Slang Quotes

We've searched our database for all the quotes and captions related to Slang. Here they are! All 100 of them:

The best teachers impart knowledge through sleight of hand, like a magician.
Kate Betts (My Paris Dream: An Education in Style, Slang, and Seduction in the Great City on the Seine)
So, the thing we’re all not talking about,” he says. He gestures to me. “You almost died, a sadistic pansycake saved you, and now we’re all waging some serious war with the factionless as allies.” “Pansycake?” says Christina. “Dauntless slang.” Lynn smirks. “Supposed to be a huge insult, only no one uses it anymore.” “Because it’s so offensive,” says Uriah, nodding. “No. Because it’s so stupid no Dauntless with any sense would speak it, let alone think it. Pansycake. What are you, twelve?” “And a half,” he says.
Veronica Roth (Insurgent (Divergent, #2))
Hey, you sass that hoopy Ford Prefect? There's a frood who really knows where his towel is." (Sass: know, be aware of, meet, have sex with; hoopy: really together guy; frood: really amazingly together guy.)
Douglas Adams (The Hitchhiker’s Guide to the Galaxy (Hitchhiker's Guide to the Galaxy, #1))
rolf! what? are you really rolling on the floor laughing? well, please stay down there for a sec while I KICK YOUR ASS.
David Levithan (Will Grayson, Will Grayson)
I’ve always been a word guy, I like weird words and I like American slang and all that and words that are no longer being used… I like to drag them out of the box and wave them around… this is an interesting one, it’s amazing how in addition to punctuation just a little pause in the wrong place can just completely transform the meaning of something.
Tom Waits
<3. You think that looks like a heart? If you do, that's only because you've never seen scrotum.
David Levithan (Will Grayson, Will Grayson)
The Dauthless have the wierdest slang. Pansycake, Nose...is there a term for The Candor?" "Of course."Uriah grins."Jerks
Veronica Roth
It’s an epidemic with women your age. A gross disparity between the way that they speak and the quality of thoughts that they’re having about the world. They are taught to express themselves in slang, in clichés, sarcasm—all of which is weak language. The superficiality of the language colors the experiences, rendering them disposable instead of assimilated. And then to top it all, you call yourselves ‘girls.’ 
Stephanie Danler (Sweetbitter)
Marijuana enhances our mind in a way that enables us to take a different perspective from 'high up', to see and evaluate our own lives and the lives of others in a privileged way. Maybe this euphoric and elevating feeling of the ability to step outside the box and to look at life’s patterns from this high perspective is the inspiration behind the slang term “high” itself.
Sebastian Marincolo
She wanted more, more slang, more figures of speech, the bee's knees, the cats pajamas, horse of a different color, dog-tired, she wanted to talk like she was born here, like she never came from anywhere else
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
I’m not trying to—What do teenagers say nowadays?” he asked my grandmother.“Get all up in her biznez,” Nana said.Without cracking a smile.“That’s right,” he replied. “We’re not trying to get all up in your biznez, Ali.
Gena Showalter (Alice in Zombieland (White Rabbit Chronicles, #1))
Sure am glad I'm not royalty," I muttered. "I wouldn't want to have to bump uglies with someone I can't stand. On a regular basis. And no one else." "Ow!" I exclaimed, trying to yank my fingers from Trent but finding them caught. Then I colored, realizing what I'd said. "Oh… sorry," I stammered, meaning it. "That was insensitive." Trent's frown turned into a sly smirk. "Bump uglies?" he said, eyes on the table behind me. "You are a font of gutter slang, Rachel. We must do this again.
Kim Harrison (For a Few Demons More (The Hollows, #5))
Fuck You Poem #45 Fuck you in slang and conventional English. Fuck you in lost and neglected lingoes. Fuck you hungry and sated; faded, pock marked, and defaced. Fuck you with orange rind, fennel and anchovy paste. Fuck you with rosemary and thyme, and fried green olives on the side. Fuck you humidly and icily. Fuck you farsightedly and blindly. Fuck you nude and draped in stolen finery. Fuck you while cells divide wildly and birds trill. Thank you for barring me from his bedside while he was ill. Fuck you puce and chartreuse. Fuck you postmodern and prehistoric. Fuck you under the influence of opiun, codeine, laudanum, and paregoric. Fuck every real and imagined country you fancied yourself princess of. Fuck you on feast days and fast days, below and above. Fuck you sleepless and shaking for nineteen nights running. Fuck you ugly and fuck you stunning. Fuck you shipwrecked on the barren island of your bed. Fuck you marching in lockstep in the ranks of the dead. Fuck you at low and high tide. And fuck you astride anyone who has the bad luck to fuck you, in dank hallways, bathrooms, or kitchens. Fuck you in gasps and whispered benedictions. And fuck these curses, however heartfelt and true, that bind me, till I forgive you, to you.
Amy Gerstler (Ghost Girl)
I beg your pardon: correct English is the slang of prigs who write history and essays. And the strongest slang of all is the slang of poets.
George Eliot (Middlemarch)
Hairstyles change, and skirt lengths, and slang, but high school administrations? Never.
Stephen King (11/22/63)
Compassion speaks with a slight accent. She was a vulnerable child, miserable in school, cold, shy … In ninth grade she was befriended by Courage. Courage lent Compassion bright sweaters, explained the slang, showed her how to play volleyball.
J. Ruth Gendler (The Book of Qualities)
I never know which Starr I should be. I can use some slang, but not too much slang, some attitude, but not too much attitude, so I’m not a 'sassy black girl.' I have to watch what I say and how I say it, but I can’t sound 'white.
Angie Thomas (The Hate U Give (The Hate U Give, #1))
Here richly, with ridiculous display, The Politician's corpse was laid away. While all of his acquaintance sneered and slanged I wept: for I had longed to see him hanged.
Hilaire Belloc
Tonight sucked" my dad said and I started to laugh hearing him say that. "What?" He smiled at me. "Isn't that the slang you kids are using? The lingo? Do I sound hip?" I just shook my head. "The only hip I hear is the sound of yours breaking.
