Slim Body Quotes

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Tell your daughters how you love your body. Tell them how they must love theirs. Tell them to be proud of every bit of themselves— from their tiger stripes to the soft flesh of their thighs, whether there is a little of them or a lot, whether freckles cover their face or not, whether their curves are plentiful or slim, whether their hair is thick, curly, straight, long or short. Tell them how they inherited their ancestors, souls in their smiles, that their eyes carry countries that breathed life into history, that the swing of their hips does not determine their destiny. Tell them never to listen when bodies are critiqued. Tell them every woman’s body is beautiful because every woman’s soul is unique.
Nikita Gill (The Girl and the Goddess: Stories and Poems of Divine Wisdom)
I'm trying very hard not to think about anything I'm doing. Of all the iffy things I've ever done in my life, I've never had to ditch a body before. While it's giving me a migraine right now, I think the fact that I'm not an expert on corpse disposal says a lot of good things about me and my life choices.
Richard Kadrey (Sandman Slim (Sandman Slim, #1))
Eating healthy nutritious food is the simple and right solution to get rid of excess body weight effortlessly and become slim and healthy forever.
Subodh Gupta (7 habits of skinny woman)
Nice piano," I said. "Do you play?" "oh no, but Edwart does!" Eva Mullen said. "A little," Edwart said sheepishly. "Go ahead, play!" Eva said. She picked up the triangle that was lying on the piano and handed it to Edwart. He started banging on it. It sounded like construction work very early in the morning. "Whoops. I messed up. Let me start over," he said. He started banging again. "Wait. Uh. I haven't practiced in a while. Let me start over." Edwart continued to bang the triangle. Eva closed her eyes and raised her arms, swaying rhythmically to Edwart's music. Edwart held the triangle up high, in what appeared to be a grand finish, but then he brought it down hard, hitting the top of the piano. He continued to bang the piano, putting the entire force of his slim body into each smash. The piano shook. The room vibrated. When he finished I subtly removed my hands from my ears. "I wrote that for you," Edwart murmured, drawing me close. "It's called Belle's Lullaby.
The Harvard Lampoon (Nightlight: A Parody)
I have over a decade’s worth of eating disorder experience at this point. There were the anorexic years, the binge-eating ones, and the current bulimic ones. The more experience I’ve got, the more I recognize that the body is hardly a reliable reflection of what’s going on inside it. My body has fluctuated frequently and drastically throughout this decade, and no matter how it’s fluctuated, no matter whether my body is a kids’ size 10 slim or an adult size 6, I’ve had an issue underneath it. People don’t seem to get that unless they have a history with eating disorders. People seem to assign thin with “good,” heavy with “bad,” and too thin also with “bad.” There’s such a small window of “good.” It’s a window that I currently fall into, even though my habits are so far from good. I’m abusing my body every day. I’m miserable. I’m depleted. And yet the compliments keep pouring in.
Jennette McCurdy (I'm Glad My Mom Died)
Once there was a boy,” said Jace. Clary interrupted immediately. “A Shadowhunter boy?” “Of course.” For a moment a bleak amusement colored his voice. Then it was gone. “When the boy was six years old, his father gave him a falcon to train. Falcons are raptors – killing birds, his father told him, the Shadowhunters of the sky. “The falcon didn’t like the boy, and the boy didn’t like it, either. Its sharp beak made him nervous, and its bright eyes always seemed to be watching him. It would slash at him with beak and talons when he came near: For weeks his wrists and hands were always bleeding. He didn’t know it, but his father had selected a falcon that had lived in the wild for over a year, and thus was nearly impossible to tame. But the boy tried, because his father told him to make the falcon obedient, and he wanted to please his father. “He stayed with the falcon constantly, keeping it awake by talking to it and even playing music to it, because a tired bird was meant to be easier to tame. He learned the equipment: the jesses, the hood, the brail, the leash that bound the bird to his wrist. He was meant to keep the falcon blind, but he couldn’t bring himself to do it – instead he tried to sit where the bird could see him as he touched and stroked its wings, willing it to trust him. Hee fed it from his hand, and at first it would not eat. Later it ate so savagely that its beak cut the skin of his palm. But the boy was glad, because it was progress, and because he wanted the bird to know him, even if the bird had to consume his blood to make that happen. “He began to see that the falcon was beautiful, that its slim wings were built for the speed of flight, that it was strong and swift, fierce and gentle. When it dived to the ground, it moved like likght. When it learned to circle and come to his wrist, he neary shouted with delight Sometimes the bird would hope to his shoulder and put its beak in his hair. He knew his falcon loved him, and when he was certain it was not just tamed but perfectly tamed, he went to his father and showed him what he had done, expecting him to be proud. “Instead his father took the bird, now tame and trusting, in his hands and broke its neck. ‘I told you to make it obedient,’ his father said, and dropped the falcon’s lifeless body to the ground. ‘Instead, you taught it to love you. Falcons are not meant to be loving pets: They are fierce and wild, savage and cruel. This bird was not tamed; it was broken.’ “Later, when his father left him, the boy cried over his pet, until eventually his father sent a servant to take the body of the bird away and bury it. The boy never cried again, and he never forgot what he’d learned: that to love is to destroy, and that to be loved is to be the one destroyed.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
This is what the girls felt, she thinks, those seized by pedlars in the lanes. Pinned down like moths, like squids on rocks. This is the fight women have always fought, their soft bodies turned to battlegrounds, slim bones crushed beneath the solid weight of men.
Elizabeth Macneal (Circus of Wonders)
Don't let sickness, depression, and disease THUG YOU OUT. Eat healthier, think healthier, speak healthier, and more positively over your life. When you do so, you will soon begin to conquer your life and your health through new found empowerment- mind, body, and spirit.
SupaNova Slom
There was madness and magic in the slim body he held, and the lips turned up to him were red and trembling and he kissed her.
Margaret Mitchell (Gone with the Wind, Part 2 of 2)
Very slowly, she peeked around the tree trunk. Saw a slim, petite figure, flanked by two very large, very dangerous-looking soldier of fortune types picking their way through the bodies and the rubble. "Amy?" Oh, God. It was Amy. "Get away from her," Jenna ordered, stepping out from behind the conifer, wielding the iron pan like a club. Both men stopped. Glanced at her. Glanced at each other over Amy's head. "What?" The biggest one grunted out a surly laugh. "Or you'll souffle us?" Okay. She was definitely going after him first.
Cindy Gerard
Simply being born female in our society is to grow up being told your worth as a person is tied to how slim and attractive you are. Even for those of us lucky enough to have evolved parents, the message is still driven home by the world at large.
Padma Lakshmi (Love, Loss, and What We Ate: A Memoir)
I reached out a hand, and touched her. Her body was hard, and slim, and lithe, and her breasts felt like breasts that Gauguin might have painted. Her mouth, in the darkness, was soft and warm against mine. People come into your life for a reason.
Neil Gaiman (Fragile Things: Short Fictions and Wonders)
I wrote this book to help you find a passion in exercising, in the hope that you will inspire your friends to live healthfully, too.
Cassey Ho (Cassey Ho's Hot Body Year-Round: The POP Pilates Plan to Get Slim, Eat Clean, and Live Happy Through Every Season)
At April' Toss your gay heads, Brown girl trees; Toss your gay lovely heads; Shake your brown slim bodies; Stretch your brown slim arms; Stretch your brown slim toes. Who knows better than we, With the dark, dark bodies, What it means When April comes a-laughing and a-weeping Once again At our hearts?
Angelina Weld Grimké
Eve supposed everything about Nadine looked mag, from her sweep of streaky blonde hair to the toes of her jazzed shoes. She had a foxy, angular face, observant green eyes, and a slim body that curved appropriately in her on-camera suit of power red. She was smart, she was sneaky, she was cynical. And for reasons Eve imagined neither of them fully understood, they’d become friends.
J.D. Robb (Visions in Death (In Death, #19))
Red Fox The red fox crosses the ice intent on none of my business. It's winter and slim pickings. I stand in the bushy cemetery, pretending to watch birds, but really watching the fox who could care less. She pauses on the sheer glare of the pond. She knows I'm there, sniffs me in the wind at her shoulder. If I had a gun or dog or a raw heart, she'd smell it. She didn't get this smart for nothing. She's a lean vixen: I can see the ribs, the sly trickster's eyes, filled with longing and desperation, the skinny feet, adept at lies. Why encourage the notion of virtuous poverty? It's only an excuse for zero charity. Hunger corrupts, and absolute hunger corrupts absolutely, or almost. Of course there are mothers, squeezing their breasts dry, pawning their bodies, shedding teeth for their children, or that's our fond belief. But remember - Hansel and Gretel were dumped in the forest because their parents were starving. Sauve qui peut. To survive we'd all turn thief and rascal, or so says the fox, with her coat of an elegant scoundrel, her white knife of a smile, who knows just where she's going: to steal something that doesn't belong to her - some chicken, or one more chance, or other life.
Margaret Atwood (Morning In The Burned House: Poems)
This girl is not someone I should be fucking with. She’s got neon yellow hazardous signs written all over her slim body clearly warning me to stay the fuck away and yet all I seem to be doing is stupidly running towards it. Towards her. At full speed.
Francette Phal (Stain (Stain, #1))
Her body was so slim, so… everything. His hands began to twitch with the need to touch her. Wearing deep purple lace to cover her breasts, she looked so damn perfect. Then she sighed his name. And he was lost
Samantha Chase (Christmas On Pointe (Silver Bell Falls, #2))
I was a scapegoat. The media had to put responsibility on somebody, and I was chosen. They felt free to say that because someone was thin they were anorexic, which is ridiculous.
