Slippers Best Quotes

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Learning how to love is like learning how to tie your shoes, and that’s precisely why I wear slippers.
Jarod Kintz (This is the best book I've ever written, and it still sucks (This isn't really my best book))
When you ask "Do you wanna dance, my barefoot Cinderella? Don't need no slippers or a party dress,the way you're lookin' right now is what I like the best", and then you... Say "do you wanna take a chance? Stay with me forever, no one will ever be more beautiful my barefoot, my barefoot Cinderella.
Miley Cyrus (Hannah Montana: Piano Duet Play-Along Volume 34)
In a perfect Friendship this Appreciative love is, I think, often so great and so firmly based that each member of the circle feels, in his secret heart, humbled before the rest. Sometimes he wonders what he is doing there among his betters. He is lucky beyond desert to be in such company. Especially when the whole group is together; each bringing out all that is best, wisest, or funniest in all the others. Those are the golden sessions; when four or five of us after a hard day's walk have come to our inn; when our slippers are on, our feet spread out toward the blaze and our drinks are at our elbows; when the whole world, and something beyond the world, opens itself to our minds as we talk; and no one has any claim on or any responsibility for another, but all are freemen and equals as if we had first met an hour ago, while at the same time an Affection mellowed by the years enfolds us. Life — natural life — has no better gift to give. Who could have deserved it?
C.S. Lewis (The Four Loves)
A beautiful woman is one with a beautiful heart. She may be covered with mud or sores but only her foot fit the glass slipper.
Omoakhuana Anthonia
I have a confession to make. I don’t really want to know. I like a happy ending as well as the next person, but I love the mystery and the uncertainty and the electric current of possibility. There’s a reason the best love stories end at the first kiss. Jane Austen had this down; it’s all about the chase. We’re not really interested in Elizabeth and Darcy after the wedding bells fade, or in Cinderella and her prince after the slipper is returned.
Sophie Blackall (Missed Connections: Love, Lost & Found)
At midnight, Cinderella ran away from the ball, leaving behind glass slipper. The doors swing slowly close behind, shutting out the sound of the party, and I realize I've lost something far more important than a shoe. I've lost my best friend.
Donna Cooner (Skinny)
Martin smiled, the slow curve of his mouth revealing a dimple in his left cheek. Violet frowned, as she did every time she saw that dimple. It didn’t belong on his face. It was as simple as that. Dimples were impish and mischievous. They spoke of laughter and pleasure, not three piece suits and pipes and slippers and cardigans with elbow patches.
Sarah Mayberry (Her Best Worst Mistake (Elizabeth and Violet #2))
despite what you have heard, being alone is not this great tragedy everyone makes it out to be. if nothing else, see it as an opportunity to reintroduce yourself to yourself. to relearn who you are today. to dream up all the people you would like to be for every tomorrow to come. above all, find the value that lies in becoming your own best friend.
Amanda Lovelace (Break Your Glass Slippers (You Are Your Own Fairy Tale, #1))
She's had a long life. Now she's going to the Lord." "Frankly it creeps me out a little when you say things like that," Simon said. "It shouldn't. If you don't like 'Lord,' pick another word. She's going home. She's going back to the party. Whatever you like." "I suppose you have some definite ideas about an afterlife." "Sure. We get reabsorbed into the earthly and celestial mechanism." "No heaven?" "That's heaven." "What about realms of glory? What about walking around in golden slippers?" "We abandon consciousness as if we were waking from a bad dream. We throw it off like clothes that never fit us right. It's an ecstatic release we're physically unable to apprehend while we're in our bodies. Orgasm is our best hint, but it's crude and minor by comparison.
Michael Cunningham (Specimen Days)
If only life's problems could be solved with a frilly dress and a pair of slippers. To hell with the world around us, so long as we looked our best.
Kerri Maniscalco (Stalking Jack the Ripper (Stalking Jack the Ripper, #1))
I did my best Shirley Booth this morning, floppy slippers, housecoat, curlers, can of Little Friskies; "Come back, Little Sheba, come back..." To no avail. Le chat, elle ne reviendra jamais, jamais...
