Slashing Tires Quotes

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And he don't know...that I dug my key into the side of his pretty little souped up 4 wheel drive, carved my name into his leather seats. I took a Louisville slugger to both headlights, slashed a hole in all 4 tires...Maybe, next time he'll think before he cheats.
Carrie Underwood
On My Response to Having My Tires Slashed “Oh, don’t go to the goddamned cops. They’re busy with real shit. I don’t want my tax dollars going to figuring out who thinks you’re an asshole.
Justin Halpern (Sh*t My Dad Says)
Once there was a boy,” said Jace. Clary interrupted immediately. “A Shadowhunter boy?” “Of course.” For a moment a bleak amusement colored his voice. Then it was gone. “When the boy was six years old, his father gave him a falcon to train. Falcons are raptors – killing birds, his father told him, the Shadowhunters of the sky. “The falcon didn’t like the boy, and the boy didn’t like it, either. Its sharp beak made him nervous, and its bright eyes always seemed to be watching him. It would slash at him with beak and talons when he came near: For weeks his wrists and hands were always bleeding. He didn’t know it, but his father had selected a falcon that had lived in the wild for over a year, and thus was nearly impossible to tame. But the boy tried, because his father told him to make the falcon obedient, and he wanted to please his father. “He stayed with the falcon constantly, keeping it awake by talking to it and even playing music to it, because a tired bird was meant to be easier to tame. He learned the equipment: the jesses, the hood, the brail, the leash that bound the bird to his wrist. He was meant to keep the falcon blind, but he couldn’t bring himself to do it – instead he tried to sit where the bird could see him as he touched and stroked its wings, willing it to trust him. Hee fed it from his hand, and at first it would not eat. Later it ate so savagely that its beak cut the skin of his palm. But the boy was glad, because it was progress, and because he wanted the bird to know him, even if the bird had to consume his blood to make that happen. “He began to see that the falcon was beautiful, that its slim wings were built for the speed of flight, that it was strong and swift, fierce and gentle. When it dived to the ground, it moved like likght. When it learned to circle and come to his wrist, he neary shouted with delight Sometimes the bird would hope to his shoulder and put its beak in his hair. He knew his falcon loved him, and when he was certain it was not just tamed but perfectly tamed, he went to his father and showed him what he had done, expecting him to be proud. “Instead his father took the bird, now tame and trusting, in his hands and broke its neck. ‘I told you to make it obedient,’ his father said, and dropped the falcon’s lifeless body to the ground. ‘Instead, you taught it to love you. Falcons are not meant to be loving pets: They are fierce and wild, savage and cruel. This bird was not tamed; it was broken.’ “Later, when his father left him, the boy cried over his pet, until eventually his father sent a servant to take the body of the bird away and bury it. The boy never cried again, and he never forgot what he’d learned: that to love is to destroy, and that to be loved is to be the one destroyed.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
This phrase did not have the ring of verisimilitude because I am famously bad at math. If I'm in charge of tipping at a restaurant, the waiter will either fall to his knees in gratitude or slash my tires. There ain't no Mr. In Between.
Celia Rivenbark (Stop Dressing Your Six-Year-Old Like a Skank: And Other Words of Delicate Southern Wisdom)
At forty-five, I feel grateful almost daily to be the adult I wished I could be when I was seventeen. I work on my arm strength at the gym; I've become pretty good with tools. At the same time, almost daily, I lose battles with the seventeen-year-old who's still inside me. I eat half a box of Oreos for lunch, I binge on TV, I make sweeping moral judgments. I run around in torn jeans, I drink martinis on a Tuesday night, I stare at beer-commercial cleavage. I define as uncool any group to which I can't belong. I feel the urge to key Range Rovers and slash their tires; I pretend I'm never going to die. You never stop waiting for the real story to start, because the only real story, in the end, is that you die.
Jonathan Franzen (The Discomfort Zone: A Personal History)
One more question." Finn had a smirk on his face. "Do you use…" "If you say litter box, I will empty that pitcher of water on your head." She thought for a second and added, "Before I slash the tires on your car." "My baby?" Kess grinned. "Kidding! I'd just key it." She turned to Burke who was smirking at the look on his brother's face. "Is he always like this?
Jeanette Battista (Leopard Moon (Moon, #1))
He’s going to want an explanation,” I say. “An explanation? You don’t owe him anything. If you don’t want to talk to him, don’t. If you want to yell at him, do. If you want to slash his tires—“ “Ginnie.” “I was going to say don’t. Or do. Whatever helps.
Lindsey Leavitt (Going Vintage)
And I’ve already spent too much time Doing things I didn’t want to So if I want to drink alone dressed like a pirate Or look like a dyke Or wear high heels and lipstick Or hide in a convent Or try to be mayor Or marry a writer Smoke crack and slash tires Make jokes you don’t like Or paint ducks and retire You can bet your black ass that I’m going to. —from An Evening With Neil Gaiman & Amanda Palmer, 2013
Amanda Palmer (The Art of Asking; or, How I Learned to Stop Worrying and Let People Help)
I glance at Aracely. “You’re not slashing their tires, are you?” “No, I want them to leave.
Penelope Douglas (Five Brothers)
At fifty-seven, Margaret was tempted to find that lying bitch and slash her tires.
Douglass Hoover (The Accursed Huntsman)
I support you no matter what. You want to rage at him? Want to think he said those words to hurt you? Fine. I’ll be ready to slash his tires after my shift today. Daisy will bring the knives.
Samantha Whiskey (Brogan (Carolina Reapers #9))
Nina, Max, always a blast,” Kami said to her brother and sister-in-law. “Guy I don’t know, you treat her like shit, I slash your tires,” she said to Ham. “Zara, later,” she said to me, and then she sauntered away.
