Sleepless Night Quotes

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After all, what is happiness? Love, they tell me. But love doesn't bring and never has brought happiness. On the contrary, it's a constant state of anxiety, a battlefield; it's sleepless nights, asking ourselves all the time if we're doing the right thing. Real love is composed of ecstasy and agony.
Paulo Coelho (The Witch of Portobello)
sleep is such a luxury, which i cant afford.
Robin Sikarwar
Journeys end in lovers meeting; I have spent an all but sleepless night, I have told lies and made a fool of myself, and the very air tastes like wine. I have been frightened half out of my foolish wits, but I have somehow earned this joy; I have been waiting for it for so long.
Shirley Jackson (The Haunting of Hill House)
In this sleepless night, as the darkness advances, look up at the sky and somehow remember that somewhere in this wide world, there are always people who love you, and people who need you. Because every person can't go on living alone.
Ai Yazawa
Oh, the terrible struggle that I have had against sleep so often of late; the pain of the sleeplessness, or the pain of the fear of sleep, and with such unknown horror as it has for me! How blessed are some people, whose lives have no fears, no dreads; to whom sleep is a blessing that comes nightly, and brings nothing but sweet dreams.
Bram Stoker (Dracula (Signet Classics))
A broken heart in real life isn't half as dreadful as it is in books. It's a good deal like a bad tooth, though you won't think THAT a very romantic simile. It takes spells of aching and gives you a sleepless night now and then, but between times it lets you enjoy life and dreams and echoes and peanut candy as if there were nothing the matter with it.
L.M. Montgomery
Shut up, me,” Leo said aloud. “What?” Piper asked. “Nothing,” he said. “Long night. I think I’m hallucinating. It’s cool.” Sitting in front, Leo couldn’t see their faces, but he assumed from their silence that his friends were not pleased to have a sleepless, hallucinating dragon driver. “Just joking.” Leo decided it might be good to change the subject.
Rick Riordan (The Lost Hero (The Heroes of Olympus, #1))
When I was a kid I believed everything I was told, everything I read, and every dispatch sent out by my own overheated imagination. This made for more than a few sleepless nights, but it also filled the world I lived in with colors and textures I would not have traded for a lifetime of restful nights.
Stephen King (Nightmares and Dreamscapes)
I'm an insomniac, my mind works the night shift.
Pete Wentz (Gray)
What are you thinking?" he asks. I know Gage hates it when I cry - he is completely undone by the sight of tears - so I blink hard against the sting. "I'm thinking how thankful I am for everything," I say, "even the bad stuff. Every sleepless night, every second of being lonely, every time the car broke down, every wad of gum on my shoe, every late bill and losing lottery ticket and bruise and broken dish and piece of burnt toast." His voice is soft. "Why, darlin'?" "Because it all led me here to you.
Lisa Kleypas (Sugar Daddy (Travises, #1))
When a strong woman finally gives up, it’s not because she‘s weak or because she no longer loves her man. To put it in the simplest terms…she’s just tired. She’s tired of the games…she’s tired of the sleepless nights…she’s tired of feeling like she’s all alone and the only one trying… she’s tired.
Amari Soul (Reflections Of A Man)
I am reduced to a thing that wants Virginia. I composed a beautiful letter to you in the sleepless nightmare hours of the night, and it has all gone: I just miss you, in a quite simple desperate human way. You, with all your un-dumb letters, would never write so elementary a phrase as that; perhaps you wouldn’t even feel it. And yet I believe you’ll be sensible of a little gap. But you’d clothe it in so exquisite a phrase that it would lose a little of its reality. Whereas with me it is quite stark: I miss you even more than I could have believed; and I was prepared to miss you a good deal. So this letter is just really a squeal of pain. It is incredible how essential to me you have become. I suppose you are accustomed to people saying these things. Damn you, spoilt creature; I shan’t make you love me any the more by giving myself away like this —But oh my dear, I can’t be clever and stand-offish with you: I love you too much for that. Too truly. You have no idea how stand-offish I can be with people I don’t love. I have brought it to a fine art. But you have broken down my defences. And I don’t really resent it.
Vita Sackville-West (The Letters of Vita Sackville-West and Virginia Woolf)
Here comes goodbye, here comes the last time Here comes the start of every sleepless night The first of every tear Im gonna cry Here comes the pain, Here comes me wishing things had never changed And she was right here in my arms tonight, but here comes goodbye
Rascal Flatts
A poetess who had died young of cancer had said in one of her poems that for her, on sleepless nights, 'the night offers toads and black dogs and corpses of the drowned.
Yasunari Kawabata (House of the Sleeping Beauties and Other Stories)
Bright star, would I were steadfast as thou art— Not in lone splendour hung aloft the night And watching, with eternal lids apart, Like nature's patient, sleepless Eremite, The moving waters at their priestlike task Of pure ablution round earth's human shores, Or gazing on the new soft-fallen mask Of snow upon the mountains and the moors— No—yet still stedfast, still unchangeable, Pillow'd upon my fair love's ripening breast, To feel for ever its soft fall and swell, Awake for ever in a sweet unrest, Still, still to hear her tender-taken breath, And so live ever—or else swoon to death. Bright Star
John Keats (The Complete Poems)
It may not be nice to be good, little 6655321. It may be horrible to be good. And when I say that to you I realize how self-contradictory that sounds. I know I shall have many sleepless nights about this. What does God want? Does God want goodness or the choice of goodness? Is a man who chooses the bad perhaps in some way better than a man who has the good imposed upon him? Deep and hard questions, little 6655321.
Anthony Burgess (A Clockwork Orange)
If a composer suffers from loss of sleep and his sleeplessness induces him to turn out masterpieces, what a profitable loss it is!
Antoine de Saint-Exupéry (Night Flight)
If we had more sleepless nights in prayer, there would be fewer souls to have a sleepless eternal night in hell.
Leonard Ravenhill (Revival God's Way)
I both wished and feared to see Mr. Rochester on the day which followed this sleepless night. I wanted to hear his voice again, yet feared to meet his eye.
Charlotte Brontë (Jane Eyre)
Nobody was perfect. Not even close. And everybody had wrinkles from smiling and squinting and craining their necks. Everybody has marks on their bodies from years of living- a trail of life left on them. Evidence of all the adventures and sleepless nights and practical jokes and heartbreaks that had made them who they are.