Robin Benway (Emmy & Oliver)
It's too late to be studying Hebrew; it's more important to understand even the slang of today.
Henry David Thoreau (Walking)
In words, as fashions, the same rule will hold; Alike fantastic, if too new, or old: Be not the first by whom the new are tried, Nor yet the last to lay the old aside.
Alexander Pope (An Essay On Criticism)
Would you like tickets for tonight’s tour? (Andrei) Like another hole in my head. (Esperetta) That’s American slang for ‘no thank you. (Francesca) Strange. When I was in New York it was slang for ‘no fucking way.' (Andrei)
Sherrilyn Kenyon (Love at First Bite (Dark-Hunter #6.5; Wild Wulfs of London #2.5; Companion #3.5))
My language limitations here are real. My vocabulary is adequate for writing notes and keeping journals but absolutely useless for an active moral life. If I really knew this language, there would surely be in my head, as there is in Webster's or the Dictionary of American Slang, that unreducible verb designed to tell a person like me what to do next.
Grace Paley (Enormous Changes at the Last Minute: Stories)
I leave you free to imagine any dialogue you please. Choose whatever may charm you. Have it, if you like, that they hear the voice of the blood, or that they fall in love at first sight... Conceive the wildest improbabilities. Have it that the depths of their beings are thrilled at accosting each other in slang. Tangle them suddenly in a swift embrace or a brotherly kiss. Do whatever you like.
Jean Genet
You forget, Moonlight, that there are different kinds of beauty. Your imagination is obsessed by the very obvious type of your cousin Olive. Oh, I've seen her—she's a stunner—but you'd never catch Allan Tierney wanting to paint her. In the horrible but expressive slang phrase, she keeps all her goods in the shop-window. But in your subconscious mind you have a conviction that nobody can be beautiful who doesn't look like Olive. Also, you remember your face as it was in the days when your soul was not allowed to shine through it.
L.M. Montgomery (The Blue Castle)
The goblins have been after me ever since I helped the Coven drive them out of Essex. (They were gobbling up drunk people in club bathrooms, and the Mage was worried about losing regional slang.) I think the goblin who successfully offs me gets to be king.
Rainbow Rowell (Carry On (Simon Snow, #1))
The slang for the rectum is "prison wallet".
Mary Roach (Gulp: Adventures on the Alimentary Canal)
All choice of words is slang. It marks a class.” “There is correct English: that is not slang.” “I beg your pardon: correct English is the slang of prigs who write history and essays. And the strongest slang of all is the slang of poets.
George Eliot (Middlemarch)
Attention to the meaning of the central male slang term for sexual intercourse—"fuck"— is instructive. To fuck a woman is to have sex with her. To fuck someone in another context… means to hurt or cheat a person. And when hurled as a simple insult (“fuck you”) the intent is denigration and the remark is often a prelude to violence or the threat of violence. Sex in patriarchy is fucking. That we live in a world in which people continue to use the same word for sex and violence, and then resist the notion that sex is routinely violent and claim to be outraged when sex becomes overtly violent, is testament to the power of patriarchy.
bell hooks (The Will to Change: Men, Masculinity, and Love)
I am getting rather astonishing in my Italian conversation. I believe I talk a mixture of Dante and the worst modern slang.
Oscar Wilde (The Complete Letters of Oscar Wilde)
hobos' (a slang term that combines the words 'hope' and 'bowl of beans given to me for free by a woman who then initiated intercourse')
Patton Oswalt (Zombie Spaceship Wasteland)
They live like beasts, sweetie. They slang, they bark, they rape. They kill for a solar panel or the copper ring they find in the junk.
Misba (The High Auction (Wisdom Revolution, #1))
Are you aware that Jesus Christ can spell? I get so tired of you spelling every slang and cuss word that crosses your mind, as though you are pulling one over on the Lord.
Brenda Sutton Rose (Dogwood Blues)
Friday: The day after Thursday and before Saturday according to Rebecca Black. Also the most annoying day of the week now.
Aaron Peckham (Urban Dictionary: Fularious Street Slang Defined (Volume 1))
Slang is the suitcase of the damned, my dear. CHECK IT.
Heather Cocks
On the whole I try to keep Modesty and Willie in timeless settings, which is why I avoid all the latest slang and in-words. It won't be long before 'brill' sounds as dated as 'super' does now. [Uncle Happy, 1990]
Peter O'Donnell
Slang is the writer's palette of colors.
Chuck Palahniuk (Stranger than Fiction)
Sin does not always drive us to drink; more often it drives us to exhaustion. Tiredness is equally as debilitating as drunkenness. Burnout is slang for an inner tiredness, a fatigue of our souls. Jesus came to forgive us all of our sins, including the sin of busyness. The problem with growth in the modern church is not the slowness of growth but the rushing of growth.
Mike Yaconelli
Well,' said Can o' Beans, a bit hesitantly,' imprecise speech is one of the major causes of mental illness in human beings.' Huh?' Quite so. The inability to correctly perceive reality is often responsible for humans' insane behavior. And every time they substitute an all-purpose, sloppy slang word for the words that would accurately describe an emotion or a situation, it lowers their reality orientations, pushes them farther from shore, out onto the foggy waters of alienation and confusion.' The manner in which the other were regarding him/her made Can O' Beans feel compelled to continue. 'The word neat, for example, has precise connotations. Neat means tidy, orderly, well-groomed. It's a valuable tool for describing the appearance of a room, a hairdo, or a manuscript. When it's generically and inappropriately applied, though, as it is in the slang aspect, it only obscures the true nature of the thing or feeling that it's supposed to be representing. It's turned into a sponge word. You can wring meanings out of it by the bucketful--and never know which one is right. When a person says a movie is 'neat,' does he mean that it's funny or tragic or thrilling or romantic, does he mean that the cinematography is beautiful, the acting heartfelt, the script intelligent, the direction deft, or the leading lady has cleavage to die for? Slang possesses an economy, an immediacy that's attractive, all right, but it devalues experience by standardizing and fuzzing it. It hangs between humanity and the real world like a . . . a veil. Slang just makes people more stupid, that's all, and stupidity eventually makes them crazy. I'd hate to ever see that kind of craziness rub off onto objects.
