Slash Or Pass Quotes

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Educate not Legislate Refusing to pass unnecessary laws requires a converse – encouraging education and understanding. We started by slashing the salaries of legislators (Dubbed “Bloodbath on the Beltway”). That move provided funds to instigate incentive programs for high school teachers – to attract the best and brightest. The result was a generation of bright, energetic 18-year-olds graduating high-school, equipped to tackle the future.
Nancy Omeara (The Most Popular President Who Ever Lived [So Far])
then things got even stranger. Mr. Brunner, who'd been out in front of the museum a minute before, wheeled his chair into the doorway of the gallery, holding a pen in his hand. "What ho, Percy!" he shouted, and tossed the pen through the air. Mrs. Dodds lunged at me. With a yelp, I dodged and felt talons slash the air next to my ear. I snatched the ballpoint pen out of the air, but when it hit my hand, it wasn't a pen anymore. It was a sword-Mr. Brunner's bronze sword, which he always used on tourement day. Mrs. Dodds spun toward me with a murderous look in her eyes. My knees were jelly. My hands were shaking so bad I almost dropped the sword. She snarled, "Die, honey!" And she flew straight at me. Absolute terror ran through my body. I did the only thing that came naturally:I swung the sword. The metal blade hit her shoulder and passed through her body as if she were made made of water. Hisss! Mrs. Dodds was a sand castle in a power fan. She exploded into yellow powder, vaporized on the spot, leaving nothing but the smell of sulfur and a dying screech and a chill of evil in the air, as if those two glowing red eyes were still watching me.
Rick Riordan
When I was small, I never wanted to step in puddles. Not because of any fear of drowned worms or wet stockings; I was by and large a grubby child, with a blissful disregard for filth of any kind. It was because I couldn't bring myself believe that that perfect smooth expanse was no more than I thin film of water over solid earth. I believed it was an opening into some fathomless space. Sometimes, seeing the tiny ripples caused by my approach, I thought the puddle impossibly deep, a bottomless sea in which the lazy coil of a tentacle and gleam of scale lay hidden, with the threat of huge bodies and sharp teeth adrift and silent in the far-down depths. And then, looking down into reflection, I would see my own round face and frizzled hair against a featureless blue sweep, and think instead that the puddle was the entrance to another sky. If I stepped in there, I would drop at once, and keep on falling, on and on, into blue space. The only time I would dare walk though a puddle was at twilight, when the evening stars came out. If I looked in the water and saw one lighted pinprick there, I could slash through unafraid--for if I should fall into the puddle and on into space, I could grab hold of the star as I passed, and be safe. Even now, when I see a puddle in my path, my mind half-halts--though my feet do not--then hurries on, with only the echo of the though left behind. What if, this time, you fall?
Diana Gabaldon (Voyager (Outlander, #3))
I cannot see you hurt, ma chère,” he said softly. “Allow me.” “Allow” was a strange word. Zofia had never considered that she might grant someone permission to protect her, and a feeling of warmth—like gulping down not-too-hot soup—settled into her chest. She stepped back wordlessly. “You look like you have practice in such recreation, Patriarch,” said Eva. Hypnos merely held out his hand. Eva slashed her taloned ring across it, leaving his palm bloody. Grimacing, Hypnos pressed his hand to the metal. A moment passed, then two … “I hope I did not ruin myself for nothing,” muttered Hypnos. “That was my favorite palm, you know.
Roshani Chokshi (The Silvered Serpents (The Gilded Wolves, #2))
You heard me. Let someone else send you to your blaze of glory. You're a speck, man. You're nothing. You're not worth the bullet or the mark on my soul for taking you out." You trying to piss me off again, Patrick?" He removed Campbell Rawson from his shoulder and held him aloft. I tilted my wrist so the cylinder fell into my palm, shrugged. "You're a joke, Gerry. I'm just calling it like I see it." That so?" Absolutely." I met his hard eyes with my own. "And you'll be replaced, just like everything else, in maybe a week, tops. Some other dumb, sick shit will come along and kill some people and he'll be all over the papers, and all over Hard Copy and you'll be yesterday's news. Your fifteen minutes are up, Gerry. And they've passed without impact." They'll remember this," Gerry said. "Believe me." Gerry clamped back on the trigger. When he met my finger, he looked at me and then clamped down so hard that my finger broke. I depressed the trigger on the one-shot and nothing happened. Gerry shrieked louder, and the razor came out of my flesh, then swung back immediately, and I clenched my eyes shut and depressed the trigger frantically three times. And Gerry's hand exploded. And so did mine. The razor hit the ice by my knee as I dropped the one shot and fire roared up the electrical tape and gasoline on Gerry's arm and caught the wisps of Danielle's hair. Gerry threw his head back and opened his mouth wide and bellowed in ecstasy. I grabbed the razor, could barely feel it because the nerves in my hand seemed to have stopped working. I slashed into the electric tape at the end of the shotgun barrel, and Danielle dropped away toward the ice and rolled her head into the frozen sand. My broken finger came back out of the shotgun and Gerry swung the barrels toward my head. The twin shotgun bores arced through the darkness like eyes without mercy or soul, and I raised my head to meet them, and Gerry's wail filled my ears as the fire licked at his neck. Good-bye, I thought. Everyone. It's been nice. Oscar's first two shots entered the back of Gerry's head and exited through the center of his forehead and a third punched into his back. The shotgun jerked upward in Gerry's flaming arm and then the shots came from the front, several at once, and Gerry spun like a marionette and pitched toward the ground. The shotgun boomed twice and punched holes through the ice in front of him as he fell. He landed on his knees and, for a moment, I wasn't sure if he was dead or not. His rusty hair was afire and his head lolled to the left as one eye disappeared in flames but the other shimmered at me through waves of heat, and an amused derision shone in the pupil. Patrick, the eye said through the gathering smoke, you still know nothing. Oscar rose up on the other side of Gerry's corpse, Campbell Rawson clutched tight to his massive chest as it rose and fell with great heaving breaths. The sight of it-something so soft and gentle in the arms of something so thick and mountaineous-made me laugh. Oscar came out of the darkness toward me, stepped around Gerry's burning body, and I felt the waves of heat rise toward me as the circle of gasoline around Gerry caught fire. Burn, I thought. Burn. God help me, but burn. Just after Oscar stepped over the outer edge of the circle, it erupted in yellow flame, and I found myself laughing harder as he looked at it, not remotely impressed. I felt cool lips smack against my ear, and by the time I looked her way, Danielle was already past me, rushing to take her child from Oscar. His huge shadow loomed over me as he approached, and I looked up at him and he held the look for a long moment. How you doing, Patrick?" he said and smiled broadly. And, behind him, Gerry burned on the ice. And everything was so goddamned funny for some reason, even though I knew it wasn't. I knew it wasn't. I did. But I was still laughing when they put me in the ambulance.
