Slip Knot Quotes

We've searched our database for all the quotes and captions related to Slip Knot. Here they are! All 94 of them:

By late afternoon I lie with my head in Peeta’s lap making a crown of flowers while he fiddles with my hair claiming he is practicing knots. After awhile his hands go still. “What?” I ask. “I wish I could freeze this moment, right here, right now, and live in it forever,” he says. Usually this sort of comment, the kind that hints his undying love for me, makes me feel guilty and awful. But I’m so relaxed and beyond worrying about a future I’ll never have, I just let the word slip out. “Okay,” I say. I can hear the smile in his voice. “Then you’ll allow it?” “I’ll allow it.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
I knit the afternoon away. I knit reasons for Elijah to come back. I knit apologies for Emma. I knit angry knots and slipped stitches for every mistake I ever made, and I knit wet, swollen stitches that look awful. I knit the sun down.
Laurie Halse Anderson (Wintergirls)
I should be very much obliged if you would slip your revolver into your pocket. An Eley's No. 2 is an excellent argument with gentlemen who can twist steel pokers into knots. That and a tooth-brush are, I think, all that we need.
Arthur Conan Doyle
Alex gazed at her. Her mouth was slightly open; she ran her fingernail against her lower teeth as she thought. She'd knotted her hair at the nape of her neck again, and a strand had slipped loose onto her shoulder, gleaming in the lantern light. Suddenly all of his objections seemed meaningless. Don't, he thought. You'll regret it. He didn't care anymore. Slowly, unable to stop himself, he reached out and cupped his hand around her foot.
L.A. Weatherly (Angel Burn (Angel, #1))
When I was little, my friends would gush over wedding gowns and honeymoons. But I saw too many people flush decades together down the toilet over money or kids or meaningless flings. My own parents chose to stay married, which I think is rather funny, since they show about as much affection for each other as pit bulls in a ring. Tying the knot means slipping a noose around love and choking it to death.
Ellen Hopkins (Perfect (Impulse, #2))
I understand why we sleep. To slip the knot of the world.
Rachel Kadish (The Weight of Ink)
America is a living body, the highways are its arteries, and the True Knot slips along them like a silent virus.
Stephen King (Doctor Sleep (The Shining, #2))
My God." He pushed away from the bedpost. "Friends! And do you fall into bed with any man who's 'dear' to you? How am I to take that?" "Of course I don't." She stood up, letting the knotted scarf slip away. "I can't seem to help myself. With you. About that. It's extremely vexing." "You're quite right on that count," he said sullenly. "I'm damned vexed. I'd like to vex you right here on the floor, in fact. And the idea of Sturgeon vexing you is enough to dispose me to murder. Is that clear? Do you comprehend me?" He took a reckless stride toward her and caught her chin between his fingers. "I'm not your friend, my lady. I'm your lover.
Laura Kinsale (Lessons in French)
He's gotten a lemon flower tattooed over his heart. "what do you tell people, when they ask about it?" His shyness melted into a smile, warm and gooey like chocolate. "I tell them about a girl I fell in love with at the right place but the wrong time." A knot lodged in my throat. "And what are you going to tell them now?" "That we finally got the timing right/" "A matter of time," I whispered.
Ashley Poston (The Seven Year Slip)
Take off that coat,' he told him. 'Sir?' 'You heard me.' The boy slipped out of his jacket, whining, 'What you gonna do? What I'm gonna wear?' The man untied the baby from her chest and wrapped it in the boy's coat, knotting the sleeves in front. 'What I'm gonna wear?' The old man sighed and, after a pause, said, 'You want it back then go head and take it off that baby. Put the baby naked in the grass and put your coat back on. And if you can do it, then go on 'way somewhere and don't come back.
Toni Morrison (Beloved (Beloved Trilogy, #1))
I'll go see what it was," said Cinder, slipping into the hallway and darting down the stairs. Jacin was siting at the bottom, hunched over something and working intently. "That was Thorne," he said, without glancing up at her. "What did he do? Knock down a wall?" Cinder stepped past Jacin, but hesitated when she saw the vase of white flowers on the floor at his feet. He was meticulously pulling the flowers out of the water, one by one, and wiring their stems together. His brow was knotted in concentration. "Are you making a bouquet?" she asked incredulously. "Shut up." He held the cluster in one hand and turned it a few different directions, before plucking out a white hydrangea and adding it to the mix.
Marissa Meyer (Stars Above (The Lunar Chronicles, #4.5))
We don't think of ourselves as "prayer warriors." A man must've come up with that term - men think anything difficult is war. But prayer is more delicate than battle, especially intercessory prayer. More than just a notion, taking up the burdens of someone else, often someone you don't even know. You close your eyes and listen to a request. Then you have to slip inside their body. You are Tracy Robinson, burning for whiskey. You are Cindy Harris's husband, searching your wife's phone. You are Earl Vernon, washing dirty knots out of your strung-out daughter's hair. If you don't become them, even for a second, a prayer is nothing but words.
Brit Bennett (The Mothers)
Padre Bergoglio would slip in among them, dressed in the anonymity of plain clerical black, to sit in the pews before the painting to unravel the knots of his higher office.
Paul Vallely (Pope Francis: Untying the Knots)
I slipped away, and am still slipping away, within these lines that are intended to give me a story yet in fact are nothing, nothing of mine, nothing that has really begun or really been brought to completion, only a tangled knot, and nobody, not even she who at this moment is writing, knows if it contains the right thread for a story or is merely a snarled confusion of suffering, without redemption.
Elena Ferrante
As I feel less overwhelmed, my fear softens and begins to subside. I feel a flicker of hope, then a rolling wave of fiery rage. My body continues to shake and tremble. It is alternately icy cold and feverishly hot. A burning red fury erupts from deep within my belly: How could that stupid kid hit me in a crosswalk? Wasn’t she paying attention? Damn her! A blast of shrill sirens and flashing red lights block out everything. My belly tightens, and my eyes again reach to find the woman’s kind gaze. We squeeze hands, and the knot in my gut loosens. I hear my shirt ripping. I am startled and again jump to the vantage of an observer hovering above my sprawling body. I watch uniformed strangers methodically attach electrodes to my chest. The Good Samaritan paramedic reports to someone that my pulse was 170. I hear my shirt ripping even more. I see the emergency team slip a collar onto my neck and then cautiously slide me onto a board. While they strap me down, I hear some garbled radio communication. The paramedics are requesting a full trauma team. Alarm jolts me. I ask to be taken to the nearest hospital only a mile away, but they tell me that my injuries may require the major trauma center in La Jolla, some thirty miles farther. My heart sinks.
Peter A. Levine (In an Unspoken Voice: How the Body Releases Trauma and Restores Goodness)
I am in my old room once more, for a little, and I am caught in musing - - how life is a swift motion, a continuous flowing, changing, and how one is always saying goodbye and going places, seeing people, doing things. Only in the rain, sometimes, only when the rain comes, closing in your pitifully small radius of activity, only when you sit and listen by the window, as the cold wet air blows thinly by the back of your neck - only then do you think and feel sick. You feel the days slipping by, elusive as slippery pink worms, through your fingers, and you wonder what you have for your eighteen years, and you think about how, with difficulty and concentration, you could bring back a day, a day of sun, blue skies and watercoloring by the sea. You could remember the sensual observations that made that day reality, and you could delude yourself into thinking - almost - that you could return to the past, and relive the days and hours in a quick space of time. But no, the quest of time past is more difficult than you think, and time present is eaten up by such plaintive searchings. The film of your days and nights is wound up tight in you, never to be re-run - and the occasional flashbacks are faint, blurred, unreal, as if seen through falling snow. Now, you begin to get scared. You don't believe in God, or a life-after-death, so you can't hope for sugar plums when your non-existent soul rises. You believe that whatever there is has got to come from man, and man is pretty creative in his good moments - pretty mature, pretty perceptive for his age - how many years is it, now? How many thousands? Yet, yet in this era of specialization, of infinite variety and complexity and myriad choices, what do you pick for yourself out of the grab-bag? Cats have nine lives, the saying goes. You have one; and somewhere along the thin, tenuous thread of your existence there is the black knot, the blood clot, the stopped heartbeat that spells the end of this particular individual which is spelled "I" and "You" and "Sylvia." So you wonder how to act, and how to be - and you wonder about values and attitudes.
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
When did you get this?" He looked down at the tattoo, and then sheepishly back at me. "About seven years ago, It's a bit faded now—" "It's a lemon flower." "Yes," he replied, looking up into my eyes, searching them. He'd gotten a lemon flower tattooed over his heart. "What do you tell people, when they ask about it?" His shyness melted into a smile, warm and gooey like chocolate. "I tell them about a girl I fell in love with at the right place but the wrong time." A knot lodged in my throat. "And what are you going to tell them now?" "That we finally got the timing right." "A matter of time," I whispered. "A matter of timing," he proposed.
Ashley Poston (The Seven Year Slip)
The necklace, Marcos,” she said firmly, leveling the gun at his heart once more. “I’ll take it now.” “It’s not here, querida. You waste your time.” Francesca lowered the gun to point at his groin. “Killing you would be too good. Perhaps I will simply have to deprive the female world of your ability to make love ever again. I am quite a good shot, I assure you.” She’d learned out of necessity. And though she never wanted to harm another human being, she had no compunction about making this man think she would do so if it meant she could save Jacques. His voice dropped to a growl. A hateful, angry growl. “You won’t get away with this. Whoever you are, Frankie, I will find you. I will find you and make you wish you’d never met me.” Her heart flipped in her chest. She ignored it. “I already wish that. Now give me the jewel before you lose the ability to ever have children.” Bitterness twisted inside her as she said those words. Ironic to threaten someone with something she would never wish on another soul. But she had to be hard, cold, ruthless – just like he was. He stared at her in impotent fury, his jaw grinding, his beautiful black eyes flashing daggers at her. Very slowly, he reached up with one hand and slipped his bowtie free of its knot. Then he jerked it loose and let it fall.
Lynn Raye Harris (The Devil's Heart)
The last glow of sundown dims away. Stars appear in the east. Night encloses us. The ocean seems to enlarge. When you’re adrift at night, imagination and perception merge. They have to. You can’t see as well, as far, as deep. You tie knots by muscle memory, and you operate your reel mostly by feel. Your boat drifts, your thoughts drift. You sense the sweep of tide and water, and the boat gets rocked in turbulence just past each undersea ridgeline and boulder field. You, too, are looking up, searching constellations, dreaming. You fell again how flexible and expansive your mind can be when it’s working right. And you slip your leash to explore the vast vault of sky and great interior spaces.
Carl Safina (The View from Lazy Point: A Natural Year in an Unnatural World)
how to measure the ship’s speed by casting a line ribbed with evenly spaced knots into the water and then counting the number that slipped through his hands over a period of time. (One knot equaled a little more than a land mile per hour.)
David Grann (The Wager: A Tale of Shipwreck, Mutiny and Murder)
and how to measure the ship’s speed by casting a line ribbed with evenly spaced knots into the water and then counting the number that slipped through his hands over a period of time. (One knot equaled a little more than a land mile per hour.)