Tony Kushner (Millennium Approaches (Angels in America, #1))
Put your arms around my neck, sweetheart." "Whatever for?" He grasped her wrists and lifted her arms himself. "Because," he whispered, "we're going to dance." ..... "This will never work. I appreciate the thought. It's very sweet, but-" "Shut up," he whispered. The first notes of the next number drifted to them, and she realized it was the band's rendition of Montgomery's hit song, "I swear." Tears sprang to her eyes, for the instant she recognized the tune, she knew Ryan had requested it. "Dance with me," he whispered. "I feel foolish." "Who'll see? Only me, and I'm our best bud, so I don't count. Besides, why should you feel foolish?" "My legs are dangling. My feet will thump your shins." "Those soft slippers won't hurt my shins," he assured her. And with that, he swept her into a waltz. -Ryan and Bethany (Phantom Waltz)
Catherine Anderson (Phantom Waltz (Kendrick/Coulter/Harrigan, #2))
If he had but a little more brains, she thought to herself, I might make something of him; but she never let him perceive the opinion she had of him; listened with indefatigable complacency to his stories of the stable and the mess; laughed at all his jokes...When he came home, she was alert and happy; when he went out she pressed him to go; when he stayed at home, she played and sang for him, made him good drinks, superintended his dinner, warmed his slippers, and steeped his soul in comfort. The best of women {I have heard my grandmother say) are hypocrites. We don't know how much they hide from us: how watchful they are when they seem most artless and confidential: how often those frank smile which they wear so easily are traps to cajole or elude or disarm--I don't mean in your mere coquettes, but your domestic models and paragons of female virute.
William Makepeace Thackeray (Vanity Fair)
Our appetite for the miraculous endures; we continue to want there to be something beyond our ken. We hope to locate the secret powers we didn't know we had, like the ruby slippers Dorothy finds on her feet and that Glinda has to tell her how to work. Where women are concerned, it is preferable that those powers manifest only when crisis strikes; the best heroine is the accidental one.
Stacy Schiff (The Witches: Salem, 1692)
You're not going to want to see him. Not tonight, Sorrengail.' Garrick warns with a grimace. 'Self-preservation is a thing. Notice we're not with him, and we're his best friends.' 'Yeah, well, I'm his...' I open my mouth and shut it a few times because... fuck if I know what I am to him. But the longing that holds my heart hostage, this driving need to be at his side because I know he's suffering, no matter if it means throwing myself headfirst into uncertainty... I can't deny what he is to me. I kick off the leather slippers of my dress uniform- they're more of a hazard than anything, and in this wind? Well, we'll see how it goes. 'I'm just... his.
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
After a long and happy life, I find myself at the pearly gates (a sight of great joy; the word for “pearl” in Greek is, by the way, margarita). Standing there is St. Peter. This truly is heaven, for finally my academic questions will receive answers. I immediately begin the questions that have been plaguing me for half a century: “Can you speak Greek? Where did you go when you wandered off in the middle of Acts? How was the incident between you and Paul in Antioch resolved? What happened to your wife?” Peter looks at me with some bemusement and states, “Look, lady, I’ve got a whole line of saved people to process. Pick up your harp and slippers here, and get the wings and halo at the next table. We’ll talk after dinner.” As I float off, I hear, behind me, a man trying to gain Peter’s attention. He has located a “red letter Bible,” which is a text in which the words of Jesus are printed in red letters. This is heaven, and all sorts of sacred art and Scriptures, from the Bhagavad Gita to the Qur’an, are easily available (missing, however, was the Reader’s Digest Condensed Version). The fellow has his Bible open to John 14, and he is frenetically pointing at v. 6: “Jesus says here, in red letters, that he is the way. I’ve seen this woman on television (actually, she’s thinner in person). She’s not Christian; she’s not baptized - she shouldn’t be here!” “Oy,” says Peter, “another one - wait here.” He returns a few minutes later with a man about five foot three with dark hair and eyes. I notice immediately that he has holes in his wrists, for when the empire executes an individual, the circumstances of that death cannot be forgotten. “What is it, my son?” he asks. The man, obviously nonplussed, sputters, “I don’t mean to be rude, but didn’t you say that no one comes to the Father except through you?” “Well,” responds Jesus, “John does have me saying this.” (Waiting in line, a few other biblical scholars who overhear this conversation sigh at Jesus’s phrasing; a number of them remain convinced that Jesus said no such thing. They’ll have to make the inquiry on their own time.) “But if you flip back to the Gospel of Matthew, which does come first in the canon, you’ll notice in chapter 25, at the judgment of the sheep and the goats, that I am not interested in those who say ‘Lord, Lord,’ but in those who do their best to live a righteous life: feeding the hungry, visiting people in prison . . . ” Becoming almost apoplectic, the man interrupts, “But, but, that’s works righteousness. You’re saying she’s earned her way into heaven?” “No,” replies Jesus, “I am not saying that at all. I am saying that I am the way, not you, not your church, not your reading of John’s Gospel, and not the claim of any individual Christian or any particular congregation. I am making the determination, and it is by my grace that anyone gets in, including you. Do you want to argue?” The last thing I recall seeing, before picking up my heavenly accessories, is Jesus handing the poor man a Kleenex to help get the log out of his eye.
