Sleepy Sunday Quotes

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Dad and I leave town in the early dark. It's the second Sunday of the holidays, and we pack up the old blue car with enough clothes for summer and hit the road. It's so early he's wiping hills of sand piled in the corners of his eyes. I wipe a few tears from mine. Tears don't pile, though. They grip and cling and slide in salty trails that I taste until the edge of the city.
Cath Crowley (A Little Wanting Song)
It was at times a long, difficult road. But I'm glad it was long and difficult, because if I hadn't gone through hell to get there, the lesson might not have been as clear. You see, kids, right from the moment I met your mom I knew, I have to love this women as much as I can and as long as I can and I can never stop loving her, not even for a second. I carried that lesson through every stupid fight we ever had, every 5 a.m. Christmas morning, every sleepy Sunday afternoon, every speed bump, every pang of jealousy or boredom or uncertainty that came our way. I carried that lesson with me.
Ted
PROCRASTINATION The day after tomorrow, yes, only the day after tomorrow ... Tomorrow I’ll start thinking about the day after tomorrow, Maybe I could do it then; but not today ... No, nothing today; today I can’t. The confused persistence of my objective subjectivity, The sleep of my real life, intercalated, Anticipated, infinite weariness— I’m worlds too weary to catch a trolley— That kind of soul ... Only the day after tomorrow ... Today I want to prepare, I want to prepare myself for tomorrow, when I’ll think about the next day ... That’d be decisive. I’ve already got the plans sketched out, but no, today I’m not making any plans ... Tomorrow’s the day for plans. Tomorrow I’ll sit down at my desk to conquer the world; But I’ll only conquer the world the day after tomorrow ... I feel like crying, I suddenly feel like crying a lot, inside ... That’s all you’re getting today, it’s a secret, I’m not talking. Only the day after tomorrow ... When I was a kid the Sunday circus diverted me every week. Today all that diverts me is the Sunday circus from all the weeks of my childhood ... The day after tomorrow I’ll be someone else, My life will triumph, All my real qualities—intelligent, well-read, practical— Will be gathered together in a public notice ... But the public notice will go up tomorrow ... Today I want to sleep, I’ll make a fair copy tomorrow ... For today, what show will repeat my childhood to me? Even if I buy tickets tomorrow, The show would still really be the day after tomorrow ... Not before ... The day after tomorrow I’ll have the public pose I will have practiced tomorrow. The day after tomorrow I’ll finally be what I could never be today. Only the day after tomorrow ... I’m sleepy as a stray dog's chill. I’m really sleepy. Tomorrow I’ll tell you everything, or the day after tomorrow ... Yes, maybe only the day after tomorrow ... By and by ... Yes, the old by and by ...
Fernando Pessoa
There was the dreary Sunday of his childhood, when he sat with his hands before him, scared out of his senses by a horrible tract which commenced business with the poor child by asking him in its title, why he was going to Perdition?—a piece of curiosity that he really, in a frock and drawers, was not in a condition to satisfy—and which, for the further attraction of his infant mind, had a parenthesis in every other line with some such hiccupping reference as 2 Ep. Thess. c. iii, v. 6 & 7. There was the sleepy Sunday of his boyhood, when, like a military deserter, he was marched to chapel by a picquet of teachers three times a day, morally handcuffed to another boy; and when he would willingly have bartered two meals of indigestible sermon for another ounce or two of inferior mutton at his scanty dinner in the flesh. There was the interminable Sunday of his nonage; when his mother, stern of face and unrelenting of heart, would sit all day behind a Bible—bound, like her own construction of it, in the hardest, barest, and straitest boards, with one dinted ornament on the cover like the drag of a chain, and a wrathful sprinkling of red upon the edges of the leaves—as if it, of all books! were a fortification against sweetness of temper, natural affection, and gentle intercourse. There was the resentful Sunday of a little later, when he sat down glowering and glooming through the tardy length of the day, with a sullen sense of injury in his heart, and no more real knowledge of the beneficent history of the New Testament than if he had been bred among idolaters. There was a legion of Sundays, all days of unserviceable bitterness and mortification, slowly passing before him.
Charles Dickens (Little Dorrit)
She was floating, arms outspread, water lapping her body, breathing in a summery fragrance of salt and coconut. There was a pleasantly satisfied breakfast taste in her mouth of bacon and coffee and possibly croissants. She lifted her chin and the morning sun shone so brightly on the water, she had to squint through spangles of light to see her feet in front of her. Her toenails were each painted a different color. Red. Gold. Purple. Funny. The nail polish hadn’t been applied very well. Blobby and messy. Someone else was floating in the water right next to her. Someone she liked a lot, who made her laugh, with toenails painted the same way. The other person waggled multicolored toes at her companionably, and she was filled with sleepy contentment. Somewhere in the distance, a man’s voice shouted, “Marco?” and a chorus of children’s voices cried back, “Polo!” The man called out again, “Marco, Marco, Marco?” and the voices answered, “Polo, Polo, Polo!” A child laughed; a long, gurgling giggle, like a stream of soap bubbles. A voice said quietly and insistently in her ear, “Alice?” and she tipped back her head and let the cool water slide silently over her face. Tiny dots of light danced before her eyes. Was it a dream or a memory? “I don’t know!” said a frightened voice. “I didn’t see it happen!” No need to get your knickers in a knot. The dream or memory or whatever it was dissolved and vanished like a reflection on water, and instead fragments of thought began to drift through her head, as if she were waking up from a long, deep sleep, late on a Sunday morning. Is cream cheese considered a soft cheese? It’s not a hard cheese. It’s not . . . . . . hard at all. So, logically, you would think . . . . . . something. Something logical. Lavender is lovely. Logically lovely. Must prune back the lavender! I can smell lavender. No, I can’t. Yes, I can. That’s when she noticed the pain in her head for the first time. It hurt on one side, a lot, as if someone had given her a good solid thwack with a baseball bat. Her thoughts sharpened. What was this pain in the head all about?
