Sleeve Snake Quotes

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The newcomer stood well over six feet, as tall as any Warden. His hair was dark, the color of obsidian, and it reflected blue in the dim light. Lazy locks slipped over his forehead and curled just below his ears. Brows arched over golden eyes and his cheekbones were broad and high. He was attractive. Very attractive. Mind-bendingly beautiful, actually, but the sardonic twist to his full lips chilled his beauty. The black T-shirt stretched across his chest and flat stomach. A huge tattoo of a snake curled around his forearm, the tail disappearing under his sleeve and the diamond-shaped head rested on the top of his hand. He looked my age. Total crush material—if it wasn’t for the fact that he had no soul.
Jennifer L. Armentrout (White Hot Kiss (The Dark Elements, #1))
I had a hand fetish. His hands were big, probably beneficial for that stupid sport he played. His were the kind of hands that made wedding rings look sexy—tan with vein lines that ran like snaking rivers to his wrist and disappeared under his sleeves.
Tarryn Fisher (The Opportunist (Love Me with Lies, #1))
The sleeve covered its appendages well until it reached outward to Grady. Instead of a hand, several dark green and black-splotched tentacles spilled out of the sleeve. They snaked through the air toward Grady’s face. They glistened in the early morning light and long strands of a mucous-like substance dripped from them and clung like shiny webs to its robe.
Brian Barnett (State of the Dark)
That present sucked," I muttered. Dad slipped an arm around my shoulder and helped me sit up. As he did, his sleeve fell back to reveal several slivers of demonglass embedded in his forearm. "I'm fine," he said before I could ask. "Cal can get them out later. Are you all right?" My shoulder was still on fire, but there was no pain anywhere else, and other than the shock of being blown backward and stabbed, I was peachy. "I think so. What was that, like a magic pipe bomb?" The present lay in tatters on the floor, its ribbon coiling and snapping like a snake. Cal stomped on the ribbon, and it went still. "Seems like it," he said grimly. "And it was ensorcelled to seek you out," Dad added. He looked so worried and angry that I decided not to give him a hard time for using a word like ensorcelled.
Rachel Hawkins (Demonglass (Hex Hall, #2))
in my opinion those who strive for fame will lose their lives on account of fame; those who live in quest of fortune will perish because of riches; those who have titles sleep embracing a tiger; and those who receive official favors walk with snakes in their sleeves.
Anthony C. Yu (The Journey to the West, Volume 1)
he yanked his sleeve down over his forearm, pulled his rifle off his shoulder, and started after her. If he’d felt better, he’d have laughed at the irony of how quickly their relationship had deteriorated into their own private Hunger Games.
Suzanne Collins (The Ballad of Songbirds and Snakes (The Hunger Games, #0))
LIFE DOESN'T FRIGHTEN ME Shadows on the wall Noises down the hall Life doesn't frightnes me at all Bad dogs barking loud Big ghosts in a cloud Life doesn't frighten me at all. Mean old Mother Goose Lions on the loose They don't frighten me at all Dragons breathing flame On my counterpane That doesn't frighten me at all. I go boo Make them shoo I make fun Way they run I won't cry So they fly I just smile They go wild Life doesn't frighten me at all. Tough guys in a fight All alone at night Life doesn't frighten me at all. Panthers in the park Strangers in the dark No, they don't frighten me at all. That new classrom where Boys all pull my hair (Kissy little girls With their hair in curls) They don't frighten me at all. Don't show me frogs and snakes And listen for my scream, If I'm afraid at all It's only in my dreams. I've got a magic charm That I keep up my sleeve, I can walk the ocean floor And never have to breathe. Life doesn't frighten me at all Not at all Not at all. Life doesn't frigthen me at all.
Maya Angelou (And Still I Rise)
Tell me something,” he said in a low voice. “Anything,” I answered. “What’s it like to have every breath count?” I sat up and braced myself on my hand. “I’m not following what you mean,” I answered. Jess pulled himself up and propped his hands behind him. He looked out at the water as if he were seeing something from his past. “To live life as if it’s your last breath. To know that any minute could be the final one and that you have to make the most of what’s given to you. To know not everything is forever.” I could see the defined muscles in his arm, but what caught my attention the most was the bottom half of the symbol just under the sleeve of his shirt. Like before, I reached my finger and traced the snake resting on the stem. Sliding his sleeve higher, I followed upward toward the pedals of the black rose. “It bothers you, doesn’t it? The fact that you’re constantly reminded of...” I couldn’t finish what I wanted to say. I didn’t want to hurt him. He looked over his shoulder, and I stopped what I was doing to look up at him. “Yeah, it bothers me. But you know what bothers me even more? You’re not like me. You can take a final breath.
