Slightly Inappropriate Quotes

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I keep waiting for things to go back to normal," Blue admitted. "But I know now that that's not going to happen, even when Mom comes back." She meant "if", but she said "when" "I wouldn't have pegged you for a fan of normal," the Gray Man said. He slowed slightly as the headlights illuminated the eyes of three deers standing by the side of the road. It was warming to be so known. She said, "I'm not, really, but I was used to it, I guess. It's boring, but at least it's not scary. Do you ever get scared? Or are you too badass for that?" He looked amused, but also like a badass, sitting quietly and efficiently behind the wheel of the car. "In my experience," the Gray Man said, "the badasses are the most scared. I just avoid being inappropriately frightened." Blue thought this seemed like a reasonable goal. After a pause, she said, "You know, I like you." He glanced over at her. "I do, too." "Like me or like you? The grammar was unspecific." The two of them enjoyed another laugh and the presence of someone else with their precise sense of humour.
Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
And God, did he ever. His arms wrapped around my thighs, lifting them slightly, and then he licked me all the way from ass to clit. Steam crawled through my blood, lighting me on fire. I gasped, my fingers fisting the sheets. It was so dirty, so wrong, so inappropriate, but God, maybe that’s why it felt so good. A deep sound of satisfaction came from his throat. “You’re disturbed,” I breathed. “Do that again.
Danielle Lori (The Sweetest Oblivion (Made, #1))
The minister, who took his ecumenical and—some felt—slightly impersonal remarks from Saint Paul’s sermon on Love from First Corinthians, talked for about half an hour. (“Didn’t you feel that was a very inappropriate text?” said Julian, who had a pagan’s gloomy view of death coupled with a horror of the non-specific.)
Donna Tartt (The Secret History)
He reaches across me for a BLT and the sleeve on his suit rides up slightly. Holy sweet baby Jesus! He has tattoos around his wrist. Not a tattoo - singular, on his wrist, no. His wrist is wrapped in tattoos down to his cuff, leaving me in no doubt he is hiding a full sleeve up there. My knees actually wobble. Bloody hell, this guy is something right out of my inappropriate dreams. I need to move away now or I’ll embarrass myself...again.
Kerry Heavens (Spencer (Not your average British romance Book 1))
Modern life favors work, social engagement, travel, and the development of a career over the needs of home. We're expected to override the complaints of the soul for stability and security, so that we can move without hindrance into an exciting and fulfilling future. We see homesickness as a childish malady, inappropriate in the mature adult, who needs to keep home in perspective and become increasingly independent. But the soul always complains when it has been slighted, and the emotional sicknesses associated with modern life show that the spirit of home has been violated. Aimlessness, boredom, and irresponsibility are common problems, and they may be traced back to a loss of home. All signs indicate that our society is suffering from profound homesickness. The soul's need for home has to do not only with shelter and a house, but with more subtle forms, like the feeling that one is living in the right place, being around people who offer a sense of belonging, doing work that is truly appropriate, feeling maternally protected and enlivened by the natural world, and belonging to a nation and a world community. These larger sources of home ask for our attention and commitment, but they also have gifts for the heart, and each one of them contribute to the enchantment of everyday existence.
Thomas Moore
At first, intentionally employing body language can feel stilted or fake, but with practice it can be a quick, easy way to put strangers at ease. The same is true of making eye contact. If you have difficulty understanding how to convey the right social signals with your eyes, here’s a quick primer: •Sustain eye contact for 4–5 seconds at a time. More than that can indicate that you are trying to intimidate the other person or that you’re romantically interested in them. •Beware of prolonged eye contact. If someone is making prolonged eye contact with you, this may be a signal that the interaction has become more intense than you intended. You can signal disinterest by looking off to the side. •While you’re talking, look to the side or slightly upward when you break eye contact. This indicates thinking. Looking down signals that you’re done talking. •When the other person is talking, break eye contact by shifting your gaze to their mouth rather than looking away. Looking away signals boredom. •If the other person is talking about something emotional and looks away, you should continue to look at them to show that you care. •Make eye contact when you are first introduced to someone. Not doing so is interpreted as disrespectful. •If eye contact feels impossible, try looking at the person’s forehead, just above their eyes. This simulates eye contact. Making eye contact—or, more precisely, not making eye contact—is a big problem for many autistic individuals. The ability to convincingly fake eye contact, while not very helpful for us, puts other people at ease.
