Slick Woods Quotes

We've searched our database for all the quotes and captions related to Slick Woods. Here they are! All 24 of them:

There once was a girl,” he said, his voice slick, “clever and good, who tarried in shadow in the depths of the wood. There also was a King—a shepherd by his crook, who reigned over magic and wrote the old book. The two were together, so the two were the same: “The girl, the King, and the monster they became.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
On the first day of November last year, sacred to many religious calendars but especially the Celtic, I went for a walk among bare oaks and birch. Nothing much was going on. Scarlet sumac had passed and the bees were dead. The pond had slicked overnight into that shiny and deceptive glaze of delusion, first ice. It made me remember sakes and conjure a vision of myself skimming backward on one foot, the other extended; the arms become wings. Minnesota girls know that this is not a difficult maneuver if one's limber and practices even a little after school before the boys claim the rink for hockey. I think I can still do it - one thinks many foolish things when November's bright sun skips over the entrancing first freeze. A flock of sparrows reels through the air looking more like a flying net than seventy conscious birds, a black veil thrown on the wind. When one sparrow dodges, the whole net swerves, dips: one mind. Am I part of anything like that? Maybe not. The last few years of my life have been characterized by stripping away, one by one, loves and communities that sustain the soul. A young colleague, new to my English department, recently asked me who I hang around with at school. "Nobody," I had to say, feeling briefly ashamed. This solitude is one of the surprises of middle age, especially if one's youth has been rich in love and friendship and children. If you do your job right, children leave home; few communities can stand an individual's most pitiful, amateur truth telling. So the soul must stand in her own meager feathers and learn to fly - or simply take hopeful jumps into the wind. In the Christian calendar, November 1 is the Feast of All Saints, a day honoring not only those who are known and recognized as enlightened souls, but more especially the unknowns, saints who walk beside us unrecognized down the millennia. In Buddhism, we honor the bodhisattvas - saints - who refuse enlightenment and return willingly to the wheel of karma to help other beings. Similarly, in Judaism, anonymous holy men pray the world from its well-merited destruction. We never know who is walking beside us, who is our spiritual teacher. That one - who annoys you so - pretends for a day that he's the one, your personal Obi Wan Kenobi. The first of November is a splendid, subversive holiday. Imagine a hectic procession of revelers - the half-mad bag lady; a mumbling, scarred janitor whose ravaged face made the children turn away; the austere, unsmiling mother superior who seemed with great focus and clarity to do harm; a haunted music teacher, survivor of Auschwitz. I bring them before my mind's eye, these old firends of my soul, awakening to dance their day. Crazy saints; but who knows what was home in the heart? This is the feast of those who tried to take the path, so clumsily that no one knew or notice, the feast, indeed, of most of us. It's an ugly woods, I was saying to myself, padding along a trail where other walkers had broken ground before me. And then I found an extraordinary bouquet. Someone had bound an offering of dry seed pods, yew, lyme grass, red berries, and brown fern and laid it on the path: "nothing special," as Buddhists say, meaning "everything." Gathered to formality, each dry stalk proclaimed a slant, an attitude, infinite shades of neutral. All contemplative acts, silences, poems, honor the world this way. Brought together by the eye of love, a milkweed pod, a twig, allow us to see how things have been all along. A feast of being.
Mary Rose O'Reilley (The Barn at the End of the World: The Apprenticeship of a Quaker, Buddhist Shepherd)
There is, in the Army, a little known but very important activity appropriately called Fatigue. Fatigue, in the Army, is the very necessary cleaning and repairing of the aftermath of living. Any man who has ever owned a gun has known Fatigue, when, after fifteen minutes in the woods and perhaps three shots at an elusive squirrel, he has gone home to spend three-quarters of an hour cleaning up his piece so that it will be ready next time he goes to the woods. Any woman who has ever cooked a luscious meal and ladled it out in plates upon the table has known Fatigue, when, after the glorious meal is eaten, she repairs to the kitchen to wash the congealed gravy from the plates and the slick grease from the cooking pots so they will be ready to be used this evening, dirtied, and so washed again. It is the knowledge of the unendingness and of the repetitious uselessness, the do it up so it can be done again, that makes Fatigue fatigue.