Laura Burks (Altered)
Alberto taught him culling. You must wait until noon, when the snakes are asleep on the rocks, in the sun. You sneak up on them and then, crooking the index and middle finger, you grab them by the neck, close to the head, so that they can't slip away or bite; then, while the snake is hissing with despair, you quickly slip the hood over its head, tighten the noose, and put it into the box. Alberto wore a pair of corduroy trousers, leggings, and a gray shirt, the sleeves of which were rolled up to the elbows. He was good-looking–as are all the males in this book, powerful and lithe, and unaware of their grace. His hard, stubborn hair, which fell down over his eyes to his mouth, would have been enough to endow him with the glamor of a crown in the eyes of the frail, curly-haired child. They
Jean Genet (Our Lady of the Flowers)
You can't just-' The snake inside Alex stopped twitching and uncoiled. She curled her hand into the sleeve of her coat and slammed it through the glass case where they kept their little trinkets. Salome and Dawes shrieked. They both took another step back. 'I know you're used to dealing with people who can't just, but I can, so give me the key to the temple room and let's get square so we can forget all about this.
Leigh Bardugo (Ninth House (Alex Stern, #1))
Leila’s particular sensitivities seemed to cycle between the wafty, closer smells—mainly food and human—that draped over a moment, and the dusty, distant smells that could be carried by coat sleeve or breeze. In the former category was the knapsack that still smelled of curry, the hairbrush left too near the stove, and the human hangover behind the counter at Kinko’s. In the latter category was the subway-tunnel vent mixed with newspaper that had snaked around her corner in Bushwick, and the tang of handrails, and the seep of wet gravel, but it also included the thinner smells that came from paper and paint and industrially produced hard surfaces.
David Shafer (Whiskey Tango Foxtrot)
WHEN TRAVELING THROUGH WASHINGTON, DC, one expects to see a few snakes in human clothing. Still, I was concerned when a two-headed boa constrictor boarded our train at Union Station. The creature had threaded himself through a blue silk business suit, looping his body into the sleeves and trouser legs to approximate human limbs. Two heads protruded from the collar of his dress shirt like twin periscopes. He moved with remarkable grace for what was basically an oversize balloon animal, taking a seat at the opposite end of the coach, facing our direction. The other passengers ignored him. No doubt the Mist warped their perceptions, making them see just another commuter. The snake made no threatening moves. He didn’t even glance at us. For all I knew, he was simply a working-stiff monster on his way home.
Rick Riordan (The Tower of Nero (The Trials of Apollo, #5))
The massive wardrobe, decorated with stickers and posters of Jack’s favourite bands, stood in the corner. I went to it and opened both the doors – then stepped back in amazement.   It was like something out of a fashion spread. Footwear was aligned in two perfectly straight lines along the bottom of the wardrobe, with boots at the back and shoes at the front. Each pair was polished and had a pair of socks folded up in the left shoe or boot. Above the shoes, Jack’s clothes were hung up on fancy padded hangers, organized by colour going from black through grey, white, pale pink, dark pink, purple and then blue. One quarter of the wardrobe was taken up with closet shelves, where every item, from T-shirts to jeans to scarves, was folded into a perfect geometric square that I wouldn’t have been able to achieve with two helpers, a ruler, and sticky tape.   I turned my head and looked at the chaos of the room. Then I looked back at the wardrobe.   No wonder she never let me see inside before.   “Jack, you big fat fake.” I let out a laugh that was half sob. “Look at this. Look! She’s the worst neat freak of them all, and I never even knew. I never even knew…”   Trying not to mess anything up too much, I searched through the neat piles of T-shirts until I found what seemed to be a plain, scoop-necked white top with short sleeves. I pulled it out, but when I unfolded it, there turned out to be a tattoo-style design on the front: a skull sitting on a bed of gleaming emeralds, with a green snake poking out of one eyehole. In Gothic lettering underneath, it read WELCOME TO MALFOY MANOR.   Typical Jack, I thought, hugging the shirt to my chest for a second. Pretending to be cool Slytherin when she’s actually swotty Ravenclaw through and through.