Kristen Ashley (Jagged (Colorado Mountain, #5))
This woman sighs this big, long sigh that I think is supposed to be a sort of compliment-slash-show-of-solidarity between us. I know that if I were to sit with her by ourselves and talk a long time I’d probably like her. My quadrilingual friend is kind and brilliant and exacting and I trust she likes this woman because she is too. But I don’t have the space to sit and talk with her, to listen to and try to like her, so I sit and I allow myself to hate her, because I’m tired and it’s easy.
Lynn Steger Strong (Want)
It looks like this: Pink, mostly. Puffs of orange just below. The fiercest yellow way ahead, far, far ahead. Red slashed all across. All of it fading to blue, getting deeper and deeper as you go out. Underneath all that is the ocean, reflecting it back. All I can hear are the waves and the seagulls, all this calmness surrounded by an eruption of colors, deep strong colors. I only saw this once in real life. We stayed up late and walked to Mill Point Beach in the middle of the night. There was no light anywhere and we sat, blind, and we said nothing. We didn’t speak for the longest time, just listened to the ocean. Then the blackness started melting. This is what it looked like when the sun finally came up. I was so tired, we both were, but we did it anyway. We only saw it once because there wasn’t much after that, and now we can’t ever go again. This is what I see when I want to remember the good parts. This is what I see when I think of him, when I let myself think of him.
Rafi Mittlefehldt (It Looks Like This)
In Minneapolis, tires were slashed and windows smashed. A high school student getting off a bus was hit in the face and told to “go back to China.” A woman was kicked in the thighs, face, and kidneys, and her purse, which contained the family’s entire savings of $400, was stolen; afterwards, she forbade her children to play outdoors, and her husband, who had once commanded a fifty-man unit in the Armée Clandestine, stayed home to guard the family’s belongings. In Providence, children walking home from school were beaten. In Missoula, teenagers were stoned. In Milwaukee, garden plots were vandalized and a car was set on fire. In Eureka, California, two burning crosses were placed on a family’s front lawn. In a random act of violence near Springfield, Illinois, a twelve-year-old boy was shot and killed by three men who forced his family’s car off Interstate 55 and demanded money. His father told a reporter, “In a war, you know who your enemies are. Here, you don’t know if the person walking up to you will hurt you.
Anne Fadiman (The Spirit Catches You and You Fall Down: A Hmong Child, Her American Doctors, and the Collision of Two Cultures)
When I couldn’t take the hunger anymore, I called Taylor and told her everything. She screamed so loud, I had to hold the phone away from my ear. She came right over with a black-bean burrito and a strawberry-banana smoothie. She kept shaking her head and saying, “That Zeta Phi slut.” “It wasn’t just her, it was him, too,” I said, between bites of my burrito. “Oh, I know. Just you wait. I’m gonna drag my nails across his face when I see him. I’ll leave him so scarred, no girl will ever hook up with him again.” She inspected her manicured nails like they were artillery. “When I go to the salon tomorrow, I’m gonna tell Danielle to make them sharp.” My heart swelled. There are some things only a friend who’s known you your whole life can say, and instantly, I felt a little better. “You don’t have to scar him.” “But I want to.” She hooked her pinky finger with mine. “Are you okay?” I nodded. “Better, now that you’re here.” When I was sucking down the last of my smoothie, Taylor asked me, “Do you think you’ll take him back?” I was surprised and really relieved not to hear any judgement to her voice. “What would you do?” I asked her. “It’s up to you.” “I know, but…would you take him back?” “Under ordinary circumstances, no. If some guy cheated on me while we were on a break, if he so much as looked at another girl, no. He’d be donzo.” She chewed on her straw. “But Jeremy’s not some guy. You have a history together.” “What happened to all that talk about scarring him?” “Don’t get it twisted, I hate him to death right now. He effed up in a colossal way. But he’ll never be just some guy, not to you. That’s a fact.” I didn’t say anything. But I knew she was right. “I could still round up my sorority sisters and go slash his tires tonight.” Taylor bumped my shoulder. “Hmm? Whaddyathink?” She was trying to make me laugh. It worked. I laughed for the first time in what felt like a long time.
Jenny Han (We'll Always Have Summer (Summer #3))
Rounding the corner at Haste, the crowd rushed toward People’s Park, smashing through the fence and sweeping across the lawn, attacking construction vehicles, slashing tires and seat cushions, knocking out glass. Down came the work lights. They kicked in the door to Nestor Arriola’s trailer and ransacked it. They scaled the remaining trees to take up residence. I didn’t witness any of it. I was sitting onstage in the silent auditorium, squinting in the direction of the light booth. The glare made it impossible to tell if UC Berkeley executive vice chancellor George Greenspan was in there. Just in case, I waved and gave him a thumbs-up. Judy Bronson shifted to face me. The creak of her chair leather carried clear to the back of the room. Zellerbach Hall has world-class acoustics. She said, “What just happened.” I said, “Berkeley.
Jonathan Kellerman (Half Moon Bay (Clay Edison, #3))
The difference between envy and jealousy is subtle but distinct, once you know the flavors and contours of both. Jealousy is wanting what someone else has, like for example, wanting the same kind of car or house as a neighbor. (Or wanting to be the man who owns your girlfriend’s heart rather than some WASP-y asshole who probably has a drawer just for all of his cuff links.) Envy is hating the fact that someone else has something you don’t, and hating them for having it, like wanting to slash your neighbor’s tires because he doesn’t fucking deserve a BMW and everyone fucking knows it, and if you can’t have it, then it’s no fucking fair that he gets to have one either.