James Jones (From Here to Eternity)
That's how it is with a thing like grief as well. It lies oil slick over everything you do. It will pour out through the gaps in the most ordinary afternoons.
Barney Norris (Five Rivers Met on a Wooded Plain)
I decided then to tell Artichoke to be ugly. To make herself as ugly as possible and not worry too much about beauty or what anyone thought of her. To be unpainted, to live in the breeze and stand under waterfalls and not be worried over the height of mountains, of quiet trails deep in the woods. To not be scared of roads slick with rain, of valleys dry in drought. I'd tell her 'no fear' and she'd know it was the deepest truth and she would be everything I was not. She would be wild and free. And I wouldn't worry because I knew the secret. That through all of her ugliness, all her hiking and running and jumping and falling and getting back up and saying no and saying what she wanted, her scraped hands, her freckled skin, her smart brain, she would of course be beautiful.
Chelsea Bieker (Godshot)
Kya stood and walked into the night, into the creamy light of a three-quarter moon. The marsh’s soft air fell silklike around her shoulders. The moonlight chose an unexpected path through the pines, laying shadows about in rhymes. She strolled like a sleepwalker as the moon pulled herself naked from the waters and climbed limb by limb through the oaks. The slick mud of the lagoon shore glowed in the intense light, and hundreds of fireflies dotted the woods. Wearing a secondhand white dress with a flowing skirt and waving her arms slowly about, Kya waltzed to the music of katydids and leopard frogs.
Delia Owens (Where the Crawdads Sing)
once saw a deer get hit by three arrows and keep going. It took him a whole day to die. I followed him. I lost him for a while but then found him again, tracked him farther into the woods than I’d ever been. He was weaker by then, because of the arrows the hunter hit him with. Up close he was hurt worse than I first thought and covered in blood from the battle he’d fought. When he finally fell, I walked up and knelt by him. His hair was matted and warm and slick, and his ribs were rising and falling. Long ears and velvet antlers. He blinked and gazed at me. Dark lashes, his gentle brown eyes. I put my hand on his neck. I stayed there and looked in those eyes until the last of the light went away from them and his ribs were still. Then I got up and went home. I think about that deer. I see him all the time.
Cory Anderson (What Beauty There Is (What Beauty There Is #1))
Something moving toward us in the darkness. Huge, shambling, hairy, moist, it came toward us. We couldn’t even see it, but there was the ponderous impression of bulk, heaving itself toward us. Great weight was coming at us, out of the darkness, and it was more a sense of pressure, of air forcing itself into a limited space, expanding the invisible walls of a sphere. Benny began to whimper. Nimdok’s lower lip trembled and he bit it hard, trying to stop it. Ellen slid across the metal floor to Gorrister and huddled into him. There was the smell of matted, wet fur in the cavern. There was the smell of charred wood. There was the smell of dusty velvet. There was the smell of rotting orchids. There was the smell of sour milk. There was the smell of sulphur, of rancid butter, of oil slick, of grease, of chalk dust, of human scalps. AM was keying us. He was tickling us. There was the smell of — I heard myself shriek,
Harlan Ellison (I Have No Mouth and I Must Scream)
GOD I am ready for you to come back. Whether in a train full of dying criminals or on the gleaming saddle of a locust, you are needed again. The earth is a giant chessboard where the dark squares get all the rain. On this one the wet is driving people mad—the bankers all baying in the woods while their markets fail, a florist chewing up flowers to spit mouthfuls here and there as his daughter’s lungs seize shut from the pollen. There is a flat logic to neglect. Sweet nothings sour in the air while the ocean hoots itself to sleep. I live on the skull of a giant burning brain, the earth’s core. Sometimes I can feel it pulsing through the dirt, though even this you ignore. The mind wants what it wants: daily newspapers, snapping turtles, a pound of flesh. The work I’ve been doing is a kind of erasing. I dump my ashtray into a bucket of paint and coat myself in the gray slick, rolling around on the carpets of rich strangers while they applaud and sip their scotch. A body can cause almost anything to happen. Remember when you breathed through my mouth, your breath becoming mine? Remember when you sang for me and I fell to the floor, turning into a thousand mice? Whatever it was we were practicing cannot happen without you. I thought I saw you last year, bark wrapped around your thighs, lurching toward the shore at dawn. It was only mist and dumb want. They say even longing has its limits: in a bucket, an eel will simply stop swimming long before it starves. Wounded wolves will pad away from their pack to die lonely and cold. Do you not know how scary it can get here? The talons that dropped me left long scars around my neck that still burn in the wind. I was promised epiphany, earth- honey, and a flood of milk, but I will settle for anything that brings you now, you still-hungry mongrel, you glut of bone, you, scentless as gold.