David Grann (The Wager: A Tale of Shipwreck, Mutiny and Murder)
The smile that curled his lips was as arrogant as it was beautiful. “You need to accept the fact that you’re Orange and that you’re always going to be alone because of it.” A measure of calm had returned to Clancy’s voice. His nostrils flared when I tried to turn the door handle again. He slammed both hands against it to keep me from going anywhere, towering over me. “I saw what you want,” Clancy said. “And it’s not your parents. It’s not even your friends. What you want is to be with him, like you were in the cabin yesterday, or in that car in the woods. I don’t want to lose you, you said. Is he really that important?” Rage boiled up from my stomach, burning my throat. “How dare you? You said you wouldn’t—you said—” He let out a bark of laughter. “God, you’re naive. I guess this explains how that League woman was able to trick you into thinking you were something less than a monster.” “You said you would help me,” I whispered. He rolled his eyes. “All right, are you ready for the last lesson? Ruby Elizabeth Daly, you are alone and you always will be. If you weren’t so stupid, you would have figured it out by now, but since it’s beyond you, let me spell it out: You will never be able to control your abilities. You will never be able to avoid being pulled into someone’s head, because there’s some part of you that doesn’t want to know how to control them. No, not when it would mean having to embrace them. You’re too immature and weak-hearted to use them the way they’re meant to be used. You’re scared of what that would make you.” I looked away. “Ruby, don’t you get it? You hate what you are, but you were given these abilities for a reason. We both were. It’s our right to use them—we have to use them to stay ahead, to keep the others in their place.” His finger caught the stretched-out collar of my shirt and gave it a tug. “Stop it.” I was proud of how steady my voice was. As Clancy leaned in, he slipped a hazy image beneath my closed eyes—the two of us just before he walked into my memories. My stomach knotted as I watched my eyes open in terror, his lips pressed against mine. “I’m so glad we found each other,” he said, voice oddly calm. “You can help me. I thought I knew everything, but you…” My elbow flew up and clipped him under the chin. Clancy stumbled back with a howl of pain, pressing both hands to his face. I had half a second to get the hell out, and I took it, twisting the handle of the door so hard that the lock popped itself out. “Ruby! Wait, I didn’t mean—!” A face appeared at the bottom of the stairs. Lizzie. I saw her lips part in surprise, her many earrings jangling as I shoved past her. “Just an argument,” I heard Clancy say, weakly. “It’s fine, just let her go.
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
Henry touches his hand, gently, two fingertips against his palm. “Five minutes for the rest of our lives,” he says, laughing a grim little laugh. Alex reaches for him in return, presses one thumb into the hollow of his collarbone, slipping right under the knot of his tie
Casey McQuiston (Red, White & Royal Blue)
Look at yourself! You're a priest. You know damn well that if I were setting out to make a girl at this moment instead of young Paolo, you'd take an entirely different view. You'd disapprove, sure! You'd read me a lecture on fornication and all the rest. But you wouldn't be too unhappy. I'd be normal... according to nature! But I am not made like that. God didn't make me like that. But do I need love the less? Do I need satisfaction less? Have I less right to live in contentment because somewhere along the line the Almighty slipped a cog in creation?... What's your answer to that Meredith? What's your answer for me? Tie a knot in myself and take up badminton and wait till they make me an angel in heaven, where they don't need this sort of thing any more? I'm lonely! I need love like the next man! My sort of love!
Morris L. West (The Devil's Advocate (Loyola Classics))
The shower cuts off, and his hand slips into mine, our bare bodies walking in step to the tub. I’m helped inside before he lowers himself in, making the water rise almost to the top. I chuckle, floating my hands over the top of the warmth and staring across at him. “This is nice.” This, as in all of this…him, me, the last few weeks.
Trilina Pucci (Knot So Lucky (Destination Love, #1))
Why are some people all grasshopper fiddlings, scrapings, all antennae shivering, one big ganglion eternally knotting, slip-knotting, square-knotting themselves? They stoke a furnace all their lives, sweat their lips, shine their eyes and start it all in the crib. Caesar’s lean and hungry friends. They eat the dark, who only stand and breathe.
Ray Bradbury (Something Wicked This Way Comes (Green Town, #2))
This is something my mom told me once,” she said, stretching the ribbon out between her hands and then tying a loose knot on one end. “Imagine this is your relationship with Daniel.” She handed me the ribbon and pointed at the knot. “This is where you are right now. Untie it.” I slipped the knot free. “Pretty easy, right?” she said. “There’s a small bump on the fabric, but you can smooth it down. If I’d pulled the knot really tight, it’d be harder to untie, and there’d be a big dent left behind.” I flattened the ribbon across my leg. “Meaning the more you drag out conflicts the harder they are to recover from, and the more damage they leave behind?” “Precisely.” “How’d you get to be so smart?
Georgina Guthrie (The Truest of Words (Words, #3))
He scans the field. Trees, sky, hay. Darkness falling like velvet. Already a few pale stars. Marie-Laure breathes the measured breath of sleep. Everyone should behave as if he carries the real thing. The locksmith reties the stone inside the bag and slips it back into his rucksack. He can feel its tiny weight there, as though he has slipped it inside his own mind: a knot.
Anthony Doerr (All the Light We Cannot See)
Why, observe the thing; turn it over; hold it up to the window; count the beads, long, oval, like some seaweed bulbs, each an amulet. See the tint; it's very old; like clots of sunshine, aren't they? Now bring it near; see the carving, here corrugated, there faceted, now sculptured into hideous, tiny, heathen gods. You didn't notice that before! How difficult it must have been, when amber is so friable! Here's one with a chessboard on his back, and all his kings and queens and pawns slung round him. Here's another with a torch, a flaming torch, its fire pouring out inverted. They are grotesque enough; but this, this is matchless: such a miniature woman, one hand grasping the round rock behind, while she looks down into some gulf, perhaps, beneath, and will let herself fall. 0, you should see her with a magnifying-glass! You want to think of calm satisfying death, a mere exhalation, a voluntary slipping into another element? There it is for you. They are all gods and goddesses. They are all here but one; I've lost one, the knot of all, the love of the thing. Well! Wasn't it queer for a Catholic girl to have at prayer?
Harriet Prescott Spofford (The Amber Gods and Other Stories)
This horrible, awful ache settles in my heart, a knot slipping around it, tightening. I have the most terrifying thought—no, vision?—that this knot, insistent and tight, is the end of a tether, and that tether, gossamer fine yet tensile strong, stretches from my heart, through the air and space and fuck, even time, and its other end, its home, is a knot like mine, around another's heart. Around his.
Chloe Liese (Everything for You (Bergman Brothers, #5))
Turn around." "I beg your pardon." Brian merely stepped around her, laid his hands on the nape of her neck. Her already stiff shoulders jerked in protest. "Relax.I'm not after grabbing you in a fit of passion when any member of your family might come along.I'd like to put in at least one day on the job before I get the boot." As he spoke he was kneading, pressing, running those strong fingers over the knots. He hated seeing anything in pain. "Blow out a breath," he ordered when she stood rigis as stone. "Come on, maverneen, don't be so hardheaded. Blow out a nice long breath for me." Out of curiosity she obeyed and tried not to think how marvelous his hands felt on her skin. "Now another." His voice had gone to croon, lulling her.As he worked, murmured, her eyes fluttered close. Her muscles loosened, the knots untied. The threatening throbbing in her head faded away. She all but slid into a trance. She arched against his hands, just a little. Moaned in pleasure.Just a little. He kept his hands firm, professional, even as he imaged skiming them down over her, slipping them under that soft white blouse. He wanted to touch his lips to her nape, just where his thumb was pressing.To taste her there. And that,he knew, would end things before they'd begun.Wanting a woman was natural. Taking one, where the taking held such risks,was suicide.
Nora Roberts (Irish Rebel (Irish Hearts, #3))
How quietly experience slips away unnoticed, camouflaged by it relative unimportance. Then at some point you step back and take a look and what's in front of you is a tangled wad of string. All the un-importants rolled together in a loose knot, to be recognized as your very own and cherished or mistaken for trash and discarded. And if you're lucky, it hits you; that knot of string, wound and intertwined is your life, and savoring it is what you want to do
Todd Johnson.
His eyes spark as his gaze dips to my cleavage, and this gives me courage. I shift forward and slip my hands under his shirt, brushing my fingers against the muscles of his abdomen. Noah sharply inhales and, in seconds, his shirt is off and thrown into the corner of the tent. I love his naked chest, and I decide to play. Biting my bottom lip, hoping to contain the smile, I nudge Noah’s shoulder, indicating for him to lie down. He flashes his wicked grin and reclines back, except he snags his hand around my wrist and tugs me with him. I laugh as I come face-to-face with him. My body on top of his and when I wiggle, I close my eyes, liking the pleasure of intimate parts touching. My hips squirm and with the movement, Noah immediately kisses my lips while knotting his fingers in my hair. There’s no subtlety in our kiss. All of the passion, all of the longing, all of the emotion rush out of us like water hurtling toward a cliff. It’s fast and raw and out of control.
Katie McGarry (Breaking the Rules (Pushing the Limits, #1.5))
Turn it beautiful. His words came faintly at first, but they came again and again, always softly, always with the insistence of an elder commanding wisdom. Turn it all to beauty. She walked to the rail. When she turned and sat upon it, she heard a sailor in the crowd murmur that she might play them a tune. She hoped he was right. She needed the voices to be wrong. Fin raised the instrument to the cleft of her neck and closed her eyes. She emptied her mind and let herself be carried back to her earliest memory, the first pain she ever knew: the knowledge that her parents didn’t want her. The despair of rejection coursed through her. It fathered a knot of questions that bound her, enveloped her. Waves of uncertainty and frailty shook her to the bones. Her body quivered with anger and hopelessness. She reeled on the edge of a precipice. She wanted to scream or to throw her fists but she held it inside; she struggled to control it. She fought to subjugate her pain, but it grew. It welled up; it filled her mind. When she could hold it no more, exhausted by defiance and wearied by years of pretending not to care, Bartimaeus’s words surrounded her. Got to turn it beautiful. She dropped her defenses. She let weakness fill her. She accepted it. And the abyss yawned. She tottered over the edge and fell. The forces at war within her raced down her arms and set something extraordinary in motion; they became melody and harmony: rapturous, golden. Her fingers coaxed the long-silent fiddle to life. They danced across the strings without hesitation, molding beauty out of the miraculous combination of wood, vibration, and emotion. The music was so bright she felt she could see it. The poisonous voices were outsung. Notes raged out of her in a torrent. She had such music within her that her bones ached with it, the air around her trembled with it, her veins bled it. The men around fell still and silent. Some slipped to the deck and sat enraptured like children before a travelling bard.
A.S. Peterson (Fiddler's Green (Fin's Revolution, #2))
She took him by the sleeve and tried tugging him toward the door. Unsuccessfully. Then she gave up on the tugging and started pushing at him instead. That wasn't any help, either. Except, perhaps, as an aid to Logan's amusement. He was a lot of man, and she was a mere slip of a lass. He couldn't help but laugh. But her efforts weren't entirely ineffectual. The press of her tiny hands on his arms and chest stirred him in dangerous places. He'd gone a long time without a woman's touch. Far too long.