Sierra Simone (Priest (Priest, #1))
Cherie," he said softly, "I have tired of this game of charades. The time for defiance is at an end." He held both of my wrists in the iron grip of one hand and removed his dagger from the folds of his waistcloth with the other. I recognized the ivory handled blade as a jambiya, a small, curved, double-bladed, and extremely lethal weapon. I squeezed my eyes shut; driving my teeth into my lower lip to keep back the hysterical sob that rose in my throat. I only hoped he would do it quickly. But instead of the slash of his blade across my throat, I felt the sudden and steady pop of the buttons from my blouse. Bewildered, I opened my eyes into his. He lifted a brow over his mocking gaze. "You thought I would kill you, cherie?" He chuckled. "No. I would not waste such beauty as yours—unless you forced my hand. You comprehend me?
Victoria Vane (The Sheik Retold)
When I deliver Spirit’s messages, I have no filter—zero, zip, none. I picture my cranium like spaghetti in a colander. My brain’s the pasta, the water is the information pouring over and through it, and then the messages come right out of the holes that are my voice, expression, and mannerisms. I should learn to watch my mouth, though. A lot of times there’s no proper way to say the stuff Spirit tells me, so I just blurt it out. I was doing a restaurant venue of eighty people, and there was a girl there who lost her brother. I turned to her and said, “Your brother wants you to get rid of your boyfriend. He’s no good.” But get this—the boyfriend was sitting right next to her! So I announced that if I had four slashed tires at the end of the group, we’d all know who did it. The girl broke up with the guy four months later, but that’s beside the point. Or is it?
Theresa Caputo (There's More to Life Than This)
Okay, then. Let’s win you a wish.” He takes out his phone and pulls up Google Maps. “I looked up Gen’s address before I came over here. I think you’re right--we should take our time, assess the situation. Not go in half-cocked.” “Mm-hm.” I’m in a sort of dream state; it’s hard to concentrate. John Ambrose McClaren wants to make it unequivocally clear. I snap out of it when Kitty jostles her way back into the living room, balancing a glass of orange soda, the tub of red pepper hummus, and a bag of pita chips. She makes her way over to the couch and plonks down right between us. Holding out the bag, she asks, “Do you guys want some?” “Sure,” John says, taking a chip. “Hey, I hear you’re pretty good at schemes. Is that true?” Warily she says, “What makes you say that?” “You’re the one who sent out Lara Jean’s letters, aren’t you?” Kitty nods. “Then I’d say you’re pretty good at schemes.” “I mean, yeah. I guess.” “Awesome. We need your help.” Kitty’s ideas are a bit too extreme--like slashing Genevieve’s tires, or throwing a stink bomb in her house to smoke her out, but John writes down every one of Kitty’s suggestions, which does not go unnoticed by Kitty. Very little does.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
Peter did not feel very brave; indeed, he felt he was going to be sick. But that made no difference to what he had to do. He rushed straight up to the monster and aimed a slash of his sword at its side. That stroke never reached the Wolf. Quick as lightning it turned round, its eyes flaming, and its mouth wide open in a howl of anger. If it had not been so angry that it simply had to howl it would have got him by the throat at once. As it was—though all this happened too quickly for Peter to think at all—he had just time to duck down and plunge his sword, as hard as he could, between the brute's forelegs into its heart. Then came a horrible, confused moment like something in a nightmare. He was tugging and pulling and the Wolf seemed neither alive nor dead, and its bared teeth knocked against his forehead, and everything was blood and heat and hair. A moment later he found that the monster lay dead and he had drawn his sword out of it and was straightening his back and rubbing the sweat off his face and out of his eyes. He felt tired all over. Then, after a bit, Susan came down the tree. She and Peter felt pretty shaky when they met and I won't say there wasn't kissing and crying on both sides. But in Narnia no one thinks any the worse of you for that.
C.S. Lewis
Once there was a boy. When the boy was 6 years old, his father gave him a falcon to train. Falcons are raptors - killing birds, his father told him, the Shadowhunters of the sky. The falcon didn't like the boy, and he didn't like it, either. Its sharp beak made him nervous, and its bright eyes always seemed to be watching him. It would slash at him with his beak and talons when he came near: For weeks his wrists and hands were always bleeding. He didn't know it, but his father had selected a falcon that had lived in the wild for over a year, and thus was nearly impossible to train. But the boy tried, because his father had told him to make the falcon obedient, and he wanted to please his father. He stayed with the falcon constantly, keeping it awake by talking to it and even playing music to it, because a tired bird was ment to be easier to tame. He leard the equipment: the jesses, the hood, the brail, the leash that bound the bird to his wrist. He was ment to keep the bird blind, but he couldn't bring himself to do it - instead he tryed to sit where the bird could see him as he touched and stroked its wings, willing it to trust him. He fed it from his hand, and at first it would not eat. Later it ate so savagely that the beak cut his palm. But the boy was glad, because it was progress, and because he wanted the bird to know him, even if it had to consume his blood to make that happen. He began to see that the falcon was beautiful, that its slim wings were built for the speed of flight, that it was strong and swift, fierce and gentle. When it dived to the ground, it moved like light. When it learned to circle and land on his wrist, he nearly shouted with delight. Sometimes the bird would hop to his sholder and but its beak in his hair. He knew his falcon loved him, and when he was certain that it was not just tamed but perfectly tamed, he went to his father and showed him what he had done, expecting him to be proud. Instead his father took the bird, now tame and trusting, in his hands, and broke its neck. 'I told you to make him obedient,' his father said, and dropped the falcon's lifeless body to the ground. "Instead, you taught it to love you. Falcons are not ment to be loving pets: They are fierce and wild, savage and cruel. This bird was not tamed; it was broken.' Later, when his father left him, the boy cried over his pet, until his father sent a servant to take the body of the bird away and bury it. The boy never cried again, and he never forgot what he'd learned: That to love is to destroy, and to be loved is to be the one destroyed.
