Slick Hair Quotes

We've searched our database for all the quotes and captions related to Slick Hair. Here they are! All 100 of them:

As long as I kept moving, my grief streamed out behind me like a swimmer's long hair in water. I knew the weight was there but it didn't touch me. Only when I stopped did the slick, dark stuff of it come floating around my face, catching my arms and throat till I began to drown. So I just didn't stop.
Barbara Kingsolver (The Poisonwood Bible)
As Dave was ruffling my hair and Greg was slapping me five we heard the sound of sneakers skidding to a halt on the slick hospital floor. I looked up in time to see a three-J pile up. “What the hell is this?” Jesse asked. “Back the freak up off our woman,” Josh ordered.
Kelly Oram (Serial Hottie)
His palm rests on the knob so I can't try to shut him out again. Rain droplets glisten along his sleek hair, which no doubt took gallons of glaze and hours to perfect. It's the one part of his appearance Taelor will actually approve of. As for me, I favour the messy look - hair out of sorts, body slicked in sweat with motor oil or watercolours splashed across his olive skin. That's the Jeb I grew up with. The one I could count on. The one I've lost.
A.G. Howard (Splintered (Splintered, #1))
Darlington looked at her. Undine with her slick black hair, the center part like a naked spine, her devouring eyes.
Leigh Bardugo (Ninth House (Alex Stern, #1))
Hello, Halberstam," Owen says, walking by. Hello, Owen," I say, admiring the way he's styled and slicked back his hair, with a part so even and sharp it... devastates me and I make a mental note to ask him where he purchases his hair-care products, which kind of mousse he uses, my final guesses after mulling over the possibilities being Ten-X.
Bret Easton Ellis (American Psycho)
Listen up, Mount High-Hair," Gustav barked. "Say what you want about me, but lay off the rest of the team. I've been through a lot of stuff with these people. Nobody can tell me that Fancy Dancer and Lady Slick-Pants aren't heroes. Captain Gloom-Cape over there, too. And even Shrimp Charming has his moments." Briar leaned back in her chair. "I admire your ability to insult your friends *while* you defend them. It's a rare talent.
Christopher Healy (The Hero's Guide to Storming the Castle (The League of Princes, #2))
The other aspect of those weekday-evening trips he loved was the light itself, how it filled the train like something living as the cars rattled across the bridge, how it washed the weariness from his seatmates' faces and revealed them as they were when they first came to the country, when they were young and America seemed conquerable. He'd watch that kind light suffuse the car like syrup, watch it smudge furrows from foreheads, slick gray hairs into gold, gentle the aggressive shine from cheap fabrics into something lustrous and fine. And then the sun would drift, the car rattling uncaringly away from it, and the world would return to its normal sad shapes and colors, the people to their normal sad state, a shift as cruel and abrupt as if it had been made by a sorcerer's wand.
Hanya Yanagihara (A Little Life)
I know I grew up in the time when a young man in a baggy suit and slicked-down hair stood spraddle-legged in the crossroads of history and talked hot and mean about the colored, giving my poor and desperate people a reason to feel superior to somebody, to anybody. I know that even as the words of George Wallace rang through my Alabama, the black family who lived down the dirt road from our house sent fresh-picked corn and other food to the poor white lady and her three sons, because they knew their daddy had run off, because hungry does not have a color.
Rick Bragg (All Over But the Shoutin')
I heard the bathroom door close and I kept my eyes screwed shut, but my heart skyrocketed into uncharted territories. I folded my arms around me and held my breath. There was the slightest movement behind me. Skin brushed against mine. A fine shiver rolled up my spine. An infinite spark transferred between us, something that couldn’t be replicated or forced. How could I’ve forgotten that when connected with Seth? My heart turned over heavily. Aiden brushed the mass of thick hair over one shoulder and his lips met the space between my neck and shoulder. His hands slid down the slick skin of my arms, cupping over my elbows and then to my wrists. Gently, slowly, he eased my arms to my sides. I bit down on my lip and my legs started trembling. But he was there. Like always, holding me up when I couldn’t stand on and letting me go when he knew I needed him to. He was more than just a shelter. AIden was my other half, my equal. And he needed no weird Apollyon connection. Aiden waited, still as a statue, patient as ever, until my muscles unlocked, one by one. Then his hands dropped to my waist and he turned me toward him. A heartbeat passed and he placed his fingers on my chin, tipping my head back. I opened my eyes, blinking the wetness off my lashes, and the air hitched in my throat. Faint, purplish bruises shadowed his jaw. There was a cut over the bridge of his nose. No doubt injuries I had given him.
Jennifer L. Armentrout (Apollyon (Covenant, #4))
He looked like the devil. His skin ruddy, his eyes a glowing yellow. Jet black hair slicked back on his head hung to his shoulders. But the demons didn’t call him Devil, or Satan, or even Lucifer. They called him… Azazel.
Michelle K. Pickett (Milayna (Milayna, #1))
Ash!” I called, squinting through the rain and darkness, through the glow of the streetlamps that made it impossible to see more than a few feet. “Ash, I’m here! Where are you?” “You’ll wake everyone up if you keep shouting like that.” I whirled around. He stood where the portal had been, hands in his pockets, the rain drumming his shoulders and making his hair run into his eyes. Lamplight fell around him, shining off his slick coat, surrounding him with a faint nimbus of light. But to me, he’d never looked so real. “You came after me,” he murmured, sounding awed, incredulous, and relieved at the same time. I walked up to him, smiling through my tears. “You didn’t think I’d let you go off alone, did you?” “I was hoping.” Ash stepped forward and hugged me, pulling me close with desperate relief. I slid my arms beneath his coat and held him tight, closing my eyes. The rain pounded us, and a lone car passed us on the road, spraying us with gutter water, but I felt no urge to move. As long as Ash held me, I could stay here forever.
Julie Kagawa (The Iron Daughter (The Iron Fey, #2))
She takes hold of his hands. As they move together, Rolph feels his self-consciousness miraculously fade, as if he is growing up right there on the dance floor, becoming a boy who dances with girls like his sister. Charlie feels it, too. In fact, this particular memory is one she'll return to again and again, for the rest of her life, long after Rolph has shot himself in the head in their father's house at twenty eight: her brother as a boy, hair slicked flat, eyes sparking, shyly learning to dance.
Jennifer Egan (A Visit from the Goon Squad)
He felt her relax as his fingers caressed her back and moved lower to her buttocks, slick, yet firm, beneath the water. "You're not going to wash my hair, are you?" she whispered.
E.B. Brown (Return of the Pale Feather (Time Walkers, #2))
His voice was oily and slick as it poured from his mouth like liquid acid, threatening to hook onto the woman's hair like a fishing hook and drag her back to death.
Stephen Craig (Blooded Eyes - A Short Story)
He knelt between her legs and flicked his tongue up the length of her slick folds. And knew what heaven was when she slid her fingers into his hair, moaning his name like a prayer.
Katie Reus (Hunted by Darkness (Darkness, #4))
One glimpse of that glistening, tan back, those rangy shoulders, the sweat-slicked black hair, and his libido woke up and started to pray to Cialis, goddess of horny middle-aged men.
Amy Lane (Bonfires (Bonfires #1))
He was standing right behind us, the epitome of stillness, one hand on the back of the sofa, dark hair slicked back from his face, his expression arrogant and cold. No surprise there. Barrons is arrogant and cold. He’s also wealthy, strong, brilliant, and a walking enigma. Most women seem to find him drop-dead sexy, too. Thankfully I’m not most women. I don’t get off on danger. I get off on a man with strong moral fiber. The closest Barrons ever gets to fiber is walking down the cereal aisle at the grocery store.
Karen Marie Moning (Bloodfever (Fever, #2))
Hot damn, Diego Santero looked fine soaking wet. Everything about him radiated potent masculinity, from the slick, dark hair that drew emphasis to the angles of his cheeks and jaw, to the water beading off his forearms and the soaked black shirt and cargo pants that clung to every curve of muscle and flesh below.
Melissa Cutler (Tempted into Danger (ICE: Black Ops Defenders, #1))
He’d watch that kind light suffuse the car like syrup, watch it smudge furrows from foreheads, slick gray hairs into gold, gentle the aggressive shine from cheap fabrics into something lustrous and fine. And then the sun would drift, the car rattling uncaringly away from it, and the world would return to its normal sad shapes and colors, the people to their normal sad state, a shift as cruel and abrupt as if it had been made by a sorcerer’s wand.
Hanya Yanagihara (A Little Life)
I think I finally understand the saying like a moth to a flame. I’m the moth. My heart flutters like the paper thin wings. And he is the flame, incendiary, scorching my soul. He inhales so heavily, like he’s been holding his breath under water. He presses his lips against mine and tugs at my hair gently. My head falls back and my mouth falls open. His tongue, slick as silver, dances with mine. I’m wrong. I’m not a moth. I’m Icarus and I’ve flown too close to the sun.
Elden Dare (Born Wicked (The Wicked Sorcer Series #1))
At forty-one, he was still the quintessential bad boy—charming, at ease in his skin, and great-looking, with deep blue eyes, slicked-back brown hair, and the kind of full, sensuous mouth that bad boys seemed to have an unfair market on.
Kate White (Eyes on You)
David padded down the stairs seven hours later, wearing a towel wrapped around his waist. He’d slicked his wet hair back and his tattoos were displayed to perfection, defining his lean torso and muscular arms. There was a lot of skin on show. The man was a visual feast.
Kylie Scott (Lick (Stage Dive, #1))
He spins us both, wrapping us in his wings until I’m dazed and giggling. “I wanted to lift you above me and swing you in circles until we were both dizzy and laughing,” he murmurs against my neck as we tumble to the ground, trapped beneath his tented wings. My body aches on impact—but it’s a delicious ache. I can hardly breathe with the weight of his ribs covering mine, with the scent of his tobacco surrounding me, smothering and intoxicating. The curve of his smiling mouth glides along my collarbone and I gasp at the velvety sensation. I force his head up so I can look at him . . . break the spell. He slips the bejeweled headband from my hair, sweeping stray strands from my face. The slickness of his gloves grazes my eye markings. “I wanted to kiss your lips and share your breath,” he says softly as he leans close.
A.G. Howard (Ensnared (Splintered, #3))
(...) the small of his back slick with sweat, the surprisingly soft hair brushing my body when he took control. And moved over me. "Stop it", Pritkin grated, his voice somehow cutting through the fog. But he didn't let go. I suppose he was afraid to, because a Pythia or one of her senior initiates could shift without him if there was no contact. But that left us stuck together, and that was becoming really, really- Awesome, my body piped up enthusiastically. "I told you, cut it out!" Pritkin said, sounding pissed. "You first," I snarled, snapping my eyes open to glare at him, because he wasn't exactly helping. Of course, neither did that. He must have been jogging, probably his usual early morning ten-mile warm-up before coming to torture me. At least, I assumed that was why the rock-hard abs were outlined by a damp khaki T-shirt, the thin old sweatpants were clinging in all the right places, and the sleeves of the hoodie had been pushed to his elbows, showing the flexing muscles in his forearms. And then there were those hands and those eyes and that mouth... I shivered again, a full-on shudder this time, and he cursed. But that didn't seem to matter. Because it had come out like a growl, and my body liked that, too. My hips shifted automatically, pressing us together, and I gave a little gasp because it felt so good. And then gasped again when I was abruptly released.
Karen Chance (Tempt the Stars (Cassandra Palmer, #6))
I'd seen old Yardley Slickers- the makeup now just a waxy crumble- sell for almost one hundred dollars on the internet. So grown women could smell it again, that chemical, flowery fug. That's how badly people wanted it- to know that their lives had happened, that the person they once had been, still existed inside of them. There were so many things that returned me. The tang of soy, the smoke in someone's hair, the grassy hills turning blond in June. An arrangement of oaks and boulders could, seen out of the corner of my eye, crack open something in my chest, palms going suddenly slick with adrenaline.
Emma Cline (The Girls)
Ana emerges from the shack with Fuga. His face is clean. His hair, the color of black crude oil, is parted on the side and slicked expertly back from his strong, architectural face. The turquoise suit of lights throws sparkles with each small movement. The man who looked like a murderer now looks like a matador.