Liane Moriarty (What Alice Forgot)
Sunday's Best Times are tough for English babies Send the army and the navy Beat up strangers who talk funny Take their greasy foreign money Skin shop, red leather, hot line Be prepared for the engaged sign Bridal books, engagement rings And other wicked little things Chorus: Standing in your socks and vest Better get it off your chest Every day is just like the rest But Sunday's best Stylish slacks to suit your pocket Back supports and picture lockets Sleepy towns and sleeper trains To the dogs and down the drains Major roads and ladies smalls Hearts of oak and long trunk calls Continental interference At death's door with life insurance Chorus Sunday's best, Sunday's finest When your money's in the minus And you suffer from your shyness You can listen to us whiners Don't look now under the bed An arm, a leg and a severed head Read about the private lives The songs of praise, the readers' wives Listen to the decent people Though you treat them just like sheep Put them all in boots and khaki Blame it all upon the darkies
Elvis Costello
I’m not going to let her be just my Sunday night anymore. I want her to be my sleepy Monday morning, my thank-fuck-it’s-Friday, my stay-in-bed Saturday, and all the other days too. I’m not going to force myself to live without the brightest spot in my world.
Becka Mack (Play With Me (Playing for Keeps, #2))
I’m not going to let her be just my Sunday night anymore. I want her to be my sleepy Monday morning, my thank-fuck-it’s-Friday, my stay-in-bed Saturday, and all the other days too.
Becka Mack (Play With Me (Playing for Keeps, #2))
See the man of business, as he pores over his ledger and account books, and runs his eye over the columns of figures. See the man of pleasure, as he tears over the country with his horses and dogs, or rushes after excitement at the races, the theatre, the card party, or the ball. See the poor thoughtless labourer, as he carries off his hard-earned wages to the public house, and wastes them in ruining both body and soul. See them all, how thoroughly they are in earnest! See them all, how they throw their hearts into what they are doing! And then mark them all at church next Sunday: listless, careless, yawning, sleepy, and indifferent, as if there were no God, and no devil, and no Christ, and no heaven, and no hell! Mark how evident it is that they have left their hearts outside the church! Mark how plain it is that they have no real interest in religion! And then say whether it be not true that many know nothing of the importance of having their sins cleansed away.O, take heed lest this be the case with you!
Anonymous
I remember the long, sleepy mornings I spent at your side, watching the light shift through the stained glass. I remember those uncomfortable patent leather shoes, the rise and the fall of the minister's voice, the pungent odor of floor wax. I remember the look on your face during services, elated, confident, as radiant as a bride. You would follow every word of the sermon, nodding in agreement like a student in class. You sang the hymns with gusto, your voice sweet, but out of tune. Church was coal for the furnace of your mind... ...Back then it bothered me that I did not share your conviction, I could not revel along with you. You prayed often, sitting with your face towards the sun, eyes closed... ...It gave me a squirmy feeling. Even then I was in my father's camp, all the way. The bible stories were silly, Sunday school was a bore, the sermons contradicted each other. Sitting in the quiet sundrenched church I felt nothing. No power, no release. The hymns left my soul unmoved.
Abby Geni (The Lightkeepers)
I remember the long, sleepy mornings I spent at your side, watching the light shift through the stained glass. I remember those uncomfortable patent leather shoes. The rise and fall of the minister's voice. The pungent odor of floor wax. I remember the look on your face during services—elated, confident, as radiant as a bride. You would follow every word of the sermon, nodding in agreement like a student in class. You sang the hymns with gusto, your voice sweet but out of tune. Church was coal for the furnace of your mind... ...Back then, it bothered me that I did not share your conviction. I could not revel along with you. You prayed often, sitting with your face towards the sun, eyes closed... ...It gave me a squirmy feeling. Even then, I was in my father's camp all the way. The bible stories were silly. Sunday school was a bore. The sermons contradicted each other. Sitting in the quiet, sun-drenched church, I felt nothing, no power, no release. The hymns left my soul unmoved.
Abby Geni (The Lightkeepers)
One day when I went up there to work, sleepiness overcame me and I lay down on the floor behind the back pew to take a nap. Waking or sleeping (I couldn’t tell which), I saw all the people gathered there who had ever been there. I saw them as I had seen them from the back pew, where I sat with Uncle Othy (who would not come in any farther) while Aunt Cordie sang in the choir, and I saw them as I had seen them (from the back pew) on the Sunday before. I saw them in all the times past and to come, all somehow there in their own time and in all time and in no time: the cheerfully working and singing women, the men quiet or reluctant or shy, the weary, the troubled in spirit, the sick, the lame, the desperate, the dying, the little children tucked into the pews beside their elders, the young married couples full of visions, the old men with their dreams, the parents proud of their children, the grandparents with tears in their eyes, the pairs of young lovers attentive only to each other on the edge of the world, the grieving widows and widowers, the mothers and fathers of children newly dead, the proud, the humble, the attentive, the distracted—I saw them all. I saw the creases crisscrossed on the backs of the men’s necks, their work-thickened hands, the Sunday dresses faded with washing. They were just there. They said nothing, and I said nothing. I seemed to love them all with a love that was mine merely because it included me. When I came to myself again, my face was wet with tears.
Wendell Berry (Jayber Crow)