Kaveh Akbar (Calling a Wolf a Wolf)
She kissed his lips and felt his smile form. Alone in this beautiful space, Blake and Livia made things right. Blake kissed her slowly and patiently, like he had all the time in the world. Carefully, they eased back to lie down, and Blake braced himself above her. He smelled of mint and fresh soap. Livia put her hands on his chest and felt the densely packed muscles there. Empowered by his adoration, she shrugged off her fleece shirt, enjoying the feeling of being trapped between his arms. Blake’s eyes became stormy seas. “Damn it all to hell,” he cursed. Despite his words, Livia believed she was winning this battle of seduction. Blake kissed her mouth and sucked on her bottom lip. He moved to her earlobe and breathed, “First, I will blow, then I will lick, last I will bite.” Holy crap. Blake blew a gentle stream of minty breath along the outside of Livia’s ear, down to her neck, and along the edge of her breasts where they peeked out of her bright blue bra. Blake took his time creating an elaborate pattern on her stomach, and Livia was pretty sure he’d spelled the word torture. He increased the pressure of his breath as he grazed below her belly button to the top of her jeans. He skipped back to her mouth and gave her another long, slow kiss. “And now I lick,” he murmured. Livia bit back the embarrassingly loud moan she felt building. He gently traced the same trail his breath had left, this time with his tongue. When he reached her breast, she lost control and grabbed his hair, intent on kissing him. “No. No.” Blake held her wrists above her head. “I’ve done this to you so many times in my mind. I won’t have you rush me.” Livia groaned and arched her back in an effort to change his mind. But his slow, sexy smile told her he was doing it his way. “Fine.” Livia dutifully kept her hands above her head as he picked up where he’d left off. His tongue had her making noises that surely scared the wildlife. He spent an inordinate amount of time licking just above her belt buckle. Then again he was back to her mouth. He spoke through his kiss. “I’m going to bite you now.” Blake began down the same flaming path on Livia’s body with his teeth, nibbling in time with her heartbeat. When it speeded up, he bit slightly harder. After what seemed to be sixteen million glorious years, Blake was at the top of her jeans again. A light, almost invisible, mist from the gray clouds now gave the clearing a slick sheen. The cool rain and his hot mouth were ecstasy. Blake unbuckled her belt and used his tongue and teeth to unbutton her jeans. He chuckled as he flipped her zipper with his teeth. Each pop of the releasing zipper filled the woods as he blew again on the newly revealed skin. Livia knew what to expect this time: blow, lick, bite. Oh, sweet God! This is heaven. At last, Livia could no longer obey and reached her hands down to his angelic face. Blake glanced up as if to rebuke her, but quickly smiled and let her sit up to meet his lips. Love. Crazy, soon, ever. Love, Livia’s mind raged. She tried to tell him with kisses, but it wasn’t enough. Blake knelt before her, and Livia straddled his thighs. She pulled back to try putting it into words and noticed how Blake glistened, covered in tiny raindrops. The clear, cool pond she’d described to Cole had just exploded over them. But instead of drowning, they wore it like a cloak.