Ruta Sepetys (The Fountains of Silence)
The thing about Sam was that he had a tell. Well, two. They weren’t an exact science, but they gave you a sense. One was his hair. He had a great head of hair. Dark and longer on top, his ex-girlfriend—who came up as “Liar” on his phone now—had referred to it as irresponsible hair. If it was relaxed and tucked behind his ears, Sam was chill. If it was slicked back, he was spoiling for a fight. If it was fluffy—a very rare treat—it meant he completely trusted whoever was around at the time. Sam’s hair hadn’t been fluffy in a while. Today it was tucked back yet also, kinda, done. With the telltale sheen of product. It was inscrutable.
Mary H.K. Choi (Emergency Contact)
There was a click of high heels in the hall behind us, and a young woman appeared. She was pretty enough, I suspected, but in the tight black dress, black hose, and with her hair slicked back like that, it was sort of threatening. She gave me a slow, cold look and said, "So. I see that you’re keeping low company after all, Ravenius." Ever suave, I replied, "Uh. What?" "’Ah-ree," Thomas said. I glanced at him. He put his hand flat on the top of his head and said, "Do this." I peered at him. He gave me a look. I sighed and put my hand on the top of my head. The girl in the black dress promptly did the same thing and gave me a smile. "Oh, right, sorry. I didn’t realize." "I will be back in one moment," Thomas said, his accent back. "Personal business." "Right," she said, "sorry. I figured Ennui had stumbled onto a subplot." She smiled again, then took her hand off the top of her head, reassumed that cold, haughty expression, and stalked clickety-clack back to the bistro. I watched her go, turned to my brother while we both stood there with our hands flat on top of our heads, elbows sticking out like chicken wings, and said, "What does this mean?" "We’re out of character," Thomas said. "Oh," I said. "And not a subplot." "If we had our hands crossed over our chests," Thomas said, "we’d be invisible." "I missed dinner," I said. I put my other hand on my stomach. Then, just to prove that I could, I patted my head and rubbed my stomach. "Now I’m out of character—and hungry.
Jim Butcher (Side Jobs (The Dresden Files, #12.5))
his brown hair slicked to one side as if his comb only worked in one direction.
Karen Hawkins (The Book Charmer (Dove Pond #1))
Usually, when he came in these dreams he woke up still thrusting into ruined sheets, his face pressed into a pillow. This time, he was most assuredly still balls deep inside Delilah McGavin, his face pressed into the mass of silken black hair now that they’d fallen to their sides on a bed far too nice to be his. Like him, she was gasping, trying to catch her breath. She was also bonelessly limp, her sweat slick body slathered over his, their legs tangled, their sexes still throbbing against each other, fitted together like a lock and a key.
Dee Tenorio (10 Ways To Steal Your Lover (Love by Numbers, #1))
Ray was looking extra Oompa-Loompa-like this morning with his fake tan a seemingly brighter shade of orange than usual. His brown hair matched his personality—slick and greasy. “Morning,
Ann Charles (A Wild Fright in Deadwood (Deadwood, #7))
Mummies unraveled and put on new wraps. Spiders found corners and spun silky traps. Count Dracula grinned and slicked back his hair. Frankenstein’s bride cried, “I’ve nothing to wear!
Natasha Wing (The Night Before Halloween)
Project Princess Teeny feet rock layered double socks Popping side piping of many colored loose lace ups Racing toe keeps up with fancy free gear slick slide and just pressed recently weaved hair Jeans oversized belie her hips, back, thighs that have made guys sigh for milleni year Topped by an attractive jacket her suit’s not for flacking, flunkies, junkies or punk homies on the stroll. Her hands mobile thrones of today’s urban goddess Clinking rings link dragon fingers no need to be modest. One or two gap teeth coolin’ sport gold initials Doubt you get to her name just check from the side please chill. Multidimensional shrimp earrings frame her cinnamon face Crimson with a compliment if a comment hits the right place Don’t step to the plate with datelines from ‘88 Spare your simple, fragile feelings with the same sense that you came Color woman variation reworks the french twist with crinkle cut platinum frosted bangs from a spray can’s mist Never dissed, she insists: “No you can’t touch this.” And, if pissed, bedecked fists stop boys who must persist. She’s the one. Give her some. Under fire. Smoking gun. Of which songs are sung, raps are spun, bells are rung, rocked, pistols cocked, unwanted advances blocked, well stacked she’s jock. It’s all about you girl. You go on. Don’t you dare stop.
Tracie Morris (Intermission)
You gotta be a shark in this business,” Benny told her, with his soft voice and his slicked-back hair. “Sniff around for blood in the water.Greet life teeth first. And no matter what, never stop swimming.
Holly Black (Book of Night (Book of Night, #1))
There were opera cloaks stitched of myriad, many-colored silks and furs; there were jewels dripping from arms and throats and ear-tips of white and rose; there were innumerable broad shimmers down the middles of innumerable silk hats; there were shoes of gold and bronze and red and shining black; there were the high-piled, tight-packed coiffures of many women and the slick, watered hair of well-kept men—most of all there was the ebbing, flowing, chattering, chuckling, foaming, slow-rolling wave effect of this cheerful sea of people as to-night it poured its glittering torrent into the artificial lake of laughter…. After
F. Scott Fitzgerald (The Beautiful and Damned)
Joffrey called out, “Dog!” Sandor Clegane seemed to take form out of the night, so quickly did he appear. He had exchanged his armor for a red woolen tunic with a leather dog’s head sewn on the front. The light of the torches made his burned face shine a dull red. “Yes, Your Grace?” he said. “Take my betrothed back to the castle, and see that no harm befalls her,” the prince told him brusquely. And without even a word of farewell, Joffrey strode off, leaving her there. Sansa could feel the Hound watching her. “Did you think Joff was going to take you himself?” He laughed. He had a laugh like the snarling of dogs in a pit. “Small chance of that.” He pulled her unresisting to her feet. “Come, you’re not the only one needs sleep. I’ve drunk too much, and I may need to kill my brother tomorrow.” He laughed again. He was mocking her, she realized. “No one could withstand him,” she managed at last, proud of herself. It was no lie. Sandor Clegane stopped suddenly in the middle of a dark and empty field. She had no choice but to stop beside him. “Some septa trained you well. You’re like one of those birds from the Summer Isles, aren’t you? A pretty little talking -bird, repeating all the pretty little words they taught you to recite.” “ Take your look.” His fingers held her jaw as hard as an iron trap. His eyes watched hers. Drunken eyes, sullen with anger. She had to look. The right side of his face was gaunt, with sharp cheekbones and a grey eye beneath a heavy brow. His nose was large and hooked, his hair thin, dark. He wore it long and brushed it sideways, because no hair grew on the other side of that face. The left side of his face was a ruin. His ear had been burned away; there was nothing left but a hole. His eye was still good, but all around it was a twisted mass of scar, slick black flesh hard as leather, pocked with craters and fissured by deep cracks.
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
Michael staggered to his feet and turned to face his worst nightmare. Baal stood before him, a smirk on his face. He wore his signature grey, pinstripe, three-piece suit, and casually twisted his pinky ring on his long and slender well-manicured finger. As it rotated Michael caught a glimpse of the rubies in the skull’s eye sockets. His black hair was slicked back, the sight of his false appearance made Michael sick to his stomach.
Wendy Owens (The Guardians Crown Parts One and Two (The Sacred Guardians #4))
This was not going the way I wanted it to. I felt a desperate need to escape before I said something that would screw up my plans. Ren was the dark side, the forbidden fruit, my personal Delilah-the ultimate temptation. The question was…could I resist? I gave his knee a friendly pat and played my trump card…”I’m leaving.” “You’re what?” “I’m going home to Oregon. Mr. Kadam thinks it will be safer for me anyway, with Lokesh out there looking to kill us and all. Besides, you need time to figure out…stuff.” “If you’re leaving, then I’m going with you!” I smiled at him wryly. “That kind of defeats the purpose of me leaving. Don’t you think?” He slicked back his hair, let out a deep breath, then took my hand and looked intently into my eyes. “Kells, when are you going to accept the fact that we belong together?” I felt sick, like I was kicking a faithful puppy who only wanted to be loved. I looked out at the pool. After a moment, he sat back scowling and said menacingly, “I won’t let you leave.” Inside, I desperately wanted to take his hand and beg him to forgive me, to love me, but I steeled myself, dropped my hands in my lap, then implored, “Ren, please. You have to let me go. I need…I’m afraid…look, I just can’t be here, near you, when you change your mind.” “It’s not going to happen.” “it might. There’s a good chance.” He growled angrily. “There’s no chance!” “Well, my heart can’t take that risk, and I don’t want to put you in what can only be an awkward position. I’m sorry, Ren. I really am. I do want to be your friend, but I understand if you don’t want that. Of course, I’ll return when you need me, if you need me, to help you find the other three gifts. I wouldn’t abandon you or Kishan in that way. I just can’t stay here with you feeling obligated to pity-date me because you need me. But I’d never abandon your cause. I’ll always be there for you both, no matter what.” He spat out, “Pity-date! You? Kelsey, you can’t be serious!” “I am. Very, very serious. I’ll ask Mr. Kadam to make arrangements to send me back in the next few days.” He didn’t say another word. He just sat back in his chair. I could tell he was fuming mad, but I felt that, after a week or two, when he started getting back out in the world, he would come to appreciate my gesture. I looked away from him. “I’m very tired now. I’d like to go to bed.” I got up and headed to my room. Before I closed the sliding door, I asked, “Can I make one last request?” He sat there tight-lipped, his arms folded over his chest, with a tense, angry face. I sighed. Even infuriated he was beautiful. He said nothing so I went on, “It would be a lot easier on me if I didn’t see you, I mean as a man. I’ll try to avoid most of the house. It is yours after all, so I’ll stay in my room. If you see Mr. Kadam, please tell him I’d like to speak with him.” He didn’t respond. “Well, good-bye, Ren. Take care of yourself.” I tore my eyes away from him, shut the door, and drew the curtains. Take care of yourself? That was a lame goodbye. Tears welled in my eyes and blurred my vision. I was proud that I’d gotten through it without showing emotion. But, now, I felt like a steamroller had come along and flattened me.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
When the bell rang, a nasal buzzing sound, a gangly boy with skin problems and hair black as an oil slick leaned across the aisle to talk to me. “You’re Isabella Swan, aren’t you?” He looked like the overly helpful, chess club type.
Stephenie Meyer (Twilight (Twilight, #1))
Hagrid was wearing his best (and very horrible) hairy brown suit, plus a checked yellow-and-orange tie. This wasn’t the worst of it, though; he had evidently tried to tame his hair, using large quantities of what appeared to be axle grease. It was now slicked down into two bunches – perhaps he had tried a ponytail like Bill’s, but found he had too much hair. The look didn’t really suit Hagrid at all. For a moment, Hermione goggled at him, then, obviously deciding not to comment, she said, ‘Erm – where are the Skrewts?
J.K. Rowling (Harry Potter and the Goblet of Fire (Harry Potter, #4))
The other aspect of those weekday-evening trips he loved was the light itself, how it filled the train like something living as the cars rattled across the bridge, how it washed the weariness from his seat-mates’ faces and revealed them as they were when they first came to the country, when they were young and America seemed conquerable. He’d watch that kind light suffuse the car like syrup, watch it smudge furrows from foreheads, slick gray hairs into gold, gentle the aggressive shine from cheap fabrics into something lustrous and fine. And then the sun would drift, the car rattling uncaringly away from it, and the world would return to its normal sad shapes and colors, the people to their normal sad state, a shift as cruel and abrupt as if it had been made by a sorcerer’s wand. He
Hanya Yanagihara (A Little Life)
Then Freddie was transformed into a moth. His old empty body fell forward face first into the water with a splash. Slicked back hair tied in a ponytail floated on the surface of the pool like a dead rodent on the sea as Freddie fluttered up towards a nearby streetlamp.