Kate Moss
He Was not a health nut, was not out to mold himself a stylishly slim body. He did not live on nuts and berries; if the furnace was hot enough, anything would burn, even Big Macs.
John L. Parker Jr.
Christ, she missed him outrageously. Disgusted with herself, she ducked her head under the spray and let it pound on her brain. When hands slipped around her waist, then slid up to cup her breasts, she barely jolted. But her heart leaped. She knew his touch, the feel of those long, slim fingers, the texture of those wide palms. She tipped her head back, inviting a mouth to the curve of her shoulder. "Mmm. Summerset. You wild man." Teeth nipped into flesh and made her chuckle. Thumbs brushed over her soapy nipples and made her moan. "I'm not going to fire him." Roarke trailed a hand down the center of her body. "It was worth a shot. You're back..." His fingers dipped expertly inside her, slick and slippery, so that she arched, moaned, and came simultaneously. "Early," she finished on an explosive breath. "God." "I'd say I was just on time.
J.D. Robb (Ceremony in Death (In Death, #5))
If there is a lesson here it has to do with humility. For all our vaunted intelligence and complexity, we are not the sole authors of our destinies or of anything else. You may exercise diligently, eat a medically fashionable diet, and still die of a sting from an irritated bee. You may be a slim, toned paragon of wellness, and still a macrophage within your body may decide to throw in its lot with an incipient tumor.
Barbara Ehrenreich (Natural Causes: An Epidemic of Wellness, the Certainty of Dying, and Killing Ourselves to Live Longer)
John and I have made this stuff our hobby, in the way that an especially attractive prisoner makes a hobby out of not getting raped. Jesus, that’s a terrible analogy. I apologize. What I’m saying is that it’s self-preservation. We didn’t choose this, we just have talents that makes us the equivalent of that new guy in the cell block who has a slim, hairless body and kind of looks like a woman from behind, and has an incredibly realistic tattoo of boobs on his back. He may have no desire at all to ever even touch a penis, but it’s going to happen, even if it’s just in the process of frantically slapping them away. Jesus, am I still talking about this? [John—please delete the above paragraph before it goes off to the publisher].
David Wong (This Book Is Full of Spiders (John Dies at the End, #2))
One demands a little originality in these days, even from murderers," said Lady Swaffham. "Like dramatists, you know--so much easier in Shakespeare's time, wasn't it? Always the same girl dressed up as a man, and even that borrowed from Boccaccio or Dante or somebody. I'm sure if I'd been a Shakespeare hero, the very minute I saw a slim-legged young page-boy I'd have said: 'Ods bodikins! There's that girl again!
Dorothy L. Sayers (Whose Body? (Lord Peter Wimsey, #1))
Her brown hair was pulled back in a ponytail, and her flawless skin had a slight sheen from her dash across the parking lot and up the stairs. Sexy, but he suspected the fantasy the sheen inspired was better than the reality. She was the job. Probably wore Kevlar to bed. End of story. Still, he did enjoy playing with her. He liked her big blue eyes, cute little nose, slim athletic body, and her earnest dedication to making the world a more law-abiding place. It made his dedication to crime much more interesting.
Janet Evanovich (The Heist (Fox and O'Hare, #1))
No one is looking out for your career anymore. You must find meaning, locate opportunities, sell yourself, and plan for failure, calamity, and unexpected disasters. You must develop a set of skills that makes you able to earn an income in as many ways as possible.
Pamela Slim (Body of Work: Finding the Thread That Ties Your Story Together)
We are made to create. We feel useful when we create. We release our 'stuckness' when we create. We reinvent our lives, tell new stories, and rebuild communities when we create. We reclaim our esteem, our muse, and our hope when we create.
Pamela Slim (Body of Work: Finding the Thread That Ties Your Story Together)
Lucas and Z kneeled on each side of the woman in their arms. Their mouths sucked at each of her nipples while their fingers worked together to pleasure her—Lucas at her clit while Z’s fingers plunged inside her. Her head was tilted back so all I could make out was her blonde hair and slim body as she writhed with pleasure.
B.B. Reid (The Bandit (Stolen Duet, #1))
Before yoga, my life was filled with regret about choices I'd made in the past, and fears about choices I'd make in the future. Yoga teaches us how to be present in the present. Once you learn how to live in the now, you realize that the past is a memory and the future doesn't exist. Yoga will help anyone facing anxiety issues, separation and attachment issues (moms, I'm talking to you here!), or serious illnesses such as cancer and depression. It's a practice that slims your body while expanding your heart.
Kathryn E. Livingston
Individuals who structure their careers around autonomy, mastery, and purpose will have a powerful body of work.
Pamela Slim (Body of Work: Finding the Thread That Ties Your Story Together)
Consistent impact over the course of your life on a body of work you care about deeply is legacy.
Pamela Slim (Body of Work: Finding the Thread That Ties Your Story Together)
You murder someone at the Ice Capades and the place goes apeshit. You blow someone’s head off in a war zone, people step over the body and have a snack.
Richard Kadrey (Aloha from Hell (Sandman Slim, #3))
Jane sobbed even harder, not noticing the sounds of footsteps coming up behind her. A cold wind blew, and she shivered in it. As her eyes hung between tears, she looked out and saw a shape where the car had been. It was a figure, slim and wrapped in a gray shroud. Almost the whole body was covered, save for a single blue eye that stared at her intently. Jane stared back until she felt a warm hand touch her shoulder and a cold voice whisper in her ear. “You are never alone.
Eric Nierstedt (SHADOW PANTHEON: (PANTHEON SAGA BOOK 2) (THE PANTHEON SAGA))
Because of the size of this body, I must concentrate much harder than I usually do. Even the small things -- my foot on the gas pedal, the amount of space I have to leave around me in the halls -- require major adjustment. And there are the looks I get -- such undisguised disgust. Not just from other students. From teachers. From strangers. The judgment flows freely. It's possible that they're reacting to the thing that Finn has allowed himself to become. But there's also something more primal, something more defensive in their disgust. I am what they fear becoming. I've worn black today, because I've heard so often that it's supposed to be slimming. But instead I am this sphere of darkness submarining through the halls.
David Levithan (Every Day (Every Day, #1))
He knelt before me and spread my thighs. “How can I serve you, Your Highness?” Heat consumed my body as he pulled my underwear down. “Rhys,” I hissed, my pulse racing with a mix of lust and anxiety. “Someone will catch us.” The odds were slim, but they weren’t zero. His wolfish smile caused my toes to curl. “Then we better make it worth it. Hmm, princess?” I didn’t get a chance to respond before he draped my legs over his shoulders, dipped his head between my thighs, and all my protests crumbled into ash.
Ana Huang (Twisted Games (Twisted, #2))
When John took those naked pictures, the most popular singer was a girl with a tiny stick body and a large deferential head, who sang in a delicious lilt of white lace and promises and longing to be close. When she shut herself up in her closet and starved herself to death, people were shocked. But starvation was in her voice all along. That was the poignancy of it. A sweet voice locked in a dark place, but focused entirely on the tiny strip of light coming under the door. I drop the rag in the bucket and smoke some more, ashing into the sink,. A tiny piece of the movie from the naked time plays on my eyeball: A psychotic killer is blowing up amusement parks. At the head of the crowd clamoring to ride the roller coaster is a slim, lovely man with long blond hair and floppy clothes and big, beautiful eyes fixed on a tiny strip of light that only he can see.
Mary Gaitskill
The instant he knew he loved her, she slipped down his body and out of his arms. Then she wedged herself through the narrow opening in the boards and he watched her cross the street. Nothing moved out there. She was the lone stroke of motion, crew and extras gone, equipment gone, and she was cool and silvery slim and walking head-high, with technical precision, toward the last trailer in the service station, where she would find her clothes, dress quickly and disappear.
Don DeLillo (Cosmopolis)
Passion sits on the skull Of Humanity, And this infidel enthroned Laughs shamelessly, And gaily blows round bubbles That will fly, As if to join with worlds Deep in the sky. Rising on high, the frail Luminous globe, Shatters and bursts its slim soul Like a dream of gold. I hear at each bubble, the skull Moan and contend: 'This vicious, ridiculous game, When will it end? What you are blowing away Again and again, You murderous fiend, is my body My blood and my brain!
Charles Baudelaire (Les Fleurs du Mal)
Your body of work is everything you create, contribute, affect, and impact. For individuals, it is the personal legacy you leave at the end of your life, including all the tangible and intangible things you have created. Individuals who structure their careers around autonomy, mastery, and purpose will have a powerful body of work.
Pamela Slim (Body of Work: Finding the Thread That Ties Your Story Together)
But she has five years to find Him and marry him and then another five years to have a baby, maybe two if she likes the first one. She's not in a rush. Not yet. She'll just keep swinging left, keep looking nice when she goes out, keep accepting invitations to social events, keep positive, keep slim, keep herself together, keep going.
Lisa Jewell (The Family Upstairs (The Family Upstairs, #1))
Nutrition is not only a requirement of Fat or slim people. It is a basic need of our body, mind, and health.
Sumit Shastri
A langorous island, where Nature abounds With exotic trees and luscious fruit; And with men whose bodies are slim and astute, And with women whose frankness delights and astounds.
Charles Baudelaire (The Flowers Of Evil)
Your body will not burn fat while your insulin level is high. It’s focused on using glucose. But once all of the glucose and glycogen is used, the insulin level falls
James O. Hill (State of Slim: Fix Your Metabolism and Drop 20 Pounds in 8 Weeks on the Colorado Diet)
Unfortunately, not every dead body goes to what might be considered “noble ends.” There is a slim possibility that your donated head will be the head, the head that holds the key to the mysteries of the twenty-first century’s great disease epidemics. But it is equally possible your body will end up being used to train a new crop of Beverly Hills plastic surgeons in the art of the facelift. Or dumped out of a plane to test parachute technology. Your body is donated to science in a very . . . general way. Where your parts go is not up to you.