Zoë Marriott (Darkness Hidden (The Name of the Blade, #2))
I’ve been wanting to do this for a long time,” he said in a dangerous drawl, “and you just gave me the excuse I needed.” “What—what are you talking about?” Lily demanded, stepping backwards. A drop of rainwater from the leaky roof landed with a disconcerting ker-plop on the top of her head. Caleb was unbuttoning his cuffs, rolling up his sleeves. “I’m talking,” he replied evenly, “about raising blisters on your sweet little backside.” Lily was careful to keep to the opposite side of the table. “Now, Caleb, that wouldn’t be wise.” “Oh, I think it would be about the smartest thing I’ve ever done,” Caleb answered, advancing on her again. Lily kept the table between them. “I might be pregnant!” she reasoned desperately. “Then again,” Caleb countered, “you might not.” The muscles of his forearms were corded, the skin covered with maple-sugar hair. “I wasn’t going to shoot you—I only wanted to scare you away.” Lily dodged him, moving from one side of the table to the other, always keeping it between them. “Caleb, be reasonable. I wouldn’t shoot you—I love you!” “I love you, too,” Caleb returned in a furious croon, “and right now I’d like nothing better than to shoot you!” Lily picked up a chair and held it as she’d seen a lion tamer do in an illustration in one of her beloved dime novels. Helga of the Circus, if she remembered correctly. “Now, just stay back, Caleb. If you lay a hand on me, I assure you, you’ll regret it!” “I doubt that very much,” Caleb replied. And then he gripped one leg of the chair, and Lily realized what a pitiful defense it had been. He set it easily on the floor even as his other arm shot out like a coiled snake and caught Lily firmly by the wrist. Like a man sitting down to a cigar and a glass of port after a good dinner Caleb dropped comfortably into the chair. With a single tug he brought Lily facedown across his lap. Quick as mercury he had her skirts up and her drawers down, and when she struggled he simply imprisoned her between his thighs scissor fashion. “Caleb Halliday,” Lily gasped, writhing between his legs, “you let me go this instant!” “Or else you’ll do what?” he asked evenly. Lily felt his hand caress one cheek of her bottom and then the other, as though charting them for assault. “I’ll scream, and Hank Robbins will run over here and shoot you for the rascal you are!” Caleb laughed thunderously at that. “You’ve had your little joke,” Lily huffed, “now let me up!” “No,” Caleb replied. Lily threw back her head and screamed as loudly as she could. “You can do better than that,” Caleb said. “Hell, nobody would hear a whimper like that in this rain.” Lily filled her lungs to capacity and screamed again. She was as surprised as Caleb when the door flew open and Velvet burst in, ready for battle. Color filled her face when she understood the situation. In no particular rush, Caleb released Lily, and she scrambled to her feet unassisted, blushing painfully as she righted her drawers and lowered her skirts. Caleb chuckled at her indignation and then stood up respectfully.
Linda Lael Miller (Lily and the Major (Orphan Train, #1))
I make a move to walk by him to go to our dressing room, and an arm suddenly snakes around my waist. I squeal as he jerks me against him and touches his lips to mine. The photogs that are allowed backstage go crazy taking pictures. I push back from him, and he doesn’t stop, so I slap him. The noise rings out around the room. He jerks back like I just hurt his feelings. Then he sneers. “What’s the m-m-matter?” he mocks. “You l-l-looked like you could use a k-k-kiss.” I start toward him with my fist raised, because I’m going to punch him in the fucking throat. But Star gets between me and him. I reach around her, but she holds me back. “Get out of the way, Star,” I warn. She nods toward security, but before they can get there, Fin—the tiniest out of our group of five—tugs on the guy’s sleeve. He looks down at her, his eyes filled with lascivious intent. “Hey, baby,” he croons. He bends down like he wants to try his luck kissing her, but she balls up her fist and hits him square in the nose. He falls back, completely stunned, and lands on his back in the middle of the floor. Star steps in the center of his chest and presses the heel of her boot into his breastbone. “If you ever fucking touch one of my sisters again, I’ll chop your balls off and feed them to you.” Our
Tammy Falkner (Zip, Zero, Zilch (The Reed Brothers, #6))
The other arm, Wormtail.” “Master, please . . . please . . .” Voldemort bent down and pulled out Wormtail’s left arm; he forced the sleeve of Wormtail’s robes up past his elbow, and Harry saw something upon the skin there, something like a vivid red tattoo — a skull with a snake protruding from its mouth — the image that had appeared in the sky at the Quidditch World Cup: the Dark Mark. Voldemort examined it carefully, ignoring Wormtail’s uncontrollable weeping. “It is back,” he said softly, “they will all have noticed it . . . and now, we shall see . . . now we shall know . . .” He pressed his long white forefinger to the brand on Wormtail’s arm. The
J.K. Rowling (Harry Potter and the Goblet of Fire (Harry Potter, #4))
He’s striking. Dark, slicked-back hair and fair skin, with piercing blue eyes. One hand is resting on the bar, revealing tattoos that snake up over his hand and arm under the sleeve of his black t-shirt. As I get closer, I can see that he has a large tattoo across his throat—a bird, with a wingspan that wraps around the sides of his neck.