Stephen Livingston
once saw a deer get hit by three arrows and keep going. It took him a whole day to die. I followed him. I lost him for a while but then found him again, tracked him farther into the woods than I’d ever been. He was weaker by then, because of the arrows the hunter hit him with. Up close he was hurt worse than I first thought and covered in blood from the battle he’d fought. When he finally fell, I walked up and knelt by him. His hair was matted and warm and slick, and his ribs were rising and falling. Long ears and velvet antlers. He blinked and gazed at me. Dark lashes, his gentle brown eyes. I put my hand on his neck. I stayed there and looked in those eyes until the last of the light went away from them and his ribs were still. Then I got up and went home. I think about that deer. I see him all the time.
Cory Anderson (What Beauty There Is (What Beauty There Is #1))
Ash looks stunning as usual. His dark blonde hair is slicked back, and he is wearing a fancy grey suit. He is tieless, and the top few buttons of his white dress shirt are undone, exposing a sliver of tan skin. If I hadn’t met Elliot, I would have fallen for the beauty of Ash.
Krystalle Bianca (Perfectly Entwined)
Standing in the corner, leaning aginst the wall, is a fifth man. If Grange is a Hummer, this guy's an 18-wheel Mack truck, thinks Roddy. Parked, with its engine idling. He reminds Roddy of Ivan Drago from that Rocky movie. The guy must stand six five and tip the scales at 270. Pure, rock-hard muscle. His crew-cut blond hair is slickly gelled; his face--especially those cheekbones and that lantern jaw--could be carved from granite. He, no doubt, spends counteless hours at some muscle emporium. Pure muscle, but probably clumsy; he would go down fast if Roddy drove a flurry of punches into his gut and face. A gold earring pierces the guy's left earlobe. The drape of the jacket on his Schwarzenegger shoulders shows a bulge on the left side. The guy's packing some serious hardware. Mack Truck stares blankly and stands rock-still, hands clasped in front of his gargantuan body.
Mark Rubinstein (Mad Dog House)
He took up another long strip of towel in his right hand. He had to lean in to loop it behind her. He was so close now. His mind took in the shell of her ear, the hair tucked behind it, that rapid pulse fluttering in her throat. Alive, alive, alive. It isn’t easy for me either. He looped the bandage around again. The barest touches. Unavoidable. Shoulder, clavicle, once her knee. The water rose around him. He secured the knot. Step back. He did not step back. He stood there, hearing his own breath, hers, the rhythm of them alone in this room. The sickness was there, the need to run, the need for something else too. Kaz thought he knew the language of pain intimately, but this ache was new. It hurt to stand here like this, so close to the circle of her arms. It isn’t easy for me either. After all she’d endured, he was the weak one. But she would never know what it was like for him to see Nina pull her close, watch Jesper loop his arm through hers, what it was to stand in doorways and against walls and know he could never draw nearer. But I’m here now, he thought wildly. He had carried her, fought beside her, spent whole nights next to her, both of them on their bellies, peering through a long glass, watching some warehouse or merch’s mansion. This was nothing like that. He was sick and frightened, his body slick with sweat, but he was here. He watched that pulse, the evidence of her heart, matching his own beat for anxious beat. He saw the damp curve of her neck, the gleam of her brown skin. He wanted to … He wanted. Before he even knew what he intended, he lowered his head. She drew in a sharp breath. His lips hovered just above the warm juncture between her shoulder and the column of her neck. He waited. Tell me to stop. Push me away. She exhaled. “Go on,” she repeated. Finish the story. The barest movement and his lips brushed her skin—warm, smooth, beaded with moisture. Desire coursed through him, a thousand images he’d hoarded, barely let himself imagine—the fall of her dark hair freed from its braid, his hand fitted to the lithe curve of her waist, her lips parted, whispering his name.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Ash looks stunning as usual. His dark blonde hair is slicked back and he is donned in a fancy grey suit. He is tieless and the top few buttons of his white dress shirt are undone, exposing a sliver of tan skin. If I hadn’t met Elliot, I would have fallen for the beauty of Ash. It would have been too easy.
Krystalle Bianca (Perfectly Entwined)
She ran into Dmitri during her search. Dressed in a slick black-on-black suit, his hair brushed perfectly, he just raised an eyebrow when he saw her. Elena pointed the half-eaten chocolate bar at him. “Mess with me and I will shoot you through the heart, I swear to God. I am so far past hangry, I’m homicidal.” A twitch of his lips. “Have you tried drinking blood?” Elena nearly pulled out her crossbow and carried through on her threat—the asshole was powerful, would survive it—then she realized he was serious. “Blood?” “Archangelic blood in particular. Violent amount of energy in it.” Finishing off the chocolate bar, Elena considered it. “I’m not a vampire. Would it even work?” Forget about the actual drinking blood part of it; if it would stop the hunger gnawing at her from the inside out, she’d pinch her nose closed and throw it back like medicine. Dmitri shrugged. “What have you got to lose?” “I’ll talk to Raphael.” Walking past, she said, “Sometimes, I can almost believe you might once have been human.” “Clearly, I need to up my game.” A hint of fur and champagne wrapped around her, sensual and caressing and mocking. “Argh!” Swiveling, she had the crossbow in her hand and was shooting the bolt before she could think about it. Dmitri moved . . . and the crossbow bolt thudded home in the wall behind him. “Destroying Tower property again.” A headshake followed those censorious words. “‘Don’t get involved with the white-haired accident-on-legs,’ I said to Raphael, but did he listen?” “Give me back my bolt you scent-infested-excuse-for-a-vampire.
Nalini Singh (Archangel's Prophecy (Guild Hunter, #11))
Homeschooling? What was she thinking? All I could envision were those religious families, the ones with the little girls wearing Amish dresses and the boys with their slicked-back hair and matching polo shirts. I’d seen groups of them at the mall, following their mother single file, pretending it was a field trip.
Karen McQuestion (Life on Hold)
One day, you’re 19 And the boy who broke your heart a year ago, is now off in some parallel lifetime from you, breaking someone else’s heart. It’s not you this time But you understand how she will hurt. You’re still wearing your red lipstick Still squatting Still blossoming. And you cut your hair off because you didn’t want to be defined by your looks. You make drastic changes And end up wearing more black Than you did before. You’re beautiful. You started telling yourself that in the mirror because you started recognizing your worth. You slick your short hair back And smile. You’re happy. And for once, that’s all that matters.
Zienab Hamdan (For The Other Halves Of Me)
Her hands were splayed against the wet tile, her body pulsing. Water rained over them, hot and needle sharp, as he felt the orgasm tear through her. A kind of purging, he thought. She was still gasping when he spun her around and closed his mouth greedily over her breast. She was helpless against what he brought to her. Each time, every time, helpless, staggered. And grateful. She dived her fingers into his hair, twisting, tangling them in that thick wet silk while those good, strong tugs of desire in her belly followed the restless hunger of his mouth on her. His hands, slick, skilled, strong, raced over her, took her to the edge and over. Where he wanted her, where he needed her — shuddering, moaning his name, swamped in her own pleasure. The nails biting viciously into his back thrilled him, the frenzied race of her heart against his incited him. More. All. Now, was all he could think as they savaged each other’s mouths. “I want you.” His breath was heaving as he gripped her hips. “Always. Ever. Mine.” His eyes were a wild and burning blue. She could see nothing else. It should have been too much, this desperate, endless need for him. Yet somehow it was never, never enough. “Mine.” She dragged his mouth back to hers, and when he drove into her, met him beat for urgent beat.
J.D. Robb (Loyalty in Death (In Death, #9))
He’d abandoned his usual outfit of black rap clothes or GI Joe cammies. He was wearing a brown leather jacket, a cream-colored Henley, faded jeans, and work boots. His hair, which had always been slicked back in a ponytail, was cut short. He had a two-day beard, making his teeth seem whiter and his Latino complexion seem darker.
Janet Evanovich (Hot Six (Stephanie Plum, #6))
Edward Lasco was on the screened porch of his rented house in a comfortable but not elegant older section of the town where he'd lived for the past fifteen years when his wife, Elise, who six months before had left him and moved to a nearby city to work in a psychiatric hospital, came around the side of the house and stood beside the screen looking in. She had on a business outfit—natural linen suit, knee-high boots, dark glasses with at least three distinguishable colors tiered top to bottom in the lenses—and she carried a slick briefcase, thin and shiny. Her hair was shorter than he'd seen it, styled in a peculiar way so that it seemed it spots to jerk away from her head, to say, "I'm hair, boy, and you'd better believe it." Edward had come outside with a one-pint carton of skim milk and a ninety-nine-cookie package of Oreos and a just-received issue of InfoWorld, and he was entirely content with the prospect of eating his cookies and drinking his milk and reading his magazine, but when he saw Elise he was filled with a sudden, very unpleasant sense that he didn't want to see her. It'd been a good two and a half months since he'd talked to her, and there she was looking like an earnest TV art director's version of the modern businesswoman; it made him feel that his life was fucked, and this was before she'd said a word.
Frederick Barthelme (Two Against One)
Her hands tightened in his hair, and he heard her silent plea. Jim closed his eyes and settled his whole mouth on her, his tongue moving on her clit, slow and gentle. He rolled the hard bud between his lips, teasing and loving it, then licked her full length, lapping at her sweet moisture, greedy and wanting more. He was down on his knees in front of her, worshipping her, cherishing her, and she knew it. She felt it. His tongue moved inside her now, thrusting in and out, and Kat gave a cry of want, of need. Jim looked up at her. “How do you want to come, baby?” His voice was guttural, his finger slipping inside her, stroking her slick channel. “Tell me what you want.
Marysol James (Enemy From The Past (Unseen Enemy, #4))
He could feel the end of the battle approaching, and so could the blur of the Sith he faced in the Force, the shadow had become a pulsar of fear. Easily, almost effortlessly, he turned the shadow's fear into a weapon: he angled the battle to bring them both out onto the window ledge. Out in the wind. Out with the lightning. Out on a rain-slicked ledge above a half kilometer drop. Out where the shadow's fear's fear made it hesitate. Out where the shadow's fear turned some of it's Force-powered speed into a Force-powered grip on the slippery permacrete. Out where Mace could flick his blade in one precise arc and slash the shadow's lightsaber in half. One piece flipped back in through the cut open window. The other tumbled from opening fingers, bounced on the ledge, and fell through the rain towards the distant alleys below. Now the shadow was only Palpatine: old and shrunken, thinning hair bleached white by time and care, face lined with exhaustion. 'For all your power, my lord,you are no Jedi. All you are, my lord,' Mace said evenly, staring past his blade, 'is under arrest.
Matthew Woodring Stover (Star Wars: Revenge of the Sith (Star Wars Novelizations, #3))
Unfortunately for him he looked more like an innocent man on America’s terror watch-list rather than a gallant Viking possessing all the benefits of modernity. More like a villain in a Western fairy tale with his slicked-bouffant obsidian hair rather than the long sun-like curls that all great saviors of the poor have been obliged to possess. I squinted to the side towards him for a second and he caught my gaze almost immediately; his inky irises were comfortable enough to hold my stare indefinitely, his pupils seemed entirely ravenous as opposed to the feminist preferred oceanic turquoise, which for them is a physical demarcation of emotional sensitivity. He seemed like an uncanny bad guy any which way I looked at him, except of course, by his actions thus far…
Bruce Crown (Forlorn Passions)
Before the downpour, Al had thought Lou looked alluring in her pale pink T-shirt and simple flowered skirt. Her soft brown waves bounced around her shoulders with the humidity. She was simply beautiful. But with the addition of water, she evolved into a siren. Her thin cotton clothes clung to every curve. She slicked her hair away from her face, as if emerging from an enchanted lake.
Amy E. Reichert (The Coincidence of Coconut Cake)
She moved back to accommodate him as he rolled on a condom. Then she stroked and squeezed until rational thought was a distant memory and all that was left were need and want, lust and desire. He dragged her up, claiming her mouth as he thrust inside her. Pleasure so exquisite, he closed his eyes and tried to take a mental snapshot of the moment. Bracing herself on his shoulders she rode him, levering her hips as she brought him closer and closer to his peak. Control. He needed it. In one swift motion he shifted, carrying her down so she lay beneath him, clothes half off, hair tangled, lips swollen from his kisses, wanton and free. Lifting her legs to his hips, he thrust into her. Slick walls tightened, made his eyes water. His hips pistoned, driving deep until pleasure peaked and they both found release.