Caitlin Doughty (Smoke Gets in Your Eyes: And Other Lessons from the Crematory)
What are you doing here?' demanded Eddie. 'Saving your ass," said Angeline. 'I knew there was something going on.' 'I'm not talking to you," he snapped. He threw down the stake and strode past her, toward the entrance of the alley. I followed with my eyes and saw a tall, slim figure standing there, her hair glowing in the light of an overhead lamp. Jill. I remembered the water on the ground turning to mist, and it all made sense. 'You have no right being here!' exclaimed Eddie, coming to a halt in front of her. It was one of the few times I'd ever seen him angry. I'd certainly never seen him angry at her. He cast a glare back at Angeline before returning to Jill. 'They shouldn't have brought you.' 'I have every right to be here," she retorted. 'When Angeline finally convinced us, I knew we had to help. And we did.' Eddie was undaunted. 'I don't care what they do. If they want to endanger their lives, so be it. But a princess of her people has no business putting herself in danger.' 'A princess of her people has no business sitting off to the side while said people are in danger,' Jill returned. 'Do you have any idea what could have happened if--' 'Oh, shut up,' she said, reaching for him. He flinched in surprise, but once she started kissing him, the tension left his body. I shook my head and looked away. 'Oh, man," I said to no one in particular. 'This night is just full of surprises.
Richelle Mead (The Fiery Heart (Bloodlines, #4))
The secret to high performance and satisfaction—at work, at school, and at home—is the deeply human need to direct our own lives, to learn and create new things, and to do better by ourselves and our world.
Pamela Slim (Body of Work: Finding the Thread That Ties Your Story Together)
One demands a little originality in these days, even from murderers,” said Lady Swaffham. “Like dramatists, you know—so much easier in Shakespeare’s time, wasn’t it? Always the same girl dressed up as a man, and even that borrowed from Boccaccio or Dante or somebody. I’m sure if I’d been a Shakespeare hero, the very minute I saw a slim-legged young page-boy I’d have said: ‘Ods-bodikins! There’s that girl again!
Dorothy L. Sayers (Whose Body?)
I remembered watching Slim Goodbody on TV, an odd white guy with a small Afro who wore a full-body leotard with the inside of the human body painted on it, which made him look as if he’d been flayed alive. He
Jenny Lawson (Furiously Happy: A Funny Book About Horrible Things)
Things that we do every day make up who we are and the results we have in our life. Bank accounts collect from constant deposits and good health is achieved or maintained from what we put into our bodies daily.
Malti Bhojwani (Don't Think Of a Blue Ball)
every year 98% of your atoms are replaced with the air that you breathe, the foods that you eat and the liquid that you drink [79]. This might sound slightly scary or even a surprise to you but look at it as an opportunity. An opportunity that you can take to make a new slimmer healthier body for yourself by eating well and exercising smartly, and in a years time you'll literally be looking at an almost whole new you.
Sam Feltham (Slimology: The Relatively Simple Science Of Slimming)
A few months ago on a school morning, as I attempted to etch a straight midline part on the back of my wiggling daughter's soon-to-be-ponytailed blond head, I reminded her that it was chilly outside and she needed to grab a sweater. "No, mama." "Excuse me?" "No, I don't want to wear that sweater, it makes me look fat." "What?!" My comb clattered to the bathroom floor. "Fat?! What do you know about fat? You're 5 years old! You are definitely not fat. God made you just right. Now get your sweater." She scampered off, and I wearily leaned against the counter and let out a long, sad sigh. It has begun. I thought I had a few more years before my twin daughters picked up the modern day f-word. I have admittedly had my own seasons of unwarranted, psychotic Slim-Fasting and have looked erroneously to the scale to give me a measurement of myself. But these departures from my character were in my 20s, before the balancing hand of motherhood met the grounding grip of running. Once I learned what it meant to push myself, I lost all taste for depriving myself. I want to grow into more of a woman, not find ways to whittle myself down to less. The way I see it, the only way to run counter to our toxic image-centric society is to literally run by example. I can't tell my daughters that beauty is an incidental side effect of living your passion rather than an adherence to socially prescribed standards. I can't tell my son how to recognize and appreciate this kind of beauty in a woman. I have to show them, over and over again, mile after mile, until they feel the power of their own legs beneath them and catch the rhythm of their own strides. Which is why my parents wake my kids early on race-day mornings. It matters to me that my children see me out there, slogging through difficult miles. I want my girls to grow up recognizing the beauty of strength, the exuberance of endurance, and the core confidence residing in a well-tended body and spirit. I want them to be more interested in what they are doing than how they look doing it. I want them to enjoy food that is delicious, feed their bodies with wisdom and intent, and give themselves the freedom to indulge. I want them to compete in healthy ways that honor the cultivation of skill, the expenditure of effort, and the courage of the attempt. Grace and Bella, will you have any idea how lovely you are when you try? Recently we ran the Chuy's Hot to Trot Kids K together as a family in Austin, and I ran the 5-K immediately afterward. Post?race, my kids asked me where my medal was. I explained that not everyone gets a medal, so they must have run really well (all kids got a medal, shhh!). As I picked up Grace, she said, "You are so sweaty Mommy, all wet." Luke smiled and said, "Mommy's sweaty 'cause she's fast. And she looks pretty. All clean." My PRs will never garner attention or generate awards. But when I run, I am 100 percent me--my strengths and weaknesses play out like a cracked-open diary, my emotions often as raw as the chafing from my jog bra. In my ultimate moments of vulnerability, I am twice the woman I was when I thought I was meant to look pretty on the sidelines. Sweaty and smiling, breathless and beautiful: Running helps us all shine. A lesson worth passing along.
Kristin Armstrong
He rose, took a slender silver water can with a long slim neck and staggered out. After a while he came back and put the can on the floor. We all rose to congratulate him, for his body had cleared itself of superfluous matter.
Kurban Said (Ali and Nino)
My first sight of the fabled warrior was a surprise. He was not a mighty-thewed giant, like Ajax. His body was not broad and powerful, as Odysseos'. He seemed small, almost boyish, his bare arms and legs slim and virtually hairless. His chin was shaved clean, and the ringlets of his long black hair were tied up in a silver chain. He wore a splendid white silk tunic, bordered with a purple key design, cinched at the waist with a belt of interlocking gold crescents... His face was the greatest shock. Ugly, almost to the point of being grotesque. Narrow beady eyes, lips curled in a perpetual snarl, a sharp hook of a nose, skin pocked and cratered... A small ugly boy born to be a king... A young man possessed with fire to silence the laughter, to stifle the taunting. His slim arms and legs were iron-hard, knotted with muscle. His dark eyes were absolutely humourless. There was no doubt in my mind that he could outfight Odysseos or even powerful Ajax on sheer willpower alone.
Ben Bova
He did not give in to her; not he. There were seven devils inside his long, slim, white body. He was healthy, full of restrained life. Yes, even he himself had to lock up his own vivid life inside himself, now she would not take it from him. Or rather, now that she only took it occasionally. For she had to yield at times. She loved him so, she desired him so, he was so exquisite to her, the fine creature that he was, finer than herself. Yes, with a groan she had to give in to her own unquenched passion for him.
D.H. Lawrence (England, My England)
Always warm up to exercising. You can't suddenly jolt a stiff body into a rigorous workout. My doctor has told me that the best time to exercise is at the end of the day, before dinner, when the body is limber and a little fatigued. Begin slowly by swinging arms around in a circle. Do a little jogging in place. Get your circulation going to fuel your muscles. Do your exercises to music. […] As your body gets used to all this unexpected activity you can do each exercise just about as often and as long as you like. But start gently.
Joan Crawford (My Way of Life)
A sober black shawl hides her body entirely Touched by the sun and the salt spray of the sea But down in the darkness a slim hand so lovely Carries a rich bunch of red roses for me Her petticoat simple and her feet are but bare And all that she has is but neat and scanty But stars in the deep of her eyes are exclaiming I carry a rich bunch of red roses for thee No arrogant gem sits enthroned on her forehead Or swings from a white ear for all men to see But jewelled desire in a bosom so pearly Carries a rich bunch of red roses for me
Seán O'Casey
Are you disappointed?” Cullen glanced to her face as she drew the linens up, covering herself. “In what?” “I am not as buxom, or big, or tall as little Maggie,” she pointed out quietly. He almost laughed, but then realized she was serious. Women were a strange breed, Cullen decided. The truth was he liked her body. He’d liked Maggie’s, too. They were both beautiful in their own ways. Evelinde’s was slim and graceful like a rosebud rising out of the earth. Maggie had been full and ripe like a rose in full bloom. Both were roses and both beautiful.
Lynsay Sands (Devil of the Highlands (Devil of the Highlands, #1))
Every day I walk down Hollywood Boulevard and see civilians making themselves crazy worrying about the meetings they're late for or did they put the rent check in the mail or is their ass starting to sag and I think, "I've seen the creaky clockwork that turns the stars and planets. I've gotten drunk with the devil and body-slammed angels. I've seen the Room of Thirteen Doors at the center of the universe. I know the taste of my own blood as well as you know your favorite wine. I've seen so much more than you'll ever see." And then it hits me like a runaway semi. I don't know anything that matters.
Richard Kadrey (Aloha from Hell (Sandman Slim, #3))
In this book, I examine the history and legacy of the preference for slimness and aversion to fatness, with attention to their racial, gender, class, and medical contours. This book enters a decades-long conversation about the preference for slenderness and the phobia about fatness in the United States.