Amy-Jill Levine (The Misunderstood Jew: The Church and the Scandal of the Jewish Jesus)
But I'll tell you a terrible secret- Are you listening to me? There isn't anyone out there who isn't Seymour's Fat Lady. That includes your Professor Tupper, buddy. And all his goddam cousins by the dozens. There isn't anyone anywhere that isn't Seymour's Fat Lady. Don't you know that? Don't you know that goddam secret yet? And don't you know who the Fat Lady really is?...Ah, buddy. Ah, buddy. It's Christ Himself. Christ Himself, buddy." For joy apparently, it was all Franny could do to hold the phone, even with both hands. For a fullish minute or so, there were no other words, no further speech. Then: "I can't talk any more, buddy." The sound of a phone being replaced in its catch followed. Franny took in her breath slightly but continued to hold the phone to her ear. A dial tone, of course, followed the formal break in the connection. She appeared to find it extraordinarily beautiful to listen to, rather as if it were the best possible substitute for the primordial silence itself. But she seemed to know, too, when to stop listening to it, as if all of what little or much wisdom there is in the world were suddenly hers. When she replaced the phone, she seemed to know just what to do next, too. She cleared away the smoking things, then drew back the cotton bedspread from the bed she had been sitting on, took off her slippers, and got into the bed. For some minutes, before she fell into a deep, dreamless sleep, she just lay quiet, smiling at the ceiling.
J.D. Salinger (Franny and Zooey)
There was a bond, you see, when were both young, but she wanted to be the best of all witches and I hoped one day to be Archchancellor. Alas for us, our dreams came true. * " *Thus proving that dreams that come true are not always the right dreams. Does wearing a glass slipper lead to a comfortable life? If everything you touch turns into marshmallows, won't that make things a bit ... sticky?
Terry Pratchett (The Shepherd's Crown (Discworld, #41; Tiffany Aching, #5))
It was one of Kitty’s best days. Her dress was not uncomfortable anywhere; her lace berthe did not droop anywhere; her rosettes were not crushed nor torn off; her pink slippers with high, hollowed-out heels did not pinch, but gladdened her feet; and the thick rolls of fair chignon kept up on her head as if they were her own hair. All the three buttons buttoned up without tearing on the long glove that covered her hand without concealing its lines. The black velvet of her locket nestled with special softness round her neck. That velvet was delicious; at home, looking at her neck in the looking glass, Kitty had felt that that velvet was speaking. About all the rest there might be a doubt, but the velvet was delicious. Kitty smiled here too, at the ball, when she glanced at it in the glass.
