Slice Of Life Anime Quotes

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There is nothing new about prophecies to the effect that the end of the world is near if we do not repent. What is new is that such a prophecy is now true, for two obvious reasons. First, nuclear weapons give us the means to wipe ourselves out quickly: no humans possessed this means before. Second, we already appropriate about forty per cent of the Earth’s net productivity (that is, the net energy captured from sunlight). With the world’s human population now doubling every forty-one years, we will soon have reached the biological limit to growth, at which point we will have to start fighting each other in deadly earnest for a slice of the world’s fixed pie of resources. In addition, given the present rate at which we are exterminating species, most of the world’s species will become extinct or endangered within the next century, but we depend on many species for our own life support.
Jared Diamond (The Rise And Fall Of The Third Chimpanzee: how our animal heritage affects the way we live)
Please, if necessary, blame my British indoctrination or blame my affiliation to the MSPCA (the Massachusetts Society for the Prevention of Cruelty to Animals refuses to perform ear cropping, tail docking, debarking, or cat declawing), but I have a problem with slicing off a hefty chunk of healthy skin and associated cartilage and then submitting an animal to weeks of ridiculous taping and splinting as you strive to achieve the desirable degree of erectness.
Nick Trout (Tell Me Where It Hurts: A Day of Humor, Healing, and Hope in My Life as an Animal Surgeon)
All beasts were made of meat and blood. Their daily life often involved some kind of gore. When they sliced open any of the animals around them, the insides of the bodies looked much the same as their own. The blood of a red deer tasted surprisingly similar to one's own blood. A chip of the bone of a wolverine was hard to distinguish from a chip of a brother's bone. For all these similarities, there was a sharp divide that separated the beasts. there were only two kinds of meat: The meat that gets to eat. And the meat that gets eaten.
Claire Cameron
If I could be any animal, I would be a wish dragon that would only appear when a kid needed it. Based on my experience with imaginary friends, they're needed. But dragons eat meat, and I couldn't do that. So I'd have to be a vegetarian dragon; a thin dragon, because I'd spend a lot of time looking for food. That's a ton of carrots, apples, oranges...Unless I was a tiny, baby dragon. Then I'd just need, like, a little slice of cheese.
Nigel Poor (This Is Ear Hustle: Unflinching Stories of Everyday Prison Life)
Vague speculation thrives in weather like this. The world is muffled in white, motor-roads and telegraph-poles vanish, a few castles appear in the middle distance; everything slips back hundreds of years. The details of the landscape - the leafless trees, the sheds, the church towers, the birds and the animals, the sledges and the woodmen, the sliced ricks and the occasional cowmen driving a floundering herd from barn to barn - all these stand out dark in isolation against the snow, distinct and momentous.
Patrick Leigh Fermor (A Time of Gifts (Trilogy, #1))
As Herb sliced his small partridge stuffed with wild rice, the fresh vegetables artfully arranged on his plate by the cook, the conversation flowed. Lucy Fur, standing on her hind legs on the floor, raised a paw, placing it on Herb’s thigh. He cut a small piece of partridge for her, put it on a bread plate, and bent over. No one said a word, since everyone there would have done the same thing. The springer spaniel rejoined them upon hearing the plate scrape the floor. These were animal people. The differences among them were differences of income, age, gender, and the mysteries of personality. But when it came to animals, they were as one. Every single one of them, even Tazio, new to animal ownership, cherished a deep respect for all life.
Rita Mae Brown (Sour Puss (Mrs. Murphy, #14))
Animals are logical creatures...Humans? We're emotional. We're swayed by how things make us feel, even if we're quietly aware that those feelings are leading us down a dark and dangerous road where the next thing we're likely to feel is a kick in the proverbial unmentionables.
Dante King (Legend to Farmer: A Slice of Life Fantasy)
The Big Five extinctions are simply slightly more intense than the sixth- or seventh-largest declines, and you could just as easily discuss the Big Seven or Big Ten, depending on how you sliced up the data. This tally refers only to extinctions since the “Cambrian explosion,” the sudden proliferation of complex animal life 542 million years ago, and it neglects extinction events that happened earlier, during several billion years of evolution dominated by simpler organisms. So, though the changes occurring right now are often referred to as the beginning of a possible “sixth extinction,” take this with a grain of salt. It’s good to focus attention on the dramatic loss of species currently under way and how this fits into the history of extinction events on Earth, but this also reinforces an incomplete picture of Earth’s dynamic history. Post-Alvarez,
David Grinspoon (Earth in Human Hands: Shaping Our Planet's Future)
You, too, can have your own little slice of paradise; all you have to do is destroy that paradise in the process. This kind of banal desire, and the greed that sold it, has been Florida’s true destruction. Developers pitted man versus nature, not as it had been before as a struggle for survival out in a harsh and remote wilderness, but as a struggle to uphold a false hierarchy of creation. Humans are more important than animals, they said. The soil is ours to scourge and conquer. Marketing has convinced us that trivial luxuries are more important than the natural world, as if we are not part of the natural world ourselves, as if our consumption is not a bid against our own interests, one in favor of concrete and routine against the unwieldy and awe-inspiring, monotony against biodiversity, pesticides against night music, the greed of a few against life itself on our planet. Dozens of species go extinct every day, with perhaps a million more under threat of extinction within our lifetime. Corporate greed tells us this doesn’t merit our attention. If you feel bad, cut back on your own, because it’s certainly not their fault. Such PR sleight of hand shifts the blame, feeds our guilt, inflames our anxiety, convinces us to consume more and more, until we give up caring, if we ever cared at all. Without thinking, we have become numb to the quiet collapse going on around us. Everything is connected. A species dying is a piece of our world dying. If the world dies, we die, too.