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
She clambered to the shoreline. Numb and shaken, she began to dress. It wasn’t easy as she fumbled with slick fingers to put dry clothes over wet skin. She instantly regretted her naked swim. She pulled on her long-sleeved white chemise first. She faced the forest, away from her rescuer. He quietly splashed to shore. His lifeblood burned into her back. He wasn’t far behind, but he stopped. She refused to look at him until she was fully clothed, not out of embarrassment of her nudity, but for what had just happened. He released a groan and mumbled under his breath about wet boots. His voice was not one of her father’s soldiers. When she put the last garment on, her brown wool work kirtle, she squeezed out her sopping hair and swept her hands through the knotty mess. She fastened her belt and tied the lacings up the front of the kirtle. Blood returned to her fingertips, and she regained her composure. Belated awareness struck her, and she leaned down and searched through her bag for her dagger. She spun around. She gasped as she saw the man sitting on the stone-covered shoreline, his wet boots off. Confusion and the hint of a scowl filled his strong-featured face. She staggered back, caught her heel on a stone, and fell, dropping the dagger. Dirt and pebbles stuck to her wet hands and feet, and she instinctively scrambled away from him. His glower, iridescent dark blue eyes, and disheveled black hair were not unfamiliar. Staring at her was the man she had seen in her dream – it was the man from the wood.
Jean M. Grant (A Hundred Kisses (The Hundred Trilogy, #2))
The rifle was mottled with a synthetic preservative that smelled like overripe peaches. The stock and pistol grip were made of a bright orange wood that was slick with the preservative. The Russians had gone to polymer stocks, but the Chinese still went with the wood. Pike opened the bolt to inspect the receiver and breech. They were flawless. Stone
Robert Crais (The First Rule (Elvis Cole, #13; Joe Pike, #2))
The rifle was mottled with a synthetic preservative that smelled like overripe peaches. The stock and pistol grip were made of a bright orange wood that was slick with the preservative. The Russians had gone to polymer stocks, but the Chinese still went with the wood. Pike opened the bolt to inspect the receiver and breech. They were flawless.
Robert Crais (The First Rule (Elvis Cole, #13; Joe Pike, #2))
The channel of Roaring Run itself was less than six feet wide. He stood at the edge of the brook watching the water undulate as it coursed over the moss-slicked rocks. The aroma was primeval, of earth and decaying plants and water and rotten wood. Mike loved the smell. He took a deep breath and held it in his lungs.
Joel Burcat (Amid Rage (Mike Jacobs, #2))
I forget where I am, why I’m in a twin bed instead of my California king. Where is the musty smell of old wood beams? The sound of surf crashing? And that acrid scent that Dad emitted as he grew sicker and sicker? You can still sometimes smell it in parts of our house when it’s humid. Instead I’m in a cramped rectangular room, swimming in sweat, my legs slick, my armpits, face, and scalp—hair twisted and matted. The A/C unit is rattling, but no cool air is coming out. I shut it off and reset it. I feel around until my eyes adjust, until I realize there is a moon, big and yellow. It is not actually that dark. I can make out the daisies in their turquoise vase, the dresser, the writing desk with my laptop setup. It is bright enough to see the far wall, to make out the photograph Hannah has taken and Paul has framed. The Ponte Sisto at night, buzzing silver and gold.
Liska Jacobs (The Worst Kind of Want)
Our old teacher used to tell us that I was all slick perfection with no heart, which we thought was a terribly stupid thing to say. A piano is wires and wood and dull teeth. There’s no place in machines for wet lumps of meat.