Dennis Lehane
We passed the Irish club, and the florist’s with its small stiff pink-and-white carnations in a bucket, and the drapers called ‘Elvina’s’, which displayed in its window Bear Brand stockings and knife-pleated skirts like cloth concertinas and pasty-shaped hats on false heads. We passed the confectioner’s – or failed to pass it; the window attracted Karina. She balled her hands into her pockets, and leant back, her feet apart; she looked rooted, immovable. The cakes were stacked on decks of sloping shelves, set out on pink doilies whitened by falls of icing sugar. There were vanilla slices, their airy tiers of pastry glued together with confectioners’ custard, fat and lolling like a yellow tongue. There were bubbling jam puffs and ballooning Eccles cakes, slashed to show their plump currant insides. There were jam tarts the size of traffic lights; there were whinberry pies oozing juice like black blood. ‘Look at them buns,’ Karina would say. ‘Look.’ I would turn sideways and see her intent face. Sometimes the tip of her tongue would appear, and slide slowly upwards towards her flat nose. There were sponge buns shaped like fat mushrooms, topped with pink icing and half a glace cherry. There were coconut pyramids, and low square house-shaped chocolate buns, finished with a big roll of chocolate-wrapped marzipan which was solid as the barrel of a cannon.
Hilary Mantel (An Experiment in Love: A Novel)
Dr. Chanter, in his brilliant History of Human Thought in the Twentieth Century, has made the suggestion that only a very small proportion of people are capable of acquiring new ideas of political or social behaviour after they are twenty-five years old. On the other hand, few people become directive in these matters until they are between forty and fifty. Then they prevail for twenty years or more. The conduct of public affairs therefore is necessarily twenty years or more behind the living thought of the times. This is what Dr. Chanter calls the "delayed realisation of ideas". In the less hurried past this had not been of any great importance, but in the violent crises of the Revolutionary Period it became a primary fact. It is evident now that whatever the emergency, however obvious the new problem before our species in the nineteen-twenties, it was necessary for the whole generation that had learned nothing and could learn nothing from the Great War and its sequelae, to die out before any rational handling of world affairs could even begin. The cream of the youth of the war years had been killed; a stratum of men already middle-aged remained in control, whose ideas had already set before the Great War. It was, says Chanter, an inescapable phase. The world of the Frightened Thirties and the Brigand Forties was under the dominion of a generation of unteachable, obstinately obstructive men, blinded men, miseducating, misleading the baffled younger people for completely superseded ends. If they could have had their way, they would have blinded the whole world for ever. But the blinding was inadequate, and by the Fifties all this generation and its teachings and traditions were passing away, like a smoke-screen blown aside. Before a few years had passed it was already incredible that in the twenties and thirties of the twentieth century the whole political life of the world was still running upon the idea of competitive sovereign empires and states. Men of quite outstanding intelligence were still planning and scheming for the "hegemony" of Britain or France or Germany or Japan; they were still moving their armies and navies and air forces and making their combinations and alliances upon the dissolving chess-board of terrestrial reality. Nothing happened as they had planned it; nothing worked out as they desired; but still with a stupefying inertia they persisted. They launched armies, they starved and massacred populations. They were like a veterinary surgeon who suddenly finds he is operating upon a human being, and with a sort of blind helplessness cuts and slashes more and more desperately, according to the best equestrian rules. The history of European diplomacy between 1914 and 1944 seems now so consistent a record of incredible insincerity that it stuns the modern mind. At the time it seemed rational behaviour. It did not seem insincere. The biographical material of the period -- and these governing-class people kept themselves in countenance very largely by writing and reading each other's biographies -- the collected letters, the collected speeches, the sapient observations of the leading figures make tedious reading, but they enable the intelligent student to realise the persistence of small-society values in that swiftly expanding scene. Those values had to die out. There was no other way of escaping from them, and so, slowly and horribly, that phase of the moribund sovereign states concluded.
H.G. Wells (The Holy Terror)
We’re supposed to practice the Cruciatus Curse on people who’ve earned detentions--” “What?” Harry, Ron, and Hermione’s untied voices echoed up and down the passage. “Yeah,” said Neville. “That’s how I got this one,” he pointed at a particularly deep dash in his cheek, “I refused to do it. Some people are into it, though; Crabbe and Goyle love it. First time they’ve ever been top in anything, I expect. “Alecto, Amycus’s sister, teaches Muggle Studies, which is compulsory for everyone. We’ve all got to listen to her explain how Muggles are like animals, stupid and dirty, and how they drove wizards into hiding by being vicious toward them, and how the natural order is being reestablished. I got this one,” he indicated another slash to his face, “for asking her how much Muggle blood she and her brother have got.” “Blimey, Neville,” said Ron, “there’s a time and a place for getting a smart mouth.” “You didn’t hear her,” said Neville. “You wouldn’t have stood it either. The thing is, it helps when people stand up to them, it gives everyone hope. I used to notice that when you did it, Harry.” “But they’ve used you as a knife sharpener,” said Ron, wincing slightly as they passed a lamp and Neville’s injuries were thrown into even greater relief. Neville shrugged. “Doesn’t matter. They don’t want to spill too much pure blood, so they’ll torture us a bit if we’re mouthy but they won’t actually kill us.” Harry did not know what was worse, the things that Neville was saying or the matter-of-fact tone in which he said them.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
Her endless complaining was finally too much for Sara to take. "Oh, good Lord, that's enough," she exclaimed impatiently. "I'm going to die," Joyce moaned. "Unfortunately that's not the case. The bullet passed cleanly through your shoulder, the bleeding's stopped, and whatever discomfort you feel isn't nearly enough to make up for all you've done," Sara continued with growing exasperation. "The first time I met Derek was on the night you had his face slashed, and ever since then you've harassed and tormented us both. You brought this on yourself!" "You're enjoying my suffering," Joyce whined. "Somehow I can't dredge up much sympathy for a woman who's just tried to kill me! And when I think of the cruel, callous way you destroyed Derek's club..." "He'll always hate me for that," Joyce whispered in satisfaction. "I'll always have that part of him, at least." "No," Sara said firmly. "I'm going to fill his life with such happiness that he'll have no room to hate anyone. He won't spare you a thought. You'll be nothing to him.