Tom Robbins (Skinny Legs and All)
Williamson Starr doesn't use slang - if a rapper would say it, she doesn't say it, even if her white friends do. Slang makes them cool. Slang makes her "hood". Williamson Starr holds her tongue when people piss her off so nobody will think she's the "angry black girl". Williamson Starr is approachable. No stank-eyes, none of that. Williamson Starr is no confrontational. Basically, Williamson Starr doesn't give anyone a reason to call her ghetto. I can't stand myself for doing it, but I do it anyway.
Angie Thomas (The Hate U Give (The Hate U Give, #1))
Gregors’, ‘Greggs’ or ‘The Maccy-Gs’ are all rabbit slang for law enforcement agents, named after Mr McGregor, the villain in the Beatrix Potter Peter Rabbit books. In the dubbed-into-Rabbity version of Star Wars, Darth Vader is literally translated as ‘Mr McGregor’.
Jasper Fforde (The Constant Rabbit)
slang,
Andrew Clements (The Landry News)
If I were stepping down from the bus at the rich end of town instead of the trailer park, I wouldn’t have to watch every word I said to make sure it wasn’t slang for an orgasm.
Jennifer Echols (Such a Rush)
If you attempt an actual argument with a modern paper of opposite politics, you will have no answer except slanging or silence.
G.K. Chesterton (What's Wrong with the World)
Slang, too, is the wholesome fermentation or eructation of those processes eternally active in language, by which froth and specks are thrown up, mostly to pass away; though occasionally to settle and permanently chrystallize.
Walt Whitman
The thinker who should turn aside from slang would resemble a surgeon who should avert his face from an ulcer or a wart. He would be like a philologist refusing to examine a fact in language, a philosopher hesitating to scrutinize a fact in humanity.
Victor Hugo (Les Misérables)
In many a case, the phrase ‘I’d like to get to know you better’ is a euphemism for ‘I want us to fuck.
Mokokoma Mokhonoana
H. L Mencken's Dictionary of the American Language supplies a long list of slang terms for being drunk, but the Irish are no slouches, either. They're spannered, rat-arsed, cabbaged, and hammered; ruined, legless, scorched, and blottoed; or simply trolleyed or sloshed. In Kerry, you're said to be flamin'; in Waterford, you're in the horrors; and in Cavan, you've gone baloobas, a tough one to wrap your tongue around if you ARE baloobas. In Donegal, you're steamin', while the afflicted in Limerick are out of their tree.
Bill Barich (A Pint of Plain)
I reminded him that he had just joined the church. "Yes, Linda," said he. "It was proper for me to do so. I am getting in years, and my position in society requires it, and it puts an end to all the damned slang. You would do well to join the church, too, Linda." "There are sinners enough in it already," rejoined I.
Harriet Ann Jacobs (Incidents in the Life of a Slave Girl)
They live like beasts, sweetie. They slang, they bark, they rape. They kill for a solar panel or the copper ring they find in the junk. They don’t think about art and culture or how the universe exists as the High Grades do. They are lowly, earthly monsters … Meera never speaks such words aloud, but Magic Mama told her once what the High Grades think of anyone unevolved, no matter if they’re outside the walls or inside them.
Misba (The High Auction (Wisdom Revolution, #1))
Poncho was in a red mood slanging with rage and needed to cook himself out of it , while shoving handfuls of salted peanuts down his gullet and slurping ice cold Fanta
Saira Viola
Adapt your style, if you wish, to admit the color of slang or freshness of neologism, but hang tough on clarity, precision, structure, grace.
William Safire
the guy said industry slang for flight attendant was Space Waitress. Or Air Mattress.
Chuck Palahniuk (Fight Club)
Out with it.” She let impatience colour her words. She couldn’t think of any cockney slang for getting a man to open his saucebox.
Gail Carriger (Imprudence (The Custard Protocol, #2))
Don’t you worry about ol’ Jorge. He got enough fruit to last him a year.” “What does that mean? Is fruit slang for anal or something?
R.S. Grey (The Duet)
Language is just as rule-based in its newest slang forms, and just as sophisticated as it ever was in ancient Rome. But the rules, now as then, are written from below, not from above.
Matt Ridley (The Evolution of Everything: How New Ideas Emerge)
Strange how everyone tried to disguise truth with nonsense. Like the slang for death: kicking the bucket, wiped out, snuffed, wasted, blown away. The light touch to dispel the heavy fear.
Robert Bloch (Psycho II (Psycho, #2))
every time they substitute an all-purpose, sloppy slang word for the words that would accurately describe an emotion or a situation, it lowers their reality orientations, pushes them farther from shore, out onto the foggy waters of alienation and confusion.
Tom Robbins (Skinny Legs and All)
If you use a colloquialism or a slang word or phrase, simply use it; do not draw attention to it by enclosing it in quotation marks. To do so is to put on airs, as though you were inviting the reader to join you in a select society of those who know better.
William Strunk Jr.
To American ears, the Filipino pronunciation of the word "evacuate" sounded more like "bokweet." They soon further Americanized it to "buckwheat," which would become guerilla slang meaning to place as much distance between oneself and the Japanese as possible.
John D. Lukacs (Escape From Davao: The Forgotten Story of the Most Daring Prison Break of the Pacific War)
Are you beginning to dislike slang, then?” said Rosamond with mild gravity. “Only the wrong sort. All choice of words is slang. It marks a class.” “There is correct English; that is not slang.” “I beg your pardon; correct English is the slang of prigs who write history and essays. And the strongest slang of all is the slang of poets.
George Eliot (Middlemarch)
I shared my office on 57th Street with Dr Jacob Ecstein, young (thirty-three), dynamic (two books published), intelligent (he and I usually agreed), personable (everyone liked him), unattractive (no one loved him), anal (he plays the stock market compulsively), oral (he smokes heavily), non-genital (doesn’t seem to notice women), and Jewish (he knows two Yiddish slang words). Our mutual secretary was a Miss Reingold. Mary Jane Reingold, old (thirty-six), undynamic (she worked for us), unintelligent (she prefers Ecstein to me), personable (everyone felt sorry for her), unattractive (tall, skinny, glasses, no one loved her), anal (obsessively neat), oral (always eating), genital (trying hard), and non-Jewish (finds use of two Yiddish slang words very intellectual). Miss Reingold greeted me efficiently.