Cynthia Kim (Nerdy, Shy, and Socially Inappropriate: A User Guide to an Asperger Life)
And then there are those friends who aren’t really friends at all. For some reason, we all have them. They don’t belong in our lives, not really, not truly, not if we’re honest with ourselves. But we keep them there out of fear and complacency. At best, they slightly upset the equilibrium of our life every time we make contact with them — at worst, they steal from our sense of self-worth until we have nothing left. We cling to these inappropriate friends — people who are incapable of good friendship, people who have drifted from our lives or people we’ve outgrown — because we believe we have no choice, because we are too frightened of the confrontation required to erase them from our lives, or because we suspect we might deserve them. Everyone, at some stage in her life, has kept an unworthy friend around for the sake of convenience, cowardice or that private, but necessary sense of belonging. Any friend is better than no friends, we think. The more, the better. Any company is better than solitude.
Kate Leaver (The Friendship Cure)
You can read my mind if you like.” Trent stopped in sudden realization. “My God. You can read my mind. You may,” he said hurriedly, “be the first person I ever make understand this. Listen. I can say something to you, Denice, but all I’ve done is make the air move. I’ve caused no sensation in you; you cause whatever effect is achieved, based on how you interpret what I’ve said.” Carrying a robe and towel, the ’bot stopped at Denice’s side, and in Johnny Johnny’s voice said, “Your robe, ’Selle.” “Thank you.” Denice took the robe, a pale yellow thing too large for her by several sizes, stood holding it and looking at Trent. “If I want to change your behavior,” said Trent, only slightly more slowly, “I can talk to you and attempt to persuade you. I can, if I have enough Credit, attempt to purchase a change in your behavior. If neither of those options work, I can threaten you and attempt to change your behavior that way.” He leaned forward, spoke more intensely. “If that doesn’t work – and it tends not to – I can attempt to damage you, either physically or mentally. I don’t think, Denice, that it is ethical to damage other people physically if you can avoid it. But when I take something that belongs to, say, a Player whose behavior I find inappropriate, or a small businessman who’s harming the people he deals with, or when I steal from an ecstasy peddler, I’ve touched that person. They can’t ignore what I’m saying to them. They can’t.” Denice stared at him. “You mean – you steal things – so people will listen to you?” “No, no, no,” said Trent impatiently. “Don’t be silly. Nobody ever listens anyhow. Mostly I steal things because I get paid for it.” He grinned at her. “But isn’t that a great explanation?
Daniel Keys Moran (The Long Run: A Tale of the Continuing Time)
Even though these individuals had seemed perfectly healthy at birth, something that had happened during their development in the womb affected them for decades afterwards. And it wasn’t just the fact that something had happened that mattered, it was when it happened. Events that take place in the first three months of development, a stage when the foetus is really very small, can affect an individual for the rest of their life. This is completely consistent with the model of developmental programming, and the epigenetic basis to this. In the early stages of pregnancy, where different cell types are developing, epigenetic proteins are probably vital for stabilising gene expression patterns. But remember that our cells contain thousands of genes, spread over billions of base-pairs, and we have hundreds of epigenetic proteins. Even in normal development there are likely to be slight variations in the expression of some of these proteins, and the precise effects that they have at specific chromosomal regions. A little bit more DNA methylation here, a little bit less there. The epigenetic machinery reinforces and then maintains particular patterns of modifications, thus creating the levels of gene expression. Consequently, these initial small fluctuations in histone and DNA modifications may eventually become ‘set’ and get transmitted to daughter cells, or be maintained in long-lived cells such as neurons, that can last for decades. Because the epigenome gets ‘stuck’, so too may the patterns of gene expression in certain chromosomal regions. In the short term the consequences of this may be relatively minor. But over decades all these mild abnormalities in gene expression, resulting from a slightly inappropriate set of chromatin modifications, may lead to a gradually increasing functional impairment. Clinically, we don’t recognise this until it passes some invisible threshold and the patient begins to show symptoms.