Katherine Center (Everyone is Beautiful)
Warriors of light always have a certain gleam in their eyes. They are of this world, they are part of the lives of others, and they set out on their journey with no saddlebags and no sandals. They are often cowardly. They do not always make the right decisions. They suffer over the most trivial things, they have mean thoughts, and sometimes believe that they are incapable of growing. They frequently deem themselves unworthy of any blessing or miracle. They are not always quite sure what they are doing here. They spend many sleepless nights, believing that their lives have no meaning. That is why they are warriors of light. Because they make mistakes. Because they ask themselves questions. Because they are looking for a reason - and are sure to find it.
Paulo Coelho
The life I know now is the only one that matters. The suffocation, the luxury, the sleepless nights, and the dead bodies. I’ve always been taught to focus on power and pain, gaining and inflicting. I grieve nothing. I take everything. It’s the only way I know how to live in this battered body.
Tahereh Mafi (Destroy Me (Shatter Me, #1.5))
On the nights I can’t sleep, like that one, like so many recently, I wish I could just turn my mind off like a lamp.
Iain Reid (I'm Thinking of Ending Things)
Foolishness sleeps soundly, while knowledge turns with each thinking hour, longing for the dawn of answers.
Anthony Liccione
A few nights later, I secretly hope that I might be a genius. Why else can no amount of sleeping pills fell my brain? But in the morning my daughter asks me what a cloud is and I cannot say.
Jenny Offill (Dept. of Speculation)
The night above. We two. Full moon. I started to weep, you laughed. Your scorn was a god, my laments moments and doves in a chain. The night below. We two. Crystal of pain. You wept over great distances. My ache was a clutch of agonies over your sickly heart of sand. Dawn married us on the bed, our mouths to the frozen spout of unstaunched blood. The sun came through the shuttered balcony and the coral of life opened its branches over my shrouded heart. - Night of Sleepless Love
Federico García Lorca
Well finish your story anyway." Where was I?" The bubonic plague. The bulldozer was stalled by corpses." Oh, yes. Anyway, one sleepless night I stayed up with Father while he worked. It was all we could do to find a live patient to treat. In bed after bed after bed we found dead people. And Father started giggling," Castle continued. He couldn't stop. He walked out into the night with his flashlight. He was still giggling. He was making the flashlight beam dance over all the dead people stacked outside. He put his hand on my head and do you know what that marvelous man said to me?" asked Castle. Nope." 'Son,' my father said to me, 'someday this will all be yours.
Kurt Vonnegut Jr.
Impossible to spend sleepless nights and accomplish anything: if, in my youth, my parents had not financed my insomnias, I should surely have killed myself.
Emil M. Cioran
Whiskey and flame. Sleepless nights. Tattooed skin, white t-shirts, and rough hands. Love and lust and happiness. He was everything.
Danielle Lori (The Sweetest Oblivion (Made, #1))
Oh God, midnight’s not bad, you wake and go back to sleep, one or two’s not bad, you toss but sleep again. Five or six in the morning, there’s hope, for dawn’s just under the horizon. But three, now, Christ, three A.M.! Doctors say the body’s at low tide then. The soul is out. The blood moves slow. You’re the nearest to dead you’ll ever be save dying. Sleep is a patch of death, but three in the morn, full wide-eyed staring, is living death! You dream with your eyes open. God, if you had strength to rouse up, you’d slaughter your half-dreams with buckshot! But no, you lie pinned to a deep well-bottom that’s burned dry. The moon rolls by to look at you down there, with its idiot face. It’s a long way back to sunset, a far way on to dawn, so you summon all the fool things of your life, the stupid lovely things done with people known so very well who are now so very dead – And wasn’t it true, had he read somewhere, more people in hospitals die at 3 A.M. than at any other time...
Ray Bradbury (Something Wicked This Way Comes)
I'm just an insomniac struggling for a night where I don't dream of you anymore.
Lone Alaskan Gypsy
It occurred to me that prison life might actually be pleasanter than groaning away my sleepless nights in hellish dread of the "realities of life" as led by human beings.
Osamu Dazai (No Longer Human)
and finally there was the sleepless night when i decided to explore and fight the foul, the inadmissible abyss, devoting all my twisted life to this one task. today i'm sixty-one. waxwings are berry-pecking. a cicada sings.
Vladimir Nabokov (Pale Fire)
It probably takes many years of monastic practice to equal the spiritual growth generated by one sleepless night with a sick child.
Douglas Abrams (The Book of Joy: Lasting Happiness in a Changing World)
Great CEOs face the pain. They deal with the sleepless nights, the cold sweats, and what my friend the great Alfred Chuang (legendary cofounder and CEO of BEA Systems) calls “the torture.” Whenever I meet a successful CEO, I ask them how they did it. Mediocre CEOs point to their brilliant strategic moves or their intuitive business sense or a variety of other self-congratulatory explanations. The great CEOs tend to be remarkably consistent in their answers. They all say, “I didn’t quit.
Ben Horowitz (The Hard Thing About Hard Things: Building a Business When There Are No Easy Answers)
My mind swirled with memories of the life I had led. The constant struggle to keep up appearances, the pretenses, the smiles that had been met with tears. The long sleepless nights, the loneliness that cloaked my spirit and turned me into a true ghost.
Anchee Min
You battled monsters. You sweat and cried your way to this one prolific moment where you finally realize that those dark days and sleepless nights were pre-requisites to your becoming.
Jennifer Elisabeth (Born Ready: Unleash Your Inner Dream Girl)
Truth is dangerous. It topples palaces and kills kings. It stirs gentle men to rage and bids them take up arms. It wakes old grievances and opens forgotten wounds. It is the mother of the sleepless night and the hag-ridden day. And yet there is one thing that is more dangerous than Truth. Those who would silence Truth’s voice are more destructive by far. It is most perilous to be a speaker of Truth. Sometimes one must choose to be silent, or be silenced. But if a truth cannot be spoken, it must at least be known. Even if you dare not speak truth to others, never lie to yourself.
Frances Hardinge (Fly by Night)
I feel as though whenever I create something, my Mr. Hyde wakes up in the middle of the night and starts thrashing it. I sometimes love it the next morning, but other times it is an abomination.
Criss Jami (Killosophy)
If it comes to that," retorted Frederica, with spirit, "I am continually shocked by the things you don't scruple to say to me, cousin! You are quite abominable!" He sighed. "Alas, I know it! The reflection gives me sleepless nights.