Leo Tolstoy (Anna Karenina)
Little Brother, an aspiring painter, saved up all his money and went to France, to surround himself with beauty and inspiration. He lived on the cheap, painted every day, visited museums, traveled to picturesque locations, bravely spoke to everyone he met, and showed his work to anyone who would look at it. One afternoon, Little Brother struck up a conversation in a café with a group of charming young people, who turned out to be some species of fancy aristocrats. The charming young aristocrats took a liking to Little Brother and invited him to a party that weekend in a castle in the Loire Valley. They promised Little Brother that this was going to be the most fabulous party of the year. It would be attended by the rich, by the famous, and by several crowned heads of Europe. Best of all, it was to be a masquerade ball, where nobody skimped on the costumes. It was not to be missed. Dress up, they said, and join us! Excited, Little Brother worked all week on a costume that he was certain would be a showstopper. He scoured Paris for materials and held back neither on the details nor the audacity of his creation. Then he rented a car and drove to the castle, three hours from Paris. He changed into his costume in the car and ascended the castle steps. He gave his name to the butler, who found him on the guest list and politely welcomed him in. Little Brother entered the ballroom, head held high. Upon which he immediately realized his mistake. This was indeed a costume party—his new friends had not misled him there—but he had missed one detail in translation: This was a themed costume party. The theme was “a medieval court.” And Little Brother was dressed as a lobster. All around him, the wealthiest and most beautiful people of Europe were attired in gilded finery and elaborate period gowns, draped in heirloom jewels, sparkling with elegance as they waltzed to a fine orchestra. Little Brother, on the other hand, was wearing a red leotard, red tights, red ballet slippers, and giant red foam claws. Also, his face was painted red. This is the part of the story where I must tell you that Little Brother was over six feet tall and quite skinny—but with the long waving antennae on his head, he appeared even taller. He was also, of course, the only American in the room. He stood at the top of the steps for one long, ghastly moment. He almost ran away in shame. Running away in shame seemed like the most dignified response to the situation. But he didn’t run. Somehow, he found his resolve. He’d come this far, after all. He’d worked tremendously hard to make this costume, and he was proud of it. He took a deep breath and walked onto the dance floor. He reported later that it was only his experience as an aspiring artist that gave him the courage and the license to be so vulnerable and absurd. Something in life had already taught him to just put it out there, whatever “it” is. That costume was what he had made, after all, so that’s what he was bringing to the party. It was the best he had. It was all he had. So he decided to trust in himself, to trust in his costume, to trust in the circumstances. As he moved into the crowd of aristocrats, a silence fell. The dancing stopped. The orchestra stuttered to a stop. The other guests gathered around Little Brother. Finally, someone asked him what on earth he was. Little Brother bowed deeply and announced, “I am the court lobster.” Then: laughter. Not ridicule—just joy. They loved him. They loved his sweetness, his weirdness, his giant red claws, his skinny ass in his bright spandex tights. He was the trickster among them, and so he made the party. Little Brother even ended up dancing that night with the Queen of Belgium. This is how you must do it, people.
Elizabeth Gilbert (Big Magic: Creative Living Beyond Fear)
He was forever wallowing in the mire, dirtying his nose, scrabbling his face, treading down the backs of his shoes, gaping at flies and chasing the butterflies (over whom his father held sway); he would pee in his shoes, shit over his shirt-tails, [wipe his nose on his sleeves,] dribble snot into his soup and go galumphing about. [He would drink out of his slippers, regularly scratch his belly on wicker-work baskets, cut his teeth on his clogs, get his broth all over his hands, drag his cup through his hair, hide under a wet sack, drink with his mouth full, eat girdle-cake but not bread, bite for a laugh and laugh while he bit, spew in his bowl, let off fat farts, piddle against the sun, leap into the river to avoid the rain, strike while the iron was cold, dream day-dreams, act the goody-goody, skin the renard, clack his teeth like a monkey saying its prayers, get back to his muttons, turn the sows into the meadow, beat the dog to teach the lion, put the cart before the horse, scratch himself where he ne’er did itch, worm secrets out from under your nose, let things slip, gobble the best bits first, shoe grasshoppers, tickle himself to make himself laugh, be a glutton in the kitchen, offer sheaves of straw to the gods, sing Magnificat at Mattins and think it right, eat cabbage and squitter puree, recognize flies in milk, pluck legs off flies, scrape paper clean but scruff up parchment, take to this heels, swig straight from the leathern bottle, reckon up his bill without Mine Host, beat about the bush but snare no birds, believe clouds to be saucepans and pigs’ bladders lanterns, get two grists from the same sack, act the goat to get fed some mash, mistake his fist for a mallet, catch cranes at the first go, link by link his armour make, always look a gift horse in the mouth, tell cock-and-bull stories, store a ripe apple between two green ones, shovel the spoil back into the ditch, save the moon from baying wolves, hope to pick up larks if the heavens fell in, make virtue out of necessity, cut his sops according to his loaf, make no difference twixt shaven and shorn, and skin the renard every day.]