Sara Desai (The Singles Table (Marriage Game, #3))
In the empty Houston streets of four o’clock in the morning a motorcycle kid suddenly roared through, all bespangled and bedecked with glittering buttons, visor, slick black jacket, a Texas poet of the night, girl gripped on his back like a papoose, hair flying, onward-going, singing, “Houston, Austin, Fort Worth, Dallas—and sometimes Kansas City—and sometimes old Antone, ah-haaaaa!” They pinpointed out of sight.
Jack Kerouac (On the Road)
He burst from the water. He was facing her now. The muscles bunched on his arms as he slicked his wet, shoulder-length hair back from his face. The mist swirled amber over the surface of the water, adorning his gleaming skin as if he were the tributary god of this ruined garden. Her pity evaporated, burned away by the sudden realization that she had it all wrong. He was… She swallowed. Good Lord. He was magnificent.
Elizabeth Hoyt (Darling Beast (Maiden Lane, #7))
And then I take a little brush and I slick black paint over each eyelash and then I take a hot metal stick and wind my head-hairs around it so that everything is spirals. I stuff each breast into a cotton cup-bag, and the bags are sewn together as a pair of bags for boobs, and the pair of boob-bags is held on by straps because I guess this helps the boobs from not floating past the mountains and white puffs and into outer space?
Jenny Slate (Little Weirds)
Dr. Buckner stood between my legs while Francine shuffled her feet in the corner. Mom held my hand and smiled encouragingly, though her eyes looked strained and red. I kept drawing my knees together and Dr. Buckner kept prying them gently apart. All the while, he picked up foot-long swabs and slick metal devices of torture, inserting them and removing them without pause. I felt a tear drip down my temple toward my hair. Mom quietly brushed it away.
Alina Klein (Rape Girl)
…Jake caught the briefest glimpse of a demure set of pale pink lingerie, and then Molly was airborne—jumping feet-first into the deep end. She swam underwater like a mermaid, finally coming up for air near the center of the pool. Her hair was slicked back on her skull, shining and as dark as melted chocolate and Jake was frozen to the spot by So. Much. Molly. All on display for him. God—she was really, really wet. ~"Finding a Husband" by Kristen Casey
Kristen Casey (Finding a Husband (Second Chances, #3))
Cersei cupped the other woman’s breast. Softly at first, hardly touching, feeling the warmth of it beneath her palm, the skin as smooth as satin. She gave it a gentle squeeze, then ran her thumbnail lightly across the big dark nipple, back and forth and back and forth until she felt it stiffen. When she glanced up, Taena’s eyes were open. “Does that feel good?” she asked. “Yes,” said Lady Merryweather. “And this?” Cersei pinched the nipple now, puling on it hard, twisting it between her fingers. The Myrish woman gave a gasp of pain. “You’re hurting me.” “It’s just the wine. I had a flagon with my supper, and another with the widow Stokeworth. I had to drink to keep her calm.” She twisted Taena’s other nipple too, puling until the other woman gasped. “I am the queen. I mean to claim my rights.” “Do what you wil.” Taena’s hair was as black as Robert’s, even down between her legs, and when Cersei touched her there she found her hair al sopping wet, where Robert’s had been coarse and dry. “Please,” the Myrish woman said, “go on, my queen. Do as you wil with me. I’m yours.” But it was no good. She could not feel it, whatever Robert felt on the nights he took her. There was no pleasure in it, not for her. For Taena, yes. Her nipples were two black diamonds, her sex slick and steamy. Robert would have loved you, for an hour. The queen slid a finger into that Myrish swamp, then another, moving them in and out, but once he spent himself inside you, he would have been hard-pressed to recal your name. She wanted to see if it would be as easy with a woman as it had always been with Robert. Ten thousand of your children perished in my palm, Your Grace, she thought, slipping a third finger into Myr. Whilst you snored, I would lick your sons of my face and fingers one by one, al those pale sticky princes. You claimed your rights, my lord, but in the darkness I would eat your heirs. Taena gave a shudder. She gasped some words in a foreign tongue, then shuddered again and arched her back and screamed. She sounds as if she is being gored, the queen thought. For a moment she let herself imagine that her fingers were a bore’s tusks, ripping the Myrish woman apart from groin to throat. It was stil no good. It had never been any good with anyone but Jaime. When she tried to take her hand away, Taena caught it and kissed her fingers. “Sweet queen, how shal I pleasure you?” She slid her hand down Cersei’s side and touched her sex. “Tel me what you would have of me, my love.
George R.R. Martin (A Feast for Crows (A Song of Ice and Fire, #4))
A paradisiacal lagoon lay below them. The water was an unbelievable, unreal turquoise, its surface so still that every feature of the bottom could be admired in magnified detail: colorful pebbles, bright red kelp, fish as pretty and colorful as the jungle birds. A waterfall on the far side fell softly from a height of at least twenty feet. A triple rainbow graced its frothy bottom. Large boulders stuck out of the water at seemingly random intervals, black and sun-warmed and extremely inviting, like they had been placed there on purpose by some ancient giant. And on these were the mermaids. Wendy gasped at their beauty. Their tails were all colors of the rainbow, somehow managing not to look tawdry or clownish. Deep royal blue, glittery emerald green, coral red, anemone purple. Slick and wet and as beautifully real as the salmon Wendy's father had once caught on holiday in Scotland. Shining and voluptuously alive. The mermaids were rather scandalously naked except for a few who wore carefully placed shells and starfish, although their hair did afford some measure of decorum as it trailed down their torsos. Their locks were long and thick and sinuous and mostly the same shades as their tails. Some had very tightly coiled curls, some had braids. Some had decorated their tresses with limpets and bright hibiscus flowers. Their "human" skins were familiar tones: dark brown to pale white, pink and beige and golden and everything in between. Their eyes were also familiar eye colors but strangely clear and flat. Either depthless or extremely shallow depending on how one stared. They sang, they brushed their hair, they played in the water. In short, they did everything mythical and magical mermaids were supposed to do, laughing and splashing as they did. "Oh!" Wendy whispered. "They're-" And then she stopped. Tinker Bell was giving her a funny look. An unhappy funny look. The mermaids were beautiful. Indescribably, perfectly beautiful. They glowed and were radiant and seemed to suck up every ray of sun and sparkle of water; Wendy found she had no interest looking anywhere else.
Liz Braswell (Straight On Till Morning)
He found khakis and a nice madras shirt in his closet, slicked back his hair, and peeked briefly into the garage to make sure all was well there. He gave Mrs. Muller (once more looking out through the curtains) what he hoped was a jaunty wave as he headed down the street to the bus stop. He arrived downtown just before ten, walked a block, and peered down Ellis Avenue to the Happy Cup, where the outside tables sat under pink umbrellas. Sure enough, Andy was on his coffee break. Better yet, his back was turned, so Morris could approach undetected
Stephen King (Finders Keepers (Bill Hodges Trilogy, #2))
We lunged for each other at the same time and collided, crazy with need and starving for a taste. Warnings and alarms wailed in my mind, but I shut them down. Screw it. I wanted him. He found my mouth. The thrust of his tongue against mine made my head spin. He tasted like heaven. I kissed him back, nipping, licking, melting against him. It felt so good . . . His lips traced a fiery line from my mouth to the corner of my jaw and down my neck. My whole body sang in warm liquid triumph. His voice was a ragged whisper in my ear. “Only if you want to . . . Say no, and I’ll stop.” “No,” I whispered to see if he would do it. Curran pulled back. His eyes were pure need, raw and barely under control. He swallowed. “Okay.” It was the most erotic thing I had ever seen. I reached for him and slid my hand up his chest, feeling the taut muscle. He caught my hand and kissed my palm gently. Heated, tightly controlled want shone in his eyes. I pulled my fingers free, pushed from the wall, and kissed his throat just under the jaw. This was bliss. There was no hope for me. He growled, closing his eyes. “What are you doing?” “Pulling on Death’s whiskers,” I murmured, letting my tongue play over his skin, rough with stubble. He smelled divine, clean and male. My hands slid up his biceps. His muscles tensed under the light pressure of my fingers. He was trying very, very hard to stand still and I almost laughed. All those times when he’d called me “baby” . . . Revenge was sweet. “Is that a yes or a no?” he asked. I slid against him and nipped his bottom lip. “I’ll take it as a yes.” The steel muscles of his arms flexed under my hands. He grabbed me, hoisted me up onto him, and kissed me, thrusting into my mouth with his tongue in a hot, slick rhythm, greedy and eager. I threw my arms around his neck. His right hand grasped my hair, his left cupped my butt and pushed me closer against him, his erection a hard, hot length across my lap. Finally— “Let me in,” Derek growled at the door. Go away. The guard said something. Curran’s hand found my breast and caressed the nipple, sending an electric shock through my skin, threatening to melt me . . . “Yes,” Derek snarled. “I’m a member of the damn team. Ask them.” “Curran,” I whispered. “Curran!” He snarled and kept going. The door swung open. I hit him on the back of the neck. He submerged. Help. I’ve drowned the Beast Lord.
Ilona Andrews (Magic Strikes (Kate Daniels, #3))
And then I saw her, who I could have only assumed with Aura Tsang, a very petite women, with the exotic features of those you associate with an Asian background complete with slick dark hair but the most amazing piercing blue eyes, the type that any Aryan would have be proud of. She seemed to have the persona that made her a person of the world,Yet, there was the energy that she was giving off, a energy of a powerful and brave woman who could and would take on the world and yet she had the gentlest smile complete with dimples. I was transfixed by her and I felt that my heart would burst into a thousand of pieces if she spoke to me, which of course she would and it did.
Beverley Price (Blood Bound)
Lady Blonos is a horrifying sight, and it takes all of my manners to keep my jaw from dropping. Blood healer, able to heal herself. I understand now what that means. She must be over fifty, older than my mother, but her skin is smooth and shockingly tight over her bones. Her hair is perfectly white, slicked back, and her eyebrows seem fixed in a constant state of shock, arched on her unwrinkled forehead. Everything about her is wrong, from her too-full lips to the sharp, unnatural slope of her nose. Only her deep gray eyes look alive. The rest, I realize, is fake. Somehow she was able to heal or change herself into this monstrous thing in an attempt to look younger, prettier, better.
Victoria Aveyard (Red Queen (Red Queen, #1))
It is close and hot in there and smells of rust and sweat. Avice is panting with her hair slick and eyes feral in the dark of the bed. Goda is feeling between the girl’s legs. She is saying that the human body appears to be more delicate and far more poorly constructed for birthing than the bodies of the beasts she administers to; that she has often wondered why human females so frequently die in childbirth, but now she has discovered it’s because their hips are so small and the babies’ heads so disproportionately large, and why god would make the human beast so unfit for birthing is a mystery. Or perhaps not, she sighs, I will multiply thy sorrows, and thy conceptions: in sorrow shalt thou bring forth children.
Lauren Groff (Matrix)
Now you take dark Negroes like you, Mr. Griffin, and me," he went on. "We're old Uncle Toms to our people, no matter how much education and morals we've got. No, you have to be almost a mulatto, have your hair conked and all slicked out and look like a Valentino. Then the Negro will look up to you. You've got class. Isn't that a pitiful hero-type?" "And the white man knows that," Mr. Davis said. "Yes," the cafe owner continued. "He utilizes this knowledge to flatter some of us, tell us we're above our people, not like most Negroes. We're so stupid we fall for it and work against own own. Why, if we'd work just half as hard to boost our race as we do to please whites whose attentions flatter us, we'd really get somewhere.
John Howard Griffin (Black Like Me)
He thought about how exuberant he himself used to feel as he got ready to meet Miriam when they first started courting. Butterflies flew in his stomach as he washed, shaved, slicked back his hair with a comb and smear of Brylcreem. He made sure that his suit and shirt were pressed, his shoes were buffed. He would put his comb in his pocket and whistle as he walked to meet her. There was an ice cream parlor where they would sit in the window and drink lemonade with a blob of vanilla floating on top, or they sometimes went to the cinema. At that time a trainee, he didn’t have much money so he would save up all week just in case Miriam wanted to go for a nice meal, but she was happy to go for a walk with him and with their simple dates.