Jace City of Bones
When Wen was seventeen years old, she'd sharpened a kitchen knife and slashed the tires on her brother's bicycle. She never told Kehn, who gave on of the neighbor boys a beating over it. After that, Kaul Hilo came around their house in his car every day to pick up Kehn and Tar when the three of them went around town together, junior Fingers fresh out of the Academy, hungry to win jade and earn their reputations. Every day, Wen walked out to the Duchesse to bid her brothers goodbye and to welcome them home. Hilo once laughed as he pulled up to see her standing in the rain. He said she was the kindest and most devoted sister he'd ever met, that his own sister would never do such a thing. Wen had to admit with some chagrin that she had been a lovesick teenage girl, but she hadn't simply pined uselessly. A small thing like a ruined bicycle could change fate, just as a stone-eye could tip the scales in a clan war. She searched now for the one thing she could say that would make Hilo turn towards her, the way he used to when he rolled down the window and leaned across the seat with a grin. But she was too weary. 'I have to go back out there,' Hilo said. Wen turned onto her side. She felt the pressure of him lift off the mattress, and when the next burst of light from the fireworks struck the room, it lit empty space.
Fonda Lee (Jade Legacy (The Green Bone Saga, #3))
1. You most want your friends and family to see you as someone who …     a. Is willing to make sacrifices and help anyone in need.     b. Is liked by everyone.     c. Is trustworthy.     d. Will protect them no matter what happens.     e. Offers wise advice. 2. When you are faced with a difficult problem, you react by …     a. Doing whatever will be the best thing for the greatest number of people.     b. Creating a work of art that expresses your feelings about the situation.     c. Debating the issue with your friends.     d. Facing it head-on. What else would you do?     e. Making a list of pros and cons, and then choosing the option that the evidence best supports. 3. What activity would you most likely find yourself doing on the weekend or on an unexpected day off?     a. Volunteering     b. Painting, dancing, or writing poetry     c. Sharing opinions with your friends     d. Rock-climbing or skydiving!     e. Catching up on your homework or reading for pleasure 4. If you had to select one of the following options as a profession, which would you choose?     a. Humanitarian     b. Farmer     c. Judge     d. Firefighter     e. Scientist 5. When choosing your outfit for the day, you select …     a. Whatever will attract the least amount of attention.     b. Something comfortable, but interesting to look at.     c. Something that’s simple, but still expresses your personality.     d. Whatever will attract the most attention.     e. Something that will not distract or inhibit you from what you have to do that day. 6. If you discovered that a friend’s significant other was being unfaithful, you would …     a. Tell your friend because you feel that it would be unhealthy for him or her to continue in a relationship where such selfish behavior is present.     b. Sit them both down so that you can act as a mediator when they talk it over.     c. Tell your friend as soon as possible. You can’t imagine keeping that knowledge a secret.     d. Confront the cheater! You might also take action by slashing the cheater’s tires or egging his or her house—all in the name of protecting your friend, of course.     e. Keep it to yourself. Statistics prove that your friend will find out eventually. 7. What would you say is your highest priority in life right now?     a. Serving those around you     b. Finding peace and happiness for yourself     c. Seeking truth in all things     d. Developing your strength of character     e. Success in work or school
Veronica Roth (The Divergent Series: Complete Collection)
You okay?” she asks. “I think so. You?” “Yeah.” The courthouse looks like it’s burning under the morning sun. The flame-orange shimmer of hot brick forces me to look away. “Why are you still going through with this?” She’s silent, and I contemplate punching myself in the face. If she backs out now I’m going to…I don’t even know what. Slash Chase Dunkirk’s tires. Set fire to the school. Kick a hole in every wall in my house on my way out. “Don’t be an idiot,” she says, opens her door, and climbs out. “Seriously. Why?” “Because I can’t let bad things happen to you, Mo. Now quit being such a pantywaist and marry me.” She opens my door, and I look down in time to see her rolling her eyes. I’m so relieved. She isn’t cowering. She won’t break. “Pantywaist?” I ask. “What are you, seventy?” “Stop stalling.” “I feel like I might throw up,” I say as I get out. “Would this be a good time to tell you I’m not a virgin?” “Would this be a good time to tell you I’m in love with Maya?” “Finally!” she says, and grabs my arm, pulling me toward the building. “Only took you four years to admit it. So prewedding confessions are out of the way. Let’s do this.” “I really think I might be getting the stomach flu.” She ignores me. “This is weird, but right at this second, I feel . . .” She pauses, squinting at me through the blinding sun. “I feel like this is right. You know?” “No. Not at all. I’m about to piss my pants. I believe you remember the last time that happened, and they may or may not have black sweatpants in my size at the lost and found here
Jessica Martinez (The Vow)
The throbbing in her jaw brought her back. The sky outside was brightening, the morning light highlighting the horrible mess in front of her. She must have been out for a while. Rising, she took in the scene. The man was collapsed on her game room floor, slowly leaking blood on her Berber carpet. She idly eyed the stain. “That’s going to be a bitch to get out.” She shook her head to clear the cobwebs. What an inane thing to say. Shock, she must be going into shock. How long had they fought? Had it been only five minutes? Half an hour? She felt like she had struggled against him for days; her body was tired and sore. Never mind the blood caked around her mouth and the gaping slash across her shin. She put her hand up to her face. Her nose was broken again. Damn.
J.T. Ellison (Judas Kiss (Taylor Jackson #3))
Gretchen laughed off and on for the ten minutes it took to drive to Shaughnessy’s apartment. She parked in the shadows, dug for the knife she’d used to slash the man’s tire earlier in the day, and stroked the blade with the tip of one finger as the darkness fell around her.