Georgette Heyer (Frederica)
The reasons we don’t sleep at night are usually the same reasons we don’t truly live during the day.
Michael Xavier
Fuck You Poem #45 Fuck you in slang and conventional English. Fuck you in lost and neglected lingoes. Fuck you hungry and sated; faded, pock marked, and defaced. Fuck you with orange rind, fennel and anchovy paste. Fuck you with rosemary and thyme, and fried green olives on the side. Fuck you humidly and icily. Fuck you farsightedly and blindly. Fuck you nude and draped in stolen finery. Fuck you while cells divide wildly and birds trill. Thank you for barring me from his bedside while he was ill. Fuck you puce and chartreuse. Fuck you postmodern and prehistoric. Fuck you under the influence of opiun, codeine, laudanum, and paregoric. Fuck every real and imagined country you fancied yourself princess of. Fuck you on feast days and fast days, below and above. Fuck you sleepless and shaking for nineteen nights running. Fuck you ugly and fuck you stunning. Fuck you shipwrecked on the barren island of your bed. Fuck you marching in lockstep in the ranks of the dead. Fuck you at low and high tide. And fuck you astride anyone who has the bad luck to fuck you, in dank hallways, bathrooms, or kitchens. Fuck you in gasps and whispered benedictions. And fuck these curses, however heartfelt and true, that bind me, till I forgive you, to you.
Amy Gerstler (Ghost Girl)
Bright star, would I were steadfast as thou art-- Not in lone splendour hung aloft the night And watching, with eternal lids apart, Like nature's patient, sleepless Eremite.
John Keats
He could imagine the college rejection letters now. 'After learning that one kiss and a sleepless night led you to fail a test, we have decided you are no longer a fit for our institution.
Brigid Kemmerer (Secret (Elemental, #4))
Morals and medicine warred within his breast, and medicine won the day- but I dare say morals may give him a sleepless night.
Georgette Heyer (Venetia)
I am reduced to a thing that wants Virginia. I composed a beautiful letter to you in the sleepless nightmare hours of the night, and it has all gone. I just miss you...
Vita Sackville-West (Love Letters: Virginia Woolf and Vita Sackville-West)
Love doesna always mean burning flashes o' passion. Sometimes, it's jus' the warmth o' yer hearts as they beat yer day together." ~Old Woman Nora to her three wee granddaughters on a cold winter's night.
Karen Hawkins (Sleepless in Scotland (MacLean Curse, #4))
Nothing like poetry when you lie awake at night. It keeps the old brain limber. It washes away the mud and sand that keeps on blocking up the bends. Like waves to make the pebbles dance on my old floors. And turn them into rubies and jacinths; or at any rate, good imitations.
Joyce Cary (The Horse's Mouth)
A man who seeks only the light, while shirking his responsibilities, will never find illumination. And one who keep his eyes fixed upon the sun ends up blind..." "It doesn't matter what others think -because that's what they will think, in any case. So, relax. Let the universe move about. Discover the joy of surprising yourself." "The master says: “Make use of every blessing that God gave you today. A blessing cannot be saved. There is no bank where we can deposit blessings received, to use them when we see fit. If you do not use them, they will be irretrievably lost. God knows that we are creative artists when it comes to our lives. On one day, he gives us clay for sculpting, on another, brushes and canvas, or a pen. But we can never use clay on our canvas, nor pens in sculpture. Each day has its own miracle. Accept the blessings, work, and create your minor works of art today. Tomorrow you will receive others.” “You are together because a forest is always stronger than a solitary tree,” the master answered. "The forest conserves humidity, resists the hurricane and helps the soil to be fertile. But what makes a tree strong is its roots. And the roots of a plant cannot help another plant to grow. To be joined together in the same purpose is to allow each person to grow in his own fashion, and that is the path of those who wish to commune with God.” “If you must cry, cry like a child. You were once a child, and one of the first things you learned in life was to cry, because crying is a part of life. Never forget that you are free, and that to show your emotions is not shameful. Scream, sob loudly, make as much noise as you like. Because that is how children cry, and they know the fastest way to put their hearts at ease. Have you ever noticed how children stop crying? They stop because something distracts them. Something calls them to the next adventure. Children stop crying very quickly. And that's how it will be for you. But only if you can cry as children do.” “If you are traveling the road of your dreams, be committed to it. Do not leave an open door to be used as an excuse such as, 'Well, this isn't exactly what I wanted. ' Therein are contained the seeds of defeat. “Walk your path. Even if your steps have to be uncertain, even if you know that you could be doing it better. If you accept your possibilities in the present, there is no doubt that you will improve in the future. But if you deny that you have limitations, you will never be rid of them. “Confront your path with courage, and don't be afraid of the criticism of others. And, above all, don't allow yourself to become paralyzed by self-criticism. “God will be with you on your sleepless nights, and will dry your tears with His love. God is for the valiant.” "Certain things in life simply have to be experienced -and never explained. Love is such a thing." "There is a moment in every day when it is difficult to see clearly: evening time. Light and darkness blend, and nothing is completely clear nor completely dark." "But it's not important what we think, or what we do or what we believe in: each of us will die one day. Better to do as the old Yaqui Indians did: regard death as an advisor. Always ask: 'Since I'm going to die, what should I be doing now?'” "When we follow our dreams, we may give the impression to others that we are miserable and unhappy. But what others think is not important. What is important is the joy in our heart.” “There is a work of art each of us was destined to create. That is the central point of our life, and -no matter how we try to deceive ourselves -we know how important it is to our happiness. Usually, that work of art is covered by years of fears, guilt and indecision. But, if we decide to remove those things that do not belong, if we have no doubt as to our capability, we are capable of going forward with the mission that is our destiny. That is the only way to live with honor.
Paulo Coelho (Maktub)
restless days and sleepless nights always fighting with all your heart and soul so as not to fail at living
Charles Bukowski (Come On In!: New Poems)
And now I may dismiss my heroine to the sleepless couch, which is the true heroine's portion - to a pillow strewed with thorns and wet with tears. And lucky may she think herself, if she get another good night's rest in the course of the next three months.
Jane Austen (Northanger Abbey)
Every morning I tell myself, "I'll sleep early tonight." And every night I say, "One more chapter.