Nessa Carey (The Epigenetics Revolution: How Modern Biology is Rewriting our Understanding of Genetics, Disease and Inheritance)
If you’re wanting to stand up, I could help you balance.” Her expression turned wary. “I’ve been trying to stand up for the past month. It hasn’t worked thus far.” “Would you like to try again?” he asked. She shook her head, as if she’d already given up. “My legs haven’t the strength.” “That isn’t what I asked.” She hesitated a moment but then nodded. Slowly, Iain lowered her, holding her by the waist as he brought her feet to stand upon the earthen floor. Her knees wouldn’t bear her weight and buckled beneath her, so he held her steady, using his strength to hold her upright. “Keep your legs straight, if you can. I’ll help support you until you’ve got your balance.” With both arms around her waist, he kept her upright, being careful not to let her slip. Once again, her legs crumpled beneath her, and he saw her emotions falter. She was afraid to trust herself. “I can’t do this.” “Look at me, Lady Rose,” he said. He held her waist, staring into her eyes. “Try again.” Gently, he eased his hands until she was standing on her own. For the barest second, she held her legs straight, until her knees gave out again and he caught her. “I won’t let you fall.” He pressed his hands against her waist until she regained her stability. This time, she stood for two seconds before her legs buckled. Tears rimmed her eyes, and he wondered for a moment if she was upset with herself. But then, she started to laugh through her tears. “I did it. I know it was only for a moment, but—” Her words broke off in a half sob before her laughter intruded again. The look of utter joy on her face was like a fist to his gut. Never before had he seen such elation, and he continued holding her upright. “I stood,” she managed to whisper, her smile incredulous. “After all these months, I did it. Yes, it was only for a second or two . . . but it was real, wasn’t it?” “It was, aye.” He suspected that it had drained a great deal of her strength away. He was supporting all her weight now, and she made no attempt to stand again. “In time, you’ll get stronger.” He lifted her back into his arms and brought her over to the bench. He eased her down into a seated position. “Do you know how long I’ve been trying to stand?” Rose rested her hands in his, holding both of his palms for a moment. The gentle pressure of her grip was a welcome affection, and he squeezed them in return. Her face flushed, as if she suddenly realized how inappropriate it was for them to hold hands. Her smile faded slightly, and she pulled back, folding her hands in her lap. She behaved as if nothing had happened and said, “If I can stand, I may learn to walk again.” “You’ll need to strengthen your legs.” She would have to keep practicing until they could bear her weight again. “Thank you for this, Lord Ashton. You cannot know how much this means to me.” He
Michelle Willingham (Good Earls Don't Lie (The Earls Next Door Book 1))
And was the owner there? A tall creepy guy who kind of hovered around the whole time saying inappropriate things?” “Jimmy.” “Yes, Jimmy,” she said, and her top lip curled slightly as she said the name. “If I ever see Jimmy again for the rest of my life it’ll be too soon.” “I didn’t like him, either,” Cassie said. “He’s bad news. I always hated going in there, even with Rick. Those two…” She didn’t finish, but looked up suddenly at Cassie. She seemed startled at her own vehemence. “I’m sorry,” she said. “You’re dredging up some bad memories for me.” “That’s not my intention,” Cassie said. Although it was.
C.J. Box (The Highway (Highway Quartet #2))
Proxemics Proxemics is the study of how people use space. As a rule, people reveal how they feel toward each other by the distance they maintain between them. You can test this by observing people’s behavior in public. Where you place yourself in relation to others gives them direct information as to how you feel about them. Where they place themselves relative to you communicates a similar message to you. You can use this to understand the messages that others send to you, and to make sure that you in turn are sending appropriate messages to them. Different levels of physical closeness are appropriate for different levels of intimacy. Familiarize yourself with the four conversation zones listed below, and use the knowledge to interact more effectively: 1. Intimate distance: From actual touch to eighteen inches away. This distance is reserved for those people we are emotionally closest to. Sharing this zone is a sign of trust and an indication that one’s defenses have been lowered. When this zone is invaded inappropriately, we feel uncomfortable and threatened. It was the inability to recognize this distance that got Phil into trouble on his date with Carol. In dating, observing your companion’s reaction as you move into this zone is crucial. If you move within eighteen inches of your partner and he or she doesn’t retreat, it is an indication that the other person is comfortable. If the person moves away—even slightly—it is an indication that you have entered the intimate zone prematurely. If other indications suggest that this companion does in fact enjoy your company, continue to proceed. Most people will truly appreciate your ability to read them—much less awkward than having to discuss these things in the early stages of a friendship or potential romance! 2. Personal distance: Eighteen inches to four feet. This is the zone occupied by people who feel comfortable together. Eighteen inches is the distance at which most couples stand when in public, and the distance at which close friends might stand if they were having an intimate conversation. The far end of this range, from two and a half to four feet, is the zone beyond arm’s length. While this distance still indicates a reasonably close relationship, it is not nearly as intimate as the range of one and a half to three feet. 3. Social distance: Four to twelve feet. Generally the distance between people who work together and between the salesperson and customer in a store. The span of seven to twelve feet is usually reserved for more formal and impersonal situations. 4. Public distance: Twelve to twenty-five feet. The closer end of the span, twelve feet away, is what teachers usually use in the classroom. Anything further away suggests a lecture situation, in which conversation is almost impossible.