Tessa Dare (When a Scot Ties the Knot (Castles Ever After, #3))
The openness from the baths lingered. Laurent, whose tangle of overthinking usually only disappeared at the moment of climax, had his defences down in the quiet. Damen could hear his soft exhalations of breath; once or twice, a sound passed his lips that he didn’t seem to be aware of. Time unslid the knot of any last ribbon of tension, letting it slip, letting him go further and further into his own pleasure. Their bodies tangled together, touches blending and blurring. Damen gave himself over to the feeling of Laurent in his arms. It was an age before he put his hand between Laurent’s legs, and felt his legs part. When he finally slid inside, it felt like time had stopped in the small, intimate space between them, after a sweet forever of deep kisses, of opening Laurent up with oiled fingers. He didn’t move but stayed where he was, in breathless silence. Everything felt connected, open. Their movements were more like nudges than thrusts, their bodies pushing together without the long, sliding separation of withdrawal. He could feel Laurent drawing closer and closer to his climax, not, as it was sometimes, like he was pushing past the gnarl of his own barriers, but hotly, inevitably. The thrust were longer now, Damen’s body moving to seek out its own gratification. He heard a choked off sound as Laurent dissolved under him, and Damen was lost to the feel of it, the hot, liquid pleasure of fucking, the closeness, near as a heartbeat. His own body pulsed and flared, an interval of flooding pleasure, and it almost didn’t seem to end but to transform into the sweet, heavy feel of his limbs entangled with Laurent’s, pleasure still between them, the throbs of it ebbing. For
C.S. Pacat (The Summer Palace (Captive Prince, #3.5; Captive Prince Short Stories, #2))
Gather close, and let us speak of nasty little shits. Oh, come now, we are no strangers to the vicious demons in placid disguises, innocent eyes so wide, hidden minds so dark. Does evil exist? Is it a force, some deadly possession that slips into the unwary? Is it a thing separate and thus subject to accusation and blame, distinct from the one it has used? Does it flit from soul to soul, weaving its diabolical scheme in all the unseen places, snarling into knots tremulous fears and appalling opportunity, stark terrors and brutal self-interest? Or is the dread word nothing more than a quaint and oh so convenient encapsulation of all those traits distinctly lacking moral context, a sweeping generalization embracing all things depraved and breath takingly cruel, a word to define that peculiar glint in the eye—the voyeur to one’s own delivery of horror, of pain and anguish and impossible grief? Give the demon crimson scales, slashing talons. Tentacles and dripping poison. Three eyes and six slithering tongues. As it crouches there in the soul, its latest abode in an eternal succession of abodes, may every god kneel in prayer. But really. Evil is nothing but a word, an objectification where no objectification is necessary. Cast aside this notion of some external agency as the source of inconceivable inhumanity—the sad truth is our possession of an innate proclivity towards indifference, towards deliberate denial of mercy, towards disengaging all that is moral within us. But if that is too dire, let’s call it evil. And paint it with fire and venom. There are extremities of behaviour that seem, at the time, perfectly natural, indeed reasonable. They are arrived at suddenly, or so it might seem, but if one looks the progression reveals itself, step by step, and that is a most sad truth.
Steven Erikson (Toll the Hounds (Malazan Book of the Fallen, #8))
All right,” he said slowly, as if he’d only just made up his mind about something. “You win. I’ve decided to help you.” Serilda’s heart lifted, filling fast with untethered hope. “In exchange,” he continued, “for this.” He pointed a finger at her. His sleeve slipped back toward his elbow, revealing a ghastly knot of scar tissue above his wrist. Serilda gaped at his extended arm, momentarily speechless. He was pointing at her heart. She stepped back and placed a protective hand to her chest, where she could feel her heartbeat thudding underneath. Her gaze lingered on his hand, as if he might reach into her chest and tear out the beating organ at any moment. He didn’t exactly look like one of the dark ones, with their majestic figures and flawless beauty, but he didn’t look half-faded like a ghost either. He seemed harmless enough, but she couldn’t trust anyone in this castle. The boy frowned, confused at her reaction. Then understanding hit him and he dropped his hand with a roll of his eyes. “Not your heart”, he said, exasperated. “That locket.” Oh. That. Her hand shifted to the chain around her neck. She gripped the locket, still hanging open, in her fist. “It will hardly suit you.” “Strongly disagree. Besides, there’s something familiar about her.
Marissa Meyer (Gilded (Gilded, #1))
Every flick of the tongue against my clit. Every growled noise that leaves his throat as he wraps his lips around that swollen bud and sucks. But there’s no release. No cure for the knot of tension coiling low in my belly. “I need to come,” I almost wail. His laughter vibrates between my legs, male and husky and smug as fuck. Then he works his tongue over me again while his finger travels lower, dips into my embarrassingly obvious arousal and slips inside me. That’s all it takes to detonate the pressure in my core. I gasp as the orgasm rips through me, pulsing in my blood and making my knees shake. My fist tightens in Blake’s hair as I rock my hips and ride out the wave of sensation.
Sarina Bowen (Good Boy (WAGs, #1))
She picked up a piece that looked like the arm of the chair, gasping as she turned it over. “Scorch marks,” she whispered. The wood slipped from her hand as the nightmares took over. You’re safe, Fitz transmitted, filling her mind with a soft thread of warmth. Their thumb rings snapped together as he pulled her gently away from the pile of wood. “I told you this would be a bad idea,” Mr. Forkle said, kicking a broken board into the wall. “I’m fine,” Sophie promised. “I just . . . need to get out of this room.” Fitz helped her wobble back to the hall and she sank to the floor, putting her head between her knees to stop the spinning. Want me to carry you out? Fitz offered. NO! The thought was so loud he jumped. Sorry. I . . . I don’t want to be carried out of here again, like some helpless little girl. No one would ever call you helpless. But I get what you mean. Is there anything I can do? You’re here. He tightened his hold on her hands. “Are we ready to go?” Mr. Forkle asked. Sophie closed her eyes, focusing on tying the threads of panic away with her other emotions. The knot in her chest swelled so huge, it felt like it was pressing on her heart. But after a few slow breaths, she could bear it. “There’s still more to the hideout, isn’t there?” she asked. “Only the old entrance,” Mr. Forkle said. “But it’s nothing worth seeing. Just an empty room with a collapsed tunnel.
Shannon Messenger (Lodestar (Keeper of the Lost Cities, #5))
I was just settling into the salons of Austenian Bath when Gabriel muttered, "This is strange." I looked up to see him pulling a long blue-gray thread from between the nearly translucent pages. My jaw dropped, and I was kneeling on the chaise in a flash. "Is the binding coming loose? No, don't pull it! I can take it to my book doctor tomorrow night." "Stop hyperventilating, sweetheart. I think it's a bookmark," he said, pulling on the thread until he stretched it to my hand. "Here." I wound the thread around my finger. "What passage was it marking?" He scanned the page and lifted an eye. "It's an Edward and Jane scene. I know how you love those. Edward's saying, 'I sometimes have a queer feeling with regard to you---especially when you are near me, as now: it is as if I had a string somewhere under my left ribs, tightly and inextricably knotted to a similar string situated in the corresponding quarter of your little frame.'" I was so caught up in watching his lips as they formed the words that I barely noticed the sudden tension on the fiber wound around my finger. I realized now that Gabriel had slipped a ring onto the thread and was sliding it toward me. I watched as the respectable diamond twinkled in the light of the oil lamp. "I'm not Edward, " Gabriel promised. "I'm not afraid the thread will break and leave me bleeding. Our thread's already been tested. And it will hold up. I'm asking you to make the link permanent. Please, marry me.
Molly Harper (Nice Girls Don't Bite Their Neighbors (Jane Jameson, #4))
Writing fiction twists your brain in knots. You get to experience the life of a compulsive liar. You are constantly double-checking for consistency, acting as continuity supervisor for your own imagination. You become a detective, picking through the diary of a suspect; checking for the slip up that undermines the story and breaks the alibi. You wake up sweating about some detail that wrecks the timeline, or breaches the established character of the person you invented. You craft wonderful, frightening people, who you fall in love with, but must discard. You find brilliant twists that you can’t use because they somehow subtly compromise the story. It drains you. You can’t sleep. You are preoccupied with minutia. It’s brilliant.
S.M. Fenton
I don't like to make mistakes. Which is why I haven't been with a man before now." He as thrown off balance so quickly and completely, he coud hear his own brain stumble. "Well,that's...that's wise." He took one definite step back, like a chessman going from square to square. "It's interesting that makes you nervous," she said, countering his move. "I'm not nervous,I'm...finished up here, it seems." He tried another tactic, stepped to the side. "Interesting," she continued, mirroring his move, "that it would make you nervous,or uneasy if you prefer, when you've been...I think it's safe to use the term 'hitting on me' since we met." "I don't think that's the proper term at all." Since he seemed to be boxed into a corner,he decided he was really only standing his ground. "I acted in a natural way regarding a physical attraction. But-" "And now that I've reacted in a natural way, you've felt the reins slip out of your hands and you're panicked." "I'm certainly not panicked." He ignored the terror gripping claws into his belly and concentrated on annoyance. "Back off, Keeley." "No." With her eyes locked on his, she stepped in.Checkmate. His back was hard up against a stall door and he'd been maneuvered there by a woman half his weight.It was mortifying. "This isn't doing either of us any credit." It took a lot of effort when the blood was rapidly draining out of his head, but he made his voice cool and firm. "The fact is I've rethought the matter." "Have you?" "I have,yes,and-stop it," he ordered when she ran the palms of her hands up over his chest. "You're hearts pounding," she murmured. "So's mine.Should I tell you what goes on inside my head,inside my body when you kiss me" "No." He barely managed a croak this time. "And it's not going to happen again." "Bet?" She laughed, rising up just enough to nip his chin. How could she have known how much fun it was to twist a man into aroused knots? "Why don't you tell me about this rethinking?" "I'm not going to take advantage of your-of the situation." That,she thought,was wonderfully sweet. "At the moment,I seem to have the advantage.This time you're trembling,Brian." The hell he was.How could he be trembling when he couldn't feel his own legs? "I won't be responsible.I won't use your inexperience.I won't do this." The last was said on a note of desperation and he pushed her aside. "I'm responsible for myself.And I think I've just proven to both of us,that if and when I decide you'll be the one, you won't have a prayer." She drew a deep, satisfied breath. "Knowing that's incredibly flattering." "Arousing a man doesn't take much skill, Keeley. We're cooperative creatures in that area." If he'd expected that to scratch at her pride,and cut into her power,he was mistaken. She only smiled,and the smile was full of secret female knowledge. "If that was true between us, if that were all that's between us, we'd be naked on the tack room floor right now." She saw the change in his eyes and laughed delightedly. "Already thought of that one, have you? We'll just hold that thought for another time.
Nora Roberts (Irish Rebel (Irish Hearts, #3))
Inside the castle hovered a shadow version of him, alone, watching this full, well-lit house from the other’s emptiness. Looking through the glass, he was divided in two. He saw himself with the family around him. Glad of it. Almost proud. As a parent might be. He was his own parent. He’d learned to be alone, walking. And it was still good now and then. For thought. For recognition. But being alone was also a closed loop. A loop with a slipknot, say. The loop could be small or large, but it always returned to itself. You had to untie the knot, finally. Open the loop and then everything sank in. And everyone. Then you could see what was true—that separateness had always been the illusion. A simple trick of flesh. The world was inside you after that. Because, after all, you were made of two people only at the very last instant. Before that, of a multiplication so large it couldn’t be fathomed. Back and back in time. A tree in a forest of trees, where men grew from apes and birds grew from dinosaurs. The topmost branches were single cells. And even those cells were “ And even those cells were not the start, for they drew life from the atmosphere. The air. And the vapor. Suspended. It was the fear and loneliness that came in waves that often stopped him from remembering the one thing. The one thing and the greatest thing. Frustrating: he could only ever see it for a second before he lost sight of it again. Released his grip. Let it slip away into the vague background. But it had to be held close, the tree. In the dark, when nothing else was sure, the soaring tree sheltered you. Almost the only thing you had to see before you slept. How you came not from a couple or a few but from infinity. So you had no beginning. And you would never end.
Lydia Millet (Dinosaurs)
The roof. We order a bunch of food, grab some blankets, and head up to the roof for a picnic. A daylong picnic in the flower garden that tinkles with wind chimes. We eat. We lie in the sun. I snap off hanging vines and use my newfound knowledge from training to practice knots and weave nets. Peeta sketches me. We make up a game with the force field that surrounds the roof — one of us throws an apple into it and the other person has to catch it. No one bothers us. By late afternoon, I lie with my head on Peeta’s lap, making a crown of flowers while he fiddles with my hair, claiming he’s practicing his knots. After a while, his hands go still. “What?” I ask. “I wish I could freeze this moment, right here, right now, and live in it forever,” he says. Usually this sort of comment, the kind that hints of his undying love for me, makes me feel guilty and awful. But I feel so warm and relaxed and beyond worrying about a future I’ll never have, I just let the word slip out. “Okay.” I can hear the smile in his voice. “Then you’ll allow it?