Luke Rhinehart (The Dice Man)
The inability to correctly perceive reality is often responsible for humans' insane behavior. And every time they substitute an all-purpose, sloppy slang word for words that would accurately describe an emotion or a situation, it lowers their reality orientations, pushes them farther from shore, out onto the foggy waters of alienation and confusion.
Tom Robbins (Skinny Legs and All)
We want lovers, friends, recruits, soldiers, and affiliations that support who we are. People, individuals, believe in themselves, want to survive, and on a Darwinistic level at least, want to have more, of ourselves. Initially, this is a visual choice. The where, what, when, and who…to our why. Upon closer inspection, which is the upfall of the politically correct culture of today, we learn to measure people on the competence of their values that we most value. When we do this, the politics of gender, race, and slanderous slang take a back seat to the importance of the values we share. The more we travel, the more we realize how similar our human needs are. We want to be loved, have a family, community, have something to look forward to. These basic needs are present in all socioeconomic and cultural civilizations. I have seen many tribes in the deserts of Northern Africa who, with nine children and no electricity, had more joy, love, honor, and laughter than the majority of the most materially rich people I’ve ever met. We have the choice to love, befriend, recruit, call to arms, associate, and support who we believe in, and more importantly, who, we believe, believes in us.
Matthew McConaughey (Greenlights)
When you depart from standard usage, it should be deliberate and not an accidental lapse. Like a poet who breaks the rules of poetry for creative effect, this only works when you know and respect the rule you are breaking. If you have never heard of the rules you are breaking, you have no right to do so, and you are likely to come off like a buffoon or a barbarian. Breaking rules, using slang and archaic language can be effective, but it is just as likely to give you an audience busy with wincing.
N.D. Wilson (The Rhetoric Companion)
I lie in a bathtub of cold water, still sweating and singing love songs to myself. I put the gun to my head and cock it. I think of my Grandma and remember that old feeling of being so in love that nothing matters except seeing and being seen by her. I drop the gun to my chest. I'm so sad and I can't really see a way out of what I'm feeling but I'm leaning on memory for help. Faster. Slower. I think I want to hurt myself more than I'm already hurting. I'm not the smartest boy in the world by a long shot, but even in my funk I know that easy remedies like eating your way out of sad, or fucking your way out of sad, or lying your way out of sad, or slanging your way out of sad, or robbing your way out of sad, or gambling your way out of sad, or shooting your way out of sad, are just slower, more acceptable ways for desperate folks, and especially paroled black boys in our country, to kill ourselves and others close to us in America.
Kiese Laymon (How to Slowly Kill Yourself and Others in America)
Karhiders discuss sexual matters freely, and talk about kemmer with both reverence and gusto, but they are reticent about discussing perversion - at least they were with me. Excessive prolongation of the kemmer period, with permanent hormonal imbalance toward the male or the female, causes what they call perversion; it is not rare; three or four percent of adults may be physiological perverts or abnormals - normals, by our standard. They are not excluded from society, but they are tolerated with some disdain, as homosexuals are in many bisexual societies, the Karhidish slang for them is halfdeads. They are sterile.
Ursula K. Le Guin (The Left Hand of Darkness)
...three particular T-shirts with vulgar slang written on them that made the vein in his forehead poke out. It was a cute little vein and I grew fond of seeing it's public appearance while I walked behind him like a parade of humiliation.
Dannika Dark (Twist (Mageri, #2; Mageriverse #2))
You do look a little pale," the army woman said. "I thought maybe it was air sickness." "Pure hunger" She gave him a professional smile. "I'll see what I can rustle up." Russel? the gunslinger thought dazedly. In his own world 'to russel' was a slang verb meaning to take a woman by force. Never mind, food would come.
Stephen King (The Drawing of the Three (The Dark Tower, #2))
Fuck off, bitch," the girl stood too and was shooting arrows through her eyes, but I just smiled. "Fuck off, Bitch?" I mimicked and forced a laugh. "If you want a slanging match with me, I suggest you broaden your vocabulary considerably before uttering another word and giving me further reason to believe that you came from a settlement of inbred idiots."  The girl turned pink under her thick layer of foundation.  "Do yourself a favour and sit down." I shook my head, "You won't win with me." I spat.
Cora Hawkes (Rocked Under (Rocked, #1))
I sometimes wish I could fine people every time they use black street slang to prove how hip they are.” “Yeah, I know what you mean.” “Just charge them a residual. White people, Chinese people; even those boho Obamanegroes with their braided hemp necklaces, you understand me? … Except for dirt-poor white people surviving the life in some hood somewhere. And those Filipino prisoners you see on YouTube dancing to Michael Jackson songs. I figure those guys have earned the right to drop the occasional ‘homie’ now and then …
Nalo Hopkinson (Sister Mine)
We seem to be sitting around waiting for the next fucking disaster." he said, which went into the official log as - DCI Seawoll felt that our operational posture was too reactive.
Ben Aaronovitch (Lies Sleeping (Rivers of London, #7))
My Homer does not speak in your grandparents’ English, since that language is no closer to the wine-dark sea than your own. I have tried to keep to a register that is recognizably speakable and readable, while skirting between the Charybdis of artifice and the Scylla of slang.
Emily Wilson (The Odyssey)
Now holler at me if you’re ready to have a Rossumly awesome time. State District Forty is about to get hella canvassed, and I am so here for it.” He pounds a fist in the air. It’s like watching your oldest, cringiest teacher try to win over the class with slang they googled during their planning period. And I’m pretty sure Gabe being only twenty-three makes it worse.
Becky Albertalli (Yes No Maybe So)
It's like making a sandwich. I start with the bread and the meat. That's the architecture. Add some cheese, lettuce and tomato. That's character development and polishing. Then, the fun part. All the little historical details and the slang and the humor is the mayonnaise. I go back and slather that shit everywhere. The mayo is the best part. I'm a bit messy with the mayo.