François Rabelais (Gargantua and Pantagruel)
per hour. Handbrake knew that he could keep up with the best of them. Ambassadors might look old-fashioned and slow, but the latest models had Japanese engines. But he soon learned to keep it under seventy. Time and again, as his competitors raced up behind him and made their impatience known by the use of their horns and flashing high beams, he grudgingly gave way, pulling into the slow lane among the trucks, tractors and bullock carts. Soon, the lush mustard and sugarcane fields of Haryana gave way to the scrub and desert of Rajasthan. Four hours later, they reached the rocky hills surrounding the Pink City, passing in the shadow of the Amber Fort with its soaring ramparts and towering gatehouse. The road led past the Jal Mahal palace, beached on a sandy lake bed, into Jaipur’s ancient quarter. It was almost noon and the bazaars along the city’s crenellated walls were stirring into life. Beneath faded, dusty awnings, cobblers crouched, sewing sequins and gold thread onto leather slippers with curled-up toes. Spice merchants sat surrounded by heaps of lal mirch, haldi and ground jeera, their colours as clean and sharp as new watercolor paints. Sweets sellers lit the gas under blackened woks of oil and prepared sticky jalebis. Lassi vendors chipped away at great blocks of ice delivered by camel cart. In front of a few of the shops, small boys, who by law should have been at school, swept the pavements, sprinkling them with water to keep down the dust. One dragged a doormat into the road where the wheels of passing vehicles ran over it, doing the job of carpet beaters. Handbrake honked his way through the light traffic as they neared the Ajmeri Gate, watching the faces that passed by his window: skinny bicycle rickshaw drivers, straining against the weight of fat aunties; wild-eyed Rajasthani men with long handlebar moustaches and sun-baked faces almost as bright as their turbans; sinewy peasant women wearing gold nose rings and red glass bangles on their arms; a couple of pink-faced goras straining under their backpacks; a naked sadhu, his body half covered in ash like a caveman. Handbrake turned into the old British Civil Lines, where the roads were wide and straight and the houses and gardens were set well apart. Ajay Kasliwal’s residence was number
Tarquin Hall (The Case of the Missing Servant (Vish Puri, #1))
I recognized myself again. The pale, spiritless ghost had been replaced by a slightly tired and moderately puffy version of my former normal self. I was no beauty queen, not by a long shot…but I was me again. The shower had been, if not an exorcism, a baptism. I’d been reborn. I shuddered, imagining what Marlboro Man had thought every time he’d seen me shuffle around in my dingy white terry cloth slippers, my hair on top of my head in a neon green scrunchie. I brushed my teeth, shook my hair, and walked out of the bathroom…just as Marlboro Man was waking up. “Wow,” he said, pausing midstretch. “You look good, Mama.” I smiled. That night, Tim came over. Betsy made wings and brownies, and the five of us--Marlboro Man, Tim, Betsy, the baby, and I--sat and talked, laughed, and watched a John Wayne movie. I was exhausted and depleted. And it was one of the best nights of my life.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Behold these joyful devourers The land laid out skewered in silver Candlesticks of softest pewter Rolling the logs down cut on end To make roads through the forest That once was—before the logs (Were rolled down cut on end)— We called it stump road and we Called it forest road when Our imaginations starved You can make fans with ribs Of sheep and pouches for baubles By pounding flat the ears Of old women and old men— Older is best for the ear grows For ever it’s said, even when There’s not a scrap anywhere to eat So we carried our wealth In pendulum pouches wrinkled And hairy, diamonds and gems Enough to buy a forest or a road But maybe not both Enough even for slippers of Supplest skin feathered in down Like a baby’s cheek There is a secret we know When nothing else is left And the sky stops its tears A belly can bulge full On diamonds and gems And a forest can make a road Through what once was You just won’t find any shade PENDULUMS WERE ONCE TOYS BADALLE OF KORBANSE SNAKE
Steven Erikson (Dust of Dreams (Malazan Book of the Fallen, #9))
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i’ve learned that you need to learn how to dance alone for a while before you’re able to find a good partner again. one who won’t make you spin around in circles to get you to stay. one who will gladly let you fumble, maybe even step on their toes a little bit. one who won’t try to hold you back when you run away, if that’s what you feel is best for you.