Brianna Labuskes (What Can't Be Seen (Dr. Gretchen White, #2))
Now ‘means’ is how she died, the method. Her throat was slashed with a knife. Blood everywhere. What kind of human would do something so horrible to their mate?” “Precisely, much too messy,” Winston said. “Why not use a gun? Very impersonal. Something simple, like a Smith and Wesson thirty-eight revolver.” “My Fresno human had the Revolver album,” said Meatloaf. “H played it a lot. He said he Beatles explored new ground with their work.” “A gun?” I said. “Too loud. The neighbors would hear and call the cops.” “What about hitting her on the head?” asked Gizmo. “That’s quiet. Messy, maybe - but quiet.” Meatloaf spoke up again. “I been hit with a newspaper, it makes a loud sound. Whack! Right on the butt.” “A crowbar. Silent but deadly.” “Who carries a crowbar? It would be something like a tire iron.” “Or a golf club.” “Everybody around here plays golf.” The pack nodded.
Jerry Brandon (A Howl In The Night)
Did she slash your tires, too?” “No, I traded in the car; got an SUV.” He reaches out and opens the door, and I climb into the Range Rover. “When did you go car shopping?” I ask as he slides into the driver’s seat. “Do you like it?” “Yes, it’s nice, but …” I stop when he lifts the console separating us. “Now you can sit next to me.” “You bought a car so I could sit next to you?
M.J. Fields (True Love : Blue Valley — The Adult Years (The Blue Valley Series #4))
Call me a dinosaur, but I do not put stock in word processing machines. Writing must be a visceral experience for me. There must be smudges. There must be crossed-out passages; the violence of the slash reminds me of my passion in the moment of self-rebuke. Was I tired or sad when I wrote this or that? The slant of my handwriting tells me so. The forensics available to an analyst of handwriting are limitless.
Charlie Kaufman.
We're going to need food. And maybe on your way out, you can, um, make sure their car has engine trouble or something? Anything that keeps it here. But not something obvious, like slashed tires." She put the keys in her pocket. "Easy. Got any food requests?" I thought about it. "Something with sugar. And coffee for Dimitri." "Coffee's a given," she said.
Richelle Mead (Last Sacrifice (Vampire Academy, #6))
Linda recognized the car next to it as Höglund’s. Linda fingered the Swiss army knife in her pocket, but this was not a night for slashing tires.
Henning Mankell (Before the Frost (Linda Wallander #1))
Then it came to him. This was not the diversion, the battle of Gibeah was the diversion. The real goal was to capture Mikael himself, the prince of Israel. Well, he thought, they picked the wrong archangel to mess with. I have a chosen nation to protect. He pulled out his horn to call for help, but Ba’alzebul’s mace smashed it out of his hands. Dagon assaulted him with a barrage of sword slashes and strikes. Mikael kept him at bay, but almost got stung by Asherah’s javelin from the other side. He dodged and kept moving. His Karabu training was his only hope. It was the heavenly battle technique of Yahweh’s archangels developed to protect the Garden of Eden in primordial days. They had taught the human giant killers Enoch, Methuselah, Lamech, and Caleb the Way of Karabu, but now he would need to call upon his training to survive this ordeal. He flipped, spun, and danced around the four attacking gods and their weapons. It frustrated the malevolent beings, which was to Mikael’s advantage. But archangels were still created beings. He began to grow tired. They were wearing him down. Dagon’s sword grazed Mikael’s arm, cutting through his tunic. He was not going to be able to keep it up. He would have to do something drastic. Ba’alzebul moved in on Mikael. The biggest, meanest, mightiest of the gods had been waiting for his opportune moment when Mikael was just weary enough, just worn enough, to be incapable of expecting the unexpected. Ba’alzebul took the lead and pounded Mikael’s sword with his mace and backed him up against the ledge. Mikael looked down to the chasm floor. Saul and his forces made their way through the chasm below after slaughtering the priests of Molech. It wasn’t a fair fight. And neither was this fight. But Saul was safe. He had made it through and went north toward Gibeah. But the gods were not here for Saul. They were here for Mikael. Ba’alzebul suddenly threw down his mace and rushed Mikael like a bull goring its prey. Mikael didn’t register why, until Ba’alzebul hit him. The two of them launched off into space, plummeting toward the chasm floor two hundred feet below. Angels and gods could not die. But they were not mere spirits. They were enfleshed spirits. While it was unique flesh that would heal miraculously, it was still flesh that could be hurt — as Ba’alzebul knew all too well from his own painful experience in the molten earth. They hit the ground with a powerful thud and sank several feet into the dirt. Every bone in Mikael’s body was broken in the fall. He was paralyzed in excruciating pain. Ba’alzebul had been on top of Mikael, so while he too would be somewhat incapacitated, it would not be as bad for him, having used Mikael’s body as a cushion in the fall. As Mikael slipped into a state of delirious pain, he knew that their goal had been to capture him this way. To ambush him and therefore make both Saul and David more vulnerable to human attack. But what did they plan for Mikael? He could not begin to imagine.
Brian Godawa (David Ascendant (Chronicles of the Nephilim, #7))
Someone starts out sedentary, overweight, and somewhat insulin resistant. They set out to improve their health and lose some weight by following a low-carb diet. It works great. They lose weight, their insulin sensitivity improves, and their energy is through the roof. They start exercising, which helps them lose some more weight, as well as build some lean muscle mass. Now they are really into it, and the frequency and intensity of their training increases. This individual is now at a healthy weight (or relatively lean), is exercising regularly, and has better insulin sensitivity. They are a completely different person, metabolically speaking, then when they started. But the problem is they are no longer properly fueling their body and recovering from their intense training sessions (which were once non-existent). They are starting to feel tired and fatigued in the gym, are always in a bad mood, are holding on to stubborn body fat, can’t sleep at night, get sick all of the time, and are maybe having some sexual performance and hormonal issues. Their diet no longer matches their new activity levels and current metabolic condition, because those have completely changed over time. If this person objectively looked at their situation and progress and listened to their own body and biofeedback, they would consider some dietary adjustments. A moderate-to-higher carb intake might be a better fit. But some people will cling to a diet that initially gave them good results, and got them from Point A to Point B, thinking it will get them from Point B to Point C. I’ve been there myself. Part of it is initial experience, part of it is marketing material, and part of it is pure emotion. It doesn’t always work that way for continued progress.