Laini Giles
I just have to be normal Starr at normal Williamson and have a normal day. That means flipping the switch in my brain so I’m Williamson Starr. Williamson Starr doesn’t use slang—if a rapper would say it, she doesn’t say it, even if her white friends do. Slang makes them cool. Slang makes her “hood.” Williamson Starr holds her tongue when people piss her off so nobody will think she’s the “angry black girl.” Williamson Starr is approachable. No stank-eyes, side-eyes, none of that. Williamson Starr is nonconfrontational. Basically, Williamson Starr doesn’t give anyone a reason to call her ghetto. I can’t stand myself for doing it, but I do it anyway.
Angie Thomas (The Hate U Give)
It was hard to make capes look good. They had a way of clinging to the body, or flowing the wrong way, getting caught around an arm… it took a measure of majesty to make it work. Eidolon could pull it off. Ironic, that the slang for a parahuman was ‘cape’, and so few of us wore them.
Wildbow (Worm (Parahumans, #1))
I am so dying to know what cookies are slang for.” “Probably his cock,” Jacob plopped down on the arm of the couch. “Oh my God,” I said, taking a handful of chips. I needed the calorie fortitude for where this conversation was heading. Brittany nodded. “Makes sense then. I mean, with the whole not sharing cookies with ugly girls.” “I don’t think he really meant that,” I said, popping a chip in my mouth. “So, back to our history notes…” “Fuck history. Back to Cam’s cock.” Jacob said. “Do you know, if cookies is a code word for cock, then that means his cock was in your mouth.
J. Lynn (Wait for You (Wait for You, #1))
Drug addicts, especially young ones, are conformists flocking together in sticky groups, and I do not write for groups, nor approve of group therapy (the big scene in the Freudian farce); as I have said often enough, I write for myself in multiplicate, a not unfamiliar phenomenon on the horizon of shimmering deserts. Young dunces who turn to drugs cannot read “Lolita,” or any of my books, some in fact cannot read at all. Let me also observe that the term “square” already dates as a slang word, for nothing dates quicker than conservative youth, nor is there anything more philistine, more bourgeois, more ovine than this business of drug duncery. Half a century ago, a similar fashion among the smart set of St. Petersburg was cocaine sniffing combined with phony orientalities. The better and brighter minds of my young American readers are far removed from those juvenile fads and faddists. I also used to know in the past a Communist agent who got so involved in trying to wreck anti-Bolshevist groups by distributing drugs among them that he became an addict himself and lapsed into a dreamy state of commendable metempsychic sloth. He must be grazing today on some grassy slope in Tibet if he has not yet lined the coat of his fortunate shepherd.
Vladimir Nabokov (Strong Opinions)
I found cause to wonder upon what ground the English accuse Americans of corrupting the language by introducing slang words. I think I heard more and more different kinds of slang during my few weeks' stay in London than in my whole "tenderloin" life in New York. But I suppose the English feel that the language is theirs, and that they may do with it as they please without at the same time allowing that privilege to others.
James Weldon Johnson (The Autobiography of an Ex-Coloured Man)
Donna: You really believe in all that stuff, don't you? Wilfred Mott (Bernard Cribbins): It's all over the place these days. If I wait here long enough... Donna: I don't suppose you've seen a little blue box. Wilfred: Is that slang for something? Donna: I mean it. If you ever see a little blue box, flying up there in the sky, you shout for me, Gramps. Oh you just shout. Wilfred: You know, I don't understand half the things you say these days. Donna: Nor me. Wilfred: Fair do's. You've had a funny old time of it lately -Doctor Who
Russell T. Davies
May we never again read about Dark Ages peasants eating tomatoes; unbelievably plucky/feisty liberated medieval heroines with names like Dominique; 18th-century travelers crossing Europe or the Atlantic in a week; slang that's sixty years ahead of its time and many, many other such common anachronisms of fact and attitude...
Susanne Alleyn (Medieval Underpants and Other Blunders: A Writer's (and Editor's) Guide to Keeping Historical Fiction Free of Common Anachronisms, Errors, and Myths)
I think fear neutralizes alcohol, weakens its anesthetic power. It's good for small fears; your boss, your wife, your bills, your dentist; all right then to take a drink. But for big ones it doesn't do any good. Like water on blazing gasoline, it will only quicken and compound it. It takes sand, in the literal and the slang sense, to smother the bonfire that is fear. And if you're out of sand, then you must burn up. ("New York Blues")
Cornell Woolrich (Night and Fear: A Centenary Collection of Stories by Cornell Woolrich (Otto Penzler Book))
It's funny when people say something is "unreal" about something that is, in reality, real. I'm so guilty of it, it's real!
Ethan Luck
Words accrue and lose meaning through a semantic mobility dependent on the community in which they thrive, and these meanings cannot be divorced from bodily sensation and emotion. Slang emerges among a circle of speakers. Irony requires double consciousness, reading one meaning and understanding another. Elegant prose involves a feeling for the rhythms and the music of sentences, a product of the sensual pleasure a writer takes in the sounds of words and the varying metric beats of sentences. Creative translation must take all this into account. If a meaning is lost in one sentence, it might be gained or added to the next one. Such considerations are not strictly logical. They do not involve a step-by-step plan but come from the translator’s felt understanding of the two languages involved. Rodney
Siri Hustvedt (A Woman Looking at Men Looking at Women: Essays on Art, Sex, and the Mind)
It is a mass language only in the same sense that its baseball slang is born of baseball players. That is, it is a language which is being molded by writers to do delicate things and yet be within the grasp of superficially educated people. It is not a natural growth, much as its proletarian writers would like to think so. But compared with it at its best, English has reached the Alexandrian stage of formalism and decay.
Raymond Chandler
Adam was charming and spoke perfect French. Like many anglophones in Montréal, he actually spoke French better than we did. They knew exactly which verbs to use in the same way that people knew which utensils to use while eating at a fancy dinner. It was very proper because they learned it from books. They didn’t know slang or how to curse. They didn’t know how to do anything other than be proper and reserved. It was state-sponsored, dry-clean-only French.