Suzanne Collins (Catching Fire (The Hunger Games, #2))
that made me relieved that looks in fact cannot kill. Jamie followed me up to my chamber, and somewhat to my surprise, came in after me. The surprise vanished when he shut the door and immediately shed his shirt. I had forgotten the dressing, which I had been meaning to remove for the last two days. “I’ll be glad to get this off,” he said, rubbing at the rayon and linen harness arrangement under his arm. “It’s been chafing me for days.” “I’m surprised you didn’t take it off yourself, then,” I said, reaching up to untie the knots. “I was afraid to, after the scolding ye gave me when you put the first one on,” he said, grinning impudently down at me. “Thought I’d get my bum smacked if I touched it.” “You’ll get it smacked now, if you don’t sit down and keep still,” I answered, mock-stern. I put both hands on his good shoulder and, a little unsteadily, pulled him down onto the bedroom stool. I slipped the harness off and carefully probed the shoulder joint. It was still slightly swollen, with some bruising, but thankfully I could find no evidence of torn muscles.
Diana Gabaldon (Outlander (Outlander, #1))
May I?” asked Amar. I nodded. With a small knife, Amar deftly clipped a number of strands. Quickly, he twirled them into a bracelet and slipped it onto his wrist. There was another bracelet on his hand that I had not noticed until now. A simple strap of black leather tied into an elegant knot. “Thank you for this,” he said, pulling his sleeve over the other strap. “It’s nothing,” I said, trying for lightness. “And yet I would trade everything for it,” he said. There was no tease in his voice. Nothing but a strange straightforwardness, like he’d never said anything more honest in his entire life. “Then you must be relieved I gave it willingly.” “Astounded,” he murmured, still tracing the circlet. He looked at me and something light fluttered in my stomach. “Not relieved. Relief is when you want something to stop.” A small light floated between us, only to vanish in an instant. “What are those?” Amar followed my gaze. “Wishes.” My eyes widened. “They grant wishes?” “Sadly, no. They’re wishes already made.” “Of what?” “Or who?” countered Amar. “Is this another secret the moon keeps from me?” “No,” said Amar with a grin. “It is a secret that I choose to keep from you.
Roshani Chokshi (The Star-Touched Queen (The Star-Touched Queen, #1))
In ninety seconds they were naked and he was nibbling at her ear while his hand rubbed her pubic mat; but a saboteur was at work at his brain. 'I love you,' he thought, and it was not untrue because he loved all women now, knowing partially what sex was really all about, but he couldn't bring himself to say it because it was not totally true, either, since he loved Mavis more, much more. 'I'm awfully fond of you,' he almost said, but the absurdity of it stopped him. Her hand cupped his cock and found it limp; her eyes opened and looked into his enquiringly. He kissed her lips quickly and moved his hand lower, inserting a ringer until he found the clitoris. But even when her breathing got deeper, he did not respond as usual, and her hand began massaging his cock more desperately. He slid down, kissing nipples and bellybutton on the way, and began licking her clitoris. As soon as she came, he cupped her buttocks, lifted her pelvis, got his tongue into her vagina and forced another quick orgasm, immediately lowering her slightly again and beginning a very gentle and slow return in spiral fashion back to the clitoris. But still he was flaccid. 'Stop,' Stella breathed. 'Let me do you, baby.' George moved upward on the bed and hugged her. 'I love you,' he said, and suddenly it did not sound like a lie. Stella giggled and kissed his mouth briefly. 'It takes a lot to get those words out of you, doesn't it?' she said bemusedly. 'Honesty is the worst policy,' George said grimly. 'I was a child prodigy, you know? A freak. It was rugged. I had to have some defense, and somehow I picked honesty. I was always with older boys so I never won a fight. The only way I could feel superior, or escape total inferiority, was to be the most honest bastard on the planet earth.' 'So you can't say 'I love you' unless you mean it?' Stella laughed. 'You're probably the only man in America with that problem. If you could only be a woman for a while, baby! You can't imagine what liars most men are.' 'Oh, I've said it at times. When it was at least half true. But it always sounded like play-acting to me, and I felt it sounded that way to the woman, too. This time it just came out, perfectly natural, no effort.' 'That is something,' Stella grinned. 'And I can't let it go unrewarded.' Her black body slid downward and he enjoyed the esthetic effect as his eyes followed her— black on white, like the yinyang or the Sacred Chao—what was the psychoses of the white race that made this beauty seem ugly to most of them? Then her lips closed over his penis and he found that the words had loosened the knot: he was erect in a second. He closed his eyes to savor the sensation, then opened them to look down at her Afro hairdo, her serious dark face, his cock slipping back and forth between her lips. 'I love you,' he repeated, with even more conviction. 'Oh, Christ, Oh, Eris, oh baby baby, I love you!' He closed his eyes again, and let the Robot move his pelvis in response to her. 'Oh, stop,' he said, 'stop,' drawing her upward and turning her over, 'together,' he said, mounting her, 'together,' as her eyes closed when he entered her and then opened again for a moment meeting his in total tenderness, 'I love you, Stella, I love,' and he knew it was so far along that the weight wouldn't bother her, collapsing, using his arms to hug her, not supporting himself, belly to belly and breast to breast, her arms hugging him also and her voice saying, 'I love you, too, oh, I love you,' and moving with it, saying 'angel' and 'darling' and then saying nothing, the explosion and the light again permeating his whole body not just the penis, a passing through the mandala to the other side and a long sleep.
Robert Anton Wilson (The Illuminatus! Trilogy)
You have made your request, what about mine?” “I am not the one withholding secrets.” He smiled and I stared at him for a moment. When he smiled, his severe face softened into something beautiful. I wanted to see it again. “On the contrary, I am the one who has no choice. You, on the other hand, do.” “What do you want from me?” He reached out, fingers sliding across the length of my hair. “Some strands of your hair.” Some of the courtiers in Bharata used to tie their wives’ hair around their wrists when they traveled. It was a sign of love and faith. To remain connected to the person you love, even if it was just by a circlet of hair. “May I?” asked Amar. I nodded. With a small knife, Amar deftly clipped a number of strands. Quickly, he twirled them into a bracelet and slipped it onto his wrist. There was another bracelet on his hand that I had not noticed until now. A simple strap of black leather tied into an elegant knot. “Thank you for this,” he said, pulling his sleeve over the other strap. “It’s nothing,” I said, trying for lightness. “And yet I would trade everything for it,” he said. There was no tease in his voice. Nothing but a strange straightforwardness, like he’d never said anything more honest in his entire life.
Roshani Chokshi (The Star-Touched Queen (The Star-Touched Queen, #1))
His eyes lit appreciatively as her gaze snagged there. “I could pick you up and wrap those lovely long legs of yours around my waist. Slip deep inside you, rock you against me and love you till you lay in my arms and slept like a babe. I will spend each night stretched beside you, teaching you what you want me to teach you. I can feel that you want it from me. Yet it will be at your pace, when you choose. I will wait as long as I must. “But know this, Lisa—when you are across the dinner table from me on the morrow, in my mind I am pushing you back on a bed. In my fantasy”—he laughed, as if at his own brashness—“you are discovering yourself with my willing body. Who knows, perhaps even laying siege to the heart that beats within this chest.” He thumped his chest with a fist and silently admitted she’d already begun to do that, otherwise he wouldn’t have offered himself. But she didn’t need to know that. He knotted the tartan slowly, never taking his eyes from hers. “Good night, Lisa. Sleep with the angels.” Her eyes stung from quick tears. It had been her mother’s nightly benediction: Sleep with the angels. But then he added words her mother never had: “Then come back to earth and sleep with your devil, who would burn in hell for one night in your arms.
Karen Marie Moning (The Highlander's Touch (Highlander, #3))
What else do you want to know?’ he asked. Possessed by morbid curiosity, her eyes darted to the scar that cut just over his ear. She’d found it shortly after they met, while he lay unconscious in the grass. He didn’t need to ask what had caught her attention. ‘I got that in a fight against imperial soldiers. Ask me why.’ She shook her head, unable to bring herself to do it. The cocoon of warmth that had enveloped the entire afternoon unwound itself in an instant. ‘Are you having second thoughts about being here with me?’ He planted a hand into the grass, edging closer. ‘No. I trust you.’ He was giving her all the time in the world to shove him away, to rise, to flee. Her heartbeat quickened as she watched him. Moving ever so slowly, he braced an arm on either side of her, his fingers sinking into the moss. ‘I asked you to come with me.’ Despite her words, she dug her heels into the ground and inched backwards. ‘I feel safe with you.’ ‘I can see that.’ He affected a lazy smile as she retreated until her back pressed against the knotted roots that crawled along the ground. His boldness was so unexpected, so exciting. She held her breath and waited. Her pulse jumped when he reached for her. She’d been imagining this moment ever since their first duel and wondering whether it would take another swordfight for him to come near her again. His fingers curled gently against the back of her neck, giving her one last chance to escape. Then he lowered his mouth and kissed her. It was as natural as breathing to wrap his arms around her and lower her to the ground. He settled his weight against her hips. The perfume of her skin mixed with the damp scent of the moss beneath them. At some point, her sense of propriety would win over. Until then he let his body flood with raw desire. It felt good to kiss her the way he wanted to. It felt damn good. He slipped his tongue past her lips to where she was warm and smooth and inviting. Her hands clutched at his shirt as she returned his kiss. A muted sound escaped from her throat. He swallowed her cry, using his hands to circle her wrists: rough enough to make her breath catch, gentle enough to have her opening her knees, cradling his hips with her long legs. He stroked himself against her, already hard beyond belief. He groaned when she responded, instinctively pressing closer. ‘I need to see you,’ he said. The sash around her waist fell aside in two urgent tugs while his other hand stole beneath her tunic. She gasped when his fingers brushed the swath of cloth at her breasts. The faint, helpless sound nearly lifted him out of the haze of desire. He didn’t want to think too hard about this. Not yet. He felt for the edge of the binding. ‘In back.’ She spoke in barely a whisper, a sigh on his soul. She peered up at him, her face in shadow as he parted her tunic. She watched him in much the same way she had when they had first met: curious, fearless, her eyes a swirl of green and gold. He pulled at the tight cloth until Ailey’s warm, feminine flesh swelled into his hands. He soothed his palms over the cruel welts left by the bindings. She bit down against her lip as blood rushed back into the tortured flesh. With great care, he stroked her nipples, teasing them until they grew tight beneath his roughened fingertips. God’s breath. Perfect. He wanted his mouth on her and still it wouldn’t be enough. Her heart beat out a chaotic rhythm. His own echoed the same restless pulse. ‘I knew it would be like this.’ His words came out hoarse with passion. At that moment he’d have given his soul to have her. But somewhere in his thick skull, he knew he had a beautiful, vulnerable girl who trusted him pressed against the bare earth. He sensed the hitch in her breathing and how her fingers dug nervously into his shoulders, even as her hips arched into him. He ran his thumb gently over the reddened mark that ran just below her collarbone and felt her shiver beneath him.
Jeannie Lin (Butterfly Swords (Tang Dynasty, #1))
When I looked at him, something stirred inside me. It felt like recognition sifted through dreams; like the moment before waking--when sleep blurred the true world, when beasts with sharp teeth and beautiful, winged things flew along the edges of your mind. Amar met my gaze and his eyes were raw. Burning. “Well?” he asked. There was no rebuke in his voice, only curiosity. “I see no secrets in your gaze,” I said. I see only night and smoke, dreams and glass, embers and wings. And I would not have you any other way. “You have made your request, what about mine?” “I am not the one withholding secrets.” He smiled and I stared at him for a moment. When he smiled, his severe face softened into something beautiful. I wanted to see it again. “On the contrary, I am the one who has no choice. You, on the other hand, do.” “What do you want from me?” He reached out, fingers sliding across the length of my hair. “Some strands of your hair.” Some of the courtiers in Bharata used to tie their wives’ hair around their wrists when they traveled. It was a sign of love and faith. To remain connected to the person you love, even if it was just by a circlet of hair. “May I?” asked Amar. I nodded. With a small knife, Amar deftly clipped a number of strands. Quickly, he twirled them into a bracelet and slipped it onto his wrist. There was another bracelet on his hand that I had not noticed until now. A simple strap of black leather tied into an elegant knot. “Thank you for this,” he said, pulling his sleeve over the other strap. “It’s nothing,” I said, trying for lightness. “And yet I would trade everything for it,” he said. There was no tease in his voice. Nothing but a strange straightforwardness, like he’d never said anything more honest in his entire life. “Then you must be relieved I gave it willingly.” “Astounded,” he murmured, still tracing the circlet. He looked at me and something light fluttered in my stomach. “Not relieved. Relief is when you want something to stop.