Phaedra Patrick (The Curious Charms of Arthur Pepper)
Isyllt moved carefully forward until her knees bumped stone. A bench, strewn with pillows of threadbare velvet and soft-worn brocade. The stone leeched warmth from her flesh as she sat. She tugged off her right glove, shaking her hand dry. Her breath was harsh and loud in the stillness. An icy draft heralded the vrykola's arrival, a presence that made the hair on Isyllt's nape prickle. She rose and bowed low, grateful not to stumble or crack her head on anything. Tenebris' laugh crawled over her skin, cold and slick as oil. "You sit so bravely in the dark." A match crackled and orange-gold light blossomed, brilliant enough to make Isyllt's eyes water. A candle flam quickened and acrid blue smoke coiled through the air. "Is that better?
Amanda Downum (The Bone Palace (The Necromancer Chronicles, #2))
Teddy Roosevelt?" I suggested. Sadie and I had been trying to figure out the second mathlete's costume for a few minutes. He was wearing a 1930's-style suit,had his hair slicked down carefully, and was sporting a fake mustache. "No glasses. And I can't even begin to imagine the connection between Davy Jone's Locker and Teddy Roosevelt." Sadie pulled a long gold hair from her pumpkin-orange punch and sighed. Maybe her mother hadn't topped her Sleepy Hollow triumph, but it wasn't from lack of determination. What Mrs. Winslow hadn't achieved in creativity (she'd gone the mermaid route), she'd made up in the details. The tailed skirt was intricately beaded and embroidered in a dozen shades of blue and green. It was pretty amazing.The problem was the bodice: not a bikini, but not much better as far as Sadie was concerned. It was green, plunging, and edged with itchy-looking scallops. She was managing to stay covered by the wig, but that was an issue in itself. It was massive,made up of hundreds of trailing corkscrew curls in a metallic blonde. To top it all off, the costume included a glittering, three point crown, and a six-foot trident, complete with jewels and trailing silk seaweed. "Sadie," I'd asked quietly when she'd appeared at my house, shivering and tangled in her wig, "why don't you..." Just tell her where she can shove her trident? But that would just have been mean. Sadie gives in and wears the costumes because it's infinitely easier than fighting. "...come next door and we'll see if Sienna has a shawl you can borrow?
Melissa Jensen (The Fine Art of Truth or Dare)
The family were wild," she said suddenly. "They tried to marry me off. And then when I'd begun to feel that after all life was scarcely worth living I found something"—her eyes went skyward exultantly—"I found something!" Carlyle waited and her words came with a rush. “Courage—just that; courage as a rule of life, and something to cling to always. I began to build up this enormous faith in myself. I began to see that in all my idols in the past some manifestation of courage had unconsciously been the thing that attracted me. I began separating courage from the other things of life. All sorts of courage—the beaten, bloody prize-fighter coming up for more—I used to make men take me to prize-fights; the déclassé woman sailing through a nest of cats and looking at them as if they were mud under her feet; the liking what you like always; the utter disregard for other people's opinions—just to live as I liked always and to die in my own way—Did you bring up the cigarettes?" He handed one over and held a match for her silently. "Still," Ardita continued, "the men kept gathering—old men and young men, my mental and physical inferiors, most of them, but all intensely desiring to have me—to own this rather magnificent proud tradition I'd built up round me. Do you see?" "Sort of. You never were beaten and you never apologized." "Never!" She sprang to the edge, poised or a moment like a crucified figure against the sky; then describing a dark parabola plunked without a slash between two silver ripples twenty feet below. Her voice floated up to him again. "And courage to me meant ploughing through that dull gray mist that comes down on life—not only over-riding people and circumstances but over-riding the bleakness of living. A sort of insistence on the value of life and the worth of transient things." She was climbing up now, and at her last words her head, with the damp yellow hair slicked symmetrically back, appeared on his level. "All very well," objected Carlyle. "You can call it courage, but your courage is really built, after all, on a pride of birth. You were bred to that defiant attitude. On my gray days even courage is one of the things that's gray and lifeless." She was sitting near the edge, hugging her knees and gazing abstractedly at the white moon; he was farther back, crammed like a grotesque god into a niche in the rock. "I don't want to sound like Pollyanna," she began, "but you haven't grasped me yet. My courage is faith—faith in the eternal resilience of me—that joy'll come back, and hope and spontaneity. And I feel that till it does I've got to keep my lips shut and my chin high, and my eyes wide—not necessarily any silly smiling. Oh, I've been through hell without a whine quite often—and the female hell is deadlier than the male." "But supposing," suggested Carlyle, "that before joy and hope and all that came back the curtain was drawn on you for good?" Ardita rose, and going to the wall climbed with some difficulty to the next ledge, another ten or fifteen feet above. "Why," she called back, "then I'd have won!
F. Scott Fitzgerald (The Offshore Pirate)
The other aspect of those weekday-evening trips he loved was the light itself, how it filled the train like something living as the cars rattled across the bridge, how it washed the weariness from his seatmates' faces and revealed them as they were when they first came to the country, when thy were young and America seemed conquerable. He'd watch that kind light suffuse the car like syrup, watch it smudge furrows from foreheads, slick gray hairs into gold, gentle the aggressive shine from cheap fabrics into something lustrous and fine. And then the sun would drift, the car rattling uncaringly away from it, and the world would return to its normal sad shapes and colors, the people to their normal sad state, a shift as cruel and abrupt as if it had been made by a sorcerer's wand.
Hanya Yanagihara (A Little Life)
The other aspect of those weekday-evening trips he loved was the light itself, how it filled the train like something living as the cars rattled across the bridge, how it washed the weariness from his seat-mates’ faces and revealed them as they were when they first came to the country, when they were young and America seemed conquerable. He’d watch that kind light suffuse the car like syrup, watch it smudge furrows from foreheads, slick gray hairs into gold, gentle the aggressive shine from cheap fabrics into something lustrous and fine. And then the sun would drift, the car rattling uncaringly away from it, and the world would return to its normal sad shapes and colors, the people to their normal sad state, a shift as cruel and abrupt as if it had been made by a sorcerer’s wand.
Hanya Yanagihara (A Little Life)
The first spurt hit the back of my throat, and I swallowed. And it was more of the desperate, half-formed moans that Josh let loose which finally did me in. Thrusting through my own fist, I came hard, spraying my stomach, and probably Josh’s ass. He pulled out, sliding backward through the mess, landing on my chest in a shuddering pile. “Still coming,” he gasped. I reached down between his legs, cupping those heavy balls. He groaned, writhing on my slicked stomach, and then collapsed. “Jesus. I think you needed that,” I said, rubbing his back, where the lean muscle was firm under my hand. I’d been yearning to touch him like this. Every time he passed through a room where I was, I had to hold myself back. Josh answered me on a mumble that I could not understand. But it didn’t matter. His fingers threaded into my hair while he kissed my neck.
Sarina Bowen (Goodbye Paradise (Hello Goodbye, #1))
I wasn’t sure what to do. I knew that the main house was about a quarter mile up the drive. I could leave my car here and walk it. See what’s what. But what would be the point? I hadn’t been up here in six years. The retreat probably sold the land, and the new owner probably craved privacy. That might explain all this. Still it didn’t feel right. What would be the harm, I thought, in going up and knocking on the door of the main house? Then again, the thick chain and no trespassing signs were not exactly welcome mats. I was still trying to decide what to do when a Kraftboro police cruiser pulled up next to me. Two officers got out. One was short and stocky with bloated gym muscles. The other was tall and thin with slicked-back hair and the small mustache of a guy in a silent movie. Both wore aviator sunglasses, so you couldn’t see their eyes. Short and Stocky hitched up his pants a bit and said, “Can I help you?” They both gave me hard stares. Or at least I think they were hard stares. I mean, I couldn’t see their eyes. “I
Harlan Coben (Six Years)
Two men enter the room, one old and mustached and the other young and tawny-headed, wearing sweats and a worn T-shirt. He looks like Silas, actually—god, what am I, obsessed? But there really is something of the woodsman in the younger man’s face, with his full lips, his slightly curled hair that turns like tendrils around his ears . . . I look away before studying him too closely. “All right, ladies, are we ready?” the older man says enthusiastically. There’s a loud rustling of paper as well flip the enormous sketchbooks on our easels until we find blank sheets. I draw a few soft lines on my page, unsure what— Non-Silas rips off his T-shirt, revealing lightly defined muscles on his pale chest. I raise an eyebrow just as he tugs at the waist of the sweatpants. They drop to the floor in a fluid, sweeping motion. There’s nothing underneath them. At all. My charcoal slips through my suddenly sweaty fingers. Non-Silas steps out of the puddle of his clothes and moves to the center of the room, fluorescent lights reflecting off his slick abdomen. He’s smiling as though he isn’t naked, smiling as though I didn’t somehow manage to get the seat closest to him. As if I can’t see . . . um . . . everything only a few feet from my face, making my mind clumsily spiral. I squeeze my eyes shut for a moment; he looks like Silas in the face, and because of that I keep wondering if he looks akin to Silas everywhere else. “All right, ladies, this will be a seven-minute pose. Ready?” the older man says, positioning himself behind the other empty easel. The roomful of housewives nod in one hungry motion. I quiver. “Go!” the older man says, starting the stopwatch. Non-Silas poses, something reminiscent of Michelangelo’s David, only instead of marble eyes looking into nothingness, non-Silas is staring almost straight at me. Draw. I’m supposed to be drawing. I grab a new piece of charcoal from the bottom of the easel and begin hastily making lines in my sketchbook. I can’t not look at him, or he’ll think I’m not drawing him. I glance hurriedly, trying to avoid the region my eyes continuously return to. I start to feel fluttery. How long has it been? Surely it’s been seven minutes. I try to add some tone to my drawing’s chest. I wonder what Silas’s chest looks like . . . Stop! Stop stop stop stop stop—” “Right, then!” the older man says as his stopwatch beeps loudly and the scratchy sound of charcoal on paper ends. Thank you, sir, thank you—” “Annnnd next pose!” Non-Silas turns his head away, till all I can see is his wren-colored hair and his side, including a side view of . . . how many times am I going to have to draw this man’s area? What’s worse is that he looks even more like Silas now that I can’t see his eyes. Just like Silas, I bet. My eyes linger longer than necessary now that non-Silas isn’t staring straight at me. By the end of class, I’ve drawn eight mediocre pictures of him, each one with a large white void in the crotch area. The housewives compare drawings with ravenous looks in their eyes as non-Silas tugs his pants back on and leaves the room, nodding politely. I picture him naked again. I sprint from the class, abandoning my sketches—how could I explain them to Scarlett or Silas? Stop thinking of Silas, stop thinking of Silas.
Jackson Pearce (Sisters Red (Fairytale Retellings, #1))
She kissed his lips and felt his smile form. Alone in this beautiful space, Blake and Livia made things right. Blake kissed her slowly and patiently, like he had all the time in the world. Carefully, they eased back to lie down, and Blake braced himself above her. He smelled of mint and fresh soap. Livia put her hands on his chest and felt the densely packed muscles there. Empowered by his adoration, she shrugged off her fleece shirt, enjoying the feeling of being trapped between his arms. Blake’s eyes became stormy seas. “Damn it all to hell,” he cursed. Despite his words, Livia believed she was winning this battle of seduction. Blake kissed her mouth and sucked on her bottom lip. He moved to her earlobe and breathed, “First, I will blow, then I will lick, last I will bite.” Holy crap. Blake blew a gentle stream of minty breath along the outside of Livia’s ear, down to her neck, and along the edge of her breasts where they peeked out of her bright blue bra. Blake took his time creating an elaborate pattern on her stomach, and Livia was pretty sure he’d spelled the word torture. He increased the pressure of his breath as he grazed below her belly button to the top of her jeans. He skipped back to her mouth and gave her another long, slow kiss. “And now I lick,” he murmured. Livia bit back the embarrassingly loud moan she felt building. He gently traced the same trail his breath had left, this time with his tongue. When he reached her breast, she lost control and grabbed his hair, intent on kissing him. “No. No.” Blake held her wrists above her head. “I’ve done this to you so many times in my mind. I won’t have you rush me.” Livia groaned and arched her back in an effort to change his mind. But his slow, sexy smile told her he was doing it his way. “Fine.” Livia dutifully kept her hands above her head as he picked up where he’d left off. His tongue had her making noises that surely scared the wildlife. He spent an inordinate amount of time licking just above her belt buckle. Then again he was back to her mouth. He spoke through his kiss. “I’m going to bite you now.” Blake began down the same flaming path on Livia’s body with his teeth, nibbling in time with her heartbeat. When it speeded up, he bit slightly harder. After what seemed to be sixteen million glorious years, Blake was at the top of her jeans again. A light, almost invisible, mist from the gray clouds now gave the clearing a slick sheen. The cool rain and his hot mouth were ecstasy. Blake unbuckled her belt and used his tongue and teeth to unbutton her jeans. He chuckled as he flipped her zipper with his teeth. Each pop of the releasing zipper filled the woods as he blew again on the newly revealed skin. Livia knew what to expect this time: blow, lick, bite. Oh, sweet God! This is heaven. At last, Livia could no longer obey and reached her hands down to his angelic face. Blake glanced up as if to rebuke her, but quickly smiled and let her sit up to meet his lips. Love. Crazy, soon, ever. Love, Livia’s mind raged. She tried to tell him with kisses, but it wasn’t enough. Blake knelt before her, and Livia straddled his thighs. She pulled back to try putting it into words and noticed how Blake glistened, covered in tiny raindrops. The clear, cool pond she’d described to Cole had just exploded over them. But instead of drowning, they wore it like a cloak.