Heather O'Neill (The Girl Who Was Saturday Night)
Rationality is uncool. To describe someone with a slang word for the cerebral, like nerd, wonk, geek, or brainiac, is to imply they are terminally challenged in hipness. For decades, Hollywood screenplays and rock song lyrics have equated joy and freedom with an escape from reason. “A man needs a little madness or else he never dares cut the rope and be free,” said Zorba the Greek. “Stop making sense,” advised Talking Heads; “Let’s go crazy,” adjured the Artist Formerly Known as Prince.
Steven Pinker (Rationality: What It Is, Why It Seems Scarce, Why It Matters)
I'll be right here. Good luck, or break a leg, or something.” As Jay and Gregory turned and headed into the crowd, my traitorous eyes returned to the corner and found another pair or eyes staring darkly back. I dropped my gaze for three full seconds, and then lifted my eyes again, hesitant. The drummer was still staring at me, oblivious to the three girls trying to win back his attention. He put up one finger at the girls and said something that looked like, “Excuse me.” Oh, my goodness. Was he...? Oh, no. Yes, he was walking this way. My nerves shot into high alert. I looked around, but nobody else was near. When I looked back up, there he was, standing right in front of me. Good gracious, he was sexy-a word that had not existed in my personal vocabulary until that moment. This guy was sexy like it was his job or something. He looked straight into my eyes, which threw me off guard, because nobody ever looked me in the eye like that. Maybe Patti and Jay, but they didn't hold my stare like he was doing now. He didn't look away, and I found that I couldn't take my gaze off those blue eyes. “Who are you?” he asked in a blunt, almost confrontational way. I blinked. It was the strangest greeting I'd ever received. “I'm...Anna.” “Right. Anna. How very nice.” I tried to focus on his words and not his luxuriously accented voice, which made everything sound lovely. He leaned in closer. “But who are you?” What did that mean? Did I need to have some sort of title or social standing to enter his presence? “I just came with my friend Jay?” Oh, I hated when I got nervous and started talking in questions. I pointed in the general direction of the guys, but he didn't take his eyes off me. I began rambling. “They just wrote some songs. Jay and Gregory. That they wanted you to hear. Your band, I mean. They're really...good?” His eyes roamed all around my body, stopping to evaluate my sad, meager chest. I crossed my arms. When his gaze landed on that stupid freckle above my lip, I was hit by the scent of oranges and limes and something earthy, like the forest floor. It was pleasant in a masculine way. “Uh-huh.” He was closer to my face now, growling in that deep voice, but looking into my eyes again. “Very cute. And where is your angel?” My what? Was that some kind of British slang for boyfriend? I didn't know how to answer without continuing to sound pitiful. He lifted his dark eyebrows, waiting. “If you mean Jay, he's over there talking to some man in a suit. But he's not my boyfriend or my angel or whatever.” My face flushed with heat and I tightened my arms over my chest. I'd never met anyone with an accent like his, and I was ashamed of the effect it had on me. He was obviously rude, and yet I wanted him to keep talking to me. It didn't make any sense. His stance softened and he took a step back, seeming confused, although I still couldn't read his emotions. Why didn't he show any colors? He didn't seem drunk or high. And that red thing...what was that? It was hard not to stare at it. He finally looked over at Jay, who was deep in conversation with the manager-type man. “Not your boyfriend, eh?” He was smirking at me now. I looked away, refusing to answer. “Are you certain he doesn't fancy you?” Kaidan asked. I looked at him again. His smirk was now a naughty smile. “Yes,” I assured him with confidence. “I am.” “How do you know?” I couldn't very well tell him that the only time Jay's color had shown mild attraction to me was when I accidentally flashed him one day as I was taking off my sweatshirt, and my undershirt got pulled up too high. And even then it lasted only a few seconds before our embarrassment set in.
Wendy Higgins (Sweet Evil (Sweet, #1))
1 The summer our marriage failed we picked sage to sweeten our hot dark car. We sat in the yard with heavy glasses of iced tea, talking about which seeds to sow when the soil was cool. Praising our large, smooth spinach leaves, free this year of Fusarium wilt, downy mildew, blue mold. And then we spoke of flowers, and there was a joke, you said, about old florists who were forced to make other arrangements. Delphiniums flared along the back fence. All summer it hurt to look at you. 2 I heard a woman on the bus say, “He and I were going in different directions.” As if it had something to do with a latitude or a pole. Trying to write down how love empties itself from a house, how a view changes, how the sign for infinity turns into a noose for a couple. Trying to say that weather weighed down all the streets we traveled on, that if gravel sinks, it keeps sinking. How can I blame you who kneeled day after day in wet soil, pulling slugs from the seedlings? You who built a ten-foot arch for the beans, who hated a bird feeder left unfilled. You who gave carrots to a gang of girls on bicycles. 3 On our last trip we drove through rain to a town lit with vacancies. We’d come to watch whales. At the dock we met five other couples—all of us fluorescent, waterproof, ready for the pitch and frequency of the motor that would lure these great mammals near. The boat chugged forward—trailing a long, creamy wake. The captain spoke from a loudspeaker: In winter gray whales love Laguna Guerrero; it’s warm and calm, no killer whales gulp down their calves. Today we’ll see them on their way to Alaska. If we get close enough, observe their eyes—they’re bigger than baseballs, but can only look down. Whales can communicate at a distance of 300 miles—but it’s my guess they’re all saying, Can you hear me? His laughter crackled. When he told us Pink Floyd is slang for a whale’s two-foot penis, I stopped listening. The boat rocked, and for two hours our eyes were lost in the waves—but no whales surfaced, blowing or breaching or expelling water through baleen plates. Again and again you patiently wiped the spray from your glasses. We smiled to each other, good troopers used to disappointment. On the way back you pointed at cormorants riding the waves— you knew them by name: the Brants, the Pelagic, the double-breasted. I only said, I’m sure whales were swimming under us by the dozens. 4 Trying to write that I loved the work of an argument, the exhaustion of forgiving, the next morning, washing our handprints off the wineglasses. How I loved sitting with our friends under the plum trees, in the white wire chairs, at the glass table. How you stood by the grill, delicately broiling the fish. How the dill grew tall by the window. Trying to explain how camellias spoil and bloom at the same time, how their perfume makes lovers ache. Trying to describe the ways sex darkens and dies, how two bodies can lie together, entwined, out of habit. Finding themselves later, tired, by a fire, on an old couch that no longer reassures. The night we eloped we drove to the rainforest and found ourselves in fog so thick our lights were useless. There’s no choice, you said, we must have faith in our blindness. How I believed you. Trying to imagine the road beneath us, we inched forward, honking, gently, again and again.