Kathe Koja (Year's Best Weird Fiction; Volume 2)
SURIKOGI: The grinding pestle that is used with the suribachi. Again, look for the largest pestle that fits reasonably with the size of your bowl. A wider bottom on the pestle will mean quicker dispatching of the grinding process. The best surikogi are made from the thick branch of a sansho (prickly ash) bush, a relative of Sichuan pepper. The knobby surface makes getting a purchase on the pestle easier than slick wood. TAKE BURASHI: A small, rectangular bamboo “brush,” sometimes sold with suribachi sets, which is handy to have for removing foods that cling stubbornly to the grooves of the suribachi. Also good for scraping the last grated ginger or wasabi off the oroshigane grating plate. OROSHIGANE
Nancy Singleton Hachisu (Preserving the Japanese Way: Traditions of Salting, Fermenting, and Pickling for the Modern Kitchen)
Von Neumann had no interest in sport and, barring long walks (always in a business suit), he would avoid any form of vigorous physical exercise for the rest of his life. When his second wife, Klári, tried to persuade him to ski, he offered her a divorce. ‘If being married to a woman, no matter who she was, would mean he had to slide around on two pieces of wood on some slick mountainside,’ she explained, ‘he would definitely prefer to live alone and take his daily exercise, as he put it, “by getting in and out of a pleasantly warm bathtub”.
Ananyo Bhattacharya (The Man from the Future: The Visionary Ideas of John von Neumann)
There once was a girl,” he said, his voice slick, “clever and good, who tarried in shadow in the depths of the wood. There also was a King—a shepherd by his crook, who reigned over magic and wrote the old book. The two were together, so the two were the same:
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
once saw a deer get hit by three arrows and keep going. It took him a whole day to die. I followed him. I lost him for a while but then found him again, tracked him farther into the woods than I’d ever been. He was weaker by then, because of the arrows the hunter hit him with. Up close he was hurt worse than I first thought and covered in blood from the battle he’d fought. When he finally fell, I walked up and knelt by him. His hair was matted and warm and slick, and his ribs were rising and falling. Long ears and velvet antlers. He blinked and gazed at me. Dark lashes, his gentle brown eyes. I put my hand on his neck. I stayed there and looked in those eyes until the last of the light went away from them and his ribs were still. Then I got up and went home. I think about that deer. I see him all the
Cory Anderson (What Beauty There Is (What Beauty There Is #1))
Most of the things like me, we ignore you all. You all think you’re slick. Praying for cash and guns, conjuring the egun and spilling the blood of innocents thinking that will satisfy. You know what they say, somebody got to die.
Shannon Barber (Wood. Feather. Bullet.)
Sun's down," muttered one of the guardsmen by the windows. "Then it's time." Grady made to push away from the table, and the rest began to follow. "No," said Kit. Grady paused with his palm pressed flat against the tabletop; all the other men froze. "What?" "No," Kit said once more, very polite. "Be seated. All of you." "Why are we wasting-" "Be seated." Even his old nemesis knew to obey that tone. It sliced across the room slick as steel, resounding into silence. The guard at the window let fall the drapery, a soft stir of cloth that barely touched the air. He could almost feel his father's ghost, watching, waiting. Christoff remained silent until they were done, until the last of them had sunk into nervous attention, staring at him through the gloom. "I claim her," he said. "I will hunt her alone." Grady twitched. "But-" "I claim her," he repeated, silkier and more deadly than before. "She is mine. And if you have issue with that-any of you-I invite you to tell me now. We'll settle it here. I will not abide insubordination." Reckless, red-faced, Grady shot back to his feet. Kit was on his own in half a heartbeat, his arm slashing out, a streak of metal flashing across the table. The stiletto struck deep into the wall mere inches behind the other man's head, the hilt of carnelian and worked gold an ominous blur against the silk. Silently, weightlessly, the outermost curl of Parrish Grady's wig drifted down to the dining table, settling feather-light against the dark wood. No one else moved; no one spoke. "I beg your pardon," said Kit cordially into the hush. "Was there something you wished to say?" Grady looked down at the severed lock, then back up at Kit. His throat worked, though no sound came out. Slowly, in awkward motion, he resumed his seat. "Excellent." Christoff sent a cold smile around the room. "Anyone else?" -a guardsmen, Grady, & Kit
Shana Abe (The Smoke Thief (Drakon, #1))