Amanda Lovelace (break your glass slippers (You Are Your Own Fairy Tale))
Working Nine to Five   Wet, cold, miserable, Monday morning.  I had toast for breakfast, no bananas.  I think my mum is taking out her revenge on Steve’s behalf by withholding the purchase of bananas.  I stood by the sink sipping my morning tea watching the rain wash down the kitchen window.  Damn, I noticed that an eye had fallen off one of my bunny slippers.  I decided to wear the blue pencil skirt with a white blouse to work and to tie my hair up as best I could.  The journey was short and uneventful, no desperate people throwing themselves in
Betty Byers (Don't Call Me Baby)
For the farsighted, the folks in the know, life is a deer park, where gentle breezes and fragrant grape leaves keep you company, complete with afternoon foot-soakings, peaceful snoozes, fine hounds and desirable wenches, the hell with all care; a long life, a nice pipe from time to time, mellow dinners: that's the way to spend life, life that digs your grave even now, steadfastly, like the ever-burrowing mole. To want nothing, and ask only for peace and quiet. Hope for nothing besides fair weather on the morrow. Trust no one, believe no one, think no extraordinary thoughts, just live, live, and love; fall asleep, and wake up healthy... Wear comfy slippers and pass the night in a feather bed. Live out a happy and long old age, the best part of life. To get an honest night's sleep, and then a snooze after lunch, let out a few whoops, fight and make up.
Gyula Krúdy
I’m Josh Wynter, by the way.” “And do you become Josh Summer in June?” I asked. Okay, it was totally lame, a stupid thing to say, but I was still reeling from the fact that a hot guy--were all the guys on this island hot?--was roaming the halls and I was… Not at my best. Ratty robe. Fuzzy slippers. Hair tangled. Teeth unbrushed. And have I mentioned that I am not a morning person? “Actually,” he said at last, as though finally catching on to my not-so-witty banter, “I stay Josh Wynter all year. Do you stay unfriendly?” “That does not deserve an answer,” I mumbled as I shoved past him as quickly as I could and went into the bathroom. I slammed the door shut. Okay, I had been unfriendly, rude even, but he was so unexpected. And so hot. And I already had a date for Friday night.
Rachel Hawthorne (Snowed In)
I’m Josh Wynter, by the way.” “And do you become Josh Summer in June?” I asked. Okay, it was totally lame, a stupid thing to say, but I was still reeling from the fact that a hot guy--were all the guys on this island hot?--was roaming the halls and I was… Not at my best. Ratty robe. Fuzzy slippers. Hair tangled. Teeth unbrushed. And have I mentioned that I am not a morning person? “Actually,” he said at last, as though finally catching on to my not-so-witty banter, “I stay Josh Wynter all year. Do you stay unfriendly?
Rachel Hawthorne (Snowed In)
I fear I’m going to be next.” Eve waited to make this prediction until the footmen had left and the tea trays were on the low table before the sofa. Louisa looked up from her book—Louisa’s nose was always in a book—and frowned. “Next? Next as in what? We’re supposed to divine the context without any further clues, Evie?” She set the book aside and leaned forward in her chair. “Food is next, and about time too.” “What did you mean, dearest?” Jenny was sitting at the other end of the sofa, slippers off, back resting against the arm and her knees drawn up before her. “Next to get married.” Eve’s sisters were silent for a few moments, but they exchanged the most maddening of older-sister looks before Jenny leapt into the breach. “Is Mr. Trottenham your choice then? He’s a very pleasant fellow, I must agree.” “Not Trit-Trot,” Louisa said, picking up a chocolate tea cake. “He’s a ninnyhammer.” “He is a ninnyhammer.” Eve’s best decoys were always ninnyhammers. “I don’t know who. I just have a feeling I’d better choose someone, or Her Grace and His Grace will start nosing about, and then all is lost.” “Lost
Grace Burrowes (Lady Eve's Indiscretion (The Duke's Daughters, #4; Windham, #7))
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NOT A BOOK
And what was behind the harmony of the apples, of the pink lady’s slippers I found on my farther-ranging walks, or of the yellow mayflies and the trout that sipped them in nearby Great Brook? It seemed to me the result of the inevitable unfolding of laws laid down by the universe and embedded in the elements at hand: air and water, sunshine and earth. It was not by chance that the trees and leaves assumed their unique colors and shapes, or that small streams flowed into bigger streams, or that the fireflies lit their little lanterns of phosphorescence among the grasses at night. All of this was the consequence of what the universe had commanded. It was chemistry, biology, physics and some inexpressible something else mixed together into one thing, and that thing was inevitability. We respond to the grasses, the trees and the brooks because we sense a deeper truth in them. A brook cannot be false or a tree deceptive, and because we as a species grew up with them, and among them, we are essentially part of them and they of us. By what other means can we be said to be made? What is evolution but the interaction of our potential with the reality of nature? The apples, the leaves, the mayflies, the trout – they express the harmony of nature, as well as the miracle of nature. We are included in this miracle, and the surprise would be that a separation from nature would result in anything *but* alienation from our deepest and earliest selves, that a reconnection would be anything but a sense of coming home. All of us, it seems to me, seek to recapture the sensations and selves of our childhoods, and nature offers the best way back, to the freshest parts of our true and original essence.
