and others who try to dampen the increasing fear and revulsion attract little attention, most of it hostile: anyone who claims that the danger is overstated is suspected of association with a “heinous cover-up.” The issue becomes politically important because it is on everyone’s mind, and the response of the political system is guided by the intensity of public sentiment. The availability cascade has now reset priorities. Other risks, and other ways that resources could be applied for the public good, all have faded into the background.
”
”
Daniel Kahneman (Thinking, Fast and Slow)
“
There was someone in his little attic room. Geralt knew it before he even reached the door, sensing it through the barely perceptible vibration of his medallion. He blew out the oil lamp which had lit his path up the stairs, pulled the dagger from his boot, slipped it into the back of his belt and pressed the door handle. The room was dark. But not for a witcher. He was deliberately slow in crossing the threshold; he closed the door behind him carefully. The next second he dived at the person sitting on his bed, crushed them into the linen, forced his forearm under their chin and reached for his dagger. He didn't pull it out. Something wasn't right. “Not a bad start,” she said in a muffled voice, lying motionless beneath him. “I expected something like this, but I didn't think we'd both be in bed so quickly. Take your hand from my throat please.” “It's
”
”
Andrzej Sapkowski (The Last Wish (The Witcher 0.5))
“
The silence stretched out, heartbeat after heartbeat – taut, excruciating. And then, finally, came the first sound: a slow, deliberate clapping. Startled, Maddy opened her eyes to see Harvir leaning back in his desk, his dark gaze steady on her as his hands came together, unhurried, almost leisurely, announcing his approval. A second later, from across the room, Kara joined in, followed by August, and Paul and Jeremy and Theresa. Ms. Mousumi got to her feet with a broad smile on her face, then Rhonda began to applaud, and Nikki. Not everyone followed suit – Ken continued to sit stonefaced, as did Julie and her retinue. David, too, remained motionless, staring at his desktop. Elliot gazed out the classroom windows; Sheng played with a pen. Still, the heartbeat clapping continued on, and Maddy realized she would never forget the gift of it. If it didn’t include everyone, it was enough. She had her soul back.
”
”
Beth Goobie (The Pain Eater)
“
least.” “I don’t remember you complaining.” “Yes, well, I’d only been fantasizing about it for ages.” “See, there’s a thing,” Alex points out. “You just told me that. You can tell me other stuff.” “It’s hardly the same.” He rolls over onto his stomach, considers, and very deliberately says, “Baby.” It’s become a thing: baby. He knows it’s become a thing. He’s slipped up and accidentally said it a few times, and each time, Henry positively melts and Alex pretends not to notice, but he’s not above playing dirty here. There’s a slow hiss of an exhale across the line, like air escaping through a crack in a window. “It’s, ah. It’s not the best time,” he says. “How did you put it? Nutso family stuff.” Alex purses his lips, bites down on his cheek. There it is. He’s wondered when Henry would finally start talking about the royal family. He makes oblique references to Philip being wound so tight as to double as an atomic clock, or to his grandmother’s disapproval, and he mentions Bea as often as Alex mentions June, but Alex knows there’s more to it than that. He couldn’t tell you when he started noticing, though, just like he doesn’t know when he started ticking off the days of Henry’s moods. “Ah,” he says. “I see.” “I don’t suppose you keep up with any British tabloids, do you?” “Not if I can help it.” Henry offers the bitterest of laughs. “Well, the Daily Mail has always had a bit of an affinity for airing our dirty laundry. They, er, they gave my sister this nickname years ago. ‘The Powder Princess.’” A ding of recognition. “Because of the…” “Yes, the cocaine, Alex.” “Okay, that does sound familiar.” Henry sighs. “Well, someone’s managed to bypass security to spray paint ‘Powder Princess’ on the side of her car.” “Shit,” Alex says. “And she’s not taking it well?” “Bea?” Henry laughs, a little more genuinely this time. “No, she doesn’t usually care about those things. She’s fine. More shaken up that someone got past security than anything.
”
”
Casey McQuiston (Red, White & Royal Blue)
“
But were this world ever so perfect a production, it must still remain uncertain whether all the excellences of the work can justly be ascribed to the workman. If we survey a ship, what an exalted idea must we form of the ingenuity of the carpenter who framed so complicated, useful, and beautiful a machine? And what surprise must we feel when we find him a stupid mechanic who imitated others, and copied an art which, through a long succession of ages, after multiplied trials, mistakes, corrections, deliberations, and controversies, had been gradually improving? Many worlds might have been botched and bungled, throughout an eternity, ere this system was struck out; much labor lost; many fruitless trials made; and a slow but continued improvement carried on during infinite ages in the art of world-making. In such subjects, who can determine where the truth, nay, who can conjecture where the probability lies, amidst a great number of hypotheses which may be proposed, and a still greater which may be imagined?