Nate Miyaki (The Truth about Carbs: How to Eat Just the Right Amount of Carbs to Slash Fat, Look Great Naked, & Live Lean Year-Round)
Bero slashed Sampa’s tires and the boy missed his deliveries one day and lost his job.
Fonda Lee (Jade City (The Green Bone Saga, #1))
But who’s best for her isn’t up to me to decide. I pour the drinks and feed her ice cream and hold her hand when she cries and yeah, I give my opinion and plenty of advice, but Elle can make her own decisions. For whatever reason, she wants you. But so help me god, if you break her heart again, I will slash your tires, Darcy Lowell.
Alexandria Bellefleur (Written in the Stars (Written in the Stars #1))
His gaze softens, 'Do you think anyone else wanted to slash Anita's tires or do you think it was just us?' 'Anyone with their head screwed on right will have slashed all four by now.' Lawrence shakes his head. 'Three, doll face. Four is covered by insurance.' We make another toast.
Krystal Zammit (Strangers Everywhere)
Think about it, Finn. The guy thinks you beat him over the head, burned down his office, flooded his house with gas, and slashed his tires, and he still hasn’t gone to the cops. He let Bree spend an entire day in custody for a crime he knew she didn’t commit, all because he didn’t want the person in those handcuffs to be you.
Elle Cosimano (Finlay Donovan Knocks 'Em Dead (Finlay Donovan, #2))
After you slashed Bernadette’s tires, I remembered Mr. Weinman’s plan to mess with the stage, so I loosened the railing’s screws so I’d get hurt. I needed you to snap out of it and get out of Shady Palms so we’d be safe. Why couldn’t you do that?
Mia P. Manansala (Homicide and Halo-Halo (Tita Rosie's Kitchen Mystery, #2))
He took a minute to figure out which direction he was headed, and then he began walking the gravel shoulder, thinking not at the slash tires, which happened at least once every tour, but of his performance that evening, his abandoned set list. He didn’t want to feel proud about it, but neither did he want to feel ashamed. Those two girls who had left — were they right? He could call them immature, but he’s the one who had played Journey. At one point years ago he had been like those girls, resolute in his determination of the Good and the Correct. Had he, since that time, gained something or lost something? Had he matured or surrendered?
Chris Bachelder (U.S.!: Songs and Stories)
See, this is what I’m not about to do. Text that man! If he responds, that’s great. If not, we’ll just slash his tires. It could all be so simple, Love.” We both started laughing, even though I know she really meant it.
Kami Holt (What You Need)
Eddie Grace's buick Got four bullet holes in the side Charley Delisle is sittin' at the top Of an avocado tree Mrs Storm will stab you with a steak knife If you step on her lawn I got a half a pack of lucky strikes man So come along with me Let's fill our pockets With macadamia nuts And go over to Bobby Goodmanson's And jump off the roof Hilda plays strip poker When her mama's across the street Joey Navinsky says she put Her tongue in his mouth Dicky Faulkner's got a switchblade And some gooseneck risers That eucalyptus is a hunchback There's a wind down from the south So let me tie you up with kite string I'll show you the scabs on my knee Watch out for the broken glass Put your shoes and socks on And come along with me Let's follow that fire truck I think your house is burning down Then go down to the hobo jungle And kill some rattlesnakes with a trowel And we'll break all the windows In the old Anderson place We'll steal a bunch of boysenberrys And smear 'em on your face I'll get a dollar from my mama's purse Buy that skull and crossbones ring And you can wear it round your neck On an old piece of string Then we'll spit on Ronnie Arnold And flip him the bird Slash the tires on the school bus Now don't say a word I'll take a rusty nail Scratch your initials in my arm I'll show you how to sneak up on the roof Of the drugstore I'll take the spokes from your wheelchair And a magpie's wings And I'll tie 'em to your shoulders And your feet I'll steal a hacksaw from my dad Cut the braces off your legs And we'll bury them tonight Out in the cornfield Just put a church key in your pocket We'll hop that freight train in the hall We'll slide all the way down the drain To New Orleans in the fall
Tom Waits
Donna touched Jenny’s face with one finger. She kissed her again, harder, but on the cheek. Then she grabbed the jar from Jenny’s arms and ran to the edge of the playground and threw it down into the gravel pit, where it shattered, making a sound even louder than Jenny’s surprised scream, and the hearts were all punctured and slashed on the broken glass and the sharp rocks, and then all the other children gathered around and cheered and lifted Donna into the air. They threw her once, and then again, and then once more, although they were tired, because even they knew that some things just had to be done three times. From the air, Donna watched Jenny cry, and then watched her run, and then missed her, as she would for a long time. As for the hearts, they just lay around, a pile of bleeding, empty sacks, until night fell and the other animals came out and, stepping carefully around the glass, dragged them all away.