Joyce Rachelle
What he wanted was not just to hear about Hailsham, but to remember Hailsham, just like it had been his own childhood. He knew he was close to completing and so that's what he was doing: getting me to describe things to him, so they'd really sink in, so that maybe during those sleepless nights, with the drugs and the paint and the exhaustion, the line would blur between what were my memories and what were his.
Kazuo Ishiguro (Never Let Me Go)
After a sleepless night the body gets weaker, It becomes dear and not yours - and nobody's. Just like a seraph you smile to people And arrows moan in the slow arteries. After a sleepless night the arms get weaker And deeply equal to you are the friend and foe. Smells like Florence in the frost, and in each Sudden sound is the whole rainbow. Tenderly light the lips, and the shadow's golden Near the sunken eyes. Here the night has sparked This brilliant likeness - and from the dark night Only just one thing - the eyes - are growing dark.
Marina Tsvetaeva
The little cares, fears, tears, timid misgivings, sleepless fancies of I don't know how many days and nights, were forgotten under one moment's influence of that familiar, irresistible smile.
William Makepeace Thackeray
And at 3am you sit near the window and wonder if there is magic... because all you need are some fairies to take your pain away and help you sleep... you take a book to read... you take a pen and a paper to write...you cling on some music that might just make you fall asleep... yet nothing helps... another sleepless night and all you want is the dawn to break soon....
Sanhita Baruah
I wonder if you know yet that you’ll leave me. That you are a child playing with matches and I have a paper body. You will meet a girl with a softer voice and stronger arms and she will not have violent secrets or an affection for red wine or eyes that never stay dry. You will fall into her bed and I’ll go back to spending Friday nights with boys who never learn my last name. I have chased off every fool who has tried to sleep beside me You think it’s romantic to fuck the girl who writes poems about you. You think I’ll understand your sadness because I live inside my own. But I will show up at your door at 2 am, wild-eyed and sleepless. and try and find some semblance of peace in your breastbone and you will not let me in. You will tell me to go home.
Clementine von Radics
Now, my novel begins. No, now I begin my novel—and yet I cannot decide whether to call myself I or she.
Elizabeth Hardwick (Sleepless Nights)
It may not be nice to be good, 6655321. It may be horrible to be good. And when I say that to you I realize how self-contradictory that sounds. I know I shall have many sleepless nights about this. What does God want? Does God want goodness or the choice of goodness? Is a man who chooses the bad perhaps in some way better than a man who has the good imposed upon him?
Anthony Burgess (A Clockwork Orange)
What if the things that ended –the things that broke and break your heart- what if it was the end of a chapter but the story keeps going? What it life comes back? What if love comes back? What if you would not be who you are and you would now know what you know it not for all those sleepless nights? I’m starting to believe those things, that the best is yet to be, that life comes back, that the dreams that live inside me are there for a reason, that life is not just a tragedy, not just a story about losing. It is also a story of surprises and grace and redemptions, of conversations and moments that feel like miracles.
Jamie Tworkowski (If You Feel Too Much: Thoughts on Things Found and Lost and Hoped For)
While you are living, part of you has slipped away to the cemetery.
Elizabeth Hardwick (Sleepless Nights)
There is no better people-watching than at the airport: the whole world packed into such a tight space, moving fast with all their essentials in their rolling bags. And what caught my attention, as I took a few breaths and lay my eyes on the crowds, were all the imperfections. Everybody had them. Every single person that walked past me had some kind of flaw. Bushy eyebrows, moles, flared nostrils, crooked teeth, crows'-feet, hunched backs, dowagers' humps, double chins, floppy earlobes, nose hairs, potbellies, scars, nicotine stains, upper arm fat, trick knees, saddlebags, collapsed arches, bruises, warts, puffy eyes, pimples. Nobody was perfect. Not even close. And everybody had wrinkles from smiling and squinting and craning their necks. Everybody had marks on their bodies from years of living - a trail of life left on them, evidence of all the adventures and sleepless nights and practical jokes and heartbreaks that had made them who they were. In that moment, I suddenly loved us all the more for our flaws, for being broken and human, for being embarrassed and lonely, for being hopeful or tired or disappointed or sick or brave or angry. For being who we were, for making the world interesting. It was a good reminder that the human condition is imperfection. And that's how it's supposed to be.
Katherine Center (Everyone is Beautiful)
The first thing I saw was blue. Blue sweater, blue eyes. Blue. Beautifully blue. Then I saw red as I recognized who belonged to the blue. “Fucking Wallbanger,” I hissed, frozen on the spot. His grin slid off as well as he played place-the-face for a moment. “Fucking Pink Nightie Girl,” he finally concluded. He grimaced. We stared, seething as the air literally turned electric between us, snapping and crackling. The four behind us had fallen silent, listening to this little interchange. Then they caught up. “That’s Wallbanger?” Sophia screeched. “Wait a minute, that’s Pink Nightie Girl?” Neil laughed, and Mimi and Ryan snorted. My face flamed bright red as I processed this information, and Simon’s sneer became that damnable smirk I’d seen that night in the hallway—when I’d banged on his door and made him quit giving it to the Giggler and yelled at him. When I’d been wearing… “Pink Nightie Girl. Pink Nightie Girl!” I choked out, beyond pissed. Beyond angry. Well into Furious Town. I stared at him, pouring all of my tension into that one look. All of the sleepless nights and lost Os and cold showers and banana thrusting and merciless wet dreams went into that one look. I wanted to level him with my eyes, make him beg for mercy. But no…Not Simon, Director of the International House Of Orgasms. He Was Still Smirking.
Alice Clayton (Wallbanger (Cocktail, #1))
Revenge may be exacted a hundred times over in one sleepless night. The impulse, the dreaming intention, is human, normal, and we should forgive ourselves. But the raised hand, the actual violent enactment, is cursed. The maths says so. There’ll be no reversion to the status quo ante, no balm, no sweet relief, or none that lasts. Only a second crime. Before you embark on a journey of revenge, dig two graves, Confucius said. Revenge unstitches a civilisation. It’s a reversion to constant, visceral fear.
Ian McEwan (Nutshell)
All of her news was bad and so her talk was punctuated with "of course" and "naturally.
Elizabeth Hardwick (Sleepless Nights)
I find the nights long, for I sleep but little, and think much.
Charles Dickens (Bleak House)
Those who wake at this hour feel a lonely separation from everyone but night birds and ghost crabs, never imagining the legion of kindred souls scattered in the darkness, who stare at ceilings and pace floors and look out windows and covet and worry and mourn.