Sabrina Strings (Fearing the Black Body: The Racial Origins of Fat Phobia)
There was some that they called crayons, which one of the daughters which was dead made her own self when she was only fifteen years old. They was different from any pictures I ever see before—blacker, mostly, than is common. One was a woman in a slim black dress, belted small under the armpits, with bulges like a cabbage in the middle of the sleeves, and a large black scoop-shovel bonnet with a black veil, and white slim ankles crossed about with black tape, and very wee black slippers, like a chisel, and she was leaning pensive on a tombstone on her right elbow, under a weeping willow, and her other hand hanging down her side holding a white handkerchief and a reticule, and underneath the picture it said “Shall I Never See Thee More Alas.” Another one was a young lady with her hair all combed up straight to the top of her head, and knotted there in front of a comb like a chair-back, and she was crying into a handkerchief and had a dead bird laying on its back in her other hand with its heels up, and underneath the picture it said “I Shall Never Hear Thy Sweet Chirrup More Alas.” There was one where a young lady was at a window looking up at the moon, and tears running down her cheeks; and she had an open letter in one hand with black sealing wax showing on one edge of it, and she was mashing a locket with a chain to it against her mouth, and underneath the picture it said “And Art Thou Gone Yes Thou Art Gone Alas.” These was all nice pictures, I reckon, but I didn’t somehow seem to take to them, because if ever I was down a little they always give me the fan-tods. Everybody was sorry she died, because she had laid out a lot more of these pictures to do, and a body could see by what she had done what they had lost. But I reckoned that with her disposition she was having a better time in the graveyard.
Mark Twain (The Adventures of Huckleberry Finn)
Leon's life was all about discipline. He'd heard a weight-loss guru once explain that the key to maintaining a slim figure was to really "listen to your body" and only eat until it signaled that it was full. Leon had listened to his body. It wanted three entire pepperoni and mushroom pizzas every single day, plus a rather large cake. And malted milkshakes, the old fashioned kind you could make in your kitchen with an antique Hamilton Beech machine in avocado-colored plastic, served up in a tall red anodized aluminum cup. Leon's body was extremely verbose on what it wanted him to shovel into it. So Leon ignored his body.
Cory Doctorow (Chicken Little)
Kasabian’s head is still under the bed. I pull it out and set it on his chest, then grab his body by the ankles and drag him into the Cube. I straighten the arms and legs, set Kas’s head back on its shoulders, and generally try to make him look more like a respectable human being and less like a big pile of loser jerky.
Richard Kadrey (Sandman Slim (Sandman Slim, #1))
That reminded him of how thrifty she was, and he promptly decided-at least for the moment-that her thriftiness was one of her most endearingly amusing qualities. “What are you thinking about?” she asked. He tipped his chin down so that he could better see her and brushed a stray lock of golden hair off her cheek. “I was thinking how wise I must be to have known within minutes of meeting you that you were wonderful.” She chuckled, thinking his words were teasing flattery. “How soon did my qualities become apparent?” “I’d say,” he thoughtfully replied, “I knew it when you took sympathy on Galileo.” She’d expected him to say something about her looks, not her conversation or her mind. “Truly?” she asked with unhidden pleasure. He nodded, but he was studying her reaction with curiosity. “What did you think I was going to say?” Her slim shoulders lifted in an embarrassed shrug. “I thought you would say it was my face you noticed first. People have the most extraordinary reaction to my face,” she explained with a disgusted sigh. “I can’t imagine why,” he said, grinning down at what was, in his opinion-in anyone’s opinion-a heartbreakingly beautiful face belonging to a young woman who was sprawled across his chest looking like an innocent golden goddess. “I think it’s my eyes. They’re an odd color.” “I see that now,” he teased, then he said more solemnly, “but as it happens it was not your face which I found so beguiling when we met in the garden, because,” he added when she looked unconvinced, “I couldn’t see it.” “Of course you could. I could see yours well enough, even though night had fallen.” “Yes, but I was standing near a torch lamp, while you perversely remained in the shadows. I could tell that yours was a very nice face, with the requisite features in the right places, and I could also tell that your other-feminine assets-were definitely in all the right places, but that was all I could see. And then later that night I looked up and saw you walking down the staircase. I was so surprised, it took a considerable amount of will to keep from dropping the glass I was holding.” Her happy laughter drifted around the room and reminded him of music. “Elizabeth,” he said dryly, “I am not such a fool that I would have let a beautiful face alone drive me to madness, or to asking you to marry me, or even to extremes of sexual desire.” She saw that he was perfectly serious, and she sobered, “Thank you,” she said quietly. “That is the nicest compliment you could have paid me, my lord.” “Don’t call me ‘my lord,’” he told her with a mixture of gentleness and gravity, “unless you mean it. I dislike having you address me that way if it’s merely a reference to my title.” Elizabeth snuggled her cheek against his hard chest and quietly replied, “As you wish. My lord.” Ian couldn’t help it. He rolled her onto her back and devoured her with his mouth, claimed her with his hands and then his body.
Judith McNaught (Almost Heaven (Sequels, #3))
At the edge of the still, dark pool that was the sea, at the brimming edge of freedom where no boat was to be seen, she spoke the first words of the few they were to exchange. ‘I cannot swim. You know it?” In the dark she saw the flash of his smile. ‘Trust me.’ And he drew her with a strong hand until the green phosphorescence beaded her ankles, and deeper, and deeper, until the thick milk-warm water, almost unfelt, was up to her waist. She heard him swear feelingly to himself as the salt water searched out, discovered his burns. Then with a rustle she saw his pale head sink back into the quiet sea and at the same moment she was gripped and drawn after him, her face to the stars, drawn through the tides with the sea lapping like her lost hair at her cheeks, the drive of his body beneath her pulling them both from the shore. They were launched on the long journey towards the slim shape, black against glossy black, which was the brigantine, with Thompson on board.
Dorothy Dunnett (The Disorderly Knights (The Lymond Chronicles, #3))
Without screaming or weeping these people undressed, stood around in family groups, kissed each other, said farewells and waited for a sign from another S.S. man, who stood near the pit, also with a whip in his hand. During the fifteen minutes that I stood near the pit I heard no complaint or plea for mercy… An old woman with snow-white hair was holding a one-year-old child in her arms and singing to it and tickling it. The child was cooing with delight. The parents were looking on with tears in their eyes. The father was holding the hand of a boy about 10 years old and speaking to him softly; the boy was fighting his tears. The father pointed to the sky, stroked his head and seemed to explain something to him. At that moment the S.S. man at the pit shouted something to his comrade. The latter counted off about twenty persons and instructed them to go behind the earth mound… I well remember a girl, slim and with black hair, who, as she passed close to me, pointed to herself and said: “twenty-three years old.” I walked around the mound and found myself confronted by a tremendous grave. People were closely wedged together and lying on top of each other so that only their heads were visible. Nearly all had blood running over their shoulders from their heads. Some of the people were still moving. Some were lifting their arms and turning their heads to show that they were still alive. The pit was already two-thirds full. I estimated that it contained about a thousand people. I looked for the man who did the shooting. He was an S.S. man, who sat at the edge of the narrow end of the pit, his feet dangling into the pit. He had a tommy gun on his knees and was smoking a cigarette. The people, completely naked, went down some steps and clambered over the heads of the people lying there to the place to which the S.S. man directed them. They lay down in front of the dead or wounded people; some caressed those who were still alive and spoke to them in a low voice. Then I heard a series of shots. I looked into the pit and saw that the bodies were twitching or the heads lying already motionless on top of the bodies that lay beneath them. Blood was running from their necks. The next batch was approaching already. They went down into the pit, lined themselves up against the previous victims and were shot. And so it went, batch after batch. The next morning the German engineer returned to the site. I saw about thirty naked people lying near the pit. Some of them were still alive… Later the Jews still alive were ordered to throw the corpses into the pit. Then they themselves had to lie down in this to be shot in the neck… I swear before God that this is the absolute truth.47
William L. Shirer (The Rise and Fall of the Third Reich: A History of Nazi Germany)
The more experience I've got, the more I recognize that the body is hardly a reliable reflection of what's going on inside it. My body has fluctuated frequently and drastically throughout this decade, and no matter how it's fluctuated, no matter whether my body is a kids' size 10 slim or an adult size 6, I've had an issue underneath it.
Jennette McCurdy (I'm Glad My Mom Died)
We crave touch. We need each other. We need to be held. Baby mammals, humans included, who don’t get enough cuddling and skin-to-skin contact with another creature whither, don’t thrive, and can develop serious emotional problems. Adults are no different. You need touch, physical play, caresses, and pleasure in your body as much as a river otter. We need more fun play in our days, even as adults. Play isn’t some trivial, dumb thing that’s just for kids. Play should be as important to you as eating greens or drinking water. Not only does pleasurable play grow new brain connections for happier moods and better memory, play also sets off a cascade of body-positive effects that help keep you slim and vital.
Alexandra Jamieson
There was no doubt about it: more heads turned for me in this slim, fit body. Businessmen, men with women on their arms, women in lipstick and others too beautiful to ever notice me normally: face after face examined me as they passed, and, as they gawped, I couldn't decide if I loved the attention more or less than I despised people for their predictability.
Melanie Murphy (If Only)
Often, when tempted to peek into the drawer too early, Wendy could assuage her longing by pulling out the tiny notebook she always kept with her. It had a very slim blue pencil that perfectly fit down the spine, and was nearly full of her neat, enthusiastic words. Well-thumbed pages were titled with things like "Peter Pan and the Pirates and the Unexpected Zeppelin" or "Peter Pan and Tiger Lily versus the Cyclops of the Cerulean Sea." And she had illustrated "Captain Hook Is Taught A Timely Lesson by Peter Pan" with a little picture of a clock she had carefully copied from the mantel, as well as the eyes and nostrils of a fierce crocodile- the rest of whose body she had no hope of depicting accurately, and thus chose to submerge.