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
Mr. Haverstrom closes the door, leaving Patrick and me alone in the hallway. Pat smiles slickly, leaning in toward me. I step back until I press against the wall. It’s uncomfortable—but not threatening. Mostly because in addition to racquetball I’ve practiced aikido for years. So if Patrick tries anything funny, he’s in for a very painful surprise. “Let’s be honest, Sarah: you know and I know the last thing you want to do is give a presentation in front of hundreds of people—your colleagues.” My heart tries to crawl into my throat. “So, how about this? You do the research portion, slides and such that I don’t really have time for, and I’ll take care of the presentation, giving you half the credit of course.” Of course. I’ve heard this song before—in school “group projects” where I, the quiet girl, did all the work, but the smoothest, loudest talker took all the glory. “I’ll get Haverstrom to agree on Saturday—I’m like a son to him,” Pat explains before leaning close enough that I can smell the garlic on his breath. “Let Big Pat take care of it. What do you say?” I say there’s a special place in hell for people who refer to themselves in the third person. But before I can respond, Willard’s firm, sure voice travels down the hall. “I think you should back off, Nolan. Sarah’s not just ‘up for it,’ she’ll be fantastic at it.” Pat waves his hand. “Quiet, midge—the adults are talking.” And the adrenaline comes rushing back, but this time it’s not anxiety-induced—it’s anger. Indignation. I push off the wall. “Don’t call him that.” “He doesn’t mind.” “I mind.” He stares at me with something akin to surprise. Then scoffs and turns to Willard. “You always let a woman fight your battles?” I take another step forward, forcing him to move back. “You think I can’t fight a battle because I’m a woman?” “No, I think you can’t fight a battle because you’re a woman who can barely string three words together if more than two people are in the room.” I’m not hurt by the observation. For the most part, it’s true. But not this time. I smile slowly, devilishly. Suddenly, I’m Cathy Linton come to life—headstrong and proud. “There are more than two people standing here right now. And I’ve got more than three words for you: fuck off, you arrogant, self-righteous swamp donkey.” His expression is almost funny. Like he can’t decide if he’s more shocked that I know the word fuck or that I said it out loud to him—and not in the good way. Then his face hardens and he points at me. “That’s what I get for trying to help your mute arse? Have fun making a fool of yourself.” I don’t blink until he’s down the stairs and gone. Willard slow-claps as he walks down the hall to me. “Swamp donkey?” I shrug. “It just came to me.” “Impressive.” Then he bows and kisses the back of my hand. “You were magnificent.” “Not half bad, right? It felt good.” “And you didn’t blush once.” I push my dark hair out of my face, laughing self-consciously. “Seems like I forget all about being nervous when I’m defending someone else.” Willard nods. “Good. And though I hate to be the twat who points it out, there’s something else you should probably start thinking about straight away.” “What’s that?” “The presentation in front of hundreds of people.” And just like that, the tight, sickly feeling washes back over me. So this is what doomed feels like. I lean against the wall. “Oh, broccoli balls.
Emma Chase (Royally Matched (Royally, #2))
I landed on my side, my hip taking the brunt of the fall. It burned and stung from the hit, but I ignored it and struggled to sit up quickly. There really was no point in hurrying so no one would see. Everyone already saw A pair of jean-clad legs appeared before me, and my suitcase and all my other stuff was dropped nearby. "Whatcha doing down there?" Romeo drawled, his hands on his hips as he stared down at me with dancing blue eyes. "Making a snow angel," I quipped. I glanced down at my hands, which were covered with wet snow and bits of salt (to keep the pavement from getting icy). Clearly, ice wasn't required for me to fall. A small group of girls just "happened by", and by that I mean they'd been staring at Romeo with puppy dog eyes and giving me the stink eye. When I fell, they took it as an opportunity to descend like buzzards stalking the dead. Their leader was the girl who approached me the very first day I'd worn Romeo's hoodie around campus and told me he'd get bored. As they stalked closer, looking like clones from the movie Mean Girls, I caught the calculating look in her eyes. This wasn't going to be good. I pushed up off the ground so I wouldn't feel so vulnerable, but the new snow was slick and my hand slid right out from under me and I fell back again. Romeo was there immediately, the teasing light in his eyes gone as he slid his hand around my back and started to pull me up. "Careful, babe." he said gently. The girls were behind him so I knew he hadn't seen them approach. They stopped as one unit, and I braced myself for whatever their leader was about to say. She was wearing painted-on skinny jeans (I mean, really, how did she sit down and still breathe?) and some designer coat with a monogrammed scarf draped fashionably around her neck. Her boots were high-heeled, made of suede and laced up the back with contrasting ribbon. "Wow," she said, opening her perfectly painted pink lips. "I saw that from way over there. That sure looked like it hurt." She said it fairly amicably, but anyone who could see the twist to her mouth as she said it would know better. Romeo paused in lifting me to my feet. I felt his eyes on me. Then his lips thinned as he turned and looked over his shoulder. "Ladies," he said like he was greeting a group of welcomed friends. Annoyance prickled my stomach like tiny needles stabbing me. It's not that I wanted him to be rude, but did he have to sound so welcoming? "Romeo," Cruella DeBarbie (I don't know her real name, but this one fit) purred. "Haven't you grown bored of this clumsy mule yet?" Unable to stop myself, I gasped and jumped up to my feet. If she wanted to call me a mule, I'd show her just how much of an ass I could be. Romeo brought his arm out and stopped me from marching past. I collided into him, and if his fingers hadn't knowingly grabbed hold to steady me, I'd have fallen again. "Actually," Romeo said, his voice calm, "I am pretty bored." Three smirks were sent my way. What a bunch of idiots. "The view from where I'm standing sure leaves a lot to be desired." One by one, their eyes rounded when they realized the view he referenced was them. Without another word, he pivoted around and looked down at me, his gaze going soft. "No need to make snow angels, baby," he said loud enough for the slack-jawed buzzards to hear. "You already look like one standing here with all that snow in your hair." Before I could say a word, he picked me up and fastened his mouth to mine. My legs wound around his waist without thought, and I kissed him back as gentle snow fell against our faces.
Cambria Hebert (#Hater (Hashtag, #2))
All the while, he was conscious of the sound of water. Dahlia was taking a shower. No matter how hard he tried to prevent it, his imagined insisted on conjuring up a vivid picture of Dahlia naked, wet, her hair slick and her face turned up to the hot spray. He closed his eyes against the image and groaned softly. Where had all his self-discipline gone? His tremendous control? He couldn’t blame energy, sexual or otherwise, for his fantasies. It was the glimpse of her bare bottom, the curve of her hip. Her bare breasts gleaming at him in the sun. Or maybe it was her smile. She didn’t smile often, but when she did, Nicolas could swear it was for him alone, no one else. And then there was her skin . . . “Hey! Lover boy! Stop mooning around and hit the shower. You smell like a swamp rat, and it just doesn’t do a thing to put me in the mood.” Dahlia stood in the doorway, a towel wrapped around her like a sarong. Her hair was up in a towel and she was dripping water all over the floor. She’d obviously come downstairs straight from her shower to scold him for his indiscretions, but changed her mind. “You’re not helping me with my overactive imagination,” he pointed out as he walked toward her.
Christine Feehan (Mind Game (GhostWalkers, #2))
Here he comes,” Blake said. When Kaidan climbed the steps to the deck he came straight for me, his hair slicked back with sweat from running. He took my face in his hands, breathing hard, lips tight, eyes like blue blazes. “Don’t ever do that again,” he ground out. It took a second to process his words and remember what exactly I wasn’t supposed to do again. Then I recalled interfering. “I know it was dangerous,” I admitted, “but there were five of them—” “I can bloody well handle myself, Anna!” His hands flung away from my face. “Maybe if there were only a couple, but there were five pissed-off psychos with weapons! I couldn’t just stand there and watch!” Kaidan, exasperated, pivoted like he was going to walk away, raked his fingers through his hair, and turned to me again. “What did you think you could do?” he asked. “You got in a lucky shot when you racked him, but what if it hadn’t worked? As you saw today your mind powers don’t always work!” Ah. He had no idea what I was capable of now. I held a hand out. “Give me your knife.” His eyebrows went together. “What?” “Just give it to me.” I stepped closer, feeling edgy. “No, Anna, I don’t know what you’re trying to do, but this is ridic—” My movements were fast as I went for him full force, using all my body weight and strength to hook a foot behind his knee and slam my palm into his shoulder. He landed on his back with a surprised oof and I crouched over him. “Give me your knife,” I said again. “Holy . . .” Blake let out a long whistle from where he watched at the rail. Kaidan lay there with a whimsical sort of look and said, “God, that was hot.” I held out my hand. This time he fished the knife from his waistband and placed the onyx handle in my palm. From my crouched position I momentarily eyed a wooden bird statue perched at the top of the deck rail twenty feet away, then let the cool metal fly from my fingers. It spun through the air with a sound like rapid wing beats, then a whump as it stuck into the side of the bird’s head. “Dude!” Blake yelled. Beneath me, where Kaidan lay, burst a vivid cloud of red so brief I wondered if I’d imagined it. I stared down at him in shock. “You showed your colors!” I said. “Did not.” He pushed himself up and we both stood. “You totally let ’em out, brah,” Blake told him with a grin. “Shut up.” When he peered down at me I said, “I’ve been training. I’m not completely helpless anymore.” “I can see that,” he murmured.
Wendy Higgins (Sweet Peril (Sweet, #2))
Chris.” Michael had another bag, and he added it to the stack. “Less talk. More work.” A spark of irritation lit Chris’s features, but he turned toward the garage. “Come on. Talk to me while I load. He’s just pissed because he’s already late.” Becca followed him into the cool cavern of the garage. He picked up a bag from the stack and heaved it onto his shoulder. This felt awkward. “Can I help you? Or—” “Go ahead.” He flashed a smile. “Bring one out.” She bent and slid her hands under the slick edges of the sack. It felt like a bag of sand, and it was marked 35KG. She could never remember if kilograms were more than pounds or the other way around, but she crouched and heaved and attempted to lift the sack of limestone. Christ. It’s more. Kilograms are more. The bag had to weigh at least eighty pounds. She couldn’t even get it off the pallet. “Excuse me.” One of the twins, his voice threaded with humor. She stepped back, already sensing sweat on her back, just from that moment of effort. She felt like an idiot. Especially when he hooked his hands under two bags and lifted them against his chest. “Showoff,” she said. He shook the hair off his forehead. “Maybe you could go in the kitchen and bake us some cookies or something.” “Shut up.” He gave her a wicked grin over his shoulder. “Just saying.