Kathy Hepinstall (Blue Asylum)
The sun is not ridiculous, quite the contrary. On everything I like, on the rust of the construction girders, on the rotten boards of the fence, a miserly, uncertain light falls, like the look you give, after a sleepless night, on decisions made with enthusiasm the day before, on pages you have written in one spurt without crossing out a word.
Jean-Paul Sartre (Nausea)
Alas, the heart is not a metaphor, or at least not always a metaphor.
Elizabeth Hardwick (Sleepless Nights)
But his dread was the nights when he could not sleep. Then it was awful indeed, when annihilation pressed in on him on every side. Then it was ghastly, to exist without having any life: lifeless, in the night, to exist.
D.H. Lawrence (Lady Chatterley’s Lover)
Although you feel relief now, this is likely to be the source of many sleepless nights for you. You will lie awake, look upon your heart, and find it unlovely. You will be certain that (...) you are the greatest of monsters. This is a good thing; although you may forgive yourself, you must never come to think that your actions were in any way justifiable. But- (...) Being a sane, honorable human being is not always comfortable.
Mercedes Lackey (Winds of Change (Mage Winds, #2))
Isn't this a nice time of night to walk? I like to smell things and look at things, and sometimes stay up all night, walking, and watch the sun rise.
Ray Bradbury (Fahrenheit 451)
You know you love him when you can't sleep at night and get up early to talk to him the next morning.
Kayla Carson
It is at night when sleep like the outgoing sea leaves you dry and cold and the morning light arrives like a small punishment.
Chloe Thurlow (Katie in Love)
At times it felt like I was killing myself. And yet the only thing I could recall at that moment was how much fun it had been, and how wonderful it was to do this for a living.
Michael J. Collins (Hot Lights, Cold Steel: Life, Death and Sleepless Nights in a Surgeon's First Years)
A book can be pocketed and discarded, scrawled and torn into pages, lost and bought again. It can be dragged out from a suitcase, opened in front of you when having a snack, revived at the moment of waking, and skimmed through once again before falling asleep. It needs no notice by phone if you can’t attend the appointment fixed in the timetable. It won’t get mad if awakened from its slumber during your sleepless nights. Its message can be swallowed whole or chewed into tiny pieces. Its content lures you for intellectual Why and What adventures and it satisfies your spirit of adventure. You can get bored of it—but it won’t ever get bored of you.
Kató Lomb (Polyglot: How I Learn Languages)
You may be safe, but I am free.' Take advantage of the freedom that comes with your youth. Inhale life, exhale fire, and embrace the late, sleepless nights, because that's when the magic happens- when everyone else is asleep and you're awake thinking about the world as it is, and the world as it would be. Make the most of those moments," I said forcefully. "And in the coming years people will tell you that you're too young to change the world. I'm here to tell you, that's fucking bullshit.
Adam Braun (The Promise of a Pencil: How an Ordinary Person Can Create Extraordinary Change)
If ... you are looking for a large dose of truth with some all too human foibles and faults and long nights of coffee drenched brains and frequent trips to the bathroom then this book is for you.
Leviak B. Kelly (Religion: The Ultimate STD: Living a Spiritual Life without Dogmatics or Cultural Destruction)
Every machine has had the same history – a long record of sleepless nights and of poverty, of disillusions and of joys, of partial improvements discovered by several generations of nameless workers, who have added to the original invention these little nothings, without which the most fertile idea would remain fruitless. More than that: every new invention is a synthesis, the resultant of innumerable inventions which have preceded it in the vast field of mechanics and industry. Science and industry, knowledge and application, discovery and practical realization leading to new discoveries, cunning of brain and of hand, toil of mind and muscle – all work together. Each discovery, each advance, each increase in the sum of human riches, owes its being to the physical and mental travail of the past and the present. By what right then can anyone whatever appropriate the least morsel of this immense whole and say – This is mine, not yours?
Pyotr Kropotkin (The Conquest of Bread (Working Classics))
Bright star, would I were stedfast as thou art-- Not in lone splendour hung aloft the night And watching, with eternal lids apart, Like nature's patient, sleepless Eremite, The moving waters at their priestlike task Of pure ablution round earth's human shores, Or gazing on the new soft-fallen mask Of snow upon the mountains and the moors-- No--yet still stedfast, still unchangeable, Pillow'd upon my fair love's ripening breast, To feel for ever its soft fall and swell, Awake for ever in a sweet unrest, Still, still to hear her tender-taken breath, And so live ever--or else swoon to death. Glanzvoller Stern! wär ich so stet wie du, Nicht hing ich nachts in einsam stolzer Pracht! SchautŽ nicht mit ewigem Blick beiseite zu, Einsiedler der Natur, auf hoher Wacht Beim Priesterwerk der Reinigung, das die See, Die wogende, vollbringt am Meeresstrand; Noch starrt ich auf die Maske, die der Schnee Sanft fallend frisch um Berg und Moore band. Nein, doch unwandelbar und unentwegt MöchtŽ ruhn ich an der Liebsten weicher Brust, Zu fühlen, wie es wogend dort sich regt, Zu wachen ewig in unruhiger Lust, Zu lauschen auf des Atems sanftes Wehen - So ewig leben - sonst im Tod vergehen!
John Keats (Bright Star: Love Letters and Poems of John Keats to Fanny Brawne)
This, you see, is the danger of children: they are ambushes, each and every one of them. A person may look at someone else's child and see only the surface, the shiny shoes or the perfect curls. They do not see the tears and the tantrums, the late nights, the sleepless hours, the worry. They do not even really see the love, not really. It can be easy, when looking at children from the outside, the believe that they are things, dolls designed and programmed by their parents to behave in one manner, following one set of rules. It can be easy, when standing on the lofty shores of adulthood, not to remember that every adult was once a child, with ideas and ambitions of their own. It can be easy, in the end, to forget that children are people, and that people will do what people will do, the consequences be damned.
Seanan McGuire (Down Among the Sticks and Bones (Wayward Children, #2))
For almost every addict who s mired in this terrible disease, other -- a mother or father, a child or spouse, an aunt or uncles or grandparents, a brother or sister -- are suffering too. Families are the hidden victims of addiction, enduring enormous levels of stress and pain. They suffer sleepless nights, deep anxiety, and physical exhaustion brought on by worry and desperation. They lie awake for hours on end as fear for their loved one's safety crowds out any possibility of sleep. They liveeach day with a weight inside that drags them down. Unable to laugh or smile, they are sometimes filled with bottled-up anger or a constant sadness that keeps them on the verge of tears.