Liz Braswell (Straight On Till Morning)
I’ve actually felt sad for myself, picturing my slim, naked, pale body, floating just beneath the current, a colony of snails attached to one bare leg, my hair trailing like seaweed until I reach the ocean and drift down down down to the bottom, my waterlogged flesh peeling off in soft streaks, me slowly disappearing into the current like a watercolor until just the bones are left.
Gillian Flynn (Gone Girl)
Stanwyck was slim, and remained so over her career. Regardless of the obligations and pressures regarding size and shape for women in Hollywood, or her own needs and desires as an actress and a person, or the occasions within the films that show off her body, Stanwyck rarely advertises a superficial fantasy of feminine appearance. She is too busy exploring the subtlety of interactions.
Andrew Klevan (Barbara Stanwyck (Film Stars))
Magnus’s head was tipped back, his shimmering white suit rumpled like bedsheets in the morning, his white cloak swaying after him like a moonbeam. His mirrorlike mask was askew, his black hair wild, his slim body arching with the dance, and wrapped around his fingers like ten shimmering rings was the light of his magic, casting a spotlight on one dancer, then another. The faerie Hyacinth caught one radiant stream of magic and whirled, holding on to it as if the light were a ribbon on a maypole. The vampire woman in the violet cheongsam, Lily, was dancing with another vampire who Alec presumed was Elliott, given the blue and green stains around his mouth and all down his shirtfront. Malcolm Fade joined in the dance with Hyacinth, though he appeared to be doing a jig and she seemed very puzzled. The blue warlock who Magnus had called Catarina was waltzing with a tall horned faerie.The dark-skinned faerie whom Magnus had addressed as a prince was surrounded by others whom Alec presumed were courtiers, dancing in a circle around him. Magnus laughed as he saw Hyacinth using his magic like a ribbon, and sent shimmering streamers of blue light in several directions. Catarina batted away Magnus’s magic, her own hand glowing faintly white. The two vampires Lily and Elliott both let a magic ribbon wrap around one of their wrists. They did not seem like trusting types, but they instantly leaned into Magnus with perfect faith, Lily pretending to be a captive and Elliott shimmying enthusiastically as Magnus laughed and pulled them toward him in the dance. Music and starshine filled the room, and Magnus shone brightest in all that bright company. As Alec made for the stairs, he brushed past Raphael Santiago, who was leaning against the balcony rail and looking down at the dancing crowd, his dark eyes lingering on Lily and Elliott and Magnus. There was a tiny smile on the vampire’s face. When Raphael noticed Alec, the scowl snapped immediately back on. “I find such wanton expressions of joy disgusting,” he declaimed. “If you say so,” said Alec. “I like it myself.” He reached the foot of the stairs and was crossing the gleaming ballroom floor when a voice boomed out from above. “This is DJ Bat, greatest werewolf DJ in the world, or at least in the top five, coming to you live from Venice because warlocks make irresponsible financial decisions, and this one is for the lovers! Or people with friends who will dance with them. Some of us are lonely jerks, and we’ll be doing shots at the bar.
Cassandra Clare (The Red Scrolls of Magic (The Eldest Curses, #1))
She looked away from him, her expression suddenly contemplative, the edges of her teeth catching at the plush curve of her lower lip. Just as Gideon thought she was going to refuse him, she reached out impulsively, her warm fingers catching at his. He held her hand as if he cradled a fragile bird in his palm, and drew her close enough that he could smell the hint of rose water in her hair. Her body was slim, sweetly curved, her uncorseted waist soft beneath his fingers. Despite the undeniable romance of the moment, Gideon felt a most unromantic stirring of lust as his body reacted with typical mare awareness to the nearness of a desirable female. He eased his partner into a slow waltz, guiding her expertly across the uneven flagstones. "I've seen fairies dancing on the lawn before," he said, "when I get deep enough in a bottle of brandy. But I've never actually danced with one before.
Lisa Kleypas (Again the Magic (Wallflowers, #0))
He trains hard, I can tell. That is not a body that you get from just diet and good genes. That’s a body you lift heavy iron for. Dark sweatpants hang off his slim waist, a perfectly dipped V dancing down his pelvis. There’s a tattoo going over that area too though, in big Old English font. My eyes dart to his left rib cage where a paragraph is inked in cursive. He also has two full sleeves of tattoos—no color, just grey and white—and what looks
Amo Jones (Manik)
Speaking of body decorations, I luuhhhvv your belly piercing!” Heeb said, looking at the gold ring in the center of her slim, tan waist. Despite the artic cold, Angelina had opted for a skin tight, black tube top that ended just above her belly, on the assumption that a warm cab, a winter coat, and a short wait to get into the club was an adequate frosty weather strategy. Heeb was still reverently staring at her belly when Angelina finally caught her breath from laughing. “Do you really like it? You’re just saying that so that you can check out my belly!” “And what’s so bad about that? I mean, didn’t you get that belly piercing so that people would check out your belly?” “No. I just thought it would look cool…Do you have any piercings?” “Actually, I do,” Heeb replied. “Where?” “My appendix.” “Huh?” “I wanted to be the first guy with a pierced organ. And the appendix is a totally useless organ anyway, so I figured why the hell not?” “That’s pretty original,” she replied, amused. “Oh yeah. I’ve outdone every piercing fanatic out there. The only problem is when I have to go through metal detectors at the airport.” Angelina burst into laughs again, and then managed to say, “Don’t you have to take it out occasionally for a cleaning?” “Nah. I figure I’ll just get it removed when my appendix bursts. It’ll be a two for one operation, if you know what I mean.
Zack Love (Sex in the Title: A Comedy about Dating, Sex, and Romance in NYC (Back When Phones Weren't So Smart))
Our body is like a machine. If we constantly run the machinery at high speed, it will wear out faster. Since animals with slower metabolic rates live longer, eating more calories, which drives up our metabolic rate, will cause us only to age faster. Contrary to what you may have heard and read in the past, our goal should be the opposite: to eat less, only as much as we need to maintain a slim and muscular weight, and no more, so as to keep our metabolic rate relatively slow.
Joel Fuhrman (Eat to Live: The Amazing Nutrient-Rich Program for Fast and Sustained Weight Loss)
When hands slipped around her waist, then slid up to cup her breasts, she barely jolted. But her heart leaped. She knew his touch, the feel of those long, slim fingers, the texture of those wide palms. She tipped her head back, inviting a mouth to the curve of her shoulder. "Mmm. Summerset. You wild man." Teeth nipped into flesh and made her chuckle. Thumbs brushed over her soapy nipples and made her moan. "I'm not going to fire him." Roarke trailed a hand down the center of her body. "It was worth a shot.
J.D. Robb (Ceremony in Death (In Death, #5))
A more appropriate statement would be that, if you store more calories than you expend you'll gain weight. Store being the operative word there and a rather obvious observation to make about someone that is getting heavier. This more appropriate statement allows us to ask the question, why are you storing more body fat than you're losing? Is it because of the total calories you consumed, or is it because of a biochemical stimulus that makes your fat tissue grow created from the quality and quantity of foods and drinks that you consume.
Sam Feltham (Slimology: The Relatively Simple Science Of Slimming)
Dude, wait until you see the hot little number on there!” He was grinning like the Cheshire cat. “What are you talking about? Aren’t all flight attendant’s middle-aged, blonde women?” “Not this one. She’s feisty too, kneed me right in the balls.” I smiled, and it was actually genuine. I wondered if he was fucking with me. But, it was enough to peak my curiosity. I slowly walked towards the plane wondering if it was going to be a grandma, or something. It wouldn’t be the first time. I really hoped that it wasn’t some die-hard groupie either. As soon as I reached the top of the stairs I almost tripped and fell on my face when I got my first look at her. She was gorgeous! She looked like she walked straight off of a pin-up girl calendar. She had long, black hair with strands of hot pink. I appraised my way down her body. She had a slim waist and curvy hips. She was built like an hourglass. I noticed a couple of sexy facial piercings. She had an adorable little nose and big brown eyes. Then I saw a tattoo peeking out on her shoulder. I could tell that she had a chest piece. I was instantly hard. Awesome…
Sophie Monroe (Battlescars (Battlescars, #1))
Besides, Fi was convinced that instinct could determine a body's literary needs, just as physical cravings pointed to dietary shortfalls. She'd experienced it herself more than once among the library's dense shelves; not knowing what she should read next, she'd wandered, sniffing slightly, palms open. When intuition hit, she felt a sensation she couldn't describe exactly: her hands seemed to know where to go. And when she reached, invariably she found exactly the book she needed at that moment - sometimes fiction, sometimes biography, sometimes a slim volume of obscure poetry
Masha Hamilton
Your thoughts, beliefs, and assumptions drive everything in your life and career. People who operate on a high level of creativity and mastery are rigorous about mental awareness and preparation. Top athletes, fighters, artists, writers, businesspeople, and scientists use different methods to stay clear, focused, motivated, and productive. Not only are precise and motivating thoughts critical to maintaining momentum toward big goals, but the ability to look at things from new and critical perspectives is a fundamental skill in creating a diverse, interesting, and integrated body of work.