Brigid Kemmerer (Storm (Elemental, #1))
Two sailors hauled on ropes, hoisting the jolly boat up to the ship’s side, revealing two apocryphal figures standing in the center of the small craft. At first glance, Sophia only saw clearly the shorter of the two, a gruesome creature with long tangled hair and a painted face, wearing a tight-fitting burlap skirt and a makeshift corset fashioned from fishnet and mollusk shells. The Sea Queen, Sophia reckoned, a smile warming her cheeks as the crew erupted into raucous cheers. A bearded Sea Queen, no less, who bore a striking resemblance to the Aphrodite’s own grizzled steward. Stubb. Sophia craned her neck to spy Stubb’s consort, as the foremast blocked her view of Triton’s visage. She caught only a glimpse of a white toga draped over a bronzed, bare shoulder. She took a jostling step to the side, nearly tripping on a coil of rope. “Foolish mortals! Kneel before your king!” The assembled sailors knelt on cue, giving Sophia a direct view of the Sea King. And even if the blue paint smeared across his forehead or the strands of seaweed dangling from his belt might have disguised him, there was no mistaking that persuasive baritone. Mr. Grayson. There he stood, tall and proud, some twenty feet away from her. Bare-chested, save for a swath of white linen draped from hip to shoulder. Wet locks of hair slicked back from his tanned face, sunlight embossing every contour of his sculpted arms and chest. A pagan god come swaggering down to earth. He caught her eye, and his smile widened to a wolfish grin. Sophia could not for the life of her look away. He hadn’t looked at her like this since…since that night. He’d scarcely looked in her direction at all, and certainly never wearing a smile. The boldness of his gaze made her feel thoroughly unnerved, and virtually undressed. Until the very act of maintaining eye contact became an intimate, verging on indecent, experience. If she kept looking at him, she felt certain he knees would give out. If she looked away, she gave him the victory. There was only one suitable alternative, given the circumstances. With a cheeky wink to acknowledge the joke, Sophia dropped her eyes and curtsied to the King. Mr. Grayson laughed his approval. Her curtsy, the crew’s gesture of fealty-he accepted their obeisance as his due. And why should he not? There was a rightness about it somehow, an unspoken understanding. Here at last was their true leader: the man they would obey without question, the man to whom they’d pledge loyalty, even kneel. This was his ship. “Where’s the owner of this craft?” he called. “Oh, right. Someone told me he’s no fun anymore.” As the men laughed, the Sea King swung over the rail, hoisting what looked to be a mop handle with vague aspirations to become a trident. “Bring forth the virgin voyager!
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
Hanging around them made Charlie feel like maybe there wasn’t anything wrong with her. It didn’t matter if she didn’t fit in at school, or that her body kept changing on her. It was okay when her best friend’s parents took one look at Charlie and clocked her for trouble. When even Laura herself, who’d known her since she was eight, started acting weird. It was fine that she’d given up hoping her mother would notice there was something strange about Rand taking her on trips all the time. All those people who judged her or couldn’t be bothered with her were marks. She’d have the last laugh. “You gotta be like a shark in this business,” Benny told her with his soft voice and slicked-back hair. “Sniff around for blood in the water. Greet life teeth first. And no matter what, never stop swimming.” Charlie took that advice and the money from her last job with Rand and got a tattoo. She’d wanted one, and she’d also wanting to know if she could con a shop into giving her ink, even though she was three years away from eighteen. It involved some fast talking and swiping a notary sigil, but she got it done. Her first tattoo. It was still a little bit sore when she moved. Along her inner arm was the word “fearless” in looping cursive letters, except the tattooist had spaced them oddly so that it looked as though it said “fear less.” It reminded her of what she wanted to be, and that her body belonged to her. She could write all over it if she wanted.
Holly Black (Book of Night (Book of Night, #1))
She clambered to the shoreline. Numb and shaken, she began to dress. It wasn’t easy as she fumbled with slick fingers to put dry clothes over wet skin. She instantly regretted her naked swim. She pulled on her long-sleeved white chemise first. She faced the forest, away from her rescuer. He quietly splashed to shore. His lifeblood burned into her back. He wasn’t far behind, but he stopped. She refused to look at him until she was fully clothed, not out of embarrassment of her nudity, but for what had just happened. He released a groan and mumbled under his breath about wet boots. His voice was not one of her father’s soldiers. When she put the last garment on, her brown wool work kirtle, she squeezed out her sopping hair and swept her hands through the knotty mess. She fastened her belt and tied the lacings up the front of the kirtle. Blood returned to her fingertips, and she regained her composure. Belated awareness struck her, and she leaned down and searched through her bag for her dagger. She spun around. She gasped as she saw the man sitting on the stone-covered shoreline, his wet boots off. Confusion and the hint of a scowl filled his strong-featured face. She staggered back, caught her heel on a stone, and fell, dropping the dagger. Dirt and pebbles stuck to her wet hands and feet, and she instinctively scrambled away from him. His glower, iridescent dark blue eyes, and disheveled black hair were not unfamiliar. Staring at her was the man she had seen in her dream – it was the man from the wood.
Jean M. Grant (A Hundred Kisses (The Hundred Trilogy, #2))
Lifting his head, Quincel de Morhban looked at me with something like awe. “It’s true,” he whispered. “What they say … Kushiel’s Dart. It’s all true.” “Yes, my lord,” I murmured; if he’d told me the moon was locked in his stables, I’d have said the same, at that moment. De Morhban released me, turning away to pluck a great silvery rose, mindful of its thorns. “You see this?” he asked, placing it in my hand and folding my fingers about the stem. “It exists nowhere else. My Namarrese-gardener bred it. Naamah’s Star, he calls it.” His hand was still around mine; he closed it, tightening my clutch on the stem. Thorns pierced my skin and I gasped, my bones turning to water. The silvery rose blossomed between us, fragrant in the torchlit night air, while blood ran, drop by slow drop, from my fist. De Morhban’s gaze held me pinioned, his body close, rigid phallus pressed against my belly. He released my hand and I sank to my knees, divining his desire, unfastening his breeches, the rose falling forgotten as I took him in my hand, his hard-veined and throbbing phallus, slick with my own warm blood, and then into my mouth. All around us his unlikely garden opened onto the night as I performed the languisement until he drew away at the end, spending himself on me, in the garden, drops of milky fluid lying on my skin, on the dark leaves and silken petals, pearlescent and salty. He groaned with pleasure, then gazed down at me, freeing my hair from the caul with a harsh twist, so that it cascaded about my shoulders and down my back. “Dinner,” he said, catching his breath. “And then I will show you my pleasure-chamber, little anguissette.
Jacqueline Carey (Kushiel's Dart (Phèdre's Trilogy #1))
LATE ONE AFTERNOON, after watching for Chase Andrews, Kya walks from her shack and lies back on a sliver of beach, slick from the last wave. She stretches her arms over her head, brushing them against the wet sand, and extends her legs, toes pointed. Eyes closed, she rolls slowly toward the sea. Her hips and arms leave slight indentions in the glistening sand, brightening and then dimming as she moves. Rolling nearer the waves, she senses the ocean’s roar through the length of her body and feels the question: When will the sea touch me? Where will it touch me first? The foamy surge rushes the shore, reaching toward her. Tingling with expectancy, she breathes deep. Turns more and more slowly. With each revolution, just before her face sweeps the sand, she lifts her head gently and takes in the sun-salt smell. I am close, very close. It is coming. When will I feel it? A fever builds. The sand wetter beneath her, the rumble of surf louder. Even slower, by inches she moves, waiting for the touch. Soon, soon. Almost feeling it before it comes. She wants to open her eyes to peek, to see how much longer. But she resists, squinting her lids even tighter, the sky bright behind them, giving no hints. Suddenly she shrieks as the power rushes beneath her, fondles her thighs, between her legs, flows along her back, swirling under her head, pulling her hair in inky strands. She rolls faster into the deepening wave, against streaming shells and ocean bits, the water embracing her. Pushing against the sea’s strong body, she is grasped, held. Not alone. Kya sits up and opens her eyes to the ocean foaming around her in soft white patterns, always changing.
Delia Owens (Where the Crawdads Sing)
At the time that he had seriously begun to consolidate his organization, Parker was working in a custom photo lab. The reader who is not much taken by audiovisual pastimes may have a deficient picture of that place where Parker was employed; or perhaps not so much a deficient picture--the dyes faded, shoddily spotted, brutishly burned in and doltishly dodged by subhuman technicians under the glare of the enlargers--as an image which had been misfiled in the archives of the memory, representing instead one of those bleak Photo Drive-Ups and Presto Printses located nowadays on the corner of almost every large parking lot, in which the clerks wait sadly behind their glass counters, but no one comes in, and the air becomes darker and darker over the course of the morning as a result of exhaust fumes (there goes another brain cell; ping! - THAT thought will never be completed now); and the pink chubby tots smiling at your from the walls in sample enlargements become steadily more grimy, and by the lunch break they are brown; and the day ticks off on the loud digital clock; and then finally a car creeps into the lot, and a popeyed couple locks that vehicle doors listlessly; they request a reprint of a washed-out snapshot of their son who was killed in the Indian Wars, and they go away; and after a long time here comes a slick-haired teenager who once took a few pix of his girlfriend holding a balloon at the zoo in front of the monkey cage on a dirty overcast day, and the clerk can tell just by looking at this customer that they won’t come out, because the guy’s a loser if the clerk knows anything at all about losers and in fact he knows a hell of a lot about losers because why else would he be stuck with this job?
William T. Vollmann (You Bright and Risen Angels (Contemporary American Fiction))
On the second Sabbat of Twelfthmoon, in the city of Weep, a girl fell from the sky. Her skin was blue, her blood was red. She broke over an iron gate, crimping it on impact, and there she hung, impossibly arched, graceful as a temple dancer swooning on a lover’s arm. One slick finial anchored her in place. Its point, protruding from her sternum, glittered like a brooch. She fluttered briefly as her ghost shook loose, and torch ginger buds rained out of her long hair. Later, they would say these had been hummingbird hearts and not blossoms at all. They would say she hadn’t shed blood but wept it. That she was lewd, tonguing her teeth at them, upside down and dying, that she vomited a serpent that turned to smoke when it hit the ground. They would say a flock of moths came, frantic, and tried to lift her away. That was true. Only that. They hadn’t a prayer, though. The moths were no bigger than the startled mouths of children, and even dozens together could only pluck at the strands of her darkening hair until their wings sagged, sodden with her blood. They were purled away with the blossoms as a grit-choked gust came blasting down the street. The earth heaved underfoot. The sky spun on its axis. A queer brilliance lanced through billowing smoke, and the people of Weep had to squint against it. Blowing grit and hot light and the stink of saltpeter. There had been an explosion. They might have died, all and easily, but only this girl had, shaken from some pocket of the sky. Her feet were bare, her mouth stained damson. Her pockets were all full of plums. She was young and lovely and surprised and dead. She was also blue. Blue as opals, pale blue. Blue as cornflowers, or dragonfly wings, or a spring—not summer—sky.
Laini Taylor (Strange the Dreamer (Strange the Dreamer, #1))
You’re mine,” he said when he drew back, gazing down at her with a hunger that should have made her run. “No one else’s.” He gripped her hips and set her on the edge of his desk. Before she could figure out what he was doing, he brushed her dress up, spread her thighs, and ripped her thong. “Gavin, what—?” His tongue slipped into her vagina, and her mind went blank with shock. He dragged her to the edge of the desk and ate her as if his life depended on it. One hand pinned her thigh open while the other cupped her ass, drawing her tight to his intimate kiss. She couldn’t think as pleasure ricocheted through her. His talented mouth suckled her clit. Before she could counteract the pleasure or get a hold on it, her climax, violent and unstoppable, blasted through her. She wrapped her legs around his head, body bowing as he slammed his fingers into her, eliciting mind-numbing pleasure so great, her mind shut down and her body took over. When it became too much, she yanked on his hair, trying to get his mouth away from her. He moaned but didn’t budge. She could hear him swallow as he lapped up her juices. “G-Gavin, please stop,” she said hoarsely, shuddering. Without moving his head, he pushed her, so she sprawled on her back in a boneless heap on the slick surface of his desk. He used his fingers this time, curling and stroking. The heat began to build again. She tried to kick him, but his hands pinned her wide, and she had no defense as he teased oversensitive nerves. “I-I can’t,” she panted even as another climax punched through her. She erupted, body jerking as he pulled the strings like the master he was. When rational thought returned, she found him standing over her, fingers still buried between her legs. His eyes were ablaze with lust. “I didn’t ask the first time. You say I raped you. Will you let me have you?” It would feel damn good, but... “No.