Beverly Conyers (Addict In The Family: Stories of Loss, Hope, and Recovery)
Any drinker knows how the process works: the first day you get drunk is okay, the morning after means a big head but so you can kill that easy with a few more drinks and a meal, but if you pass up the meal and go on to another night's drunk, and wake up to keep the toot going, and continue on to the fourth day, there'll come one day when the drinks wont take effect because you're chemically overloaded and you'll have to sleep it off but cant sleep any more because it was alcohol itself that made you sleep those last five nights, so delirium sets in ― Sleeplessness, sweat, trembling, a groaning feeling of weakness where your arms are numb and useless, nightmares, (nightmares of death)... well, there's more of that up later.
Jack Kerouac (Big Sur)
Tonight - I am alone in the night, a homeless and sleepless nun! Tonight I hold all the keys to this the only capital city and lack of sleep guides me on my path. You are so lovely, my dusky Kremlin! Tonight I put my lips to the breast of the whole round and warring earth. Now I feel hair - like fur - standing on end: the stifling winds blow straight into my soul. Tonight I feel compassion for everyone, those who are pitied, along with those who are kissed.
Marina Tsvetaeva
Something amazing happens when the rest of the world is sleeping. I am glued to my chair. I forget that I ever wanted to do anything but write. The crowded city, the crowded apartment, and the crowded calendar suddenly seem spacious. Three or four hours pass in a moment; I have no idea what time it is, because I never check the clock. If I chose to listen, I could hear the swish of taxis bound for downtown bars or the soft saxophone riffs that drift from a neighbor's window, but nothing gets through. I am suspended in a sensory deprivation tank, and the very lack of sensation is delicious.
Anne Fadiman (At Large and At Small: Familiar Essays)
The important things in life always happened by accident. At fifteen she didn’t know much, in fact, with each passing year she was a lot less clear about most things. But this much she did know. You could worry yourself sick trying to be a better person, spend a thousand sleepless nights figuring out how to live clean and decent and honest, you could make a plan and bolt it in place, kneel by your bed every night and swear to God you’d stick to it, hell, you could go to church and promise properly. You could cross your heart seven times with your eyes tight shut, cut your thumb and squeeze it and pen solemn vows on a rock with your own blood then throw it in the river at the stroke of midnight. And then, out of the black beyond, like a hawk on a rat, some nameless catastrophe would swoop into your life and turn everything upside down and inside out forever.
Nicholas Evans (The Smoke Jumper)
Sometimes I have trouble falling asleep but it's not so bad I don't worry and I don't weep. In fact I'm glad. Because I get up off my pillow and I flip on the light. I get down and get hip in the still of the night I stretch and I yawn and then I breathe real deep And dance myself to sleep. I hoof around my beddie just a-tappin' my toes Before I know what's happened I'm a-ready to doze Got some partners I can count the boogie-woogie sheep I dance myself to sleep.
Jim Henson (It's Not Easy Being Green: And Other Things to Consider)
And in her ears the little Seashells, the thimble radios tamped tight, and an electronic ocean of sound, of music and talk and music and talk coming in, coming in on the shore of her unsleeping mind. The room was indeed empty. Every night the waves came in and bore her off on their great tides of sound, floating her, wide-eyed, toward morning. There had been no night in the last two years that Mildred had not swum that sea, had not gladly gone down in it for the third time.
Ray Bradbury (Fahrenheit 451)
The sound is gone. There's nothing left but the insomniac throbbing of crickets. Crickets in the garden, the courtyard, the back courtyard. Close, domestic, identifiable. And those out in the country. Between all of them they raise, little by little, a wall that will keep out the thing that lies waiting for the tiniest crack of silence to steal through. The thing that is feared by all those who are sleepless, those who walk through the night, those who are lonely, children. That thing. The voice of the dead.
Rosario Castellanos (The Book of Lamentations)
The people had come to witness a sensational case, to see celebrities, to get material for conversation, to be seen, to kill time. They would return to unwanted jobs, unloved families, unchosen friends, to drawing rooms, evening clothes, cocktail glasses and movies, to unadmitted pain, murdered hope, desire left unreached, left hanging silently over a path on which no step was taken, to days of effort not to think, not to say, to forget and give in and give up. But each of them had known some unforgotten moment-a morning when nothing had happened, a piece of music heard suddenly and never heard in the same way again, a stranger's face seen in a bus-a moment when each had known a different sense of living. And each remembered other moments, on a sleepless night, on an afternoon of steady rain, in a church, in an empty street at sunset, when each had wondered why there was so much suffering and ugliness in the world. They had not tried to find the answer and they had gone on living as if no answer was necessary. But each had known a moment when, in lonely, naked honesty, he had felt the need of an answer.
Ayn Rand (The Fountainhead)
Too many people learn about war with no inconvenience to themselves. They read about Verdun or Stalingrad without comprehension, sitting in a comfortable armchair, with their feet beside the fire, preparing to go about their business the next day, as usual. One should really read such accounts under compulsion, in discomfort, considering oneself fortunate not to be describing the events in a letter home, writing from a hole in the mud. One should read about war in the worst circumstances, when everything is going badly, remembering that the torments of peace are trivial, and not worth any white hairs. Nothing is really serious in the tranquility of peace; only an idiot could be really disturbed by a question of salary. One should read about war standing up, late at night, when one is tired, as I am writing about it now, at dawn, while my asthma attack wears off. And even now, in my sleepless exhaustion, how gentle and easy peace seems!
Guy Sajer (The Forgotten Soldier)
I see life as a roadside inn where I have to stay until the coach from the abyss pulls up. I don't know where it will take me, because I don't know anything. I could see this inn as a prison, for I'm compelled to wait in it; I could see it as a social center, for it's here that I meet others. But I'm neither impatient nor common. I leave who will to stay shut up in their rooms, sprawled out on beds where they sleeplessly wait, and I leave who will to chat in the parlors, from where their songs and voices conveniently drift out here to me. I'm sitting at the door, feasting my eyes and ears on the colors and sounds of the landscape, and I softly sing - for myself alone - wispy songs I compose while waiting. Night will fall on us all and the coach will pull up. I enjoy the breeze I'm given and the soul I'm given to enjoy it with, and I no longer question or seek. If what I write in the book of travellers can, when read by others at some future date, also entertain them on their journey, then fine. If they don't read it, or are not entertained, that's fine too.