Pamela Slim (Body of Work: Finding the Thread That Ties Your Story Together)
We crossed the street and turned left into one of the side streets, which was only slightly less wide. Here the traffic was lighter. To the left and slightly in front of us, two men walked shoulder to shoulder. The first wore leather pants, a white shirt with wide sleeves, and a leather vest over it. A wide leather bracer enclosed his left forearm. His hair, a rare blond shade, almost gold, hung in a ponytail down his back. He moved with a casual aristocratic elegance, perfectly balanced. Watching him, you had a feeling that if the road suddenly became a tightrope, he would just keep on walking without breaking a stride. My father moved like that. I sped up a little. We drew even and I saw a slender sword on his waist. That's what I thought. An expert swordsman. I glanced at his face and blinked. He was remarkably handsome. The man to his left was larger, his shoulders broader, his body emanating contained aggression. He didn't walk, he stalked, and you could tell by the way he moved that he would be very strong. His auburn hair looked like he'd rolled out of bed, dragged his hand through it, and gone on about his day. He wore dark pants and a black leather jacket that was more doublet than motorcycle. A ragged scar crossed his left cheek and when he turned his head, his eyes shone with yellow. Interesting. "It's always work with you," the russet-haired man said. "Some of us have to mind the safety of the realm," the blond said. A narrow smile curled his lips. "I've given the realm eight years of my life. It can bite me," his stocky companion retorted. "How far is it?" The slim man raised his left arm. A hawk dropped out of the sky and landed on his bracer. "We're almost there. Two blocks left." "Good. Let's get this crap and go home." They turned into the side street. "That bird smelled dead," Sean said.
Ilona Andrews (Clean Sweep (Innkeeper Chronicles, #1))
My mind is curiously alert; it's as though my skull had a thousand mirrors inside it. My nerves are taut, vibrant! the notes are like glass balls dancing on a million jets of water. I've never been to a concert before on such an empty belly. Nothing escapes me, not even the tiniest pin falling. It's as though I had no clothes on and every pore of my body was a window and all the windows open and the light flooding my gizzards. I can feel the light curving under the vault of my ribs and my ribs hang there over a hollow nave trembling with reverberations. How long this lasts I have no idea; I have lost all sense of time and place. After what seems like an eternity there follows an interval of semiconsciousness balanced by such a calm that I feel a great lake inside me, a lake of iridescent sheen, cool as jelly; and over this lake, rising in great swooping spirals, there emerge flocks of birds of passage with long slim legs and brilliant plumage. Flock after flock surge up from the cool, still surface of the lake and, passing under my clavicles, lose themselves in the white sea of space. And then slowly, very slowly, as if an old woman in a white cap were going the rounds of my body, slowly the windows are closed and my organs drop back into place.
Henry Miller (Tropic of Cancer (Tropic, #1))
The memory of his childhood suddenly grew dim. He tried to call forth some of its vivid moments but could not. He recalled only names. Dante, Parnell, Clane, Clongowes. A little boy had been taught geography by an old woman who kept two brushes in her wardrobe. Then he had been sent away from home to a college, he had made his first communion and eaten slim jim out of his cricket cap and watched the firelight leaping and dancing on the wall of a little bedroom in the infirmary and dreamed of being dead, of mass being said for him by the rector in a black and gold cope, of being buried then in the little graveyard of the community off the main avenue of limes. But he had not died then. Parnell had died. There had been no mass for the dead in the chapel and no procession. He had not died but he had faded out like a film in the sun. He had been lost or had wandered out of existence for he no longer existed. How strange to think of him passing out of existence in such a way, not by death but by fading out in the sun or by being lost and forgotten somewhere in the universe! It was strange to see his small body appear again for a moment: a little boy in a grey belted suit. His hands were in his side-pockets and his trousers were tucked in at the knees by elastic bands.
James Joyce (A Portrait of the Artist as a Young Man)
The prosecutor nodded to the usher, who opened the door at the back of the room. There was a scraping of chairs outside, the door opened wide and a large man strolled in. Krohn noted that the man was wearing a suit jacket which was slightly too small, black jeans and large Dr Martens boots. The close-shaven head and the slim athletic body suggested an age somewhere around the early thirties – although the bloodshot eyes with bags underneath and the pale complexion with thin capillaries bursting sporadically into small red deltas pointed more in the region of fifty. ‘Police Officer Harry Hole?’ the judge asked when the man had taken a seat in the witness box.
Jo Nesbø (The Redbreast (Harry Hole))
Contractions. Kane’s stomach dropped right out of his body. He stared down at her, his mind going fuzzy. That was one of those words like menstruation, period, or female products . The list just wasn’t uttered in male company. Contractions fit right in there. God. This was not happening. He forced his brain under control, ignoring the pounding in his head and the roaring in his ears. He studied Rose’s body carefully. She wasn’t due for another four or five weeks, right? He knew when she got pregnant. When he’d first seen her, she had looked slim, but that had been an illusion. On the other hand, she never looked as— big —as she did at that moment.“What?” Rose demanded, glaring up at him. The warning signal flashed bright red in Kane’s head. Telling a woman she was as big as a beach ball wouldn’t win any points. How did one describe how she looked? A basketball? Volleyball? He studied her furious little face. Yeah. He was in trouble no matter what he said. Description was out of the question. He needed diplomacy, something that flew out the window when he was near her and she said words like contractions.He’d jump out of a plane without hesitation in the heart of enemy territory, but damn it all, ask him to kill someone, not deliver babies. She didn’t take her eyes off him, and that expression on her scowling face demanded an answer.
Christine Feehan (Ruthless Game (GhostWalkers, #9))
I’ve always struggled with my weight. For most of my life I compared myself to my sister, who was naturally slim. I compared myself to women in magazines, who looked nothing like me. I let men determine how I felt about my body based on how they saw me. I allowed those things to make me feel smaller than I was. Not on the outside, on the inside. On the inside I was a highly intelligent woman who spoke several languages, was the first in my family to go to college, and won full scholarships to the schools of my choice, but I hid that girl under bulky clothes.” Banner disabuses me of the notion that I’ve gone undetected when she looks directly at me, finds me in the very back. “I hid her in the dark,” she says more softly, holding my stare for a few seconds before moving past me, but even when she looks away, I feel seared. Like in one glance and with a few words she’s burned years away. She takes us back to a darkened laundromat. The bright swirl of whites flashing in the washing machine. The toss and slap of darks in the dryer. The thump-thump of my heart while I waited to kiss her again. “I don’t hide anymore,” Banner continues. “Not in the dark. Not under bulky clothes. Not even behind my intelligence, which I sometimes used as a shield to keep people out. Whether I’m five pounds up or ten pounds down, I’m done hiding. I am done letting my waistline and other people define me.
Kennedy Ryan (Block Shot (Hoops, #2))
But that day it was raining, and since they couldn't very well sit on the rooftop in the rain to watch the flotilla parade, they stayed in the little room that led to the roof. It had just one tiny window through which the gray light of day filtered in. They sat on the floor, and Lorenzo's senses were aroused by the sound of the rain falling outside, the musky smell of his own body, and the fragrant scent of Caterina's hair. A single blonde strand wound down her slim neck. They kissed, taking off their rain-washed summer clothes so that their bodies pressed, naked, against one another. Long, delicate lovemaking. Caresses, kisses, shivers, and sighs of delight. Lorenzo would have gladly spend the rest of his life preserved in that single moment, as if in amber, abandoning reality to live in the memory of that one single day.
Riccardo Bruni (The Lion and the Rose)
I took care to replace the Compendium in its correct pamphlet, and in doing so dislodged a slim pamphlet by Grastrom, one of the most eccentric authors in Solarist literature. I had read the pamphlet, which was dictated by the urge to understand what lies beyond the individual, man, and the human species. It was the abstract, acidulous work of an autodidact who had previously made a series of unusual contributions to various marginal and rarefied branches of quantum physics. In this fifteen-page booklet (his magnum opus!), Grastrom set out to demonstrate that the most abstract achievements of science, the most advanced theories and victories of mathematics represented nothing more than a stumbling, one or two-step progression from our rude, prehistoric, anthropomorphic understanding of the universe around us. He pointed out correspondences with the human body-the projections of our sense, the structure of our physical organization, and the physiological limitations of man-in the equations of the theory of relativity, the theorem of magnetic fields and the various unified field theories. Grastrom’s conclusion was that there neither was, nor could be any question of ‘contact’ between mankind and any nonhuman civilization. This broadside against humanity made no specific mention of the living ocean, but its constant presence and scornful, victorious silence could be felt between every line, at any rate such had been my own impression. It was Gibarian who drew it to my attention, and it must have been Giarian who had added it to the Station’s collection, on his own authority, since Grastrom’s pamphlet was regarded more as a curiosity than a true contribution to Solarist literature
Stanisław Lem (Solaris)
The physical technique is important,” I say. “But it’s mostly a mental game, which is lucky for you, because you know how to play those. You don’t just practice the shooting, you also practice the focus. And then, when you’re in a situation where you’re fighting for your life, the focus will be so ingrained that it will happen naturally.” “I didn’t know the Dauntless were so interested in training the brain,” Caleb says. “Can I see you try it, Tris? I don’t think I’ve ever really seen you shoot something without a bullet wound in your shoulder.” Tris smiles a little and faces the target. When I first saw her shoot during Dauntless training, she looked awkward, birdlike. But her thin, fragile form has become slim but muscular, and when she holds the gun, it looks easy. She squints one eye a little, shifts her weight, and fires. Her bullet strays from the target’s center, but only by inches. Obviously impressed, Caleb raises his eyebrows. “Don’t look so surprised!” Tris says. “Sorry,” he says. “I just…you used to be so clumsy, remember? I don’t know how I missed that you weren’t like that anymore.” Tris shrugs, but when she looks away, her cheeks are flushed and she looks pleased. Christina shoots again, and this time hits the target closer to the middle. I step back to let Caleb practice, and watch Tris fire again, watch the straight lines of her body as she lifts the gun, and how steady she is when it goes off. I touch her shoulder and lean in close to her ear. “Remember during training, how the gun almost hit you in the face?” She nods, smirking. “Remember during training, when I did this?” I say, and I reach around her to press my hand to her stomach. She sucks in a breath. “I’m not likely to forget that anytime soon,” she mutters. She twists around and draws my face toward hers, her fingertips on my chin. We kiss, and I hear Christina say something about it, but for the first time, I don’t care at all.