Emily Temple
When the boy was six years old, his father gave him a falcon to train. Falcons are raptors—killing birds, his father told him, the Shadowhunters of the sky. “The falcon didn’t like the boy, and the boy didn’t like it, either. Its sharp beak made him nervous, and its bright eyes always seemed to be watching him. It would slash at him with beak and talons when he came near: For weeks his wrists and hands were always bleeding. He didn’t know it, but his father had selected a falcon that had lived in the wild for over a year, and thus was nearly impossible to tame. But the boy tried, because his father had told him to make the falcon obedient, and he wanted to please his father. “He stayed with the falcon constantly, keeping it awake by talking to it and even playing music to it, because a tired bird was meant to be easier to tame. He learned the equipment: the jesses, the hood, the brail, the leash that bound the bird to his wrist. He was meant to keep the falcon blind, but he couldn’t bring himself to do it—instead he tried to sit where the bird could see him as he touched and stroked its wings, willing it to trust him. He fed it from his hand, and at first it would not eat. Later it ate so savagely that its beak cut the skin of his palm. But the boy was glad, because it was progress, and because he wanted the bird to know him, even if the bird had to consume his blood to make that happen. “He began to see that the falcon was beautiful, that its slim wings were built for the speed of flight, that it was strong and swift, fierce and gentle. When it dived to the ground, it moved like light. When it learned to circle and come to his wrist, he nearly shouted with delight. Sometimes the bird would hop to his shoulder and put its beak in his hair. He knew his falcon loved him, and when he was certain it was not just tamed but perfectly tamed, he went to his father and showed him what he had done, expecting him to be proud. “Instead his father took the bird, now tame and trusting, in his hands and broke its neck. ‘I told you to make it obedient,’ his father said, and dropped the falcon’s lifeless body to the ground. ‘Instead, you taught it to love you. Falcons are not meant to be loving pets: They are fierce and wild, savage and cruel. This bird was not tamed; it was broken.’ “Later, when his father left him, the boy cried over his pet, until eventually his father sent a servant to take the body of the bird away and bury it. The boy never cried again, and he never forgot what he’d learned: that to love is to destroy, and that to be loved is to be the one destroyed.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
Just ‘cause you’ve got a flat tire doesn’t mean you go slash the other three.
Megan Walker (The Extra (The Extra, #1))
Later, instead of questioning the employee who had slashed our tires, the police who arrived would instead question my father regarding accusations that he wanted to bomb the toy store. The police were used like a weapon against us, as they had been for people of color for a long time. Becoming the scapegoat meant that anyone could hold your identity against you at their will. It became a wound that people could prod and poke to try to bend us at their pleasure.
Amani Al-Khatahtbeh (Muslim Girl: A Coming of Age)
Saasz hän ku andam szabadon--take what I freely offer. My life is your life, my blood your blood. Together we are strong.” He used the formal words, meaning every one of them. He would have given his life for their leader. The others began the ritual healing chant. They spoke in a hypnotic rhythm, and the ancient tongue was beautiful. Behind him, Jacques heard the murmur of voices, smelled the sweet aroma of soothing, healing herbs. Carpathian soil, so rich in healing properties, was mixed with herbs and saliva from their mouths and placed over the wounds. Jacques held his brother in his arms, felt his strength, his life, flow into Mikhail, and he thanked God for his ability to help him. Mikhail was a good man, a great man, and his people could not lose him. Mikhail felt strength pouring into him, into his depleted muscles, into his brain and heart. Jacques’s strong body trembled, and he sat abruptly on the edge of the bed, still cradling Mikhail in his arms, still holding his brother’s head to make it easier for him to replenish what he had lost. Mikhail resisted, surprised at how strong Jacques still was, how weak he remained despite the transfer. Stop, Jacques, I endanger you. He said the words sharply in his mind because Jacques refused to release him. “It is not enough, my brother. Take what is freely offered with no thought but to heal.” Jacques continued the chant as long as he was able, signaling Eric when he was growing too weak to continue. Eric slashed his wrist without thought, without wincing at the gaping, painful wound, offering his wrist to Jacques, who continued to supply Mikhail with his life’s blood. Eric and Byron provided the soft rhythmic words of ritual while Jacques replenished himself and Mikhail. The room itself seemed filled with warmth and love, and smelled clean and fresh. The ritual healing signaled a new beginning. It was Eric who called a halt when he could see Mikhail’s color had returned, when he could hear the steady beat of his heart and feel the blood flowing freely, safely, in his veins. Byron put a supporting arm around Jacques, and helped him to a chair. Without a word he took Eric’s place, supplying life-giving fluid to Jacques. Mikhail stirred, accepted the pain of his injury as part of the healing process, as part of the mechanics of living. He turned his head. His dark gaze sought and found Jacques, rested on him like a touch. “Is he all right?” His voice was very soft, but commanding all the same. Mikhail was authoritative no matter the circumstances. Jacques looked up, pale and wan, flashed a grin, and winked. “I spend a lot of time pulling your butt out of trouble, big brother. You would think a man a good two hundred years older than me would have the sense to watch his own backside.” Mikhail smiled tiredly. “You get pretty cocky when I am lying on my backside.
Christine Feehan (Dark Prince (Dark, #1))
Girls are crazy. This is exactly why I don’t date. You totally strike me as the kind of girl who would slash my tires and key my car.
J.L. Weil (Disorder (Elite of Elmwood Academy #2))
There was no lullaby to the black, lightless waters that roiled down that side of the beach. They crashed and they screamed, and they foamed like rabid beasts slashing at the stone, carving out those hidden crannies where the seabirds slept. Their impression was one of gauntness and of death, of sickly hollows and tired, misshapen parts.