Lisa Kleypas (Dreaming of You (The Gamblers of Craven's, #2))
Minutes pass, and between the minutes, June is slashing out the possibilities. She is narrowing her sister's life down to its essentials. The first to go is the vet's office where May might have worked, which is a loss, but the next to go is the mansion that May has been inside of in her dreams, a terrible, vast, cold place where the pictures are old and of other families. And so it is a relief to see it go, slashed out, burned to the ground with the hot friction of June's pencil. Then there is the loss of all possible sons, which is a tremendous relief, and then the crossing out of husbands, one by one, save one.
Emily Ruskovich (Idaho)
I went up the stairs of the little hotel, that time in Bystřice by Benešov, and at the turn of the stairs there was a bricklayer at work, in white clothes; he was chiselling channels in the wall to cement in two hooks, on which in a little while he was going to hang a Minimax fire-extinguisher; and this bricklayer was already and old man, but he had such an enormous back that he had to turn round to let me pass by, and then I heard him whistling the waltz from The Count of Luxembourg as I went into my little room. It was afternoon. I took out two razors, and one of them I scored blade-up into the top of the bathroom stool, and the other I laid beside it, and I, too, began to whistle the waltz from The Count of Luxembourg while I undressed and turned on the hot-water tap, and then I reflected, and very quietly I opened the door a crack. And the bricklayer was standing there in the corridor on the other side of the door, and it was as if he also had opened the door a crack to have a look at me and see what I was doing, just as I had wanted to have a look at him. And I slammed the door shut and crept into the bath, I had to let myself down into it gradually, the water was so hot; I gasped with the sting of it as carefully and painfully I sat down. And then I stretched out my wrist, and with my right hand I slashed my left wrist ... and then with all my strength I brought down the wrist of my right hand on the upturned blade I'd grooved into the stool for that purpose. And I plunged both hands into the hot water, and watched the blood flow slowly ouf of me, and the water grew rosy, and yet al the time the pattern of the red blood flowing remained so clearly perceptible, as though someone was drawing out from my wrists a long, feathery red bandage, a film, dancing veil ... and presently I thickened there in the bath, as that red paint thickened when we were painting the fence all round the state workshops, until we had to thin it with turpentine - and my head sagged, and into my mouth flowed pink raspberryade, except that it tasted slightly salty .. and then those concentric circles in blue and violet, trailing feathery fronds like coloured spirals in motion ... and then there was a shadow stooping over me, and my face was brushed lightly by a chin overgrown with stubble. It was that bricklayer in the white clothes. He hoisted me out and landed me like a red fish with delicate red fins sprouting from its wrists. I laid my head on his smock, and I heard the hissing of lime as my wet face slaked it, and that smell was the last thing of which I was conscious.
Bohumil Hrabal (Closely Observed Trains)
[I]t's a con, at children's expense. When self-esteem advocates tell us to flatter the young about their views, in reality they ask adults to abandon the difficult task of disciplining them. Emphasizing that adults must 'express unconditional positive regard and acceptance for children' effectively destroys the inter-generational duty of passing on knowledge, setting boundaries for behavior and the broader task of socialization. It is not good for children and can mean adults indulging even the most destructive aspects of young people's behavior. In 2013, a self-harming pupil at Unsted Park School in Godalming, Surrey was given a disposable safety razor to slash himself with, supervised by a teacher. A spokeswoman from selfharm.co.uk justified this irresponsible collapse of adult judgement using the mantras of pupil voice and self-esteem: 'The best way to help is to listen without judging, accept that the recovery process may take a while and avoid "taking away" the self-harm' because 'self-harm can be about control, so it's important that the young person in the center feels in control of the steps taken to help them'. That's an extreme case but it touches on how focusing on the schoolchild's self-esteem can create the impression that the world should circle around pupils' desires. This in turn puts pressure on adults to tip-toe around young people's sensitivities and to accede to their opinions. Combined with student voice orthodoxies, this can lead to the peculiar diktat that teachers express respect for pupils' views, however childish or even poisonous.
Claire Fox (‘I Find That Offensive!’)
inbox. It was from Ogden Morrow. The subject line read “We Can Dance If We Want To.” There was no text in the body of the e-mail. Just a file attachment—an invitation to one of the most exclusive gatherings in the OASIS: Ogden Morrow’s birthday party. In the real world, Morrow almost never made public appearances, and in the OASIS, he came out of hiding only once a year, to host this event. The invitation featured a photo of Morrow’s world-famous avatar, the Great and Powerful Og. The gray-bearded wizard was hunched over an elaborate DJ mixing board, one headphone pressed to his ear, biting his lower lip in auditory ecstasy as his fingers scratched ancient vinyl on a set of silver turntables. His record crate bore a DON’T PANIC sticker and an anti-Sixer logo—a yellow number six with a red circle-and-slash over it. The text at the bottom read Ogden Morrow’s ’80s Dance Party in celebration of his 73rd birthday! Tonight—10pm OST at the Distracted Globe ADMIT ONE I was flabbergasted. Ogden Morrow had actually taken the time to invite me to his birthday party. It felt like the greatest honor I’d ever received. I called Art3mis, and she confirmed that she’d received the same e-mail. She said she couldn’t pass up an invitation from Og himself
Ernest Cline (Ready Player One (Ready Player One, #1))
I sucked on a blade of grass and watched the millwheel turn. I was lying on my stomach on the stream's opposite bank, my head propped in my hands. There was a tiny rainbow in the mist above the froth and boil at the foot of the waterfall, and an occasional droplet found its way to me. The steady splashing and the sound of the wheel drowned out all other noises in the wood. The mill was deserted today, and I contemplated it because I had not seen its like in ages. Watching the wheel and listening to the water were more than just relaxing. It was somewhat hypnotic. … My head nodding with each creak of the wheel, I forced everything else from my mind and set about remembering the necessary texture of the sand, its coloration, the temperature, the winds, the touch of salt in the air, the clouds... I slept then and I dreamed, but not of the place that I sought. I regarded a big roulette wheel, and we were all of us on it-my brothers, my sisters, myself, and others whom I knew or had known-rising and falling, each with his allotted section. We were all shouting for it to stop for us and wailing as we passed the top and headed down once more. The wheel had begun to slow and I was on the rise. A fair-haired youth hung upside down before me, shouting pleas and warnings that were drowned in the cacophony of voices. His face darkened, writhed, became a horrible thing to behold, and I slashed at the cord that bound his ankle and he fell from sight. The wheel slowed even more as I neared the top, and I saw Lorraine then. She was gesturing, beckoning frantically, and calling my name. I leaned toward her, seeing her clearly, wanting her, wanting to help her. But as the wheel continued its turning she passed from my sight. “Corwin!” I tried to ignore her cry, for I was almost to the top. It came again, but I tensed myself and prepared to spring upward. If it did not stop for me, I was going to try gimmicking the damned thing, even though falling off would mean my total ruin. I readied myself for the leap. Another click... “Corwin!” It receded, returned, faded, and I was looking toward the water wheel again with my name echoing in my ears and mingling, merging, fading into the sound of the stream. … It plunged for over a thousand feet: a mighty cataract that smote the gray river like an anvil. The currents were rapid and strong, bearing bubbles and flecks of foam a great distance before they finally dissolved. Across from us, perhaps half a mile distant, partly screened by rainbow and mist, like an island slapped by a Titan, a gigantic wheel slowly rotated, ponderous and gleaming. High overhead, enormous birds rode like drifting crucifixes the currents of the air. We stood there for a fairly long while. Conversation was impossible, which was just as well. After a time, when she turned from it to look at me, narrow-eyed, speculative, I nodded and gestured with my eyes toward the wood. Turning then, we made our way back in the direction from which we had come. Our return was the same process in reverse, and I managed it with greater ease. When conversation became possible once more, Dara still kept her silence, apparently realizing by then that I was a part of the process of change going on around us. It was not until we stood beside our own stream once more, watching the small mill wheel in its turning, that she spoke.