Roshani Chokshi (The Star-Touched Queen (The Star-Touched Queen, #1))
Kato’s expression shifts into something I could almost call a smile for the first time since I found him. He plucks the chordsagain in the beginnings of a tune I recognize, a ballad popular in southern Sinta. His fingers move with skill and subtlety over the strings. I had no idea he was musical. “Maybe we’re not meant to kill it.” He keeps playing. “Doesn’t music soothe the beast? I’ll play, you sing.” “I sound like a strangled Satyr when I sing.” He smiles. “Somehow that doesn’t surprise me.” “There’s no need for mudslinging,” I say with a huff. He chuckles softly. “I can carry a tune.” “Great!” I pat his arm. “That’ll be your job. I’ll stand back—waaaaay back—while you calm the beast. I’m confident you’ll sound as good as you look.” His chest puffs out. “How do I look?” “Terrible.” I grin. “You needed a bath, a shave, and a comb before we even set foot on the Ice Plains. Now, I can just barely make out your eyes and your nose. The rest is all”—I flap my hands around—“hair.” His chest deflates. He eyes me wryly. “I could say the same about you.” I gasp. “I grew a beard? Do you think Griffin will like it? I’ve been trying to keep it neat, but I may have picked up an eel.” Kato laughs outright, and he really is unbearably handsome. Some of the grimness evaporates from his eyes. “I was talking about this.” He gives one of my tousled waves a light tug. I once saw Griffin do that to Kaia. It’s brotherly. Affectionate. My heart squeezes in my chest. My love for Griffin is completely different, but Kato has a piece of me that no man ever had, not even Aetos. Kato sees me, and accepts. In that moment, I realize he’s slipped inside my soul right next to Eleni. They’re a blond-haired, blue-eyed, sunny pair—my light in the dark. Clearing my throat doesn’t drive away the thick lump in it, or dispel the sudden tightness, so I make a show of smoothing down my hair—a lost cause at this point. “Ah, that. It’s getting to the stage where it deserves a name. The Knotted Nest? The Twisted Tresses?” “What about the Terrible Tangle?” I nod. “That has serious possibilities.” “The Matted Mess?” he suggests. My jaw drops. “It’s not that bad!” Grinning, Kato pats my head. “Let’s get out of here.” Yes, please! “I have your clothes. They’re even dry, thanks to your Eternal Fires of the Underworld Cloak.” He quirks an eyebrow, taking the things I hand him. “That gets a name, too?” “I should think so,” I answer loftily.
Amanda Bouchet (Breath of Fire (Kingmaker Chronicles, #2))
A tearing agony went through Lillian’s right thigh, and she would have stumbled to the ground had it not been for the support of his arm around her back. “Oh, damn it,” she said shakily, clutching at her thigh. A twisting spasm in her thigh muscle caused her to groan through her clenched teeth. “Damn, damn—” “What is it?” St. Vincent asked, swiftly lowering her to the path. “A leg cramp?” “Yes…” Pale and shaking, Lillian caught at her leg, while her face contorted with agony. “Oh God, it hurts!” He bent over her, frowning with concern. His quiet voice was threaded with urgency. “Miss Bowman…would it be possible for you to temporarily ignore everything you’ve heard about my reputation? Just long enough for me to help you?” Squinting at his face, Lillian saw nothing but an honest desire to relieve her pain, and she nodded. “Good girl,” he murmured, and gathered her writhing body into a half-sitting position. He talked swiftly to distract her, while his hand slipped beneath her skirts with gentle expertise. “It will take just a moment. I hope to God that no one happens along to see this—it looks more than a bit incriminating. And it’s doubtful that they would accept the traditional but somewhat overused leg-cramp excuse—” “I don’t care,” she gasped. “Just make it go away.” She felt St. Vincent’s hand slide lightly up her leg, the warmth of his skin sinking through the thin fabric of her knickers as he searched for the knotting, twitching muscle. “Here we are. Hold your breath, darling.” Obeying, Lillian felt him roll his palm strongly over the muscle. She nearly yelped at the burst of searing fire in her leg, and then suddenly it eased, leaving her weak with relief. Relaxing back against his arm, Lillian let out a long breath. “Thank you. That’s much better.” A faint smile crossed his lips as he deftly tugged her skirts back over her legs. “My pleasure.” “That never happened to me before,” she murmured, flexing her leg cautiously. “No doubt it was a repercussion from your exploit in the sidesaddle. You must have strained a muscle.” “Yes, I did.” Color burnished her cheeks as she forced herself to admit, “I’m not used to jumping on sidesaddle— I’ve only done it astride.” His smile widened slowly. “How interesting,” he murmured. “Clearly my experiences with American girls have been entirely too limited. I didn’t realize you were so delightfully colorful.” “I’m more colorful than most,” she told him sheepishly, and he grinned. -Lillian & Sebastian St. Vincent
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
What’s he doing?” I asked, leaning over the side of the boat, searching for him beneath the water. If the tow rope had gotten tangled, he might need help. And someone would need to go in the water with him, perhaps accidentally sliding against him down where no one else could see. “Boo!” A handful of bryozoa rushed up at me from the lake. I screamed (for once I didn’t have to think about this girl-reaction) and fell backward into the boat. Sean hefted himself over the side with one arm, holding the bryozoan high in the other hand. It dripped green slime through his fingers. “Bwa-ha-ha!” He came after me. I squealed again. It was so unbelievably fantastic that he was flirting with me, but bryozoa was involved. Was it worth it? No. I paused on the side of the boat, ready to jump back into the water myself. He might chase me around the lake with the bryozoa, but at least it would be diluted. On second thought, I didn’t particularly want to jump into the very waters the bryozoa had come from. Sean solved the problem for me. He slipped behind me and showed me he was holding the ties of my bikini in his free hand. If I jumped, Sean would take possession of my bikini top. I had thought about double knotting my bikini. I’d hoped against hope that Stage Two: Bikini would work, and that Sean might try something like this. Of course, I didn’t really want my top to come off in front of everyone. Nay, in front of anyone. But I’d checked the double knots in the mirror. They’d looked…well, double knotted, for protection, sort of like wearing a turtleneck to the prom. I’d re-tied the strings normally. Now I wished I’d double knotted after all. Sean brought the dripping slime close to my shoulder. “Go ahead and jump,” he said, twisting my bikini ties in his finges. “Sean,” came McGullicuddy’s voice in warning. This surprised me. My brother had never taken up for me before. Of course, none of the boys had ever crossed this particular line. But that was nothing compared with my surprise when the bryozoa suddenly lobbed out of Sean’s hand, sailed through the air, and plopped into the lake. Adam, standing behind him, must have shoved his arm. Which meant I owed Adam my gratitude for saving me. Except I didn’t want him to save me from Sean, and I thought I’d made that clear. Saving me from Sean with bryozoa…that was a more iffy proposition. I wasn’t sure whether I should give Adam the little dolphin look again when our eyes met. But it didn’t matter. When I turned around, he was already stepping over Cameron’s legs to return to the driver’s seat.
Jennifer Echols (Endless Summer (The Boys Next Door, #1-2))
Without allowing herself time to consider her actions, Lottie approached him, touching the fine broadcloth of his coat with her palm. Her hand smoothed over the fabric and eased inside. His waistcoat was the same inky black as his coat, but the material was silkier, slipping a little over the hard delineation of his chest muscles. She thought of how hot his skin must be, to impart such warmth to the thick garment. Nick was suddenly motionless, his breath changing to a slower, deeper rhythm. Lottie did not look at his face but concentrated instead on the knot of his gray necktie as her fingers explored the snowy, fragrant folds of his shirt. "I don't want a reprieve," she said eventually, and tugged at the knot until it slid loose. As the necktie unraveled, it seemed that his self-control became similarly undone. He breathed more heavily, and his hands clenched at his sides. Inexpertly she unfastened the stiff collar of his shirt and spread it wide to reveal the amber sheen of his throat. She glanced up at his face and saw with a quake of sudden nervousness that his fury was transforming rapidly into pure sexual need. Color crept across his cheekbones and the bridge of his nose, a burnished glow that made his eyes look like blue fire. His head lowered very slowly, as if he were giving her every opportunity to flee. She stayed where she was, her eyes closing as she felt the barely perceptible touch of his mouth on the side of her neck. His lips brushed the sensitive skin, parted, and the silken tip of his tongue stroked her in a delicate, hot circle. With a shaky sigh, Lottie leaned forward into his body as her legs wobbled beneath her. He did not touch her with his hands, only continued to explore her neck with exquisite leisure.
Lisa Kleypas (Worth Any Price (Bow Street Runners, #3))
The plan was as simple as it was unattainable: All they had to do was to slip out of Sayda Bay and after entering the Barents Sea, submerge, poke their air-breathing snorkels above the surface, and trudge down to Cuba on diesel power at a submerged speed of nine knots. Without the Americans noticing.
Ed Offley (Scorpion Down: Sunk by the Soviets, Buried by the Pentagon: The Untold Story of the USS Scorpion)
Luca stepped away and turned around to give Cass privacy. She wrestled out of her waterlogged dress and slipped the fresh chemise over her head. She tugged the skirt over her hips. The dry fabric felt good against her skin. She slipped her arms through the sleeves of her bodice and stopped. The ties were in the back. She had no way to lace it without Siena’s help. A sob escaped from her lips. Luca was at her side in an instant. “Cass. What is it?” he asked. “Are you hurt?” “I need Siena,” Cass whispered, feeling incredibly stupid. “I--I can’t lace this bodice. I--” “I’ll help you,” Luca said. With slow, fumbling fingers, Luca threaded the first lace through the highest hole. He dropped it and grabbed the lace on the other side. Cass started to tell him it was faster if he threaded one lace through all of the holes first, and then did the same on the other side. But she stopped. There was something comforting about Luca’s painstakingly slow progress, about the methodical but innocent way his hands grazed her back repeatedly. “Thank you,” Cass said, when he had made it all the way to the bottom and knotted the silk pieces in a clumsy bow.