Mia Knight (Crime Lord's Captive (Crime Lord, #1))
The SWAT team leader didn't like us cutting up the body. He and Ramirez went into a yelling match. While everyone was watching the argument, I nodded to Olaf and he beheaded the corpse in one blow. Blood gushed out onto the cave floor. "What the fuck are you doing?" one of the SWAT cops asked, bringing his gun pointed at us. "My job," I said. I put the tip of the blade under the ribs. The policeman brought the gun up to his shoulder. "Get away from the body until the captain tells you it's okay to do it." I kept the knife against the body. "Olaf." "Yes." "If he shoots me, kill him." "My pleasure." The big man turned his eyes to the policeman, and there was something in that gaze that made the heavily armed man take a step back. I plunged the blade into the skin, and it slid home. I cut a hole just below his ribs and reached into the hole. It was tight and wet and slick, and it took two hands to get the heart out, one to cut it free of the connecting tissue, and one to hold onto it. I drew it from the chest, blood stained to my elbows. I caught Ramirez and Bernardo both looking at me, with nearly identical looks on their faces. I didn't think either of them would be wanting a date any time soon. They'd always remember watching me cut a man's heart out, and that memory would stain anything else. With Bernardo, I didn't give a shit. With Ramirez, it hurt to see that look in his eyes. A hand touched the heart. I stared at that hand, then looked up to meet Olaf's eyes. He wasn't repulsed. He stroked the heart, hands sliding over mine. I pulled away, and we looked at each other over the body we'd butchered. No, Olaf wasn't repulsed. The look in his eyes was that pure darkness that only fills a man's eyes in the most intimate of situations. He raised the severed head up by the hair and held it almost as if he'd let me kiss it. Then I realized he was holding it over the heart, like a matched pair. I had to turn away from what I saw in his face.
Laurell K. Hamilton (Obsidian Butterfly (Anita Blake, Vampire Hunter, #9))
Splatters of mud stained Rothbury's fine lawn shirt, which clung slickly to the broad expanse of his back like a second skin. Having rolled up his sleeves at the onset of his task, his muscled arms were now streaked with mud and rain as were the tall boots and tight black breeches that hugged the sinewy muscles of his long, undoubtedly strong legs. Her admiring gaze alighted upon his golden-brown hair, which now looked more brown than golden as it was wet with perspiration and mist. A few locks lay plastered to his neck in wispy whorls. Charlotte suddenly felt overly warm. Seeing him... wet... somehow embarrassed her. It felt dark, intimate. Truly, if it weren't for the mud- and clothes- she rather thought this would be what he looked like after a bath. A shiver ran down her arms as her eyes drifted to the dewy trails of rain droplets that ran over his slightly bristled jaw and neck, disappearing in the nest of his loosely tied cravat. And then her hungry gaze raised... and connected with Rothbury's. All thoughts flew straight out of her head. Looking at her from over his shoulder, he straightened, his smile twisting with arrogance. Despite the chill in the air, her cheeks felt as if they were on fire. How long had he been watching her in-depth perusal? Long enough, she supposed, if the heated gleam in his eyes was any indication at all. She blinked, shaking her head hurriedly, hoping by that action she was silently telling him, "No, I definitely was not looking at you." He answered her gesture by nodding slowly, telling her he knew exactly what she had been doing and that he had caught her in the act. She gave her head another insistent shake. Still looking at her from over his shoulder, he sauntered back to the carriage, his smile broadening. He lifted his shoulder as if to say, "I don't care. Look all you want." She shook her head again, tightly. He winked. She gulped. And then he set back to work with the other men to free the carriage.
Olivia Parker (To Wed a Wicked Earl (Devine & Friends, #2))
A pirate! A black patch covered her rescuer's left eye. The elastic holding it in place drew a thin line between his dark brows and across his forehead. His dark hair was wet, and slicked back off his lean face. His strong jaw was hazed with dark bristle. His face bore the austere lines of a man hounded by demons and comfortable with danger. He looked scruffy, unkempt, and strangely appealing. Tally attributed her reaction to being delirious with shock. "Seen enough?" he asked dryly as she continued to stare. "Or do you want me to turn around?" By all means, do. "Sorry. I wasn't really looking looking-I zoned out there for a second." Very smooth, Tallulah. "I wasn't looking looking"? Oh, brother. She blew out a sigh. He wasn't quite a giant, but he was solidly built, and towered over her own not insubstantial five foot nine by a good five or six inches. Six foot four of sheer power, hard muscle, and sex appeal. His broad, darkly tanned shoulders gleamed with moisture. Salt water glittered like tiny diamonds in the hair on his chest and on the silky dark hair on his thickly muscled legs. His hands and feet were enormous. "Understandable." His mocking and enigmatic gaze took in her clinging clothes, bare feet, and grim hold on the railing as his boat rode the swells. There wasn't a thing she could do about her appearance, so she didn't bother fiddling. Besides, she didn't want to draw attention to the wet transparency of her blouse. Not that he looked the type to be crazed by lust. Especially for a woman like her. Perversely disappointed, she realized that far from being crazed with lust at the sight of her size A boobs, the pirate hadn't even noticed he could see right through her shirt. That one, piercing, whiskey-colored eye locked onto her, and Tally's stomach did a weird little somersault. Adrenaline still raced through her body at a furious clip. She took a deep, shuddering breath. "Tally Cruise." Pleased she sounded coherent under the circumstances, she thrust out her hand and smiled. "Michael Wright." He took her hand, not with his right, but his left. His thumb brushed the back of her knuckles. Little zings of electricity shot up her arm.
Cherry Adair (In Too Deep (T-FLAC, #4; Wright Family, #3))
this thing—his thing—still well and alive inside me. # I dreamed of clawed hooks and sexual abandon. Faces covered in leather masks and eyeliner so dark I could only see black. Here the monsters would come alive, but not the kind you have come to expect. I watched myself as if I were outside my own flesh, free from the imprisonment of bone and conscience. Swollen belly stretch-marked and ugly; my hair tethered and my skin vulnerable. Earthquake beats blared from the DJ booth as terrible looking bodies thrashed, moshed and convulsed. Alone, so alone. Peter definitely gone, no more tears left but the ones that were to come from agony. She was above me again, Dark Princess, raging beauty queen, and I was hers to control. The ultimate succession into human suspension. Like I’d already learned: the body is the final canvas. There is no difference between love and pain. They are the same hopeless obsession. The hooks dived, my legs opened and my back arched. Blood misted my face; pussy juice slicked my inner thigh as my water suddenly broke. # The next night I had to get to the club. 4 A.M. is a time that never lets me down; it knows why I have nightmares, and why I want to suspend myself above them. L train lunacies berated me once again, but this time I noticed the people as if under a different light. They were all rather sad, gaunt and bleary. Their faces were to be pitied and their hands kept shaking, their legs jittering for another quick fix. No matter how much the deranged governments of New York City have cleaned up the boroughs, they can’t rid us of our flavor. The Meatpacking District was scarily alive. Darkness laced with sizzling urban neon. Regret stitched up in the night like a black silk blanket. The High Line Park gloomed above me with trespassers and graffiti maestros. I was envious of their creative freedom, their passion, and their drive. They had to do what they were doing, had to create. There was just no other acceptable life than that. I was inside fast, my memories of Peter fleeting and the ache within me about to be cast off. Stage left, stage right, it didn’t matter. I passed the first check point with ease, as if they already knew the click of my heels, the way my protruding stomach curved through my lace cardigan. She found me, or I found her, and we didn’t exchange any words, any warnings. It was time. Face up, legs open, and this time I’d be flying like Superman, but upside down. There were many hands, many faces, but no
Joe Mynhardt (Tales from The Lake Vol. 1)
He held her down in the cushioning billows of the bed, kissed her, fondled and provocatively caressed until she arched, with her body begged; breaking from the kiss, he trailed hot, wet, openmouthed kisses down the taut line of her throat, over the creamy upper swell of her breast, and gave her the first course of what she'd asked for. He feasted on her breasts without quarter, licked, suckled, and laved as she writhed and gasped beneath him, as her hands gripped and tightened on his skull as he drew every last gasp and moan he could from her, then moved on. Over her midriff, down over her waist, pausing to pay homage to the sensitive indentation of her navel, then he shifted still lower. Trapping one of her long legs beneath him, lifting and draping the other over his shoulder, he held it there, held her steady as he pressed an ardent kiss to the curls shielding her mons. He heard her breath hitch, felt her body tremble, then tense and coil. Glancing at her face, he caught a glimpse of intense cornflower blue burning beneath her heavy lids, saw her lips slick and swollen from his kisses, parted in shocked disbelief. Deliberately he slid lower, bent and set his lips to the slick, swollen flesh between her thighs. She jerked, moaned. He licked and she screamed. She reached for him, but could only touch his head. Her fingers twined in his hair, tightened; she tensed to tug, but he licked again, then slowly, expertly probed, and she didn't move. Panting, eyes shut, she waited. Inwardly smug, he settled to worship her in that way, too, to taste her, to fill his senses with her, and hers with him. She let him have his way, let him taste her as he wished, let him try her with his tongue and drive her mindless. He asked, and she surrendered; he took, and she gave. In return, he pleasured her with unwavering devotion until she sobbed and cried out his name. Rising, he rolled her firmly onto her back, trailed kisses like fire up her belly and breasts as he loomed over her, spreading her thighs wide, settling between. He held himself over her, arms braced as he kissed her, tasted her desperation on her lips. Then with one, single powerful thrust he joined them. She closed about him like a glove, and he gasped; like the goddess he'd named her she welcomed her servant into her temple and embraced him. He moved, and she moved with him, fluidly meeting him as they gave themselves up to the now familiar dance. His thoughts fractured, ripped from him as a whirlpool of sensation rose up, drenched, then drowned him.
Stephanie Laurens (The Taste of Innocence (Cynster, #14))
On the second Sabbat of Twelfthmoon, in the city of Weep, a girl fell from the sky. Her skin was blue, her blood was red. She broke over an iron gate, crimping it on impact, and there she hung, impossibly arched, graceful as a temple dancer swooning on a lover’s arm. One slick finial anchored her in place. Its point, protruding from her sternum, glittered like a brooch. She fluttered briefly as her ghost shook loose, and torch ginger buds rained out of her long hair. Later, they would say these had been hummingbird hearts and not blossoms at all. They would say she hadn’t shed blood but wept it. That she was lewd, tonguing her teeth at them, upside down and dying, that she vomited a serpent that turned to smoke when it hit the ground. They would say a flock of moths came, frantic, and tried to lift her away. That was true. Only that. They hadn’t a prayer, though. The moths were no bigger than the startled mouths of children, and even dozens together could only pluck at the strands of her darkening hair until their wings sagged, sodden with her blood. They were purled away with the blossoms as a grit-choked gust came blasting down the street. The earth heaved underfoot. The sky spun on its axis. A queer brilliance lanced through billowing smoke, and the people of Weep had to squint against it. Blowing grit and hot light and the stink of saltpeter. There had been an explosion. They might have died, all and easily, but only this girl had, shaken from some pocket of the sky. Her feet were bare, her mouth stained damson. Her pockets were all full of plums. She was young and lovely and surprised and dead. She was also blue. Blue as opals, pale blue. Blue as cornflowers, or dragonfly wings, or a spring—not summer—sky. Someone screamed. The scream drew others. The others screamed, too, not because a girl was dead, but because the girl was blue, and this meant something in the city of Weep. Even after the sky stopped reeling, and the earth settled, and the last fume spluttered from the blast site and dispersed, the screams went on, feeding themselves from voice to voice, a virus of the air. The blue girl’s ghost gathered itself and perched, bereft, upon the spearpoint-tip of the projecting finial, just an inch above her own still chest. Gasping in shock, she tilted back her invisible head and gazed, mournfully, up. The screams went on and on. And across the city, atop a monolithic wedge of seamless, mirror-smooth metal, a statue stirred, as though awakened by the tumult, and slowly lifted its great horned head.
Laini Taylor (Strange the Dreamer (Strange the Dreamer, #1))