Fernando Pessoa (The Book of Disquiet)
I see life as a roadside inn where I have to stay until the coach from the abyss pulls up. I don’t know where it will take me, because I don’t know anything. I could see this inn as a prison, for I’m compelled to wait in it; I could see it as a social centre, for it’s here that I meet others. But I’m neither impatient nor common. I leave who will to stay shut up in their rooms, sprawled out on beds where they sleeplessly wait, and I leave who will to chat in the parlours, from where their songs and voices conveniently drift out here to me. I’m sitting at the door, feasting my eyes and ears on the colours and sounds of the landscape, and I softly sing – for myself alone – wispy songs I compose while waiting. Night will fall on us all and the coach will pull up. I enjoy the breeze I’m given and the soul I was given to enjoy it with, and I no longer question or seek. If what I write in the book of travellers can, when read by others at some future date, also entertain them on their journey, then fine. If they don’t read it, or are not entertained, that’s fine too
Fernando Pessoa
O VENENO ARDENTE DO DESGOSTO. THE WHITE HOT POISON OF ANGER. When others make us angry at them- at their shamelessness, injustice, inconsideration- then they exercise power over us, they proliferate and gnaw at our soul, then anger is like a white-hot poison that corrods all mild, noble and balanced feelings and robs us of sleep. Sleepless, we turn on the light and are angry at the anger that has lodged like a succubus who sucks us dry and debilitates us. We are not only furious at the damage, but also that it develops in us all by itself, for while we sit on the edge of the bed with aching temples, the distant catalyst remains untouched by the corrosive force of the anger that eats at us. On the empty internal stage bathed in the harsh light of mute rage, we perform all by ourselves a drama with shadow figures and shadow words we hurl against enemies in helpless rage we feel as icy blazing fire in our bowels. And the greater our despair that is only a shadow play and not a real discussion with the possibility of hurting the other and producing a balance of suffering, the wilder the poisonous shadows dance and haunt us even in the darkest catacombs of our dreams. (We will turn the tables, we think grimly, and all night long forge words that will produce in the other the effect of a fire bomb so that now he will be the one with the flames of indignation raging inside while we, soothed by schadenfreude, will drink our coffee in cheerful calm.) What could it mean to deal appropriately with anger? We really don't want to be soulless creatures who remain thoroughly indifferent to what they come across, creatures whose appraisals consist only of cool, anemic judgments and nothing can shake them up because nothing really bothers them. Therefore, we can't seriously wish not to know the experience of anger and instead persist in an equanimity that wouldn't be distinguished from tedious insensibility. Anger also teaches us something about who we are. Therefore this is what I'd like to know: What can it mean to train ourselves in anger and imagine that we take advantage of its knowledge without being addicted to its poison? We can be sure that we will hold on to the deathbed as part of the last balance sheet- and this part will taste bitter as cyanide- that we have wasted too much, much too much strength and time on getting angry and getting even with others in a helpless shadow theater, which only we, who suffered impotently, knew anything about. What can we do to improve this balance sheet? Why did our parents, teachers and other instructors never talk to us about it? Why didn't they tell something of this enormous significance? Not give us in this case any compass that could have helped us avoid wasting our soul on useless, self-destructive anger?
Pascal Mercier (Night Train to Lisbon)
An Irishman walks into a pub,” she begins and the bar went silent. “The bartender asks him, ‘What'll you have?’” Her Irish accent was spot on. “The man says, ‘Give me three pints of Guinness, please.’ The bartender brings him three pints and the man proceeds to alternately sip one, then the other, then the third until they're gone. He then orders three more. “The bartender says, ‘Sir, no need to order as many at a time. I’ll keep an eye on it and when you get low, I'll bring you a fresh one.’ The man replies, ‘You don't understand. I have two brothers, one in Australia and one in the States. We made a vow to each other that every Saturday night we'd still drink together. So right now, me brothers have three Guinness stouts too, and we're drinking together.’ “The bartender thought this a wonderful tradition and every week the man came in and ordered three beers.” January’s playing and voice became more solemn, dramatic. “But one week, he ordered only two.” The crowd oohed and ahhed. “He slowly drank them,” she continued darkly, “and then ordered two more. The bartender looked at him sadly. ‘Sir, I know your tradition, and, agh, I'd just like to say that I'm sorry for your loss.’ “The man looked on him strangely before it finally dawned on him. ‘Oh, me brothers are fine - I just quit drinking.
Fisher Amelie (Thomas & January (Sleepless, #2))
Being ill when you are a child or growing up is such an enchanted interlude! The outside world, the world of free time in the yard or the garden or on the street, is only a distant murmmur in the sickroom. Inside, a whole world of characters and stories proliferate out of the books you read. The fever that weakens your perception as it sharpens your imagination turns the sickroom into something new, both familiar and strange; monsters come grinning out of the patterns on the curtains and the carpet, and chairs, tables, bookcases and wardrobes burst out of their normal shapes and become mountains and buildings and ships you can almost touch although they're far away. Through the long hours of the night you have the Church clock for company and the rumble of the occasional passing car that throws it's headlights across the walls and ceilings. These are hours without sleep, which is not to say they're sleepless, because on the contrary, they're not about lack of anything, they are rich and full. Desires, memories, fears, passions form labryinths in which we lose and find then lose ourselves again. They are hours where anything is possible, good or bad.
Bernhard Schlink (The Reader)
The moon from any window is one part whoever’s looking. The part I can’t see is everything my sister keeps to herself. One part my dead brother’s sleepless brow, the other part the time I waste, the time I won’t have. But which is the lion killed for the sake of the honey inside him, and which the wine, stranded in a valley, unredeemed? And don’t forget the curtains. Don’t forget the wind in the trees, or my mother’s voice saying things that will take my whole life to come true. One part earnest child grown tall in his mother’s doorway, and one a last look over the shoulder before leaving. And never forget it answers to no address, but calls wave after wave to a path or thirst. Never forget the candle climbing down without glancing back. And what about the heart counting alone, out loud, in that game in which the many hide from the one? Never forget the cry completely hollowed of the dying one who cried it. Only in such pure outpouring is there room for all this night.