Fiona Paul (Belladonna (Secrets of the Eternal Rose, #2))
friends had started hanging around. Franny could feel her stomach hardening and twisting into knots when they arrived, pushing and shoving one another and tripping over their huge basketball shoes. It was a wonder they didn’t knock over a display rack or topple one of the neatly stacked pyramids of paint cans. They seemed to be everywhere at once, and she couldn’t possibly keep an eye on all of them. Actually, she was a little afraid of them. While they dressed like kids, she knew they were actually young men. They were bigger than she was and full of rough male energy. From what she observed it seemed Ben was their leader and they were reporting to him. She was sure they were up to no good. Their whispered conversation was full of winks and nudges, and they constantly checked over their shoulders to see if they were being overheard. She tried to keep her distance, but if she had to approach them to help a customer, she noticed they would move away or fall silent. Whenever Mr. Slack appeared, they disappeared. Returning to the invoices, Franny went through them one more time. She couldn’t understand it. According to the paperwork, the store had received enough batteries to last through the summer, based on her best estimate using last year’s figures. They’d gotten twenty boxes each of AA and D batteries, the most popular sellers, and ten boxes each of the other sizes. Last week she’d noticed the display rack was nearly empty, and she’d asked Ben to fill it. “Can’t,” he’d said, avoiding her eyes. “They’re all gone.” “There should be plenty in the storeroom,” she’d insisted, looking curiously at his two buddies, who were lounging by the paint display. They seemed to find the conversation extremely amusing. “Go check again.” “There’s no point. I’m telling you, they’re all gone. Look, I’m taking a break now,” he’d said, signaling his friends to follow him outside. Sure enough, she couldn’t find any batteries in the storeroom, either. She was sure they hadn’t been sold; she would have noticed the unusual number of sales and ordered more. Where had they gone? It was very disturbing, especially since she’d been having such a hard time lately making up the bank deposit. That was always the first task of the day. She would take the previous day’s take out of the safe and add up the checks and cash, square them with the total sales figure, and fill out the deposit slip. Then Mr. Slack would put the whole business in a blue vinyl zippered pouch and take it to the red-brick bank across the street. For the past few weeks, however, she hadn’t been able to get the figures to match, even though
Leslie Meier (Tippy Toe Murder (A Lucy Stone Mystery Book 2))
With Curt, she became, in her mind, a woman free of knots and cares...She was lighter and leaner; she was Curt's Girlfriend, a role she slipped into as into a favorite, flattering dress.
Chimamanda Ngozi Adichie (Americanah)
Filming wildlife documentaries couldn’t have happened without John Stainton, our producer. Steve always referred to John as the genius behind the camera, and that was true. The music orchestration, the editing, the knowledge of what would make good television and what wouldn’t--these were all areas of John’s clear expertise. But on the ground, under the water, or in the bush, while we were actually filming, it was 100 percent Steve. He took care of the crew and eventually his family as well, while filming in some of the most remote, inaccessible, and dangerous areas on earth. Steve kept the cameraman alive by telling him exactly when to shoot and when to run. He orchestrated what to film and where to film, and then located the wildlife. Steve’s first rule, which he repeated to the crew over and over, was a simple one: Film everything, no matter what happens. “If something goes wrong,” he told the crew, “you are not going to be of any use to me lugging a camera and waving your other arm around trying to help. Just keep rolling. Whatever the sticky situation is, I will get out of it.” Just keep rolling. Steve’s mantra. On all of our documentary trips, Steve packed the food, set up camp, fed the crew. He knew to take the extra tires, the extra fuel, the water, the gear. He anticipated the needs of six adults and two kids on every film shoot we ever went on. As I watched him at Lakefield, the situation was no different. Our croc crew came and went, and the park rangers came and went, and Steve wound up organizing anywhere from twenty to thirty people. Everyone did their part to help. But the first night, I watched while one of the crew put up tarps to cover the kitchen area. After a day or two, the tarps slipped, the ropes came undone, and water poured off into our camp kitchen. After a full day of croc capture, Steve came back into camp that evening. He made no big deal about it. He saw what was going on. I watched him wordlessly shimmy up a tree, retie the knots, and resecure the tarps. What was once a collection of saggy, baggy tarps had been transformed into a well-secured roof. Steve had the smooth and steady movements of someone who was self-assured after years of practice. He’d get into the boat, fire up the engine, and start immediately. There was never any hesitation. His physical strength was unsurpassed. He could chop wood, gather water, and build many things with an ease that was awkwardly obvious when anybody else (myself, for example) tried to struggle with the same task. But when I think of all his bush skills, I treasured most his way of delivering up the natural world. On that croc research trip in the winter of 2006, Steve presented me with a series of memories more valuable than any piece of jewelry.
Terri Irwin (Steve & Me)
Taking her hands in his, he sank down to kneel before her. “I know we already are engaged, but I never went about it properly. Lydia Price, would you do me the great honor of becoming my wife?” Gasps permeated the room as Vincent reached into his pocket with his other hand and pulled out a small jewel case. He flicked the box open to reveal a golden ring filigreed with Celtic knots and adorned with a large diamond surrounded by a rainbow of other jewels. Lydia’s heart lodged in her throat even as unmitigated happiness warmed her body. “When?” The word escaped aloud before she was aware. “Now.” From another pocket in his waistcoat, Vincent withdrew a small sheaf of papers. “I have with me a marriage contract and a special license. I’ve also managed to procure a parson at this late hour.” Everyone’s gazes flew to the stranger, whose identity was now revealed. The parson yawned as if in emphasis of the inconvenience. All eyes shifted to Lydia, awaiting her reply. Her knees quaked beneath her gown, threatening to give out and topple her. “Please, Lydia,” he said achingly. “I cannot bear another night of you not being mine.” “Yes.” The word escaped her lips past the joy swelling within. As if afraid she’d change her mind, Vincent quickly slipped the elaborate ring on her third finger and rose to his feet, retaining his grip on her hand. “You’ve made me the happiest of men,” he replied.
Brooklyn Ann (One Bite Per Night (Scandals with Bite, #2))
Descender Rings—These small metal rings are also borrowed from the climbing and rappelling community. Originally used to facilitate the recovery of rope on a rappel, you can use two descender rings together to adjust the length of long webbing between tree and hammock. Weave the webbing strap through both rings and then back through the top one. Descender rings require a safety knot (half hitch) to prevent the webbing from slipping.
Derek Hansen (The Ultimate Hang)
Why bother with me? Why not find yourself an Indian woman?” “It is you I want.” He brushed his knuckles along the hollow of her cheek. “Your skin is moonlight. I am dark like night next to you.” He slid his hand behind her neck and drew her toward him. “Sunshine in your hair, moonlight on your skin, this Comanche’s bright one, no?” “No,” she replied in a raw voice. “You will eat?” “No.” He bent to taste the flesh at the hollow of her throat, his lips silken, his teeth nipping lightly, his warm, moist mouth sending jolts through her. “Like ermine, mah-tao-yo. So soft. And sweet like flowers.” She wedged her fists between them, her knuckles knotted against the warm, solid planes of his chest. As she opened her eyes, the room spun. “Please--please, don’t. I’m not even sure what your real name is. Please don’t.” “Hunter,” he whispered next to her ear. “Hunter of the Wolf, Habbe Esa. Lie on your back, Blue Eyes. You are weak, eh? Lie on your back and close your eyes. Let me chase your fear away. With nothing to fear, there is no need to die, eh?” “No.” She tried to push him away. “No.” He slipped an arm under her knees and drew her down the bed onto her back. She propped herself up on her elbows, trying to evade his lips as they nibbled their way down her neck to her collarbone. And lower. Panic welled within her. She couldn’t fight him. Not when she trembled like this. Not when the world tipped sideways. He slid the tip of his tongue under the leather to trace wet circles on her chest--just above her breasts. Her nipples sprang taut, sensitized to the soft leather that grazed them when she oved. Never before had Loretta actually felt the blood drain from her face; she did now. Sucking in a draft of air, she tried to twist sideways, but his arm, roped with muscle and tensed against her, blocked her escape. As she shifted position, his lips found her ear and, in unison with his teeth and tongue, learned its texture, its taste, its shape, discovering with unerring accuracy the sensitive places. His warm breath made chills run over her.
Catherine Anderson (Comanche Moon (Comanche, #1))
Let’s begin with how to fold your stockings. If you’ve tied them up, start by undoing the knot! Lay the toes one on top of the other and fold the stocking in half lengthwise. Then fold it into thirds, making sure that the toes are inside, not outside, and that the waistband protrudes slightly at the top. Finally, roll the stocking up toward the waistband. If the waistband is on the outside when you finish, you’ve done it right. Fold knee-high stockings the same way. With thicker material, such as tights, it is easier to roll if you fold them in half rather than in thirds. The point is that the stocking should be firm and stable when you’ve finished, much like a sushi roll. When you store the stockings in your drawer, arrange them on end so that the swirl is visible. If you are storing them in plastic drawers, I recommend putting them into a cardboard box first, so that they don’t slip and unroll, and putting the box into the drawer. A shoebox is the perfect size for a stocking divider.
Marie Kondō (The Life-Changing Magic of Tidying Up: The Japanese Art of Decluttering and Organizing (Magic Cleaning #1))
She couldn't help herself. Eugenia beguiled her. It reminded her of Odysseus having himself tied to the mast of his ship so the sirens wouldn't lure him to his death. Darcy had slipped the knots, that was for sure, and was swimming to Eugenia's shore.
Patricia Spencer (The Hum of Bees)
We don’t think of ourselves as “prayer warriors.” A man must’ve come up with that term—men think anything difficult is war. But prayer is more delicate than battle, especially intercessory prayer. More than just a notion, taking up the burdens of someone else, often someone you don’t even know. You close your eyes and listen to a request. Then you have to slip inside their body. You are Tracy Robinson, burning for whiskey. You are Cindy Harris’s husband, searching your wife’s phone. You are Earl Vernon, washing dirty knots out of your strung-out daughter’s hair. If you don’t become them, even for a second, a prayer is nothing but words.
Brit Bennett (The Mothers)
You got the firing squad?" "No, that’s inhuman—those guys can miss and they gutshoot you. You hang a man, that knot can slip and he can strangle. Electric chair, he sizzles, been known to catch fire. Gas chamber, he pukes and yells. Texas is more modern. Here we drug a man, then inject cyanide into a vein. They say it doesn’t hurt. No one’s ever come back to say yea or nay." Pedro
Clifford Irving (Trial)
Says Juliet love wields the scissors love is the escape love blows through pinholes love refuses to die love holds its breathe though the absence of oxygen love defines the weight of the pillow slips free of the knot love builds a fire out of hope love climbs a rope of maybe love trusts the grappling hook to hold let the world tell us no love is the rusted fire escape that shouldn't support our weight but does
Catherine Linka (A Girl Called Fearless (A Girl Called Fearless, #1))
We trapped several smaller females, all around the nine-foot mark. That’s when Steve stepped back and let the all-girl team take over: all the women in camp, zoo workers mainly, myself, and others. We would jump on the croc, help secure the tracking device, and let her go. At one point Steve trapped a female that he could see was small and quiet. He turned to Bindi. “How would you like to jump the head?” Bindi’s eyes lit up. This was what she had been waiting for. Once Steve removed the croc from the trap and secured its jaws, the next step was for the point person to jump the croc’s head. Everybody else on the team followed immediately afterward, pinning the crocodile’s body. “Don’t worry,” I said to Bindi. “I’ll back you up.” Or maybe I was really talking to Steve. He was nervous as he slipped the croc out of its mesh trap. He hovered over the whole operation, knowing that if anything went amiss, he was right there to help. “Ready, and now!” he said. Bindi flung herself on the head of the crocodile. I came in right over her back. The rest of the girls jumped on immediately, and we had our croc secured. “Let’s take a photo with the whole family,” Professor Franklin said. Bindi sat proudly at the crocodile’s head, her hand casually draped over its eyes. Steve was in the middle, holding up the croc’s front legs. Next in line was me. Finally, Robert had the tail. This shot ended up being our 2006 family Christmas card. I look at it now and it makes me laugh out loud. The family that catches crocs together, rocks together. The Irwin family motto. Steve, Bindi, and I are all smiling. But then there is Robert’s oh-so-serious face. He has a top-jaw rope wrapped around his body, with knots throughout. He took his job seriously. He had the rope and was ready as the backup. He was on that croc’s tail. It was all about catching crocs safely, mate. No mucking around here. As we idled back in to camp, Robert said, “Can I please drive the boat?” “Crikey, mate, you are two years old,” Steve said. “I’ll let you drive the boat next year.” But then, quite suddenly and without a word, Steve scooped Robert up and sat him up next to the outboard. He put the tiller in his hand. “Here’s what you do, mate,” Steve said, and he began to explain how to drive the boat. He seemed in a hurry to impart as much wisdom to his son as possible. Robert spent the trip jumping croc tails, driving the boat, and tying knots. Steve created a croc made of sticks and set it on a sandbar. He pulled the boat up next to it, and he, Robert, and Bindi went through all the motions of jumping the stick-croc. “I’m going to say two words,” Robert shouted, imitating his father. “’Go,’ and ‘Now.’ First team off on ‘Go,’ second team off on ‘Now.’” Then he’d yell “Go, now” at the top of his lungs. He and Steve jumped up as if the stick-croc was about to swing around and tear their arms off. “Another croc successfully caught, mate,” Steve said proudly. Robert beamed with pride too. When he got back to Croc One, Robert wrangled his big plush crocodile toy. I listened, incredulous, as my not-yet-three-year-old son muttered the commands of a seasoned croc catcher. He had all the lingo down, verbatim. “Get me a twelve-millimeter rope,” Robert commanded. “I need a second one. Get that top-jaw rope under that tooth, yep, the eye tooth, get it secured. We’ll need a third top-jaw rope for this one. Who’s got a six-millimeter rope? Hand me my Leatherman. Cut that rope here. Get that satellite tracker on.” The stuffed animal thoroughly secured, Robert made as if to brush off his little hands. “Professor Franklin,” he announced in his best grown-up voice, “it’s your croc.