Lou Ureneck (Cabin: Two Brothers, a Dream, and Five Acres in Maine)
He had mastered the art of conducting a love affair through all its stages, from infatuation to consummation, wholly within its mind. How could he do that? The indispensable first step was to capture what he called “a living image” of the beloved and make it his own. Upon this image he would then dwell, giving breath to it, until he had reached a point where, still in the realm of the imagination, he could begin to make love to this succubus of his and eventually conduct her into the utmost transports; and this whole passionate history would remain unbeknown to the earthly original. [ On the erotic life ] It all hinged, he replied, on being able to capture, through the closest, most dedicated attention, that unique unconscious gesture, too slight or too fleeting to be noticed by the average eye, by which a woman gave herself away - gave away her erotic essence, that is to say, her soul. The way she turned her wrist to look at her wristwatch, for example, or the way she reached down to pull tight the strap of a sandal. Once that unique movement was caught, the erotic imagination could explore it at leisure until the woman’s every last secret was laid open, not excluding how she moved in the arms of a lover, how she came to her climax. From the giveaway gesture all followed “as if by fate”. [ On the erotic life ] That’s the beauty of thoughts, isn’t it, that distance doesn’t matter, and separation. [ On compassion ] The woman from Lausanne complains above all of loneliness. She has created a protective ritual for herself in which she retires to bed at night with music playing in the background and lies cosily reading a book, immersed in what she tells herself is bliss. Then, as she begins to reflect on her situation, bliss turns to disquiet. Is this truly the best that life affords, she asks herself - lying in bed alone with a book? Is it such a good thing to be a comfortable, prosperous citizen of a model democracy, secure in her home in the heart of Europe? Despite herself, she grows more and more agitated. She rises, dons dressing gown and slippers and takes up her pen. [ On fan mail ]
J.M. Coetzee (Diary of a Bad Year)
know you dislike change. So do I. But it comes whether we like it or not. Each day we grow older. People are born, marry... die. Governments come and go. Wars are won or lost. Nothing stays the same forever except God’s love. All we can do is pray for strength to make the best of whatever comes.
Deborah Hale (The Nobleman's Governess Bride (The Glass Slipper Chronicles, #1))
Seven extra grams of grated nutmeg makes all the difference. Best cinnamon-streusel pumpkin muffin ever. Or at least so far." I opened my eyes, making a slow assessment of my kitchen. Four other batches of pumpkin muffins littered the countertop, many of them on their sides after I took one bite and impatiently tossed them aside. This batch, the fifth, was the queen of the bunch. "I do have some reservations about the pecans." My fluffy panda-head slippers slapped on the wood floors as I walked back to the oven. Holding my butter-smudged working recipe up to the light, I considered the next round of alterations. "I wonder about almonds. Or no! Pistachios!
Kimberly Stuart (Sugar)
Please don’t.” He knew it was best to handle this right away. The creaking of the bathroom door behind him made him turn. All he could see was Macy’s nose, which was not nearly as nice as the view he’d gotten earlier, “Please tell me I heard that wrong. Tell me it’s not your mom who just saw me buck naked.” A laugh escaped as he grabbed a pair of jeans. “You weren’t completely naked. You had on bunny slippers.
Christie Craig (Gotcha! (Tall, Hot & Texan, #1))