Dina Ben-Lev
Paris has a child, and the forest has a bird; the bird is called the sparrow; the child is called the gamin. Couple these two ideas which contain, the one all the furnace, the other all the dawn; strike these two sparks together, Paris, childhood; there leaps out from them a little being. Homuncio, Plautus would say. This little being is joyous. He has not food every day, and he goes to the play every evening, if he sees good. He has no shirt on his body, no shoes on his feet, no roof over his head; he is like the flies of heaven, who have none of these things. He is from seven to thirteen years of age, he lives in bands, roams the streets, lodges in the open air, wears an old pair of trousers of his father's, which descend below his heels, an old hat of some other father, which descends below his ears, a single suspender of yellow listing; he runs, lies in wait, rummages about, wastes time, blackens pipes, swears like a convict, haunts the wine-shop, knows thieves, calls gay women thou, talks slang, sings obscene songs, and has no evil in his heart. This is because he has in his heart a pearl, innocence; and pearls are not to be dissolved in mud. So long as man is in his childhood, God wills that he shall be innocent. If one were to ask that enormous city: "What is this?" she would reply: "It is my little one.
Victor Hugo (Works of Victor Hugo. Les Miserables, Notre-Dame de Paris, Man Who Laughs, Toilers of the Sea, Poems & More)
Did your brother make it?” Uriah says. “Yeah.” Finally I see Tobias, his hand gripping Caleb’s arm, coming toward us. “Not sure why an Erudite like you can’t get it through his head,” Tobias is saying, “but you aren’t going to be able to outrun me.” “He’s right,” says Uriah. “Four’s fast. Not as fast as me, but definitely faster than a Nose like you.” Christina laughs. “A what?” “Nose.” Uriah touches the side of his nose. “It’s a play on words. ‘Knows’ with a ‘K,’ knowledge, Erudite…get it? It’s like Stiff.” “The Dauntless have the weirdest slang. Pansycake, Nose…is there a term for the Candor?” “Of course.” Uriah grins. “Jerks.” Christina shoves Uriah, hard, making him drop the flashlight. Tobias, laughing, leads us to the rest of the group, standing a few feet away.
Veronica Roth (Allegiant (Divergent, #3))
A few words which he wanted to emphasize were put into brackets or set off by quotation marks. My first impulse was to point out to him that it was ridiculous to put slang words and expressions between quotation marks, for that prevents them from entering the language. But I decided not to. When I received his letters, his parentheses made me shudder. At first, it was a shudder of slight shame, disagreeable. Later (and now, when I reread them) the shudder was the same, but I know, by some indefinable, imperceptible change, that it is a shudder of love- it is both poignant and delightful, perhaps because of the memory of the word shame that accompanied it in the beginning. Those parentheses and quotation marks are the flaw on the hip, the beauty mark on the thigh whereby my friend showed that he was himself, irreplaceable, and that he was wounded.
Jean Genet (Miracle of the Rose)
A truly enlightened attitude to language should simply be to let six thousand or more flowers bloom. Subcultures should be allowed to thrive, not just because it is wrong to squash them, because they enrich the wider culture. Just as Black English has left its mark on standard English Culture, South Africans take pride in the marks of Afrikaans and African languages on their vocabulary and syntax. New Zealand's rugby team chants in Maori, dancing a traditional dance, before matches. French kids flirt with rebellion by using verlan, a slang that reverses words' sounds or syllables (so femmes becomes meuf). Argentines glory in lunfardo, an argot developed from the underworld a centyry ago that makes Argentine Spanish unique still today. The nonstandard greeting "Where y'at?" for "How are you?" is so common among certain whites in New Orleans that they bear their difference with pride, calling themselves Yats. And that's how it should be.
Robert Lane Greene (You Are What You Speak: Grammar Grouches, Language Laws, and the Politics of Identity)
Another reason we know that language could not determine thought is that when a language isn't up to the conceptual demands of its speakers, they don't scratch their heads dumbfounded (at least not for long); they simply change the language. They stretch it with metaphors and metonyms, borrow words and phrases from other languages, or coin new slang and jargon. (When you think about it, how else could it be? If people had trouble thinking without language, where would their language have come from-a committee of Martians?) Unstoppable change is the great given in linguistics, which is not why linguists roll their eyes at common claims such as that German is the optimal language of science, that only French allows for truly logical expression, and that indigenous languages are not appropriate for the modern world. As Ray Harlow put it, it's like saying, "Computers were not discussed in Old English; therefore computers cannot be discussed in Modern English.