Terri Irwin (Steve & Me)
We trapped several smaller females, all around the nine-foot mark. That’s when Steve stepped back and let the all-girl team take over: all the women in camp, zoo workers mainly, myself, and others. We would jump on the croc, help secure the tracking device, and let her go. At one point Steve trapped a female that he could see was small and quiet. He turned to Bindi. “How would you like to jump the head?” Bindi’s eyes lit up. This was what she had been waiting for. Once Steve removed the croc from the trap and secured its jaws, the next step was for the point person to jump the croc’s head. Everybody else on the team followed immediately afterward, pinning the crocodile’s body. “Don’t worry,” I said to Bindi. “I’ll back you up.” Or maybe I was really talking to Steve. He was nervous as he slipped the croc out of its mesh trap. He hovered over the whole operation, knowing that if anything went amiss, he was right there to help. “Ready, and now!” he said. Bindi flung herself on the head of the crocodile. I came in right over her back. The rest of the girls jumped on immediately, and we had our croc secured. “Let’s take a photo with the whole family,” Professor Franklin said. Bindi sat proudly at the crocodile’s head, her hand casually draped over its eyes. Steve was in the middle, holding up the croc’s front legs. Next in line was me. Finally, Robert had the tail. This shot ended up being our 2006 family Christmas card. I look at it now and it makes me laugh out loud. The family that catches crocs together, rocks together. The Irwin family motto. Steve, Bindi, and I are all smiling. But then there is Robert’s oh-so-serious face. He has a top-jaw rope wrapped around his body, with knots throughout. He took his job seriously. He had the rope and was ready as the backup. He was on that croc’s tail. It was all about catching crocs safely, mate. No mucking around here.
Terri Irwin (Steve & Me)
We don’t think of ourselves as “prayer warriors.” A man must’ve come up with that term—men think anything difficult is war. But prayer is more delicate than battle, especially intercessory prayer. More than just a notion, taking up the burdens of someone else, often someone you don’t even know. You close your eyes and listen to a request. Then you have to slip inside their body. You are Tracy Robinson, burning for whiskey. You are Cindy Harris’s husband, searching your wife’s phone. You are Earl Vernon, washing dirty knots out of your strung-out daughter’s hair. If you don’t become them, even for a second, a prayer is nothing but words. That’s
Brit Bennett (The Mothers)
What are you afraid of?” He gave her a little shake. “What, Meridith?” “I don’t like the way you make me feel!” The words burst from her unbidden. It was as close to the truth as she could get. This inward searching was worse than feeling her way through the darkness. She felt like she’d just smacked into a wall. Jake released her slowly. She rubbed the place where his hands had been, hoping they were done. Please let’s be done. “Explain.” She should’ve known he couldn’t leave it at that. “I don’t know how.” “Try.” The wind blew her hair across her face. She welcomed the screen between them. “You make me feel . . . unsettled.” It was as close as she could come to explaining, but it didn’t do justice to what he did to her. “That can be a good thing.” She heard amusement in his tone. It reminded her of when she first met him. “Not for me,” she said, suddenly saddened to realize where they’d ended up all these weeks later. “I spent my whole childhood feeling unsettled. I’m done with that.” The wind blew again, pulling the curtain of hair from her face. He was like this wind, pulling her one way one minute, another the next, changing course without warning. “So . . . what? You’re going to live your life without love? What kind of life is that?” “There are different kinds of love.” “Like what you had with Stephen?” He jammed his hands in his pockets. “That’s not love, Meridith, that’s settling.” A knot swelled in her throat. He could see it however he wanted, but that wasn’t going to change anything. She was done here. She turned and walked toward the house. The wind sucked at her shirt. “You gonna let your fears dictate your life, Meridith?” he called after her. But she didn’t stop. Didn’t stop until she’d made it up the stairs, to her room, to her bed, where she slipped under the covers and let herself cry.
Denise Hunter (Driftwood Lane (Nantucket, #4))
Horrors that were whispered to her from the moonless sky; warnings that slipped between her legs, on the stray vapours of the mist, caressing her with a chill that tightened her belly into a hard knot.
Simon Dewar (Suspended In Dusk)
Those won’t do at all,” he told her sternly. “And I don’t have any boots that will fit you. I’ll just have to carry you.” “Oh no, I don’t want you to have to do that. If it’s just a few yards like you said, I’m sure I can manage.” Sylvan felt his heart knot like a fist. “A few hundred yards,” he corrected her gruffly. “Is there some reason you don’t want me to carry you? Remember I swore to leave you alone so you don’t have to worry that—” “No, no!” she said hastily, cutting him off. “No, I just didn’t want to…to burden you.” “You could never be a burden to me, Talana.” The endearment slipped from him before he could help it. Clearing his throat, he tried to cover his mistake. “Besides, if you don’t want to lose your pretty toes to frostbite, you’ll have to be carried whether you like it or not.” Sophia went pale. “It’s that cold?” He nodded. “It’s that cold.” She bit her lush lower lip, another gesture that made him want her so much he ached. “Then I would like it very much if you would carry me, Sylvan,” she said in a low voice. “Thank you.” “You’re
Evangeline Anderson (Hunted (Brides of the Kindred, #2))
Between the palaces of the knights and those that served them; the convents, the elegant homes belonging to officers of the Church and the town; between the bakehouse and the shops of the craftsmen, the arsenals and magazines, the warehouses, the homes of merchants and courtesans, Italian, Spanish, Greek; past the painted shrines and courtyards scraped from pockets of earth with their bright waxy green carob trees, a fig, a finger of vine, a blue and orange pot of dry, dying flowers and a tethered goat bleating in a swept yard, padded the heirs of this rock, this precious knot in the trade of the world. Umber-skinned, grey-eyed, barefoot and robed as Arabs with the soft, slurring dialect that Dido and Hannibal spoke, they slipped past the painted facades to their Birgu of fishermen's huts and blank, Arab-walled houses or to sleep, curled in the shade, with the curs in a porch.
Dorothy Dunnett (The Disorderly Knights (The Lymond Chronicles, #3))
Simon's gaze wandered over the drifts of lace and muslin that covered her body. Still dressed in his formal black wedding suit, he approached her slowly and came to stand before her as she remained sitting in the chair. To her surprise, he lowered to his knees to bring their faces level, his thighs bracketing her slender calves. A large hand lifted to the shimmering fall of her hair, and he combed his fingers through it, watching with fascination as the golden brown strands slipped across his knuckles. Although Simon was immaculately dressed, there were signs of dishevelment that lured her attention... the short forelocks of his hair falling over his forehead, the loosened knot of his ice gray silk cravat. Dropping the brush to the floor, Annabelle used her fingers to smooth his hair in a tentative stroke. The sable filaments were thick and gleaming, springing willfully against her fingertips. Simon held still for her as she untied the cravat, the heavy silk saturated with the warmth of his skin. His eyes contained an expression that caused a ticklish sensation in the pit of her stomach. "Every time I see you," he murmured. "I think you couldn't possibly become any more beautiful- and you always prove me wrong.
Lisa Kleypas (Secrets of a Summer Night (Wallflowers, #1))
What do you want?” Baltsaros reached again for Tom’s ankle but just held it in his hand. “Tell me.” “To kick yer bloody teeth in,” replied Tom, but he made no move to pull his leg away when Baltsaros slipped the rope around his ankle and bound it securely to the partially carved post. “Really?” Baltsaros stroked his hand all the way up the back of Tom’s thigh and then delivered a hard smack to his ass. “I don’t think so.” Tom’s breathing stilled for half a heartbeat, and Baltsaros smiled. He smacked him again, harder this time, and left his palm against the warming skin. “That,” whispered Tom raggedly against the coverlet. “Hm?” “I… I want that,” replied Tom. Oh, what did it cost him to admit to these things? “You want me to spank you?” Nothing at first but then a stiff nod from Tom. “Will you let me tie your other leg?” Another nod and an audible sigh when Baltsaros pulled the rope tight and knotted it off. He slipped off the mattress and stood back to admire his work.
Bey Deckard (Fated: Blood and Redemption (Baal's Heart, #3))
America is a living body, the highways are it's arteries, and the True Knot slips along them like a silent virus
Stephen King (Doctor Sleep (The Shining, #2))
Because you love her, and nothing that you did was an act, Liam. Don’t lose her. Don’t let the love of your life slip away because the next person you fall for will be the worst replacement, and you’ll regret it for the rest of your life.
Kendall Hale (Knot Really Engaged (Happily Ever Mishaps, #2))
This dress was a tube of finely pleated silk, each pleat as fine as a harp string... driven by an urge she didnt question, she quickly shed her clothes and slipped the dress over her head. Knotting the belt around her waist, she went to the mirror. Her reflection stunned her. The natural elasticity of the pleats defined her curves molding like rows of vines to the contours of the land... Shauna stared at her face before her, growing leaner and far more beautiful. Unable to blink or move, she felt an unbearable sadness swinging through her. Tears began to course down her cheeks. Where did this grief come from? ... It came from a cause more terrible and one without remedy. The woman in the mirror flared her airs back at her in desperate appeal.
Natalie Meg Evans (A Gown of Thorns)
Min has brought me a present of my own. It is a shiny pink apron. On the apron there are words, curling white and maggoty letters: 'Little lady'. Min holds the apron in front of my face until I am forced to look at it. She slips the string over my head and ties the back securely with a double knot.
Alice Ash (Paradise Block)
some versions claim that he simply removed the cart’s yoke pole and slipped the knot off).
Captivating History (Ancient Turkey: A Captivating Guide to Göbekli Tepe and the Ancient Civilizations of Anatolia and Eastern Thrace (Forgotten Civilizations))
But prayer is more delicate than battle, especially intercessory prayer. More than just a notion, taking up the burdens of someone else, often someone you don’t even know. You close your eyes and listen to a request. Then you have to slip inside their body. You are Tracy Robinson, burning for whiskey. You are Cindy Harris’s husband, searching your wife’s phone. You are Earl Vernon, washing dirty knots out of your strung-out daughter’s hair.