Veronica Roth (Allegiant (Divergent, #3))
Especially as something massive and slimy lurched from below, the size of two city buses. An enormous worm, gleaming with water and mud. A mouth full of rows of teeth opened wide and snapped— Bryce fell back on her ass as the worm caught three of the flying lizards between those teeth. Swallowed them all in one bite. Her starlight flared, casting the whole cavern in light and shadow. The creatures on the walls screeched—either at the worm or the light—flapping off their perches and right into the creature’s opening jaws. Another snapping bite, river water and metallic-reeking mud spraying with the movement, and more vanished down the worm’s throat. Bryce could only stare. One twist of its behemoth body and it’d be upon her. One bite and she’d be swallowed. Her starlight could do nothing against it. It had no eyes. It likely operated on smell, and there she was, a trembling treat offered up on that bridge— A strong, slim hand grabbed Bryce under the shoulder and dragged her back.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
There were more dead in the courtyard, piled deeper around the steps to the hall, bodies twisted together, hacked and mutilated. And on the steps in the midst of it all sat a woman. She was gore-drenched, red with blood from her head to her boots, a long-axe lying across her lap. An ugly creature was perched upon her shoulder, with a nasty-looking sting on its tail, and another vaesen sat on the steps before the woman. It was small, with sharp claws and a half-spear in its tiny, slim-fingered hand. A tennúr. It had a mound of what looked like bloodcovered nuts piled at its feet and was crunching on one of them as it looked at Varg. A shiver of revulsion passed through Varg as he realised they weren’t nuts: they were human teeth. And he didn’t like the way the tennúr’s gaze fixed for a long moment upon his own mouth. The two vaesen regarded Glornir and the Bloodsworn with suspicious, violent eyes. Sitting around the woman’s legs were children, maybe twelve or fifteen of them. They were the only things in the area not spattered in blood. They didn’t seem to be scared of the woman, which Varg found strange, as his blood was tingling, and he felt the ripples of fear and danger pulsing off her. If he had hackles like Edel’s wolfhounds, they would have been standing stiff and straight. Ahead of him Varg heard Glornir gasp a breath. The woman looked up at them as they approached, her eyes fixing on Glornir. Varg saw recognition dawn in them. “He’s not here,” the woman said, shaking her head, “he’s not here.” The pain in her voice was palpable. Tears had streaked clean lines through the blood and gore and fragments of bone that were thick on her cheeks. Glornir reined in his horse and slipped from his saddle, then walked a few steps towards her and stopped. “Orka Skullsplitter,” he whispered. The woman stood. “My brother?” Glornir asked. “They killed him and took my son,” she said, fresh tears rolling down her cheeks. Glornir walked up to her and spread his arms wide, pulling her into an embrace.
John Gwynne (The Shadow of the Gods (The Bloodsworn Saga, #1))
Panic- and rage. That was all he knew as he shot down into the heart of the pit, spearing for that ancient darkness that had once shaken him to his very marrow. Nesta was there- and Feyre. It was the former her saw first, stumbling out of the dark, wide-eyed, her fear a tang that whetted his rage into something so sharp he could barely think, barely breathe- She let out a small, animal sound- like some wounded stag- as she saw him. As he landed so hard his knees popped. He said nothing as Nesta launched herself toward him, her dress filthy and dishevelled, her arms stretching for him. He opened his own for her, unable to stop his approach, his reaching- She gripped his leathers instead. 'Feyre,' she rasped, pointing behind her with a free hand, shaking him solidly with the other. Strength- such untapped strength in that slim, beautiful body. 'Hybern.' That was all he needed to hear. He drew his sword- then Rhys was arrowing for them, his power like a gods-damned volcanic eruption. Cassian charged ahead into the gloom, following the screaming-
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
So Dad was a tedious, well-connected workaholic. But the other thing you need to understand is that Mom was a living wet dream. A former Guess model and Miller Lite girl, she was tall, curvy and gorgeous. At thirty-eight, she had somehow managed to remain ageless and maintained her killer body. She’s five-foot-nine with never-ending legs, generous breasts and full hips that scoop dramatically into her slim waist. People who say Barbie’s proportions are unrealistic obviously never met my stepmother. Her face is pretty too, with long eyelashes, sculpted cheekbones and big, blue eyes that tease and smile at the same time. Her long brown hair rests on her shoulders in thick, tousled layers like in one of those Pantene Pro-V commercials. One memory seared in to my brain from my early teenage years is of Mom parading around the house one evening in nothing but her heels and underwear. I was sitting on the couch in the living room watching TV when a flurry of long limbs and blow-dried hair burst in front of the screen. “Teddy-bear. Do you know where Silvia left the dry cleaning? I’m running late for dinner with the Blackwells and I can’t find my red cocktail dress.” Mom stood before me in matching off-white, La Perla bra and panties and Manolo Blahnik stilettos. Some subtle gold hoop earrings hung from her ears and a tiny bit of mascara on her eye lashes highlighted her sparkling, blue eyes. Aside from the missing dress, she was otherwise ready to go. “I think she left them hanging on the chair next to the other sofa,” I said, trying my best not to gape at Mom’s perfect body. Mom trotted across the room, her heels tocking on the hard wood floor. I watched her slim, sexy back as she lifted the dry cleaning onto the sofa and then bent over to sort through the garments. My eyes followed her long mane of brown hair down to her heart-shaped ass. Her panties stretched tightly across each cheek as she bent further down. “Found it!” She cried, springing back upright, causing her 35Cs to bounce up and down from the sudden motion. They were thrusting proudly off her ribcage and bulging out over the fabric of the balconette bra like two titanic eggs. Her supple skin pushed out over the silk edges. And then she was gone as quickly as she had arrived, her long legs striding back down the hallway.
C.R.R. Crawford (Sins from my Stepmother: Forbidden Desires)
Now Janie ordered a drink and glanced at the bar menu, choosing the goat curry because she'd never had it before. "You sure about that?" the barman said. He was a boy, really, no more than twenty, with a slim body and huge, laughing eyes. "It's spicy." "I can take it," she said, smiling at him, wondering if she might pull an adventure out of her hat on her next-to-last night, and what it would be like to touch another body again. But the boy simply nodded and brought her the dish a short time later, not even watching to see how she fared with it. The goat curry roared in her mouth. "I'm impressed. I don't think I could eat that stuff," remarked the man sitting two seats down from her. He was somewhere in the midst of middle age, a bust of a man, all chest and shoulders, with a ring of blond, bristling hair circling his head like the laurels of Julius Caesar and a boxer's nose beneath bold, undefeated eyes. He was the only other guest that wasn't with the wedding party. She'd seen him around the hotel and on the beach and had been uninspired by his business magazines, his wedding ring. She nodded back at him and took an especially large spoonful of curry, feeling the heat oozing from every pore. "Is it good?" "It is, actually," she admitted, "in a crazy, burn-your-mouth-out kind of way." She took a sip of the rum and Coke she'd ordered; it was cold and startling after all that fire. "Yeah?" He looked from her plate to her face. The tops of his cheeks and his head were bright pink, as if he'd flown right up to the sun and gotten away with it. "Mind if I have a taste?" She stared at him, a bit nonplussed, and shrugged. What the hell. "Be my guest." He moved quickly over to the seat next to hers. He picked up her spoon and she watched as it hovered over her plate and then dove down and scooped a mouthful of her curry, depositing between his lips. "Jee-sus," he said. He downed a glass of water. "Jee-sus Christ." But he was laughing as he said it, and his brown eyes were admiring her frankly over the rim of his water glass. He'd probably noticed her smiling at the bar boy and decided she was up for something. But was she? She looked at him and saw it all instantaneously: the interest in his eyes, the smooth, easy way he moved his left hand slightly behind the roti basket, temporarily obscuring the finger with the wedding ring.
Sharon Guskin (The Forgetting Time)
Ford and General Motors executives made a big deal of the occasion by driving to Washington in their hybrid vehicles. Mulally of Ford came in an Escape SUV hybrid. Wagoner of General Motors was chauffeured in a Chevy Malibu hybrid. Poor Bob Nardelli of Chrysler. The pickings were slim. Chrysler, known more for the styling of it's bodies than for its technological savvy, sent Nardelli to Washington in an Aspen Hybrid SUV, about the only "green" thing Chrysler had to offer. Problem is, it was a terrible vehicle and unreliable. Despite being partially powered by a battery, the Aspen ran on a V-8 Hemi and got less than twenty miles to the gallon. The charging system was flawed and difficult to service. His driver was Mike Carlisle, the homicide detective who had retired from the Detroit Police Department just a month earlier. The media was invited to snap bon voyage photographs in Detroit, which they dutifully filed. What they did not see -and what Carlisle later told me- was that there were two engineers tailing Nardelli at a discreet three-mile buffer, carrying laptops and a trunk full of tolls in case the Aspen broke down. Even Chrysler didn't trust their products.