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David Hume (Dialogues Concerning Natural Religion (Hackett Classics))
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What Homer could never have foreseen is the double idiocy into which we now educate our children. We have what look like our equivalent to the Greek “assemblies”; we can watch them on cable television, as long as one can endure them. For they are charades of political action. They concern themselves constantly, insufferably, about every tiniest feature of human existence, but without slow deliberation, without balance, without any commitment to the difficult virtues. We do not have men locked in intellectual battle with other men, worthy opponents both, as Thomas Paine battled with John Dickinson, or Daniel Webster with Robert Hayne. We have men strutting and mugging for women nagging and bickering. We have the sputters of what used to be language, “tweets,” expressions of something less than opinion. It is the urge to join—something, anything—while remaining aloof from the people who live next door, whose names we do not know. Aristotle once wrote that youths should not study politics, because they had not the wealth of human experience to allow for it; all would become for them abstract and theoretical, like mathematics, which the philosopher said was more suitable for them. He concluded that men should begin to study politics at around the age of forty. Whether that wisdom would help us now, I don’t know.
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Anthony Esolen (Life Under Compulsion: Ten Ways to Destroy the Humanity of Your Child)
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What you have to do, if you get caught in this gumption trap of value rigidity, is slow down – you’re going to have to slow down anyway whether you want to or not – but slow down deliberately and go over ground that you’ve been over before to see if the things you thought were important were really important and to . . . well . . . just stare at the machine. There’s nothing wrong with that. Just live with it for a while. Watch it the way you watch a line when fishing and before long, as sure as you live, you’ll get a little nibble, a little fact asking in a timid, humble way if you’re interested in it. That’s the way the world keeps on happening. Be interested in it.
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Robert M. Pirsig (Zen and the Art of Motorcycle Maintenance: An Inquiry Into Values (Phaedrus, #1))
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For three days and three nights, Phædrus stares at the wall of the bedroom, his thoughts moving neither forward nor backward, staying only at the instant. His wife asks if he is sick, and he does not answer. His wife becomes angry, but Phædrus listens without responding. He is aware of what she says but is no longer able to feel any urgency about it. Not only are his thoughts slowing down, but his desires too. And they slow and slow, as if gaining an imponderable mass. So heavy, so tired, but no sleep comes. He feels like a giant, a million miles tall. He feels himself extending into the universe with no limit. He begins to discard things, encumbrances that he has carried with him all his life. He tells his wife to leave with the children, to consider themselves separated. Fear of loathsomeness and shame disappear when his urine flows not deliberately but naturally on the floor of the room. Fear of pain, the pain of the martyrs is overcome when cigarettes burn not deliberately but naturally down into his fingers until they are extinguished by blisters formed by their own heat. His wife sees his injured hands and the urine on the floor and calls for help. But before help comes, slowly, imperceptibly at first, the entire consciousness of Phædrus begins to come apart — to dissolve and fade away. Then gradually he no longer wonders what will happen next. He knows what will happen next, and tears flow for his family and for himself and for this world.
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Robert M. Pirsig
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I do not mind,Julian," she told him. "I rather like the way you spend your time with me." She pressed closer to him,her naked breasts against his bare chest.
His answering kiss was slow and tender, a gentle exploration. "In this one thing I will have to insist. Your health must come before all things, even our pleasure. On the next rising we will have more time together. This dawn you must rest."
She tried to keep the amusement out of her mind. He was so positive he was giving her an order. "Of course, Julian," she murmured softly, her long lashes feathering down to cover her dark eyes. Her body moved restlessly against his, her full breasts pushing into the heavy muscles of his chest. "If you say we cannot, then I must agree with you,but I am sorry to hear that it is so." Her hands were moving over his buttocks, her fingers tracing their defined muscles. Her fingers moved to his hips, caressed his thighs,worked their way to cup the weight of his rising desire in her palm. "I will do as you say, lifemate, if that is what truly pleases you." Her mouth drifted down over his throat and chest, following the pattern of golden hair to the taut muscles of his belly.
Beneath her caressing fingers, his body thickened and hardened in response, his gut clenched hotly, and the breath seemed to slam out of him. "You are deliberately testing my resolve,piccola, and I am failing the test miserably."
"That is exactly what I wanted to hear," she answered complacantly, her mind already occupied with much more interesting matters.