Li-Young Lee (Book of My Nights: Poems (American Poets Continuum, 68))
How could I forget. I was her ghost daughter, sitting at empty tables with crayons and pens while she worked on a poem, a girl malleable as white clay. Someone to shape, instruct in the ways of being her. She was always shaping me. She showed me an orange, a cluster of pine needles, a faceted quartz, and made me describe them to her. I couldn’t have been more than three or four. My words, that’s what she wanted. ”What’s this?” she kept asking. ”What’s this?” But how could I tell her? She’d taken all the words. The smell of tuberoses saturated the night air, and the wind clicked through the palms like thoughts through my sleepless mind. Who am I? I am a girl you don’t know, mother. The silent girl in the back row of the classroom, drawing in notebooks. Remember how they didn’t know if I even spoke English when we came back to the country? They tested me to find out if I was retarded or deaf. But you never asked why. You never thought, maybe I should have left Astrid some words. I thought of Yvonne in our room, asleep, thumb in mouth, wrapped around her baby like a top. ”I can see her,” you said. You could never see her, Mother. Not if you stood in that room all night. You could only see her plucked eyebrows, her bad teeth, the books that she read with the fainting women on the covers. You could never recognize the kindness in that girl, the depth of her needs, how desperately she wanted to belong, that’s why she was pregnant again. You could judge her as you judged everything else, inferior, but you could never see her. Things weren’t real to you. They were just raw material for you to reshape to tell a story you liked better. You could never just listen to a boy playing guitar, you’d have to turn it into a poem, make it all about you.
Janet Fitch (White Oleander)
TIL KINGDOM COME you'll be the one. FOR YOU theres NO MORE KEEPING MY FEET ON THE GROUND. My head is in the clouds NOW MY FEET WONT TOUCH THE GROUND. LIFE IS FOR LIVING and i cant live until i have stolen a spot in your heart. HURTS LIKE HEAVEN and feels like hell to know your in ANOTHERS ARMS. This is no PARADISE. DONT LET IT BREAK YOU HEART i tell my self. Your BEAUTIFUL WORDS always IN MY HEAD i cant stop my self. THINGS I DONT UNDERSTAND would be you and me. LOST in your X&Y. I feel like i was SWALLOWED IN THE SEA, LOST and unseen, not a WISPER or a weep. I cry in my sleep, EVERY TEARDROP IS A WATERFALL. Should have seen the WARNING SIGNS, they were always there like a WISPER in my ear. Every time you say hello were back at SQUARE ONE, a smile my face. SUCH A RUSH i get when i talk to you. My heart beats as fast as a HIGH SPEED race. Every second i wait for your reply like CLOCK ticking by. DAYLIGHT nears as the SLEEPING SUN is UP IN FLAMES. What if its US AGAINST THE WORLD? What if HOW YOU SEE THE WORLD is how i see it too? WHAT IF?
Rhyan Roads
And so I make my way across the room steadily, carefully. Hands shaking, I pull the string, lifting my blinds. They rise slowly, drawing more moonlight into the room with every inch And there he is, crouched low on the roof. Same leather jacket. The hair is his, the cheekbones, the perfect nose . . . the eyes: dark and mysterious . . . full of secrets. . . . My heart flutters, body light. I reach out to touch him, thinking he might disappear, my fingers disrupted by the windowpane. On the other side, Parker lifts his hand and mouths: “Hi.” I mouth “Hi” back. He holds up a single finger, signalling me to hold on. He picks up a spiral-bound notebook and flips open the cover, turning the first page to me. I recognize his neat, block print instantly: bold, black Sharpie. I know this is unexpected . . . , I read. He flips the page. . . . and strange . . . I lift an eyebrow. . . . but please hear read me out. He flips to the next page. I know I told you I never lied . . . . . . but that was (obviously) the biggest lie of all. The truth is: I’m a liar. I lied. I lied to myself . . . . . . and to you. Parker watches as I read. Our eyes meet, and he flips the page. But only because I had to. I wasn’t supposed to fall in love with you, Jaden . . . . . . but it happened anyway. I clear my throat, and swallow hard, but it’s squeezed shut again, tight. And it gets worse. Not only am I a liar . . . I’m selfish. Selfish enough to want it all. And I know if I don’t have you . . . I hold my breath, waiting. . . . I don’t have anything. He turns another page, and I read: I’m not Parker . . . . . . and I’m not going to give up . . . . . . until I can prove to you . . . . . . that you are the only thing that matters. He flips to the next page. So keep sending me away . . . . . . but I’ll just keep coming back to you. Again . . . He flips to the next page. . . . and again . . . And the next: . . . and again. Goose bumps rise to the surface of my skin. I shiver, hugging myself tightly. And if you can ever find it in your (heart) to forgive me . . . There’s a big, black “heart” symbol where the word should be. I will do everything it takes to make it up to you. He closes the notebook and tosses it beside him. It lands on the roof with a dull thwack. Then, lifting his index finger, he draws an X across his chest. Cross my heart. I stifle the happy laugh welling inside, hiding the smile as I reach for the metal latch to unlock my window. I slowly, carefully, raise the sash. A burst of fresh honeysuckles saturates the balmy, midnight air, sickeningly sweet, filling the room. I close my eyes, breathing it in, as a thousand sleepless nights melt, slipping away. I gather the lavender satin of my dress in my hand, climb through the open window, and stand tall on the roof, feeling the height, the warmth of the shingles beneath my bare feet, facing Parker. He touches the length of the scar on my forehead with his cool finger, tucks my hair behind my ear, traces the edge of my face with the back of his hand. My eyes close. “You know you’re beautiful? Even when you cry?” He smiles, holding my face in his hands, smearing the tears away with his thumbs. I breathe in, lungs shuddering. “I’m sorry,” he whispers, black eyes sincere. I swallow. “I know why you had to.” “Doesn’t make it right.” “Doesn’t matter anymore,” I say, shaking my head. The moon hangs suspended in the sky, stars twinkling overhead, as he leans down and kisses me softly, lips meeting mine, familiar—lips I imagined, dreamed about, memorized a mil ion hours ago. Then he wraps his arms around me, pulling me into him, quelling every doubt and fear and uncertainty in this one, perfect moment.
Katie Klein (Cross My Heart (Cross My Heart, #1))