Dearly beloved... The president’s daughter and Cameron Roberts faced each other, hands lightly clasped, eyes locked. I, Blair Allison Powell, take you, Cameron Reed Roberts, to be my friend, my lover, the mother of my children, and my wife. I will be yours in times of plenty and in times of want, in times of sickness and in times of health, in times of joy and in times of sorrow, in times of failure and in times of triumph. I promise to cherish and respect you, to care for and protect you, to comfort and encourage you, and to stay with you, for all eternity. A willowy blonde stepped to Blair’s side, and Blair lifted a gleaming gold band from her palm. She lifted Cam’s left hand and slid the ring securely on her third nger. With this ring, I thee wed. Cameron Roberts’s gaze never wavered from Blair’s face, her voice ringing strong and clear. I, Cameron Reed Roberts, take you, Blair Allison Powell, to be my friend, my lover, the mother of my children, and my wife. I will be yours in times of plenty and in times of want, in times of sickness and in times of health, in times of joy and in times of sorrow, in times of failure and in times of triumph. I promise to cherish and respect you, to care for and protect you, to comfort and encourage you, and to stay with you, for all eternity. Roberts accepted the matching ring from a young dark-haired woman who leaned on a plain wood cane, and slipped it onto Blair’s nger. With this ring, I thee wed. An anticipatory breath shuddered through the crowd. Six uniformed of cers, the Guard of Honor, stepped in sync to form a path from the proceedings area, facing one another in a line, white-gloved hands on shining saber hilts. By the power vested in me by the United States Army, the President of the United States, and the Commonwealth of... The three male and three female of cers drew their swords with a slick of steel, their blades raised and touching to form the Arch of Sabers. ...I pronounce you wed. The couple kissed, the crowd clapped...
Radclyffe (Oath of Honor (First Responders, #3))
This is hard country. Bad things happen up here. Unless you’ve been wearing blinders, by now you’re beginning to see that. Why don’t you accept my offer, sell this place, and go home where you belong?” Home where you belong. They were fighting words to Charity, right along with be a good little girl. Her lips tightened. “You’d like that, wouldn’t you? For me to sell out and go home. Then you could have your precious privacy back. You wouldn’t have to worry about someone making noise when they worked next door. You wouldn’t have to worry about saving some greenhorn from a bear. You wouldn’t have to think about--” She gasped as he took a threatening step toward her, his eyes snapping as he backed her up against the trunk of the tree. “Yeah, I wouldn’t have to worry about what mischief you might get into next. And whenever I saw you, I wouldn’t have to think about what it might be like to kiss that sassy mouth of yours. I wouldn’t have to drive myself crazy wondering what it would feel like to reach under that silly panda sweatshirt and cup your breasts, to put my mouth there and find out how they taste.” She made a little sound in her throat the instant before his mouth crushed down over hers. Hard lips, fierce and hot as a brand, molded with hers, then began to soften. He started to taste her, to sample instead of demand. Lean, tanned hands framed her face, titled her head back so he could deepen the kiss and she felt the rough shadow of beard along his jaw. Her mouth parted on a moan and his tongue slid inside. It felt slick and hot as it tangled with hers, and ragged need tore through her. Oh, dear God! Heat overwhelmed her and she started to tremble. Her hands came up to his shoulders, clung for a moment, then slid up around his neck. She heard Call groan. He pressed himself more solidly against her, forcing her into the bark of the tree. She could feel his arousal, a big, hard ridge straining beneath the fly of his jeans. His hands found her bottom and he lifted her a little, fit his heavy erection into the soft vee between her legs. An ache started there. She inhaled his scent, like piney woods and smoke, and he tasted all male. He kissed the way a woman dreamed a man should kiss, drinking her in, making her legs turn to butter. As if he would rather have the taste of her mouth than his next breath of air. She tilted her head back and he kissed the side of her neck, trailed hot, wet kisses to the base of her throat, then took her mouth again. Their tongues fenced, mated in perfect rhythm. Their mouths seemed designed to fit exactly together. The kiss went on and on, till her brain felt mushy and she could barely think. Tell him to stop, a voice inside her said, but all she could think was that Jeremy had never kissed her like this. He had never made her feel like this--not once in the two years they had been together. No one had ever made her feel like this. And she didn’t want the moment to end.
Kat Martin (Midnight Sun (Sinclair Sisters Trilogy, #1))