Roger Zelazny (The Great Book of Amber (The Chronicles of Amber, #1-10))
And the old man groaned, and beat his head With his hands, and stretched out his arms To his beloved son, Hector, who had Taken his stand before the Western Gate, Determined to meet Achilles in combat. Priam's voice cracked as he pleaded: "Hector, my boy, you can't face Achilles Alone like that, without any support— You'll go down in a minute. He's too much For you, son, he won't stop at anything! O, if only the gods loved him as I do: Vultures and dogs would be gnawing his corpse. Then some grief might pass from my heart. So many fine sons he's taken from me, Killed or sold them as slaves in the islands. Two of them now, Lycaon and Polydorus, I can't see with the Trojans safe in town, Laothoë's boys. If the Greeks have them We'll ransom them with the gold and silver Old Altes gave us. But if they're dead And gone down to Hades, there will be grief For myself and the mother who bore them. The rest of the people won't mourn so much Unless you go down at Achilles' hands. So come inside the wall, my boy. Live to save the men and women of Troy. Don't just hand Achilles the glory And throw your life away. Show some pity for me Before I go out of my mind with grief And Zeus finally destroys me in my old age, After I have seen all the horrors of war— My sons butchered, my daughters dragged off, Raped, bedchambers plundered, infants Dashed to the ground in this terrible war, My sons' wives abused by murderous Greeks. And one day some Greek soldier will stick me With cold bronze and draw the life from my limbs, And the dogs that I fed at my table, My watchdogs, will drag me outside and eat My flesh raw, crouched in my doorway, lapping My blood. When a young man is killed in war, Even though his body is slashed with bronze, He lies there beautiful in death, noble. But when the dogs maraud an old man's head, Griming his white hair and beard and private parts, There's no human fate more pitiable." And the old man pulled the white hair from his head, But did not persuade Hector.
Homer (The Iliad)
I’ve only an hour,” Colin said as he attached the safety tip to his foil. “I have an appointment this afternoon.” “No matter,” Benedict replied, lunging forward a few times to loosen up the muscles in his leg. He hadn’t fenced in some time; the sword felt good in his hand. He drew back and touched the tip to the floor, letting the blade bend slightly. “It won’t take more than an hour to best you.” Colin rolled his eyes before he drew down his mask. Benedict walked to the center of the room. “Are you ready?” “Not quite,” Colin replied, following him. Benedict lunged again. “I said I wasn’t ready!” Colin hollered as he jumped out of the way. “You’re too slow,” Benedict snapped. Colin cursed under his breath, then added a louder, “Bloody hell,” for good measure. “What’s gotten into you?” “Nothing,” Benedict nearly snarled. “Why would you say so?” Colin took a step backward until they were a suitable distance apart to start the match. “Oh, I don’t know,” he intoned, sarcasm evident. “I suppose it could be because you nearly took my head off.” “I’ve a tip on my blade.” “And you were slashing like you were using a sabre,” Colin shot back. Benedict gave a hard smile. “It’s more fun that way.” “Not for my neck.” Colin passed his sword from hand to hand as he flexed and stretched his fingers. He paused and frowned. “You sure you have a foil there?” Benedict scowled. “For the love of God, Colin, I would never use a real weapon.” “Just making sure,” Colin muttered, touching his neck lightly. “Are you ready?” Benedict nodded and bent his knees. “Regular rules,” Colin said, assuming a fencer’s crouch. “No slashing.” Benedict gave him a curt nod. “En garde!” Both men raised their right arms, twisting their wrists until their palms were up, foils gripped in their fingers. “Is that new?” Colin suddenly asked, eyeing the handle of Benedict’s foil with interest. Benedict cursed at the loss of his concentration. “Yes, it’s new,” he bit off. “I prefer an Italian grip.” Colin stepped back, completely losing his fencing posture as he looked at his own foil, with a less elaborate French grip. “Might I borrow it some time? I wouldn’t mind seeing if—” “Yes!” Benedict snapped, barely resisting the urge to advance and lunge that very second. “Will you get back en garde?” Colin gave him a lopsided smile, and Benedict just knew that he had asked about his grip simply to annoy him. “As you wish,” Colin murmured, assuming position again.