Brit Bennett (The Mothers)
Before I could say anything the other gagged my mouth with a stone ball. I wanted to say what fools they were, but not the first fool in Dolingo. How could I confess anything with my mouth gagged? And the boy’s smell came to my nose again, so strong, almost as if he was right outside this cell, but now moving away. The one-eyed scientist pulled a knot at his neck and removed his hood. Bad Ibeji. I heard of one found at the foot of the Hills of Enchantment, which the Sangoma burned, even though it was already dead. Even in death it shook the unshakable woman, for it was the one mingi she would kill on sight. Bad Ibeji was never to be born but is not the unborn Douada, who roams the spirit world, wiggling on air like a tadpole and sometimes slipping into this world through a newborn. Bad Ibeji was the twin that the womb squeezed and crushed, tried to melt, but could not melt away. Bad Ibeji grows on its malcontent like that devil of the body’s own flesh, that bursts through the breasts of woman, killing her by poisoning her blood and bone. Bad Ibeji knows it will never be the favored one, so it attacks the other twin in the womb. Bad Ibeji sometimes dies at birth when the mind did not grow. When the mind did grow, all it knows to do is survive. It burrows into the twin’s skin, sucking food and water from his flesh. It leaves the womb with the twin, and sticks so tight to his skin that the mother thinks this too is the baby’s flesh, unformed, ugly like a burn and not handsome, and sometimes throws away them both to the open lands to die. It is wrinkled and puffy flesh, and skin and hair, and one eye big and a mouth that drools without stop, and one hand with claws and another stuck on the belly as if sewn, and useless legs that flap like fins, a thin penis, stiff like a finger, and hole that bursts shit like lava. It hates the twin for it will never be the twin, but it needs the twin for it cannot eat food, or drink water as it has no throat, and teeth grow anywhere, even above the eye. Parasite. Fat, and lumpy, like cow entrails tied together, and leaving slime where it crawls.
Marlon James (Black Leopard, Red Wolf (The Dark Star Trilogy, #1))
Before I could say anything the other gagged my mouth with a stone ball. I wanted to say what fools they were, but not the first fool in Dolingo. How could I confess anything with my mouth gagged? And the boy’s smell came to my nose again, so strong, almost as if he was right outside this cell, but now moving away. The one-eyed scientist pulled a knot at his neck and removed his hood. Bad Ibeji. I heard of one found at the foot of the Hills of Enchantment, which the Sangoma burned, even though it was already dead. Even in death it shook the unshakable woman, for it was the one mingi she would kill on sight. Bad Ibeji was never to be born but is not the unborn Douada, who roams the spirit world, wiggling on air like a tadpole and sometimes slipping into this world through a newborn. Bad Ibeji was the twin that the womb squeezed and crushed, tried to melt, but could not melt away. Bad Ibeji grows on its malcontent like that devil of the body’s own flesh, that bursts through the breasts of woman, killing her by poisoning her blood and bone. Bad Ibeji knows it will never be the favored one, so it attacks the other twin in the womb. Bad Ibeji sometimes dies at birth when the mind did not grow. When the mind did grow, all it knows to do is survive. It burrows into the twin’s skin, sucking food and water from his flesh. It leaves the womb with the twin, and sticks so tight to his skin that the mother thinks this too is the baby’s flesh, unformed, ugly like a burn and not handsome, and sometimes throws away them both to the open lands to die. It is wrinkled and puffy flesh, and skin and hair, and one eye big and a mouth that drools without stop, and one hand with claws and another stuck on the belly as if sewn, and useless legs that flap like fins, a thin penis, stiff like a finger, and hole that bursts shit like lava. It hates the twin for it will never be the twin, but it needs the twin for it cannot eat food, or drink water as it has no throat, and teeth grow anywhere, even above the eye. Parasite. Fat, and lumpy, like cow entrails tied together, and leaving slime where it crawls. The Bad Ibeji’s one hand splayed itself on the one-eyed scientist’s neck and chest. He unhooked each claw and a little blood ran out of each hole. The second hand unwrapped itself from the scientist’s waist, leaving a welt. I shook and screamed into the gag and kicked against the shackles but the only thing free was my nose to huff. The Bad Ibeji pulled his head off the twin’s shoulder and one eye popped open. The head, a lump upon a lump, upon a lump, with warts, and veins, and huge swellings on the right cheek with a little thing flapping like a finger. His mouth, squeezed at the corners, flopped open, and his body jerked and sagged like kneaded flour being slapped. From the mouth came a gurgle like from a baby. The Bad Ibeji left the scientist’s shoulder and slithered on my belly and up to my chest, smelling of arm funk and shit of the sick. The other scientist grabbed my head with both sides and held it stiff. I struggled and struggled, shaking, trying to nod, trying to kick, trying to scream, but all I could do was blink and breathe.
Marlon James
But prayer is more delicate than battle, especially intercessory prayer. More than just a notion, taking up the burdens of someone else, often someone you don’t even know. You close your eyes and listen to a request. Then you have to slip inside their body. You are Tracy Robinson, burning for whiskey. You are Cindy Harris’s husband, searching your wife’s phone. You are Earl Vernon, washing dirty knots out of your strung-out daughter’s hair. If you don’t become them, even for a second, a prayer is nothing but words.
Brit Bennett (The Mothers)
Well, he'd gone this far, animated by nothing more noble than curiosity, he told himself as he studied the face of the man in the mirror, pushing his collar down over his neatly knotted tie. The man's mind slipped into English: The cat's got your tongue. Curiosity killed the cat. To stay in vein, the man in the mirror gave a Cheshire smile, and Brunetti left the house.
Donna Leon (The Golden Egg (Commissario Brunetti, #22))
April 21, 1897, by one of the most prominent citizens in Kansas, Alexander Hamilton. In an affidavit quoted in several recent UFO books and journals, Hamilton states that he was awakened by a noise among the cattle and went out with two other men. He then saw an airship descend gently toward the ground and hover within fifty yards of it. It consisted of a great cigar-shaped portion, possibly three hundred feet long, with a carriage underneath. The carriage was made of glass or some other transparent substance alternating with a narrow strip of some material. It was brilliantly lighted within and everything was plainly visible—it was occupied by six of the strangest beings I ever saw. They were jabbering together, but we could not understand a word they said. Upon seeing the witnesses, the pilots of the strange ship turned on some unknown power, and the ship rose about three hundred feet above them: It seemed to pause and hover directly over a two-year-old heifer, which was bawling and jumping, apparently fast in the fence. Going to her, we found a cable about a half-inch in thickness made of some red material, fastened in a slip knot around her neck, one end passing up to the vessel, and the heifer tangled in the wire fence. We tried to get it off but could not, so we cut the wire loose and stood in amazement to see the ship, heifer and all, rise slowly, disappearing in the northwest. Hamilton was so frightened he could not sleep that night: Rising early Tuesday, I started out by horse, hoping to find some trace of my cow. This I failed to do, but coming back in the evening found that Link Thomas, about three or four miles west of Leroy, had found the hide, legs and head in his field that day. He, thinking someone had butchered a stolen beast, had brought the hide to town for identification, but was greatly mystified in not being able to find any tracks in the soft ground. After identifying the hide by my brand, I went home. But every time I would drop to sleep I would see the cursed thing, with its big lights and hideous people. I don’t know whether they are devils or angels, or what; but we all saw them, and my whole family saw the ship, and I don’t want any more to do with them.
Jacques F. Vallée (Passport to Magonia: From Folklore to Flying Saucers)
The knot which first my heart did strain, When that your servant I became, Doth bind me still for to remain Always your own as now I am. And if you find that I do feign, With just judgment myself I damn, To have disdain. If other thought in me do grow But still to love you steadfastly, If that the proof do not well show That I am yours assuredly, Let every wealth turn me to woe And you to be continually My chiefest foe. If other love or new request Do seize my heart but ony this, Or if within my wearied breast Be hid one thought that means amiss, I do desire that mine unrest May still increase, and I to miss That I love best. If in my love there be one spot Of false deceit or doubleness, Or if I mind to slip this knot By want of faith or steadfastness, Let all my service be forgot And when I would have chief redress Esteem me not. But if that I consume in pain Of burning sighs and fervent love And daily seek none other gain But with my deed these words to prove, Methink of right I should obtain That ye would mind for to remove Your great disdain. And for the end of this my song, Unto your hands I do submit My deadly grief and pains to strong Which in my heart be firmly shut, And when ye list, redress my wrong, Since well ye know this painful fit Hath last too long. - Poem LXX from "Songs and Lyrics
Thomas Wyatt
Tying the knot means slipping a noose around love and choking it to death.
Ellen Hopkins (Perfect (Impulse, #2))
I'm sorry," Narraway said gently. "This is not what Christmas is meant to be. We'll have no goose, no Christmas pudding, no red candles or decorated tree." Vespasia took his hand between hers. "That is not what Christmas is meant to be. It's nice, but it's not important." "Isn't it?" "Not in the least. In fact, it sometimes gets in the way. Christmas is about accepting that we all make mistakes, for which we will be forgiven, but first we must forgive others. And then when the knot slips undone and lets go, we can forgive ourselves as well.
Anne Perry (A Christmas Gathering)
You’re a leader here. Obviously your skills are far superior to mine. I don’t think I could ever fit into your life. I’m a loner, not the first lady.” “I have great responsibilities, yes. My people count on me to keep our businesses running smoothly, to hunt down the assassins murdering our people. They even believe I will singlehandedly find out why we lose so many of our children in their first year of life. There is nothing special about me, Raven, except that I have a will of iron and I am willing to shoulder these burdens. But I have nothing for myself. I never have had. You give me a reason to go on. You are my heart, my soul, the very air I breathe. Without you, I have nothing but darkness, emptiness. Just because I have power, because I am strong, that does not mean I cannot feel utterly alone. It is cold and ugly to exist alone.” Raven pressed a hand to her stomach. The apple juice seemed a hard knot sitting in her stomach, but so far, it was staying down. Mikhail looked so remote, so alone. She hated the way he stood silent, straight and proud, waiting for her to rip his heart out. She had to comfort him, and he knew it. He read her mind; he knew she couldn’t bear that loneliness in his eyes. She crossed the distance separating them. Raven didn’t say anything. What could she say? She simply laid her head over his heart and slipped her arms around his waist. Mikhail closed his arms around her. He had taken her life away from her, without her knowledge. She was comforting him, yet she didn’t know of his crime. She was bound to him, could not be away from him for long. He had no words to explain it to her without giving away more about their species than he could safely do. She thought she couldn’t live up to his position. She made him feel humble and ashamed of himself. His hand cupped her face, his thumb caressing the delicate line of her jaw. “Listen to me, Raven.” He brushed a kiss on the top of her silky head. “I know I do not deserve you. You think you are somehow less than what I am, but in truth, you are so far above me, I have no right even to reach for you.
Christine Feehan (Dark Prince (Dark, #1))
choice (2 in no. )  I used 1.5mm diameter transparent acrylic beads 5. Key ring 6. Fabric Glue/ sewing needle and thread Abbreviations Used: Ch - Chain Slp st - Slip stitch Sc - Single Crochet Sc Inc - Single Crochet Increase (2 Single crochet in same stitch) Dc - Double Crochet Shell - 2 Dc, 2Ch, 2Dc in same stitch Method: Round 4 (32 Sc) - Slp st in 1 st Ch to form a ring/ circle - Round 1 (20 Sc) o Ch1 o 4 Sc (Start from the same Ch in which you did Ch 1) o Sc Inc o 2 Sc o Sc Inc o 4 Sc o Sc Inc o 2 Sc o Sc Inc o Slp st to join (Slp st in Ch1 of beginning of the round) - Round 2 (24 Sc) o Ch 1 o 6 Sc (Start from the same stitch in which you did Ch 1) o Sc Inc o 2 Sc o Sc Inc o 6 Sc o Sc Inc o 2 Sc o Sc Inc o Slp st to join (Slp st in Ch1 of beginning of the round) - Round 3 (28 Sc) o Ch1 o 8 Sc (Start from the same stitch in which you did Ch 1) o Sc Inc o 2 Sc o Sc Inc o 8 Sc o Sc Inc o 2 Sc o Sc Inc o Slp st to join (Slp st in Ch1 of beginning of the round) - - Tie a slip knot - Ch 16 o Ch1 Page 1 of 2
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