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Christine Feehan (Dark Challenge (Dark, #5))
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His tousled hair glittered like pagan gold as he pressed her to her back and dragged his open mouth over her flat stomach. Evie shook her head with groggy denial even as he bent her knees and pushed them upward. "Too tired," she said thickly, "I---wait, Sebastian---"
His tongue searched her salty-damp flesh with assuaging licks, persisting until her protests died away. The gentle ministrations of his mouth lulled her into peace, her heartbeat slowing to measured beats. After long, patient minutes, he drew the swollen bud of her clitoris in his mouth and began to suckle and nibble. She jerked at the delicate aggression of his mouth. He drove her higher, his tongue flicking and swirling in a deliberate pattern, his arms clamping around her thighs. It seemed her body was no longer her own, that she existed only to receive this torment of pleasure. Sebastian... she could not voice his name, and yet he seemed to hear her silent plea, and in response he did something with his mouth that launched her into a series of incandescent climaxes. Every time she thought it was over, another ripple of sensation went through her until she was so exhausted that she begged him to stop.
Sebastian rose over her, his eyes glittering in his shadowed face. She moved to welcome him, opening her legs, sliding her arms around the powerful length of his back. He nudged inside her swollen flesh, filling her completely. As his mouth came to her ear, she could hardly hear his whisper over the thumping of her heart.
"Evie," came his dark voice, "I want something from you... I want you to come one more time."
"No," she said weakly.
"Yes. I need to feel you come around me."
Her head rolled in a slow, negative shake across the pillow. "I can't... I can't..."
"Yes, you can. I'll help you." His hand drifted along her body to the place where they were joined. "Let me deeper inside you... deeper..."
She moaned helplessly as she felt his fingertips on her sex, skillfully manipulating her spent nerves. Suddenly she felt him sliding even farther as her excited body opened to accept him. "Mmm..." he crooned. "Yes, that's it... ah, love, you're so sweet..."
He settled between her bent knees, into the cradle of her hips, driving hard and sure inside her. She encompassed him with her arms and legs, and buried her face in his hot throat, and cried out one last time, her flesh pulsing and tightening to bring him to shattering fulfillment. He shook in her arms, and clenched his hands into the warm spill of her hair as he gave himself over to her completely, worshipping her with every part of his body and spirit.
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Lisa Kleypas (Devil in Winter (Wallflowers, #3))
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He spent the morning at the beach. He had no idea which one, just some open stretch of coastline reaching out to the sea. An unbroken mantle of soft grey clouds was sitting low over the water. Only on the horizon was there a glimmer of light, a faint blue band of promise. The beach was deserted, not another soul on the vast, wide expanse of sand that stretched out in front of him. Having come from the city, it never ceased to amaze Jejeune that you could be that alone in the world. He walked along the beach, feeling the satisfying softness as the sand gave way beneath his slow deliberate strides. He ventured as close to the tide line as he dared, the white noise of the waves breaking on the shingles. A set of paw prints ran along the sand, with an unbroken line in between. A small dog, dragging a stick in its mouth. Always the detective, even if, these days, he wasn’t a very good one.
Jejeune’s path became blocked by a narrow tidal creek carrying its silty cargo out to the sea. On each side of it were shallow lagoons and rock pools. When the tide washed in they would teem with new life, but at the moment they looked barren and empty. Jejeune looked inland, back to where the dark smudge of Corsican pines marked the edge of the coast road. He traced the creek’s sinuous course back to where it emerged from a tidal salt flat, and watched the water for a long time as it eddied and churned, meeting the incoming tide in an erotic swirl of water, the fresh intermingling with the salty in a turbulent, roiling dance, until it was no longer possible to tell one from the other.
He looked out at the sea, at the motion, the color, the light. A Black-headed Gull swooped in and settled on a piece of driftwood a few feet away. Picture complete, thought Jejeune. For him, a landscape by itself, no matter how beautiful, seemed an empty thing. It needed a flicker of life, a tiny quiver of existence, to validate it, to confirm that other living things found a home here, too.
Side by side, they looked out over the sea, the man and the bird, two beating hearts in this otherwise empty landscape, with no connection beyond their desire to be here, at this time. Was it the birds that attracted him to places like this, he wondered, or the solitude, the absence of demands, of expectations? But if Jejeune was unsure of his own motives, he knew this bird would have a purpose in being here. Nature always had her reasons.
He chanced a sidelong glance at the bird, now settled to his presence. It had already completed its summer molt, crisp clean feathers having replaced the ones abraded by the harsh demands of eking out a living on this wild, windswept coastline. The gull stayed for a long moment, allowing Jejeune to rest his eyes softly, unthreateningly, upon it. And then, as if deciding it had allowed him enough time to appreciate its beauty, the bird spread its wings and effortlessly lifted off, wheeling on the invisible air currents, drifting away over the sea toward the horizon.