A.M. Shine (Stay in the Light: the chilling sequel to The Watchers, now a major motion picture)
TWO YEARS AGO I FOUND AN IMAGE OF A KID WITH HER HANDS COVERING HER FACE. A SEATBELT REACHED ACROSS HER TORSO, RIDING UP HER NECK AND A MOP OF BLONDE HAIR STAYED SWEPT, FOR THE MOMENT, BEHIND HER EARS. HER EYES SEEMED CLEAR AND CALM BUT NOT BLANK, THE ROAD BEHIND HER SEEMED THE SAME, I PUT MYSELF IN HER SEAT THEN I PLAYED IT ALL OUT IN MY HEAD. THE CLAUSTROPHOBIA HITS AS THE SEATBELT TIGHTENS, PREVENTING ME FROM EVEN LEANING FORWARD IN MY SEAT, THE PRESSING ON INTERNAL ORGANS. I LEAN BACK AND FORWARD TO RELEASE IT, THEN BACKWARDS AND FORWARD AGAIN. THERE IT IS I GOT FREE. HOW MUCH OF MY LIFE HAS HAPPENED INSIDE OF A CAR? I WONDER IF THE ODDS ARE THAT I'LL DIE IN ONE, KNOCK ON WOOD-GRAIN. SHOULDN'T SPEAK LIKE THAT. WE LIVE IN CARS IN SOME CITIES, COMMUTING ACROSS SPACE EITHER FOR OUR LIVELIHOOD, OR DEVOURING FOSSIL FUELS FOR JOY. IT'S CLOSE TO AS MUCH TIME AS WE SPEND IN OUR BEDS, MORE FOR SOME. THE FIRST TIME I DID SHROOMS, MY MANAGER HAD TO COME RESCUE ME FROM CALTECH'S 'TRIP DAY. AS I GOT INTO HER CAR, I SWEAR TO GOD THE ALUMINUM CENTER CONSOLE IN HER PORSCHE TRUCK LOOKED LIKE IT WAS BREATHING, LIKE THE THROAT OF SOMETHING. ON THE FREEWAY, LEAVING PASADENA, WE SPOKE AND I LOOKED AWAY, OUTSIDE, AT THE WHEELS AND TIRES OF CARS DOING THAT OPTICAL ILLUSION THING THEY DO WHERE IT LOOKS LIKE THEY'RE SPINNING BACKWARDS, WHICH, ACCORDING TO GOOGLE, HAPPENS BECAUSE OUR BRAINS ARE ASSUMING SOMETHING COMPLETELY WRONG AND SHOWING IT TO US. STARING, I WAS TRANSFIXED BY ALL THE INDICATOR LIGHTS OSCILLATING AND THROBBING AGAINST THE WIND. WE DROVE THRU DOWNTOWN LA HEADED WEST, FLYING ON THE SAME FREEWAYS I USED TO RUN OUTTA GAS ON. WELCOMED IN BY THE PERENNIAL CREATURES, IMPERIAL PALM TREES AND CLIMBING VINES LIVING THEIR LIVES OUT JUST OFF THE SHOULDER. THE FEELING OF FAMILIAR ENHANCED, ON THE 10. I USED TO RIDE AROUND IN MY SINEWY CROSSOVER SUV, SMOKE AND LISTEN TO ROUGH MIXES OF MY OLD SHIT BEFORE IT CAME OUT, OR WHATEVER SOMEONE WANTED TO PLAY WHEN THEY HOOKED UP THEIR IPHONE TO THE AUX CORD A FEW YEARS AND A FEW DAILY-DRIVERS LATER I'M NOT DRIVING MUCH ANYMORE, IT'S BEEN A YEAR SINCE I MOVED TO LONDON, AT THE TIME OF WRITING THIS, AND THERE'S NO PRACTICAL REASON TO DRIVE IN THIS CITY. I ORDERED A GT3 RS AND IT'LL KEEP LOW MILES OUT HERE BUT I GUESS IT'S GOOD TO HAVE IN CASE OF EMERGENCY :) RAF SIMONS ONCE TOLD ME IT WAS CLICHE, MY WHOLE CAR OBSESSION MAYBE IT LINKS TO A DEEP SUBCONSCIOUS STRAIGHT BOY FANTASY. CONSCIOUSLY THOUGH, I DON'T WANT STRAIGHT A LITTLE BENT IS GOOD. I FOUND IT ROMANTIC, SOMETIMES, EDITING THIS PROJECT. THE WHOLE TIME I FELT AS THOUGH I WAS IN THE PRESENCE OF A $16M MCLAREN F1 ARMED WITH A DISPOSABLE CAMERA. MY MEMORIES ARE IN THESE PAGES, PLACES CLOSEBY AND LONG ASS-NUMBING FLIGHTS AWAY. CRUISING THE SUBURBS OF TOKYO IN RWB PORSCHES. THROWING PARTIES AROUND ENGLAND AND MOBBING FREEWAYS IN FOUR PROJECT M3S THAT I BUILT WITH SOME FRIENDS. GOING TO MISSISSIPPI AND PLAYING IN THE MUD WITH AMPHIBIOUS QUADS. STREET-CASTING MODELS AT A RANDOM KUNG FU DOJO OUT IN SENEGAL. COMMISSIONING LIFE-SIZE TOY BOXES FOR THE FUCK OF IT SHOOTING A MUSIC VIDEO FOR FUN WITH TYRONE LEBON, THE GENIUS GIANT. TAKING A BREAK-SLASH-RECONNAISSANCE MISSION TO TULUM, MEXICO, ENJOYING SOME STAR VISIBILITY FOR A CHANGE. RECORDING IN TOKYO, NYC, MIAMI, LA, LONDON, PARIS. STOPPING IN BERLIN TO WITNESS BERGHAIN FOR MYSELF, TRADING JEWELS AND SOAKING IN PARABLES WITH THE MANY-HEADED BRANDON AKA BASEDGOD IN CONVERSATION, I WROTE A STORY IN THE MIDDLE-IT'S CALLED 'GODSPEED', IT'S BASICALLY A REIMAGINED PART OF MY BOYHOOD. BOYS DO CRY, BUT I DON'T THINK I SHED A TEAR FOR A GOOD CHUNK OF MY TEENAGE YEARS. IT'S SURPRISINGLY MY FAVORITE PART OF LIFE SO FAR. SURPRISING, TO ME, BECAUSE THE CURRENT PHASE IS WHAT I WAS ASKING THE COSMOS FOR WHEN I WAS A KID. MAYBE THAT PART HAD IT'S ROUGH STRETCHES TOO, BUT IN MY REARVIEW MIRROR IT'S GETTING SMALL ENOUGH TO CONVINCE MYSELF IT WAS ALL GOOD. AND REALLY THOUGH... IT'S STILL ALL GOOD.
Frank Ocean (Boys Don't Cry (#1))