Julia Quinn (An Offer From a Gentleman (Bridgertons, #3))
Tamlin's claws punched out. 'Even if I risked it, you're untrained abilities render your presence more of a liability than anything.' It was like being hit with stones- so hard I could feel myself cracking. But I lifted my chin and said, 'I'm coming along whether you want me to or not.' 'No, you aren't.' He strode right through the door, his claws slashing the air at his sides, and was halfway down the steps before I reached the threshold. Where I slammed into an invisible wall. I staggered back, trying to reorder my mind around the impossibility of it. It was identical to the one I'd built that day in the study, and I searched inside the shards of my soul, my heart, for a tether to that shield, wondering if I'd blocked myself, but- there was no power emanating from me. I reached a hand to the open air of the doorway. And met solid resistance. 'Tamlin,' I rasped. But he was already down the front drive, walking towards the looming iron gates. Lucien remained at the foot of the stairs, his face so, so pale. 'Tamlin,' I said again, pushing against the wall. He didn't turn. I slammed my hand into the invisible barrier. No movement- nothing but hardened air. And I had not learned about my own powers enough to try to push through, to shatter it... I had let him convince me not to learn those things for his sake- 'Don't bother trying,' Lucien said softly, as Tamlin cleared the gates and vanished- winnowed. 'He shielded the entire house around you. Others can go in and out, but you can't. Not until he lifts the shield.' He'd locked me in here. I hit the shield again. Again. Nothing. 'Just- be patient, Feyre,' Lucien tried, wincing as he followed after Tamlin. 'Please. I'll see what I can do. I'll try again.' I barely heard him over the roar in my ears. Didn't wait to see him pass the gates and winnow, too. He'd locked me in. He'd sealed me inside the house. I hurtled for the nearest window in the foyer and shoved it open. A cool spring breeze rushed in- and I shoved my hand through it- only for my fingers to bounce off an invisible wall. Smooth, hard air pushed against my skin. Breathing became difficult. I was trapped. I was trapped inside this house. I might as well have been Under the Mountain. I might as well have been inside that cell again- I backed away, my steps too light, too fast, and slammed into the oak table in the centre of the foyer. None of the nearby sentries came to investigate. He'd trapped me in here; he'd locked me up. I stopped seeing the marble floor, or the paintings on the walls, or the sweeping staircase looming behind me. I stopped hearing the chirping of the spring birds, or the sighing of the breeze through the curtains. And then crushing black pounded down and rose up beneath, devouring and roaring and shredding. It was all I could do to keep from screaming, to keep from shattering into ten thousand pieces as I sank onto the marble floor, bowing over my knees, and wrapped my arms around myself. He'd trapped me; he'd trapped me; he'd trapped me- I had to get out, because I'd barely escaped from another prison once before, and this time, this time- Winnowing. I could vanish into nothing but air and appear somewhere else, somewhere open and free. I fumbled for my power, for anything, something that might show me the way to do it, the way out. Nothing. There was nothing and I had become nothing, and I couldn't even get out- Someone was shouting my name from far away. Alis- Alis. But I was ensconced in a cocoon of darkness and fire and ice and wind, a cocoon that melted the ring off my finger until the folden ore dripped away into the void, the emerald tumbling after it. I wrapped that raging force around myself as if it could keep the walls from crushing me entirely, and maybe, maybe buy me the tiniest sip of air- I couldn't get out; I couldn't get out; I couldn't get out-
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
...as time went on and autumn passed and winter came with its beautiful bare-limbed trees, and soft pearl-grey skies the were slashed with rifts of gold in the afternoons, and cleared to a jewelled pageantry of stars over the wide white hills and valleys around New Moon.
L.M. Montgomery (Emily of New Moon (Emily, #1))
look at the damaged tarpaulin. After examining the threads along the mysterious cut, she confirms what investigators have already concluded: It is a deliberate slash made with a knife. The tailor hesitates to speculate beyond that, but for investigators, the meaning is clear. The hikers themselves
Donnie Eichar (Dead Mountain: The Untold True Story of the Dyatlov Pass Incident)
driveway, her hip scraping as she tumbled, her skin torn and bleeding. She knew she should have worn trousers. The world rocked to a stop, balanced itself out and she opened her eyes. The Infected were standing looking at her, and Dusk strode through them, his eyes narrowed and his lips curled in hatred. And then Valkyrie was up and running. She was sore, she felt blood on her legs and arms, but she ignored the pain. She looked back, saw the mass of Infected surge after her. She passed the club gates and took the first road to her left, losing a shoe in the process and cursing herself for not wearing boots. It was narrow, and dark, with fields on one side and a row of back gardens on the other. She came to a junction. Up one way she could see headlights, so she turned down the other, leading the Infected away from any bystanders. She darted in off the road, running behind the Pizza Palace and the video store, realising her mistake when she heard the voices around the next corner. The pub had a back door that smokers used. She veered off to her right, ran for the garden wall and leaped over it. She stayed low, and wondered for a moment if she’d managed to lose the Infected so easily. Dusk dropped on to her from above and she cried out. He sent her reeling. “I’m not following the rules any more,” he said. She looked at him, saw him shaking. He took a syringe from his coat and let it drop. “No more rules. No more serum. This time, there’ll be nothing to stop me tearing you limb from limb.” He grunted as the pain hit. “I’m sorry I cut you,” Valkyrie tried, backing away. “Too late. You can run if you want. Adrenaline makes the blood taste sweeter.” He smiled and she saw the fangs start to protrude through his gums. He brought his hands to his shirt, and then, like Superman, he ripped the shirt open. Unlike Superman, however, he took his flesh with it, revealing the chalk-white skin of the creature underneath. Valkyrie darted towards him and his eyes widened in surprise. She dived, snatched the syringe from the ground and plunged it into his leg. Dusk roared, kicked her on to her back, his transformation interrupted. He tried to rip off the rest of his humanity, but his human skin tore at the neck. This wasn’t the smooth shucking she’d seen the previous night. This was messy and painful. Valkyrie scrambled up. The Infected had heard Dusk’s anguished cries, and they were closing in. he Edgley family reunion was taking up the main function hall, at the front of the building, leaving the rear of the golf club in darkness. That was probably a good thing, Tanith reflected, as she watched Skulduggery fly backwards through the air. The Torment-spider turned to her and she dodged a slash from one of his talons. She turned and ran, but he was much faster. Tanith jumped for the side of the building and ran upwards, a ploy that had got her out of a lot of trouble in the past, but then, she had never faced a giant spider before. His talons clacked as he followed her up, chattering as he came.
Derek Landy (Playing with Fire (Skulduggery Pleasant, #2))
Luca found her in the afternoon and invited her to the garden to watch him practice the sword. Cass fetched her dagger from her room, intent on practicing more as well. “I missed you this morning,” she said as they passed out into the warm sun. She was trying not to sound accusatory. “Did you?” He pulled her into a quick embrace. “I took a walk by Palazzo Dubois. Rowan will want as much information on the layout as possible.” His eyes lingered on her, dancing across her form. He reached out for her hands, and Cass smiled in spite of herself. Luca touched each of her fingertips to his lips and then held her gaze. “What are you thinking?” she asked. Secretly she hoped he was thinking the same thing she was, that falling asleep with their hearts beating in tandem had been sheer bliss. “I was thinking that no matter what happens tonight, I’m glad we have these moments together,” he said. He spun her around once and then drew his sword, slashing at imaginary adversaries that cowered among the rosebushes. Cass watched him practice, her breath catching in her throat as the sword moved in a series of fluid patterns. In only a fortnight, Luca had become a different person. His skin was tanned from training outside, and a few days’ growth of blond beard covered his determined jaw. A hint of the long scar down his chest peeped out over the neckline of his doublet. She blushed as she thought of how she had pressed her lips upon it the previous night. Luca sliced a rose from the nearest plant and tossed it to Cass. She giggled. Drawing her own dagger, she moved about the garden with him, ducking the blade of his sword and lunging forward when the opportunity presented itself. Later, they both rested on the garden bench, and Cass tried to convince herself everything would be fine. Luca was strong. They both were. They were ready to fight the Order.