p. 282-3
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Steve Burrows (A Siege of Bitterns (Birder Murder Mystery, #1))
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Jasper’s boot tapped against the side of her foot. She met his gaze with raised brows. Look at me, he mouthed with darkened eyes. Did he not understand how difficult that was? Of course he didn’t. He did not feel overheated and confused when he looked at her. He didn’t struggle to understand why the act of pressing their lips together had created overwhelming feelings in other parts of the anatomy. Frustrated, she crossed her arms and looked at the passing carriages. The toe of his boot touched her ankle, then slid up along the back of her lower calf. Eliza froze. Her lungs seized, holding her breath. A shiver moved up her leg to unmentionable places. Wide-eyed, she glanced at him. Jasper winked. As indignation welled up within her, his tongue traced the curve of his lower lip in a slow, sensual glide. Her breath left her in a rush. Instantly and viscerally she recalled the feel of that talented tongue against her lips and in her mouth, thrusting deep and sure in imitation of a far more intimate act. Her breasts grew heavy and tender. The beat of her heart quickened and her skin tingled from her head to the place where his boot stroked her. It suddenly struck her that Jasper was deliberately arousing her. In the middle of the day. In the center of town. Seated inches away from two other people. His hand lifted to an unsecured button on his coat. Strong fingers grasped it, the pad of his thumb rubbing leisurely
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Sylvia Day (Pride and Pleasure)
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And then his mouth was on her, his tongue stroking in long, slow licks, curling almost unbearably at the place where pleasure pooled and strained and begged for release. She cried out, sitting up straight before he lifted his head and pressed one large hand to her soft stomach. "Lie back... let me taste you. Let me show you how good it can be. Watch. Tell me what you like. What you need."
And she did, God help her. As he licked and sucked with his perfect tongue and his wicked lips, she whispered her encouragement, learning what she wanted even as she was not sure of the end result.
More, Michael....
Her hands slid into his curls, holding him close to her.
Michael, again...
Her thighs widened, willing and wanton.
There, Michael...
Michael...
He was her world. There was nothing beyond this moment.
And then his fingers joined his tongue, and she thought she might die as he pressed more firmly, rubbed more deliberately, giving her everything for which she did not know to ask. Her eyes flew open, his name on a gasp.
His tongue moved faster, circling at the place where she needed him, and she moved, all inhibitions gone, lost to the rising, cresting pleasure... wanting nothing more than to know what lay beyond.
"Please, don't stop," she whispered.
He didn't.
With his name on her lips, she threw herself over the edge, rocking against him, pressing to him, begging for more even as he gave it to her with tongue and lips and fingers until she lost awareness of everything but the bold, brilliant pleasure he gave her.
As she floated back from her climax, he pressed long lovely kisses to the inside of her thighs until she sighed his name and reached for his soft mahogany curls, wanting nothing more than to lie next to him for an hour... a day... a lifetime.
He stilled at her touch as her fingers sifted through his hair, and they remained that way for long moments. She was limp with pleasure, her whole world in the feel of his silken curls in her hands, in the scrape of his beard at the soft skin of her thigh.
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Sarah MacLean (A Rogue by Any Other Name (The Rules of Scoundrels, #1))
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When I threw the stick at Jamie, I hadn't intended to hit him with it. But the moment it left my hand, I knew that's what was going to happen. I didn't yet know any calculus or geometry, but I was able to plot, with some degree of certainty, the trajectory of that stick. The initial velocity, the acceleration, the impact. The mathematical likelihood of Jamie's bloody cheek.
It had good weight and heft, that stick. It felt nice to throw. And it looked damn fine in the overcast sky, too, flying end over end, spinning like a heavy, two-pronged pinwheel and (finally, indifferently, like math) connecting with Jamie's face.
Jamie's older sister took me by the arm and she shook me. Why did you do that? What were you thinking? The anger I saw in her eyes. Heard in her voice. The kid I became to her then, who was not the kid I thought I was. The burdensome regret. I knew the word "accident" was wrong, but I used it anyway. If you throw a baseball at a wall and it goes through a window, that is an accident. If you throw a stick directly at your friend and it hits your friend in the face, that is something else.
My throw had been something of a lob and there had been a good distance between us. There had been ample time for Jamie to move, but he hadn't moved. There had been time for him to lift a hand and protect his face from the stick, but he hadn't done that either. He just stood impotent and watched it hit him. And it made me angry: That he hadn't tried harder at a defense. That he hadn't made any effort to protect himself from me.
What was I thinking? What was he thinking?
I am not a kid who throws sticks at his friends. But sometimes, that's who I've been. And when I've been that kid, it's like I'm watching myself act in a movie, reciting somebody else's damaging lines.
Like this morning, over breakfast. Your eyes asking mine to forget last night's exchange. You were holding your favorite tea mug. I don't remember what we were fighting about. It doesn't seem to matter any more. The words that came out of my mouth then, deliberate and measured, temporarily satisfying to throw at the bored space between us. The slow, beautiful arc. The spin and the calculated impact.
The downward turn of your face.
The heavy drop in my chest.
The word "accident" was wrong. I used it anyway.
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David Olimpio (This Is Not a Confession)