Jonathan Berent (Beyond Shyness: How to Conquer Social Anxieties)
In the seven years I lived in New York, the perpetual youth machine kept me preoccupied. I hardly noticed that my Baltimore friends were buying houses, getting married, having children, and growing into lined faces. It happened gradually, but when I return to Maryland it stuns me. I arrive at a dinner party and my clothes feel the wrong size. I get brunch with couples and their kids and my mouth feels the wrong size. I can’t say the right thing. Or speak like a normal person. My volume knob is broken. I seem only to holler when saying something inappropriate or mumble incomprehensibly when trying to explain myself. I feel the coil centered in my belly winding tighter. The easier the conversation, the tighter that coil seems to wind. I find myself looking at my friends for weaknesses, getting angry at the smallest perceived slights. I challenge lifelong confidants in tight-lipped arguments over truly trivial matters. I can’t find a job. I apply for bartending jobs and construction work, mostly.
Michael Patrick F. Smith (The Good Hand: A Memoir of Work, Brotherhood, and Transformation in an American Boomtown)
Evelinde's thoughts died as she saw that her still-damp chemise was transparent. She could clearly make out several dark patches through the clinging cloth. One was the large mottling bruise on her hip, the other another even bigger bruise on her ribs, but the others were not bruises at all. Her darker nipples were clearly displayed in the damp shift, and the dark gold at the apex of her thighs stood out against her pale skin. A gasp of horror caught in her throat, but before Evelinde could pull away and cover herself, he'd taken hold of her arm. "And here." She peered distractedly down at the arm he'd turned slightly. She had seen all these bruises earlier, the result of her tumble in the river, not from falling from her horse as he supposed. She was more concerned with other issues at the moment, like her near nudity. When he leaned a little closer to see her upper arm better, Evelinde sucked in a startled gulp of air. His breath was blowing hot and sweet on her chilled nipple through the damp chemise. The effect was almost shocking. Evelinde stood completely still, holding her breath as he examined her injury. He took an exceptionally long time doing so, much longer than he had with the other bruises. And the whole time he did, he was inhaling and exhaling, sending out warm puffs of air over the trembling nipple. Each time he did, an odd little tingle went through Evelinde. Then he suddenly raised a hand to run a finger lightly around the discoloration on her arm, and his wrist brushed against her nipple through the damp cloth. Evelinde was sure it was accidental, and he did not even notice, but the effect it had on her was rather startling. She closed her eyes as an odd pleasure rolled through her body, finding herself suddenly torn between putting some space between them and staying put to enjoy more of the astonishing effect he had on her. When he finally released her arm and unclasped her legs, she opened her eyes to find him standing up. Before Evelinde could regain enough of her senses to go find her gown and draw it on to cover herself, he'd clasped her head in one hand and tilted her face up to his as she brushed his finger lightly in a circle along her left jaw. "Ye've another here," he growled. "Oh," Evelinde breathed, as his finger apparently followed the edge of the bruise past the corner of her lips. That, too, was from her fall in the river, but she couldn't seem to untangle her tongue enough to say so as his finger trailed over her skin. "Ye've beautiful eyes, lass," he murmured, peering into those eyes now rather than at the injury he was tracing. "So do you," Evelinde whispered before she could think better of it. A smile tugged at the corner of his lips right before his mouth covered hers. Evelinde stiffened at the unexpected caress. His lips were soft yet firm, but kissing her was wholly inappropriate. She was about to say so when something prodded at her lips. Evelinde tried to pull back, but his hand was at the back of her head, preventing her retreat. Suddenly she found her mouth invaded by his tongue. Her first instinct was to push him away, but then his tongue rasped along hers, and Evelinde stilled again. The caress was surprisingly pleasant. She found herself holding onto his arms rather than pushing him away, and her eyes closed as a little sigh slipped from her mouth to his.
Lynsay Sands (Devil of the Highlands (Devil of the Highlands, #1))