Fiona Paul (Starling (Secrets of the Eternal Rose, #3))
Tamlin's claws punched out. 'Even if I risked it, you're untrained abilities render your presence more of a liability than anything.' It was like being hit with stones- so hard I could feel myself cracking. But I lifted my chin and said, 'I'm coming along whether you want me to or not.' 'No, you aren't.' He strode right through the door, his claws slashing the air at his sides, and was halfway down the steps before I reached the threshold. Where I slammed into an invisible wall. I staggered back, trying to reorder my mind around the impossibility of it. It was identical to the one I'd built that day in the study, and I searched inside the shards of my soul, my heart, for a tether to that shield, wondering if I'd blocked myself, but- there was no power emanating from me. I reached a hand to the open air of the doorway. And met solid resistance. 'Tamlin,' I rasped. But he was already down the front drive, walking towards the looming iron gates. Lucien remained at the foot of the stairs, his face so, so pale. 'Tamlin,' I said again, pushing against the wall. He didn't turn. I slammed my hand into the invisible barrier. No movement- nothing but hardened air. And I had not learned about my own powers enough to try to push through, to shatter it... I had let him convince me not to learn those things for his sake- 'Don't bother trying,' Lucien said softly, as Tamlin cleared the gates and vanished- winnowed. 'He shielded the entire house around you. Others can go in and out, but you can't. Not until he lifts the shield.' He'd locked me in here. I hit the shield again. Again. Nothing. 'Just- be patient, Feyre,' Lucien tried, wincing as he followed after Tamlin. 'Please. I'll see what I can do. I'll try again.' I barely heard him over the roar in my ears. Didn't wait to see him pass the gates and winnow, too. He'd locked me in. He'd sealed me inside the house. I hurtled for the nearest window in the foyer and shoved it open. A cool spring breeze rushed in- and I shoved my hand through it- only for my fingers to bounce off an invisible wall. Smooth, hard air pushed against my skin. Breathing became difficult. I was trapped. I was trapped inside this house. I might as well have been Under the Mountain. I might as well have been inside that cell again- I backed away, my steps too light, too fast, and slammed into the oak table in the centre of the foyer. None of the nearby sentries came to investigate. He'd trapped me in here; he'd locked me up. I stopped seeing the marble floor, or the paintings on the walls, or the sweeping staircase looming behind me. I stopped hearing the chirping of the spring birds, or the sighing of the breeze through the curtains. And then crushing black pounded down and rose up beneath, devouring and roaring and shredding. It was all I could do to keep from screaming, to keep from shattering into ten thousand pieces as I sank onto the marble floor, bowing over my knees, and wrapped my arms around myself. He'd trapped me; he'd trapped me; he'd trapped me- I had to get out, because I'd barely escaped from another prison once before, and this time, this time- Winnowing. I could vanish into nothing but air and appear somewhere else, somewhere open and free. I fumbled for my power, for anything, something that might show me the way to do it, the way out. Nothing. There was nothing and I had become nothing, and I couldn't even get out- Someone was shouting my name from far away. Alis- Alis. But I was ensconced in a cocoon of darkness and fire and ice and wind, a cocoon that melted the ring off my finger until the golden ore dripped away into the void, the emerald tumbling after it. I wrapped that raging force around myself as if it could keep the walls from crushing me entirely, and maybe, maybe buy me the tiniest sip of air- I couldn't get out; I couldn't get out; I couldn't get out-
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
A shadow passed over her hand. Strange, because she hadn’t seen any large animals since she’d started welding. Every now and then, she was treated to the sight of a massive whale in the distance. And sometimes at night she listened to their haunting songs as they swam by the city. It was beautiful, and for some reason, it always made tears sting in her eyes. Mouth full, still chewing, she looked up to find the source of the shadow and froze. A monster hovered in front of the glass. His black tail, so long it tangled in the kelp, was at least ten feet long. Blue slashes of fins, so deep they blended in with the water, undulated all along the black scales. It stretched up to his waist, seamlessly turning into that pale, almost gray skin. His body was as all the rumors claimed. So handsome it was painful to look at, and eerily like the gold sculptures that surrounded her.
Emma Hamm (Whispers of the Deep (Deep Waters, #1))
Dave was a piggy. Piggies get stuck.
Tylor Paige (Slash or Pass (Final Girls))
The idea of a masked man coming in and tying me up, making me completely vulnerable to whatever he wants to do with me…
Tylor Paige (Slash or Pass (Final Girls))
Examine now this world of living beings: Who is there therein to pass away? What is there to come, and what has been? And who, indeed, are relatives and friends? 154. May beings like myself discern and grasp That all things have the character of space! But those who seek their happiness and ease, Through disputes or enjoyments, 155. All are deeply troubled, or else thrilled with joy. They suffer, strive, contend among themselves, Slashing, stabbing, injuring each other: They live their lives engulfed in evil and travail.
Śāntideva (The Way of the Bodhisattva)
Amateur musical performances were extremely important for all of us during the war, and my experience of them started at the age of ten or eleven, when my friends and I took part in a custom that was very popular back then but now seems to have died out altogether. It was carried out at Halloween, but instead of going round asking for trick or treats we did something called ‘Guising’. A group of us lads would go to the front door of a house we thought might be welcoming and politely ask if we could come in and perform. Our particular playlet was suggested by my father; it was one he had performed when he was a lad, although whether there was any deeper tradition behind the verses we recited I cannot say. We were all dressed up in costumes, with one boy dressed as a king with a cardboard crown on his head. Once all were in the house most of us would cluster behind the sitting-room door, then the first boy would enter the room on his own and say, ‘Red up sticks and red up stools here comes in a pack of fools, a pack of fools behind that door. Step in King George and clear the floor.’ The boy with the crown on his head would enter and recite, ‘King George is my name, sword and pistol by my side, I hope to win the game.’ The first boy would answer, ‘The game, sir, the game, sir, is not within your power. I will slash you and slay you within half an hour.’ These two boys would then have a duel with toy swords and the first boy would drop down as though dead, at which the king would kneel down and say, ‘Is there a doctor in the town?’ A small boy with a little attaché case would then pop out from behind the door saying, ‘My name is Doctor Brown, the best little doctor in the town. A little to his nose and a little to his bum, now rise up, jock, and sing a song.’ It was an absurd little sketch, but we used to get showered with pieces of cake and home-made toffees and fudge, and we would pass from house to house performing the same sketch. Even now I can recall the words perfectly.