Rebecca Renner (Gator Country: Deception, Danger, and Alligators in the Everglades)
The plate the waiter now set before her looked like an abstract painting: vivid green shot through with bright-coral slashes. "Taste!" he urged. It was clearly a fish but so sweet she did not recognize it. Looking at the color, she hazarded a guess. "Salmon? Or maybe not. It doesn't taste like salmon." Troisgros looked very pleased. "That is because it was caught just this morning in the Allier, our local river. But also because we preserve the color by slicing the fish very thinly and searing it for just a few seconds." "So it's almost raw?" She wasn't sure about this. "In Japan they eat their fish raw." She took another bite; the herbal sauce flirted with bitterness. "The flavor is so green I feel I'm eating color." "Sorrel." He gestured to the waiter, who removed the plates and then set a single small bird surrounded by sliced fruit in front of each of them. "Sarcelle aux abricots," he announced. "Sarcelle?" Stella did not recognize the word. "It's a freshwater duck," said Jules. "I can't remember the word in English." "Teal," Troisgros supplied. Stella closed her eyes and tried describing the flavor. "It tastes wild." She began to dream herself into the dish as if it were a painting, imagining a golden field in the sunshine, feeling the air rush past, hearing the sound of her own wings. Circling in a great joyous arc, she spotted a tree covered in tawny fruits, breathed their perfume in the air. "I wanted---" the chef was watching her--- "to give you the essence of the animal. To let you taste what the duck ate on her flight through life.
Ruth Reichl (The Paris Novel)
misconceptions of both science and philosophy. I believe that nowadays we live no longer in the presence of the world, but rather in a re-presentation of it. The significance of that is that the left hemisphere’s task is to ‘re-present’ what first ‘presences’ to the right hemisphere. This re-presentation has all the qualities of a virtual image: an infinitely thin, immobile, fragment of a vast, seamless, living, ever-flowing whole. From a standpoint within the representation, everything is reversed. Instead of seeing what is truly present as primary, and the representation as a necessarily diminished derivative of it, we see reality as merely a special case of our representation – one in which something is added in to ‘animate’ it. In this it is like a ciné film that consists of countless static slices requiring a projector to bring it back into what at least looks to us like a living flow. On the contrary, however, reality is not an animated version of our re-presentation of it, but our re-presentation a devitalised version of reality. It is the re-presentation that is a special, wholly atypical and imaginary, case of what is truly present, as the filmstrip is of life – the re-presentation is simply what one might call the ‘limit case’ of what is real. Stepping out of this world-picture and into the world, stepping out of suspended animation and back into life, will involve inverting many of our perhaps cherished assumptions.
Iain McGilchrist (The Matter With Things: Our Brains, Our Delusions and the Unmaking of the World)
the preceding and succeeding frames. Life, however, does not represent an argument against eternalism, because there is no need to restrict ourselves to a single frame when determining if an animal is alive or not (we can wait to see multiple frames of the movie to provide a verdict).21 A related point pertains to Zeno’s arrow paradox: can a flying arrow be said to moving if we look at infinitesimally small time slices? In a sense the answer is yes, because we can define an object’s instantaneous velocity. But unlike the arrow, conscious beings must be aware of their own “motion” within these instantaneous frames. So the question is whether a slice of the block universe can sustain the phenomenon of consciousness, or does consciousness require some temporal
Dean Buonomano (Your Brain is a Time Machine: The Neuroscience and Physics of Time)
With cooking, plants and animals became the raw materials for food, not food itself. Given that we commonly use the word “food” to describe what farmers grow, and given that we eat nuts, fruit, some vegetables, and even fish and steak tartare without cooking, the statement that plants and animals are not food may seem counterintuitive. The fact is that most of us get only a small fraction of our calories from raw foods. Even so, that fraction is probably higher than that of our ancestors, since we are the beneficiaries of millennia of breeding that have created larger, sweeter fruits and more tender vegetables and meat. Furthermore, even what we call raw has usually been subjected to many kitchen processes. Few of us sink our teeth into raw steak unless it has been finely chopped or sliced. Raw foodists allow slicing, grinding, chopping, soaking, sprouting, freezing, and heating to 104–120 degrees Fahrenheit. In spite of modern high-quality plant foods and careful preparation, it is almost impossible to thrive on such a diet, according to evidence gathered by Richard Wrangham. In antiquity, people happily accepted that humans ate cooked food. Indeed, they saw it as what distinguished them from animals. Perhaps it is because today we place so much emphasis on “fresh” and “natural” foods—which Susanne Freidberg has shown are made possible only by changing animal life cycles, modern transport, refrigeration, and ingenious packaging—that we underestimate how much we depend on cooking. In any case, there is no escaping that with cooking, food became an artifact, like clothes and dwellings, not natural but made by humans. A sheaf of wheat is no more food than a boll of cotton is a garment.
Rachel Laudan (Cuisine and Empire: Cooking in World History (California Studies in Food and Culture Book 43))