Charlie LeDuff (Detroit: An American Autopsy)
Once there was a boy. When the boy was 6 years old, his father gave him a falcon to train. Falcons are raptors - killing birds, his father told him, the Shadowhunters of the sky. The falcon didn't like the boy, and he didn't like it, either. Its sharp beak made him nervous, and its bright eyes always seemed to be watching him. It would slash at him with his beak and talons when he came near: For weeks his wrists and hands were always bleeding. He didn't know it, but his father had selected a falcon that had lived in the wild for over a year, and thus was nearly impossible to train. But the boy tried, because his father had told him to make the falcon obedient, and he wanted to please his father. He stayed with the falcon constantly, keeping it awake by talking to it and even playing music to it, because a tired bird was ment to be easier to tame. He leard the equipment: the jesses, the hood, the brail, the leash that bound the bird to his wrist. He was ment to keep the bird blind, but he couldn't bring himself to do it - instead he tryed to sit where the bird could see him as he touched and stroked its wings, willing it to trust him. He fed it from his hand, and at first it would not eat. Later it ate so savagely that the beak cut his palm. But the boy was glad, because it was progress, and because he wanted the bird to know him, even if it had to consume his blood to make that happen. He began to see that the falcon was beautiful, that its slim wings were built for the speed of flight, that it was strong and swift, fierce and gentle. When it dived to the ground, it moved like light. When it learned to circle and land on his wrist, he nearly shouted with delight. Sometimes the bird would hop to his sholder and but its beak in his hair. He knew his falcon loved him, and when he was certain that it was not just tamed but perfectly tamed, he went to his father and showed him what he had done, expecting him to be proud. Instead his father took the bird, now tame and trusting, in his hands, and broke its neck. 'I told you to make him obedient,' his father said, and dropped the falcon's lifeless body to the ground. "Instead, you taught it to love you. Falcons are not ment to be loving pets: They are fierce and wild, savage and cruel. This bird was not tamed; it was broken.' Later, when his father left him, the boy cried over his pet, until his father sent a servant to take the body of the bird away and bury it. The boy never cried again, and he never forgot what he'd learned: That to love is to destroy, and to be loved is to be the one destroyed.
Jace City of Bones
Where’s the baby?” “I just fed and changed him,” Haven said. Hardy lifted Luke’s carrier and gave it to Jack, who took it with his free hand. “Thank you.” I gave Haven a woeful glance as she handed me the diaper bag. “I’m sorry.” “For what?” “For falling asleep like that.” Haven smiled and reached out to hug me. “There’s nothing to be sorry about. What’s a little narcolepsy among friends?” Her body was slim and strong, one small hand patting my back. The gesture surprised me in its naturalness and ease. I returned the embrace awkwardly. Haven said over my shoulder, “I like this one, Jack.” Jack didn’t answer, only nudged me out into the hallway. I trudged forward, nearly blind with exhaustion, staggering with it. It took extreme focus to keep one foot in front of the other. “I don’t know why I’m so tired tonight,” I said. “It’s all caught up with me, I guess.” I felt Jack’s hand descend to the center of my back, guiding me forward. I decided to talk to keep myself awake. “You know, chronic sleep deper . . . dep . . .” “Deprivation?” “Yes.” I shook my head to clear it. “It gives you memory problems and raises your blood pressure. And it results in occupational hazards. It’s lucky I can’t get hurt doing my job. Unless I fall forward and hit my head on the keyboard. If you ever see QWERTY imprinted on my forehead, you’ll know what happened.” “Here we go,” Jack said, loading me onto the elevator. I squinted at the row of buttons and reached for one. “No,” he said patiently, “that’s the nine, Ella. Press the upside-down one.” “They’re all upside-down,” I told him, but I managed to find the 6. Propping myself up in the corner, I wrapped my arms around my midriff. “Why did Haven tell you ‘I like this one’?” “Why shouldn’t she like you?” “It’s just . . . if she says it to you, it implies . . .”— I tried to wrap my foggy brain around the idea—“. . . something.” A quiet laugh escaped him. “Don’t try thinking just now, Ella. Save it for later.” That sounded like a good idea. “Okay.
Lisa Kleypas (Smooth Talking Stranger (Travises, #3))
Miraculously, thirty minutes later I found Marlboro Man’s brother’s house. As I pulled up, I saw Marlboro Man’s familiar white pickup parked next to a very large, imposing semi. He and his brother were sitting inside the cab. Looking up and smiling, Marlboro Man motioned for me to join them. I waved, getting out of my car and obnoxiously taking my purse with me. To add insult to injury, I pressed the button on my keyless entry to lock my doors and turn on my car alarm, not realizing how out of place the dreadful chirp! chirp! must have sounded amidst all the bucolic silence. As I made my way toward the monster truck to meet my new love’s only brother, I reflected that not only had I never in my life been inside the cab of a semi, but also I wasn’t sure I’d ever been within a hundred feet of one. My armpits were suddenly clammy and moist, my body trembling nervously at the prospect of not only meeting Tim but also climbing into a vehicle nine times the size of my Toyota Camry, which, at the time, was the largest car I’d ever owned. I was nervous. What would I do in there? Marlboro Man opened the passenger door, and I grabbed the large handlebar on the side of the cab, hoisting myself up onto the spiked metal steps of the semi. “Come on in,” he said as he ushered me into the cab. Tim was in the driver’s seat. “Ree, this is my brother, Tim.” Tim was handsome. Rugged. Slightly dusty, as if he’d just finished working. I could see a slight resemblance to Marlboro Man, a familiar twinkle in his eye. Tim extended his hand, leaving the other on the steering wheel of what I would learn was a brand-spanking-new cattle truck, just hours old. “So, how do you like this vehicle?” Tim asked, smiling widely. He looked like a kid in a candy shop. “It’s nice,” I replied, looking around the cab. There were lots of gauges. Lots of controls. I wanted to crawl into the back and see what the sleeping quarters were like, and whether there was a TV. Or a Jacuzzi. “Want to take it for a spin?” Tim asked. I wanted to appear capable, strong, prepared for anything. “Sure!” I responded, shrugging my shoulders. I got ready to take the wheel. Marlboro Man chuckled, and Tim remained in his seat, saying, “Oh, maybe you’d better not. You might break a fingernail.” I looked down at my fresh manicure. It was nice of him to notice. “Plus,” he continued, “I don’t think you’d be able to shift gears.” Was he making fun of me? My armpits were drenched. Thank God I’d work black that night. After ten more minutes of slightly uncomfortable small talk, Marlboro Man saved my by announcing, “Well, I think we’ll head out, Slim.” “Okay, Slim,” Tim replied. “Nice meeting you, Ree.” He flashed his nice, familiar smile. He was definitely cute. He was definitely Marlboro Man’s brother. But he was nothing like the real thing.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
As he sat up, he heard soft dripping sounds from the bathroom, little plips like water slipping over the edges of the tub and into the floor. The hairs on the back of his neck rose as he realized where he‟d last heard that sound. His muscles tight with strain from his earlier exertions, he stood and walked warily toward the half open bathroom door and the tub beyond it. Slipping quietly past the door, he saw that the curtain was drawn, and again the shadowed figure lay behind it. One long, slim, leg dangled from the end of the tub, beads of water gliding down its length and off the polished toes. At the other end he saw a mass of auburn curls, matted deep red near the porcelain of the tub. It was the dream and the vision again, more real now, too strong to deny. Shaking, he moved toward the curtain, gagging on the sickly smell of rust and roses, feeling the thin nylon glide between thumb and palm as he pulled it back to reveal his darkest nightmare and deepest regret. He could see the crimson water now, blood bubbles gliding over its surface and clinging to the legs dangling over the tub‟s edge. When he‟d pulled the curtain completely away from the tub and around to its opposite side, he saw her face. Her eyes were closed and he saw that her lids were bruised and purple against the translucent paleness of her face, drained completely dead white under the makeup she‟d brushed on before she‟d died. Staggering by the sight of her, he knelt by the tub and extended one shaking hand to touch her cheek. It all seemed as if he‟d walked into a horror film and once again he needed to prove to his mind that this wasn‟t real. His hand shook as he lifted it nearer to her flesh, waiting for the corpse, the supposedly dead and buried to move. He touched his quivering fingers to her face, feeling its claylike reality. The sensation caused an immediate shudder of revulsion and he fought not to vomit. Even as the moment came, the sight of her moving in the water startled him and he jumped away from the tub. It wasn‟t an obvious movement at first, only soft breaths moving in and out of her nostrils, but then her chest rose and fell with it and he quaked, feeling unstable where he knelt on the floor. Her eyes opened next and he felt the blood fall out of his face, wanting to scream but too afraid he would cause her to take some action, to reach out and touch him, proving well and forever that he was indeed insane. Scream and you might as well slit your own throat. He swallowed the scream like a rock and stared as her eyes moved slowly in their sockets, locking on him. Slowly, as if she‟d lost control of her muscles, she rose from the tub and looked down at him, smiling. Blood water slid down her bare body, over her neck, down her back and the smooth ridges of her breasts, to slip slowly down her thighs and down over her calves. A puddle spread on the floor, and as it extended toward him he struggled to his feet, skittering away from it. As he watched it spread, he shivered, weak as he started to cry frantic, horrified tears. Breaking down, he looked back up at her face and slipped to the floor once more, his knees incapable of sustaining his own weight. The smile grew wider as she strode to his shivering form, thrown on his side and struggling to rise. The blood water seeped into his clothes, making him sick, a drop of it trickling along the lobe of his ear and into it. And then she leaned down, holding those dim, stained curls of auburn out of her face and tucking them behind her ear. Her lips parted, blue beneath the strong crimson red of her lipstick, and she spoke into his ear with the chill breath of the dead. His eyes grew wide and horrified as she spoke, the hair on his neck rising, sending a maddening shiver of fear through him. “I‟ve returned, Raven.” She whispered “And I want what is mine.” The last thing he saw before his mind, finally, thankfully, shut down was her face in front of his. They were pursed for a kiss.
Amanda M. Lyons