John Moffat (I Sank The Bismarck)
Jones had a dog; it had a chain; Not often worn, not causing pain; But, as the I.K.L. had passed Their 'Unleashed Cousins Act’ at last, Inspectors took the chain away; Whereat the canine barked ‘Hooray!’ At which, of course, the S.P.U. (Whose Nervous Motorists’ Bill was through) Were forced to give the dog in charge For being Audibly at Large. None, you will say, were now annoyed, Save, haply, Jones - the yard was void. But something being in the lease About ‘alarms to aid the police,’ The U.S.U. annexed the yard For having no sufficient guard. Now if there’s one condition The C.C.P. are strong upon It is that every house one buys Must have a yard for exercise; So Jones, as tenant, was unfit, His state of health was proof of it. Two doctors of the T.T.U.'s Told him his legs, from long disuse, Were atrophied; and saying ‘So From step to higher step we go Till everything is New and True.’ They cut his legs off and withdrew. You know the E.T.S.T.'s views Are stronger than the T.T.U.'s: And soon (as one may say) took wing The Arms, though not the Man, I sing. To see him sitting limbless there Was more than the K.K. could bear. 'In mercy silence with all speed That mouth there are no hands to feed; What cruel sentimentalist, O Jones, would doom thee to exist - Clinging to selfish Selfhood yet? Weak one! Such reasoning might upset The Pump Act, and the accumulation Of all constructive legislation; Let us construct you up a bit ­­- ' The head fell off when it was hit: Then words did rise and honest doubt, And four Commissioners sat about Whether the slash that left him dead Cut off his body or his head. An author in the Isle of Wight Observed with unconcealed delight A land of just and old renown Where Freedom slowly broadened down From Precedent to Precedent. And this, I think, was what he meant.
G.K. Chesterton (Poems By G. K. Chesterton)
Your eyes say I lie when I call you my woman. This is not good. It is our bargain, eh?” He plucked a wisp of grass and ran it slowly between his fingers, watching her in a way that suggested he would soon touch her--just as slowly. “It was a promise you made for me, and now you make a lie of it? This is the way of your people, to say empty words. Penende taquoip, honey talk, eh? But it is not the way of the Comanche. If you make a lie, I will carve out your tongue and feed it to the crows.” The breeze caught his hair, draping strands of it across his chiseled features. For an instant, the knife slash that marred his cheek was hidden, and he seemed less formidable. Her attention was drawn to his lips, full and sharply defined, yet somehow hard, perhaps because of the rigid expression he always wore. Deep crevices bracketed his mouth--laugh lines, surely. Ah, yes, she could imagine him cutting out her tongue and smiling while he did it. “You do not like me too good. This is a sad thing, eh?” With a sweep of his hand, he indicated the world around them. “The sky is up, the earth is down. The sun shows its face, only to be chased away by Mother Moon. These things are for always, eh? Just as you are my woman. The song was sung long ago, and the song must come to pass. You must accept, Blue Eyes.” Loretta yearned to break eye contact but found she couldn’t. The silken threads of his deep voice wove a spell around her. She must accept? Already he was planning to give her away to his horrible cousin. She sank lower in the water, keeping her arms crossed to hide her breasts. Could he see through the ripples? Still studying her with the same unnerving intensity, he said, “When the wind blows, the sapling bends, the flowers lie low against the earth, the grass is flattened.” He thumped his chest with his fist. “I am your wind, Blue Eyes. Bend or break.
Catherine Anderson (Comanche Moon (Comanche, #1))
time went on and autumn passed and winter came with its beautiful bare-limbed trees, and soft pearl-grey skies that were slashed with rifts of gold in the afternoons, and cleared to a jewelled pageantry of stars over the wide white hills and valleys around New Moon.
L.M. Montgomery (Emily of New Moon (Emily, #1))
I'd love to be a final girl." That's right. The final girls always survived.
Tylor Paige (Slash or Pass (Final Girls))
I wish I lived in a place where it was fall every day of the year,
Tylor Paige (Slash or Pass (Final Girls))
Life, according to Slash consists of three tests a day... the morning test, the afternoon test, and the evening test. If you're lucky enough to pass three tests, you get rewarded with three more tests the next day.
Vicky Hamilton (Appetite For Dysfunction: A Cautionary Tale)
Ryder kisses me first, sealing the deal before passing me to his brother who dips me, making me laugh. Garrett grips my cheeks, no words needed, as he looks into my eyes and kisses me softly, like I’m made of glass. Diesel? Diesel slashes his hand and then mine, making me gasp, and presses our bleeding palms together as he kisses me. “Forever, Little Bird.
K.A. Knight (Den of Vipers)
I see that.” He nodded and gazed down the long garden. “This is all edible?” “You can ingest it all, yes.” He pushed his glasses up his nose and frowned at me. “What’s that mean?” I laughed and poked his hard chest. “It means, if you want to steal from my garden, you best know your plants. You might end up eating something you shouldn’t.” “Eisley.” His expression darkened. “Are you hoarding…” “It’s fine. It’s a comfort thing. It keeps the dark thoughts away.” “The idea of poisoning someone keeps the dark thoughts away?” He followed me back inside. I put the tea kettle on the stove and turned the burner on. I turned back to him and grinned. “Exactly.
Tylor Paige (Slash or Pass (Final Girls))
The impossibility of passing beyond slash-and-burn, Meggers said, was a consequence of a more general “law of environmental limitation of culture.” And she stated the law, italicizing its importance: “The level to which a culture can develop is dependent upon the agricultural potentiality of the environment it occupies
Charles C. Mann (1491: New Revelations of the Americas Before Columbus)
Currently, I am very focused on dividends - accepting that few shares are likely to show capital growth in the short term. From my higher-yielding stocks, I am hoping for maintenance of dividends - a dividend increase is a bonus; a "passing" or slashing of the payment is bad news. These board decisions reflect not only the profitability/debt levels of the company, but also its attitude to shareholder dividends, so past dividend history is an important consideration - as is the size of directors' holdings.