Steven Pinker (The Stuff of Thought: Language as a Window into Human Nature)
But, by a curious twist, it is not the leadership that is old and decorous that fetches him, but the leadership that is new and extravagant. He will resist dictation out of the past, but he will follow a new messiah with almost Russian willingness, and into the wildest vagaries of economics, religion, morals and speech. A new fallacy in politics spreads faster in the United States than anywhere else on earth, and so does a new fashion in hats, or a new revelation of God, or a new means of killing time, or a new metaphor or piece of slang. Thus the American, on his linguistic side, likes to make his language as he goes along, and not all the hard work of his grammar teachers can hold the business back. A novelty loses nothing by the fact that it is a novelty; it rather gains something, and particularly if it meet the national fancy for the terse, the vivid, and, above all, the bold and imaginative. The characteristic American habit of reducing complex concepts to the starkest abbreviations was already noticeable in colonial times, [Pg023] and such highly typical Americanisms as O. K., N. G., and P. D. Q., have been traced back to the first days of the republic. Nor are the influences that shaped these early tendencies invisible
H.L. Mencken (The American Language)
I was extremely shy of approaching my hero but he, as I found out, was sorely in need of company. By then almost completely blind, he was claustrated and even a little confused and this may help explain the rather shocking attitude that he took to the blunt trauma that was being inflicted in the streets and squares around him. 'This was my country and it might be yet,' he intoned to me when the topic first came up, as it had to: 'But something came between it and the sun.' This couplet he claimed (I have never been able to locate it) was from Edmund Blunden, whose gnarled hand I had been so excited to shake all those years ago, but it was not the Videla junta that Borges meant by the allusion. It was the pre-existing rule of Juan Perón, which he felt had depraved and corrupted Argentine society. I didn't disagree with this at all—and Perón had victimized Borges's mother and sister as well as having Borges himself fired from his job at the National Library—but it was nonetheless sad to hear the old man saying that he heartily preferred the new uniformed regime, as being one of 'gentlemen' as opposed to 'pimps.' This was a touch like listening to Evelyn Waugh at his most liverish and bufferish. (It was also partly redeemed by a piece of learned philology or etymology concerning the Buenos Aires dockside slang for pimp: canfinflero. 'A canfinfla, you see,' said Borges with perfect composure, 'is a pussy or more exactly a cunt. So a canfinflero is a trafficker in cunt: in Anglo-Saxon we might say a 'cunter."' Had not the very tango itself been evolved in a brothel in 1880? Borges could talk indefinitely about this sort of thing, perhaps in revenge for having had an oversolicitous mother who tyrannized him all his life.)
Christopher Hitchens (Hitch 22: A Memoir)
Now that you are living on such intimate terms with her, Gwyn has emerged as a slightly different person... She is both funnier and more salacious than you imagined, more vulgar and idiosyncratic, more passionate, more playful, and you are startled to realize how deeply she exults in filthy language and the bizarre slang of sex... Common twentieth-century words do not interest her. She shuns the term making love, for example, in favor of older, more hilarious locutions, such as rumpty-rumpty, quaffing, and bonker bang. A good orgasm is referred to as a bone-shaker. Her ass is a rumdadum. Her crotch is a slittie, a quim, a quim-box, a quimsby. Her breasts are boobs and tits, boobies and titties, her twin girls. At one time or another, your penis is a bong, a blade, a slurp, a shaft, a drill, a quencher, a lancelot, a lightning rod, Charles Dickens, Dick Driver, and Adam Junior... In the grip of approaching orgasm, however, she tends to revert to the contemporary standbys, falling back on the simplest, crudest words in the English lexicon to express her feelings. Cunt, pussy, fuck. Fuck me, Adam. Again and again. Fuck me, Adam. For an entire month you are the captive of that word, the willing prisoner of that word, the embodiment of that word. You dwell in the land of flesh, and your cup runneth over. Surely goodness and mercy shall follow you all the days of your life.
Paul Auster (Invisible (Rough Cut))
Okay," she murmured. "I love you." "I love you too." She looked up at Holgar and realized that he didn't understand. She could feel her heartbeat speeding up, and she shook her head. His smile began to fade. "Not as a friend, or as a partner. Holgar, I—I love you, and I want to be with you." His smile faded, and his eyes took on a strange look. She could feel herself beginning to panic. He doesn't feel the same way. That's okay. At least I told him. "Like a mate?" he asked. She almost started laughing. A mate was British slang for a best friend. But that's not what Holgar was likely referencing. He was a werewolf, and they called their spouses mates. "Like a mate," she said, managing not to giggle at the unexpected language barrier. He still looked confused and a little lost. "For helvede," she said, using his favourite curse word. And then she leaned forward and kissed him. She tasted surprise on his lips for just a moment, and then he wrapped his arms around her and crushed her to him. she would have to do a healing spell on her bruised ribs later, but at the moment she didn't care. All she cared about was the passion, the yearning, she felt from him. When at last they broke apart, she whispered again, "I love you." "I love you too," he said. And looking into his eyes this time, she knew that they were talking about the same thing. "So, do we want to give us a shot?" she asked, breathless. He looked at her, confusion again returning to his eyes. "You love me, ja?" "Yes, ja," she said. He grinned at her. His eyes danced. "Then marry me.
Nancy Holder (Vanquished (Crusade, #3))
What does this F. — I.W. mean?” “Initial-slang,” informed Baines. “Made correct by common usage. It has become a worldwide motto. You’ll see it all over the place if you haven’t noticed it already.” “I have seen it here and there but attached no importance to it and thought nothing more about it. I remember now that it was inscribed in several places including Seth’s and the fire depot.” “It was on the sides of that bus we couldn’t empty,” put in Gleed. “It didn’t mean anything to me.” “It means plenty,” said Jeff. “Freedom — I Won’t!” “That kills me,” Gleed responded. “I’m stone dead already. I’ve dropped in my tracks.” He watched Harrison thoughtfully pocketing the plaque. “A piece of abracadabra. What a weapon!” “Ignorance is bliss,” asserted Baines, strangely sure of himself. “Especially when you don’t know that what you’re playing with is the safety catch of something that goes bang.” “All right,” challenged Gleed, taking him up on that. “Tell us how it works.” “I won’t.” Baines’ grin reappeared. He seemed to be highly satisfied about something. “That’s a fat lot of help.” Gleed felt let down, especially over that momentary hoped-for reward. “You brag and boast about a one-way weapon, toss across a slip of stuff with three letters on it and then go dumb. Any folly will do for braggarts and any braggart can talk through the seat of his pants. How about backing up your talk?” “I won’t,” repeated Baines, his grin broader than ever. He gave the onlooking Harrison a fat, significant wink. It made something spark vividly within Harrison’s mind. His jaw dropped, he dragged the plaque from his pocket and stared at it as if seeing it for the first time. “Give it back to me,” requested Baines, watching him. Replacing it in his pocket, Harrison said very firmly, “I won’t.” Baines chuckled. “Some people catch on quicker than others.
Eric Frank Russell (. . . And Then There Were None (Astounding Science Fiction, December))