Astra Rose (Haven)
He ran his hand over mine, searching for any sign of the snake or the blight I’d touched.  “Where’s the snake, min asteren?” he asked, studying my hand. He shoved the sleeves of my tunic up, searching along my arms.  “It wasn’t time for it to be born yet,” I said, knowing instinctively. The image I’d had, the snake curling around me, had been a flash of its future life. A moment of what would come after the soul rested in the Void.  A reincarnation revealed. Holt turned his stare to me, crossing his arms over his chest. “Yeah, because that’s not fucking creepy or anything.
Harper L. Woods (What Hunts Inside the Shadows (Of Flesh & Bone, #2))
Alex, are you okay?” Brittany asks, looking totally concerned. Should I tell her I was spacing out while thinking about us having sex? Mrs. P. walks up the aisle with a stern look on her face. “This is a library, you two. Keep it down.” But then she notices the small line of blood snaking down my arm and staining my sleeve. “Brittany, help him to the nurse. Alex, next time come to school with that thing bandaged.” “Don’t I get sympathy, Mrs. P.? I’m bleedin’ to death.” “Do something to help mankind or the planet, Alex. Then you’ll get my sympathy. People who get into knife fights don’t earn anything from me except disgust. Now go get cleaned up.” Brittany lifts my books off my lap and says in a shaky voice, “Come on.” “I can hold the books,” I tell her as I follow her out of the library. I’m pressing my sleeve against the wound, hoping to stop more blood from leaking out. She’s walking ahead of me. If I tell her I need help walking because I feel faint, will she believe me and come to my rescue? Maybe I should stumble…although knowing her she wouldn’t care. Right before we reach the nurse’s office, she turns around. Her hands are shaking. “I’m so sorry, Alex. I di--didn’t m--mean--” She’s freaking out. If she cries, I won’t know what to do. I’m not used to crying chicks. I don’t think Carmen cried once during our entire relationship. In fact, I’m not sure Carmen has tear ducts.
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
The Play I am the only actor. It is difficult for one woman to act out a whole play. The play is my life, my solo act. My running after the hands and never catching up. (The hands are out of sight - that is, offstage.) All I am doing onstage is running, running to keep up, but never making it. Suddenly I stop running. (This moves the plot along a bit.) I give speeches, hundreds, all prayers, all soliloquies. I say absurd things like: egss must not quarrel with stones or, keep your broken arm inside your sleeve or, I am standing upright but my shadow is crooked. And such and such. Many boos. Many boos. Despite that I go on to the last lines: To be without God is to be a snake who wants to swallow an elephant. The curtain falls. The audience rushes out. It was a bad performance. That’s because I’m the only actor and there are few humans whose lives will make an interesting play. Don’t you agree?
Anne Sexton
The Play by Anne Sexton I am the only actor. It is difficult for one woman to act out a whole play. The play is my life, my solo act. My running after the hands and never catching up. (The hands are out of sight - that is, offstage.) All I am doing onstage is running, running to keep up, but never making it. Suddenly I stop running. (This moves the plot along a bit.) I give speeches, hundreds, all prayers, all soliloquies. I say absurd things like: egss must not quarrel with stones or, keep your broken arm inside your sleeve or, I am standing upright but my shadow is crooked. And such and such. Many boos. Many boos. Despite that I go on to the last lines: To be without God is to be a snake who wants to swallow an elephant. The curtain falls. The audience rushes out. It was a bad performance. That’s because I’m the only actor and there are few humans whose lives will make an interesting play. Don’t you agree?
Anne Sexton