John Lee (How to Make a Million – Slowly: Guiding Principles from a Lifetime of Investing (Financial Times Series))
Not just with the Ghostface mask. That was purely for the Whorror Babies.
Tylor Paige (Slash or Pass (Final Girls))
I didn't need to choose which one to save, because they saved me.
Tylor Paige (Slash or Pass (Final Girls))
I’m cleaning up things for us, Eisley. It’s time to come home.
Tylor Paige (Slash or Pass (Final Girls))
Sept 27-69-6.30 by knife by Stewart Stafford I am the thief on the golden hill, Predator in sight, a hooded chill, Masked, armed and primed to strike, Prey pinned by the lake, as I like. Tie them up on blankets, used, In time they'll see it's all a ruse, Pretend to leave, then come back, Back-slashed in a frenzied attack. Left to die, their assailant gone, Darkness falls on two bleeding fawns, Stagger up the hill to try and get aid, Passing out as the lifeforce fades. Flashlight in the eyes, back for the kill! Help arrives, shakily standing still, Message on his car, Zodiac was here, He lived, she passed, and then only fear. © Stewart Stafford, 2023. All rights reserved.
Stewart Stafford
They said that you are allowed to show the symptoms of depression and not be considered mentally ill in one circumstance and one circumstance only—if you have recently suffered the loss of somebody close to you. After you lose (say) a baby, or a sister, or a mother, you can show these symptoms for a year before you are classed as mentally ill. But if you continued to be profoundly distressed after this deadline, you will still be classified as having a mental disorder. As the years passed and different versions of the DSM were published, the time limit changed: it was slashed to three months, one month, and eventually just two weeks.
Johann Hari (Lost Connections: Uncovering the Real Causes of Depression – and the Unexpected Solutions)
Each night at dusk he slashed the heart tree in the godswood to mark the passing of another day. Thirteen marks can be seen upon that weirwood still;
George R.R. Martin (Fire & Blood (A Targaryen History, #1))
So…” Lindsay started again, “… are we still on for spring break?” Jumping off her seat, Lilian stood on the table, left foot on the bench, right on the table itself. She raised a hand to her face, clenching it into a fist, eyes blazing with an inner fire. “Of course we are!” she declared, wearing a large, excited smile. “There’s no way we’re going to alter our plans now! This is my first spring break, and by Inari, we are going to travel out of this state and have fun!” A grinning Kevin followed his girlfriend-slash-mate’s example. He, too, jumped onto the table, imitating Lilian’s pose. An excited gleam had entered his eyes. “That’s right! This is something we must do! It’s going to be the adventure of a lifetime! There’s no way we can pass up on this opportunity!” Everyone stared at the two with the kind of “WTF?” expression that had become commonplace among them.
Brandon Varnell (A Fox's Vacation (American Kitsune, #5))
He opened the small brown bag and held it toward her, and she could smell the butter. Notably, though, there was no grease soaking the bottom of the bag, like when Mom brought home donuts. She peered in. "I think it's a croissant. And a chocolate croissant. And some kind of roll. And some other thing I didn't know what it was." "Chausson aux pommes," Rosie said, pulling it from the bag. She was pretty sure anyway- it had the distinctive half-moon shape, and the slashes on top let her see a peek of what looked like apple filling. "What's that?" Rosie stilled as Henry shifted closer to her. He was just looking at the pastry, and she knew that, but still. He was close, and he smelled warm, and sleepy. And male. "It's kind of like an apple croissant," she said, ignoring the rapid rise of her heartbeat. "Or an apple strudel. An apple turnover, I guess." "Try it." "You should have the first bite. You got it." "I insist," Henry said, and he wouldn't take it from her. So she bit in, and the pastry flaked instantly, then yielded into sweet, soft cinnamon apples. It was so good that she had to imagine this would be the best thing she'd try today. But then Henry was grinning, chocolate smeared on his face, and he passed her the pain au chocolat, and she thought that had to be the best thing. But then the classic croissant was so perfect, each layer of lamination distinct, and then the brioche was dangerously rich, yet so light at the same time, and the éclair's filling was perfectly smooth, and the baguette made Rosie rethink what, exactly, the stuff she'd been eating for the last sixteen years was, because it couldn't possibly be bread, not like this...
Stephanie Kate Strohm (Love à la Mode)
The other major oil industry suppliers were similarly weary, trying to shore up earnings by slashing jobs, trimming project costs, and squeezing their own customers and suppliers wherever they could. (The wildcatters had it worse: many of the mom-and-pop operators of the American oil patch started to file for bankruptcy.) One year later, GE would merge its oil and gas unit into the oil-field giant Baker Hughes, keeping for itself a more than 50 percent stake in the company and spinning out a new public company to be run by Simonelli, under GE’s control. The transaction eased GE’s exposure to the ongoing oil rout and gave the new company, dubbed “Baker Hughes, a GE company,” vast new areas of redundant employees and operations to eliminate. With Baker Hughes, GE changed its tone a bit. The deal was transformational, but in which intended direction wasn’t made clear. GE execs like Bornstein would proclaim that the deal gave them “optionality,” but the reality was that investors were left in the dark on the strategy: Was GE doubling down on oil? Or was it preparing to exit the industry? The idea of holding such a long-term option was nice, but the game pieces in the positioning were people, and those who didn’t leave their job had no idea where the future of the company might be. The new arrangement didn’t spare Lufkin. The historic foundry was closed. The city’s annual financial report now just shows a blank line when listing the company’s employment tally, evidence of the more than four thousand jobs that evaporated after GE came to town. Between two Mondays—the day GE announced it was coming to Lufkin and the day the company said it would move on, leaving a shuttered foundry at the center of town—just 868 days had passed.
Thomas Gryta (Lights Out: Pride, Delusion, and the Fall of General Electric)
I started painting again. Not the meticulous landscapes I used to do, but abstracts. Bold, violent slashes of color on the canvas, emotional and unrestrained. Landscapes are all about what I see, but these…these are all about what I feel. I won’t show them to anyone. They’re more like spiritual vomit than art. I assume it’s a phase that will pass, but for now, I’m into it.
J.T. Geissinger (Ruthless Creatures (Queens & Monsters, #1))
This book is for all you Whorror Babies who’ve asked your partner to buy a Ghostface mask for… reasons. I see you boo. I got you.
Tylor Paige (Slash or Pass (Final Girls))